Click Above for a Preview, Or Download

Total Page:16

File Type:pdf, Size:1020Kb

Click Above for a Preview, Or Download JACK KIRBY COLLECTOR THIRTY-NINE $9 95 IN THE US . c n I , s r e t c a r a h C l e v r a M 3 0 0 2 © & M T t l o B k c a l B FAN FAVORITES! THE NEW COPYRIGHTS: Angry Charlie, Batman, Ben Boxer, Big Barda, Darkseid, Dr. Fate, Green Lantern, RETROSPECTIVE . .68 Guardian, Joker, Justice League of America, Kalibak, Kamandi, Lightray, Losers, Manhunter, (the real Silver Surfer—Jack’s, that is) New Gods, Newsboy Legion, OMAC, Orion, Super Powers, Superman, True Divorce, Wonder Woman COLLECTOR COMMENTS . .78 TM & ©2003 DC Comics • 2001 characters, (some very artful letters on #37-38) Ardina, Blastaar, Bucky, Captain America, Dr. Doom, Fantastic Four (Mr. Fantastic, Human #39, FALL 2003 Collector PARTING SHOT . .80 Torch, Thing, Invisible Girl), Frightful Four (Medusa, Wizard, Sandman, Trapster), Galactus, (we’ve got a Thing for you) Gargoyle, hercules, Hulk, Ikaris, Inhumans (Black OPENING SHOT . .2 KIRBY OBSCURA . .21 Bolt, Crystal, Lockjaw, Gorgon, Medusa, Karnak, C Front cover inks: MIKE ALLRED (where the editor lists his favorite things) (Barry Forshaw has more rare Kirby stuff) Triton, Maximus), Iron Man, Leader, Loki, Machine Front cover colors: LAURA ALLRED Man, Nick Fury, Rawhide Kid, Rick Jones, o Sentinels, Sgt. Fury, Shalla Bal, Silver Surfer, Sub- UNDER THE COVERS . .3 GALLERY (GUEST EDITED!) . .22 Back cover inks: P. CRAIG RUSSELL Mariner, Thor, Two-Gun Kid, Tyrannus, Watcher, (Jerry Boyd asks nearly everyone what (congrats Chris Beneke!) Back cover colors: TOM ZIUKO Wyatt Wingfoot, X-Men (Angel, Cyclops, Beast, n their fave Kirby cover is) Iceman, Marvel Girl) TM & ©2003 Marvel Photocopies of Jack’s uninked pencils from Characters, Inc. • Captain Victory, Silver Star, t KIRBY AS A GENRE . .42 Galaxy Green TM & ©2003 Jack Kirby Estate • INNER VIEW . .7 (it’s not Kirby, but it’s close) published comics are reproduced here Foxhole, Fighting American, Bullseye, Stuntman e (Jack’s on Entertainment Tonight! ) courtesy of the Kirby Estate, which has our TM & ©2003 Simon & Kirby • Airboy TM & RETROSPECTIVE . .44 ©2003 Todd McFarlane Productions, Inc. • The thanks for their continued support. Fly, The Shield TM & ©2003 Archie Publications, n JACK F.A.Q. s . .8 (they’re creepy and they’re kooky...) Inc. • Conan, Red Sonja TM & ©2003 Robert E. (who’s the better artist, Kirby or Buscema?) Howard, Inc. • Tarzan TM & ©2003 Edgar Rice t TRIBUTE . .55 (below) Jack’s cover pencils from Burroughs, Inc. • Addams Family TM & ©2003 RETROSPECTIVE . .14 (better late than never, it’s the 2002 Kirby Estate of Charles Addams and Filmways TV Marvel Super-Heroes #54 (Nov. 1975). Productions, Inc. • Batman TV show TM & ©2003 s (Ang Lee is green with envy) Tribute Panel) 20th Century Fox, Inc. Hulk TM & ©2003 Marvel Characters, Inc. The Jack Kirby Collector , Vol. 10, No. 39, Fall 2003. Published quarterly by & ©2003 TwoMorrows Publishing, 1812 Park Drive, Raleigh, NC 27605, USA. 919-833-8092. John Morrow, Editor. Pamela Morrow, Asst. Editor. Eric Nolen-Weathington, Production Assistant. Single issues: $13 postpaid ($15 Canada, $16 elsewhere). Four-issue subscriptions: $36.00 US, $60.00 Canada, $64.00 elsewhere. All characters are trademarks of their respective companies. All artwork is ©2003 Jack Kirby unless otherwise noted. All editorial matter is ©2003 the respective authors. First printing. PRINTED IN CANADA. 1 tribute, with more material being added all the Opening Shot by John Morrow, editor of TJKC time, so check it out. Things are also afoot from other FOOJs (that’s amilies are remarkable things. They’re the only people you can “Friends Of Ol’ 1994- 2004 go to and get generally universal acceptance. And even though Jack”) that’ll F Jack passed away almost ten years ago, the family of friends F impact the King’s and relatives united by the presence 1 name “Kirby” is as strong as on the Web. ever—a testament to how Look for an remarkable a figure Jack was. exciting announce - 2004 marks the tenth ment in September 2004— anniversary of this magazine, not so coincidentally, exactly ten years to the day of which launched TwoMorrows the release of TJKC #1. Publishing. Last July, my wife Another new addition to the Kirby “family” came Pam, daughter Lily, and I took on August 13, as Kirby biographer Ray Wyman Jr. our annual sojourn to beauti - and his wife Mary welcomed their second child ful San Diego, California for Thomas Francis to the world. We’re sure he’ll be the tenth time (first in 1991, properly taught the value of square fingers, toes, and A Few Of My Favorite Things! then nine in a row starting in 1995) to squiggly knees. attend Comicon. It was Lily’s second year Lastly, if you have listing corrections or updated addi - (she was just shy of two years old at the tions that you wish to send to The Jack Kirby Checklist , please time), but she probably had the most fun send them to Richard Kolkman’s new post office box or e-mail of any of us. Friends we’ve made over the address below. Your ongoing help and support results in the last decade flocked to our booth, ooohing definitive listing of the work of The King of Comics, and this and aaahing over our little girl and giving list is always being updated and expanded to become ever her gifts, while we all caught up on what’s more accurate. been going on in Richard Kolkman each others’ lives Seriocomics since the last San Box 501905 Diego con. Indianapolis, IN 46250 But perhaps our [email protected] ultimate experience (top) My daughter Lily picking this year had little to do with comics, when Lily On a more personal out her Halloween pumpkin! got to spend an afternoon playing with Jeremy note, I’d like to dedicate and Crystal Kirby’s daughter Hannah. There this issue to the memory (center) The Kirby “family” at was something so right about seeing my daugh - of the little Morrow who the 2002 San Diego Con. Left to right: Grandson Jeremy ter walk off hand-in-hand with Jack and Roz’s didn’t make it. You’re the Kirby, Ray Wyman Jr., great-granddaughter. Besides being absolutely reason it was so late, and granddaughter Tracy Kirby, adorable, Hannah’s awfully advanced for a though we never got to former Kirby assistant Steve two-year-old, and she proceeded to amaze my know you, you continue Sherman, family friend Mike wife by teaching Lily all kinds of new things that day. It made us to impact our lives daily. We’ll see you again one day. # Thibodeaux, and Jeremy’s both wonder if she inherited a little bit of Jack’s non-stop mind. wife Crystal (holding baby Hannah’s dad has a new website devoted to his grandfather— Hannah as a one-year-old). www.jackkingkirby.com —and Jeremy’s put together a wonderful (above) Recent shot of Jeremy, Crystal, and Hannah Kirby, and (right) Jeremy’s new website; check it out! Must-Have Kirby Items From TwoMorrows! Characters TM & ©2003 Marvel Characters, Inc. • In February, we’re re-releasing THE COLLECTED JACK KIRBY COLLECTOR, VOL. ONE , which reprints TJKC #1-9 plus 30 pieces of Kirby art never shown anywhere else! $29 US postpaid & M • Now shipping is the debut issue of our new magazine BACK T a c i . r ISSUE!, which features an even dozen pages of Kirby’s pencil . c e e n t I m a , t A s s r art in the inaugural “Rough Stuff” section, plus a FULL-COLOR n E e i t a y c t b a p r r i presentation of Jack’s hand-colored guides for the covers of a a K C h . k C s c l c JIMMY OLSEN #133 and FOREVER PEOPLE #1. $8 US postpaid a i e . J v c m r n 3 I o a 0 , C M s 0 r C 2 • Initial mail-only sales of the CAPTAIN VICTORY: GRAPHITE EDITION 3 e t D 0 © c 0 3 a 2 & r 0 haven’t done the trick, so we’re offering it through stores in a 0 © h M 2 T C & © l y e r March (all proceeds go toward scanning the Kirby Archives!). To M & v o T r t c a s M i r T V M e avoid a sell out, order yours before March! $8 US postpaid t n n 3 c i a 0 a a t r 0 m a t p 2 a a h See the ads elsewhere in this issue for ordering details! © B C C 2 Under The Covers Covering It All! Written and compiled by Jerry Boyd (with help from John Morrow and John Fleskes) Our front cover this issue is inked by erily, ’tis true that ye cannot judge a book by its cover. However, you can Mike Allred, returning judge a comic magazine cover on its own merits and a cover by our for a reader-requested VVbeloved king usually stated a mouthful. Whether Jack was capturing the second outing at a essence of his own regularly drawn books, or a dramatic moment in time for TJKC cover (his first stories done by others, there was always something about a Kirby cover that being on issue #28’s wraparound beauty). demanded your undivided attention. This Black Bolt piece The cover pieces the king produced in his long, stellar career number in (at left) first appeared the thousands. Nevertheless, the memories they evoke remain so tangible in Fantastic Four that one can probably pinpoint the place/places—whether it be big city Annual #5 (1967), newsstand, comics office, home-delivered subscription issue, or that familiar inked by Frank spinner rack in your local drug store/convenience market—where one first lay eyes on the Fly cautiously approaching the malevolent Giacoia, and we Spider Spry ( Adventures of the Fly #1), or an outmatched Captain America almost cowering before the Enchantress and Power Man originally ran the (Avengers #22), or the Forever People in the evil grip of Desaad ( Forever People #4), to name a few examples.
Recommended publications
  • Marvel Universe by Hasbro
    Brian's Toys MARVEL Buy List Hasbro/ToyBiz Name Quantity Item Buy List Line Manufacturer Year Released Wave UPC you have TOTAL Notes Number Price to sell Last Updated: April 13, 2015 Questions/Concerns/Other Full Name: Address: Delivery Address: W730 State Road 35 Phone: Fountain City, WI 54629 Tel: 608.687.7572 ext: 3 E-mail: Referred By (please fill in) Fax: 608.687.7573 Email: [email protected] Guidelines for Brian’s Toys will require a list of your items if you are interested in receiving a price quote on your collection. It is very important that we Note: Buylist prices on this sheet may change after 30 days have an accurate description of your items so that we can give you an accurate price quote. By following the below format, you will help Selling Your Collection ensure an accurate quote for your collection. As an alternative to this excel form, we have a webapp available for http://buylist.brianstoys.com/lines/Marvel/toys . STEP 1 Please note: Yellow fields are user editable. You are capable of adding contact information above and quantities/notes below. Before we can confirm your quote, we will need to know what items you have to sell. The below list is by Marvel category. Search for each of your items and enter the quantity you want to sell in column I (see red arrow). (A hint for quick searching, press Ctrl + F to bring up excel's search box) The green total column will adjust the total as you enter in your quantities.
    [Show full text]
  • Oktober 1968 CM # 005 (20 Seiten) Autor: Arnold Drake, Zeichner: Don Heck, Inker: John Tartaglione Hit Comics Nr. 203 , 1970 Rä
    CAPTAIN MARVEL Checkliste (klassische Deutsche Ausgaben 1967-1977) Marvel Super-Heroes (Vol. 1) # 12-13 Oktober 1968 (Dezember 1967 - März 1968) CM # 005“The Mark Of The Metazoid!” (20 Seiten) Captain Marvel (Vol. 1) # 1-14 Autor: Arnold Drake, Zeichner: Don Heck, (Mai 1968 - Juli 1969) Inker: John Tartaglione Hit Comics Nr. 203 Dezember 1967 „Der Angriff des Metazoids“, 1970 MSH # 12“The Coming Of Captain Marvel!” (15 Seiten) Autor: Stan Lee, Zeichner: Gene Colan, Inker: Frank Giacoia Rächer Nr. 12-15„Das Los des Metazoiden!“ , (keine deutsche Veröffentlichung) Dezember 1974-März 1975 Übersetzung: Hartmut Huff, März 1968 Lettering: C. Raschke/U. Mordek/ MSH # 13“Where Stalks The Sentry!” (20 Seiten) M. Gerson/U. Mordek Autor: Roy Thomas, Zeichner: Gene Colan, Inker: Paul Reinman November 1968 (keine deutsche Veröffentlichung) CM # 006“In The Path Of Solam!” (20 Seiten) Autor: Arnold Drake, Zeichner: Don Heck, Mai 1968 Inker: John Tartaglione CM # 001“Out Of The Holocaust - - A Hero!” (21 Seiten) Hit Comics Nr. 203 Autor: Roy Thomas, Zeichner: Gene Colan, „Die Macht des Solams“, 1970 Inker: Vince Colletta Hit Comics Nr. 121 Rächer Nr. 16-18„Auf Solams Spur!“ , „Ein Sieger ohnegleichen“, 1969 April-Juni 1975 Übersetzung: Hartmut Huff, Rächer Nr. 1-3„Der Kampf der Titanen!“ , Lettering: Marlies Gerson, Januar-März 1974 Ursula Mordek (Rächer 16) Lettering: Ursula Mordek (nur Seite 1-7) (Originalseite 15 fehlt) Juli 1968 CM # 002 “From The Void Of Space Comes-- The Super Skrull!” (20 Seiten) Autor: Roy Thomas, Zeichner: Gene Colan, Inker: Vince Colletta Hit Comics Nr. 121 „Der Angriff des Super-Skrull“, 1969 Rächer Nr.
    [Show full text]
  • Copyright 2013 Shawn Patrick Gilmore
    Copyright 2013 Shawn Patrick Gilmore THE INVENTION OF THE GRAPHIC NOVEL: UNDERGROUND COMIX AND CORPORATE AESTHETICS BY SHAWN PATRICK GILMORE DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate College of the University of Illinois at Urbana-Champaign, 2013 Urbana, Illinois Doctoral Committee: Professor Michael Rothberg, Chair Professor Cary Nelson Associate Professor James Hansen Associate Professor Stephanie Foote ii Abstract This dissertation explores what I term the invention of the graphic novel, or more specifically, the process by which stories told in comics (or graphic narratives) form became longer, more complex, concerned with deeper themes and symbolism, and formally more coherent, ultimately requiring a new publication format, which came to be known as the graphic novel. This format was invented in fits and starts throughout the twentieth century, and I argue throughout this dissertation that only by examining the nuances of the publishing history of twentieth-century comics can we fully understand the process by which the graphic novel emerged. In particular, I show that previous studies of the history of comics tend to focus on one of two broad genealogies: 1) corporate, commercially-oriented, typically superhero-focused comic books, produced by teams of artists; 2) individually-produced, counter-cultural, typically autobiographical underground comix and their subsequent progeny. In this dissertation, I bring these two genealogies together, demonstrating that we can only truly understand the evolution of comics toward the graphic novel format by considering the movement of artists between these two camps and the works that they produced along the way.
    [Show full text]
  • Comicbooks As Cultural Archeology: Gender Representation in Captain America During WWII
    lhs (print) issn 1742–2906 lhs (online) issn 1743–1662 Article Comicbooks as cultural archeology: Gender representation in Captain America during WWII Francisco O. D. Veloso Abstract The aim of this article is to discuss how comicbooks, as complex multimodal artifacts, discursively interpret and evaluate events during World War II. More specifically, I examine how women are represented in an archive of 69 Captain America stories published by Marvel Comics between March 1941 and March 1943, drawing on theoretical developments within the area of social semiotics (Halliday, 1978; Hodge and Kress, 1988). An important argument within social semiotics and multimodal studies is that texts are a combination of semiotic resources that are used for produc- tion and consumption of meanings, in specific contexts (Hodge and Kress, 1988). As a consequence, by examining these semiotic resources one can develop a better understanding of social meanings that circulate in society and how these meanings are structurally organized. By examining forms of discourse for social analysis we may identify ways of addressing particular issues at the level of representation. Keywords: comicbooks; gender representation; social semiotics; women 1. Comicbooks as historical documents The use of the term comicbook in this article is motivated by the transforma- tions of the medium across time. Historically, the medium, in its materiality as it circulates today, originated from the newspapers’ ‘funnies’ (Inge, 1990), what is referred to as comic strips, nowadays. A first collection of reprints of previously published funnies was bound together as a giveaway for a Proc- tor and Gamble product, and the successful campaign suggested the medium Affiliation Department of Modern Languages, LIteratures, and Cultures (LILEC), University of Bologna, Italy.
    [Show full text]
  • Hernandez Brothers' Love and Rockets
    Critical Survey of Graphic Novels LOVE AND ROCKETS LOVE AND ROCKETS Author: Hernandez, Gilbert; Hernandez, Jaime; Her- nandez, Mario Artist: Gilbert Hernandez (illustrator); Jaime Her- nandez (illustrator); Mario Hernandez (illustrator); Jeff Johnson (colorist); Rhea Patton (colorist); Chris Brownrigg (colorist); Steven Weissman (colorist) Publisher: Fantagraphics Books First serial publication: 1982-1996; 2001-2007; 2008- First book publication: 1985- Publication History Soon after brothers Mario, Gilbert, and Jaime Her- nandez self-published their first issue of Love and Rockets in 1981, it caught the eye of Fantagraphics publisher Gary Groth. In 1982, Groth republished the inaugural issue; the first series ofLove and Rockets ran for fifty issues, ending in 1996. All issues in the orig- inal volume were magazine-size, and the comics were black and white. The art duties for the color covers al- ternated between Gilbert and Jaime; one would draw the front cover and the other the back cover, then switching responsibilities for the following issue. Love and Rockets. (Courtesy of Fantagraphics Books) After the end of the first series, Jaime and Gilbert began working on separate titles that continued many large omnibus collections, and Love and Rockets Li- of the stories in the original Love and Rockets. In brary editions. 2001, the brothers began their second series of Love and Rockets, which ran for twenty issues, until 2007. Plot Although these issues were smaller than the originals, Love and Rockets contains a variety of narrative arcs, they nonetheless retained a similar format: color covers many of which have convoluted plots. The two pri- illustrated by Jaime and Gilbert and black-and-white mary stories, however, concern the associations of the content written and illustrated by all three brothers.
    [Show full text]
  • Fantastic Four Omnibus Volume 2 (New Printing) Pdf, Epub, Ebook
    FANTASTIC FOUR OMNIBUS VOLUME 2 (NEW PRINTING) PDF, EPUB, EBOOK Stan Lee | 832 pages | 17 Dec 2013 | Marvel Comics | 9780785185673 | English | New York, United States Fantastic Four Omnibus Volume 2 (new Printing) PDF Book It also introduces the groundbreaking if problematic Black Panther and the high weirdness of the Inhumans, along with other major players in the Marvel Universe to come. While I already knew Doom and Reed went to college together, it was nice to read the story for the first time. Marvel Omnibus time! Read more Added to basket. While I already knew Doom and Reed went to college together, it was nice to read the story for the first time. I guess it just showed how the world building was going on off the pages as well as on them. Please try again or alternatively you can contact your chosen shop on or send us an email at. Collecting the greatest stories from the World''s Greatest Comics Magazine in one, massive collector''s edition that has been painstakingly restored and recolored from the sharpest material in the Marvel Archives. Your order is now being processed and we have sent a confirmation email to you at. Fast Customer Service!!. Sort order. In this volume the two great storylines are the introduction of the Inhumans, Galactus and the Silver Surfer. Prices and offers may vary in store. The Fantastic Four comics from this era are consistently good value, even if some are more exciting than others. The Fantastic Four comics from this era are consistently good value, even if some are more exciting than others.
    [Show full text]
  • Fantastic Four Compendium
    MA4 6889 Advanced Game Official Accessory The FANTASTIC FOUR™ Compendium by David E. Martin All Marvel characters and the distinctive likenesses thereof The names of characters used herein are fictitious and do are trademarks of the Marvel Entertainment Group, Inc. not refer to any person living or dead. Any descriptions MARVEL SUPER HEROES and MARVEL SUPER VILLAINS including similarities to persons living or dead are merely co- are trademarks of the Marvel Entertainment Group, Inc. incidental. PRODUCTS OF YOUR IMAGINATION and the ©Copyright 1987 Marvel Entertainment Group, Inc. All TSR logo are trademarks owned by TSR, Inc. Game Design Rights Reserved. Printed in USA. PDF version 1.0, 2000. ©1987 TSR, Inc. All Rights Reserved. Table of Contents Introduction . 2 A Brief History of the FANTASTIC FOUR . 2 The Fantastic Four . 3 Friends of the FF. 11 Races and Organizations . 25 Fiends and Foes . 38 Travel Guide . 76 Vehicles . 93 “From The Beginning Comes the End!” — A Fantastic Four Adventure . 96 Index. 102 This book is protected under the copyright laws of the United States of America. Any reproduction or other unauthorized use of the material or artwork contained herein is prohibited without the express written consent of TSR, Inc., and Marvel Entertainment Group, Inc. Distributed to the book trade in the United States by Random House, Inc., and in Canada by Random House of Canada, Ltd. Distributed to the toy and hobby trade by regional distributors. All characters appearing in this gamebook and the distinctive likenesses thereof are trademarks of the Marvel Entertainment Group, Inc. MARVEL SUPER HEROES and MARVEL SUPER VILLAINS are trademarks of the Marvel Entertainment Group, Inc.
    [Show full text]
  • ´ Los Comics De
    LOS COMICS´ DE la plaga CUANDO LOS TEBEOS ERAN PELIGROSOS vol. 2 ANTOLOGÍA DE PORTADAS / 1942 - 1954 Selección y notas de Óscar Palmer Yáñez Es Pop EDICIONES 3 Los cómics de la plaga Cuando los tebeos eran peligrosos, vol. 2 1ª EDICIÓN: DICIEMBRE 2018 Publicado por ES POP EDICIONES Mira el río alta, 8 - 28005 Madrid www.espop.es © 2018 de esta edición: Es Pop Ediciones El material reunido en este libro apareció originalmente en diversos comic books publicados entre 1942 y 1954. La mayoría de ellos se encuentra en el dominio público, pero autor y editor están en deuda con las siguientes editoriales por su autorización para incluir materiales con copyright: Avon Books, Nueva York; Dell Publishing, Nueva York; Fawcett Publications es una división de Ballantine Books, Nueva York; Atlas Comics, Complete Photo Story Corp, Non-Pareil Publishing y Official Comics son divisiones de Marvel Comics, Nueva York. © Marvel Worldwide Inc.: pp. 39, 46 , 88, 91, 115, 125,126, 128, 129, 146, 147, 159, 160. Phantom Lady es © DC Comics: pp. 48, 49. Se ha realizado el máximo esfuerzo por identificar y rastrear a los propietarios del copyright. Cualquier error u omisión ha sido inadvertida y accidental y el autor y editor se comprometen a añadir cualquier tipo de reconocimiento o enmienda en futuras ediciones. Imágenes en páginas anteriores: portada de L. B. Cole para el nº 13 de Terrifying Tales (Star Publications; junio, 1953); portada de Charles Biro para el nº 25 de Crime Does Not Pay (Comic House Inc.; enero, 1943); portada de Lee Elias para el nº 21 de Chamber of Chills (Harvey Comics; enero, 1954).
    [Show full text]
  • An Exploration of Comics and Architecture in Post-War Germany and the United States
    An Exploration of Comics and Architecture in Post-War Germany and the United States A DISSERTATION SUBMITTED TO THE FACULTY OF THE UNIVERSITY OF MINNESOTA BY Ryan G. O’Neill IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Dr. Rembert Hueser, Adviser October 2016 © Ryan Gene O’Neill 2016 Table of Contents List of Figures……………………………………………………………………………………...……….i Prologue……………………………………………………………………………………….....…1 Introduction………………………………………………………………………………………...8 Chapter 1: The Comic Laboratory…………………………………………………...…………………………………….31 Chapter 2: Comics and Visible Time…………………………………………………………………………...…………………..52 Chapter 3: Comic Cities and Comic Empires………………………………...……………………………...……..…………………….80 Chapter 4: In the Shadow of No Archive…………………………………………………………………………..…….…………114 Epilogue: The Painting that Ate Paris………………………………………………………………………………...…………….139 Works Cited…..……………………………………………………………………………..……152 i Figures Prologue Figure 1: Kaczynski, Tom (w)(a). “Skyway Sleepless.” Twin Cities Noir: The Expanded Edition. Ed. Julie Schaper, Steven Horwitz. New York: Akashic Books, 2013. Print. Figure 2: Kaczynski, Tom (w)(a). “Skyway Sleepless.” Twin Cities Noir: The Expanded Edition. Ed. Julie Schaper, Steven Horwitz. New York: Akashic Books, 2013. Print. Figure 3: Image of Vitra Feuerwehrhaus Uncredited. https://www.vitra.com/de-de/campus/architecture/architecture-fire-station Figure 4: Kaczynski, Tom (w)(a). “Skyway Sleepless.” Twin Cities Noir: The Expanded Edition. Ed. Julie Schaper, Steven Horwitz. New York: Akashic Books, 2013. Print. Introduction Figure 1: Goscinny, René (w), Alberto Uderzo (i). Die Trabantenstadt. trans. Gudrun Penndorf. Stuttgart: Ehapa Verlag GmbH, 1974. Pp.28-29. Print. Figure 2: Forum at Pompeii, Vitruvius Vitrubius. The Ten Books on Architecture. trans. Morris Hicky Morgan, Ph.D., LL.D. Illustrations under the direction of Herbert Langford Warren, A.M. pp. 132. Print. Figure 3: Töpffer, Rodolphe.
    [Show full text]
  • 1 Daniel Clowes (1961- ) Is a Highly
    Integrity of the Page: The Creative Process of Daniel Clowes Daniel Clowes (1961- ) is a highly-regarded cartoonist, graphic novelist, and screenwriter. He is best known for his Eightball comic book series (1989-2004) and for his graphic novels Ghost World (1997), Ice Haven (2005), Wilson (2010), Mister Wonderful (2011), and The Death-Ray (2011). The Special Collections Research Center acquired Clowes’ archive in 2015. The acquisition honors Clowes’ personal ties to the University of Chicago – Clowes was born in Chicago and spent much of his childhood in Hyde Park where he attended the University of Chicago Laboratory School until 1979. His grandfather, James Lea Cate (1899-1981), was a history professor at the University of Chicago from 1930 to 1969, and Dr. Cate’s personal papers reside in the Special Collections Research Center. Clowes’ archive also anchors a growing collection of Chicago-related contemporary comics at the Library. The collection supports a burgeoning, cross-disciplinary interest in comics for research and teaching at the University. The Clowes archive contains notes, outlines, narrative drafts, character sketches, draft layouts, and more for three of Clowes’ books: Ice Haven, Mister Wonderful, and The Death-Ray. The exhibition pieces this material together, tracing the evolution of Clowes’ art from conception to production to publication. The materials on display emphasize the exceptional tangibility of Clowes’ work in an era when art can easily be made, and then unmade, on a computer. Throughout his career, the physicality of his craft has been a vital component of his artistic vision and creative process. Clowes remains dedicated to simple paper, pencil, and ink – to what he calls the “integrity of the page.” Explanatory panels throughout the exhibition are composed of excerpts from interviews with Clowes in which he articulates aspects of his style and technique.
    [Show full text]
  • J a C K Kirb Y C Olle C T Or F If T Y- Nine $ 10
    JACK KIRBY COLLECTOR FIFTY-NINE $10 FIFTY-NINE COLLECTOR KIRBY JACK IT CAN’T BE! BUT IT IS! I’VE DISCOVERED... ...THE AND NOTHING WILL EVER BE THE SAME AGAIN!! 95 A TREASURE TROVE OF RARITIES BY THE “KING” OF COMICS! Contents THE OLD(?) The Kirby Vault! OPENING SHOT . .2 (is a boycott right for you?) KIRBY OBSCURA . .4 (Barry Forshaw’s alarmed) ISSUE #59, SUMMER 2012 C o l l e c t o r JACK F.A.Q.s . .7 (Mark Evanier on inkers and THE WONDER YEARS) AUTEUR THEORY OF COMICS . .11 (Arlen Schumer on who and what makes a comic book) KIRBY KINETICS . .27 (Norris Burroughs’ new column is anything but marginal) INCIDENTAL ICONOGRAPHY . .30 (the shape of shields to come) FOUNDATIONS . .32 (ever seen these Kirby covers?) INFLUENCEES . .38 (Don Glut shows us a possible devil in the details) INNERVIEW . .40 (Scott Fresina tells us what really went on in the Kirby household) KIRBY AS A GENRE . .42 (Adam McGovern & an occult fave) CUT-UPS . .45 (Steven Brower on Jack’s collages) GALLERY 1 . .49 (Kirby collages in FULL-COLOR) UNEARTHED . .54 (bootleg Kirby album covers) JACK KIRBY MUSEUM PAGE . .55 (visit & join www.kirbymuseum.org) GALLERY 2 . .56 (unused DC artwork) TRIBUTE . .64 (the 2011 Kirby Tribute Panel) GALLERY 3 . .78 (a go-go girl from SOUL LOVE) UNEARTHED . .88 (Kirby’s Someday Funnies) COLLECTOR COMMENTS . .90 PARTING SHOT . .100 Front cover inks: JOE SINNOTT Back cover inks: DON HECK Back cover colors: JACK KIRBY (an unused 1966 promotional piece, courtesy of Heritage Auctions) This issue would not have been If you’re viewing a Digital possible without the help of the JACK Edition of this publication, KIRBY MUSEUM & RESEARCH CENTER (www.kirbymuseum.org) and PLEASE READ THIS: www.whatifkirby.com—thanks! This is copyrighted material, NOT intended for downloading anywhere except our The Jack Kirby Collector, Vol.
    [Show full text]
  • Pain, Opioids and The
    HIGHLANDS NEWS-SUN Monday, June 11, 2018 VOL. 99 | NO. 162 | $1.00 YOUR HOMETOWN NEWSPAPER SINCE 1919 AN EDITION OF THE SUN Summer reading DUI citations rocks! jump up this year By MELISSA MAIN STAFF WRITER SEBRING — DUI citations from law enforcement agents in Highlands County have risen dramatically since last year. From January 2017 through April 2017, Highlands County Sheriff’s Office dep- uties issued 16 DUI citations. However, that rose to 49 for the same period in 2018 — a 206 percent increase. Sheriff’s Office spokesman Scott Dressel said, “The difference in the numbers can be attributed to MELISSA MAIN/STAFF SOBERING some new depu- FACTS ABOUT ties we have who Sebring Public Library rocks its summer reading program designed to keep students’ reading skills sharp during the summer. are very vigilant DUIS when it comes to •Drunk driving costs the looking for drivers Sebring Public Library’s fun activities United States $132 billion that may be a year. impaired.” •About 1 in 7 teens binge- Lake and reading programs get children busy drinks, but only 1 in 100 Placid Police parents believes his or her Department saw By MELISSA MAIN child binge-drinks. a 133 percent STAFF WRITER •Fifty-seven percent of increase in DUI fatally injured drivers citations from SEBRING—The summer rocks at had alcohol and/or other January 2017 Sebring Public Library with loads of drugs in their system, and through April fun summer activities and a reading 17 percent had both. 2017 compared program designed with incentives •The rate of drunk driving to the same time to keep children reading throughout is highest among 26- to this year.
    [Show full text]