American Dante Bibliography for 2011 Richard Lansing This bibliography is intended to include all publications relating to Dante (books, articles, translations, reviews) written by North American writers or published in North America in 2011, as well as reviews of books from elsewhere published in the United States and Canada. Translations Alighieri, Dante. La “Commedia” di Dante Alighieri. With commentary by Robert Hollander. Translated and edited by Simone Marchesi. Florence: Olschki, 2011. Alighieri, Dante. The Divine Comedy of Dante Alighieri, Volume 3: Paradiso. Translated by Robert M. Durling. Oxford: Oxford University Press, 2011. Alighieri, Dante. Dante’s Inferno. A New Translation in Terza Rima. Translated by Robert M. Torrance. Bloomington, Ind.: Xlibris, 2011. Studies Special Issue on Dante. Lettere Italiane 63, no. 2 (2011). Edited by Carlo Ossola. “Accessus ad Auctores”: Studies in Honor of Christopher Kleinhenz. Edited by Fabian Alfie and Andrea Dini. Tempe, Ariz.: ACMRS, 2011. Aleksander, Jason. “Dante’s Understanding of the Two Ends of Human Desire and the Relationship between Philosophy and Theology.” The Journal of Religion 91, no. 2 (2011): 158–87. Aleksander, Jason. “The Problem of Theophany in Paradiso 33.” Essays in Medieval Studies 27, no. 1 (2011): 61–78. Alfie, Fabian. “Diabolic Flatulence: A Note on Inferno 21.139.” Forum Italicum 45, no. 2 (2011): 417–27. Alfie, Fabian. “Sixteenth–Century Criticism of Dante’s Tenzone with Forese Donati: Vincenzo Borghini’s ‘De’ poeti antichi toscani.’” In Alfie and Dini, “Accessus ad Auctores,” 137–53. Alfie, Fabian. Dante’s Tenzone with Forese Donati: The Reprehension of Vice. Toronto: University of Toronto Press, 2011. Allaire, Gloria. “Dante Equestrian.” In Alfie and Dini, “Accessus ad Auctores,” 157–68. Anderson, Elizabeth. “To Love and Be Loved: Petrarchan Friendship in the ‘Canzoniere’ and the ‘Triumphs.’” PhD diss., University of Chicago, 2011. Dissertation Abstracts International, Section A: The Humanities and Social Sciences 72.5 (November 2011): 1662. Antonielli, Arianna. “Dantesque Perspectives in T. S. Eliot’s Inventions of the March Hare.” In Douglass, T. S. Eliot, Dante, 63–74. Applauso, Nicolino. “Curses and Laughter: The Ethics of Political Invective in the Comic Poetry of High and Late Medieval Italy.” PhD diss., University of Oregon, 2010. Dissertation Abstracts International, Section A: The Humanities and Social Sciences 71.9 (March 2011): 3288–89. Ardissino, Erminia. “‘Ciascuna cosa qual ell’ è diventa’ (Pd XX, 78). Metamorfosi e vita beata.” Lettere Italiane 63, no. 2 (2011): 208–23. Ardizzone, Maria Luisa. Dante. Il paradigma intellettuale. Un inventio degli anni fiorentini. Florence: Leo S. Olschki Editore, 2011. Armour, Peter. “Exile and Disgrace.” In Dante in Oxford: The Paget Toynbee Lectures, 39– 68. Armour, Peter. “Friends and Patrons.” In Dante in Oxford: The Paget Toynbee Lectures, 102–30. Armour, Peter. “Misfortune and Poverty.” In Dante in Oxford: The Paget Toynbee Lectures, 68–101. Ascoli, Albert Russell. “Tradurre l’allegoria: Convivio II, I.” Critica del Testo 14, no. 1 (2011): 153–75. Atturo, Valentina. “Contemplating Wonder: ‘Ad–miratio’ in Richard of St. Victor and Dante.” Dante Studies 129 (2011): 99–124. Bacigalupo, Massimo. “Types of Ecstasy—Paradise Regained in Eliot and American Modernism.” In Douglass, T. S. Eliot, Dante, 111–22. Bagorda, Anna. “Il ‘Paradiso’ e il ‘Liber XXIV philosophorum’: L’ente divino ai confini di una metafora.” PhD diss., New York University, 2010. Dissertation Abstracts International, Section A: The Humanities and Social Sciences 72, no. 1 (July 2011): 186–87. Baika, Gabriella. ‘Com’ Altrui Piacque’: Myth, Weltansicht, and Rhetoric of Otherness in Inferno 26.” Romanische Forschungen 123, no. 4 (2011): 454–72. Baika, Gabriella. “Tongues of Fire and Fraud in Bolgia Eight.” Quaderni d’italianistica 32, no. 2 (2011): 5–26. Baird, Robert P. “Three Essays on Dante’s Soteriology.” PhD diss., University of Chicago, 2010. Dissertation Abstracts International, Section A: The Humanities and Social Sciences 72.2 (August 2011): 609. Barański, Zygmunt G. “Appunti su Guglielmo Maramauro, sull’auctoritas e sulla ‘lettura’ di Dante nel Trecento.” In Alfie and Dini, “Accessus ad Auctores,” 223–37. Barański, Zygmunt G. “Dante ‘poeta’ e ‘lector’: ‘poesia’ e ‘riflessione tecnica’ (con divagazioni sulla Vita nova).” Critica del Testo 14, no. 1 (2011): 81–110. Barnes, John C. “Dante’s Knowledge of Florentine History.” In Dante in Oxford: The Paget Toynbee Lectures, 131–46. Barolini, Teodolinda. “Dante’s Sympathy for the Other, or the Non–Stereotyping Imagination: Sexual and Racialized Others in the Commedia.” Critica del Testo 14, no. 1 (2011): 177–204. Belliotti, Raymond Angelo. Dante’s Deadly Sins: Moral Philosophy in Hell. New York: Wiley–Blackwell, 2011. Benfell, V. Stanley. The Biblical Dante. Toronto, Ont.: University of Toronto, 2011. Bermann, Sandra. “In the Light of Translation: On Dante and World Literature.” In Foundational Texts of World Literature, ed. Dominique Jullien (New York: Peter Lang, 2011), 85–100. Boitani, Piero. “Dante in Inghilterra.” Critica del Testo 14, no. 3 (2011): 227–42. Boitani, Piero. “Irish Dante: Yeats, Joyce, Beckett.” In Gragnolati, Camilletti, and Lampart, Metamorphosing Dante, 37–60. Brooker, Jewel Spears. “Enlarging Immediate Experience: Bradley and Dante in Eliot’s Aesthetic.” In Douglass, T. S. Eliot, Dante, 3–14. Brooker, Jewel Spears. “What T. S. Eliot Learned from Dante.” Journal of the T. S. Eliot Society of Korea 21, no. 2 (2011): 1–20. Burwick, Frederick. “Masaniello on the London Stage.” In Burwick and Douglass, Dante and Italy in British Romanticism, 161–82. Capelli, Amedeo. “The Social Network of Dante’s Inferno.” Leonardo 44, no. 3 (2011): 246–47. Casadei, Alberto. “Incipit vita nova.” Dante Studies 129 (2011): 179–86. Casagrande, Gino. “‘Quando a cantar con organi si stea’ (Purgatorio IX 144).” Studi Danteschi 76 (2011): 165–78. Casella, Stefano Maria. “ ‘[R]estoring / With a New Verse the Ancient Rhyme’: T. S. Eliot’s and Ezra Pound’s Poetic Homages to Dante.” In Douglass, T. S. Eliot, Dante, 95– 110. Castelli, Daniela. “The First Love in Hell: The Merciful Nature of Dante’s Eschatological Justice.” PhD diss., Columbia University, 2008. Dissertation Abstracts International, Section A: The Humanities and Social Sciences 71.9 (March 2011): 3289. Cachey, Theodore J., Jr. “Cartografie dantesche: mappando Malebolge.” Critica del Testo 14, no. 2 (2011): 229–60. Cervigni, Dino. “Re–Configuring the Self through Suffering, Violence, and Death in Dante’s Vita nuova and Comedy.” In Alfie and Dini, “Accessus ad Auctores,” 115–35. Cherchi, Paolo, and Selene Sarteschi. “Il cielo del Sole. Per una lettura della Commedia a ‘lunghe campate.’” Critica del Testo 14, no. 2 (2011): 311–31. Christopher, Joe R. “The Dantean Structure of The Great Divorce.” Mythlore 29, no. 3–4 [113–114] (2011): 77–99. Clogan, Paul M. “Dante’s Appropriation of Lucan’s Cato and Erichtho.” Medievalia et Humanistica, n.s., 37 (2011): 111–15. Cochran, Peter. “Byron and Alfieri.” In Burwick and Douglass, Dante and Italy in British Romanticism, 55–62. Cooper, John Xiros. “T. S. Eliot’s Die Einheit der Europäischen Kultur (1946) and the Idea of European Union.” In Douglass, T. S. Eliot, Dante, 145–58. Cornish, Alison. Vernacular Translation in Dante’s Italy: Illiterate Literature. New York: Cambridge University Press, 2011. Cox, Jeffrey N. “Re–Visioning Rimini: Dante in the Cockney School.” In Burwick and Douglass, Dante and Italy in British Romanticism, 183–204. Cristofaro, Greta. “Avenues of feeling: Il Dante umanista di Irma Brandeis.” Lettere Italiane 63, no. 2 (2011): 282–301. Curran, Stuart. “Epipsychidion, Dante, and the Renewable Life.” In Burwick and Douglass, Dante and Italy in British Romanticism, 93–104. Cuzzilla, Tony. “A Defence of the Protagonist: Inf. 1–2.” Electronic Bulletin of the Dante Society of America, November 5, 2011. Dante and Italy in British Romanticism. Edited by Frederick Burwick and Paul Douglass. New York, N.Y.: Palgrave Macmillan, 2011. Dante in Oxford: The Paget Toynbee Lectures. Edited by Tristan Kay, Martin McLaughlin, and Michelangelo Zaccarello. Oxford: Legenda, 2011. De Nicola, Francesco. “Su Dante in Saba.” Lettere Italiane 63, no. 2 (2011): 273–81. Delcorno, Carlo. “Dare ordine al male (Inferno XI).” Lettere Italiane 63, no. 2 (2011): 181– 207. Douglass, Paul. “T. S. Eliot’s European Tradition: The Roles of Dante Alighieri and Matthew Arnold.” In Douglass, T. S. Eliot, Dante, 133–44. Downey, Sarah. “Cordial Dislike: Reinventing the Celestial Ladies of Pearl and Purgatorio in Tolkien’s Galadriel.” Mythlore 29 (2011): 101–17. Dupont, Christian Y. “Reading and Collecting Dante in America: Harvard College Library and the Dante Society.” Harvard Library Bulletin 22, no. 1 (2011): 1–57. Durling, Robert M. “Paradiso: un’introduzione.” Rassegna europea di letteratura italiana 36 (2011): 11–24. Elsky, Martin. “Erich Auerbach and Translatio Studii: The German Dante and the Transmission of the Catholic Mediterranean to the English–Speaking World.” In Cross- Cultural Encounters Between the Mediterranean and the English-Speaking Worlds, ed. Christine Reynier (New York, N.Y.: Peter Lang, 2011), 191–208. Esterhammer, Angela. “Coleridge, Sgricci, and the Shows of London: Improvising in Print and Performance.” In Burwick and Douglass, Dante and Italy in British Romanticism, 143– 59. Ferrini, J. P. “Beckett, lecteur de Dante.” Lettere Italiane 63, no. 2 (2011): 224–52. Fosca , Nicola.