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Myth, Metatext, Continuity and Cataclysm in Dc Comics’ Crisis on Infinite Earths
WORLDS WILL LIVE, WORLDS WILL DIE: MYTH, METATEXT, CONTINUITY AND CATACLYSM IN DC COMICS’ CRISIS ON INFINITE EARTHS Adam C. Murdough A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2006 Committee: Angela Nelson, Advisor Marilyn Motz Jeremy Wallach ii ABSTRACT Angela Nelson, Advisor In 1985-86, DC Comics launched an extensive campaign to revamp and revise its most important superhero characters for a new era. In many cases, this involved streamlining, retouching, or completely overhauling the characters’ fictional back-stories, while similarly renovating the shared fictional context in which their adventures take place, “the DC Universe.” To accomplish this act of revisionist history, DC resorted to a text-based performative gesture, Crisis on Infinite Earths. This thesis analyzes the impact of this singular text and the phenomena it inspired on the comic-book industry and the DC Comics fan community. The first chapter explains the nature and importance of the convention of “continuity” (i.e., intertextual diegetic storytelling, unfolding progressively over time) in superhero comics, identifying superhero fans’ attachment to continuity as a source of reading pleasure and cultural expressivity as the key factor informing the creation of the Crisis on Infinite Earths text. The second chapter consists of an eschatological reading of the text itself, in which it is argued that Crisis on Infinite Earths combines self-reflexive metafiction with the ideologically inflected symbolic language of apocalypse myth to provide DC Comics fans with a textual "rite of transition," to win their acceptance for DC’s mid-1980s project of self- rehistoricization and renewal. -
Copyright 2013 Shawn Patrick Gilmore
Copyright 2013 Shawn Patrick Gilmore THE INVENTION OF THE GRAPHIC NOVEL: UNDERGROUND COMIX AND CORPORATE AESTHETICS BY SHAWN PATRICK GILMORE DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate College of the University of Illinois at Urbana-Champaign, 2013 Urbana, Illinois Doctoral Committee: Professor Michael Rothberg, Chair Professor Cary Nelson Associate Professor James Hansen Associate Professor Stephanie Foote ii Abstract This dissertation explores what I term the invention of the graphic novel, or more specifically, the process by which stories told in comics (or graphic narratives) form became longer, more complex, concerned with deeper themes and symbolism, and formally more coherent, ultimately requiring a new publication format, which came to be known as the graphic novel. This format was invented in fits and starts throughout the twentieth century, and I argue throughout this dissertation that only by examining the nuances of the publishing history of twentieth-century comics can we fully understand the process by which the graphic novel emerged. In particular, I show that previous studies of the history of comics tend to focus on one of two broad genealogies: 1) corporate, commercially-oriented, typically superhero-focused comic books, produced by teams of artists; 2) individually-produced, counter-cultural, typically autobiographical underground comix and their subsequent progeny. In this dissertation, I bring these two genealogies together, demonstrating that we can only truly understand the evolution of comics toward the graphic novel format by considering the movement of artists between these two camps and the works that they produced along the way. -
Queer Here: Poetry to Comic Emma Lennen Katie Jan
Queer Here: Poetry to Comic Emma Lennen Katie Jan Pull Quote: “For the new audience of queer teenagers, the difference between the public and the superhero resonates with them because they feel different from the rest of society.” Consider this: a superhero webcomic. Now consider this: a queer superhero webcomic. If you are anything like me, you were infinitely more elated at the second choice, despite how much you enjoy the first. I love reading queer webcomics because by being online, they bypass publishers who may shoot them down for their queerness. As a result, they manage to elude the systematic repression of the LGBTQA+ community. In the 1950s, when repression of the community was even more prevalent, Frank O’Hara wrote the poem “Homosexuality” to express his journey of acceptance as well as to give advice to future gay people. The changes I made in my translation of the poem “Homosexuality” into a modern webcomic demonstrate the different time periods’ expectations of queer content, while still telling the same story with the same purpose, just in a different genre. Despite the difference between the genres, the first two lines and the copious amount of imagery present in the poem allowed for some near-direct translation. The poem begins with “So we are taking off our masks, are we, and keeping / our mouths shut? As if we’d been pierced by a glance!” (O’Hara 1-2). While usually masks symbolize hiding your true self and therefore have a negative connotation, the poem instead considers it one’s pride. Similarly, for many superheroes, the mask does not represent shame, it represents power and responsibility. -
Englehart Steve
AE103Cover FINAL_AE49 Trial Cover.qxd 6/22/11 4:48 PM Page 1 BOOKS FROM TWOMORROWS PUBLISHING Roy Thomas’ Stainless Comics Fanzine $7.95 In the USA No.103 July 2011 STAN LEE UNIVERSE CARMINE INFANTINO SAL BUSCEMA MATT BAKER The ultimate repository of interviews with and PENCILER, PUBLISHER, PROVOCATEUR COMICS’ FAST & FURIOUS ARTIST THE ART OF GLAMOUR mementos about Marvel Comics’ fearless leader! Shines a light on the life and career of the artistic Explores the life and career of one of Marvel Comics’ Biography of the talented master of 1940s “Good (176-page trade paperback) $26.95 and publishing visionary of DC Comics! most recognizable and dependable artists! Girl” art, complete with color story reprints! (192-page hardcover with COLOR) $39.95 (224-page trade paperback) $26.95 (176-page trade paperback with COLOR) $26.95 (192-page hardcover with COLOR) $39.95 QUALITY COMPANION BATCAVE COMPANION EXTRAORDINARY WORKS IMAGE COMICS The first dedicated book about the Golden Age Unlocks the secrets of Batman’s Silver and Bronze OF ALAN MOORE THE ROAD TO INDEPENDENCE publisher that spawned the modern-day “Freedom Ages, following the Dark Knight’s progression from Definitive biography of the Watchmen writer, in a An unprecedented look at the company that sold Fighters”, Plastic Man, and the Blackhawks! 1960s camp to 1970s creature of the night! new, expanded edition! comics in the millions, and their celebrity artists! (256-page trade paperback with COLOR) $31.95 (240-page trade paperback) $26.95 (240-page trade paperback) $29.95 (280-page trade -
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JACK KIRBY COLLECTOR THIRTY-NINE $9 95 IN THE US . c n I , s r e t c a r a h C l e v r a M 3 0 0 2 © & M T t l o B k c a l B FAN FAVORITES! THE NEW COPYRIGHTS: Angry Charlie, Batman, Ben Boxer, Big Barda, Darkseid, Dr. Fate, Green Lantern, RETROSPECTIVE . .68 Guardian, Joker, Justice League of America, Kalibak, Kamandi, Lightray, Losers, Manhunter, (the real Silver Surfer—Jack’s, that is) New Gods, Newsboy Legion, OMAC, Orion, Super Powers, Superman, True Divorce, Wonder Woman COLLECTOR COMMENTS . .78 TM & ©2003 DC Comics • 2001 characters, (some very artful letters on #37-38) Ardina, Blastaar, Bucky, Captain America, Dr. Doom, Fantastic Four (Mr. Fantastic, Human #39, FALL 2003 Collector PARTING SHOT . .80 Torch, Thing, Invisible Girl), Frightful Four (Medusa, Wizard, Sandman, Trapster), Galactus, (we’ve got a Thing for you) Gargoyle, hercules, Hulk, Ikaris, Inhumans (Black OPENING SHOT . .2 KIRBY OBSCURA . .21 Bolt, Crystal, Lockjaw, Gorgon, Medusa, Karnak, C Front cover inks: MIKE ALLRED (where the editor lists his favorite things) (Barry Forshaw has more rare Kirby stuff) Triton, Maximus), Iron Man, Leader, Loki, Machine Front cover colors: LAURA ALLRED Man, Nick Fury, Rawhide Kid, Rick Jones, o Sentinels, Sgt. Fury, Shalla Bal, Silver Surfer, Sub- UNDER THE COVERS . .3 GALLERY (GUEST EDITED!) . .22 Back cover inks: P. CRAIG RUSSELL Mariner, Thor, Two-Gun Kid, Tyrannus, Watcher, (Jerry Boyd asks nearly everyone what (congrats Chris Beneke!) Back cover colors: TOM ZIUKO Wyatt Wingfoot, X-Men (Angel, Cyclops, Beast, n their fave Kirby cover is) Iceman, Marvel Girl) TM & ©2003 Marvel Photocopies of Jack’s uninked pencils from Characters, Inc. -
Captain America and the Struggle of the Superhero This Page Intentionally Left Blank Captain America and the Struggle of the Superhero Critical Essays
Captain America and the Struggle of the Superhero This page intentionally left blank Captain America and the Struggle of the Superhero Critical Essays Edited by ROBERT G. WEINER Foreword by JOHN SHELTON LAWRENCE Afterword by J.M. DEMATTEIS McFarland & Company, Inc., Publishers Jefferson, North Carolina, and London ALSO BY ROBERT G. WEINER Marvel Graphic Novels and Related Publications: An Annotated Guide to Comics, Prose Novels, Children’s Books, Articles, Criticism and Reference Works, 1965–2005 (McFarland, 2008) LIBRARY OF CONGRESS CATALOGUING-IN-PUBLICATION DATA Captain America and the struggle of the superhero : critical essays / edited by Robert G. Weiner ; foreword by John Shelton Lawrence ; afterword by J.M. DeMatteis. p. cm. Includes bibliographical references and index. ISBN 978-0-7864-3703-0 softcover : 50# alkaline paper ¡. America, Captain (Fictitious character) I. Weiner, Robert G., 1966– PN6728.C35C37 2009 741.5'973—dc22 2009000604 British Library cataloguing data are available ©2009 Robert G. Weiner. All rights reserved No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying or recording, or by any information storage and retrieval system, without permission in writing from the publisher. Cover images ©2009 Shutterstock Manufactured in the United States of America McFarland & Company, Inc., Publishers Box 6¡¡, Je›erson, North Carolina 28640 www.mcfarlandpub.com Dedicated to My parents (thanks for your love, and for putting up with me), and Larry and Vicki Weiner (thanks for your love, and I wish you all the happiness in the world). JLF, TAG, DW, SCD, “Lizzie” F, C Joyce M, and AH (thanks for your friend- ship, and for being there). -
|||GET||| Superheroes and American Self Image 1St Edition
SUPERHEROES AND AMERICAN SELF IMAGE 1ST EDITION DOWNLOAD FREE Michael Goodrum | 9781317048404 | | | | | Art Spiegelman: golden age superheroes were shaped by the rise of fascism International fascism again looms large how quickly we humans forget — study these golden age Superheroes and American Self Image 1st edition hard, boys and girls! Retrieved June 20, Justice Society of America vol. Wonder Comics 1. One of the ways they showed their disdain was through mass comic burnings, which Hajdu discusses Alysia Yeoha supporting character created by writer Gail Simone for the Batgirl ongoing series published by DC Comics, received substantial media attention in for being the first major transgender character written in a contemporary context in a mainstream American comic book. These sound effects, on page and screen alike, are unmistakable: splash art of brightly-colored, enormous block letters that practically shout to the audience for attention. World's Fair Comics 1. For example, Black Panther, first introduced inspent years as a recurring hero in Fantastic Four Goodrum ; Howe Achilles Warkiller. The dark Skull Man manga would later get a television adaptation and underwent drastic changes. The Senate committee had comic writers panicking. Howe, Marvel Comics Kurt BusiekMark Bagley. During this era DC introduced the Superheroes and American Self Image 1st edition of Batwoman inSupergirlMiss Arrowetteand Bat-Girl ; all female derivatives of established male superheroes. By format Comic books Comic strips Manga magazines Webcomics. The Greatest American Hero. Seme and uke. Len StrazewskiMike Parobeck. This era saw the debut of one of the earliest female superheroes, writer-artist Fletcher Hanks 's character Fantomahan ageless ancient Egyptian woman in the modern day who could transform into a skull-faced creature with superpowers to fight evil; she debuted in Fiction House 's Jungle Comic 2 Feb. -
Alex Kershaw
The 75th Anniversary of the WWII Italian Campaign • 1943 - 2018 The Liberator Malta, Sicily & Italy Aboard the Legendary Sea Cloud II OCTOBER 19 – 28, 2018 Extend your journey with our three-night post-tour in Rome & Florence Book early and save up to $2,000 per couple See page 43 for details. FEATURING AUTHOR & HISTORIAN ALEX KERSHAW Follow in the footsteps of US Army officer Felix Sparks, subject of Alex Kershaw’s best-selling book The Liberator, while seeing the best of Italy and visiting all of the key sites in the Italian campaign with the world's foremost experts in WWII history. Dear friend of the Museum and fellow traveler, t is my great delight to invite you to travel with me and my esteemed colleagues from The National WWII Museum on an epic voyage of liberation and wonder – Ifrom the ancient harbor of Valetta, Malta, to the shores of Italy, and all the way to the gates of Rome. I have written about many extraordinary warriors but none who gave more than Felix Sparks of the 45th “Thunderbird” Infantry Division. He experienced the full horrors of the key battles in Italy–a land of “mountains, mules, and mud,” but also of unforgettable beauty. Sparks fought from the very first day that Americans landed in Europe on July 10, 1943, to the end of the war. He earned promotions first as commander of an infantry company and then an entire battalion through Italy, France, and Germany, to the hell of Dachau. His was a truly awesome odyssey: from the beaches of Sicily to the ancient ruins at Paestum near Salerno; along the jagged, mountainous spine of Italy to the Liri Valley, overlooked by the Abbey of Monte Cassino; to the caves of Anzio where he lost his entire company in what his German foes believed was the most savage combat of the war–worse even than Stalingrad. -
List of American Comics Creators 1 List of American Comics Creators
List of American comics creators 1 List of American comics creators This is a list of American comics creators. Although comics have different formats, this list covers creators of comic books, graphic novels and comic strips, along with early innovators. The list presents authors with the United States as their country of origin, although they may have published or now be resident in other countries. For other countries, see List of comic creators. Comic strip creators • Adams, Scott, creator of Dilbert • Ahern, Gene, creator of Our Boarding House, Room and Board, The Squirrel Cage and The Nut Bros. • Andres, Charles, creator of CPU Wars • Berndt, Walter, creator of Smitty • Bishop, Wally, creator of Muggs and Skeeter • Byrnes, Gene, creator of Reg'lar Fellers • Caniff, Milton, creator of Terry and the Pirates and Steve Canyon • Capp, Al, creator of Li'l Abner • Crane, Roy, creator of Captain Easy and Wash Tubbs • Crespo, Jaime, creator of Life on the Edge of Hell • Davis, Jim, creator of Garfield • Defries, Graham Francis, co-creator of Queens Counsel • Fagan, Kevin, creator of Drabble • Falk, Lee, creator of The Phantom and Mandrake the Magician • Fincher, Charles, creator of The Illustrated Daily Scribble and Thadeus & Weez • Griffith, Bill, creator of Zippy • Groening, Matt, creator of Life in Hell • Guindon, Dick, creator of The Carp Chronicles and Guindon • Guisewite, Cathy, creator of Cathy • Hagy, Jessica, creator of Indexed • Hamlin, V. T., creator of Alley Oop • Herriman, George, creator of Krazy Kat • Hess, Sol, creator with -
BCALA and GNCRT May Have Contributed to the Items Listed Here, and May Have Done So on a Voluntary Or Paid Basis
BCALA and the ALA Graphic Novels and Comics Round Table: Afrofuturism Last updated March 15, 2021 For the next iteration of our ongoing collaboration between the Black Caucus of the American Library Association (BCALA) and the Graphic Novels and Comics Round Table of the American Library Association (GNCRT), we are presenting themed Black Lives Matter comics reading mini-lists with a continued focus on Black literature. Titles are alphabetically arranged with their target audiences denoted in parentheses: A for Adult, YA for Young Adult, and J for Juvenile. However, many of these stories cross age groups! In addition, each list includes supplementary works for a deeper analysis, and each highlights a Black-owned comics publisher. You may notice that these lists include a slim collection of middle grade titles. This is due to the dearth of readily accessible comics and graphic novels by Black creators by established children’s publishing companies. For younger children, while some board books and picture books may suffice, there is a glaring shortage of middle grade comics and graphic novels by Black creators. Evidence has suggested a significant decline in pleasure reading by age nine (Scholastic’s “Decline By Nine”), a critical year to encourage a lifelong love of reading. As essential discussions are being held surrounding diversity in literature, reluctant readers, and attractive titles for young readers, the necessity for representation must be addressed. We implore publishers to uplift Black voices by hiring Black authors and illustrators to tell Black stories of all genres and topics in which Black readers can see themselves, and readers can view different experiences beyond their own lens. -
39635191.Pdf
table of contents RKYV # 28 {September 2009} RKYV ONLINE LOGO - David Marshall { current } RKYV ONLINE LOGO – r. j. paré {modified} RKYV COMICS LOGO – Roy G. James {original} Virtual Cover # 28 Writer’s Column - Art by Allen Freeman - By Larissa Gula - Layout by David Marshall Poetry Interior Art - By Dexter Betantos, Anna Gehmacher, - By Jonathan Biermann, De Tourist, Roger Frances Vargas, r. j. paré Formidable, Engin Korkmaz, Lisa Marie Mueller, Dave Michaels, r. j. paré, Allen Music Freeman. - “Redhouse” - by r. j. pare Editorial Column - “At the Outset: A Few Thoughts from the Short Fiction Editor” - “Bad Beat – Part 2” - By r. j. paré - By r. j. paré In the News Pop Culture - By Tom Rossini - “An interview with Jimmy Palmiotti” - By Brad Bellmore Featured Artist Review - “Comic Book Review” – Allen Freeman - By Brad Bellmore - By r .j. paré - “Raised on Saturday Morning Cartoons” - By Pauline Paré 12 Inches – by Roger Formidable at the outset a few thoughts from the editor By r. j. paré “I suppose I should collect my books And go back to school.” --- Rod Stewart The summer ends and with it the time for idle days at the beach. For our children, moaning and groaning it is time to head on back fer some more of that fancy book learning. For ourselves it can be an opportunity to devote extra time to our never ending back-log of projects. Whether it is a leaky roof that needs fixing before winter or some creative time to express yourself… we all have stuff that piles up. Here at RKYV ONLINE we’ve, lately, devoted more energy to showcasing bigger names and talents as a means of sharing with you – our readers, contributors and developing artists – what is possible when you truly invest in your own creativity. -
NEDOR HEROES! $ NEDOR HEROES! In8 Th.E9 U5SA
Roy Tho mas ’Sta nd ard Comi cs Fan zine OKAY,, AXIS—HERE COME THE GOLDEN AGE NEDOR HEROES! $ NEDOR HEROES! In8 th.e9 U5SA No.111 July 2012 . y e l o F e n a h S 2 1 0 2 © t r A 0 7 1 82658 27763 5 Vol. 3, No. 111 / July 2012 Editor Roy Thomas Associate Editors Bill Schelly Jim Amash Design & Layout Jon B. Cooke Consulting Editor John Morrow FCA Editor P.C. Hamerlinck Comic Crypt Editor Michael T. Gilbert Editorial Honor Roll Jerry G. Bails (founder) Ronn Foss, Biljo White, Mike Friedrich Proofreaders Rob Smentek, William J. Dowlding Cover Artist Shane Foley (after Frank Robbins & John Romita) Cover Colorist Tom Ziuko With Special Thanks to: Deane Aikins Liz Galeria Bob Mitsch Contents Heidi Amash Jeff Gelb Drury Moroz Ger Apeldoorn Janet Gilbert Brian K. Morris Writer/Editorial: Setting The Standard . 2 Mark Austin Joe Goggin Hoy Murphy Jean Bails Golden Age Comic Nedor-a-Day (website) Nedor Comic Index . 3 Matt D. Baker Book Stories (website) Michelle Nolan illustrated! John Baldwin M.C. Goodwin Frank Nuessel Michelle Nolan re-presents the 1968 salute to The Black Terror & co.— John Barrett Grand Comics Wayne Pearce “None Of Us Were Working For The Ages” . 49 Barry Bauman Database Charles Pelto Howard Bayliss Michael Gronsky John G. Pierce Continuing Jim Amash’s in-depth interview with comic art great Leonard Starr. Rod Beck Larry Guidry Bud Plant Mr. Monster’s Comic Crypt! Twice-Told DC Covers! . 57 John Benson Jennifer Hamerlinck Gene Reed Larry Bigman Claude Held Charles Reinsel Michael T.