Contribution to the Universal Periodic Review Mechanism Seventh Session of the Working Group of the Universal Periodic Review
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CEU Political Science Journal
Vol. 6, No. 2 May 2011 CEU Political Science Journal Department of Political Science Central European University CEU Political Science Journal Department of Political Science Central European University, Budapest May 2011 Advisory Board S.M. Amadae, Ohio State University Carol Harrington, Victoria University of Wellington Karen Henderson, University of Leicester Herbert Kitschelt, Duke University Levente Littvay, CEU Budapest Cristian Pirvulescu, SNSPA Bucharest Phillippe C. Schmitter, EUI Florence Carsten Q. Schneider, CEU Budapest Jan Zielonka, University of Oxford Managing Editors Sergiu Gherghina, University of Leiden Arpad Todor, European University Institute, Florence Editorial Board Dorothee Bohle, CEU Budapest Andras Bozoki, CEU Budapest Mihail Chiru, CEU Budapest Anil Duman, CEU Budapest Zsolt Enyedi, CEU Budapest Stela Garaz, CEU Budapest Dylan Kissane, CEFAM Lyon Robert Sata, CEU Budapest Daniela Sirinic, CEU Budapest Fouad Touzani, CEU Budapest Editorial Assistants Gabriela Borz, University of Aberdeen Oana Lup, CEU Budapest ISSN: 1818-7668 CONTENTS ARTICLES Davor Marko The role of opinion leaders in the dissemination of media messages during the pre-election period: The case of Bosnia and Herzegovinia 167 Nicole Gallina Challenging the East-West divide: Insights from a comparison of Ukraine and Italy 192 J. Shola Omotola A cabalised regime: neopatrimonialism, president Yar’adua’s health crisis and Nigeria’s democracy 222 Victoria Makulilo Access denied? examining the loans board facility for higher learning students in Tanzania 254 BOOK REVIEWS Mabel Berezin, Illiberal Politics in Neoliberal Times. Culture, Security and Populism in the New Europe (New York, Cambridge University Press, 2009). Reviewed by: Adriana Marinescu 286 Fred I. Greenstein, Inventing the Job of President: Leadership Style from George Washington to Andrew Jackson (Princeton, New Jersey: Princeton University Press, 2009). -
Universitá Degli Studi Di Pisa
UNIVERSITÁ DEGLI STUDI DI PISA Dipartimento di Scienze Politiche CORSO DI LAUREA MAGISTRALE IN COMUNICAZIONE D’IMPRESA E POLITICA DELLE RISORSE UMANE Il framing dell’elezione del Presidente della Repubblica: processi di ibridazione tra Televisione, Twitter e Stampa quotidiana Candidato Antonio Martella Relatore Correlatore Prof.ssa Roberta Bracciale Prof. Andrea Salvini Anno Accademico 2014-2015 Indice Introduzione .................................................................................................................................. 3 I - Quadro teorico e metodologico ................................................................................................ 7 1.1 - Ibridazione e politica pop .................................................................................................. 7 1.2 - Talk show e Social TV ...................................................................................................... 10 1.3 - Agenda Setting e Framing ............................................................................................... 13 1.4 – Metodologia ................................................................................................................... 17 II - Prima giornata di elezione del Presidente della Repubblica – 29 gennaio 2015 ................... 19 2.1 - Contesto .......................................................................................................................... 19 2.2 - Quotidiani del 29 gennaio 2015 ..................................................................................... -
Class Code ITAL-UA9513/MCC-UE9452001 Instructor Details
ITAL-UA9513/MCC-UE9452001 Class code Name: Cristian Vaccari Instructor Details NYUHome Email Address: [email protected] Office Hours: By appointment only, Wednesdays, 6pm-7pm Villa Ulivi Office Location: Borgo de’ Greci Villa Ulivi Office Extension: 313 For fieldtrips refer to the email with trip instructions and trip assistant’s cell phone number Semester: Spring 2013 Class Details Full Title of Course: Global Media Seminar: Television and Democracy in Italy Meeting Days and Times: Wednesdays, 3:00pm - 5:45pm Classroom Location: Montughi None Prerequisites The goal of this course is to present a comparative perspective on media and politics in Class Description Western democracies and a thorough historical survey of political communication in Italy, with a special emphasis on the relation between television and democratic politics and an eye towards the evolving role of digital media. Students who take the course will be able to comprehend the most recent developments in political communication across Western democracies as well as to understand the complex media-politics relationships in Italy. The first part of the course will enable students to contextualize the Italian case within global trends in political communication that affect most Western democracies. Students will learn how to evaluate the ways in which the media contribute to democracy from a normative standpoint and to appreciate how different types of media systems affect citizens’ levels of information and political participation. Moreover, they will learn about parties, party systems, and party identification, which will allow them to better understand the dynamics of elections and vote choice. Building on this groundwork, the second part of the course will deal with the history of political communication in Italy from the post-War era until present-day developments. -
Die Grenzen Der Satire: Vergleich Zweier Italienischer Talk-Show-Formate
DIPLOMARBEIT Titel der Diplomarbeit Die Grenzen der Satire: Vergleich zweier italienischer Talk-Show-Formate Verfasserin Martina Brenner angestrebter akademischer Grad Magistra der Philosophie (Mag. phil.) Wien, 2012 Studienkennzahl lt. Studienblatt: A 317 Studienrichtung lt. Studienblatt: Theater-, Film- und Medienwissenschaft Betreuerin: Univ.-Prof. Dr. Hilde Haider-Pregler 2 Erklärung Ich erkläre, dass ich die vorliegende Arbeit selbstständig und ohne fremde Hilfe verfasst habe, andere als die angegebenen Quellen nicht verwendet habe und die den benutzten Quellen wörtlich oder inhaltlich entnommenen Stellen als solche kenntlich gemacht habe. Anmerkungen: In dieser Diplomarbeit wurde aus Gründen der Lesbarkeit auf die gendergerechte Form verzichtet. Männliche Schreibweisen umfassen auch die weiblichen. Das geschah völlig wert- und vorurteilsfrei. Die direkten Zitate in italienischer Sprache wurden von der Autorin ins Deutsche übersetzt. 3 4 Inhaltsverzeichnis 1. Einleitung ....................................................................................... 9 2. Die Satire ........................................................................................ 12 2.1. Etymologie ..................................................................................................... 13 2.2. Indignatio als Antrieb, Satire zu schreiben ............................................. 17 2.3. Satire als gattungsübergreifende Form ................................................... 18 2.4. Der satirische Weltentwurf ................................................................... -
This Is a Contribution from Cultus: the Intercultural Journal of Mediation and Communication 2014: 7 © Iconesoft Edizioni Gruppo Radivo Holding
________________________________________________ This is a contribution from Cultus: the Intercultural Journal of Mediation and Communication 2014: 7 © Iconesoft Edizioni Gruppo Radivo Holding This electronic file may not be altered in any way. The author(s) of this article is /are permitted to use this PDF file to generate printed copies to be used by way of offprints, for their personal use only. __________________________________________________ Cultus THE JOURNAL OF INTERCULTURAL MEDIATION AND COMMUNICATION TRANSCREATION AND THE PROFESSIONS 2014, Volume 7 ICONESOFT EDIZIONI - GRUPPO RADIVO HOLDING BOLOGNA - ITALY CULTUS __________________________________________________ Registrazione al Tribunale di Terni n. 11 del 24.09.2007 Direttore Responsabile Agostino Quero Editore Iconesoft Edizioni – Radivo Holding Anno 2014 ISSN 2035-3111 Policy: double-blind peer review © Iconesoft Edizioni – Radivo Holding srl via Ferrarese 3 – 40128 Bologna 2 ________________________________________________________ CULTUS the Journal of Intercultural Mediation and Communication TRANSCREATION AND THE PROFESSIONS 2014, Volume 7 Editors David Katan University of Salento Cinzia Spinzi University of Palermo ICONESOFT EDIZIONI – RADIVO HOLDING BOLOGNA 3 CULTUS __________________________________________________ CULTUS the Journal of Intercultural Mediation and Communication Editorial Board Michael Agar Ethknoworks LLC and University of Maryland, College Park, USA Patrick Boylan Emeritus Professor University Roma 3 Milton Bennet Intercultural Development Research -
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www.ssoar.info The 5 star people and the unconventional parliament Bordignon, Fabio; Ceccarini, Luigi Veröffentlichungsversion / Published Version Zeitschriftenartikel / journal article Empfohlene Zitierung / Suggested Citation: Bordignon, F., & Ceccarini, L. (2013). The 5 star people and the unconventional parliament. Studia Politica: Romanian Political Science Review, 13(4), 675-692. https://nbn-resolving.org/urn:nbn:de:0168-ssoar-447780 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer CC BY-NC-ND Lizenz This document is made available under a CC BY-NC-ND Licence (Namensnennung-Nicht-kommerziell-Keine Bearbeitung) zur (Attribution-Non Comercial-NoDerivatives). For more Information Verfügung gestellt. Nähere Auskünfte zu den CC-Lizenzen finden see: Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0 https://creativecommons.org/licenses/by-nc-nd/4.0/deed.de The 5 Star People and the Unconventional Parliament 675 The 5 Star People and the Unconventional Parliament FABIO BORDIGNON, LUIGI CECCARINI INTRODUCTION With the triumphal entrance of the Movimento 5 Stelle (Five Star Movement)1 into the Italian Parliament following the General Election of 2013, the level of ”anti- politics” in Italian institutions has grown. With its 163 elected MPs, an ”anti-system” party has entered the political system – not merely the electoral arena, but also the very heart of representative democracy. This political entity, led by former comedian Beppe Grillo, has responded to a social demand for renewal and revitalization of democracy. The rise of the M5S participates to a scene of strong de-legitimization of the political class, and of widespread sentiments of intolerance towards the political parties. At the same time, the Movement has reached the point of calling into question the representative character of Italian democracy, albeit by using the very mechanisms that typify such a regime: elections and Parliament. -
Freedom of the Press - Italy (2011)
Page 1 of 2 Print Freedom Of The Press - Italy (2011) Status: Partly Free Legal Environment: 11 Political Environment: 13 Economic Environment: 10 Total Score: 34 Freedoms of speech and of the press are constitutionally guaranteed and generally respected despite ongoing concerns regarding concentration of media ownership. The 2004 Gasparri Law on broadcasting was heavily criticized for provisions that enabled Prime Minister Silvio Berlusconi to maintain his control of the private media market, largely through his ownership of the Mediaset Group. In October 2009, the Constitutional Court overturned a law that had granted Berlusconi protection from prosecution while he remains in office. The ruling opened the way for a number of court cases against him to proceed, including a tax fraud case involving Mediaset. In June 2010, the Senate passed a bill that would limit the use of police wiretaps, prescribing heavy fines and up to 30 days in jail for journalists who publish content from such recordings before the implicated defendant goes to trial. The controversial bill was seen primarily as an effort to keep embarrassing information about politicians out of the news. Following international condemnation and protests by journalists, including a national strike in July, the government put a hold on the draft law, and it had not been enacted at the end of the year. In addition to this threat to media freedom, a comprehensive report released by the Vienna-based International Press Institute noted a number of other legal impediments, including the lack of a proper law to deal with conflict of interest (particularly between media ownership and holding political office), as well as licensing procedures for journalists that can potentially lead to official influence and limited opportunities for foreign-born reporters. -
Qseseries Editor: Duncan Prowse
Maurice Forget BROOKEMEAD ENGLISH LANGUAGE TEACHING Series editor: Duncan Prowse Consultant: Rosemary Harris Editor: Picot Cassidy Artist: Belinda Evans Design: John Anastasio, Wendi Watson, Lapiz Digital QSE Advanced Common European Framework Level B2-C1 QSE Series Common Cambridge Michigan TOEFL Trinity College, Edexcel Title European ESOL (New TOEFL) London, ESOL London Test Framework of English Quick Start A1-A2 KET ISE 0 Level (A1) 1 English GESE Grade 1, 2, 3 (in preparation) Quick Smart A2-B1 PET BCCE ISE I, Level 1- 2 English GESE Grade 4, 5, 6 Pre-Intermediate Quick Smart B1-B2 FCE ECCE 450-525 ISE II, Level 2-3 English Target 485 GESE Grade 7,8,9 Intermediate (NT 163) Quick Smart B2-C1 CAE ALCE Target 525 ISE III, Level 3-4 English (NT 197) GESE Grade 10,11 Advanced ISBN: 1-905248-01-6 978-1-905248-01-8 Also available: Other books in the QSE Series: QSE Advanced Teacher’s DVD-ROM QSE Pre-Intermediate (CEF A2-B1) Video, Audio and Text ISBN 1-905248-02-04 Student’s Book, Workbook, Audio CDs, Teacher’s 978-1-905248-02-05 Guide with Photocopiable Resources QSE Advanced Student’s Book ISBN 1-905248-00-8 978-1-905248-00-1 QSE Intermediate (CEF B1-B2) QSE Advanced Student’s DVD-ROM ISBN 1-905248-03-2 Student’s Book, Workbook, Audio CDs, Teacher’s 978-1-905248-03-2 Guide with Photocopiable Resources QSEPublished by: Brookemead English Language Teaching, London © Brookemead Associates Ltd. 2007 All rights reserved. No part of this publication may be reproduced, recorded, transmitted, or stored in any form whatsoever, without the prior written permission of the copyright holders. -
Warporn Warpunk! Autonomous Videopoesis in Wartime Matteo Pasquinelli
492 / Sarai Reader 2005: Bare Acts Warporn Warpunk! Autonomous Videopoesis in Wartime Matteo Pasquinelli Grinning Monkeys How do you think you can stop war without weapons? Anti-war opinion that fills public squares around the world stands as powerless in front of the raging US military as the cosmetic democracy of International Courts. Reason cannot prevail against the animal instincts of a superpower: a homicidal force can be arrested only by another, stronger force. Every day we witness such a Darwinian show: history repeating itself through a cruel confrontation of forces, while “freedom of speech” plays itself out as an ineffectual drawing room exercise. Pacifists too are accomplices of instinctive forces, because animal aggressiveness is within us all. How do we express that bestiality for which we condemn armies? Contrary to the self- censored exterior of the radical left (not only that of the conformist majority), it should be admitted publicly that watching Abu Ghraib pictures of pornographic tortures does not scandalise us. On the contrary, it excites us in exactly the same way as the obsessive voyeurism that draws us to 9/11 videos. Through such images we feel the expression of repressed instincts, the pleasure rising again after its narcotisation by consumerism, technologies, goods and images. We show our teeth, as monkeys do, when their aggressive grin looks dreadfully like the human smile. Contemporary thinkers like Baudrillard and Zizek acknowledge the dark side of Western culture. If 9/11 has been a shock for Western consciousness, Baudrillard puts forward a more shocking thesis: we Westerners had an active desire for 9/11, the death drive of a superpower that, having reached its natural limits, knows and desires nothing more than self-destruction and war. -
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Political satire in Italy: a successful television genre Rossend Domènech . Political satire is present in every Italian media, There's a lot of political satire on Italian television: two daily specially on television. The author examine in this programmes on national channels and four weekly article the most outstanding satirical scheduled programmes, not to mention the doses of satire dotted programmes and analyses its evolution. He ends throughout many programmes that are not specifically claiming that politics has been transferred to the satirical. During the last season (2006), there were five television stage, instead of any Parliament, and it has exclusive daily programmes and, in previous seasons, from also assumed the television laguage, even satire. 1994 to 2006, half a dozen appeared and disappeared. Since spring 2007, and in addition to these programmes, broadcasters have started to show new comedy and satire programmes in general that sometimes include political sketches. Keywords At the same time there has also been a proliferation in the Political satire, television, Italy, Berlusconi, Le Iene, country of satirical cartoons in the press, and every year Blob, Striscia la notizia, Parla con me, RaiOt, Che one or two books appear on this area. But, where the genre tempo che fa, Crozza Italia. is most abundant is on the Internet, principally since Silvio Berlusconi entered politics (1994), when satire on the ruling classes was more difficult to carry out by means of traditio- nal public and private instruments. This was due to relent- less censorship of this category. We can therefore say that satire has become fashionable. -
The (D)Evolution of Political Communication in Italy: Beppe
ACTAACTA UNIVERSITATIS UNIVERSITATIS LODZIENSIS LODZIENSIS ACTA UNIVERSITATIS LODZIENSIS FoliaFolia Litteraria Litteraria Polonica Polonica 3(58) 2(57) 2020 2020 Folia Litteraria Polonica 2(57) 2020 http://dx.doi.org/10.18778/1505-9057.58.27http://dx.doi.org/10.18778/1505-9057.57.01 http://dx.doi.org/10.18778/1505-9057.57.01 ACTA UNIVERSITATIS LODZIENSIS Folia Litteraria Polonica 2(57) 2020 * Marcin Kępiński* Łukasz Marcinhttp://dx.doi.org/10.18778/1505-9057.57.01 JKępińskian Berezowski* https://orcid.org/0000-0003-4367-3224 https://orcid.org/0000-0003-4367-3224https://orcid.org/0000-0002-5312-5451 ArturMarcin Gałkowski** Kępiński* The Thehttps://orcid.org/0000-0003-4367-3224https://orcid.org/0000-0003-2471-0886 wall wall of of silence silence surrounding surrounding literatureliterature and and remembrance: remembrance: TheVarlamVarlam (d)evolutionwallS halamov’sofShalamov’s silence of ArtificialsurroundingpoliticalArtificial Limbs, Limbs, Etc. Etc. communicationasliteratureasaa m metaphoretaphor and remembrance: of inof the Italy: the soviet soviet empire empire BeppeVarlam Grillo’sShalamov’s case Artificial Limbs, Etc. The camp solitary confinement block was old and decrepit. It looked as if a wall The camp solitary confinement block was old and decrepit. It looked as if a wall as amight m falletaphor down, the whole of block the crumble, soviet and the beams empire collapse, if you just In themight 21st fall century, down, togetherthe whole with block the crumble, rapid widespread and the beams of social collapse, media if andyou justdigital knocked against a wooden cell wall. But the solitary confinement block wasn’t go- communication,knocked against political a wooden parties cell wall. -
Teresa Filizzola Phd Thesis Final Copy
Italians’ Perception and Reception of British Stand-Up Comedy Humour with Interlingual Subtitles A Qualitative and Quantitative Study on Eddie Izzard’s Shows Teresa Filizzola Submitted in accordance with the requirements for the degree of PhD University College London Centre for Translation Studies, CMII September 2016 Primary Supervisor: Dr Federico M. Federici Subsidiary Supervisor: Dr Louisa Desilla 1 Declaration I, Teresa Filizzola, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. Teresa Filizzola 30th September 2016 2 Abstract If we look at the existing publications addressing topics related to the audiovisual translation mode of subtitling and the rendering of humour into another language, we shall notice that there has been an undeniable growth within these branches of translation studies. Nonetheless, this statement does not apply to the specific field of translation of stand-up comedy humour by means of interlingual subtitles. The literature related to this research field reveals a significant gap especially when the focus is on how audiences respond to this type of translated audiovisual products, and when the source language and the target language are respectively British English and Italian. The present PhD project was designed to fill the aforementioned research gap and, in order to attain this purpose, some sketches selected from three of Eddie Izzard’s stand-up comedy shows (Dress to Kill, Circle and Stripped, for which Italian subtitles are available in the official DVDs) were played to a sample of 103 Italians based in Italy so as to observe their reaction.