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Crítica De Cinema Na África
CINEMAS AFRICANOS CONTEMPORÂNEOS Abordagens Críticas SESC – SERVIÇO SOCIAL DO COMÉRCIO Administração Regional no Estado de São Paulo PRESIDENTE DO CONSELHO REGIONAL Abram Szajman DIRETOR DO DEPARTAMENTO REGIONAL Danilo Santos de Miranda SUPERINTENDENTES Técnico-Social Joel Naimayer Padula Comunicação Social Ivan Giannini Administração Luiz Deoclécio Massaro Galina Assessoria Técnica e de Planejamento Sérgio José Battistelli GERENTES Ação Cultural Rosana Paulo da Cunha Estudos e Desenvolvimento Marta Raquel Colabone Assessoria de Relações Internacionais Aurea Leszczynski Vieira Gonçalves Artes Gráficas Hélcio Magalhães Difusão e Promoção Marcos Ribeiro de Carvalho Digital Fernando Amodeo Tuacek CineSesc Gilson Packer CINE ÁFRICA 2020 Equipe Sesc Cecília de Nichile, Cesar Albornoz, Érica Georgino, Fernando Hugo da Cruz Fialho, Gabriella Rocha, Graziela Marcheti, Heloisa Pisani, Humberto Motta, João Cotrim, Karina Camargo Leal Musumeci, Kelly Adriano de Oliveira, Ricardo Tacioli, Rodrigo Gerace, Simone Yunes Curadoria e direção de produção e comunicação: Ana Camila Esteves Assistente de produção: Edmilia Barros Produção técnica: Daniel Petry Identidade visual, projeto gráfico e capa: Jéssica Patrícia Soares Assessoria de imprensa: Isidoro Guggiana Traduções e legendas: Casarini Produções Revisão: Ana Camila Esteves e Jusciele Oliveira CINEMAS AFRICANOS CONTEMPORÂNEOS Abordagens Críticas Ana Camila Esteves Jusciele Oliveira (Orgs.) São Paulo, Sesc 2020 Dados Internacionais de Catalogação na Publicação (CIP) C4909 Cinemas africanos contemporâneos: abordagens críticas / Ana Camila Esteves; Jusciele Oliveira (orgs.). – São Paulo: Sesc, 2020. – 1 ebook; xx Kb; e-PUB. il. – Bibliografia ISBN: 978-65-89239-00-0 1. Cinema africano. 2. Cine África. 3. Crítica. 4. Mostra de filmes. 5. Mostra virtual de filmes. 6. Publicações sobre cinema africano no Brasil e no mundo. I. Título. -
AFRICANDO Martina
AFRICANDO Martina EXIL 2665-2 LC 08972 VÖ: 26.05.2003 DISTRIBUTION: INDIGO Trifft der Begriff Melting Pot auf irgendeine Combo zu – dann ist es diese. Afrikas schillerndste Salsa-Bigband hat sich in der Dekade ih- res Bestehens auf fünf Studio-Alben in den Olymp des Afro-Latino- Genres katapultiert. Mit gutem Gewissen können wir sagen, dass sich karibischer Hüftschwung und die smarten Stimmen Schwarzafrikas nirgendwo so packend und natürlich verschmelzend begegnen wie bei Africando, der Formation um das Mastermind Boncana Maiga. Nach ihrem Meisterstreich Betece (EXIL 9766-2), der das neue Salsa-Millenium mit Gastauftritten von Salif Keita oder Lokua Kanza an der Spitze der Weltmusikcharts glanzvoll einläutete, und dem nachfolgenden Doppel-Album Africando Live mit den Hits aus ih- rer ganzen Laufbahn, sind die interkontinentalen Herren zügig mit neuen Surprisen zurück: Das elegante neue Album Martina ist ihr mittlerweile siebtes Werk – und diesmal verzeichnet man auf der Li- ste der Eingeladenen sogar Ismael Lô. Musikalisch konzentrieren sich Africando diesmal vor allem auf die descarga, das explosive Im- provisieren mit dem Charakter einer Jam-Session. Noch haben wir die atemberaubenden Live-Versionen des CD-Mitschnitts aus dem Pariser “Zénith” im Ohr (Live - EXIL 0543-2), auf dem Africando mit dem zündenden Backing von multinationalen Instrumentalisten ihre Hits Revue pas- sieren ließen und Bilanz eines überragenden afro-karibischen Siegeszuges zogen. Der begann 1993, als Boncana Maiga, ein kuba-verrückter Musiker aus Mali, But- ter bei die Fische machte. In den Sechzigern hatte Maiga während seines Auf- enthaltes in Havanna die legendäre Formation Maravillas de Mali gegründet, spä- ter mit den Fania All Stars getourt und in Abidjan ein Studio hochgezogen, durch das Berühmtheiten wie Alpha Blondy oder Mory Kanté defilierten. -
CITIES to BE TAMED? Standards and Alternatives in the Transformation of the Urban South
CITIES TO BE TAMED? Standards and alternatives in the transformation of the urban South SECTION 1 PLACES OF INFORMALITY by Planum. The Journal of Urbanism ISSN 1723-0993 | n. 26, vol.1/2013 Proceedings published in January 2013 CONFERENCE PROMOTERS Spazicontesi/Contestedspaces Francesco Chiodelli Beatrice De Carli Maddalena Falletti Lina Scavuzzo SCIENTIFIC COMMITTEE Alessandro Balducci, Politecnico di Milano, Italy Camillo Boano, University College London, UK Bruno De Meulder, University of Leuven, Belgium Jorge Fiori, AA School of Architecture, UK Nabeel Hamdi, Oxford Brookes University, UK Agostino Petrillo, Politecnico di Milano, Italy Antonio Tosi, Politecnico di Milano, Italy KEYNOTE SPEAKERS Bruno De Meulder, University of Leuven, Belgium Nabeel Hamdi, Oxford Brookes University, UK Erez Tzfadia, Sapir College, Israel with the support of DiAP - Department of Architecture and Planning and School of Architecture and Society, Politecnico di Milano in collaboration with Laboratory of International Cooperation, DiAP, Politecnico di Milano These Proceedings include the papers accepted for presentation at the Conference ‘CITIES TO BE TAMED? Standards and alternatives in the transformation of the urban South’ held in Milan, Politecnico di Milano, on November 15 to 17, 2012. Only the Authors who were regularly registered for the Conference and agreed to publish their contributions were included in the Proceedings. For further information on the Conference programme and a complete list of speakers and presentations, please visit www.contestedspaces.info. Proceedings edited by Spazicontesi/Contestedspaces. CONTACT www.contestedspaces.info [email protected] © Copyright 2013 Planum. The Journal of Urbanism Via Bonardi 9, 20133 Milan, Italy Registered by the Court of Rome on 4/12/2001 under the number 524-2001 All rights reserved. -
ENG 350 Summer12
ENG 350: THE HISTORY OF HIP-HOP With your host, Dr. Russell A. Potter, a.k.a. Professa RAp Monday - Thursday, 6:30-8:30, Craig-Lee 252 http://350hiphop.blogspot.com/ In its rise to the top of the American popular music scene, Hip-hop has taken on all comers, and issued beatdown after beatdown. Yet how many of its fans today know the origins of the music? Sure, people might have heard something of Afrika Bambaataa or Grandmaster Flash, but how about the Last Poets or Grandmaster CAZ? For this class, we’ve booked a ride on the wayback machine which will take us all the way back to Hip-hop’s precursors, including the Blues, Calypso, Ska, and West African griots. From there, we’ll trace its roots and routes through the ‘parties in the park’ in the late 1970’s, the emergence of political Hip-hop with Public Enemy and KRS-One, the turn towards “gangsta” style in the 1990’s, and on into the current pantheon of rappers. Along the way, we’ll take a closer look at the essential elements of Hip-hop culture, including Breaking (breakdancing), Writing (graffiti), and Rapping, with a special look at the past and future of turntablism and digital sampling. Our two required textbook are Bradley and DuBois’s Anthology of Rap (Yale University Press) and Neal and Forman’s That's the Joint: The Hip-Hop Studies Reader are both available at the RIC campus store. Films shown in part or in whole will include Bamboozled, Style Wars, The Freshest Kids: A History of the B-Boy, Wild Style, and Zebrahead; there will is also a course blog with a discussion board and a wide array of links to audio and text resources at http://350hiphop.blogspot.com/ WRITTEN WORK: An informal response to our readings and listenings is due each week on the blog. -
How Women and Health Care Providers Navigate Issues of Contraception in Differing Senegalese Communities Angelina Strohbach SIT Study Abroad
SIT Graduate Institute/SIT Study Abroad SIT Digital Collections Independent Study Project (ISP) Collection SIT Study Abroad Fall 2016 “Always a double-edged sword”: How Women and Health Care Providers Navigate Issues of Contraception in Differing Senegalese Communities Angelina Strohbach SIT Study Abroad Follow this and additional works at: https://digitalcollections.sit.edu/isp_collection Part of the African Studies Commons, Family, Life Course, and Society Commons, Gender and Sexuality Commons, Health Policy Commons, Health Psychology Commons, Marriage and Family Therapy and Counseling Commons, Maternal and Child Health Commons, Social and Cultural Anthropology Commons, and the Women's Health Commons Recommended Citation Strohbach, Angelina, "“Always a double-edged sword”: How Women and Health Care Providers Navigate Issues of Contraception in Differing Senegalese Communities" (2016). Independent Study Project (ISP) Collection. 2456. https://digitalcollections.sit.edu/isp_collection/2456 This Unpublished Paper is brought to you for free and open access by the SIT Study Abroad at SIT Digital Collections. It has been accepted for inclusion in Independent Study Project (ISP) Collection by an authorized administrator of SIT Digital Collections. For more information, please contact [email protected]. “Always a double-edged sword”: How Women and Health Care Providers Navigate Issues of Contraception in Differing Senegalese Communities Angelina Strohbach Program Director: Diallo, Souleye Project Advisor: Diop, Aida Northwestern University Anthropology with a Concentration in Human Biology; Global Health and French Minor Africa, Senegal, Dakar Submitted in partial fulfillment of the requirements for Senegal: National Identity and the Arts SIT Study Abroad, Fall 2016 Strohbach 2 Special thanks to my wonderful advisor Aida Diop, and to Gora Amar at ASBEF, whose guidance and expertise aided immensely in the completion of this project. -
Le Nation Branding, Pour Une Nouvelle Perception Des Capitales D'afrique
Mémoire de Recherche : Rose-Eliane N’DIAYE Le nation branding, pour une nouvelle perception des capitales d’Afrique de l’Ouest. Étude de Cas : Dakar (Sénégal) et l’implantation du World Trade Center Dakar Université de Bourgogne (Dijon) – Département UFR des langues et communication Master de recherche Communication et Médiation – Promotion 2012-2013 Directeur du mémoire de recherche : Monsieur Alexander Frame Directeur de la formation : Monsieur Pascal LARDELLIER Remerciements Je tiens, dans un premier temps, à remercier Monsieur Pascal Lardellier, Responsable de la Formation, de m’avoir poussée à intégrer sa formation. Mes remerciements s’adressent également à Monsieur Alexander Frame, directeur de mémoire, qui a su me conseiller et m’encourager dans la construction de ce mémoire. J’ai pu travailler et effectuer mes recherches dans un cadre agréable, grâce aux différents échanges que j’ai pu avoir avec les intervenants et camarades de classe, avec une attention particulière pour Alain et Laurent. J’adresse aussi mes remerciements à ma grand-mère, mon oncle et ma meilleure amie pour les encouragements. Rose-Eliane N’diaye Résumé Comme les marques commerciales, les pays ont besoin, plus que jamais, de mettre en place de véritables campagnes de communication pour conquérir de nouveaux investisseurs et susciter dans notre imaginaire des représentations positives. La course aux investisseurs, pour attirer les capitaux sur les territoires, est féroce pour toutes les nations dans notre contexte de crise financière mondiale. Le nation branding est un concept qui permet de répondre en partie à cette problématique, en proposant des outils stratégiques destinés à créer de nouvelles représentations ou renforcer celles existantes. -
Assemblée Nationale SOUS LE SIGNE DE LA PARITÉ
N°17 - Mai 2014 12è législature (2012 - 2017) Assemblée Nationale SOUS LE SIGNE DE LA PARITÉ Partenariat : Fondation Konrad Adenauer (FKA) Centre d’Étude des Sciences et Techniques de l’Information (CESTI) «Le journalisme, c’est voir, savoir, savoir-faire et faire savoir» (Gaston Leroux) Partenariat Fondation Konrad Adenauer (FKA) Centres d’Etudes des Sciences et Techniques de l’Information (CESTI) Université Cheikh Anta Diop «La paix et la liberté sont les bases de toutes existence humaine digne de ce nom» (Konrad Adenauer) Sommaire Présentation ..........................................................................................7 Avant propos ..........................................................................................9 Le mot du Directeur du CESTI ............................................................. 11 Assemblée nationale .............................................................................13 Le secrétariat général ............................................................................15 Le cabinet du président de l’Assemblée nationale ............................16 Bureau de l’Assemblée nationale ........................................................18 Les groupes parlementaires .................................................................19 Les partis politiques présents à l’Assemblée nationale .....................20 Portrait des députés ..............................................................................21 Administration de l’Assemblée nationale ........................................273 -
Hip-Hop & the Global Imprint of a Black Cultural Form
Hip-Hop & the Global Imprint of a Black Cultural Form Marcyliena Morgan & Dionne Bennett To me, hip-hop says, “Come as you are.” We are a family. Hip-hop is the voice of this generation. It has become a powerful force. Hip-hop binds all of these people, all of these nationalities, all over the world together. Hip-hop is a family so everybody has got to pitch in. East, west, north or south–we come MARCYLIENA MORGAN is from one coast and that coast was Africa. Professor of African and African –dj Kool Herc American Studies at Harvard Uni- versity. Her publications include Through hip-hop, we are trying to ½nd out who we Language, Discourse and Power in are, what we are. That’s what black people in Amer- African American Culture (2002), ica did. The Real Hiphop: Battling for Knowl- –mc Yan1 edge, Power, and Respect in the LA Underground (2009), and “Hip- hop and Race: Blackness, Lan- It is nearly impossible to travel the world without guage, and Creativity” (with encountering instances of hip-hop music and cul- Dawn-Elissa Fischer), in Doing Race: 21 Essays for the 21st Century ture. Hip-hop is the distinctive graf½ti lettering (ed. Hazel Rose Markus and styles that have materialized on walls worldwide. Paula M.L. Moya, 2010). It is the latest dance moves that young people per- form on streets and dirt roads. It is the bass beats DIONNE BENNETT is an Assis- mc tant Professor of African Ameri- and styles of dress at dance clubs. It is local s can Studies at Loyola Marymount on microphones with hands raised and moving to University. -
Colombia Storymap Copyright Information
Colombia StoryMap Copyright Information CC-BY-2.0 License Link: https://creativecommons.org/licenses/by/2.0/deed.en Caption: Mandinka dancing for a Women’s Cultural Celebration. Author: shaunamullally Image Link: https://upload.wikimedia.org/wikipedia/commons/d/db/Mandinka_Dancing%2C_Women%27s_Cultural _Celebration%2C_Gambia_2006.jpg Caption: The Queen’s Baton Festival of 2010 in Banjul, Gambia. Author: Public.Resource.Org Image Link: https://c5.staticflickr.com/8/7176/27300746772_554720e2cb_b.jpg Caption: Pollock to Hussey Author: Ricky212 Image link: https://commons.wikimedia.org/wiki/File:Pollock_to_Hussey.jpg CC-BY-SA-2.0 License link: https://creativecommons.org/licenses/by-sa/2.0/legalcode Caption: A common warthog. Author: Bernard Dupont from FRANCE Image Link: https://upload.wikimedia.org/wikipedia/commons/thumb/3/30/Common_Warthog_%28Phacochoerus _africanus%29_big_male_%2811839008673%29.jpg/640px- Common_Warthog_%28Phacochoerus_africanus%29_big_male_%2811839008673%29.jpg Caption: Floating house in the Makasutu Culture Forest. Author: Atamari Image Link: https://upload.wikimedia.org/wikipedia/commons/9/9c/Makasutu_0001.jpg Caption: Fulani woman of Niger. Author: Steve Evans Image Link: https://upload.wikimedia.org/wikipedia/commons/thumb/f/f7/Fulani_Woman_from_Niger.jpg/640px- Fulani_Woman_from_Niger.jpg Caption: Stone circles at Wassu. Author: Niels Broekzitter Image Link: https://upload.wikimedia.org/wikipedia/commons/thumb/5/54/Wassu_Stone_Circle.jpg/640px- Wassu_Stone_Circle.jpg Caption: Traditional wresting garb of the Serer people. Author: Erica Kowal Image Link: https://upload.wikimedia.org/wikipedia/commons/thumb/d/dd/Dakar- Marabout.jpg/414px-Dakar-Marabout.jpg CC-BY-SA-2.5 License Link: https://creativecommons.org/licenses/by-sa/2.5/legalcode CC-BY-3.0 License Link: https://creativecommons.org/licenses/by/3.0/legalcode CC-BY-SA 3.0 License link: https://creativecommons.org/licenses/by-sa/3.0/deed.en Caption: A signpost in Serrekunda directing to the University of The Gambia. -
Senegal Country Report BTI 2010
BTI 2010 | Senegal Country Report Status Index 1-10 5.53 # 71 of 128 Democracy 1-10 6.30 # 53 of 128 Market Economy 1-10 4.75 # 88 of 128 Management Index 1-10 5.66 # 44 of 128 scale: 1 (lowest) to 10 (highest) score rank trend This report is part of the Transformation Index (BTI) 2010. The BTI is a global ranking of transition processes in which the state of democracy and market economic systems as well as the quality of political management in 128 transformation and developing countries are evaluated. The BTI is a joint project of the Bertelsmann Stiftung and the Center for Applied Policy Research (C•A•P) at Munich University. More on the BTI at http://www.bertelsmann-transformation-index.de/ Please cite as follows: Bertelsmann Stiftung, BTI 2010 — Senegal Country Report. Gütersloh: Bertelsmann Stiftung, 2009. © 2009 Bertelsmann Stiftung, Gütersloh BTI 2010 | Senegal 2 Key Indicators Population mn. 11.9 HDI 0.46 GDP p.c. $ 1737 Pop. growth % p.a. 2.6 HDI rank of 182 166 Gini Index 39.2 Life expectancy years 55 UN Education Index 0.42 Poverty2 % 60.3 Urban population % 42.1 Gender equality1 - Aid per capita $ 67.9 Sources: UNDP, Human Development Report 2009 | The World Bank, World Development Indicators 2009. Footnotes: (1) Gender Empowerment Measure (GEM). (2) Percentage of population living on less than $2 a day. Executive Summary Historically, Senegal has been one of the showcases for democracy and a market economy in West Africa. Despite only modest – if any – economic success, the country has remained politically stable and has seen uninterrupted civilian rule since its independence. -
“Indépendance Cha Cha”: African Pop Music Since the Independence Era, In: Africa Spectrum, 45, 3, 131-146
Africa Spectrum Dorsch, Hauke (2010), “Indépendance Cha Cha”: African Pop Music since the Independence Era, in: Africa Spectrum, 45, 3, 131-146. ISSN: 1868-6869 (online), ISSN: 0002-0397 (print) The online version of this and the other articles can be found at: <www.africa-spectrum.org> Published by GIGA German Institute of Global and Area Studies, Institute of African Affairs in co-operation with the Dag Hammarskjöld Foundation Uppsala and Hamburg University Press. Africa Spectrum is an Open Access publication. It may be read, copied and distributed free of charge according to the conditions of the Creative Commons Attribution-No Derivative Works 3.0 License. To subscribe to the print edition: <[email protected]> For an e-mail alert please register at: <www.africa-spectrum.org> Africa Spectrum is part of the GIGA Journal Family which includes: Africa Spectrum • Journal of Current Chinese Affairs • Journal of Current Southeast Asian Affairs • Journal of Politics in Latin America • <www.giga-journal-family.org> Africa Spectrum 3/2010: 131-146 “Indépendance Cha Cha”: African Pop Music since the Independence Era Hauke Dorsch Abstract: Investigating why Latin American music came to be the sound- track of the independence era, this contribution offers an overview of musi- cal developments and cultural politics in certain sub-Saharan African coun- tries since the 1960s. Focusing first on how the governments of newly inde- pendent African states used musical styles and musicians to support their nation-building projects, the article then looks at musicians’ more recent perspectives on the independence era. Manuscript received 17 November 2010; 21 February 2011 Keywords: Africa, music, socio-cultural change Hauke Dorsch teaches cultural anthropology at Johannes Gutenberg Uni- versity in Mainz, Germany, where he also serves as the director of the Afri- can Music Archive. -
Senegal Since 2000. Rebuilding Hegemony in a Global Age Vincent Foucher, Tarik Dahou
Senegal since 2000. Rebuilding Hegemony in a Global Age Vincent Foucher, Tarik Dahou To cite this version: Vincent Foucher, Tarik Dahou. Senegal since 2000. Rebuilding Hegemony in a Global Age. Turning Points in African Democracy, 2009. hal-02614085 HAL Id: hal-02614085 https://hal.archives-ouvertes.fr/hal-02614085 Submitted on 20 May 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Mustapha_01 1/5/09 15:48 Page 13 2 Senegal since 2000 Rebuilding Hegemony in a Global Age TARIK DAHOU & VINCENT FOUCHER Senegal is often seen as a model of democracy in Africa. The changing character of Senegalese political life since independence has been paralleled by just as many changes in the literature about it. Initially most work tended to focus on the long history and rooted character of Senegalese democratic culture. This was essentially an urban-based political history centred on the lives of an enlightened class of évolués, African elites with a French education. In various shades, subse- quent authors described how the powerful Muslim brotherhoods functioned as mechanisms for political integration in the countryside: in exchange for agricultural services and other resources channelled to client marabouts, the party-state could count on the votes of the disciples attached to these marabouts (Copans 1980; Coulon 1981).