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Bibliography Bibliography Adorno, T. W., 1963, Dissonanzen: Musik in der Werwalteten Welt, 3rd edition, Göttingen: van den Hoeck & Ruprecht. ———, 1968, Einleitung in der Musiksoziologie: Zwölf theoretische Vorlesungen, Frankfurt am Main: Rowohlts Deutsche Enzyklopädie/Suhrkamp. ———, 1973 [1964], The Jargon of Authenticity, London: Routledge and Kegan Paul. ———, 2002 [1938], “On the Fetish Character in Music and the Regression of Listening” in The Essential Frankfurt School Reader, edited by A. Arato and E. Gebhardt, New York: Continuum: 270–299. ———, 2002, Essays on Music, selected and introduced by R. Leppert, London and New York: Routledge. ———, 2003 [1958], Philosophy of Modern Music, translated by A. G. Mitchell and W. V. 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Bakker, P., 2003, “File Sharing—Fight, Ignore Or Compete,” paper presented at the 8th Annual Center for Tele-Information Conference, Copyright and Software Patents, 4–5 December, Denmark: Technical University of Denmark. Balaban, D., 2000, “Music in the Digital Millennium: The Effects of the Digital Millennium Copyright Act of 1998,” 7 UCLA Entertainment Law Review, Spring 2000: 311–314. Barenboim, D. and Said, E. W., 2003, Parallels and Paradoxes: Explorations in Music and Society, New York: Pantheon Books. Barenboim, D., 2003, “Germans, Jews and Music” in Parallels and Paradoxes: Explorations in Music and Society, edited by D. Barenboim and E. W. Said, New York: Pantheon Books: 169–174. Bibliography 287 Barker, C., 1997, Global Television, An Introduction, Oxford, Malden, MA: Blackwell. Barlow, J. P., 2000, “The Next Economy of Ideas: Will Copyright Survive the Napster Bomb? Nope, But Creativity Will,” Wired Magazine, October, 2000: 252. 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