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Die Grenzen Der Satire: Vergleich Zweier Italienischer Talk-Show-Formate
DIPLOMARBEIT Titel der Diplomarbeit Die Grenzen der Satire: Vergleich zweier italienischer Talk-Show-Formate Verfasserin Martina Brenner angestrebter akademischer Grad Magistra der Philosophie (Mag. phil.) Wien, 2012 Studienkennzahl lt. Studienblatt: A 317 Studienrichtung lt. Studienblatt: Theater-, Film- und Medienwissenschaft Betreuerin: Univ.-Prof. Dr. Hilde Haider-Pregler 2 Erklärung Ich erkläre, dass ich die vorliegende Arbeit selbstständig und ohne fremde Hilfe verfasst habe, andere als die angegebenen Quellen nicht verwendet habe und die den benutzten Quellen wörtlich oder inhaltlich entnommenen Stellen als solche kenntlich gemacht habe. Anmerkungen: In dieser Diplomarbeit wurde aus Gründen der Lesbarkeit auf die gendergerechte Form verzichtet. Männliche Schreibweisen umfassen auch die weiblichen. Das geschah völlig wert- und vorurteilsfrei. Die direkten Zitate in italienischer Sprache wurden von der Autorin ins Deutsche übersetzt. 3 4 Inhaltsverzeichnis 1. Einleitung ....................................................................................... 9 2. Die Satire ........................................................................................ 12 2.1. Etymologie ..................................................................................................... 13 2.2. Indignatio als Antrieb, Satire zu schreiben ............................................. 17 2.3. Satire als gattungsübergreifende Form ................................................... 18 2.4. Der satirische Weltentwurf ................................................................... -
This Is a Contribution from Cultus: the Intercultural Journal of Mediation and Communication 2014: 7 © Iconesoft Edizioni Gruppo Radivo Holding
________________________________________________ This is a contribution from Cultus: the Intercultural Journal of Mediation and Communication 2014: 7 © Iconesoft Edizioni Gruppo Radivo Holding This electronic file may not be altered in any way. The author(s) of this article is /are permitted to use this PDF file to generate printed copies to be used by way of offprints, for their personal use only. __________________________________________________ Cultus THE JOURNAL OF INTERCULTURAL MEDIATION AND COMMUNICATION TRANSCREATION AND THE PROFESSIONS 2014, Volume 7 ICONESOFT EDIZIONI - GRUPPO RADIVO HOLDING BOLOGNA - ITALY CULTUS __________________________________________________ Registrazione al Tribunale di Terni n. 11 del 24.09.2007 Direttore Responsabile Agostino Quero Editore Iconesoft Edizioni – Radivo Holding Anno 2014 ISSN 2035-3111 Policy: double-blind peer review © Iconesoft Edizioni – Radivo Holding srl via Ferrarese 3 – 40128 Bologna 2 ________________________________________________________ CULTUS the Journal of Intercultural Mediation and Communication TRANSCREATION AND THE PROFESSIONS 2014, Volume 7 Editors David Katan University of Salento Cinzia Spinzi University of Palermo ICONESOFT EDIZIONI – RADIVO HOLDING BOLOGNA 3 CULTUS __________________________________________________ CULTUS the Journal of Intercultural Mediation and Communication Editorial Board Michael Agar Ethknoworks LLC and University of Maryland, College Park, USA Patrick Boylan Emeritus Professor University Roma 3 Milton Bennet Intercultural Development Research -
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www.ssoar.info The 5 star people and the unconventional parliament Bordignon, Fabio; Ceccarini, Luigi Veröffentlichungsversion / Published Version Zeitschriftenartikel / journal article Empfohlene Zitierung / Suggested Citation: Bordignon, F., & Ceccarini, L. (2013). The 5 star people and the unconventional parliament. Studia Politica: Romanian Political Science Review, 13(4), 675-692. https://nbn-resolving.org/urn:nbn:de:0168-ssoar-447780 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer CC BY-NC-ND Lizenz This document is made available under a CC BY-NC-ND Licence (Namensnennung-Nicht-kommerziell-Keine Bearbeitung) zur (Attribution-Non Comercial-NoDerivatives). For more Information Verfügung gestellt. Nähere Auskünfte zu den CC-Lizenzen finden see: Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0 https://creativecommons.org/licenses/by-nc-nd/4.0/deed.de The 5 Star People and the Unconventional Parliament 675 The 5 Star People and the Unconventional Parliament FABIO BORDIGNON, LUIGI CECCARINI INTRODUCTION With the triumphal entrance of the Movimento 5 Stelle (Five Star Movement)1 into the Italian Parliament following the General Election of 2013, the level of ”anti- politics” in Italian institutions has grown. With its 163 elected MPs, an ”anti-system” party has entered the political system – not merely the electoral arena, but also the very heart of representative democracy. This political entity, led by former comedian Beppe Grillo, has responded to a social demand for renewal and revitalization of democracy. The rise of the M5S participates to a scene of strong de-legitimization of the political class, and of widespread sentiments of intolerance towards the political parties. At the same time, the Movement has reached the point of calling into question the representative character of Italian democracy, albeit by using the very mechanisms that typify such a regime: elections and Parliament. -
Q27portada EN.Qxp
Political satire in Italy: a successful television genre Rossend Domènech . Political satire is present in every Italian media, There's a lot of political satire on Italian television: two daily specially on television. The author examine in this programmes on national channels and four weekly article the most outstanding satirical scheduled programmes, not to mention the doses of satire dotted programmes and analyses its evolution. He ends throughout many programmes that are not specifically claiming that politics has been transferred to the satirical. During the last season (2006), there were five television stage, instead of any Parliament, and it has exclusive daily programmes and, in previous seasons, from also assumed the television laguage, even satire. 1994 to 2006, half a dozen appeared and disappeared. Since spring 2007, and in addition to these programmes, broadcasters have started to show new comedy and satire programmes in general that sometimes include political sketches. Keywords At the same time there has also been a proliferation in the Political satire, television, Italy, Berlusconi, Le Iene, country of satirical cartoons in the press, and every year Blob, Striscia la notizia, Parla con me, RaiOt, Che one or two books appear on this area. But, where the genre tempo che fa, Crozza Italia. is most abundant is on the Internet, principally since Silvio Berlusconi entered politics (1994), when satire on the ruling classes was more difficult to carry out by means of traditio- nal public and private instruments. This was due to relent- less censorship of this category. We can therefore say that satire has become fashionable. -
Writing the 9/11 Decade
1 Writing the 9/11 Decade Charlie Lee-Potter A dissertation submitted in partial fulfillment of the requirements of the degree of PhD ROYAL HOLLOWAY UNIVERSITY OF LONDON 2013 2 Declaration of Authorship I Charlie Lee-Potter hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: ______________________ Date: ________________________ 3 Charlie Lee-Potter, Writing the 9/11 Decade Novelists have struggled to find forms of expression that would allow them to register the post-9/11 landscape. This thesis examines their tentative and sometimes faltering attempts to establish a critical distance from and create a convincing narrative and metaphorical lexicon for the historical, political and psychological realities of the terrorist attacks. I suggest that they have, at times, been distracted by the populist rhetoric of journalistic expression, by a retreat to American exceptionalism and by the demand for an immediate response. The Bush administration’s statement that the state and politicians ‘create our own reality’ served to reinforce the difficulties that novelists faced in creating their own. Against the background of public commentary post-9/11, and the politics of the subsequent ‘War on Terror’, the thesis considers the work of Richard Ford, Paul Auster, Kamila Shamsie, Nadeem Aslam, Don DeLillo, Mohsin Hamid and Amy Waldman. Using my own extended interviews with Ford, Waldman and Shamsie, the artist Eric Fischl, the journalist Kevin Marsh, and with the former Archbishop of Canterbury Dr. Rowan Williams (who is also a 9/11 survivor), I consider the aims and praxis of novelists working within a variety of traditions, from Ford’s realism and Auster’s metafiction to the post- colonial perspectives of Hamid and Aslam, and, finally, the end-of-decade reflections of Waldman. -
Teresa Filizzola Phd Thesis Final Copy
Italians’ Perception and Reception of British Stand-Up Comedy Humour with Interlingual Subtitles A Qualitative and Quantitative Study on Eddie Izzard’s Shows Teresa Filizzola Submitted in accordance with the requirements for the degree of PhD University College London Centre for Translation Studies, CMII September 2016 Primary Supervisor: Dr Federico M. Federici Subsidiary Supervisor: Dr Louisa Desilla 1 Declaration I, Teresa Filizzola, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. Teresa Filizzola 30th September 2016 2 Abstract If we look at the existing publications addressing topics related to the audiovisual translation mode of subtitling and the rendering of humour into another language, we shall notice that there has been an undeniable growth within these branches of translation studies. Nonetheless, this statement does not apply to the specific field of translation of stand-up comedy humour by means of interlingual subtitles. The literature related to this research field reveals a significant gap especially when the focus is on how audiences respond to this type of translated audiovisual products, and when the source language and the target language are respectively British English and Italian. The present PhD project was designed to fill the aforementioned research gap and, in order to attain this purpose, some sketches selected from three of Eddie Izzard’s stand-up comedy shows (Dress to Kill, Circle and Stripped, for which Italian subtitles are available in the official DVDs) were played to a sample of 103 Italians based in Italy so as to observe their reaction. -
Q27portada EN.Qxp
27 Issue 27 QUA- January - April 2007 DERNS DEL CAC www.cac.cat Image and the right to ridicule Quaderns del CAC issue 27, January-April 2007 Contents .Introduction 2 E-mail: [email protected] .Monographic: Image and the right to ridicule Offence and free speech 3 Editorial board: Victòria Camps Victòria Camps i Cervera (editora), Jaume Serrats i Free speech in tolerant society: the case of the 13 Ollé, Dolors Comas d’Argemir i Cendra, Núria Mohammed cartoons Llorach i Boladeras, Rafael Jorba i Castellví, Daniel Gamper Sachse Santiago Ramentol i Massana The crisis of the Mohammed cartoons in the European 27 Union and the Mediterranean: contexts, reactions and media Director: Alain Blomart Josep Gifreu Between humour and uproar: satire and the view 37 of the west in the media of the Arab-Muslim world Executive director: José María Perceval Maria Corominas The Cartoons Controversy and the Danish Press 47 Mustafa Hussain General coordination: Mask-based fiction: the case of Polònia in Catalonia 59 Sylvia Montilla Jordi Balló Infosatire and democratisation on television 63 Sections: José Luis Valhondo Martí Petit (Books Review, Journals Review and Political satire in Italy: a successful television genre 71 Webs Review) Rossend Domènech Political satire in Germany: from the political Kabarett 79 Translation: of the thirties to Comedy TV Tracy Byrne Gemma Casadevall West Wing or Left Wing? The pedagogy of politics 87 Page Layout: in the masterly series of the United States Yago Díaz Vicent Partal Free speech and its limits 93 Legal -
Rassegna Stampa CNVV 07/05/2020
Sommario Rassegna Stampa Pagina Testata Data Titolo Pag. Rubrica Si parla di noi 4 Corriere di Novara 07/05/2020 ..C'E' VOGLIA DI LAVORARE, BENE GLI INCENTIVI.. 2 6 Notizia Oggi Borgosesia 07/05/2020 FILIPPA:IMPRESE,ORA E' A RISCHIO IL SISTEMA ITALIA"GLI AIUTI 3 SUBITO E CON TEMPI PIU' LUNGHI" Lastampa.it 06/05/2020 IL PRESIDENTE DI CONFINDUSTRIA: LA RISALITA SARA' LENTA, 4 SENZA ORDINI CE' IL RISCHIO DI UNA CRISI EC Rubrica Economia locale 1 Corriere di Novara 07/05/2020 LE INDUSTRIE RIAPRONO: "FINALMENTE" 5 36 La Stampa - Ed. Vercelli 07/05/2020 CRESCITA ZERO PER LE IMPRESE E IL DOPO COVID ORA, FA PAURA 7 43 La Stampa - Ed. Vercelli 07/05/2020 ALLEANZA MUSEI E UPO SULLA COMUNICAZIONE 9 Rubrica Municipalizzate 31 La Stampa - Ed. Vercelli 07/05/2020 SI' O NO ALLA POLIOLI CONTO ALLA ROVESCIA DELLA PROVINCIA 10 Rubrica Politica locale 31 La Stampa - Ed. Novara 07/05/2020 "L'EPIDEMIA PESERA' SULLE CASSE COMUNALI PER ALMENO 13 11 MILIONI" 33 La Stampa - Ed. Novara 07/05/2020 "IL LOCKDOWN E' STATO UNO CHOC PROMOSSI I SERVIZI DEL 13 COMUNE" Rubrica Economia nazionale 1 Il Sole 24 Ore 07/05/2020 CRISI EPOCALE: EUROZONA -7,7%, ITALIA-9,5% (B.Romano) 14 15 La Repubblica 07/05/2020 "NON LASCIATECI SOLI STIAMO VIVENDO LA CRISI SULLA NOSTRA 17 PELLE" (M.Patucchi) 4/5 La Stampa 07/05/2020 CONFINDUSTRIA ATTACCA: "VOGLIAMO RISPETTO" L'ECONOMISTA 18 ROVENTINI: POSIZIONE MIOPE (P.Baroni/L.Monticelli) 1 Il Sole 24 Ore 07/05/2020 FISCO E CONTRIBUTI, RINVIO A SETTEMBRE PER I PAGAMENTI DI 20 OLTRE 20 MILIARDI (M.Mobili/M.Rogari) 1 Corriere della Sera 07/05/2020 RIAPERTURE, CONTE ACCELERA (A.Trocino) 24 1 La Stampa 07/05/2020 Int. -
Parte I: DESCRIZIONE BIBLIOGRAFICA E DELL’ESEMPLARE Premessa
Parte I: DESCRIZIONE BIBLIOGRAFICA E DELL’ESEMPLARE Premessa PREMESSA ALLA PARTE I Con la parte che pubblichiamo – la Parte I, relativa alla Descrizione bibliografica e dell’esemplare – si completano le tre grandi ripartizioni nelle quali ci è sembrato opportuno articolare il nuovo codice di catalogazione italiano. Seguiranno, nei prossimi mesi, l’ Introduzione (una sorta di “Capitolo 0”, a cui ci hanno abituato molti strumenti di lavoro) e le Appendici . Il testo che pubblichiamo è da considerare, naturalmente, non definitivo , offerto all’analisi e alla discussione in ambito professionale e, per la Commissione stessa, da riesaminare insieme alle altre parti pubblicate in precedenza per dare al tutto la massima coerenza e omogeneità. La bozza di questa parte non è ancora completa: non comprende gli ultimi capitoli (descrizione bibliografica delle pubblicazioni in più unità, descrizione di documenti non pubblicati, descrizione delle caratteristiche degli esemplari) e presenta piccole lacune in vari punti, soprattutto per gli esempi e per i materiali speciali meno diffusi. Alcune problematiche connesse a questa parte, dai livelli di completezza della catalogazione al complesso delle informazioni incluse nelle registrazioni bibliografiche e alle relazioni fra queste, saranno trattate nell’ Introduzione . Inoltre il testo, per la sua complessità e per le fitte relazioni tra i diversi punti, richiederà nei prossimi mesi un’attenta revisione dal punto di vista formale. Punto di riferimento basilare per le norme di descrizione sono stati naturalmente gli standard ISBD. Questi standard però, anche se molto studiati e applicati quasi universalmente nel nostro paese, sono stati recepiti attraverso traduzioni, interpretazioni e adattamenti differenti, complessivamente fedeli ma divergenti in molti particolari sia fra loro sia rispetto alle norme originali. -
BBC Radio Ulster: Public Service Radio in Northern Ireland’S Divided Society
BBC Radio Ulster: Public Service Radio in Northern Ireland’s divided society Phil Ramsey, Ulster University [email protected] http://ulster.academia.edu/PhilRamsey | http://orcid.org/0000-0001-5873-489X Published as: Ramsey, P. (2016). BBC Radio Ulster: Public Service Radio in Northern Ireland’s divided society. Journal of Radio and Audio Media. 23(1): 144–163. (http://dx.doi.org/10.1080/19376529.2016.1155027) Abstract BBC radio has been broadcast in Northern Ireland since shortly after the establishment of the country in the early 1920s. Throughout this period it has been faced by the challenge of how to deliver public service radio in a divided society, one that has for many years experienced violent conflict. Today as BBC Radio Ulster, the station has the highest audience reach of any BBC network radio service or those nations services in Scotland and Wales. This article outlines how BBC policy serves to deliver this performance, by examining a BBC Trust Service Review in relation to culture and diversity. Keywords: BBC Radio Ulster; BBC Northern Ireland; BBC policy; BBC Trust; BBC nations; Radio; Public service broadcasting; Public Service Media; History of Northern Ireland. BBC Radio Ulster: Public Service Radio in Northern Ireland’s divided society Introduction Writing in 1996, Des Cranston argued “Let there be no ambiguity: it is wireless broadcasting that provides the continuity for the seventy years of the BBC in Northern Ireland” (Cranston, 1996, p.35). Now almost twenty years later, with the BBC having passed its ninetieth anniversary of broadcasting in Northern Ireland (NI), BBC radio broadcasting continues to play an important role within public service broadcasting (PSB) in NI (Moore, 2003). -
Literary Journalism Studies
Vol. 1, No. 2, Fall 2009 Literary Journalism Studies Richard Critchfield: “Genius” Journalism and the Fallacy of Verification by Miles Maguire The Citizen-Witness and the Politics of Shame: Walker Evans and James Agee’s Let Us Now Praise Famous Men by Aryn Bartley Book Excerpt The Boy in the Moon: A Father’s Search for His Disabled Son (Random House Canada) by Ian Brown Reflective Essay Writing What You See, Not What You Think You See by Ian Brown Unraveling the Webs of Intimacy and Influence: Willie Morris and Harper’s Magazine, 1967–1971 by Berkley Hudson and Rebecca Townsend The Literary Mind of a Cornfield Journalist: Joel Chandler Harris’s 1904 Negro Question Articles by Cheryl Renee Gooch Getting Away From It All: The Literary Journalism of David Foster Wallace and Nietzsche’s Concept of Oblivion by Joshua Roiland LJS The journal of the International Association for Literary Journalism Studies On the Cover The ghost image in the background of our cover depicts Toronto writer Ian Brown on a chaise longue with his severely challenged son, Walker. Father and son enjoy a calm moment together in cottage country, a couple of hundred kilometers north of the city. Walker Brown is the subject of Ian Brown’s book, The Boy in the Moon: A Father’s Search for His Disabled Son (Random House Canada). The excerpt begins on page 41, followed by Ian Brown’s essay on the joys and difficulties of writing literary journalism. Photo courtesy of Ian Brown Literary Journalism Studies The Journal of the International Association for Literary Journalism Studies Vol. -
Broadcast and on Demand Bulletin Issue Number 328 08/05/17
Issue 328 of Ofcom’s Broadcast and On Demand Bulletin 8 May 2017 Issue number 328 8 May 2017 1 Issue 328 of Ofcom’s Broadcast and On Demand Bulletin 8 May 2017 Contents Introduction 3 Broadcast Standards cases In Breach ITV News ITV, 28 January 2017, 09:25 4 Marche Bike Tour Bike, 6 February 2017, 16:00 7 Latin Hot Swindon 105.5, 7 January 2017, 18:00 9 Resolved Broadcast competition Free Radio (Birmingham), 3 February 2017, 06:00 12 Tables of cases Complaints assessed, not investigated 14 Complaints outside of remit 21 Complaints about the BBC, not assessed 22 Investigations List 25 2 Issue 328 of Ofcom’s Broadcast and On Demand Bulletin 8 May 2017 Introduction Under the Communications Act 2003 (“the Act”), Ofcom has a duty to set standards for broadcast content to secure the standards objectives1. Ofcom also has a duty to ensure that On Demand Programme Services (“ODPS”) comply with certain standards requirements set out in the Act2. Ofcom reflects these requirements in its codes and rules. The Broadcast and On Demand Bulletin reports on the outcome of Ofcom’s investigations into alleged breaches of its codes and rules, as well as conditions with which broadcasters licensed by Ofcom are required to comply. The codes and rules include: a) Ofcom’s Broadcasting Code (“the Code”) for content broadcast on television and radio services licensed by Ofcom, and for content on the BBC’s licence fee funded television, radio and on demand services. b) the Code on the Scheduling of Television Advertising (“COSTA”), containing rules on how much advertising and teleshopping may be scheduled on commercial television, how many breaks are allowed and when they may be taken.