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Livres De Médecine Incunables : – Bonhomme
KAPANDJI MORHANGE Commissaires Priseurs à Drouot MERcredi 8 juillet 2009 – Hôtel DROUOT Paris - Hôtel Drouot Paris Mercredi 8 juillet 2009 Mercredi ORHANGE M APANDJI K LIVRES ANCIENS ET MODERNES Incunables – Médecine 46 bis, passage Jouffroy – 75 009 Paris Tél : 01 48 24 26 10 • Fax : 01 48 24 26 11 • E-mail : [email protected] MATÉRIEL CHIRURGICAL 06_COUV_8_juill_09_KM.indd 1 11/06/09 20:17:51 150 En couverture lot 71, en 2e de couverture lot 196, 4e de couverture lot 210. 06_COUV_8_juill_09_KM.indd 2 11/06/09 20:18:01 KAPANDJI MORHANGE Ghislaine KAPANDJI et Élie MORHANGE, Commissaires-Priseurs Agrément 2004-508 – RCS Paris B 477 936 447 46 bis, passage Jouffroy – 75 009 Paris [email protected] site www.kapandji-morhange.com 5ÊMr'BY VENTES AUX ENCHERES PUBLIQUES HÔTEL DROUOT – SALLE 7 9, Rue Drouot – 75 009 Paris Mercredi 8 juillet 2009 à 14h LIVRES ANCIENS ET MODERNES - LIVRES DE MÉDECINE INCUNABLES : – BONHOMME. Traité de la céphalotomie – BOURGERY & TORQUEMADA. Expositio super regulam – SAINT- JACOB. Anatomie descriptive – CRUVEILHIER. Anatomie BERNARD. Liber meditationum – MARSILIO FICIN. De pathologique – DIONIS. Cours D’Opérations de Chirurgie triplici vita – SAINT-ANSELME. Opuscula – DE PLOVE. – GILBERT. Histoire médicale de l’armée Française à Saint- Vita christi – THEMESVAR. Stellarium corone. Domingue – ESTIENNE. La Dissection des parties du corps e e humain – FAUCHARD. Le chirurgien dentiste – FEIGEL. LIVRES DU XVI AU XX : Atlas d’Obstétrique – GALIEN. Epitomes – GUYON KRANTZ. Saxonia – ERASME. Parabolae sive similia – DOLOIS. Le cours de médecine – HALLER. Deux mémoires ORUS APOLLO. De la signification des hiéroglyphes – sur le mouvement du sang – HIGHMORE. Corporis humani BOUCHET. -
This Paper Is a Descriptive Bibliography of Thirty-Three Works
Jennifer S. Clements. A Descriptive Bibliography of Selected Works Published by Robert Estienne. A Master’s Paper for the M.S. in L.S degree. March, 2012. 48 pages. Advisor: Charles McNamara This paper is a descriptive bibliography of thirty-three works published by Robert Estienne held by the Rare Book Collection of the University of North Carolina at Chapel Hill. The paper begins with a brief overview of the Estienne Collection followed by biographical information on Robert Estienne and his impact as a printer and a scholar. The bulk of the paper is a detailed descriptive bibliography of thirty-three works published by Robert Estienne between 1527 and 1549. This bibliography includes quasi- facsimile title pages, full descriptions of the collation and pagination, descriptions of the type, binding, and provenance of the work, and citations. Headings: Descriptive Cataloging Estienne, Robert, 1503-1559--Bibliography Printing--History Rare Books A DESCRIPTIVE BIBLIOGRAPHY OF SELECTED WORKS PUBLISHED BY ROBERT ESTIENNE by Jennifer S. Clements A Master’s paper submitted to the faculty of the School of Information and Library Science of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Science in Library Science. Chapel Hill, North Carolina March 2012 Approved by _______________________________________ Charles McNamara 1 Table of Contents Part I Overview of the Estienne Collection……………………………………………………...2 Robert Estienne’s Press and its Output……………………………………………………2 Part II -
Court of Versailles: the Reign of Louis XIV
Court of Versailles: The Reign of Louis XIV BearMUN 2020 Chair: Tarun Sreedhar Crisis Director: Nicole Ru Table of Contents Welcome Letters 2 France before Louis XIV 4 Religious History in France 4 Rise of Calvinism 4 Religious Violence Takes Hold 5 Henry IV and the Edict of Nantes 6 Louis XIII 7 Louis XIII and Huguenot Uprisings 7 Domestic and Foreign Policy before under Louis XIII 9 The Influence of Cardinal Richelieu 9 Early Days of Louis XIV’s Reign (1643-1661) 12 Anne of Austria & Cardinal Jules Mazarin 12 Foreign Policy 12 Internal Unrest 15 Louis XIV Assumes Control 17 Economy 17 Religion 19 Foreign Policy 20 War of Devolution 20 Franco-Dutch War 21 Internal Politics 22 Arts 24 Construction of the Palace of Versailles 24 Current Situation 25 Questions to Consider 26 Character List 31 BearMUN 2020 1 Delegates, My name is Tarun Sreedhar and as your Chair, it's my pleasure to welcome you to the Court of Versailles! Having a great interest in European and political history, I'm eager to observe how the court balances issues regarding the French economy and foreign policy, all the while maintaining a good relationship with the King regardless of in-court politics. About me: I'm double majoring in Computer Science and Business at Cal, with a minor in Public Policy. I've been involved in MUN in both the high school and college circuits for 6 years now. Besides MUN, I'm also involved in tech startup incubation and consulting both on and off-campus. When I'm free, I'm either binging TV (favorite shows are Game of Thrones, House of Cards, and Peaky Blinders) or rooting for the Lakers. -
Estienne's La Dissection
Erika Delbecque Section name Special Collections Services Estienne’s La dissection des parties du corps humain Special Collections featured item for August 2014 by Erika Delbecque, former Liaison Librarian for Pharmacy and Mathematics. Charles Estienne, La dissection des parties du corps humain divisee en trois livres. Paris: chez Simon de Colines, 1546. Item from the Cole Library COLE--X092F/02, University of Reading Special Collections Services. Charles Estienne’s La dissection des parties du corps humain [see title-page shown left] is one of the great illustrated anatomical works of the sixteenth century. It offers a fine example of the accomplishments and innovations of the Parisian printing houses of this period, and its full-page woodcuts have fascinated readers to this day. Charles Estienne (c. 1504-1564) was a French physician who conceived of this work when he was still a medical student in Padua. It was at this time that he also met Étienne de la Rivière, the surgeon who would carry out the dissections that provided the basis for the book’s illustrations, and who is likely to have contributed to their design. As the stepson of Simon de Colines, Charles Estienne was able to have his work ©University of Reading 2014 Page 1 published by one of the greatest printing houses in France. De Colines’ influential innovations in the design and type of French printing can also be seen in La Dissection, such as the clean layout of the page and the use of italic font, in which de Colines, a former type- cutter, followed Italian models. -
Treaty of Westphalia
Background Information Treaty of Westphalia The Peace of Westphalia, also known as the Treaty of Münster and the Treaty of Osnabrück, refers to a pair of treaties that ended the Thirty Years' War and officially recognized the Dutch Republic and Swiss Confederation. • The Spanish treaty that ended the Thirty Years' War was signed on January 30, 1648. • A treaty between the Holy Roman Emperor Ferdinand III, the other German princes and the representatives from the Dutch Republic, France and Sweden was signed on October 24, 1648. • The Treaty of the Pyrenees, signed in 1659, ending the war between France and Spain, is also often considered part of this treaty. The Peace of Westphalia is the first international agreement to acknowledge a country's sovereignty and is thus thought to mark the beginning of the modern system of nation- states (Westphalian states). The majority of the treaty's terms can be attributed to the work of Cardinal Mazarin, the de facto leader of France at the time (the King, Louis XIV, was still a child). France came out of the war in a far better position than any of the other powers and was able to dictate much of the treaty. The results of the treaty were wide ranging. Among other things, the Netherlands now officially gained independence from Spain, ending the Eighty Years' War, and Sweden gained Pomerania, Wismar, Bremen and Verden. The power of the Holy Roman Emperor was broken and the rulers of the German states were again able to determine the religion of their lands. The treaty also gave Calvinists legal recognition. -
What Distinguished France in the Seventeenth Century?
What distinguished France in the seventeenth century? • France had a population of 19 million – Double that of Spain and triple that of England • French art, architecture, and fashion were widely copied throughout Europe – Louis XIV was a strong patron of the arts and sciences, establishing royal academies for arts and sciences • He favored classicism and its order, harmony and hierarchy • Salons organized by upper-class women – Meeting grounds for the artistes, writers, philosophers, and social critics – Became enduring features of Parisian life. How absolute was French absolutism? Why did the French people accept it? • Absolutism was limited at first – Localism in economic and political life and traditions – Institutions like the parlements, which were courts of law with the right to decree royal decrees unconstitutional • Feudal liberties became associated with disorder – Aristocratic rebellions like the Fronde created instability in the sixteenth century • In practice, absolutism meant that the king, although not legally bound by other institutions or persons, was dependent on a host of advisors and had to compromise with local traditions and vested interests. • The Fronde was a rebellion in 1648 against the monarchy (regent Cardinal Mazarin) – Led by the parlements and the nobility (who will do the same in 1789) – Asked for the calling of the Estates General – Accompanied by a great deal of violence both in Paris and in the countryside – Ultimately, the bourgeoisie and the parlements withdrew their support from the raucous nobles who had invited in Spanish troops, and the populace as a whole welcomed a strong monarchy. • In 1661, Louis XIV,age 23, announced he would rule on his own – Without a chief advisor or dependency on the nobility. -
Symbolism and Politics: the Construction of the Louvre, 1660-1667
Symbolism and Politics: The Construction of the Louvre, 1660-1667 by Jeanne Morgan Zarucchi The word palace has come to mean a royal residence, or an edifice of grandeur; in its origins, however, it derives from the Latin palatium, the Palatine Hill upon which Augustus established his imperial residence and erected a temple to Apollo. It is therefore fitting that in the mid-seventeenth century, the young French king hailed as the "new Augustus" should erect new symbols of deific power, undertaking construction on an unprecedented scale to celebrate the Apollonian divinity of his own reign. As the symbols of Apollo are the lyre and the bow, so too were these constructions symbolic of how artistic accomplishment could serve to manifest political power. The project to enlarge the east facade of the Louvre in the early 1660s is a well-known illustration of this form of artistic propaganda, driven by what Orest Ranum has termed "Colbert's unitary conception of politics and culture (Ranum 265)." The Louvre was also to become, however, a political symbol on several other levels, reflecting power struggles among individual artists, the rivalry between France and Italy for artistic dominance, and above all, the intent to secure the king's base of power in the early days of his personal reign. In a plan previously conceived by Cardinal Mazarin as the «grand dessin,» the Louvre was to have been enlarged, embellished, and ultimately joined to the Palais des Tuileries. The demolition of houses standing in the way began in 1657, and in 1660 Mazarin approved a new design submitted by Louis Le Vau. -
Cat68 FINAL with Edits.Indd
PHILLIP J. PIRAGES J. PHILLIP PHILLIP J. PIRAGES Catalogue 68 SIGNIFICANT BOOKS IN NOTABLE BINDINGS CATALOGUE 68 CATALOGUE Items Pictured on the Front Cover 35 19 18 27 4 2 31 42 1 20 Items Pictured on the Back Cover 9 20 6 38 33 15 25 16 26 30 38 37 39 21 36 To identify items on the front and back covers, lift this flap up and to the right, then close the cover. Catalogue 68: Significant Books in Notable Bindings Please send orders and inquiries to the above physical or electronic addresses, and do not hesitate to telephone at any time. If you telephone while no one is in the office to receive your call, automatic equipment will take your message. We would be happy to have you visit us, but please make an appointment so that we are sure to be here. In addition, our website is always open. Prices are in American dollars. Shipping costs are extra. We try to build trust by offering fine quality items and by striving for precision of description because we want you to feel that you can buy from us with confidence. As part of this effort, we want you to understand that your satisfaction is unconditionally guaranteed. If you buy an item from us and are not satisfied with it, you may return it within 30 days of receipt for a refund, so long as the item has not been damaged. Significant portions of the text of this catalogue were written by Cokie Anderson, Kaitlin Manning, and Garth Reese. -
Durham Research Online
Durham Research Online Deposited in DRO: 04 April 2018 Version of attached le: Accepted Version Peer-review status of attached le: Peer-reviewed Citation for published item: O'Brien, John (2015) 'A book (or two) from the Library of La Bo¡etie.',Montaigne studies., 27 (1-2). pp. 179-191. Further information on publisher's website: https://classiques-garnier.com/montaigne-studies-2015-an-interdisciplinary-forum-n-27-montaigne-and-the-art- of-writing-a-book-or-two-from-the-library-of-la-boetie.html Publisher's copyright statement: Additional information: Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in DRO • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full DRO policy for further details. Durham University Library, Stockton Road, Durham DH1 3LY, United Kingdom Tel : +44 (0)191 334 3042 | Fax : +44 (0)191 334 2971 https://dro.dur.ac.uk A Book (or Two) from the Library of La Boétie John O’Brien The copy of the Greek editio princeps of Cassius Dio, now in Eton College, has long been recognized as formerly belonging to Montaigne (figure 1).1 It bears his signature in the usual place and in his usual style. -
The Italian Saviour of French Absolutism
Geoffrey Treasure. Mazarin: The Crisis of Absolutism in France. London and New York: Routledge, 1995. xv + 413 pp. $140.00, cloth, ISBN 978-0-415-01457-1. Reviewed by Michael P. Breen Published on H-France (June, 1997) Unlike his predecessor, Cardinal Richelieu, ing Jean-Baptiste Colbert, Michel Le Tellier, and the reputation of Cardinal Jules Mazarin, France's even Louis XIV himself. First Minister from 1643 until his death in 1661, In spite of these successes, however, many has suffered considerably at the hands of both historians continue to echo Mazarin's seven‐ contemporaries and modern historians. During teenth-century detractors. A. Lloyd Moote, for ex‐ the series of uprisings known as the Fronde ample, describes Mazarin as an "emotional", "un‐ (1648-53), thousands of pamphlets known as balanced" man who "provided poor leadership for Mazarinades denounced him as an opportunist the monarchy", and became a "personal symbol of who promoted an unpopular war to enrich him‐ royal tyranny...." According to Moote, "Mazarin's self and his family; a skilled seducer, who tyran‐ duplicity and disastrous method of governing... nized France from the bed of the Regent Anne of [made] harmony within the state and the admin‐ Austria; and an unscrupulous foreigner who cor‐ istration...virtually impossible." J. Russell Major, in rupted the young king with the poisonous doc‐ his most recent book, pilloried Mazarin as a trines of his fellow Italian, Niccolo Machiavelli [1]. "suave and ingratiating" man of intrigue (in con‐ Twice exiled under pressure from the Parlement trast to the "statesman" Richelieu), who "sought to of Paris and the Prince of Conde, Mazarin never‐ govern by persuasion, fattery, and bribes." When theless retained the complete support and devo‐ these devices did not work, Mazarin "tried to di‐ tion of Anne, Louis, and a sizable, well-placed vide his opponents by lies, false promises, and ap‐ clientele. -
Edinburgh Research Explorer
Edinburgh Research Explorer Apprenticeship in the Renaissance university Citation for published version: Oosterhoff, R 2019, 'Apprenticeship in the Renaissance university: Student authorship and craft knowledge', Science in Context, vol. 32, no. 2, pp. 119-136. https://doi.org/10.1017/S0269889719000140 Digital Object Identifier (DOI): 10.1017/S0269889719000140 Link: Link to publication record in Edinburgh Research Explorer Document Version: Peer reviewed version Published In: Science in Context General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 26. Sep. 2021 Apprenticeship in the Renaissance University: Student Authorship and Craft Knowledge1 Richard J. Oosterhoff, University of Edinburgh, [email protected] Argument: Students entered Renaissance universities as apprentices in the craft of books. In the decades around 1500, such university training began to involve not only manuscript circulation, but also the production and the use of books in the new medium of print. Through their role in the crafting of books, I show how a circle of students around Jacques Lefèvre d’Étaples gained the experience needed to become bookmen. -
Louis XIV (1624–1715)
Louis XIV (1624–1715) As ruler of France for 72 years, Louis XIV had a tremendous impact on his nation’s domestic institutions. Remembered for his probably apocryphal assertion, “I am the state,” Louis oversaw an absolutist regime that was the envy of monarchs across the continent, many of whom sought to emulate the French king. His ambitions also sparked an almost continual series of wars beginning in the 1660s and lasting almost to his death in 1715. What policies did Louis XIV implement in order to strengthen the absolutist state? What were his major foreign policy goals? * * * * * The child destined to raise French absolutism to its pinnacle was born in 1638 to parents who cared little for one another. Louis XIII and Anne of Austria had been wed largely out of diplomatic considerations and nurtured a mutual detestation for each other in the twenty-three years of marriage that preceded the birth of their son Louis. Since the mid-1620s, Louis XIII and his powerful chief minister Cardinal Richelieu had striven to lay the foundations for an absolutist Bourbon monarchy. The Cardinal’s death in 1642 presaged the death of the king by only a year, and as Louis was only five years old, Anne ruled as regent with the assistance of yet another powerful cleric, Cardinal Mazarin. Though Mazarin assumed responsibility for the education of the future king, Louis was ill served by his tutors and matured with only a marginal familiarity with most subjects. Both contemporary and modern commentators have noted that the one area the otherwise lackadaisical Louis excelled in as a pupil was in his understanding of political power and how it was effectively exercised.