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Livres De Médecine Incunables : – Bonhomme
KAPANDJI MORHANGE Commissaires Priseurs à Drouot MERcredi 8 juillet 2009 – Hôtel DROUOT Paris - Hôtel Drouot Paris Mercredi 8 juillet 2009 Mercredi ORHANGE M APANDJI K LIVRES ANCIENS ET MODERNES Incunables – Médecine 46 bis, passage Jouffroy – 75 009 Paris Tél : 01 48 24 26 10 • Fax : 01 48 24 26 11 • E-mail : [email protected] MATÉRIEL CHIRURGICAL 06_COUV_8_juill_09_KM.indd 1 11/06/09 20:17:51 150 En couverture lot 71, en 2e de couverture lot 196, 4e de couverture lot 210. 06_COUV_8_juill_09_KM.indd 2 11/06/09 20:18:01 KAPANDJI MORHANGE Ghislaine KAPANDJI et Élie MORHANGE, Commissaires-Priseurs Agrément 2004-508 – RCS Paris B 477 936 447 46 bis, passage Jouffroy – 75 009 Paris [email protected] site www.kapandji-morhange.com 5ÊMr'BY VENTES AUX ENCHERES PUBLIQUES HÔTEL DROUOT – SALLE 7 9, Rue Drouot – 75 009 Paris Mercredi 8 juillet 2009 à 14h LIVRES ANCIENS ET MODERNES - LIVRES DE MÉDECINE INCUNABLES : – BONHOMME. Traité de la céphalotomie – BOURGERY & TORQUEMADA. Expositio super regulam – SAINT- JACOB. Anatomie descriptive – CRUVEILHIER. Anatomie BERNARD. Liber meditationum – MARSILIO FICIN. De pathologique – DIONIS. Cours D’Opérations de Chirurgie triplici vita – SAINT-ANSELME. Opuscula – DE PLOVE. – GILBERT. Histoire médicale de l’armée Française à Saint- Vita christi – THEMESVAR. Stellarium corone. Domingue – ESTIENNE. La Dissection des parties du corps e e humain – FAUCHARD. Le chirurgien dentiste – FEIGEL. LIVRES DU XVI AU XX : Atlas d’Obstétrique – GALIEN. Epitomes – GUYON KRANTZ. Saxonia – ERASME. Parabolae sive similia – DOLOIS. Le cours de médecine – HALLER. Deux mémoires ORUS APOLLO. De la signification des hiéroglyphes – sur le mouvement du sang – HIGHMORE. Corporis humani BOUCHET. -
This Paper Is a Descriptive Bibliography of Thirty-Three Works
Jennifer S. Clements. A Descriptive Bibliography of Selected Works Published by Robert Estienne. A Master’s Paper for the M.S. in L.S degree. March, 2012. 48 pages. Advisor: Charles McNamara This paper is a descriptive bibliography of thirty-three works published by Robert Estienne held by the Rare Book Collection of the University of North Carolina at Chapel Hill. The paper begins with a brief overview of the Estienne Collection followed by biographical information on Robert Estienne and his impact as a printer and a scholar. The bulk of the paper is a detailed descriptive bibliography of thirty-three works published by Robert Estienne between 1527 and 1549. This bibliography includes quasi- facsimile title pages, full descriptions of the collation and pagination, descriptions of the type, binding, and provenance of the work, and citations. Headings: Descriptive Cataloging Estienne, Robert, 1503-1559--Bibliography Printing--History Rare Books A DESCRIPTIVE BIBLIOGRAPHY OF SELECTED WORKS PUBLISHED BY ROBERT ESTIENNE by Jennifer S. Clements A Master’s paper submitted to the faculty of the School of Information and Library Science of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Science in Library Science. Chapel Hill, North Carolina March 2012 Approved by _______________________________________ Charles McNamara 1 Table of Contents Part I Overview of the Estienne Collection……………………………………………………...2 Robert Estienne’s Press and its Output……………………………………………………2 Part II -
Estienne's La Dissection
Erika Delbecque Section name Special Collections Services Estienne’s La dissection des parties du corps humain Special Collections featured item for August 2014 by Erika Delbecque, former Liaison Librarian for Pharmacy and Mathematics. Charles Estienne, La dissection des parties du corps humain divisee en trois livres. Paris: chez Simon de Colines, 1546. Item from the Cole Library COLE--X092F/02, University of Reading Special Collections Services. Charles Estienne’s La dissection des parties du corps humain [see title-page shown left] is one of the great illustrated anatomical works of the sixteenth century. It offers a fine example of the accomplishments and innovations of the Parisian printing houses of this period, and its full-page woodcuts have fascinated readers to this day. Charles Estienne (c. 1504-1564) was a French physician who conceived of this work when he was still a medical student in Padua. It was at this time that he also met Étienne de la Rivière, the surgeon who would carry out the dissections that provided the basis for the book’s illustrations, and who is likely to have contributed to their design. As the stepson of Simon de Colines, Charles Estienne was able to have his work ©University of Reading 2014 Page 1 published by one of the greatest printing houses in France. De Colines’ influential innovations in the design and type of French printing can also be seen in La Dissection, such as the clean layout of the page and the use of italic font, in which de Colines, a former type- cutter, followed Italian models. -
Durham Research Online
Durham Research Online Deposited in DRO: 04 April 2018 Version of attached le: Accepted Version Peer-review status of attached le: Peer-reviewed Citation for published item: O'Brien, John (2015) 'A book (or two) from the Library of La Bo¡etie.',Montaigne studies., 27 (1-2). pp. 179-191. Further information on publisher's website: https://classiques-garnier.com/montaigne-studies-2015-an-interdisciplinary-forum-n-27-montaigne-and-the-art- of-writing-a-book-or-two-from-the-library-of-la-boetie.html Publisher's copyright statement: Additional information: Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in DRO • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full DRO policy for further details. Durham University Library, Stockton Road, Durham DH1 3LY, United Kingdom Tel : +44 (0)191 334 3042 | Fax : +44 (0)191 334 2971 https://dro.dur.ac.uk A Book (or Two) from the Library of La Boétie John O’Brien The copy of the Greek editio princeps of Cassius Dio, now in Eton College, has long been recognized as formerly belonging to Montaigne (figure 1).1 It bears his signature in the usual place and in his usual style. -
Edinburgh Research Explorer
Edinburgh Research Explorer Apprenticeship in the Renaissance university Citation for published version: Oosterhoff, R 2019, 'Apprenticeship in the Renaissance university: Student authorship and craft knowledge', Science in Context, vol. 32, no. 2, pp. 119-136. https://doi.org/10.1017/S0269889719000140 Digital Object Identifier (DOI): 10.1017/S0269889719000140 Link: Link to publication record in Edinburgh Research Explorer Document Version: Peer reviewed version Published In: Science in Context General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 26. Sep. 2021 Apprenticeship in the Renaissance University: Student Authorship and Craft Knowledge1 Richard J. Oosterhoff, University of Edinburgh, [email protected] Argument: Students entered Renaissance universities as apprentices in the craft of books. In the decades around 1500, such university training began to involve not only manuscript circulation, but also the production and the use of books in the new medium of print. Through their role in the crafting of books, I show how a circle of students around Jacques Lefèvre d’Étaples gained the experience needed to become bookmen. -
Mazarin). (Drop-Head Title
1 A MONSEIGNEUR l’éminentissime Cardinal (Mazarin). (Drop-head title). No place, (ab. 1646). 4 pp. Small 4to. Modern boards. € 150 Not in Moreau. The ‘officiers des élections de France’ draw attention to the fact that they already paid 120.000.000 livres under the reign of Louis XIII, and again 20.000.000 under the Regency, and that new payments as proposed for 1647, 1648 and 1649 will reduce them to the utmost poverty. - A little stained. 2 AGRICOLA, G. De mensuris & ponderibus romanorum atque graecorum lib. V. De externis mensuris & ponderibus lib. II. Ad ea, quae Andreas Alciatus denuo disputauit de mensuris & ponderibus, brevis defensio lib. I. De mensuris, quibus interualla metimur lib. I. De restituendis ponderibus atq. mensuris lib I. De precio metallorum & monetis lib. III. Basel, apud H. Frobenium et N. Episcopium, 1550. Two full-page illustrations in the text. (8), 179, (3), 181-192, one blank leaf, 193-340, (16) pp. Small folio. 17th-century calf, spine gilt with raised bands, excellent repaired binding. € 1000 Adams A.344; BMSTC (German), p. 8; Kress S.123 (lacking the blank 251-252); Smith, Rara Arithmetica , pp. 171-173. Final and enlarged edition of this work, first published in 1533. The last three texts are published here for the first time. The first work is one of Agricola’s most important and became a standard work on ancient weights and measures. It is ‘a valuable book of reference on the history of ancient measures ... The book is also valuable to the student of Roman and Greek numerals, and of various symbols of measures. -
What Is Québécois Literature? Reflections on the Literary History of Francophone Writing in Canada
What is Québécois Literature? Reflections on the Literary History of Francophone Writing in Canada Contemporary French and Francophone Cultures, 28 Chapman, What is Québécois Literature.indd 1 30/07/2013 09:16:58 Contemporary French and Francophone Cultures Series Editors EDMUND SMYTH CHARLES FORSDICK Manchester Metropolitan University University of Liverpool Editorial Board JACQUELINE DUTTON LYNN A. HIGGINS MIREILLE ROSELLO University of Melbourne Dartmouth College University of Amsterdam MICHAEL SHERINGHAM DAVID WALKER University of Oxford University of Sheffield This series aims to provide a forum for new research on modern and contem- porary French and francophone cultures and writing. The books published in Contemporary French and Francophone Cultures reflect a wide variety of critical practices and theoretical approaches, in harmony with the intellectual, cultural and social developments which have taken place over the past few decades. All manifestations of contemporary French and francophone culture and expression are considered, including literature, cinema, popular culture, theory. The volumes in the series will participate in the wider debate on key aspects of contemporary culture. Recent titles in the series: 12 Lawrence R. Schehr, French 20 Pim Higginson, The Noir Atlantic: Post-Modern Masculinities: From Chester Himes and the Birth of the Neuromatrices to Seropositivity Francophone African Crime Novel 13 Mireille Rosello, The Reparative in 21 Verena Andermatt Conley, Spatial Narratives: Works of Mourning in Ecologies: Urban -
Rabelais's Table and the Poets of the Pléiade
on e Rabelais’s Table and the Poets of the Pléiade Both François Rabelais’s sixteenth-century mock epic in prose and the writings of the group of poets known as the Pléiade provide great insight into how fictional representations of food and wine linked origins to iden- tity.1 Consider the two influences in juxtaposition: on the one hand, Rabelais presents depictions of regional, cultural, linguistic, and culinary boundaries in order to transgress them, building walls only to break them down and create harmony among readers. On the other hand, the poets of the Pléiade use language on wine to reaffirm territorial distinctions, establishing identity and harmony by forming communities within regional walls. These influ- ences in the realm of fiction created an important dialogue that dovetailed later in the century with a burgeoning corpus of wisdom texts on wine, farm- ing, and food to mark the beginning of terroir’s modern evolution. This chap- ter details that phenomenon, elucidating the literary contributions behind a specifically French brand of culinary aesthetics and regional identity in the Renaissance. rabelais: transgressing borders in body, language, and space There is no better place to begin a discussion on the role of food in France’s cultural imagination than Rabelais, who remains widely known for the extravagant culinary exploits depicted in his writing. Besides recounting epic culinary consumption, his five-volume work invites readers into a bawdy and biting satire of religion, a criticism of unjust war, and a hilarious yet profound representation of humanist values initially centered around the adventures of 13 Parker - 9780520277502.indd 13 24/12/14 5:22 PM two giants: Gargantua and his son Pantagruel. -
Large Text Labels
Large Text Labels George IV Art & Spectacle 1 Welcome to the Chambers Gallery The label text follows the order in which works are displayed in the gallery. Please ask a warden for assistance if you have any difficulty. 2 George IV (1762–1830) had a lifelong fascination with art and architecture and formed one of the greatest collections of paintings and decorative arts in Europe. The eldest child of George III and Queen Charlotte, George was clever and wilful, and railed against his parents’ authority. As a young man he became known for his mistresses, drinking and his dandyish clothes. Satirists issued prints which criticised his lifestyle, and his exploits were recounted with horror in newspapers. In 1811, when his father became unable to rule through mental illness, George was appointed Prince Regent. He became King on his father’s death in 1820. He was an unpopular monarch, whose lavish lifestyle was out of touch with a country suffering from economic hardship and political turmoil. 3 George’s collection of art furnished his residences, which themselves were masterpieces designed by leading architects. His carefully choreographed spectacles displayed the magnificence of monarchy, chief among them his coronation. George’s purchases remain some of the greatest works in the Royal Collection. His architectural vision created the palaces in London and Windsor still used today. William Heath, All the World’s a Stage, and one man in his time plays many parts, 1824 © Royal Pavilion & Museums, Brighton & Hove 4 Robert Seymour (1798–1836) The Great Joss and his Playthings c.1829 Etching with hand colouring Seymour’s satirical print was made at the end of George’s life to criticise his extravagant expenditure and love of ‘oriental’-style art and architecture. -
Schakovskoy Family Papers
Amherst College Center for Russian Culture Schakovskoy Family Papers 1906-1984 [1930-1979] Accession numbers: CRC91-0001; CRC93-0001; CRC93-0005; CRC93-0006 Quantity: 14.5 linear feet Containers: 13 Record Storage Boxes 3 Archival Boxes Processed: 1995 January-September By: Tanya Chebotarev, Assistant Curator of Russian Collections Finding Aid: Date: 1995 June-July, September Prepared by: Tanya Chebotarev, Assistant Curator of Russian Collections Edited by: Daria D'Arienzo, Archivist of the College Access: In general, there is no restriction on access t o the Schakovskoy Family Papers for research use. Materials from Box 16 are restricted by Z. Schakovskoy's request until five years after her death. Photocopying: Photocopying is not permitted. Copyright: It is the responsibility of the researcher to identify and satisfy the holders of copyrights. Requests for permission to publish material from the papers should be directed to the Director of Amherst College Center for Russian Culture. ©Amherst Center for Russian Culture 1995 September 1 Schakovskoy Family Papers Table of Contents Chronology. .3 Description of the papers . 6 Series Description . 9 History of the papers . 12 Series Listing I. Zinaida Schakovskoy Papers . 13 Subseries 1. Personal Correspondence . 13 Subseries 2. Professional Correspondence . 16 Subseries 3. Professional and Research Materials . 66 Subseries 4. Writings . .94 Subseries 5. Personal Materials . .106 Subseries 6. Photographs, Negatives and Reproductions .114 II. Sviatoslav Malewsky-Malevich Papers . .118 III. -
John Collet (Ca
JOHN COLLET (CA. 1725-1780) A COMMERCIAL COMIC ARTIST TWO VOLUMES VOLUME I CAITLIN BLACKWELL PhD University of York Department of History of Art December 2013 ii ABSTRACT This thesis focuses on the comic work of the English painter John Collet (ca. 1725- 1780), who flourished between 1760 and 1780, producing mostly mild social satires and humorous genre subjects. In his own lifetime, Collet was a celebrated painter, who was frequently described as the ‘second Hogarth.’ His works were known to a wide audience; he regularly participated in London’s public exhibitions, and more than eighty comic prints were made after his oil paintings and watercolour designs. Despite his popularity and prolific output, however, Collet has been largely neglected by modern scholars. When he is acknowledged, it is generally in the context of broader studies on graphic satire, consequently confusing his true profession as a painter and eliding his contribution to London’s nascent exhibition culture. This study aims to rescue Collet from obscurity through in-depth analysis of his mostly unfamiliar works, while also offering some explanation for his exclusion from the British art historical canon. His work will be located within both the arena of public exhibitions and the print market, and thus, for the first time, equal attention will be paid to the extant paintings, as well as the reproductive prints. The thesis will be organised into a succession of close readings of Collet’s work, with each chapter focusing on a few representative examples of a significant strand of imagery. These images will be examined from art-historical and socio-historical perspectives, thereby demonstrating the artist’s engagement with both established pictorial traditions, and ephemeral and topical social preoccupations. -
'Grinling Gibbons's Chimneypieces for the Duchess of Buccleuch'
Sally Jeffery, ‘Grinling Gibbons’s Chimneypieces for the Duchess of Buccleuch’, The Georgian Group Journal, Vol. XXIV, 2016, pp. 1–22 TEXT © THE AUTHORS 2016 GRINLING Gibbons’s ChimneYPIECES FOR THE DUCHESS OF BUCCLEUCH SALLY JEFFERY Grinling Gibbons (1648–1721) is particularly famous do not survive, while others, known from proposals, for the limewood carvings with which he began his were never carried out.1 This article looks at the career. From the later 1670s, however, he produced records of these chimneypieces and compares them carving in stone and marble in various forms, and with various commissions undertaken by Gibbons and these materials came to dominate his output after his assistants for Ann Scott, Duchess of Monmouth the turn of the century. He designed chimneypieces and Buccleuch (1651–1732) for her castle at Dalkeith in mixed materials from the mid 1680s, sometimes in Scotland. Documents in the National Records of working in collaboration with other artisans, but Scotland give new and interesting details about their they are less extensively discussed than his other work, commissioning, and also about Gibbons’s yard in probably because some of the most important examples London. Fig. 1. Dalkeith Castle, rebuilt to the designs of James Smith (c.1645–1731) 1702–11. (photo: author) THE GEORGIAN GROUP JOURNAL VOLUME XXIV GRINLING GIBBONS ’ S CHIMNEYPIECES FOR THE DUCHESS OF BUCCLEUCH he Duchess of Buccleuch first employed The Duchess was born at the castle of Dalkeith, TGibbons when she was married to the Duke of Midlothian, south-east of Edinburgh. She inherited Monmouth, eldest illegitimate son of Charles II.