American Dante Bibliography for 2011
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Boska Komedia.Pdf
Dante Alighieri BOSKA KOMEDIA Przekład: Edward Porębowicz ver. 1.20 http://boskakomedia.korona-pl.com UWAGA !!! Tekst został przeze mnie zeskanowany i potraktowany programem OCR. Może zawierać błędy (literówki, itp.) Będę wdzięczny za wszelkie uwagi i komentarze. - 1 - SPIS TREŚCI PIEKŁO.............................................................................................................................................................................4 PIEŚŃ I ..........................................................................................................................................................................5 PIEŚŃ II.........................................................................................................................................................................8 PIEŚŃ III ..................................................................................................................................................................... 11 PIEŚŃ IV ..................................................................................................................................................................... 14 PIEŚŃ V....................................................................................................................................................................... 18 PIEŚŃ VI ..................................................................................................................................................................... 21 PIEŚŃ VII................................................................................................................................................................... -
Women in Hell Donne All'inferno
All’Inferno, e anche in quello dantesco, non c’è solo Francesca alla quale da anni sono dedicate giornate di studio prima riminesi e quest’anno anche californiane. Sembra infatti che spesso la condizione infernale femminile sia sottovalutata, o addirittura messa da parte, qualche volta con malcelato fastidio. E non solo in Dante: anche nella società, 2012 e quindi anche nella letteratura, che della società è sempre in qualche modo uno specchio. Questo convegno quindi vuol contribuire a pareggiare i conti e a colmare qualche lacuna. Donne letterarie, quindi, precipitate in un qualche inferno (vero o metaforico) per le loro colpe, o per la loro passione, o per quello che una volta si definiva la follia. O per scelta, anche. O semplicemente per la loro natura di donne, spesso innocenti. È un aspetto della condizione femminile da scoprire, ancora oggi. E su cui riflettere. Così, anche questa volta, la vera Francesca, quella da Rimini, Giornate Internazionali Francesca da Rimini avrà avuto la sua giusta considerazione: come la prima, forse, delle donne Sesta edizione (celebri, ma anche quasi anonime come lei) che ha elevato la sua dannazione a simbolo o a metafora di una vita comunque esemplare: anche, e soprattutto, nel dolore, nel ‘peccato’ Los Angeles, 20-21 aprile 2012 e nell’emarginazione. Grazie a Dante, naturalmente. Il convegno di Los Angeles è il sesto appuntamento internazionale all’insegna di Francesca da Rimini per discutere e riflettere sul significato, il valore e i valori del suo mito, tra i più diffusi, popolari, radicati e longevi della cultura occidentale, dilagato da due secoli, in tutti i continenti in tutte le forme d’espressione artistica. -
Indipendenza
ItinerariItinerari PIAZZE FFIRENZEIRENZE e 17th may 2009 nell’nell’800 MUSICA Piazza dell’Indipendenza The 19th Century Florence itineraries: Squares and Music ThTTheh brass band of the Scuola Marescialli e Brigadieri deddeie Carabinieri is one of the fi ve Carabinieri bands whwwhoseh origin lies in the buglers of the various Legions TheTh 19th19th CenturyC t FlorenceFl ititinerariesi i – 17th1717 h may 2009200009 of the Carabinieri, from which the fi rst bands were designed signifi cantly to coincide with Piazza later formed with brass and percussion instruments. the150th anniversary of the unifi cation of dell’Indipendenza, Today the Brass Band – based in Florence at the Tuscany to the newly born unifi ed state (1859 11.00 am-12.30 am School with the same name – is a small band with – 2009) – will take citizens and tourists on the a varied repertoire (symphonies, operas, fi lm sound discovery of the traces of a Century that left a Fanfara (Brass tracks as well as blues and jazz), especially trained for profound impression on the face of Florence. band) of the its main activity: the performance of ceremonies with The idea is to restore the role of 19th Century Scuola Marescialli assemblies and marches typical of military music. The band wears the so-called Grande Uniforme Speciale, a Florence within the collective imagination, e Brigadieri alongside the Florence of Medieval and very special uniform with its typical hat known as the Renaissance times. This is why one of the dell’Arma dei “lucerna” (cocked hat) and the red and white plume Carabinieri that sets it apart from the musicians of other units of Century’s typical customs will be renewed: the Carabinieri (red-blue plume). -
The Divine Comedy Alighieri, Dante (Translator: Henry Wadsworth Longfellow)
The Divine Comedy Alighieri, Dante (Translator: Henry Wadsworth Longfellow) Published: 1306 1 About Alighieri: Durante degli Alighieri, better known as Dante Alighieri or simply Dante, (May 14/June 13, 1265 – September 13/14, 1321) was an Italian poet from Florence. His central work, the Com- media (The Divine Comedy), is considered the greatest literary work composed in the Italian language and a masterpiece of world literature. He was the first Italian to have his works pub- lished. Source: Wikipedia 2 Part 1 Inferno 3 Chapter 1 The Dark Forest. The Hill of Difficulty. The Panther, the Lion, and the Wolf. Virgil. Midway upon the journey of our life I found myself within a forest dark, For the straight-forward pathway had been lost. Ah me! how hard a thing it is to say What was this forest savage, rough, and stern, Which in the very thought renews the fear. So bitter is it, death is little more; But of the good to treat, which there I found, Speak will I of the other things I saw there. I cannot well repeat how there I entered, So full was I of slumber at the moment In which I had abandoned the true way. But after I had reached a mountain's foot, At that point where the valley terminated, Which had with consternation pierced my heart, Upward I looked, and I beheld its shoulders, Vested already with that planet's rays Which leadeth others right by every road. Then was the fear a little quieted That in my heart's lake had endured throughout The night, which I had passed so piteously. -
The Feud of the Ezzelino Dinasty
(A) THE FEUD OF THE EZZELINO DYNASTY In that part of the depraved land of Italy that lies between the Rialto and the springs of the Brenta and the Piave, rises a hill of no great height ...: this was how Cunizza da Romano, sister of Ezzelino III, lord of the Marca, described her birthplace to Dante in Paradiso. The definition of depraved given to these lands can be explained by the fact that at the time, the poet had taken refuge in Verona at the court of Cangrande della Scala, the sworn enemy of the Ezzelino family, and it is therefore evident that it is Dante who talks with these very severe tones. 8 In these terms and for a long time, Ezzelino’s tower (San Zenone degli Ezzelini) Fadalto Nove Botteon Savassa Bassa Sonego Osigo Luca Passo San Boldo Longhere Mezzavilla Serravalle Breda Pra De Radego Revine Lago Fregona Montaner Olarigo S. Maria Fratte Borgo Villa Costa Rugolo Lago Nogarolo Anzano Caiada VITTORIO VENETO Sotto Croda Colmaggiore Sarmede Tovena Ceneda Alta Palu' Soller Cappella Maggiore Tarzo Ceneda Bassa Mura Villa di Villa Valmareno Gai Cozzuolo Cison di Valmarino Arfanta San Giacomo di Veglia Silvella Intrivigne Prapian Formeniga Pinidello San Martino Pecol Pine' Follina Costa di La' Corbanese Carpesica Cordignano Ponte Maset Colle Umberto Milies Miane Farro' Scomigo Ponte della Muda Premaor Manzana Menare' Orsago Vergoman Molinetto delle Crode Godega di Stramare La Bella Sant'urbano Combai Campea Pedeguarda San Pietro di Feletto Ogliano Refrontolo San Fior Salvarotonda Pianzano Bibano Solighetto Rua Bagnolo Bibano di Sotto Soligo Baver Francenigo Segusino Guizza Guia Farra di Soligo Pieve di Soligo BarbozzaSAN ZENONES. -
Rewriting Dante: the Creation of an Author from the Middle Ages to Modernity
Rewriting Dante: The Creation of an Author from the Middle Ages to Modernity by Laura Banella Department of Romance Studies Duke University Date: _______________ Approved: ___________________________ Martin G. Eisner, Supervisor ___________________________ David F. Bell, III ___________________________ Roberto Dainotto ___________________________ Valeria Finucci Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Romance Studies in the Graduate School of Duke University 2018 ABSTRACT Rewriting Dante: The Creation of an Author from the Middle Ages to Modernity by Laura Banella Department of Romance Studies Duke University Date: _________________ Approved: ___________________________ Martin G. Eisner, Supervisor ___________________________ David F. Bell, III ___________________________ Roberto Dainotto ___________________________ Valeria Finucci An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Romance Studies in the Graduate School of Duke University 2018 Copyright by Laura Banella 2018 Abstract Rewriting Dante explores Dante’s reception and the construction of his figure as an author in early lyric anthologies and modern editions. While Dante’s reception and his transformation into a cultural authority have traditionally been investigated from the point of view of the Commedia, I argue that these lyric anthologies provide a new perspective for understanding how the physical act of rewriting Dante’s poems in various combinations and with other texts has shaped what I call after Foucault the Dante function” and consecrated Dante as an author from the Middle Ages to Modernity. The study of these lyric anthologies widens our understanding of the process of Dante’s canonization as an author and, thus, as an authority (auctor & auctoritas), advancing our awareness of authors both as entities that generate power and that are generated by power. -
L ITALIENISCH. I
GRAMMATIK UND LEXIKOGRAPHIE. 25 stedt. Organ der deutschen Gesellschaft für Volkskunde. IV. Band. Leipzig, Frankenstein & Wagner. 8°. II, 400. 438 Giannini Silvio, Delle poesie popolari. In GB VIII 61 — 64. 439 Fasquale Luigi de, Miscellanea di Letteratura popolare. Monteleone, Tip. F. Raho. 8°. 440 S. Aptp XII 133—135 (£· Pur i). Ferraro G., La geografia nelle tradizioni popolari. In Aptp XI 348—375. 441 Grigorovitza E., Beitrag zum Studium der Frage des Beieinanderwirkens von Mythus und Geschichte in der Volkspoesie. Vergleichende Mythologisch-lin- guistische Abhandlung. Leipzig. 8°. 36. M. 2. 442 Nicolson William, Myth and Religion: or an Enquiry into their Nature and Relations. Academical Dissertation. Helsingfors, Press of the Finnish Literary Society. 8°. XV, 178. 443 Weise Bruno, Volkssitten und religiöse Gebräuche. Eine kulturgeschichtl. Studie. Bremen, J. Kühtmann. 8°. 54. M. i. 444 Noels. Histoire et Liturgie. Coutumes et legendes, litterature et poosie. (3e mille.) Lilie, Desctee, de Brouwer et Ce. 8°. 216 avec grav. 445 Fournier Edouard, Histoire des jouets et des jeux d'enfants. Nouvelle odition. Paris, Dentu. (1889.) 8°. 356. Fr. 5. 446 Sebillot Paul, Les femmes et les traditions populaires. In Rdtp VII 449—456. 447 S[ebillot] Paul, La section des traditions populaires ä Pexposition des arts de la femme. In Rdtp VII 457—473. 448 Rosieres Raoul et Paul Sobillot, L'origine du Poisson d'Avril. In Rdtp VII 193—199. 309—310. 449 6. Grammatik und Lexikographie. Lefebvre J., Les langues -latines. In NR LXXVI 789—804; LXXVH 96—113· . 450 Sheldon E. S., The origin of the English Names of the Letters of the Alpha- bet. -
1 LUGLIO XXX Ravenna Festival - Ore 21:30 Ravenna, Chiostro Della Biblioteca Classense Quartetto Echos
2019 1 LUGLIO XXX Ravenna Festival - ore 21:30 Ravenna, Chiostro della Biblioteca Classense Quartetto Echos dal 15 al 19 VILLA LA FONTE - Execution Time LUGLIO European University Institute ore 13. -
Bibliografia Dantesca Internazionale Circoscrivi La Ricerca Per Periodo
Bibliografia Dantesca Internazionale Circoscrivi la ricerca per periodo: Da anno 2013 Ad anno 2017 1. Dante Sommo Poeta, "Paradiso", "Inferno" e Contrappasso 2.0. Un viaggio immaginario di Dante attraverso l'Italia del XXI secolo, Enna, Nulla die, 2016, pp. 164 (parva res. Lecturae) 2. Elena Abramov-van Rijk, Singing Dante. The Literary Origins of Cinquecento Monody, Farnham, Ashgate, 2014, pp. VIII, 148 (Royal Musical Association Monographs, 26) 3. Vincenza Accardi, Tra sublimi vette e infimi abissi: declinazioni della metafora del cammino nella lirica dellacasiana , in «Bollettino di Italianistica. Rivista di critica, storia letteraria, filologia e linguistica», n.s., 12, (2015), 2, pp. 11-29 [Dante passim] 4. Damiano Acciarino, La "Lettera intorno al Discorso del Fato" di Vincenzio Borghini, in «Lettere Italiane», LXIX, (2017), 2, pp. 221-255 [Dante passim; alle pp. 238-255 edizione del testo] 5. * Valentina Accietto, in «Rassegna della letteratura italiana», s. 9ª, 118, (2014), 2, pp. 493-494 6. * Valentina Accietto, in «Rassegna della letteratura italiana», s. 9ª, 118, (2014), 1, pp. 123-124 [rec. all'ed. italiana] 7. * Valentina Accietto, in «Rassegna della letteratura italiana», s. 9ª, 119, (2015), 2, p. 380 8. * Valentina Accietto, in «Rassegna della letteratura italiana», s. 9ª, 119, (2015), 1, p. 82 9. * Valentina Accietto, in «Rassegna della letteratura italiana», s. 9ª, 119, (2015), 1, pp. 84-85 10. Rachel Adams, Ulysses' voice, in «Dante Notes», (2016) *rivista elettronica: https://www.dantesociety.org/publications/dante-notes] Collegamenti esterni: https://www.dantesociety.org/publications/dante-notes 11. * Martina Adani, in «Annali d'Italianistica», XXXI, (2013), pp. 615-617 [solo nella versione online: http://www.ibiblio.org/annali/toc/2013.html#toc] Collegamenti esterni: http://www.ibiblio.org/annali/toc/2013.html#toc 12. -
Civic Genealogy from Brunetto to Dante
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2016 The Root Of All Evil: Civic Genealogy From Brunetto To Dante Chelsea A. Pomponio University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Medieval Studies Commons Recommended Citation Pomponio, Chelsea A., "The Root Of All Evil: Civic Genealogy From Brunetto To Dante" (2016). Publicly Accessible Penn Dissertations. 2534. https://repository.upenn.edu/edissertations/2534 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/2534 For more information, please contact [email protected]. The Root Of All Evil: Civic Genealogy From Brunetto To Dante Abstract ABSTRACT THE ROOT OF ALL EVIL: CIVIC GENEALOGY FROM BRUNETTO TO DANTE Chelsea A. Pomponio Kevin Brownlee From the thirteenth century well into the Renaissance, the legend of Florence’s origins, which cast Fiesole as the antithesis of Florentine values, was continuously rewritten to reflect the changing nature of Tuscan society. Modern criticism has tended to dismiss the legend of Florence as a purely literary conceit that bore little relation to contemporary issues. Tracing the origins of the legend in the chronicles of the Duecento to its variants in the works of Brunetto Latini and Dante Alighieri, I contend that the legend was instead a highly adaptive mode of legitimation that proved crucial in the negotiation of medieval Florentine identity. My research reveals that the legend could be continually rewritten to serve the interests of collective and individual authorities. Versions of the legend were crafted to support both republican Guelfs and imperial Ghibellines; to curry favor with the Angevin rulers of Florence and to advance an ethnocentric policy against immigrants; to support the feudal system of privilege and to condemn elite misrule; to denounce the mercantile value of profit and ot praise economic freedom. -
The States of Italy History of Verona Am
www.cristoraul.org THE STATES OF ITALY HISTORY OF VERONA A. M. ALLEN 1 www.cristoraul.org PREFACE THERE is no need to explain the origin of this attempt to write the history of Verona, the inherent fascination of the subject speaks for itself. But I cannot let this volume appear without expressing my sincere thanks to all who have assisted me during its preparation. First and foremost I desire to thank the cavaliere Gaetano da Re, of the Biblioteca Comunale at Verona, who, during my two visits to Verona, in 1904 and 1906, placed at my disposal the treasures both of the library and of his learning with the most generous kindness, and since then has settled more than one difficult point. From the other officials of this library, and those of the other libraries I visited, the Biblioteca Capitolare at Verona, the Biblioteca Marciana and the Archivio di Stato (in the Frari) at Venice, and the Archivio Gonzaga at Mantua, I met with the same unfailing and courteous assistance. Among modern works I have found Count Carlo Cipolla’s writings on Verona and his scholarly edition of the early Veronese chroniclers invaluable, while J. M. Gittermann’s Ezzelino III. da Romano, E. Salzer’s Ueber die Anfange der Signorie in Oberitalien, and H. Spangenberg’s Cangrande I are all of the first importance for various periods of Veronese history. My thanks are also due to Miss Croom-Brown, who constructed the three maps, the result of much careful research, and to my cousin, Mr. Alfred Jukes Allen, who read the proofs with minute accuracy. -
Dante Society Newsletter Volume 15, Number 2 April 2009
Dante Society Newsletter Volume 15, Number 2 April 2009 are wrapped in pedantic air, remote from Dante Prize, Grandgent Award our common reality. Happily, we know that, thanks to the efforts of generations of As submissions to the current round of scholars and teachers, this has happened. competitions begin to arrive, it is time If anything, we have recently been led by again to urge members to encourage the belief that Dante's appeal to promising dantisti to compete. Sub- philosophers, theologians, ethicists, missions must be sent as e-mail historians, and so forth, foreshadows the attachments to [email protected] no necessary diffusion of the Divine Comedy later than June 30. For eligibility, size across cultural boundaries all over the limits, and complete guidelines, please world. visit www.dantesociety.org/prizes.html. No one can take credit for this newly emerging reality in Dante scholarship, but I am delighted to be able to mention some Spring Election signs of the novelties. For instance, a "Casa di Dante in Latinoamérica" was Enclosed you will find a ballot of candidates prepared by the Nominating founded in Salta, Argentina, with a 2005 Committee according to our bylaws. gift of library materials from the DSA and Please mark your ballot and seal it in the A Letter from the President from sustaining life member Robert Frank provided "Ballot Envelope." Also Pence. The Fourth Interdisciplinary Con- enclosed is a proxy for the Annual Dear Friends, ference of the Nordic Dante Network will Meeting. Please return it, together with be held in Finland on August 20-22, 2009.