What Is Québécois Literature? Reflections on the Literary History of Francophone Writing in Canada

Total Page:16

File Type:pdf, Size:1020Kb

What Is Québécois Literature? Reflections on the Literary History of Francophone Writing in Canada What is Québécois Literature? Reflections on the Literary History of Francophone Writing in Canada Contemporary French and Francophone Cultures, 28 Chapman, What is Québécois Literature.indd 1 30/07/2013 09:16:58 Contemporary French and Francophone Cultures Series Editors EDMUND SMYTH CHARLES FORSDICK Manchester Metropolitan University University of Liverpool Editorial Board JACQUELINE DUTTON LYNN A. HIGGINS MIREILLE ROSELLO University of Melbourne Dartmouth College University of Amsterdam MICHAEL SHERINGHAM DAVID WALKER University of Oxford University of Sheffield This series aims to provide a forum for new research on modern and contem- porary French and francophone cultures and writing. The books published in Contemporary French and Francophone Cultures reflect a wide variety of critical practices and theoretical approaches, in harmony with the intellectual, cultural and social developments which have taken place over the past few decades. All manifestations of contemporary French and francophone culture and expression are considered, including literature, cinema, popular culture, theory. The volumes in the series will participate in the wider debate on key aspects of contemporary culture. Recent titles in the series: 12 Lawrence R. Schehr, French 20 Pim Higginson, The Noir Atlantic: Post-Modern Masculinities: From Chester Himes and the Birth of the Neuromatrices to Seropositivity Francophone African Crime Novel 13 Mireille Rosello, The Reparative in 21 Verena Andermatt Conley, Spatial Narratives: Works of Mourning in Ecologies: Urban Sites, State and Progress World-Space in French Cultural Theory 14 Andy Stafford, Photo-texts: Contemporary French Writing of the 22 Lucy O’Meara, Roland Barthes at the Photographic Image Collège de France 15 Kaiama L. Glover, Haiti Unbound: A 23 Hugh Dauncey, French Cycling: A Spiralist Challenge to the Postcolonial Social and Cultural History Canon 24 Louise Hardwick, Childhood, 16 David Scott, Poetics of the Poster: The Autobiography and the Francophone Rhetoric of Image-Text Caribbean 17 Mark McKinney, The Colonial Heritage 25 Douglas Morrey, Michel Houellebecq: of French Comics Humanity and its Aftermath 18 Jean Duffy, Thresholds of Meaning: 26 Nick Nesbitt, Caribbean Critique: Passage, Ritual and Liminality in Antillean Critical Theory from Contemporary French Narrative Toussaint to Glissant 19 David H. Walker, Consumer 27 Edward Welch and Joseph McGonagle, Chronicles: Cultures of Consumption in Contesting Views: The Visual Economy Modern French Literature of France and Algeria Chapman, What is Québécois Literature.indd 2 30/07/2013 09:16:59 Rosemary Chapman What is Québécois Literature? Reflections on the Literary History of Francophone Writing in Canada What is Québécois Literature? LIVERPOOL UNIVERSITY PRESS Chapman, What is Québécois Literature.indd 3 30/07/2013 09:16:59 First published 2013 by Liverpool University Press 4 Cambridge Street Liverpool L69 7ZU Copyright © 2013 Rosemary Chapman The right of Rosemary Chapman to be identified as the author of this book has been asserted by her in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. British Library Cataloguing-in-Publication data A British Library CIP record is available ISBN 978-1-84631-973-0 cased Typeset by Carnegie Book Production, Lancaster Printed and bound by CPI Group (UK) Ltd, Croydon CR0 4YY Chapman, What is Québécois Literature.indd 4 30/07/2013 09:16:59 Contents Contents List of Tables vii Acknowledgements ix Introduction 1 Chronology 26 1 How has the literary history of francophone Canada been told in the twentieth century? 43 2 Literary history in the curriculum 103 3 The literary anthology as a tool of literary history 139 4 What does a nation-shaped literary history exclude from within and beyond Quebec? 177 Conclusion: Is there a future for francophone Canadian literary history/ies? 205 Notes 211 Bibliography 255 Index 284 Chapman, What is Québécois Literature.indd 5 30/07/2013 09:16:59 Chapman, What is Québécois Literature.indd 6 30/07/2013 09:16:59 List of Tables List of Tables 1.1 Corpus of histories of francophone Canadian literature 50 1.2 Periodization of Camille Roy, Tableau d’histoire de la littérature canadienne-française (1907) 60 1.3 Periodization of Sœurs de Sainte-Anne, Précis d’histoire littéraire: littérature canadienne-française (1928) 63 1.4 Periodization of Camille Roy, Manuel d’histoire de la littérature canadienne de langue française (1962 [based on 1939 edition]) 64 1.5 Periodization of Berthelot Brunet, Histoire de la littérature canadienne-française (1946) 66 1.6 Periodization of Pierre de Grandpré, ed., Histoire de la littérature française du Québec, 4 vols (1967–69) 69 1.7 Periodization of Gérard Tougas, La Littérature canadienne- française, 5th edn (1974) 73 1.8 Periodization of Laurent Mailhot, La Littérature québécoise (1974) 75 1.9 Periodization of Maurice Lemire, et al., Dictionnaire des œuvres littéraires du Québec, 8 vols (1978–2011) 76 1.10 Periodization of Maurice Lemire, et al., La Vie littéraire au Québec, 6 vols (1991–2010) 80 1.11 Periodization of W. H. New, A History of Canadian Literature, 2nd edn (2003) 87 1.12 Periodization of Michel Biron, François Dumont and Élisabeth Nardout-Lafarge, Histoire de la littérature québécoise (2007) 89 Chapman, What is Québécois Literature.indd 7 30/07/2013 09:16:59 viii What is Québécois Literature? 1.13 Periodization of E. D. Blodgett, ‘Francophone Writing’ (2004) 96–97 1.14 Periodization in histories of francophone writing in Quebec 98–99 2.1 The 1905 curriculum 110–11 2.2 Literature studied in Years 7 and 8 113 2.3 Recommendations of the Parent Report on the study of literature 122 3.1 Number of literature textbooks published per decade, 1830–2009 140 3.2 Number of French-language readers published between 1800 and 2009 141 3.3 Québécois texts as a proportion of the total number of texts included in secondary school French readers, 1960–2004 144 3.4 Analysis of content of Lectures littéraires 158 3.5 Comparing Roy, Renaud and Laurin 166–67 3.6 Dominant themes in texts included in French textbooks, 1900–50 170 4.1 Indigenous population of Canada and Quebec compared 181 4.2 Literary historical activity hors Québec since 1960 197–99 Chapman, What is Québécois Literature.indd 8 30/07/2013 09:16:59 Acknowledgements Acknowledgements I wish to express my gratitude for the support I have received from a range of sources. At the outset of this project I was supported by a British Academy Small Grant which funded a series of research trips to Montreal, Quebec City and Moncton between 2008 and 2010 to gather material for the book. I was fortunate to be awarded a one-year Research Fellowship in 2011–12 by the Leverhulme Trust which allowed me to devote an uninterrupted period to writing the book. I am grateful to my colleagues at the University of Nottingham who gave me the mental space to focus on producing the manuscript. I am indebted to those who commented on the initial proposal and to the readers who gave their time and experience in evaluating the eventual manuscript. Their valuable insights and advice have helped shape the book in its final form. I have also benefited from discussion with colleagues in the UK, Canada and the USA at the various conferences at which I have presented earlier versions of elements of my research. Particular thanks are due to Margaret-Anne Hutton, Rachel Killick, Diana Knight, Bill Marshall and Annis May Timpson for their support and advice at various stages of this project. I also wish to thank Anthony Cond at Liverpool University Press for making the process of publication run so smoothly. Finally, I thank Graham for his support and encouragement at critical moments. Chapman, What is Québécois Literature.indd 9 30/07/2013 09:16:59 Chapman, What is Québécois Literature.indd 10 30/07/2013 09:16:59 Introduction Introduction The question ‘What is québécois literature?’ may seem innocent and answerable. But, as is the case with many simple questions, the answer is not simple. As my subtitle suggests, the question provokes not answers but further queries and reflections. The shift from ‘québécois’ to ‘francophone writing in Canada’ emphasizes the problematic nature of terminology and classification in this field. As will be seen, the term ‘la littérature québécoise’ was only coined in the mid-1960s, in the very specific context of Quebec’s Révolution tranquille. If I choose to use the cumbersome phrase ‘francophone writing in Canada’ it is because it is a rather more accurate term to refer to the historical, geographical and generic range of literature written in French in Canada, within and beyond Quebec, by authors mostly but not exclusively of European descent. What constitutes ‘literature’ in francophone Canada varies from one historical period to another. As will be seen in Chapter 3, in the nineteenth century the term might be used to include sermons, speeches and works of history, whereas literature as taught in schools in the twenty-first century falls into four main genres: poetry (and song), prose fiction (the novel and shorter forms), theatre and essay. The predom- inance of religious and political rhetoric in nineteenth-century Quebec highlights the ways in which literary histories are a cultural product and serve a specific, local purpose. The literary canon of one culture is not a simple transposition from another. The chapters that follow will demonstrate the ways in which religion and politics have played an active role in shaping and mediating a particular canon to francophone Canada. Literary historians also make very different choices in the balance between genres within the canon which they construct.
Recommended publications
  • The Beginnings of Contemporary Aboriginal Literature in Canada 1967-1972: Part One1
    H ARTMUT L UTZ The Beginnings of Contemporary Aboriginal Literature in Canada 1967-1972: Part One1 _____________________ Zusammenfassung Die Feiern zum hundertjährigen Jubiläum des Staates Kanada im Jahre 1967 boten zwei indianischen Künstlern Gelegenheit, Auszüge ihrer Literatur dem nationalen Publi- kum vorzustellen. Erst 1961 bzw. 1962 waren Erste Nationen und Inuit zu wahlberechtig- ten Bürgern Kanadas geworden, doch innerhalb des anglokanadischen Kulturnationa- lismus blieben ihre Stimmen bis in die 1980er Jahre ungehört. 1967 markiert somit zwar einen Beginn, bedeutete jedoch noch keinen Durchbruch. In Werken kanonisierter anglokanadischer Autorinnen und Autoren jener Jahre sind indigene Figuren überwie- gend Projektionsflächen ohne Subjektcharakter. Der Erfolg indianischer Literatur in den USA (1969 Pulitzer-Preis an N. Scott Momaday) hatte keine Auswirkungen auf die litera- rische Szene in Kanada, doch änderte sich nach Bürgerrechts-, Hippie- und Anti- Vietnamkriegsbewegung allmählich auch hier das kulturelle Klima. Von nicht-indigenen Herausgebern edierte Sammlungen „indianischer Märchen und Fabeln“ bleiben in den 1960ern zumeist von unreflektierter kolonialistischer Hybris geprägt, wogegen erste Gemeinschaftsarbeiten von indigenen und nicht-indigenen Autoren Teile der oralen Traditionen indigener Völker Kanadas „unzensiert“ präsentierten. Damit bereiteten sie allmählich das kanadische Lesepublikum auf die Veröffentlichung indigener Texte in modernen literarischen Gattungen vor. Résumé À l’occasion des festivités entourant le centenaire du Canada, en 1967, deux artistes autochtones purent présenter des extraits de leur littérature au public national. En 1961, les membres des Premières Nations avaient obtenu le droit de vote en tant que citoyens canadiens (pour les Inuits, en 1962 seulement), mais au sein de la culture nationale anglo-canadienne, leur voix ne fut guère entendue jusqu’aux années 1980.
    [Show full text]
  • Index Des Dix Premiers Numéros De Francophonies D'amérique
    Document generated on 09/25/2021 4:37 a.m. Francophonies d'Amérique Index des dix premiers numéros de Francophonies d’Amérique France Beauregard Actes du colloque « Francophonies d’Amérique : Altérité et métissage » Number 10, 2000 URI: https://id.erudit.org/iderudit/1005101ar DOI: https://doi.org/10.7202/1005101ar See table of contents Publisher(s) Les Presses de l'Université d'Ottawa ISSN 1183-2487 (print) 1710-1158 (digital) Explore this journal Cite this document Beauregard, F. (2000). Index des dix premiers numéros de Francophonies d’Amérique. Francophonies d'Amérique, (10), 227–248. https://doi.org/10.7202/1005101ar Copyright © Les Presses de l'Université d'Ottawa, 2000 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ INDEX DES DIX PREMIERS NUMÉROS DE FRANCOPHONIES D'AMÉRIQUE France Beauregard Centre de recherche en civilisation canadienne-française Université d'Ottawa INDEX DES ARTICLES PAR RÉGIONS: ACADIE, ONTARIO, OUEST CANADIEN, ÉTATS-UNIS, GÉNÉRAL - AMÉRIQUE DU NORD, ET PAR ORDRE ALPHABÉTIQUE DES AUTEURS ACADIE dans Raconte-moi Massabielle de Jacques Savoie Abouelouafa, Mohamed 6,1996, p. 21-32 La quête initiatique comme lieu Brown, Anne d'écriture dans Pélagie-la-Charrette Zélica à Cochon Vert de Laurier d'Antonine Maillet et La Prière Melanson ou le carnavalesque de l'absent de Tahar Ben Jelloun en Acadie 8.1998, p.
    [Show full text]
  • Carte MRC Des Chenaux
    A B C D E F G H I J o \ o \ 1 \\ \ 1 Ä76 \ o \ \ E Possibilité de fermetures SHAWINIGAN \ T MRC temporaires du lien interrives. I Pour plus de détails T Mékinac www.hydro-quebec.com o - T s s s s s s s s n n n n n n n n AIN a a a a a a a a r r r r r r r r Ä22 S é é é é é é é é t t t t t t t t é é é é é é é é V V V V V V V V s s s s s s s s rs e e e e e e e e V05 d d d d d d d d Ä e e e e e e e e t t t t t t t t ve u u u u u u u u o o o o o o o o R R R R R R R R 4 km e e n Ä23 V06 n g Ä g i i L L - - e e d 2 d 2 n n a a e r r c i G G - r 27 - a Ä a u l 2,6 km l - a - Rang des Grès e e M d - d - - t t Ä28 t S u u V04 a Ä a e 6,2 km H H r Ä24 è u u i d 31 d v Ä i g g 9,5 km R n n 80 a a Ä R R Ä72 Notre-Dame- Ä81 Ä84 du-Mont-Carmel 8,3 km 11,4 km Saint-Narcisse 4,7 km Ä30 Ä25 Ä62 Ä29 Ä21 Ä71 Ä78 Ä91 Ä26 3 Ä73 3 ÄV10 5,2 Km Ä90 Ä88 4,1 km Ä87 Ä75 m Saint-Stanislas Ä74 k 4 , Ä85 Ä86 2 2,5 km Ä82 5,1 km Ä70 Ä83 Ä69 Route à Bronsard Ä77 Saint-Maurice 67 Parc de Ä la Rivière Ä68 Batiscan 4,9 km Saint-Prosper- ATTRAITS TOURISTIQUES Ä61 C2 de-Champlain Ä55 Ä66 CIRCUITS VÉLOS 4 C1 4,6 km 4 5,2 km Ä51 Ä57 10,2 km e Légende 11,8 km d t 5,1 km AGROTOURISME & TERROIR ÄV09 Saint-Luc- Ä56 tourismedeschenaux .ca CABANE À SUCRE Ä60 de-Vincennes PLEIN AIR 6,8 km eau HÉBERGEMENT 210 10,4 Km ourt R i vière C 1,5 Km RESTAURATION h amp Ä59 Rue C la CRÉDITS PHOTOS : Jérémie Perron, Association des pourvoyeurs de la rivière Ste-Anne, in ÄV08 Ä52 Yvan Cossette, Hélène Bassabara, Ferme La Bisonnière, Florence Lefebvre St-Arnaud, 2020-2021 CULTUREL & ARTISTIQUE TROIS-RIVIÈRES Sainte-Geneviève- Martin Savard, Stéphane Daoust, Kathia Massicotte, Phares sur Champlain, David Gélinas, n Ä58 Christiane Meilleur, Maïsa Lebel.
    [Show full text]
  • Proquest Dissertations
    COMMEMORATING QUEBEC: NATION, RACE, AND MEMORY Darryl RJ. Leroux M.?., OISE/University of Toronto, 2005 B.A. (Hon), Trent University, 2003 DISSERTATION SUBMITTED G? PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY In the Department of Sociology and Anthropology CARLETON UNIVERSITY Carleton University Ottawa, Ontario June 2010 D 2010, Darryl Leroux Library and Archives Bibliothèque et ?F? Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l'édition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre référence ISBN: 978-0-494-70528-5 Our file Notre référence ISBN: 978-0-494-70528-5 NOTICE: AVIS: The author has granted a non- L'auteur a accordé une licence non exclusive exclusive license allowing Library and permettant à la Bibliothèque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l'Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans le loan, distribute and sell theses monde, à des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, électronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriété du droit d'auteur ownership and moral rights in this et des droits moraux qui protège cette thèse. Ni thesis. Neither the thesis nor la thèse ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent être imprimés ou autrement printed or otherwise reproduced reproduits sans son autorisation.
    [Show full text]
  • Validation of a Geospatial Liquefaction Model for Noncoastal Regions Including Nepal
    USGS Award G16AP00014 Validation of a Geospatial Liquefaction Model for Noncoastal Regions Including Nepal Laurie G. Baise and Vahid Rashidian Department of Civil and Environmental Engineering Tufts University 200 College Ave Medford, MA 02155 617-627-2211 617-627-2994 [email protected] March 2016 – September 2017 Validation of a Geospatial Liquefaction Model for Noncoastal Regions Including Nepal Laurie G. Baise and Vahid Rashidian Civil and Environmental Engineering Department, Tufts University, Medford, MA. 02155 1. Abstract Soil liquefaction can lead to significant infrastructure damage after an earthquake due to lateral ground movements and vertical settlements. Regional liquefaction hazard maps are important in both planning for earthquake events and guiding relief efforts. New liquefaction hazard mapping techniques based on readily available geospatial data allow for an integration of liquefaction hazard in loss estimation platforms such as USGS’s PAGER system. The global geospatial liquefaction model (GGLM) proposed by Zhu et al. (2017) and recommended for global application results in a liquefaction probability that can be interpreted as liquefaction spatial extent (LSE). The model uses ShakeMap’s PGV, topography-based Vs30, distance to coast, distance to river and annual precipitation as explanatory variables. This model has been tested previously with a focus on coastal settings. In this paper, LSE maps have been generated for more than 50 earthquakes around the world in a wide range of setting to evaluate the generality and regional efficacy of the model. The model performance is evaluated through comparisons with field observation reports of liquefaction. In addition, an intensity score for easy reporting and comparison is generated for each earthquake through the summation of LSE values and compared with the liquefaction intensity inferred from the reconnaissance report.
    [Show full text]
  • French (08/31/21)
    Bulletin 2021-22 French (08/31/21) evolved over time by interpreting related forms of cultural French representation and expression in order to develop an informed critical perspective on a matter of current debate. Contact: Tili Boon Cuillé Prerequisite: In-Perspective course. Phone: 314-935-5175 • In-Depth Courses (L34 French 370s-390s) Email: [email protected] These courses build upon the strong foundation students Website: http://rll.wustl.edu have acquired in In-Perspective courses. Students have the opportunity to take the plunge and explore a topic in the Courses professor’s area of expertise, learning to situate the subject Visit online course listings to view semester offerings for in its historical and cultural context and to moderate their L34 French (https://courses.wustl.edu/CourseInfo.aspx? own views with respect to those of other cultural critics. sch=L&dept=L34&crslvl=1:4). Prerequisite: In-Perspective course. Undergraduate French courses include the following categories: L34 French 1011 Essential French I Workshop Application of the curriculum presented in French 101D. Pass/ • Cultural Expression (French 307D) Fail only. Grade dependent on attendance and participation. Limited to 12 students. Students must be enrolled concurrently in This course enables students to reinforce and refine French 101D. their French written and oral expression while exploring Credit 1 unit. EN: H culturally rich contexts and addressing socially relevant questions. Emphasis is placed on concrete and creative L34 French 101D French Level I: Essential French I description and narration. Prerequisite: L34 French 204 or This course immerses students in the French language and equivalent. Francophone culture from around the world, focusing on rapid acquisition of spoken and written French as well as listening Current topic: Les Banlieues.
    [Show full text]
  • Selected Bibliography of Work on Canadian Ethnic Minority Writing
    UNIVERSITY PRESS <http://www.thepress.purdue.edu> CLCWeb: Comparative Literature and Culture ISSN 1481-4374 <http://docs.lib.purdue.edu/clcweb> Purdue University Press ©Purdue University The Library Series of the peer-reviewed, full-text, and open-access quarterly in the humanities and the social sciences CLCWeb: Comparative Literature and Culture publishes scholarship in the humanities and social sciences following tenets of the discipline of comparative literature and the field of cultural studies designated as "comparative cultural studies." Publications in the CLCWeb Library Series are 1) articles, 2) books, 3) bibliographies, 4) resources, and 5) documents. Contact: <[email protected]> Selected Bibliography of Work on Canadian Ethnic Minority Writing <http://docs.lib.purdue.edu/clcweblibrary/canadianethnicbibliography> Steven Tötösy de Zepetnek, Asma Sayed, and Domenic A. Beneventi 1) literary histories and bibliographies of canadian ethnic minority writing 2) work on canadian ethnic minority writing This selected bibliography is compiled according to the following criteria: 1) Only English- and French-language works are included; however, it should be noted that there exists a substantial corpus of studies in a number Canada's ethnic minority languages; 2) Critical works about the literatures of Canada's First Nations are not included following the frequently expressed opinion that Canadian First Nations literatures should not be categorized within Canadian "Ethnic" writing but as a separate corpus; 3) Literary criticism as well as theoretical texts are included; 4) Critical texts on works of authors writing in English and French but usually viewed or which could be considered as "Ethnic" authors (i.e., immigré[e]/exile individuals whose works contain Canadian "Ethnic" perspectives) are included; 5) Some works dealing with US or Anglophone-American Ethnic Minority Writing with Canadian perspectives are included; 6) M.A.
    [Show full text]
  • News AVRIL2010
    Bulletin Culturel April 2010 focus ANTONINE MAILLET SAVE THE DATES IN MAY * HOT DOCS 18TH TORONTO JEWISH FILM FESTIVAL * CONTACT FESTIVAL “As well as Indians before him, he knew the woods [...] As the man from the nature, he got all the skills [...] Never before such a knowledge Contents and a love of those kinds of things had found a place within painting. In PAGE 3 - Festival the whole legacy of art its sorts, the canvases of Thompson are unique, especially since he had no training as a painter. The Nature was his mas- PAGE 5 - Music ter” (*) PAGE 6 - Cinema Throughout the seasons, the charmes of landscapes change and remain PAGE 6 - Theatre alike. With futurist and bionic heroes at the front page of the Jewish PAGE 7 - Television Film Festival, DJ Monsieur Cedric, Haitian tuned singers Melissa Laveaux PAGE 8 - Speaking and Reine Soleil, Human Rights issues with Joel Andriantsimbazovina, there are many artistic and intellectual invitation. Joël Savary, Attaché Culturel (*) F.B Housser, A Canadian Art Mouvement : The Story of the Group of Seven. 1926. April 2010 Monday Tuesday Wednesday Thursday Friday Saturday Sunday 1234 News editor: Joël Savary Creative writter: Martin Colomer-Diez NIKKI BEACH MÉLISSA Audiovisual: Marie Herault-Delanoë WITH MONSIEUR LAVEAUX Book: Léa Deshusses CÉDRIC Music: Simon Grignon 567891011 MONSIEUR CÉDRIC AT THE AGO SLAGUESLAGUE SLAGUE SLAGUE SLAGUE 12 13 14 15 16 17 18 ARE HUMAN TORONTO TORONTO RIGHTS JEWISH FILM JEWISH FILM UNIVERSAL ? FESTIVAL FESTIVAL 19 20 21 22 23 24 25 TORONTO TORONTO TORONTO TORONTO
    [Show full text]
  • NWAV 44 Schedule
    THURSDAY)Schedule)of)Events) ! ) REGISTRATION:)Noon)to)8pm)in)the)Lower)Gallery)) )) Great)Hall) Music)Room) Debates)Room) Sid)Smith)561) 1:00L )) Workshop)A:)Towards)best) Workshop)B:)Analyzing)and)mapping) )) 3:00) practices)in)sociophonetics)) sociolinguistic)data)with)Geographic) Marianna&Di&Paolo& Information)Systems)Lisa&Jeon,&Patricia& Cukor5Avila,&Chetan&Tiwari) 3:00) Beverage)break) ! 3:30L )) Workshop)C:)Acoustic)editing) Workshop)E:)Contrast)and)comparison) Workshop)D:)A)nonLtechnical) 5:30) and)speech)synthesis)with) in)linguistic)analysis:)CrossLdisciplinarity) introduction)to)mixedLeffects)models) Praat)) in)practise)) for)the)statistically)hesitant)linguistic) Chris&Koops,&Nancy&Niedzielski& Sali&A.&Tagliamonte& researcher)) David&Eddington& Thursday,!Oct.!22 5:30L LOWER)GALLERY) 6:30) Welcome)reception)&)Intro)to)"Variation)at)the)Crossroads:)Advancing)Theory)by)Integrating)Methods")Workshop;)coL sponsors:)NSF,)UofT)Linguistics)Grad)Course)Union,)UofT)Faculty)of)Arts)&)Science) 6:30L GREAT)HALL) 7:30) Crossroads)Speaker:)David)Adger,)Structure&versus&use&in&morphosyntactic&variation&Chair:)Ruth)Maddeaux,)) coLsponsors:)UofT)Linguistics)Grad)Course)Union,)UofT)Faculty)of)Arts)&)Science,)SLUGS)(Society)of)Linguistics)Undergrad) Students,)U)of)T)) Please&note&that&the&5&Crossroads&Plenary&lectures,& Q&A&and&Discussion&sesssions&will&be&livestreamed&to& the&Youtube&channel&"Linguis@cs&on&Air.” & Breakfast)will)be)offered) These&livecasts&will&be&available&for&later&viewing& Friday,)Saturday)and)Sunday) and&classroom&use&through&
    [Show full text]
  • Aesthetic Violence: the Victimisation of Women in the Quebec Novel
    AESTHETIC VIOLENCE: THE VICTIMISATION OF WOMEN IN THE QUEBEC NOVEL by JANE LUCINDA TILLEY B.A.(Hons), The University of Southampton, U.K., 1987 M.A., The University of British Columbia, 1989 A THESIS SUBMITI’ED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE STUDIES (Department of French) We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA June 1995 Jane Lucinda Tilley, 1995 ___________ In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of Bntish Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. (Signature) Department of The University of British Columbia Vancouver, Canada Date 22 ‘( (c/s_ DE-6 (2188) 11 Abstract The latent (androcentric) eroticism of rape has been exploited in Western culture, from mythology through to a contemporary entertainment industry founded on a cultural predilection for the representation of violence against women. In literature the figure of Woman as Victim has evolved according to shifting fashions and (male) desires until, in contemporary avant-garde writings, themes of sexual violence perform an intrinsic role in sophisticated textual praxis, Woman’s body becoming the playground for male artistic expression and textual experimentation.
    [Show full text]
  • Uvic Thesis Template
    « C’est pas about toi, c’est about moi » : l’acadjonne, le rap et l’intertextualité dans la construction identitaire du rappeur acadien Jacobus par Olga Ziminova Bachelor of Linguistics, Saint-Petersburg State University, Russia, 2019 A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS (French Literature, Language and Culture) in the Department of French Olga Ziminova, 2021 University of Victoria All rights reserved. This thesis may not be reproduced in whole or in part, by photocopy or other means, without the permission of the author. We acknowledge with respect the Lekwungen peoples on whose traditional territory the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples whose historical relationships with the land continue to this day. ii Supervisory Committee « C’est pas about toi, c’est about moi » : l’acadjonne, le rap et l’intertextualité dans la construction identitaire du rappeur acadien Jacobus by Olga Ziminova Bachelor of Linguistics, Saint-Petersburg State University, Russia, 2019 Supervisory Committee Dr Pierre-Luc Landry (Department of French) Co-supervisor Dr Catherine Léger (Department of French) Co-supervisor iii Abstract This thesis analyzes elements which contribute to the construction of the artistic identity of the Acadian rap artist Jacobus. Nowadays, many artists perform on the local and international stages from musical, social or linguistic margins. Their success is due to the democratization of production and music broadcasting tools. As this phenomenon becomes more and more common and popular, “marginal” artists and their communities blur the lines between the mainstream and the underground, by the means of performing in their vernacular and promoting these authentic language practices.
    [Show full text]
  • ISSN 1661-8211 | 115. Jahrgang | 31. Oktober 2015
    2015/20 ISSN 1661-8211 | 115. Jahrgang | 31. Oktober 2015 Redaktion und Herausgeberin: Schweizerische Nationalbibliothek NB, Hallwylstrasse 15, CH-3003 Bern Erscheinungsweise: halbmonatlich, am 15. und 30. jeden Monats Hinweise unter: http://ead.nb.admin.ch/web/sb-pdf/ ISSN 1661-8211 © Schweizerische Nationalbibliothek NB, CH-3003 Bern. Alle Rechte vorbehalten Inhaltsverzeichnis - Table des matières - Sommario - Cuntegn - Table of contents Inhaltsverzeichnis - Table des matières - 230 Christentum, christliche Theologie / Christianisme, théologie Sommario - Cuntegn - Table of contents chrétienne / Cristianesimo, teologia cristiana / Cristianissem, teologia cristiana / Christianity and Christian theology..................8 290 Andere Religionen / Autres religions / Altre religioni / Autras 000 Allgemeine Werke, Informatik, religiuns / Other religions............................................................. 12 Informationswissenschaft / Informatique, information, ouvrages de référence / Informatica, scienza dell'informazione, generalità / Informatica, infurmaziun e 300 Sozialwissenschaften / Sciences sociales / Scienze referenzas generalas / Computers, information and general sociali / Scienzas socialas / Social sciences.......................... 12 reference........................................................................................ 1 300 Sozialwissenschaften, Soziologie / Sciences sociales, 004 Informatik / Informatique / Informatica / Informatica / Data sociologie / Scienze sociali, sociologia / Scienzas socialas, processing
    [Show full text]