Enhancing the Use of Regional Literature in Atlantic Canadian Schools
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The Beginnings of Contemporary Aboriginal Literature in Canada 1967-1972: Part One1
H ARTMUT L UTZ The Beginnings of Contemporary Aboriginal Literature in Canada 1967-1972: Part One1 _____________________ Zusammenfassung Die Feiern zum hundertjährigen Jubiläum des Staates Kanada im Jahre 1967 boten zwei indianischen Künstlern Gelegenheit, Auszüge ihrer Literatur dem nationalen Publi- kum vorzustellen. Erst 1961 bzw. 1962 waren Erste Nationen und Inuit zu wahlberechtig- ten Bürgern Kanadas geworden, doch innerhalb des anglokanadischen Kulturnationa- lismus blieben ihre Stimmen bis in die 1980er Jahre ungehört. 1967 markiert somit zwar einen Beginn, bedeutete jedoch noch keinen Durchbruch. In Werken kanonisierter anglokanadischer Autorinnen und Autoren jener Jahre sind indigene Figuren überwie- gend Projektionsflächen ohne Subjektcharakter. Der Erfolg indianischer Literatur in den USA (1969 Pulitzer-Preis an N. Scott Momaday) hatte keine Auswirkungen auf die litera- rische Szene in Kanada, doch änderte sich nach Bürgerrechts-, Hippie- und Anti- Vietnamkriegsbewegung allmählich auch hier das kulturelle Klima. Von nicht-indigenen Herausgebern edierte Sammlungen „indianischer Märchen und Fabeln“ bleiben in den 1960ern zumeist von unreflektierter kolonialistischer Hybris geprägt, wogegen erste Gemeinschaftsarbeiten von indigenen und nicht-indigenen Autoren Teile der oralen Traditionen indigener Völker Kanadas „unzensiert“ präsentierten. Damit bereiteten sie allmählich das kanadische Lesepublikum auf die Veröffentlichung indigener Texte in modernen literarischen Gattungen vor. Résumé À l’occasion des festivités entourant le centenaire du Canada, en 1967, deux artistes autochtones purent présenter des extraits de leur littérature au public national. En 1961, les membres des Premières Nations avaient obtenu le droit de vote en tant que citoyens canadiens (pour les Inuits, en 1962 seulement), mais au sein de la culture nationale anglo-canadienne, leur voix ne fut guère entendue jusqu’aux années 1980. -
Selected Bibliography of Work on Canadian Ethnic Minority Writing
UNIVERSITY PRESS <http://www.thepress.purdue.edu> CLCWeb: Comparative Literature and Culture ISSN 1481-4374 <http://docs.lib.purdue.edu/clcweb> Purdue University Press ©Purdue University The Library Series of the peer-reviewed, full-text, and open-access quarterly in the humanities and the social sciences CLCWeb: Comparative Literature and Culture publishes scholarship in the humanities and social sciences following tenets of the discipline of comparative literature and the field of cultural studies designated as "comparative cultural studies." Publications in the CLCWeb Library Series are 1) articles, 2) books, 3) bibliographies, 4) resources, and 5) documents. Contact: <[email protected]> Selected Bibliography of Work on Canadian Ethnic Minority Writing <http://docs.lib.purdue.edu/clcweblibrary/canadianethnicbibliography> Steven Tötösy de Zepetnek, Asma Sayed, and Domenic A. Beneventi 1) literary histories and bibliographies of canadian ethnic minority writing 2) work on canadian ethnic minority writing This selected bibliography is compiled according to the following criteria: 1) Only English- and French-language works are included; however, it should be noted that there exists a substantial corpus of studies in a number Canada's ethnic minority languages; 2) Critical works about the literatures of Canada's First Nations are not included following the frequently expressed opinion that Canadian First Nations literatures should not be categorized within Canadian "Ethnic" writing but as a separate corpus; 3) Literary criticism as well as theoretical texts are included; 4) Critical texts on works of authors writing in English and French but usually viewed or which could be considered as "Ethnic" authors (i.e., immigré[e]/exile individuals whose works contain Canadian "Ethnic" perspectives) are included; 5) Some works dealing with US or Anglophone-American Ethnic Minority Writing with Canadian perspectives are included; 6) M.A. -
Ontario Curriculum, Grades 11 and 12 English
Ministry of Education The Ontario Curriculum Grades 11 and 12 English 2000 Contents Introduction . 2 The Place of English in the Curriculum . 2 The Program in English . 4 Overview . 4 Teaching Approaches . 7 Curriculum Expectations . 7 Strands . 8 Compulsory Courses . 12 English, Grade 11, University Preparation (ENG3U) . 13 English, Grade 11, College Preparation (ENG3C) . 22 English, Grade 11,Workplace Preparation (ENG3E) . 31 English, Grade 12, University Preparation (ENG4U) . 40 English, Grade 12, College Preparation (ENG4C) . 49 English, Grade 12,Workplace Preparation (ENG4E) . 58 Optional Courses . 67 Canadian Literature, Grade 11, University/College Preparation (ETC3M) . 68 Literacy Skills: Reading and Writing, Grade 11, Open (ELS3O) . 72 Media Studies, Grade 11, Open (EMS3O) . 78 Presentation and Speaking Skills, Grade 11, Open (EPS3O) . 84 Studies in Literature, Grade 12, University Preparation (ETS4U) . 89 The Writer’s Craft, Grade 12, University Preparation (EWC4U) . 93 Studies in Literature, Grade 12, College Preparation (ETS4C) . 97 The Writer’s Craft, Grade 12, College Preparation (EWC4C) . 101 Communication in the World of Business and Technology,Grade 12, Open (EBT4O) . 105 Some Considerations for Program Planning in English . 110 The Achievement Chart for English . 112 This publication is available on the Ministry of Education’s website at http://www.edu.gov.on.ca. 2 Introduction The Ontario Curriculum, Grades 11 and 12: English, 2000 will be implemented in Ontario sec- ondary schools starting in September 2001 for students -
Critical Canadiana
Critical Canadiana Jennifer Henderson In 1965, in the concluding essay to the first Literary History New World Myth: of Canada, Northrop Frye wrote that the question “Where is Postmodernism and here?” was the central preoccupation of Canadian culture. He Postcolonialism in equivocated as to the causes of this national condition of disori- Canadian Fiction By Marie Vautier entation, alternately suggesting historical, geographical, and cul- McGill-Queen’s tural explanations—the truncated history of a settler colony, the University Press, 1998 lack of a Western frontier in a country entered as if one were “be- ing silently swallowed by an alien continent” (217), a defensive The House of Difference: colonial “garrison mentality” (226)—explanations that were uni- Cultural Politics and National Identity in fied by their unexamined Eurocentrism. Frye’s thesis has since Canada proven to be an inexhaustible departure point for commentaries By Eva Mackey on Canadian literary criticism—as witnessed by this very essay, by Routledge, 1999 the title of one of the four books under review, as well as a recent issue of the journal Essays in Canadian Writing, organized around Writing a Politics of the question, “Where Is Here Now?” The question was first asked Perception: Memory, Holography, and Women at what many take to be the inaugural moment of the institution- Writers in Canada alization of CanLit, when the field began to be considered a cred- By Dawn Thompson ible area of research specialization.1 Since then, as one of the University of Toronto contributors to “Where Is Here Now?” observes, “Canadian liter- Press, 2000 ature as an area of study has become a rather staid inevitable in Here Is Queer: English departments” (Goldie 224). -
Margaret Atwood: a Canadian Novelist
Margaret Atwood: A Canadian Novelist Introduction Contents Margaret Atwood is a name nearly all Canadians know, and now that she has finally won the prestigious Booker Prize her already considerable international Introduction reputation is greatly enhanced. Canadians, however, are often criticized for not celebrating our cultural icons, whether it be from a collective sense of modesty or The Range of The Blind uncertainty as to the elusive Canadian identity. Be that as it may, we do recognize Assassin Margaret Atwood as one of our greatest writers, and this international win for her latest novel, The Blind Assassin, certainly gives us reason to reappraise her Not Just A Novelist considerable contribution to that genre of literature referred to as CanLit. The Booker Prize-considered one of the world's most important literary awards-is given each year to what is judged the best original full-length novel written by a citizen of Subjectivity, Literature, the British Commonwealth or the Republic of Ireland. Atwood's novels have been and The Blind Assassin nominated for the Booker three times, and now The Blind Assassin takes its place among the very best literary works of fiction in the world. As Canadians, we have Themes of Margaret good reason to recognize and validate the talent and achievements of our artists, Atwood and we do so. "Canadian content" is a standard qualifier and indicator of success for us, whether in the form of a Jim Carrey movie, the music of Céline Dion, or the Portraying Women's Lives comedy of John Candy or Dan Ackroyd. -
Use of Canadian Books in Ontario Public and Catholic Intermediate and Secondary English Departments: Results of a Survey of Teachers of Grades 7 Through 12
Use of Canadian Books in Ontario Public and Catholic Intermediate and Secondary English Departments: Results of a Survey of Teachers of Grades 7 through 12 Catherine M.F. Bates 18 June 2017 [email protected] The Use of Canadian Books in Ontario Public and Catholic Intermediate and Secondary English Departments 1 Contents Contents ......................................................................... 1 Introduction ................................................................... 2 Research Methodology .................................................. 2 Findings .......................................................................... 3 Results of Book Inventory .............................................. 3 Additional Analysis of Canadian Works in the Sample ... 6 Types of Works ............................................................... 8 Selection Process and Resources ................................... 9 Opinions on Importance ............................................... 13 Conclusion .................................................................... 14 References .................................................................... 15 Annex A: Inventory of Books Taught in Grade 7-12 English Classes in Ontario 16 Funding for this study was provided by Ontario Media Development Corporation. Any opinions, findings, conclusions or recommendations expressed in this material are those of the author and do not necessarily reflect the views of Ontario Media Development Corporation or the Government of Ontario. The Government -
Aboriginal Literatures in Canada: a Teacher's Resource Guide
Aboriginal Literatures in Canada A Teacher’s Resource Guide Renate Eigenbrod, Georgina Kakegamic and Josias Fiddler Acknowledgments We want to thank all the people who were willing to contribute to this resource through interviews. Further we wish to acknowledge the help of Peter Hill from the Six Nations Polytechnic; Jim Hollander, Curriculum Coordinator for the Ojibway and Cree Cultural Centre; Patrick Johnson, Director of the Mi’kmaq Resource Centre; Rainford Cornish, librarian at the Sandy Lake high school; Sara Carswell, a student at Acadia University who transcribed the interviews; and the Department of English at Acadia University which provided office facilities for the last stage of this project. The Curriculum Services Canada Foundation provided financial support to the writers of this resource through its Grants Program for Teachers. Preface Renate Eigenbrod has been teaching Aboriginal literatures at the postsecondary level (mainly at Lakehead University, Thunder Bay) since 1986 and became increasingly concerned about the lack of knowledge of these literatures among her Native and non- Native students. With very few exceptions, English curricula in secondary schools in Ontario do not include First Nations literatures and although students may take course offerings in Native Studies, these works could also be part of the English courses so that students can learn about First Nations voices. When Eigenbrod’s teaching brought her to the Sandy Lake Reserve in Northwest Ontario, she decided, together with two Anishnaabe teachers, to create a Resource Guide, which would encourage English high school teachers across the country to include Aboriginal literatures in their courses. The writing for this Resource Guide is sustained by Eigenbrod’s work with Aboriginal students, writers, artists, and community workers over many years and, in particular, on the Sandy Lake Reserve with the high school teachers at the Thomas Fiddler Memorial High School, Georgina Kakegamic and Josias Fiddler. -
Indigenous Literature and Comparability
CLCWeb: Comparative Literature and Culture ISSN 1481-4374 Purdue University Press ©Purdue University Volume 13 (2011) Issue 2 Article 2 Indigenous Literature and Comparability Katherine Durnin University of Alberta Follow this and additional works at: https://docs.lib.purdue.edu/clcweb Part of the Comparative Literature Commons, and the Critical and Cultural Studies Commons Dedicated to the dissemination of scholarly and professional information, Purdue University Press selects, develops, and distributes quality resources in several key subject areas for which its parent university is famous, including business, technology, health, veterinary medicine, and other selected disciplines in the humanities and sciences. CLCWeb: Comparative Literature and Culture, the peer-reviewed, full-text, and open-access learned journal in the humanities and social sciences, publishes new scholarship following tenets of the discipline of comparative literature and the field of cultural studies designated as "comparative cultural studies." Publications in the journal are indexed in the Annual Bibliography of English Language and Literature (Chadwyck-Healey), the Arts and Humanities Citation Index (Thomson Reuters ISI), the Humanities Index (Wilson), Humanities International Complete (EBSCO), the International Bibliography of the Modern Language Association of America, and Scopus (Elsevier). The journal is affiliated with the Purdue University Press monograph series of Books in Comparative Cultural Studies. Contact: <[email protected]> Recommended Citation Durnin, Katherine. "Indigenous Literature and Comparability." CLCWeb: Comparative Literature and Culture 13.2 (2011): <https://doi.org/10.7771/1481-4374.1740> This text has been double-blind peer reviewed by 2+1 experts in the field. The above text, published by Purdue University Press ©Purdue University, has been downloaded 2770 times as of 11/ 07/19. -
The Dominance of White Authors in Canadian Literary Awards
White Voices: The Dominance of White Authors in Canadian Literary Awards Kara Locke Abstract An analysis of the past winners of Canada's three largest English-language fiction awards, as well as the non-fiction award with the largest monetary prize. This article examines the ratio of white authors to those of visible racial minority, and considers the cultural and economic impacts of awarding primarily white authors in a racially diverse country. Keywords: Literary Awards Literary awards have long been a way to shine a spotlight on exceptional authors and stories. A combination of attributed prestige, exposure and monetary reward, winning one of these awards can drastically alter the career of a writer. By effectively amplifying the voices of the authors who are awarded, these prizes select what and who Canadians will be reading, and contribute to the shaping of what we recognize as Canadian culture. Canada is known for being multicultural, a diverse mix of the different peoples who have come to inhabit the land, so it stands to reason that our list of award winning authors would reflect that. It does not. The archive of past winners is overwhelmingly white. The oldest award in Canada is the Governor General’s Award for English- language fiction, created in 1936 by the Canadian Author’s Association, and taken over by the Canada Council for the Arts in 1959 (ggbooks.ca/about) . The winner receives a $25,000 prize. The deliberation process is carried out through peer evaluation, with other authors, often past winners themselves, choosing a winner of the finalists. -
Stories of Canada: National Identity in Late-Nineteenth-Century English-Canadian Fiction" (2003)
The University of Maine DigitalCommons@UMaine Electronic Theses and Dissertations Fogler Library 2003 Stories of Canada: National Identity in Late- Nineteenth-Century English-Canadian Fiction Elizabeth Hedler Follow this and additional works at: http://digitalcommons.library.umaine.edu/etd Part of the Cultural History Commons, Ethnic Studies Commons, and the Literature in English, North America Commons Recommended Citation Hedler, Elizabeth, "Stories of Canada: National Identity in Late-Nineteenth-Century English-Canadian Fiction" (2003). Electronic Theses and Dissertations. 193. http://digitalcommons.library.umaine.edu/etd/193 This Open-Access Dissertation is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of DigitalCommons@UMaine. STORIES OF CANADA: NATIONAL IDENTITY IN LATE-NINETEENTH- CENTURY ENGLISH-CANADIAN FICTION Elizabeth Hedler B.A. McGill University, 1994 M.A. University of Maine, 1996 A THESIS Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy (in History) The Graduate School The University of Maine May, 2003 Advisory Commit tee: Marli F. Weiner, Professor of History, Co-Advisor Scott See, Professor of History and Libra Professor of History, Co-Advisor Graham Cam, Associate Professor of History, Concordia University Richard Judd, Professor of History Naorni Jacobs, Professor of English STORIES OF CANADA: NATIONAL IDENTITY IN LATE-NINETEENTH- CENTURY ENGLISH-CANADIAN FICTION By Elizabeth Hedler Thesis Co-Advisors: Dr. Scott W. See and Dr. Marli F. Weiner An Abstract of the Thesis Presented in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy (in History) May, 2003 The search for a national identity has been a central concern of English-Canadian culture since the creation of the Dominion of Canada in 1867. -
Living Curriculum with Young Children: the Journey of an Early Childhood Educator
LIVING CURRICULUM WITH YOUNG CHILDREN: THE JOURNEY OF AN EARLY CHILDHOOD EDUCATOR %fyt 3£angleb #arben by CHRISTIANNE HAYWARD-KABANI B.Ed., University of Alberta, 1978 M.Ed., University of Bristol, 1982 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE STUDIES The Department of Language Education We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA March 2000 © Christianne Hayward-Kabani, 2000 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of ^GtM^xA^J^e^ CUACL ^AJ^/\6UC^ £dz<&&^cy?^ The University of British Columbia Vancouver, Canada Date DE-6 (2/88) Abstract This thesis chronicles a journey for which there is no end. The journey is the author's search for authentic curriculum -- teaching and learning built around socially relevant themes, designed through an organic development process, and negotiated in relation to the interests of individual learners and the communities that support them. In struggling to find a "lens" that would allow children to navigate change in an increasingly complicated society, the author shifted her focus from the substantive domain to the perceptual. -
“No Text Is Innocent”: Canadian Children's Books in the Classroom
JOURNAL OF TEACHING AND LEARNING, 2005, VOL. 3, NO. 2 “No text is innocent”: Canadian children’s books in the classroom Joyce Bainbridge, Dianne Oberg and Mike Carbonaro University of Alberta Abstract This case study of one school district explored elementary teachers’ use of, and beliefs about, Canadian children’s books in the classroom. It also examined the supports that facilitate elementary teachers’ use of Canadian books, including services provided by teacher-librarians, school district personnel and others; availability of funding; and opportunities for professional development. The case study district had a teacher-librarian in every school and was committed to supporting the work of teachers through the school library. The participants had clear ideas about what it meant to them to be Canadian and about the values that were important to them as Canadians. They believed it was important to incorporate Canadian books into classroom activities. However, they often felt a need to justify their use of Canadian books, whereas they unquestioningly used American books in their teaching across the curriculum. Overall, they were more knowledgeable about Canadian books and Canadian authors and illustrators than teachers in earlier studies. However, the findings of the study raise an interesting paradox; the teachers supported the use of Canadian books but they did not appear to connect “Canadian values” to Canadian books. They seemed unaware that all books, Canadian or not, convey an ideology; “no text is innocent” (Stephens & Watson, 1994, p. 14). “No text is innocent”: Canadian children’s books in the classroom Books for children, as Nodelman (1999) writes, are often dismissed simply as texts for the nursery or the elementary classroom.