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Scenes and Subcultures
ISSN 1751-8229 IJŽS Volume Three, Number One Realizing the Scene; Punk and Meaning’s Demise R. Pope - Wilfrid Laurier University, Canada. Joplin and Hendrix set the intensive norm for rock shows, fed the rock audience’s need for the emotional charge that confirmed they’d been at a “real” event… The ramifications were immediate. Singer-songwriters’ confessional mode, the appeal of their supposed “transparency”, introduced a kind of moralism into rock – faking an emotion (which in postpunk ideology is the whole point and joy of pop performance) became an aesthetic crime; musicians were judged for their openness, their honesty, their sensitivity, were judged, that is, as real, knowable people (think of that pompous rock fixture, the Rolling Stone interview)’. -Simon Frith, from `Rock and the Politics of Memory’ (1984: 66-7) `I’m an icon breaker, therefore that makes me unbearable. They want you to become godlike, and if you won’t, you’re a problem. They want you to carry their ideological load for them. That’s nonsense. I always hoped I made it completely clear that I was as deeply confused as the next person. That’s why I’m doing this. In fact, more so. I wouldn’t be up there on stage night after night unless I was deeply confused, too’. -John Lydon, from Rotten: No Irish, No Blacks, No Dogs (1994: 107) `Gotta go over the Berlin Wall I don't understand it.... I gotta go over the wall I don't understand this bit at all... Please don't be waiting for me’ -Sex Pistols lyrics to `Holidays in the Sun’ INTRODUCTION: CULTURAL STUDIES What is Lydon on about? What is punk 'about’? Within the academy, punk is generally understood through the lens of cultural studies, through which punk’s activities are cast an aura of meaningful `resistance’ to `dominant’ forces. -
Felix Issue 1103, 1998
COLOUR EXTRAVAGANZA SUMMER SOUNDS GOT SOME SPARE TIME? Sixty-page Guide to the Jumbo $f Bumper Issue Festivals Crossword Interview with the Rector Campus Renaissance Game y the Tunnels "of IC 1 'I ^ Trip to Le Mans 7 ' W- & the Embrace War Massive Film Preview Thailand Travel Diaries IN GO EOUS FULL C 4 2 GAME 24 June 1998 24 June 1998 GAME 59 Automatic seating in Great Hall opens 1 9 18 unexpectedly during The Rector nicks your exam, killing fff parking space. Miss a go. Felix finds out that you bunged the builders to you're fc Rich old fo work Faster. "start small antiques shop. £2 million. Back one. ii : 1 1 John Foster electro- cutes himself while cutting IC Radio's JCR feed. Go »zzle all the Forward one. nove to the is. The End. P©r/-D®(aia@ You Bung folders to TTafeDts iMmk faster. 213 [?®0B[jafi®Drjfl 40 is (SoOOogj® gtssrjiBGariy tsm<s5xps@G(§tlI ITCD® esiDDorpo/Js Bs a DDD®<3CM?GII (SDB(Sorjaai„ (pAsasamG aracil f?QflrjTi@Gfi®OTjaD Y®E]'RS fifelaL rpDaecsS V®QO wafccs (MJDDD Haglfe G® sGairGo (SRBarjDDo GBa@to G® §GapG„ i You give the Sheffield building a face-lift, it still looks horrible. Conference Hey ho, miss a go. Office doesn't buy new flow furniture. ir failing Take an extra I. Move go. steps back. start Place one Infamou chunk of asbestos raer shopS<ee| player on this square, », roll a die, and try your Southsid luck at the CAMPUS £0.5 mil nuclear reactor ^ RENAISSANCE GAME ^ ill. -
Guide to the Papers of the Capri Community Film Society
Capri Community Film Society Papers Guide to the Papers of the Capri Community Film Society Auburn University at Montgomery Archives and Special Collections © AUM Library Written By: Rickey Best & Jason Kneip Last Updated: 2/19/2008 TABLE OF CONTENTS Content Page # Collection Summary 2 Administrative Information 2 Restrictions 2-3 Index Terms 3 Agency History 3-4 1 of 64 Capri Community Film Society Papers Scope and Content 5 Arrangement 5-10 Inventory 10- Collection Summary Creator: Capri Community Film Society Title: Capri Community Film Society Papers Dates: 1983-present Quantity: 6 boxes; 6.0 cu. Ft. Identification: 92/2 Contact Information: AUM Library Archives & Special Collections P.O. Box 244023 Montgomery, AL 36124-4023 Ph: (334) 244-3213 Email: [email protected] Administrative Information Preferred Citation: Capri Community Film Society Papers, Auburn University Montgomery Library, Archives & Special Collections. Acquisition Information: The collection began with an initial transfer on September 19, 1991. A second donation occurred in February, 1995. Since then, regular donations of papers occur on a yearly basis. Processed By: Jermaine Carstarphen, Student Assistant & Rickey Best, Archivist/Special Collections Librarian (1993); Jason Kneip, Archives/Special Collections Librarian. Samantha McNeilly, Archives/Special Collections Assistant. 2 of 64 Capri Community Film Society Papers Restrictions Restrictions on access: Access to membership files is closed for 25 years from date of donation. Restrictions on usage: Researchers are responsible for addressing copyright issues on materials not in the public domain. Index Terms The material is indexed under the following headings in the Auburn University at Montgomery’s Library catalogs – online and offline. -
Labour Students Caught in Postal Vote Scandal
That Friday free thing Leeds St de Friday, May 4, 2007 VOL37:ISSUE 20 Labour students caught in postal vote scandal By Alex Doorey continued involvement with the Leeds certainly be expelled from the Labour branch of the Labour Party_ A party and face criminal charges." he spokesperson for the Lib Dems said said. that they were 'appalled' at the Responding to the Sunday Times MON 4 -SAT 9 JUNE Opposition parties have rounded on 'alleged disgraceful behaviour of allegations. David Crompton. the student Labour movement On Leeds University students whilst out assistant chief constable of West campus over claims that its members canvassing for Labour in Gipton and Yorkshire Police, said: "This is DIRECT FROM THE WEST END have been involved in the alleged Harehills'. extremely sharp practice and a.clear postal vote fraud scandal. These concerns have been echoed breach of the guidelines." tra_ I NG 0 The movement has remained tight- by Liberal Democrat Council Leader Wilson went on to say that. if the fHilu PIM ISIS lipped since allegations were made in Mark Harris. who said: "This is a claims were true. it would reflect the the national press on Sunday that ii disgrace. This matter needs to be difficulties that Labour were facing in I had been involved in the dubious thoroughly investigated." the local elections. collection of postal ballots for Simon Harley, Chairperson of "It is too early to say whether the yesterdays local elections. Leeds Conservative Future, made no allegations are true or not, but if they A spokesperson for the student comment on the counter-accusations are. -
FINAL AGENDA AUTUMN ONLINE CONFERENCE 2-11 October 2020
FINAL AGENDA AUTUMN ONLINE CONFERENCE 2-11 October 2020 9 1 CONTENTS Table of Contents 2 Section A (Enabling Motions) 10 Enabling Motions A01 Standing Orders Committee (SOC) Report 10 Enabling Motions A02 Amendments to Standing Orders for the Conduct of Conference 11 to enable an online and telephone Extraordinary Conference to be held in Autumn 2020 Enabling Motions A03 Enabling Motion for an Extraordinary Autumn Conference 2020 12 to be held online Section A – Main Agenda 14 A1 Standing Orders Committee Report 14 A2 Green Party Executive Report 37 A3 Treasurers Report 46 A4 Green Party Regional Council Report 47 A5 Dispute Resolution Committee Report 50 A6 Policy Development Committee Report 54 A7 Complaint Managers Report 57 A8 Campaigns Committee Report 58 A9 Conferences Committee Report 58 A10 Equality and Diversity Committee Report 58 A11 Green World Editorial Board Report 58 A12 Framework Development Group report 58 A13 Climate Emergency Policy Working Group Report 58 Section B 60 B1 Food and Agriculture Voting Paper 60 Amendment 2a 60 Amendment 1a 61 Amendment 2b 61 Amendment 1b 61 Amendment 1c 62 Amendment 1d 62 Amendment 2c 64 2 3 Section C 65 C1 Deforestation (Fast Tracked) 65 C2 Car and vans to go zero carbon by 2030 65 C3 Ban on advertising of high-carbon goods and services 65 C4 The 2019 General Election Manifesto and Climate Change Mitigation 66 Amendment 1 67 Amendment 2 67 C5 Adopt the Principle of Rationing to Reduce Greenhouse Gas Emissions Arising from Travel, 67 Amending the Climate Emergency and the Transport Chapters of PSS C6 Updating the philosophical basis to reflect doughnut economics 68 Amendment 1 69 C7 Self Declaration of Gender 69 C8 Animal Rights: Fireworks; limit use and quiet 70 C9 Access to Fertility Treatment 70 Section D 71 D1 Winning over workers is crucial to fighting climate change. -
Wessex Scene Wessex
1317 - Wessex DEC Issue 20/11/01 10:03 am Page 1 WESSEX SCENE WESSEX Swessexscene.co.ukC 31st OctoberEN 2001 - ISSUE 749 - PRICELESS E 750th ISSUE SPECTACULAR INITIATION: An 18 month driving ban with a has banned initiations and drinking INDEFENSIBLE£150 fine, is this the price you want on away games. The Athletics’ to pay after your initiation Union is very worried about what ceremony? Unfortunately for one effect this will have on the individual this WAS the penalty. A reputation of not only the Sport promising Rugby playing Fresher sector of the University but on the with a glittering career ahead of him University as a whole. did not get off to the best start when The Wessex Scene feels that the he was arrested the other week. player is not the only one to blame Following his initiation, the player here. It should probably fall on the drove off in his Mini and crashed it culture of certain sports clubs. For when driving down Stoneham Lane. some reason heavy drinking and Staying with the car he then called undignified behaviour has become the police and, refusing offers of an integral part of sporting activities. lifts home, waited until they arrived. Initiations are not a necessary part of He was duly breathalysed and was sport and nor should they be. The found to be 2.5 times over the limit Wessex Scene is pushing for these with 77mg of alcohol in 100mg practices to be completely removed of breath. from University Sports Clubs. As a result of the occurrence, Tiger, More.. -
Index to Volume 26 January to December 2016 Compiled by Patricia Coward
THE INTERNATIONAL FILM MAGAZINE Index to Volume 26 January to December 2016 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND Index 2016_4.indd 1 14/12/2016 17:41 SUBJECT INDEX SUBJECT INDEX After the Storm (2016) 7:25 (magazine) 9:102 7:43; 10:47; 11:41 Orlando 6:112 effect on technological Film review titles are also Agace, Mel 1:15 American Film Institute (AFI) 3:53 Apologies 2:54 Ran 4:7; 6:94-5; 9:111 changes 8:38-43 included and are indicated by age and cinema American Friend, The 8:12 Appropriate Behaviour 1:55 Jacques Rivette 3:38, 39; 4:5, failure to cater for and represent (r) after the reference; growth in older viewers and American Gangster 11:31, 32 Aquarius (2016) 6:7; 7:18, Céline and Julie Go Boating diversity of in 2015 1:55 (b) after reference indicates their preferences 1:16 American Gigolo 4:104 20, 23; 10:13 1:103; 4:8, 56, 57; 5:52, missing older viewers, growth of and A a book review Agostini, Philippe 11:49 American Graffiti 7:53; 11:39 Arabian Nights triptych (2015) films of 1970s 3:94-5, Paris their preferences 1:16 Aguilar, Claire 2:16; 7:7 American Honey 6:7; 7:5, 18; 1:46, 49, 53, 54, 57; 3:5: nous appartient 4:56-7 viewing films in isolation, A Aguirre, Wrath of God 3:9 10:13, 23; 11:66(r) 5:70(r), 71(r); 6:58(r) Eric Rohmer 3:38, 39, 40, pleasure of 4:12; 6:111 Aaaaaaaah! 1:49, 53, 111 Agutter, Jenny 3:7 background -
THE SEX PISTOLS Großbritannien/USA 2000
Kieler Beiträge zur Filmmusikforschung, 5.1, 2010 // 130 THE FILTH AND THE FURY – THE SEX PISTOLS Großbritannien/USA 2000 R: Julien Temple P: Anita Camarata, Amanda Temple K: Geordie Devas S: Niven Howie, Elaine Hughes, Lars Woodruffe T: John Henessey, Nick Robertson, Geoff Tockey, (Paul Davis - Tonschnitt) Beteiligte Band: Sex Pistols (John Lydon, Glen Matlock, Paul Cook, Steve Jones, John Beverly) DVD-Vertrieb: FilmFour International UA: 25.1.2000 (USA), 12.1.2000 (D), 12.5.2000 (UK) 107min, 1:1,85, Farbe, Dolby SR. In THE FILTH AND THE FURY porträtiert Regisseur Julien Temple den Aufstieg und Fall der berühmt- berüchtigten Punkrock-Band The Sex Pistols Mitte der 1970er Jahre. Temple hatte zuvor bereits bei THE GREAT ROCK'N'ROLL SWINDLE Regie geführt. Diesem ersten Werk wurde allerdings immer wieder eine einseitige Schilderung der Ereignisse aus Sicht des ehemaligen Managers der Sex Pistols – Malcom McLaren - vorgeworfen. McLaren soll viele Skandale der Band bewusst forciert haben, um aus der negativen Publicity Profit zu schlagen. Die Idee hinter THE FILTH AND THE FURY war, die „wahre Bandgeschichte“ ans Licht zu bringen und auf Zelluloid zu bannen: „For 20 years our life has been rewritten – wrongly and very badly. It becomes intolerable. At some point you have to say: 'Stop. Here is the real deal.' I've told the truth constantly, but now it's on film. Somehow celluloid adds a touch of realism for most Americans“ [1]. Titelgebend für das Rockumentary war eine Schlagzeile des Daily Mirror einen Tag nach dem Auftritt der Sex Pistols in der TV-Sendung TODAY: Der betrunkene Gastgeber Bill Grundy provozierte die Mitglieder der Band - damals alle noch im Teenager-Alter - zu vulgären Ausdrücken; als sie darauf einstiegen und munter ein „F-word“ nach dem anderen verlauten ließen, war der Skandal perfekt. -
UC Santa Barbara UC Santa Barbara Electronic Theses and Dissertations
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by eScholarship - University of California UC Santa Barbara UC Santa Barbara Electronic Theses and Dissertations Title Haunted Changes: How Cleveland’s Segregated Landscape Shapes Aesthetic Agency and the Social Life of “Real Jazz” Permalink https://escholarship.org/uc/item/8tt2s60p Author Blake, George Kaeser Publication Date 2017 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Santa Barbara Haunted Changes: How Cleveland’s Segregated Landscape Shapes Aesthetic Agency and the Social Life of “Real Jazz” A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Music by George Kaeser Blake Committee in charge: Professor Timothy Cooley, Co-Chair Professor George Lipsitz, Co-Chair Professor Gaye Theresa Johnson Professor Dick Hebdige September 2017 The dissertation of George Kaeser Blake is approved. ____________________________________________ Dick Hebdige ____________________________________________ Gaye Theresa Johnson ____________________________________________ George Lipsitz, Committee Co-Chair ____________________________________________ Timothy Cooley, Committee Co-Chair September 2017 Haunted Changes: How Cleveland’s Segregated Landscape Shapes Aesthetic Agency and the Social Life of “Real Jazz” Copyright © 2017 by George Kaeser Blake iii ACKNOWLEDGEMENTS I would first like to thank my incredible committee: -
A Great Friggin'swindle? Sex Pistols, School Kids and 1979
Middlesex University Research Repository An open access repository of Middlesex University research http://eprints.mdx.ac.uk Osborne, Richard ORCID: https://orcid.org/0000-0003-4111-8980 (2015) A great friggin’ swindle? Sex Pistols, school kids and 1979. Popular Music and Society, 38 (4) . pp. 432-449. ISSN 0300-7766 [Article] (doi:10.1080/03007766.2015.1034496) First submitted uncorrected version (with author’s formatting) This version is available at: https://eprints.mdx.ac.uk/17322/ Copyright: Middlesex University Research Repository makes the University’s research available electronically. Copyright and moral rights to this work are retained by the author and/or other copyright owners unless otherwise stated. The work is supplied on the understanding that any use for commercial gain is strictly forbidden. A copy may be downloaded for personal, non-commercial, research or study without prior permission and without charge. Works, including theses and research projects, may not be reproduced in any format or medium, or extensive quotations taken from them, or their content changed in any way, without first obtaining permission in writing from the copyright holder(s). They may not be sold or exploited commercially in any format or medium without the prior written permission of the copyright holder(s). Full bibliographic details must be given when referring to, or quoting from full items including the author’s name, the title of the work, publication details where relevant (place, publisher, date), pag- ination, and for theses or dissertations the awarding institution, the degree type awarded, and the date of the award. If you believe that any material held in the repository infringes copyright law, please contact the Repository Team at Middlesex University via the following email address: [email protected] The item will be removed from the repository while any claim is being investigated. -
(Or Do You Want the Truth)? Intersections of Punk and Queer in the 1970S
Jordan (Pamela Rooke) outside the SEX shop owned by Vivienne Westwood and Malcolm McLaren. Courtesy Wikimedia Commons RHR100_07_Nyongo.indd 102 9/14/07 11:01:57 AM Do You Want Queer Theory (or Do You Want the Truth)? Intersections of Punk and Queer in the 1970s Tavia Nyong’o In a May 11, 1978, interview on NBC television’s late-night talk show Tomorrow, the punk poet Patti Smith assured her interviewer, Tom Snyder, that the kids were alright. Smith — whose first single, “Hey Joe/Piss Factory,” had been financed by her friend and former lover, Robert Mapplethorpe — told Snyder: I want the future to be like, I mean, I just want it to be like an open space for children. I mean, for me the future is children, and I feel like, you know, when I was younger first I wanted to be a missionary, then I wanted to be a schoolteacher, it’s like, you know, I couldn’t, I couldn’t, uh, get through all the dogma, and I couldn’t really integrate all of the rules and regulations of those professions into like my lifestyle and into the, into the generation that I was part of. And the really great thing about, umm, doing the work that I’m doing now, I have like all the ideals that I ever had to like communicate, you know, to, to, to children, or to people in general, to everybody, and to communicate with my creator, I, I can do everything all the perverse ends of it, and also, you know, all the innocence. -
Announcement
Announcement Total 100 articles, created at 2016-06-18 06:01 1 Why "it's the economy, stupid" may not be enough to see Remain over the line Brexit pros and cons: should Britain stay in the EU? (0.57/1) The benefits of growth are more unfairly distributed than ever, says Neil James. 2016-06-18 00:30 6KB www.newstatesman.com 2 Blogging for peace: the reach of digital resistance in the Middle East Reckoning for a radical: what next for Nigel Farage? (0.13/1) Naked Diplomacy: Power and Statecraft in the Digital Age by Tom Fletcher reviewed. 2016-06-18 00:30 11KB www.newstatesman.com 3 “We have to carry on kissing”: at a vigil for the Orlando attack The latest EU referendum odds: what the bookmakers say on Brexit and (0.02/1) how to bet On a summer’s night in Pride month, a home – a safe space for LGBT people – was shattered by an act of terrorism. 2016-06-18 00:30 6KB www.newstatesman.com 4 Voices of June 16: Our parents came back to find the township on fire (0.01/1) Memories of the day 40 years ago, on June 16, when students took the first tentative steps towards freedom, are etched in the minds of those who were there and who led the uprising that shook South Africa. 2016-06-18 06:00 23KB www.timeslive.co.za 5 June 16: The day students showed their collective strength (0.01/1) June 16 in 2016, the past in the present, 40 years down the line.