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From Sexploitation to Canuxploitation (Representations of Gender in the Canadian ‘Slasher’ Film)
Maple Syrup Gore: From Sexploitation to Canuxploitation (Representations of Gender in the Canadian ‘Slasher’ Film) by Agnieszka Mlynarz A Thesis presented to The University of Guelph In partial fulfilment of requirements for the degree of Master of Arts in Theatre Studies Guelph, Ontario, Canada © Agnieszka Mlynarz, April, 2017 ABSTRACT Maple Syrup Gore: From Sexploitation to Canuxploitation (Representations of Gender in the Canadian ‘Slasher’ Film) Agnieszka Mlynarz Advisor: University of Guelph, 2017 Professor Alan Filewod This thesis is an investigation of five Canadian genre films with female leads from the Tax Shelter era: The Pyx, Cannibal Girls, Black Christmas, Ilsa: She Wolf of the SS, and Death Weekend. It considers the complex space women occupy in the horror genre and explores if there are stylistic cultural differences in how gender is represented in Canadian horror. In examining variations in Canadian horror from other popular trends in horror cinema the thesis questions how normality is presented and wishes to differentiate Canuxploitation by defining who the threat is. ACKNOWLEDGEMENTS I would like to express my deepest gratitude to Dr. Paul Salmon and Dr. Alan Filewod. Alan, your understanding, support and above all trust in my offbeat work ethic and creative impulses has been invaluable to me over the years. Thank you. To my parents, who never once have discouraged any of my decisions surrounding my love of theatre and film, always helping me find my way back despite the tears and deep- seated fears. To the team at Black Fawn Distribution: Chad Archibald, CF Benner, Chris Giroux, and Gabriel Carrer who brought me back into the fold with open arms, hearts, and a cold beer. -
Gender, Dissenting Subjectivity and the Contemporary Military Peace Movement in Body of War
International Feminist Journal of Politics ISSN: 1461-6742 (Print) 1468-4470 (Online) Journal homepage: http://www.tandfonline.com/loi/rfjp20 Gender, Dissenting Subjectivity and the Contemporary Military Peace Movement in Body of War Joanna Tidy To cite this article: Joanna Tidy (2015) Gender, Dissenting Subjectivity and the Contemporary Military Peace Movement in Body of War, International Feminist Journal of Politics, 17:3, 454-472, DOI: 10.1080/14616742.2014.967128 To link to this article: http://dx.doi.org/10.1080/14616742.2014.967128 Published online: 02 Dec 2014. Submit your article to this journal Article views: 248 View related articles View Crossmark data Citing articles: 2 View citing articles Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rfjp20 Download by: [University of Massachusetts] Date: 28 June 2016, At: 13:24 Gender, Dissenting Subjectivity and the Contemporary Military Peace Movement in Body of War JOANNA TIDY School of Sociology, Politics and International Studies (SPAIS), University of Bristol, UK Abstract ------------------------------------------------------------------------------------------------------------------------------- This article considers the gendered dynamics of the contemporary military peace move- ment in the United States, interrogating the way in which masculine privilege produces hierarchies within experiences, truth claims and dissenting subjecthoods. The analysis focuses on a text of the movement, the 2007 documentary -
Quepasa.Osu.Edu
Volume 26 • Number 1 • Autumn 2017 quepasa.osu.edu Making Space for Latinx Scholarship and Community Spotlight on Latin American Film Studies Esquina de los editors Who We Are Quiénes somos What We Do Reyna Esquivel-King, Editor Ece Karaca, Art Director LATIN AMERICAN CINEMA Jacob N. Farr, Staff Writer Reyna Esquivel-King, Editor Yolanda Zepeda, Managing Director This is my first year editing Contributors at ¿Que Pasa, Ohio State?. This year Latino/as have been at the Cristina Rivera forefront of political debate. Evelin Nunez-Rodriguez Hispanics tend to be negatively Frederick Aldama mis-represented. However, Glen Martínez this is not new. My research on J. Marcela Hernández the history of Mexican cinema Joel Wainwright connects to a broader discussion Joclyn Cabanas of what it means and looks like to Johana Coronado be Latino/a in the United States. John Cruz Jumarie Figueroa In this issue, we decided to Laura Podalsky highlight Latin American Liane Dávila-Martin Cinema. Since the silent film Marlene Pérez era, Latino/a directors, actors, and producers have participated Nicole Espinoza in the cultivation in the images of race. Through film, we can see how Latino/as describe themselves and create a dialogue over Olivia Cosentino the construction of race and self. The stories and articles here The Office of Diversity and Inclusion connect to the theme of identity. publishes ¿Qué Pasa, Ohio State? each Our collage for this issue is a collection of Latin American Films autumn and spring semester. ¿Qué from various countries and time periods. The movies discuss Pasa, Ohio State? is proud to celebrate the achievements of Latinx in a variety diverse topics including, poverty, class, sexuality, gender, and of disciplines: art, politics, science, colonialism. -
The Armchair Traveller: Littoral Zones and the Domestic Environment Deb
The Armchair Traveller: Littoral Zones and the Domestic Environment Deb Mansfield Master of Fine Arts Research Documentation School of Media Arts The College of Fine Arts The University of New South Wales March 2013 1 ORIGINALITY STATEMENT ‘I hereby declare that this submission is my own work and to the best of my knowledge it contains no materials previously published or written by another person, or substantial proportions of material which have been accepted for the award of any other degree or diploma at UNSW or any other educational institution, except where due acknowledgement is made in the thesis. Any contribution made to the research by others, with whom I have worked at UNSW or elsewhere, is explicitly acknowledged in the thesis. I also declare that the intellectual content of this thesis is the product of my own work, except to the extent that assistance from others in the project's design and conception or in style, presentation and linguistic expression is acknowledged.’ Signed …………………………………………….............. Date ……………………………………………................. COPYRIGHT STATEMENT ‘I hereby grant the University of New South Wales or its agents the right to archive and to make available my thesis or dissertation in whole or part in the University libraries in all forms of media, now or here after known, subject to the provisions of the Copyright Act 1968. I retain all proprietary rights, such as patent rights. I also retain the right to use in future works (such as articles or books) all or part of this thesis or dissertation. I also authorise University Microfilms to use the 350 word abstract of my thesis in Dissertation Abstract International (this is applicable to doctoral theses only). -
Documentarists and Documentary/Narrative Filmmakers Those Listed Are Directors, Unless Otherwise Noted
1 COM 321, Documentary Form in Film & Television 1/15/14 Documentarists and Documentary/Narrative Filmmakers Those listed are directors, unless otherwise noted. Documentary/Narrative Filmmakers—Many have done both: Name & Key Documentaries Key Narrative Works Nation Allen, Woody Zelig, 1983 (mockumentary) Annie Hall, 1977 US Manhattan, 1979 Altman, Robert The James Dean Story, 1957 M*A*S*H, 1970 US The Player, 1992 Short Cuts, 1993 Anderson, Lindsay Thursday’s Children, 1954 (with Guy if. , 1968 Britain Brenton) O Lucky Man!, 1973 Anger, Kenneth Kustom Kar Kommandos, 1963 Fireworks, 1947 US Scorpio Rising, 1964 Apted, Michael The Up! series (1970‐2012 so far) Gorillas in the Mist, 1988 Britain Nell, 1994 The World is Not Enough, 1999 Brakhage, Stan The Act of Seeing with One’s Own Dog Star Man, 1962 US Eyes, 1971 Mothlight, 1963 Bunuel, Luis Las Hurdes (Land Without Bread), Un Chien Andalou, 1928 (with Salvador Spain/France 1933 (mockumentary?) Dali) L’Age D’Or, 1930 The Discreet Charm of the Bourgeoisie, 1972 Cameron, James Expedition Bismarck, 2002 Titanic, 1997 US Ghosts of the Abyss, 2003 Avatar, 2009 Capra, Frank Why We Fight series, 1942‐44 Mr. Deeds Goes to Town, 1936 US Mr. Smith Goes to Washington, 1939 It’s a Wonderful Life, 1946 Chukrai, Grigori Pamyat, 1971 Ballad of a Soldier, 1959 Soviet Union Cooper, Merian C. Grass: A Nation’s Battle for Life, 1925 The Four Feathers, 1929 US (with Ernest B. Schoedsack) King Kong, 1933 Chang: A Drama of the Wilderness, 1927 (with Ernest B. Schoedsack) Demme, Jonathan Stop Making Sense, -
Filmkatalog IAI Stand Februar 2015 Alph.Indd
KATALOG DER FILMSAMMLUNG Erwerbungen 2006 - 2014 CATÁLOGO DE LA COLECCIÓN DE CINE Adquisiciones 2006 - 2014 Inhalt Argentinien............................................................................. 4 Bolivien....................................................................................18 Brasilien...................................................................................18 Chile.........................................................................................31 Costa Rica................................................................................36 Cuba.........................................................................................36 Ecuador....................................................................................43 Guatemala...............................................................................46 Haiti.........................................................................................46 Kolumbien...............................................................................47 Mexiko.....................................................................................50 Nicaragua.................................................................................61 Peru.........................................................................................61 Spanien....................................................................................62 Uruguay...................................................................................63 Venezuela................................................................................69 -
Guide to the Papers of the Capri Community Film Society
Capri Community Film Society Papers Guide to the Papers of the Capri Community Film Society Auburn University at Montgomery Archives and Special Collections © AUM Library Written By: Rickey Best & Jason Kneip Last Updated: 2/19/2008 TABLE OF CONTENTS Content Page # Collection Summary 2 Administrative Information 2 Restrictions 2-3 Index Terms 3 Agency History 3-4 1 of 64 Capri Community Film Society Papers Scope and Content 5 Arrangement 5-10 Inventory 10- Collection Summary Creator: Capri Community Film Society Title: Capri Community Film Society Papers Dates: 1983-present Quantity: 6 boxes; 6.0 cu. Ft. Identification: 92/2 Contact Information: AUM Library Archives & Special Collections P.O. Box 244023 Montgomery, AL 36124-4023 Ph: (334) 244-3213 Email: [email protected] Administrative Information Preferred Citation: Capri Community Film Society Papers, Auburn University Montgomery Library, Archives & Special Collections. Acquisition Information: The collection began with an initial transfer on September 19, 1991. A second donation occurred in February, 1995. Since then, regular donations of papers occur on a yearly basis. Processed By: Jermaine Carstarphen, Student Assistant & Rickey Best, Archivist/Special Collections Librarian (1993); Jason Kneip, Archives/Special Collections Librarian. Samantha McNeilly, Archives/Special Collections Assistant. 2 of 64 Capri Community Film Society Papers Restrictions Restrictions on access: Access to membership files is closed for 25 years from date of donation. Restrictions on usage: Researchers are responsible for addressing copyright issues on materials not in the public domain. Index Terms The material is indexed under the following headings in the Auburn University at Montgomery’s Library catalogs – online and offline. -
Sunshine State
SUNSHINE STATE A FILM BY JOHN SAYLES A Sony Pictures Classics Release 141 Minutes. Rated PG-13 by the MPAA East Coast East Coast West Coast Distributor Falco Ink. Bazan Entertainment Block-Korenbrot Sony Pictures Classics Shannon Treusch Evelyn Santana Melody Korenbrot Carmelo Pirrone Erin Bruce Jackie Bazan Ziggy Kozlowski Marissa Manne 850 Seventh Avenue 110 Thorn Street 8271 Melrose Avenue 550 Madison Avenue Suite 1005 Suite 200 8 th Floor New York, NY 10019 Jersey City, NJ 07307 Los Angeles, CA 9004 New York, NY 10022 Tel: 212-445-7100 Tel: 201 656 0529 Tel: 323-655-0593 Tel: 212-833-8833 Fax: 212-445-0623 Fax: 201 653 3197 Fax: 323-655-7302 Fax: 212-833-8844 Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com CAST MARLY TEMPLE................................................................EDIE FALCO DELIA TEMPLE...................................................................JANE ALEXANDER FURMAN TEMPLE.............................................................RALPH WAITE DESIREE PERRY..................................................................ANGELA BASSETT REGGIE PERRY...................................................................JAMES MCDANIEL EUNICE STOKES.................................................................MARY ALICE DR. LLOYD...........................................................................BILL COBBS EARL PICKNEY...................................................................GORDON CLAPP FRANCINE PICKNEY.........................................................MARY -
By Joseph Sheridan Le Fanu
CARMILLA BY JOSEPH SHERIDAN LE FANU Irish Studies James MacKillop, Series Editor Other titles in the Irish series Collaborative Dubliners: Joyce in Dialogue Vicki Mahaffey, ed. Gender and Medicine in Ireland, 1700–1950 Margaret Preston and Margaret Ó hÓgartaigh, eds. Grand Opportunity: The Gaelic Revival and Irish Society, 1893–1910 Timothy G. McMahon Ireland in Focus: Film, Photography, and Popular Culture Eóin Flannery and Michael Griff n, eds. The Irish Bridget: Irish Immigrant Women in Domestic Service in America, 1840–1930 Margaret Lynch-Brennan Irish Theater in America: Essays on Irish Theatrical Diaspora John P. Harrington, ed. Joyce, Imperialism, and Postcolonialism Leonard Orr, ed. Making Ireland Irish: Tourism and National Identity since the Irish Civil War Eric G. E. Zuelow Memory Ireland, Volume 1: History and Modernity, and Volume 2: Diaspora and Memory Practices Oona Frawley, ed. The Midnight Court / Cúirt an Mheán Oíche Brian Merriman; David Marcus, trans.; Brian Ó Conchubhair, ed. Carmilla by Joseph Sheridan Le Fanu A CRITICAL EDITION • edited and with an introduction by Kathleen Costello-Sullivan SYRACUSE UNIVERSITY PRESS Copyright © 2013 by Syracuse University Press Syracuse, New York 13244-5290 All Rights Reserved First Edition 2013 13 14 15 16 17 18 6 5 4 3 2 1 Illustrations courtesy of the Special Collections/Research Center, Syracuse University Library. ∞ The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI Z39.48-1992. For a listing of books published and distributed by Syracuse University Press, visit our website at SyracuseUniversityPress.syr.edu. -
Benito Lynch: the New Interpreter of the Pampa
WNW-O LYNCH: THE NEW iNT-ERPRETER OF THE -PAMPA~-.. Thesis for the Dogma a? M. A. M‘ICHEGoAN STATE UNIVERSITY Richard Dwight Pawers E964 THIS” LIBRARY Michigan State University BENITO LYNCH: THE NEW INTERPRETER OF THE PAMPA I By Richard Dwight Powers A THESIS Submitted to Michigan State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS Department of Foreign Languages Spanish 196“ -.. _ o.» .J wordemphd a J. HZUMPLm ;.Hm h mowmeo \( U) Ss.h C w “out.” 06 )movxmh I. O\Ci‘hOEW/IIW any \l/ L 3H éomo . .... J ._ --K|-’ .16...» “ I to).‘1 .. OSPCDE HUDSUmapV wo+c_e 6 m ? UOQQ®.:U mopfiw- p. mahfiwa P. ’I'J‘I II)...- .'<I.ll\‘-U.IIJI ‘ 4f! LP...» . ... C(C .rrlur. C HEEL?» .3) .Q o:rL.C EEC... I O O O O .... .1 V1!..l)|_1.J.\. ..IA than. ......(CFHC a. O O O O 0 0 ””8 ....n1 EH} 9;“ .(O (.-.... 8 3) Z.) x. .. _ .L .21 «4 rk( n5 1w_.r4. v mOCeflyirLr. In.) 1‘. .1....4_.J ..Zfl. [Pk ....-(r/ a -.(.C.. ...,L 00.,1 ‘J. A. 11.74-47 .a. 1H] 0 .1 .K. F ...... U. .. frkrr LLL. L fl) mo...‘ ..JJ..‘I.... v1 . .DFrP_I...(-fi I. .q .d‘C'ol JuJ.‘ J ‘IOOI‘. .14.. r . Lark r. .U. ..(?! (‘ H. .k [ml F LIH mpwuusaonb on7_o .wo -.a-r-m as o:.nqu “VFW Lo MCQEmHm d .H . 20H-u.momem .1 hmwraxm INTRODUCTION many epithets have been placed after the name of Benito Lynch. -
Who Saw Her Die Book
ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO1 ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO 1 ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO CONTENTS ARROW VIDEO4 Cast ARROW and Crew VIDEO ARROW VIDEO 7 The Loss of Innocence in Aldo Lado’s Who Saw Her Die? (2019) by Rachael Nisbet 19 What’s in a Name? Currying Favor in the International Market (2019) ARROW VIDEOby Troy Howarth ARROW VIDEO ARROW VIDEO 34 About the Restoration ARROW VIDEO2 ARROW VIDEO ARROW VIDEO3 ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO CAST George Lazenby Franco Serpieri Anita Strindberg Elizabeth Serpieri Adolfo Celi Serafian Dominique Boschero Ginevra Storelli Peter Chatel Filippo Venier Piero Vida Journalist José Quaglio Bonaiuti Alessandro Haber Father James Nicoletta Elmi Roberta Serpieri Rosemarie Lindt Gabriella Giovanni Rosselli François Roussel Sandro Grinfan Inspector De Donati ARROW VIDEO ARROW VIDEO ARROWCREW VIDEO Directed by Aldo Lado Produced by Enzo Doria and Dieter Geissler Associate Producers Ovidio G. Assonitis, Giorgio Carlo Rossi and Pietro Sagliocco Story and Screenplay by Massimo D’Avak and Francesco Barilli With the Collaboration of Aldo Lado and Ruediger von Spies Director of Photography Franco Di Giacomo Film Editors Angelo Curi and Jutta Brandstaedter ARROW VIDEO -
Spanish Videos Use the Find Function to Search This List
Spanish Videos Use the Find function to search this list Velázquez: The Nobleman of Painting 60 minutes, English. A compelling study of the Spanish artist and his relationship with King Philip IV, a patron of the arts who served as Velazquez’ sponsor. LLC Library – Call Number: SP 070 CALL NO. SP 070 Aguirre, The Wrath of God Director: Werner Herzog with Klaus Kinski. 1972, 94 minutes, German with English subtitles. A band of Spanish conquistadors travels into the Amazon jungle searching for the legendary city of El Dorado, but their leader’s obsessions soon turn to madness. LLC Library CALL NO. Look in German All About My Mother Director: Pedro Almodovar with Cecilia Roth, Penélope Cruz, Marisa Perdes, Candela Peña, Antonia San Juan. 1999, 102 minutes, Spanish with English subtitles. Pedro Almodovar delivers his finest film yet, a poignant masterpiece of unconditional love, survival and redemption. Manuela is the perfect mother. A hard-working nurse, she’s built a comfortable life for herself and her teenage son, an aspiring writer. But when tragedy strikes and her beloved only child is killed in a car accident, her world crumbles. The heartbroken woman learns her son’s final wish was to know of his father – the man she abandoned when she was pregnant 18 years earlier. Returning to Barcelona in search on him, Manuela overcomes her grief and becomes caregiver to a colorful extended family; a pregnant nun, a transvestite prostitute and two troubled actresses. With riveting performances, unforgettable characters and creative plot twists, this touching screwball melodrama is ‘an absolute stunner.