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Die Grenzen Der Satire: Vergleich Zweier Italienischer Talk-Show-Formate
DIPLOMARBEIT Titel der Diplomarbeit Die Grenzen der Satire: Vergleich zweier italienischer Talk-Show-Formate Verfasserin Martina Brenner angestrebter akademischer Grad Magistra der Philosophie (Mag. phil.) Wien, 2012 Studienkennzahl lt. Studienblatt: A 317 Studienrichtung lt. Studienblatt: Theater-, Film- und Medienwissenschaft Betreuerin: Univ.-Prof. Dr. Hilde Haider-Pregler 2 Erklärung Ich erkläre, dass ich die vorliegende Arbeit selbstständig und ohne fremde Hilfe verfasst habe, andere als die angegebenen Quellen nicht verwendet habe und die den benutzten Quellen wörtlich oder inhaltlich entnommenen Stellen als solche kenntlich gemacht habe. Anmerkungen: In dieser Diplomarbeit wurde aus Gründen der Lesbarkeit auf die gendergerechte Form verzichtet. Männliche Schreibweisen umfassen auch die weiblichen. Das geschah völlig wert- und vorurteilsfrei. Die direkten Zitate in italienischer Sprache wurden von der Autorin ins Deutsche übersetzt. 3 4 Inhaltsverzeichnis 1. Einleitung ....................................................................................... 9 2. Die Satire ........................................................................................ 12 2.1. Etymologie ..................................................................................................... 13 2.2. Indignatio als Antrieb, Satire zu schreiben ............................................. 17 2.3. Satire als gattungsübergreifende Form ................................................... 18 2.4. Der satirische Weltentwurf ................................................................... -
This Is a Contribution from Cultus: the Intercultural Journal of Mediation and Communication 2014: 7 © Iconesoft Edizioni Gruppo Radivo Holding
________________________________________________ This is a contribution from Cultus: the Intercultural Journal of Mediation and Communication 2014: 7 © Iconesoft Edizioni Gruppo Radivo Holding This electronic file may not be altered in any way. The author(s) of this article is /are permitted to use this PDF file to generate printed copies to be used by way of offprints, for their personal use only. __________________________________________________ Cultus THE JOURNAL OF INTERCULTURAL MEDIATION AND COMMUNICATION TRANSCREATION AND THE PROFESSIONS 2014, Volume 7 ICONESOFT EDIZIONI - GRUPPO RADIVO HOLDING BOLOGNA - ITALY CULTUS __________________________________________________ Registrazione al Tribunale di Terni n. 11 del 24.09.2007 Direttore Responsabile Agostino Quero Editore Iconesoft Edizioni – Radivo Holding Anno 2014 ISSN 2035-3111 Policy: double-blind peer review © Iconesoft Edizioni – Radivo Holding srl via Ferrarese 3 – 40128 Bologna 2 ________________________________________________________ CULTUS the Journal of Intercultural Mediation and Communication TRANSCREATION AND THE PROFESSIONS 2014, Volume 7 Editors David Katan University of Salento Cinzia Spinzi University of Palermo ICONESOFT EDIZIONI – RADIVO HOLDING BOLOGNA 3 CULTUS __________________________________________________ CULTUS the Journal of Intercultural Mediation and Communication Editorial Board Michael Agar Ethknoworks LLC and University of Maryland, College Park, USA Patrick Boylan Emeritus Professor University Roma 3 Milton Bennet Intercultural Development Research -
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www.ssoar.info The 5 star people and the unconventional parliament Bordignon, Fabio; Ceccarini, Luigi Veröffentlichungsversion / Published Version Zeitschriftenartikel / journal article Empfohlene Zitierung / Suggested Citation: Bordignon, F., & Ceccarini, L. (2013). The 5 star people and the unconventional parliament. Studia Politica: Romanian Political Science Review, 13(4), 675-692. https://nbn-resolving.org/urn:nbn:de:0168-ssoar-447780 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer CC BY-NC-ND Lizenz This document is made available under a CC BY-NC-ND Licence (Namensnennung-Nicht-kommerziell-Keine Bearbeitung) zur (Attribution-Non Comercial-NoDerivatives). For more Information Verfügung gestellt. Nähere Auskünfte zu den CC-Lizenzen finden see: Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0 https://creativecommons.org/licenses/by-nc-nd/4.0/deed.de The 5 Star People and the Unconventional Parliament 675 The 5 Star People and the Unconventional Parliament FABIO BORDIGNON, LUIGI CECCARINI INTRODUCTION With the triumphal entrance of the Movimento 5 Stelle (Five Star Movement)1 into the Italian Parliament following the General Election of 2013, the level of ”anti- politics” in Italian institutions has grown. With its 163 elected MPs, an ”anti-system” party has entered the political system – not merely the electoral arena, but also the very heart of representative democracy. This political entity, led by former comedian Beppe Grillo, has responded to a social demand for renewal and revitalization of democracy. The rise of the M5S participates to a scene of strong de-legitimization of the political class, and of widespread sentiments of intolerance towards the political parties. At the same time, the Movement has reached the point of calling into question the representative character of Italian democracy, albeit by using the very mechanisms that typify such a regime: elections and Parliament. -
Qseseries Editor: Duncan Prowse
Maurice Forget BROOKEMEAD ENGLISH LANGUAGE TEACHING Series editor: Duncan Prowse Consultant: Rosemary Harris Editor: Picot Cassidy Artist: Belinda Evans Design: John Anastasio, Wendi Watson, Lapiz Digital QSE Advanced Common European Framework Level B2-C1 QSE Series Common Cambridge Michigan TOEFL Trinity College, Edexcel Title European ESOL (New TOEFL) London, ESOL London Test Framework of English Quick Start A1-A2 KET ISE 0 Level (A1) 1 English GESE Grade 1, 2, 3 (in preparation) Quick Smart A2-B1 PET BCCE ISE I, Level 1- 2 English GESE Grade 4, 5, 6 Pre-Intermediate Quick Smart B1-B2 FCE ECCE 450-525 ISE II, Level 2-3 English Target 485 GESE Grade 7,8,9 Intermediate (NT 163) Quick Smart B2-C1 CAE ALCE Target 525 ISE III, Level 3-4 English (NT 197) GESE Grade 10,11 Advanced ISBN: 1-905248-01-6 978-1-905248-01-8 Also available: Other books in the QSE Series: QSE Advanced Teacher’s DVD-ROM QSE Pre-Intermediate (CEF A2-B1) Video, Audio and Text ISBN 1-905248-02-04 Student’s Book, Workbook, Audio CDs, Teacher’s 978-1-905248-02-05 Guide with Photocopiable Resources QSE Advanced Student’s Book ISBN 1-905248-00-8 978-1-905248-00-1 QSE Intermediate (CEF B1-B2) QSE Advanced Student’s DVD-ROM ISBN 1-905248-03-2 Student’s Book, Workbook, Audio CDs, Teacher’s 978-1-905248-03-2 Guide with Photocopiable Resources QSEPublished by: Brookemead English Language Teaching, London © Brookemead Associates Ltd. 2007 All rights reserved. No part of this publication may be reproduced, recorded, transmitted, or stored in any form whatsoever, without the prior written permission of the copyright holders. -
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Political satire in Italy: a successful television genre Rossend Domènech . Political satire is present in every Italian media, There's a lot of political satire on Italian television: two daily specially on television. The author examine in this programmes on national channels and four weekly article the most outstanding satirical scheduled programmes, not to mention the doses of satire dotted programmes and analyses its evolution. He ends throughout many programmes that are not specifically claiming that politics has been transferred to the satirical. During the last season (2006), there were five television stage, instead of any Parliament, and it has exclusive daily programmes and, in previous seasons, from also assumed the television laguage, even satire. 1994 to 2006, half a dozen appeared and disappeared. Since spring 2007, and in addition to these programmes, broadcasters have started to show new comedy and satire programmes in general that sometimes include political sketches. Keywords At the same time there has also been a proliferation in the Political satire, television, Italy, Berlusconi, Le Iene, country of satirical cartoons in the press, and every year Blob, Striscia la notizia, Parla con me, RaiOt, Che one or two books appear on this area. But, where the genre tempo che fa, Crozza Italia. is most abundant is on the Internet, principally since Silvio Berlusconi entered politics (1994), when satire on the ruling classes was more difficult to carry out by means of traditio- nal public and private instruments. This was due to relent- less censorship of this category. We can therefore say that satire has become fashionable. -
Teresa Filizzola Phd Thesis Final Copy
Italians’ Perception and Reception of British Stand-Up Comedy Humour with Interlingual Subtitles A Qualitative and Quantitative Study on Eddie Izzard’s Shows Teresa Filizzola Submitted in accordance with the requirements for the degree of PhD University College London Centre for Translation Studies, CMII September 2016 Primary Supervisor: Dr Federico M. Federici Subsidiary Supervisor: Dr Louisa Desilla 1 Declaration I, Teresa Filizzola, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. Teresa Filizzola 30th September 2016 2 Abstract If we look at the existing publications addressing topics related to the audiovisual translation mode of subtitling and the rendering of humour into another language, we shall notice that there has been an undeniable growth within these branches of translation studies. Nonetheless, this statement does not apply to the specific field of translation of stand-up comedy humour by means of interlingual subtitles. The literature related to this research field reveals a significant gap especially when the focus is on how audiences respond to this type of translated audiovisual products, and when the source language and the target language are respectively British English and Italian. The present PhD project was designed to fill the aforementioned research gap and, in order to attain this purpose, some sketches selected from three of Eddie Izzard’s stand-up comedy shows (Dress to Kill, Circle and Stripped, for which Italian subtitles are available in the official DVDs) were played to a sample of 103 Italians based in Italy so as to observe their reaction. -
Q27portada EN.Qxp
27 Issue 27 QUA- January - April 2007 DERNS DEL CAC www.cac.cat Image and the right to ridicule Quaderns del CAC issue 27, January-April 2007 Contents .Introduction 2 E-mail: [email protected] .Monographic: Image and the right to ridicule Offence and free speech 3 Editorial board: Victòria Camps Victòria Camps i Cervera (editora), Jaume Serrats i Free speech in tolerant society: the case of the 13 Ollé, Dolors Comas d’Argemir i Cendra, Núria Mohammed cartoons Llorach i Boladeras, Rafael Jorba i Castellví, Daniel Gamper Sachse Santiago Ramentol i Massana The crisis of the Mohammed cartoons in the European 27 Union and the Mediterranean: contexts, reactions and media Director: Alain Blomart Josep Gifreu Between humour and uproar: satire and the view 37 of the west in the media of the Arab-Muslim world Executive director: José María Perceval Maria Corominas The Cartoons Controversy and the Danish Press 47 Mustafa Hussain General coordination: Mask-based fiction: the case of Polònia in Catalonia 59 Sylvia Montilla Jordi Balló Infosatire and democratisation on television 63 Sections: José Luis Valhondo Martí Petit (Books Review, Journals Review and Political satire in Italy: a successful television genre 71 Webs Review) Rossend Domènech Political satire in Germany: from the political Kabarett 79 Translation: of the thirties to Comedy TV Tracy Byrne Gemma Casadevall West Wing or Left Wing? The pedagogy of politics 87 Page Layout: in the masterly series of the United States Yago Díaz Vicent Partal Free speech and its limits 93 Legal -
Parte I: DESCRIZIONE BIBLIOGRAFICA E DELL’ESEMPLARE Premessa
Parte I: DESCRIZIONE BIBLIOGRAFICA E DELL’ESEMPLARE Premessa PREMESSA ALLA PARTE I Con la parte che pubblichiamo – la Parte I, relativa alla Descrizione bibliografica e dell’esemplare – si completano le tre grandi ripartizioni nelle quali ci è sembrato opportuno articolare il nuovo codice di catalogazione italiano. Seguiranno, nei prossimi mesi, l’ Introduzione (una sorta di “Capitolo 0”, a cui ci hanno abituato molti strumenti di lavoro) e le Appendici . Il testo che pubblichiamo è da considerare, naturalmente, non definitivo , offerto all’analisi e alla discussione in ambito professionale e, per la Commissione stessa, da riesaminare insieme alle altre parti pubblicate in precedenza per dare al tutto la massima coerenza e omogeneità. La bozza di questa parte non è ancora completa: non comprende gli ultimi capitoli (descrizione bibliografica delle pubblicazioni in più unità, descrizione di documenti non pubblicati, descrizione delle caratteristiche degli esemplari) e presenta piccole lacune in vari punti, soprattutto per gli esempi e per i materiali speciali meno diffusi. Alcune problematiche connesse a questa parte, dai livelli di completezza della catalogazione al complesso delle informazioni incluse nelle registrazioni bibliografiche e alle relazioni fra queste, saranno trattate nell’ Introduzione . Inoltre il testo, per la sua complessità e per le fitte relazioni tra i diversi punti, richiederà nei prossimi mesi un’attenta revisione dal punto di vista formale. Punto di riferimento basilare per le norme di descrizione sono stati naturalmente gli standard ISBD. Questi standard però, anche se molto studiati e applicati quasi universalmente nel nostro paese, sono stati recepiti attraverso traduzioni, interpretazioni e adattamenti differenti, complessivamente fedeli ma divergenti in molti particolari sia fra loro sia rispetto alle norme originali. -
Contribution to the Universal Periodic Review Mechanism Seventh Session of the Working Group of the Universal Periodic Review
6o Farringdon Road, London EC1R 3GA T: 020 7324 2522 Contribution to the Universal Periodic Review Mechanism Seventh session of the Working Group of the Universal Periodic Review A submission on the Republic of Italy by Index on Censorship 30 August 2009 Introduction Index on Censorship welcomes the opportunity provided by the Office of the High Commissioner on Human Rights to comment on the situation for freedom of expression in the Republic of Italy, with which it has been concerned for a number of years. In comparison with other western states, the Italian media role as ‘fourth estate’ and watchdog of political authority has declined since the late 1970s and the Lockheed scandal when press exposés forced the resignation of then President Giovanni Leone. A monolithic political structure and an established system of state influence over the broadcast media in the years that followed, cleared the way for what Index on Censorship believes is today’s failure to regulate a well documented conflict of interest between the media and current prime minister Silvio Berlusconi. Prime minister Berlusconi’s political authority over public broadcasting, matched by his corporate authority over most of Italy’s major private media, gives him unprecedented governmental, political and economic control over the nation’s media. As may be expected, it is disputed whether this control is overtly applied by himself, or via members of the ruling People of Freedom political party, or covertly through his various alleged past and present private associations, including the outlawed P2 Masonic lodge, or indeed at all. Again the advantages may or may not be applied in his interest or in the interests of his many business associates. -
Giocare Con I Media: Il Fenomeno Machinima Nel Nuovo Panorama Mediatico
UNIVERSITA' DEGLI STUDI DI BOLOGNA FACOLTA' DI LETTERE E FILOSOFIA Corso di laurea in Cinema, televisione e produzione multimediale GIOCARE CON I MEDIA: IL FENOMENO MACHINIMA NEL NUOVO PANORAMA MEDIATICO Tesi di laurea in Semiotica del testo cinematografico e audiovisivo Relatore Presentata da Prof. Guglielmo Pescatore Valerio Sillari Correlatore Dott. Roberto Braga Sessione III Anno accademico 2007/2008 Indice Introduzione ______________________________________ p. 6 Capitolo 1 Cosa è machinima 1.1 Un primo sguardo al fenomeno ____________________________ p. 10 1.2 Machinima: istruzioni per l’uso _____________________________ p.13 1.3 Dai videogame a machinima: una storia recente_______________ p. 18 Capitolo 2 Machinima e media 2.1 Machinima e il mondo dei media ___________________________ p. 29 2.2 Machinima, ultimo “rimedio” ai mezzi di comunicazione _________ p. 30 2.3 Mod Remediation : come machinima si appropria degli altri media _ p. 38 2.4 Giocare con i media: tra machinima e forme mediali tradizionali __ p. 44 2.5 Machinima ed il cinema: un falso mito ______________________ p. 46 2.6 Serialità e machinima: tra imitazione e rivoluzione _____________ p. 55 2.7 Video senza nome, il cuore machinima ______________________ p. 65 Capitolo 3 Gli utenti machinima 3.1 L’utente 2.0: quando convergenza e nuove idee si incontrano ____ p. 76 3.2 Tra arte e punteggio record: L’utente-giocatore _______________ p. 90 3.3 Un bazar elettronico: il caos costruttivo dei machinima ________ p. 100 Capitolo 4 Il gioco si fa serio 4.1 Odi et amo : il rapporto dei media verso l’emergere dei machinima p. -
Contribution to the Universal Periodic Review Mechanism Seventh Session of the Working Group of the Universal Periodic Review
6o Farringdon Road, London EC1R 3GA T: 020 7324 2522 Contribution to the Universal Periodic Review Mechanism Seventh session of the Working Group of the Universal Periodic Review A submission on the Republic of Italy by Index on Censorship 30 August 2009 Introduction Index on Censorship welcomes the opportunity provided by the Office of the High Commissioner on Human Rights to comment on the situation for freedom of expression in the Republic of Italy, with which it has been concerned for a number of years. In comparison with other western states, the Italian media role as ‘fourth estate’ and watchdog of political authority has declined since the late 1970s and the Lockheed scandal when press exposés forced the resignation of then President Giovanni Leone. A monolithic political structure and an established system of state influence over the broadcast media in the years that followed, cleared the way for what Index on Censorship believes is today’s failure to regulate a well documented conflict of interest between the media and current prime minister PM Silvio Berlusconi. Prime Minister Berlusconi’s political authority over public broadcasting, matched by his corporate authority over most of Italy’s major private media, gives him unprecedented governmental, political and economic control over the nation’s media. As may be expected, it is disputed whether this control is overtly applied by himself, or via members of the ruling People of Freedom political party, or covertly through his various alleged past and present private associations, including the outlawed P2 Masonic lodge, or indeed at all. Again the advantages may or may not be applied in his interest or in the interests of his many business associates. -
Forecasting in the Politics of Spectacle, from Berlusconi to Grillo: the Narrative of Impolite Politics
Bulletin of Italian Politics Vol. 4, No. 2, 2012, 305-322 Forecasting in the Politics of Spectacle, From Berlusconi to Grillo: The Narrative of Impolite Politics Christian Ruggiero University of Rome “La Sapienza” Abstract: Two highly significant strengths may be identified in Silvio Berlusconi’s communicative strategies during Italian general elections from 1994 to 2008: first, an innovative and skilful use of the narrative as political tool; second, the introduction of impoliteness into Italian political debates. This latter point may be viewed both as an expression of his ability to manage the political arena as a spectacle and as an innovative political skill in the era of visibility and political scandals. His forced retirement from government in 2011, and the subsequent season of understatement brought about by the technocratic government led by Mario Monti, has emphasised the communicative value, for a political leader able to create and manage them, of a narrative and code of impolite politics similar to that of Berlusconi. Such a leader could be identified in Beppe Grillo, whose MoVimento 5 Stelle achieved significant results in the 2012 local elections and dominated the political agenda mainly through Grillo's direct and impolite communicative style which addressed both his political opponents and the MoVimento's ‘dissident’ militants. What might happen when Grillo, the new Comedian, who already appears as a champion of impolite politics inaugurated by Berlusconi, runs against Berlusconi the old Comedian in the forthcoming general election? Keywords: Berlusconi, Grillo, politics as a spectacle, political scandal, storytelling. Introduction Silvio Berlusconi’s success in Italian politics can be attributed to three elements: being the first to understand the importance of self-managing one’s image; having the ability to build and develop a winning political narrative; being the only Italian politician convincingly to present himself as a ‘man of the people’.