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Myth, Metatext, Continuity and Cataclysm in Dc Comics’ Crisis on Infinite Earths
WORLDS WILL LIVE, WORLDS WILL DIE: MYTH, METATEXT, CONTINUITY AND CATACLYSM IN DC COMICS’ CRISIS ON INFINITE EARTHS Adam C. Murdough A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2006 Committee: Angela Nelson, Advisor Marilyn Motz Jeremy Wallach ii ABSTRACT Angela Nelson, Advisor In 1985-86, DC Comics launched an extensive campaign to revamp and revise its most important superhero characters for a new era. In many cases, this involved streamlining, retouching, or completely overhauling the characters’ fictional back-stories, while similarly renovating the shared fictional context in which their adventures take place, “the DC Universe.” To accomplish this act of revisionist history, DC resorted to a text-based performative gesture, Crisis on Infinite Earths. This thesis analyzes the impact of this singular text and the phenomena it inspired on the comic-book industry and the DC Comics fan community. The first chapter explains the nature and importance of the convention of “continuity” (i.e., intertextual diegetic storytelling, unfolding progressively over time) in superhero comics, identifying superhero fans’ attachment to continuity as a source of reading pleasure and cultural expressivity as the key factor informing the creation of the Crisis on Infinite Earths text. The second chapter consists of an eschatological reading of the text itself, in which it is argued that Crisis on Infinite Earths combines self-reflexive metafiction with the ideologically inflected symbolic language of apocalypse myth to provide DC Comics fans with a textual "rite of transition," to win their acceptance for DC’s mid-1980s project of self- rehistoricization and renewal. -
2019-05-06 Catalog P
Pulp-related books and periodicals available from Mike Chomko for May and June 2019 Dianne and I had a wonderful time in Chicago, attending the Windy City Pulp & Paper Convention in April. It’s a fine show that you should try to attend. Upcoming conventions include Robert E. Howard Days in Cross Plains, Texas on June 7 – 8, and the Edgar Rice Burroughs Chain of Friendship, planned for the weekend of June 13 – 15. It will take place in Oakbrook, Illinois. Unfortunately, it doesn’t look like there will be a spring edition of Ray Walsh’s Classicon. Currently, William Patrick Maynard and I are writing about the programming that will be featured at PulpFest 2019. We’ll be posting about the panels and presentations through June 10. On June 17, we’ll write about this year’s author signings, something new we’re planning for the convention. Check things out at www.pulpfest.com. Laurie Powers biography of LOVE STORY MAGAZINE editor Daisy Bacon is currently scheduled for release around the end of 2019. I will be carrying this book. It’s entitled QUEEN OF THE PULPS. Please reserve your copy today. Recently, I was contacted about carrying the Armchair Fiction line of books. I’ve contacted the publisher and will certainly be able to stock their books. Founded in 2011, they are dedicated to the restoration of classic genre fiction. Their forté is early science fiction, but they also publish mystery, horror, and westerns. They have a strong line of lost race novels. Their books are illustrated with art from the pulps and such. -
Icons of Survival: Metahumanism As Planetary Defense." Nerd Ecology: Defending the Earth with Unpopular Culture
Lioi, Anthony. "Icons of Survival: Metahumanism as Planetary Defense." Nerd Ecology: Defending the Earth with Unpopular Culture. London: Bloomsbury Academic, 2016. 169–196. Environmental Cultures. Bloomsbury Collections. Web. 25 Sep. 2021. <http:// dx.doi.org/10.5040/9781474219730.ch-007>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 25 September 2021, 20:32 UTC. Copyright © Anthony Lioi 2016. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 6 Icons of Survival: Metahumanism as Planetary Defense In which I argue that superhero comics, the most maligned of nerd genres, theorize the transformation of ethics and politics necessary to the project of planetary defense. The figure of the “metahuman,” the human with superpowers and purpose, embodies the transfigured nerd whose defects—intellect, swarm-behavior, abnormality, flux, and love of machines—become virtues of survival in the twenty-first century. The conflict among capitalism, fascism, and communism, which drove the Cold War and its immediate aftermath, also drove the Golden and Silver Ages of Comics. In the era of planetary emergency, these forces reconfigure themselves as different versions of world-destruction. The metahuman also signifies going “beyond” these economic and political systems into orders that preserve democracy without destroying the biosphere. Therefore, the styles of metahuman figuration represent an appeal to tradition and a technique of transformation. I call these strategies the iconic style and metamorphic style. The iconic style, more typical of DC Comics, makes the hero an icon of virtue, and metahuman powers manifest as visible signs: the “S” of Superman, the tiara and golden lasso of Wonder Woman. -
COMIC BOOKS AS AMERICAN PROPAGANDA DURING WORLD WAR II a Master's Thesis Presented to College of Arts & Sciences Departmen
COMIC BOOKS AS AMERICAN PROPAGANDA DURING WORLD WAR II A Master’s Thesis Presented To College of Arts & Sciences Department of Communications and Humanities _______________________________ In Partial Fulfillment of the Requirements for the Master of Science Degree _______________________________ SUNY Polytechnic Institute By David Dellecese May 2018 © 2018 David Dellecese Approval Page SUNY Polytechnic Institute DEPARTMENT OF COMMUNICATIONS AND HUMANITIES INFORMATION DESIGN AND TECHNOLOGY MS PROGRAM Approved and recommended for acceptance as a thesis in partial fulfillment of the requirements for the degree of Master of Science in Information Design + Technology. _________________________ DATE ________________________________________ Kathryn Stam Thesis Advisor ________________________________________ Ryan Lizardi Second Reader ________________________________________ Russell Kahn Instructor 1 ABSTRACT American comic books were a relatively, but quite popular form of media during the years of World War II. Amid a limited media landscape that otherwise consisted of radio, film, newspaper, and magazines, comics served as a useful tool in engaging readers of all ages to get behind the war effort. The aims of this research was to examine a sampling of messages put forth by comic book publishers before and after American involvement in World War II in the form of fictional comic book stories. In this research, it is found that comic book storytelling/messaging reflected a theme of American isolation prior to U.S. involvement in the war, but changed its tone to become a strong proponent for American involvement post-the bombing of Pearl Harbor. This came in numerous forms, from vilification of America’s enemies in the stories of super heroics, the use of scrap, rubber, paper, or bond drives back on the homefront to provide resources on the frontlines, to a general sense of patriotism. -
Superheroes Trivia Quiz Iv
SUPERHEROES TRIVIA QUIZ IV ( www.TriviaChamp.com ) 1> Which superhero carries an indestructible shield? a. The Green Lantern b. Captain America c. Captain Flag d. The Red Tornado 2> Which character is often romantically paired with Batman? a. The Black Canary b. Miss America c. Catwoman d. Hawkgirl 3> Which superhero started out as a petty criminal? a. The Atom b. Spiderman c. The Blue Knight d. Plastic Man 4> Which superhero's alter ego is Raymond Palmer? a. The Atom b. Hawkman c. The Green Arrow d. The Tornado 5> Which superhero is associated with the phrase, "With great power there must also come great responsibility"? a. Spiderman b. Hell Boy c. Batman d. The Hulk 6> Which superhero is nicknamed the "Scarlett Speedster"? a. The Flash b. Speedball c. Stardust d. The Thing 7> Which superhero is dubbed the "Man without Fear"? a. Daredevil b. The Flash c. Wolverine d. Green Lantern 8> Which superhero is the medical doctor for the X-men? a. Storm b. Shadowcat c. Ice Man d. The Beast 9> Who is Batgirl's father (Barbara Gordon)? a. The Mayor b. The Governor c. Batman's Butler d. The Chief of Police 10> Which superhero gains his power from a ring? a. The Green Lantern b. Storm c. Dazzler d. The Hulk 11> Which superhero can manipulate the weather? a. The Tornado b. The Atom c. Strom d. The Thing 12> Which Island does Wonder Woman call home? a. Emerald Island b. Paradise Island c. Amazonia d. Eden Isle 13> Where does the Green Arrow operate? a. -
|||GET||| Superheroes and American Self Image 1St Edition
SUPERHEROES AND AMERICAN SELF IMAGE 1ST EDITION DOWNLOAD FREE Michael Goodrum | 9781317048404 | | | | | Art Spiegelman: golden age superheroes were shaped by the rise of fascism International fascism again looms large how quickly we humans forget — study these golden age Superheroes and American Self Image 1st edition hard, boys and girls! Retrieved June 20, Justice Society of America vol. Wonder Comics 1. One of the ways they showed their disdain was through mass comic burnings, which Hajdu discusses Alysia Yeoha supporting character created by writer Gail Simone for the Batgirl ongoing series published by DC Comics, received substantial media attention in for being the first major transgender character written in a contemporary context in a mainstream American comic book. These sound effects, on page and screen alike, are unmistakable: splash art of brightly-colored, enormous block letters that practically shout to the audience for attention. World's Fair Comics 1. For example, Black Panther, first introduced inspent years as a recurring hero in Fantastic Four Goodrum ; Howe Achilles Warkiller. The dark Skull Man manga would later get a television adaptation and underwent drastic changes. The Senate committee had comic writers panicking. Howe, Marvel Comics Kurt BusiekMark Bagley. During this era DC introduced the Superheroes and American Self Image 1st edition of Batwoman inSupergirlMiss Arrowetteand Bat-Girl ; all female derivatives of established male superheroes. By format Comic books Comic strips Manga magazines Webcomics. The Greatest American Hero. Seme and uke. Len StrazewskiMike Parobeck. This era saw the debut of one of the earliest female superheroes, writer-artist Fletcher Hanks 's character Fantomahan ageless ancient Egyptian woman in the modern day who could transform into a skull-faced creature with superpowers to fight evil; she debuted in Fiction House 's Jungle Comic 2 Feb. -
AIR FORCE Magazine / July 2007 42
A Brush With the Air Force 42 AIR FORCE Magazine / July 2007 prototype for Corkin was Air Force Col. Milton Caniff was out front with “Terry and Philip Cochran, a noted World War II pilot and leader of air commandos in the Pirates,” but other cartoonists also found Burma. (See “The All-American Air- their calling in the wild blue yonder. man,” March 2000, p. 52.) He became a continuing character in “Terry.” In a famous “Terry and the Pirates” Sunday page from 1943, Corkin opened with, “Let’s take a walk, Terry,” and then delivered an inspirational talk about A Brush With the war and the Air Force as he and the newly fledged pilot Terry strolled around the flight line. The page was “read” into the Congressional Record and reported in the newspapers. Terry, Flip, and their colleagues had a great following among airmen, and the Air Force By John T. Correll the strip had considerable morale and public relations value. Gen. Henry H. “Hap” Arnold, Chief of the Army Air Forces, assigned an officer to as- sist Caniff with any technical details he needed. Caniff produced another strip, “Male Call,” without charge for camp and base newspapers. It featured Miss Lace, who was reminiscent of the Dragon Lady but less standoffish. It is difficult today to comprehend what a big deal the funnies used to be. Everybody read the comic strips. Characters were as well known as movie stars. The strips were printed much larger than present comic strips are. On Sunday, a popular strip might get a whole color page to itself. -
The Sixties Counterculture and Public Space, 1964--1967
University of New Hampshire University of New Hampshire Scholars' Repository Doctoral Dissertations Student Scholarship Spring 2003 "Everybody get together": The sixties counterculture and public space, 1964--1967 Jill Katherine Silos University of New Hampshire, Durham Follow this and additional works at: https://scholars.unh.edu/dissertation Recommended Citation Silos, Jill Katherine, ""Everybody get together": The sixties counterculture and public space, 1964--1967" (2003). Doctoral Dissertations. 170. https://scholars.unh.edu/dissertation/170 This Dissertation is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
Batman #87 Superman #19 Batman Curse of the Whit
NEW THIS WEEK FROM DC... Wonder Woman #750 (with "Decades" Variants) Batman #87 Superman #19 Batman Curse of the White Knight #6 (of 6) Batman Superman #6 Year of the Villain Hell Arisen #2 (of 4) Detective Comics #1019 Basketful of Heads #4 (of 7) Far Sector #3 (of 12) Birds of Prey Giant #1 Batman Beyond #40 Batgirl #43 Metal Men #4 (of 12) John Constantine Hellblazer #3 Shazam #10 Red Hood Outlaw #42 Wonder Twins #11 (of 12) Books of Magic #16 Dollar Comics Batman Huntress Cry for Blood #1 Birds of Prey Harley Quinn GN NEW THIS WEEK FROM MARVEL... Amazing Spider-Man #38 Fantastic Four #18 Excalibur #6 Guardians of the Galaxy #1 Marauders #6 Atlantis Attacks #1 (of 5) Captain Marvel #14 Conan Serpent War #4 (of 4) Black Panther #20 Web of Venom Good Son #1 Ruins of Ravencroft Dracula #1 True Believers Criminally Insane Dracula True Believers Criminally Insane Purple Man Valkyrie Jane Foster Vol. 1 GN X-Statix Complete Collection Vol. 1 GN Fantastic Four Mystery Minis FF Mister Fantastic Funko Pop FF Human Torch Funko Pop FF Silver Surfer Funko Pop FF Super Skrull Funko Pop ALSO NEW THIS WEEK... Once & Future #6 (of 6) Folklords #3 (of 5) Kidz #1 Vampire State Building #4 Gung Ho #2 Visitor #2 (of 6) Kill Lock #2 (of 6) Wellington #2 (of 5) Heartbeat #3 (of 5) Red Sonja Age of Chaos #1 Edgar Allan Poe's Snifter of Terror 2 #4 Ether Disappearance of Violet Bell #5 (of 5) Mirka Andolfo's Unsacred #3 Roku #4 (of 4) Vampirella #7 Vampironica New Blood #2 Black Terror #4 Catalyst Prime Seven Days #4 (of 7) Count Crowley Reluctant Monster Hunter #4 (of 4) Heist How to Steal a Planet #3 I Can Sell You a Body #2 (of 4) Triage #5 (of 5) Wasted Space #13 Lumberjanes #70 Meeting Comics GN Gudetama Love for the Lazy HC NEW THIS WEEK FROM IMAGE.. -
PERSONALITY Personality Not Included
Early Praise for Personality Not Included “Wow. I devoured Personality Not Included, frequently shouting ‘yes!’ as I followed Rohit’s spot-on analysis of a fundamental truth: being faceless doesn’t work anymore. Per- sonality in both people and companies is what customers get passionate about and drives seemingly unlimited success. This is one of those rare books to purchase by the case so you can give copies to employees and investors. But make sure to keep a few for yourself to read and reread so you don’t miss a thing. Bravo!” —David Meerman Scott, bestselling author of The New Rules of Marketing and PR “Personality Not Included breaks down the old barriers between marketing, advertis- ing, and PR and shows people how to nail the single objective of it all: creating pow- erful conversations with your customers and getting them to choose you over the rest.” —Timothy Ferriss, top blogger and #1 New York Times bestselling author of The 4-Hour Workweek “There are two types of small business owners—ones who know they are in the busi- ness of marketing and those who don’t. For either, Personality Not Included is an eye- opening look at what really matters when it comes to delighting your customers. If you want a guide to being more than ordinary, get this book.” —John Jantsch, award-winning blogger and author of Duct Tape Marketing “Just being pretty isn’t enough anymore, today a brand also needs a strong personal- ity to survive. In PNI, Rohit gives you the techniques and tools to help your brand go from wallflower to social butterfly.” —Laura Ries, bestselling author of 22 Immutable Laws of Branding, and cofounder of Ries & Ries “Finally. -
The Landon School of Illustrating and Cartooning
The Landon School of Illustrating and Cartooning by Charles N. Landon 1922 Facsimile Edition edited by John Garvin Copyright 2009 by John Garvin www.johngarvin.com Published by Enchanted Images Inc. www.enchantedimages.com All illustrations in this book are copyrighted by their respective copy- right holders (according to the original copyright or publication date as printed in/on the original work) and are reproduced for historical reference and research purposes. Any omission or incorrect informa- tion should be transmitted to the publisher, so it can be rectified in future editions of this book. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or other- wise, without prior permission in writing from the publisher. ISBN: 978-0-9785946-3-3 Second Edition First Printing November 2009 Edition size: 250 Printed in the United States of America 2 Preface (First Edition) This book began as part of a research project on Carl Barks. In various inter- views Barks had referred to the “Landon correspondence course in cartooning” he’d taken when he was sixteen. Fascinated, I tried to find a copy of Landon’s course. After a couple of years of searching on eBay and other auction houses – where I was only able to find partial copies – I finally tracked down a com- plete copy from a New York rare book dealer. In the meantime, my research revealed that more than a few cartoonists from Barks’s generation had taken the Landon course. -
NEDOR HEROES! $ NEDOR HEROES! In8 Th.E9 U5SA
Roy Tho mas ’Sta nd ard Comi cs Fan zine OKAY,, AXIS—HERE COME THE GOLDEN AGE NEDOR HEROES! $ NEDOR HEROES! In8 th.e9 U5SA No.111 July 2012 . y e l o F e n a h S 2 1 0 2 © t r A 0 7 1 82658 27763 5 Vol. 3, No. 111 / July 2012 Editor Roy Thomas Associate Editors Bill Schelly Jim Amash Design & Layout Jon B. Cooke Consulting Editor John Morrow FCA Editor P.C. Hamerlinck Comic Crypt Editor Michael T. Gilbert Editorial Honor Roll Jerry G. Bails (founder) Ronn Foss, Biljo White, Mike Friedrich Proofreaders Rob Smentek, William J. Dowlding Cover Artist Shane Foley (after Frank Robbins & John Romita) Cover Colorist Tom Ziuko With Special Thanks to: Deane Aikins Liz Galeria Bob Mitsch Contents Heidi Amash Jeff Gelb Drury Moroz Ger Apeldoorn Janet Gilbert Brian K. Morris Writer/Editorial: Setting The Standard . 2 Mark Austin Joe Goggin Hoy Murphy Jean Bails Golden Age Comic Nedor-a-Day (website) Nedor Comic Index . 3 Matt D. Baker Book Stories (website) Michelle Nolan illustrated! John Baldwin M.C. Goodwin Frank Nuessel Michelle Nolan re-presents the 1968 salute to The Black Terror & co.— John Barrett Grand Comics Wayne Pearce “None Of Us Were Working For The Ages” . 49 Barry Bauman Database Charles Pelto Howard Bayliss Michael Gronsky John G. Pierce Continuing Jim Amash’s in-depth interview with comic art great Leonard Starr. Rod Beck Larry Guidry Bud Plant Mr. Monster’s Comic Crypt! Twice-Told DC Covers! . 57 John Benson Jennifer Hamerlinck Gene Reed Larry Bigman Claude Held Charles Reinsel Michael T.