Heroes’ I Can Write About Are Phenomena.” — H.P
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Myth, Metatext, Continuity and Cataclysm in Dc Comics’ Crisis on Infinite Earths
WORLDS WILL LIVE, WORLDS WILL DIE: MYTH, METATEXT, CONTINUITY AND CATACLYSM IN DC COMICS’ CRISIS ON INFINITE EARTHS Adam C. Murdough A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2006 Committee: Angela Nelson, Advisor Marilyn Motz Jeremy Wallach ii ABSTRACT Angela Nelson, Advisor In 1985-86, DC Comics launched an extensive campaign to revamp and revise its most important superhero characters for a new era. In many cases, this involved streamlining, retouching, or completely overhauling the characters’ fictional back-stories, while similarly renovating the shared fictional context in which their adventures take place, “the DC Universe.” To accomplish this act of revisionist history, DC resorted to a text-based performative gesture, Crisis on Infinite Earths. This thesis analyzes the impact of this singular text and the phenomena it inspired on the comic-book industry and the DC Comics fan community. The first chapter explains the nature and importance of the convention of “continuity” (i.e., intertextual diegetic storytelling, unfolding progressively over time) in superhero comics, identifying superhero fans’ attachment to continuity as a source of reading pleasure and cultural expressivity as the key factor informing the creation of the Crisis on Infinite Earths text. The second chapter consists of an eschatological reading of the text itself, in which it is argued that Crisis on Infinite Earths combines self-reflexive metafiction with the ideologically inflected symbolic language of apocalypse myth to provide DC Comics fans with a textual "rite of transition," to win their acceptance for DC’s mid-1980s project of self- rehistoricization and renewal. -
Captain America and the Struggle of the Superhero This Page Intentionally Left Blank Captain America and the Struggle of the Superhero Critical Essays
Captain America and the Struggle of the Superhero This page intentionally left blank Captain America and the Struggle of the Superhero Critical Essays Edited by ROBERT G. WEINER Foreword by JOHN SHELTON LAWRENCE Afterword by J.M. DEMATTEIS McFarland & Company, Inc., Publishers Jefferson, North Carolina, and London ALSO BY ROBERT G. WEINER Marvel Graphic Novels and Related Publications: An Annotated Guide to Comics, Prose Novels, Children’s Books, Articles, Criticism and Reference Works, 1965–2005 (McFarland, 2008) LIBRARY OF CONGRESS CATALOGUING-IN-PUBLICATION DATA Captain America and the struggle of the superhero : critical essays / edited by Robert G. Weiner ; foreword by John Shelton Lawrence ; afterword by J.M. DeMatteis. p. cm. Includes bibliographical references and index. ISBN 978-0-7864-3703-0 softcover : 50# alkaline paper ¡. America, Captain (Fictitious character) I. Weiner, Robert G., 1966– PN6728.C35C37 2009 741.5'973—dc22 2009000604 British Library cataloguing data are available ©2009 Robert G. Weiner. All rights reserved No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying or recording, or by any information storage and retrieval system, without permission in writing from the publisher. Cover images ©2009 Shutterstock Manufactured in the United States of America McFarland & Company, Inc., Publishers Box 6¡¡, Je›erson, North Carolina 28640 www.mcfarlandpub.com Dedicated to My parents (thanks for your love, and for putting up with me), and Larry and Vicki Weiner (thanks for your love, and I wish you all the happiness in the world). JLF, TAG, DW, SCD, “Lizzie” F, C Joyce M, and AH (thanks for your friend- ship, and for being there). -
NEDOR HEROES! $ NEDOR HEROES! In8 Th.E9 U5SA
Roy Tho mas ’Sta nd ard Comi cs Fan zine OKAY,, AXIS—HERE COME THE GOLDEN AGE NEDOR HEROES! $ NEDOR HEROES! In8 th.e9 U5SA No.111 July 2012 . y e l o F e n a h S 2 1 0 2 © t r A 0 7 1 82658 27763 5 Vol. 3, No. 111 / July 2012 Editor Roy Thomas Associate Editors Bill Schelly Jim Amash Design & Layout Jon B. Cooke Consulting Editor John Morrow FCA Editor P.C. Hamerlinck Comic Crypt Editor Michael T. Gilbert Editorial Honor Roll Jerry G. Bails (founder) Ronn Foss, Biljo White, Mike Friedrich Proofreaders Rob Smentek, William J. Dowlding Cover Artist Shane Foley (after Frank Robbins & John Romita) Cover Colorist Tom Ziuko With Special Thanks to: Deane Aikins Liz Galeria Bob Mitsch Contents Heidi Amash Jeff Gelb Drury Moroz Ger Apeldoorn Janet Gilbert Brian K. Morris Writer/Editorial: Setting The Standard . 2 Mark Austin Joe Goggin Hoy Murphy Jean Bails Golden Age Comic Nedor-a-Day (website) Nedor Comic Index . 3 Matt D. Baker Book Stories (website) Michelle Nolan illustrated! John Baldwin M.C. Goodwin Frank Nuessel Michelle Nolan re-presents the 1968 salute to The Black Terror & co.— John Barrett Grand Comics Wayne Pearce “None Of Us Were Working For The Ages” . 49 Barry Bauman Database Charles Pelto Howard Bayliss Michael Gronsky John G. Pierce Continuing Jim Amash’s in-depth interview with comic art great Leonard Starr. Rod Beck Larry Guidry Bud Plant Mr. Monster’s Comic Crypt! Twice-Told DC Covers! . 57 John Benson Jennifer Hamerlinck Gene Reed Larry Bigman Claude Held Charles Reinsel Michael T. -
Raven Leilani the Novelist Makes a Shining Debut with Luster, a Mesmerizing Story of Race, Sex, and Power P
Featuring 417 Industry-First Reviews of Fiction, Nonfiction, Children'sand YA books KIRKUSVOL. LXXXVIII, NO. 15 | 1 AUGUST 2020 REVIEWS Raven Leilani The novelist makes a shining debut with Luster, a mesmerizing story of race, sex, and power p. 14 Also in the issue: Raquel Vasquez Gilliland, Rebecca Giggs, Adrian Tomine, and more from the editor’s desk: The Dysfunctional Family Sweepstakes Chairman BY TOM BEER HERBERT SIMON President & Publisher MARC WINKELMAN John Paraskevas # As this issue went to press, the nation was riveted by the publication of To o Chief Executive Officer Much and Never Enough: How My Family Created the World’s Most Dangerous Man MEG LABORDE KUEHN (Simon & Schuster, July 14), the scathing family memoir by the president’s niece. [email protected] Editor-in-Chief For the past four years, nearly every inhabitant of the planet has been affected TOM BEER by Donald Trump, from the impact of Trump administration policies—on [email protected] Vice President of Marketing climate change, immigration, policing, and more—to the continuous feed of SARAH KALINA Trump-related news that we never seem to escape. Now, thanks to Mary Trump, [email protected] Ph.D., a clinical psychologist, we understand the impact of Donald Trump up Managing/Nonfiction Editor ERIC LIEBETRAU close, on his family members. [email protected] It’s not a pretty picture. Fiction Editor LAURIE MUCHNICK The book describes the Trumps as a clan headed by a “high-functioning [email protected] Tom Beer sociopath,” patriarch Fred Trump Sr., father to Donald and the author’s own Young Readers’ Editor VICKY SMITH father, Fred Jr. -
4. the Superman/Kent Hypothesis: on the Epistemological Limit Between Human and Superhuman
Page no.57 4. The Superman/Kent hypothesis: On the epistemological limit between human and superhuman. Alexandros Schismenos PhD Scholar Philosophy of Science University of Ioannina Greece ORCID iD: http://orcid.org/0000-0001-8490-4223 E-Mail: [email protected] Abstract Everybody knows that Superman is Clark Kent. Nobody knows that Superman is Clark Kent. Located between these two absolute statements is the epistemological limit that separates the superhero fictitious universe from our universe of causal reality. The superheroic double identity is a secret shared by the superhero and the reader of the comic or the viewer of the movie, and quite often the superhero winks at the outside world, thus breaking the 4th wall and establishing this collusive relationship. However, in our hypothesis, we are interested in Superman not as a fictitious archetype, but rather as a fictitious metaphor. We are not interested in his double identity as the matrix of superheroic attributes and narratives, but rather as the differential limit between superhuman and human within the fictional universe. Because, the reader or the viewer may share the secret identity with Superman and also with Spiderman or Batman or any other superhuman, but the secret equivalence of Superman and Clark Kent contains another hidden antithesis. Keywords Epistemology; Superman; Nostalgia; Ubermensch; Cognition Vol 3 No 1 (2015) ISSUE – March ISSN 2347-6869 (E) & ISSN 2347-2146 (P) The Superman/Kent hypothesis by Alexandros Schismenos Page No. 57-65 Page no.58 The Superman/Kent hypothesis: On the epistemological limit between human and superhuman Everybody knows that Superman is Clark Kent. -
Batwoman and Catwoman: Treatment of Women in DC Comics
Wright State University CORE Scholar Browse all Theses and Dissertations Theses and Dissertations 2013 Batwoman and Catwoman: Treatment of Women in DC Comics Kristen Coppess Race Wright State University Follow this and additional works at: https://corescholar.libraries.wright.edu/etd_all Part of the English Language and Literature Commons Repository Citation Race, Kristen Coppess, "Batwoman and Catwoman: Treatment of Women in DC Comics" (2013). Browse all Theses and Dissertations. 793. https://corescholar.libraries.wright.edu/etd_all/793 This Thesis is brought to you for free and open access by the Theses and Dissertations at CORE Scholar. It has been accepted for inclusion in Browse all Theses and Dissertations by an authorized administrator of CORE Scholar. For more information, please contact [email protected]. BATWOMAN AND CATWOMAN: TREATMENT OF WOMEN IN DC COMICS A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts By KRISTEN COPPESS RACE B.A., Wright State University, 2004 M.Ed., Xavier University, 2007 2013 Wright State University WRIGHT STATE UNIVERSITY GRADUATE SCHOOL Date: June 4, 2013 I HEREBY RECOMMEND THAT THE THESIS PREPARED UNDER MY SUPERVISION BY Kristen Coppess Race ENTITLED Batwoman and Catwoman: Treatment of Women in DC Comics . BE ACCEPTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF Master of Arts. _____________________________ Kelli Zaytoun, Ph.D. Thesis Director _____________________________ Carol Loranger, Ph.D. Chair, Department of English Language and Literature Committee on Final Examination _____________________________ Kelli Zaytoun, Ph.D. _____________________________ Carol Mejia-LaPerle, Ph.D. _____________________________ Crystal Lake, Ph.D. _____________________________ R. William Ayres, Ph.D. -
Project Superpowers Hardcover Ebook Free Download
PROJECT SUPERPOWERS HARDCOVER PDF, EPUB, EBOOK Jim Krueger | 200 pages | 03 Dec 2008 | Dynamite Entertainment | 9781933305912 | English | Runnemede, United States Project Superpowers Hardcover PDF Book From the dawn of the 20th Century came a new chapter in mankind's history, unleashed during a time of great war and destruction. Only if they had a better writer on helm it may have caught on readily. All eight issues of the blockbuster Dynamite Entertainment mini-series Project Superpowers are collected in this hardcover edition, plus a cover gallery, Alex Ross sketches and designs, and unseen artwork! Alex Ross wraps the world-building phase of his Dynamite superhero universe with an explosive throwdown between literal gods and god-like heroes. Carter's ancestor arrives to argue with The American Spirit, to convince Carter that he did indeed do the right thing. Jul 09, Matt Beal rated it really liked it. Hardcover , pages. Dynamite Entertainment. Dynamic Man decides to change his strategy for combating the heroes; he will call out the nationwide Police Corp, a fascistic cadre of stormtroopers, and use them to manipulate the media, making martyrs of the Dynamic Family. Green Lama's friend and manservant Tsarong is fried by a Crusader ray blast, while another Crusader burns a gaping hole in Fighting Yank's chest which matches the hole Black Terror punched in the chest of Dynamic Man. There are a number of spin-off limited series from this series [13] including:. Dec 27, Rich Meyer rated it it was amazing Shelves: read-in Just a moment while we sign you in to your Goodreads account. -
Leuptittig Ral^I British Ports Close
5 • ■ PAGE TWENTY THURSDAY, JULY 27, 1972 lEvrnfng The Weather Elliott Ponders Tonight, tomorrow and Sun day, fair with tonight’s low Interfaith Day Camp Ends Fifth Year Retirement Plans near 60. Daytime highs between They’re Split Over 1-84 lEuptittig ral^i 80 and 88. Near zero chance of The Manchester Interfaith P age 11 rain through Saturday. Day Camp closes tomorrow, “road to nowhere" be com is being pushed as the start of a Manchester— A City of Village Charm Wednesday, 2:09 p.m.—town By DOUG BEVINS jetport-lndustrlal complex In ending Its fifth consecutive sea firemen to Interstate 86 (the (Herald Reporter) pleted. son. The camp was first opened eastern Connecticut. Wilbur Cross Highway) be . A short section of I-8t be- A farmer from Canterbury re (ClaMlfled Advertising on Page 18) PRICE FIFTEEN CENTS In 1968 to give underprivileged tween Exits 91 and 93, car fire Poppl© of castorn Con- Columbia and Windham, VOL. XCI, NO. 254 (EIGHTEEN PAGES) MANCHESTER, CONN., FRIDAY, JULY 28, 1972 youths from Hartford’s North cited a short poem: "Roses are Wednesday, 11:81 p.m.—town necticut are split over a i<nown as the "Wllllmantlc by- red, vloleU are blue; may God End a summer vacation from firemen to Olcott Dr., gasoline p,Hs,- is already under con- the Inner-city. proposed $137 million help this farmer, should this “The camp exists only on fire In a catch basin. stretch of new expressway structlon. At nresent it highwayla not go through.” contributions,” said camp di ^^tween Windham and the linked to any highway at either dot Planning Director Israel rector Clint Greenp, "This year washdown following automobile Rhode Island state line. -
Heret, by Illustrator and Comics Creator Dan Mucha and Toulouse Letrec Were in Brereton
Featured New Items FAMOUS AMERICAN ILLUSTRATORS On our Cover Specially Priced SOI file copies from 1997! Our NAUGHTY AND NICE The Good Girl Art of Highest Recommendation. By Bruce Timm Publisher Edition Arpi Ermoyan. Fascinating insights New Edition. Special into the lives and works of 82 top exclusive Publisher’s artists elected to the Society of Hardcover edition, 1500. Illustrators Hall of Fame make Highly Recommended. this an inspiring reference and art An extensive survey of book. From illustrators such as N.C. Bruce Timm’s celebrated Wyeth to Charles Dana Gibson to “after hours” private works. Dean Cornwell, Al Parker, Austin These tastefully drawn Briggs, Jon Whitcomb, Parrish, nudes, completed purely for Pyle, Dunn, Peak, Whitmore, Ley- fun, are showcased in this endecker, Abbey, Flagg, Gruger, exquisite new release. This Raleigh, Booth, LaGatta, Frost, volume boasts over 250 Kent, Sundblom, Erté, Held, full-color or line and pencil Jessie Willcox Smith, Georgi, images, each one full page. McGinnis, Harry Anderson, Bar- It’s all about sexy, nubile clay, Coll, Schoonover, McCay... girls: partially clothed or fully nude, of almost every con- the list of greats goes on and on. ceivable description and temperament. Girls-next-door, Society of Illustrators, 1997. seductresses, vampires, girls with guns, teases...Timm FAMAMH. HC, 12x12, 224pg, FC blends his animation style with his passion for traditional $40.00 $29.95 good-girl art for an approach that is unmistakably all his JOHN HASSALL own. Flesk, 2021. Mature readers. NOTE: Unlike the The Life and Art of the Poster King first, Timm didn’t sign this second printing. -
BYSTANDER TOKENS Text from Player’S Guide 1/29/2014
BYSTANDER TOKENS Text from Player’s Guide 1/29/2014 ©2015 WIZKIDS/NECA, LLC TM & © DC Comics. (s15) PRINTING INSTRUCTIONS 1. From Adobe® Reader® or Adobe® Acrobat® open the print dialog box (File>Print or Ctrl/Cmd+P). 2. Under Pages to Print>Pages input the pages you would like to print. (See Table of Contents) 3. Under Page Sizing & Handling>Size select Actual size. 4. Under Page Sizing & Handling>Multiple> Pages per sheet select Custom and enter 3 by 3. ©2015 WIZKIDS/NECA, LLC TM & © DC Comics. (s15) Text from Player’s Guide 1/29/2014. PRINTING INSTRUCTIONS (CONTINUED) 5. Under Page Sizing & Handling>Multiple> Orientation select Landscape. 6. If you want a crisp black border around each card as a cutting guide, click the checkbox next to Print page border (under Page Sizing & Handling>Multiple). 7. Click OK. 8. When cutting out tokens use dotted 3 1 lines as a guide or use a 1/8”–1/2” hole punch (readily available at most hobby or scrapbooking stores). ©2015 WIZKIDS/NECA, LLC TM & © DC Comics. (s15) Text from Player’s Guide 1/29/2014. TABLE OF CONTENTS Adeline Wilson™, 54 Dehydrated Henchman, 67 Alfred Pennyworth™, 7 Detective Chimp™, 33 Amadeus Arkham, 70 Dolphin™, 57 Amanda Waller™, 41 Dr. Jeremiah Arkham™, 23 Angry Spirit, 40 Eddie Fyers™, 34 Black Lantern Risen, 73 Green Lantern Initiate, 75 Businesswoman, 18 Harvey Bullock™, 22 Carol Ferris™, 24 Iris West-Allen™, 19 Congo Bill™, 59 Jaina Hudson, 86 Congorilla™, 60 Jimmy Olsen™, 25 Cowgirl, 79 Joe Chill™, 53 Dane Dorrance™, 44 Jonathan Kent™, 11 Daxamite, 76 Kamandi™, 61 ©2015 WIZKIDS/NECA, LLC TM & © DC Comics. -
Maskierte Helden
Aleta-Amirée von Holzen Maskierte Helden Zur Doppelidentität in Pulp-Novels und Superheldencomics Populäre Literaturen und Medien 13 Herausgegeben von Ingrid Tomkowiak Aleta-Amirée von Holzen Maskierte Helden Zur Doppelidentität in Pulp-Novels und Superheldencomics DiePubliziert Druckvorstufe mit Unterstützung dieser Publikation des Schweizerischen wurde vom Nationalfonds Schweizerischen Nationalfondszur Förderung derzur wissenschaftlichenFörderung der wissenschaftlichen Forschung. Forschung unterstützt. Die vorliegende Arbeit wurde von der Philosophischen Fakultät der Universität Zürich im Frühjahrssemester 2018 auf Antrag von Prof. Dr. Ingrid Tomkowiak und Prof. Dr. Klaus Müller-Wille als Dissertation angenommen. Weitere Informationen zum Verlagsprogramm: www.chronos-verlag.ch Umschlagbild: Steve Ditko (Zeichner), Stan Lee (Autor) et al.: «Unmasked by Dr. Octopus», in: Spider-Man Classics Vol. 1, No. 13, April 1994, S. 5 (Nachdruck aus: The Amazing Spider-Man 12, Mai 1964). © Marvel Comics © 2019 Chronos Verlag, Zürich Print: ISBN 978-3-0340-1508-0 E-Book (PDF): DOI 10.33057/chronos.1508 5 Inhalt Einleitung 7 Maskerade und Geheimnis 17 Verbergen und Zeigen – Enthüllung durch Verhüllung 18 Geheimnisbedrohung und -bewahrung: Narrative Koordinaten der Doppelidentität 30 Masken, Rollen, Identitäten 45 «Die ganze Welt ist eine Bühne» – die metaphorische Maske 49 Interaktion und Identität, Konformität und Einzigartigkeit 56 Interpretationsansätze zur Doppelidentität (der Mann aus Stahl und der unscheinbare Reporter) 67 Die zivile Identität -
Valerian 741.5 Classic French Sci-Fi Epic 741.5 Hits the States in Comics and Film Plus...Hanna-Barberians! July 2017— No
MEANWHILE VALERIAN 741.5 CLASSIC FRENCH SCI-FI EPIC 741.5 HITS THE STATES IN COMICS AND FILM PLUS...HANNA-BARBERIANS! JULY 2017— NO. SEVEN AND… A TRIBUTE TO ADAM WEST BW The Comics & Graphic Novel Bulletin of Valerian is a spatio-temporal agent of straight-forward space opera of the Adam West passed away June Galaxity, center of the gargantuan Ter- earlier stories. Volume 2, the source of 9th, 2017, at the age of 89. A fa- ran Galactic Empire. Laureline is a our cover and the panel below, begins “Camp Is For Cowards” miliar face on the TV screens of the peasant girl from the 11th Century who the transition into more complex sto- New Frontier, West became an in- sussed out that this handsome stranger ries, with Laureline taking a stronger ternational star when he took the was from the far-flung future. Together role as writer Pierre Christin began to lead role of the Caped Crusader in they patrol space and time, putting the reflect on social issues such as femi- the ABC network’s 1966 adapta- cuffs on rogue time travelers and space nism. Throughout the series, the art of tion of the classic DC superhero, invaders. Introduced in Pilote, the fore- Jean-Claude Mezieres walked the fine Batman. Though the series was most French comic magazine of the line between cartoonish exuberance the epitome of camp, West played 1960s, Valerian set an international and rough-hewn realism. His tech has it straight. He became a role model - standard for science fiction comics, in- a physicality worthy of Wallace Wood.