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  • Indipendenza
    ItinerariItinerari PIAZZE FFIRENZEIRENZE e 17th may 2009 nell’nell’800 MUSICA Piazza dell’Indipendenza The 19th Century Florence itineraries: Squares and Music ThTTheh brass band of the Scuola Marescialli e Brigadieri deddeie Carabinieri is one of the fi ve Carabinieri bands whwwhoseh origin lies in the buglers of the various Legions TheTh 19th19th CenturyC t FlorenceFl ititinerariesi i – 17th1717 h may 2009200009 of the Carabinieri, from which the fi rst bands were designed signifi cantly to coincide with Piazza later formed with brass and percussion instruments. the150th anniversary of the unifi cation of dell’Indipendenza, Today the Brass Band – based in Florence at the Tuscany to the newly born unifi ed state (1859 11.00 am-12.30 am School with the same name – is a small band with – 2009) – will take citizens and tourists on the a varied repertoire (symphonies, operas, fi lm sound discovery of the traces of a Century that left a Fanfara (Brass tracks as well as blues and jazz), especially trained for profound impression on the face of Florence. band) of the its main activity: the performance of ceremonies with The idea is to restore the role of 19th Century Scuola Marescialli assemblies and marches typical of military music. The band wears the so-called Grande Uniforme Speciale, a Florence within the collective imagination, e Brigadieri alongside the Florence of Medieval and very special uniform with its typical hat known as the Renaissance times. This is why one of the dell’Arma dei “lucerna” (cocked hat) and the red and white plume Carabinieri that sets it apart from the musicians of other units of Century’s typical customs will be renewed: the Carabinieri (red-blue plume).
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  • Rewriting Dante: the Creation of an Author from the Middle Ages to Modernity
    Rewriting Dante: The Creation of an Author from the Middle Ages to Modernity by Laura Banella Department of Romance Studies Duke University Date: _______________ Approved: ___________________________ Martin G. Eisner, Supervisor ___________________________ David F. Bell, III ___________________________ Roberto Dainotto ___________________________ Valeria Finucci Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Romance Studies in the Graduate School of Duke University 2018 ABSTRACT Rewriting Dante: The Creation of an Author from the Middle Ages to Modernity by Laura Banella Department of Romance Studies Duke University Date: _________________ Approved: ___________________________ Martin G. Eisner, Supervisor ___________________________ David F. Bell, III ___________________________ Roberto Dainotto ___________________________ Valeria Finucci An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Romance Studies in the Graduate School of Duke University 2018 Copyright by Laura Banella 2018 Abstract Rewriting Dante explores Dante’s reception and the construction of his figure as an author in early lyric anthologies and modern editions. While Dante’s reception and his transformation into a cultural authority have traditionally been investigated from the point of view of the Commedia, I argue that these lyric anthologies provide a new perspective for understanding how the physical act of rewriting Dante’s poems in various combinations and with other texts has shaped what I call after Foucault the Dante function” and consecrated Dante as an author from the Middle Ages to Modernity. The study of these lyric anthologies widens our understanding of the process of Dante’s canonization as an author and, thus, as an authority (auctor & auctoritas), advancing our awareness of authors both as entities that generate power and that are generated by power.
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  • Civic Genealogy from Brunetto to Dante
    University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2016 The Root Of All Evil: Civic Genealogy From Brunetto To Dante Chelsea A. Pomponio University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Medieval Studies Commons Recommended Citation Pomponio, Chelsea A., "The Root Of All Evil: Civic Genealogy From Brunetto To Dante" (2016). Publicly Accessible Penn Dissertations. 2534. https://repository.upenn.edu/edissertations/2534 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/2534 For more information, please contact [email protected]. The Root Of All Evil: Civic Genealogy From Brunetto To Dante Abstract ABSTRACT THE ROOT OF ALL EVIL: CIVIC GENEALOGY FROM BRUNETTO TO DANTE Chelsea A. Pomponio Kevin Brownlee From the thirteenth century well into the Renaissance, the legend of Florence’s origins, which cast Fiesole as the antithesis of Florentine values, was continuously rewritten to reflect the changing nature of Tuscan society. Modern criticism has tended to dismiss the legend of Florence as a purely literary conceit that bore little relation to contemporary issues. Tracing the origins of the legend in the chronicles of the Duecento to its variants in the works of Brunetto Latini and Dante Alighieri, I contend that the legend was instead a highly adaptive mode of legitimation that proved crucial in the negotiation of medieval Florentine identity. My research reveals that the legend could be continually rewritten to serve the interests of collective and individual authorities. Versions of the legend were crafted to support both republican Guelfs and imperial Ghibellines; to curry favor with the Angevin rulers of Florence and to advance an ethnocentric policy against immigrants; to support the feudal system of privilege and to condemn elite misrule; to denounce the mercantile value of profit and ot praise economic freedom.
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  • American Dante Bibliography for 2011
    American Dante Bibliography for 2011 Richard Lansing This bibliography is intended to include all publications relating to Dante (books, articles, translations, reviews) written by North American writers or published in North America in 2011, as well as reviews of books from elsewhere published in the United States and Canada. Translations Alighieri, Dante. La “Commedia” di Dante Alighieri. With commentary by Robert Hollander. Translated and edited by Simone Marchesi. Florence: Olschki, 2011. Alighieri, Dante. The Divine Comedy of Dante Alighieri, Volume 3: Paradiso. Translated by Robert M. Durling. Oxford: Oxford University Press, 2011. Alighieri, Dante. Dante’s Inferno. A New Translation in Terza Rima. Translated by Robert M. Torrance. Bloomington, Ind.: Xlibris, 2011. Studies Special Issue on Dante. Lettere Italiane 63, no. 2 (2011). Edited by Carlo Ossola. “Accessus ad Auctores”: Studies in Honor of Christopher Kleinhenz. Edited by Fabian Alfie and Andrea Dini. Tempe, Ariz.: ACMRS, 2011. Aleksander, Jason. “Dante’s Understanding of the Two Ends of Human Desire and the Relationship between Philosophy and Theology.” The Journal of Religion 91, no. 2 (2011): 158–87. Aleksander, Jason. “The Problem of Theophany in Paradiso 33.” Essays in Medieval Studies 27, no. 1 (2011): 61–78. Alfie, Fabian. “Diabolic Flatulence: A Note on Inferno 21.139.” Forum Italicum 45, no. 2 (2011): 417–27. Alfie, Fabian. “Sixteenth–Century Criticism of Dante’s Tenzone with Forese Donati: Vincenzo Borghini’s ‘De’ poeti antichi toscani.’” In Alfie and Dini, “Accessus ad Auctores,” 137–53. Alfie, Fabian. Dante’s Tenzone with Forese Donati: The Reprehension of Vice. Toronto: University of Toronto Press, 2011. Allaire, Gloria.
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  • Dante Society Newsletter Volume 15, Number 2 April 2009
    Dante Society Newsletter Volume 15, Number 2 April 2009 are wrapped in pedantic air, remote from Dante Prize, Grandgent Award our common reality. Happily, we know that, thanks to the efforts of generations of As submissions to the current round of scholars and teachers, this has happened. competitions begin to arrive, it is time If anything, we have recently been led by again to urge members to encourage the belief that Dante's appeal to promising dantisti to compete. Sub- philosophers, theologians, ethicists, missions must be sent as e-mail historians, and so forth, foreshadows the attachments to [email protected] no necessary diffusion of the Divine Comedy later than June 30. For eligibility, size across cultural boundaries all over the limits, and complete guidelines, please world. visit www.dantesociety.org/prizes.html. No one can take credit for this newly emerging reality in Dante scholarship, but I am delighted to be able to mention some Spring Election signs of the novelties. For instance, a "Casa di Dante in Latinoamérica" was Enclosed you will find a ballot of candidates prepared by the Nominating founded in Salta, Argentina, with a 2005 Committee according to our bylaws. gift of library materials from the DSA and Please mark your ballot and seal it in the A Letter from the President from sustaining life member Robert Frank provided "Ballot Envelope." Also Pence. The Fourth Interdisciplinary Con- enclosed is a proxy for the Annual Dear Friends, ference of the Nordic Dante Network will Meeting. Please return it, together with be held in Finland on August 20-22, 2009.
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  • METADATA and PHOTOGRAPHIC DOCUMENTATION Santa Maria Dell'assunzione – Ariccia, ITALY – by Bernini
    TM ARCHIVISION www.archivision.com an image source for visual resource professionals Renseignements généraux en français disponibles sur demande. No part of this publication may be reproduced or printed, in whole or in part, without the written consent of Archivision. All terms and fees subject to change without notice. Archivision Inc. © 2009 Archivision Inc. All rights reserved. version April 2009 THE ARCHIVISION DIGITAL RESEARCH LIBRARY This catalogue is a partially illustrated content list of architectural sites, gardens, parks and works of art which comprise the Archivision Digital Research Library. The Archivision Library is currently 46,000 18 MB files and is composed of: 1) Base Collection (16,000 images) 2) Addition Module One (6,000 images) 3) Addition Module Two (6,000 images) 4) Addition Module Three (6,000 images) 4) Addition Module Four (6,000 images) 4) Addition Module Five (6,000 images) The content coverage within each Library module is: .: 60% architecture (most periods) .: 20% gardens & landscapes .: 15% public art .: 5% other design related topics The Archivision Library makes an ideal complement to any core art digital collection, such as the Saskia Archive or ARTstor. Only the Archivision Digital Research Library meets the needs of students and faculty – for both research and teaching – in the disciplines of architecture, landscape architecture, and urban planning. We do not offer a subscription service – you must sign a site license agreement and pay a one-time license fee for the Library – then you may keep the images and related metadata in perpetuity with no additional annual fees. The exception is where you choose one of our hosted server options – the annual fee you pay is only for the access service.
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  • 2904 9033.Pdf
    STUDI E SAGGI – 138 – ENTE NAZIONALE GIOVANNI BOCCACCIO Consiglio Direttivo Dott. Giacomo Cucini – Sindaco di Certaldo Prof.ssa Giovanna Frosini – Università per stranieri di Siena Dott.ssa Sabina Magrini – MIBACT, Segretariato Regionale per l’Emilia-Romagna Dott. Gabriele Nannetti – Soprintendenza BAPSAE di Firenze, Prato, Pistoia Dott. Claudio Paolini – Soprintendenza BAPSAE di Firenze, Prato, Pistoia Prof. Stefano Zamponi – Università degli Studi di Firenze (Presidente) Comitato Scientifico Prof. Stefano Zamponi – Università degli Studi di Firenze (Presidente) Prof.ssa Lucia Battaglia Ricci – Università di Pisa Prof.ssa Sonia Chiodo – Università di Firenze Prof. Carlo Delcorno – Università di Bologna Prof. Maurizio Fiorilla – Università di Roma Tre Arch. Massimo Gennari – Università di Firenze Prof.ssa Roberta Morosini – Wake Forest University, North Carolina Prof. Marco Petoletti – Università Cattolica del Sacro Cuore, Milano Prof. Michelangelo Zaccarello – Università di Verona Intorno a Boccaccio / Boccaccio e dintorni Atti del Seminario internazionale di studi (Certaldo Alta, Casa di Giovanni Boccaccio, 25 giugno 2014) a cura di Giovanna Frosini Stefano Zamponi FIRENZE UNIVERSITY PRESS 2015 Intorno a Boccaccio / Boccaccio e dintorni : atti del Seminario internazionale di studi : (Certaldo Alta, Casa di Giovanni Boccaccio, 25 giugno 2014) / a cura di Giovanna Frosini, Stefano Zamponi. – Firenze : Firenze University Press, 2015. (Studi e saggi ; 138) http://digital.casalini.it/9788866557975 ISBN 978-88-6655-796-8 (print) ISBN 978-88-6655-797-5 (online PDF) ISBN 978-88-6655-798-2 (online EPUB) Progetto grafico di Alberto Pizarro Fernández, Pagina Maestra snc Certificazione scientifica delle Opere Tutti i volumi pubblicati sono soggetti ad un processo di referaggio esterno di cui sono responsabili il Consiglio editoriale della FUP e i Consigli scientifici delle singole collane.
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  • With Dante in Modern Florence
    S A DAN B! DEM] OGG OF TH T TUE OF TE, , L IE E U FFI Z I . WITH DA NTE IN MOD ERN FLORENCE MA LA ! B! R! E. C 1 WITH TWENT! -EIGHT ILLUSTRATIONS NEW ! ORK ON COMPA N! E . P . D U TT 31 WEST TWENT! -THIRD STREET L. H m“ LA MIA AMIGA ” m1 8 umAm ’ mi lo o mio m o mre Tu oe estro e lo t I fo ll hmthe fo tin of tb feete o w o g y t th mI e ra h " i h n so mth t er a m That w y e ni g y eete. Bo nus !) Su ns“ . PREFACE ’ ” I m Land of H rt s Desire. ade il rima e to the eo p g g E. Ho r t o n. Un vo n e dans lee lieu o uDante a ve mest y g c ” — Au rknt . nne perp etnelle illustratio nde so npo ene. l 'r must he confessed that there is something slightly disappointing to the Dante lover at first sight in the aspect o f modern Florence. has 0 He journeyed thither as a pilgrim, h ping to discover fo r himself the City that the Poet s so dearly loved and so pa sionately hated, and he is at once confr onted with buildings that f did not exist, at least in their present orm , o f an: in the thirteenth century, with works i u that Dante never saw, and w th streets thro gh which by no possibility he could have passed.
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  • ITALIAN BOOKSHELF Edited by Dino S. Cervigni and Anne Tordi
    ITALIAN BOOKSHELF Edited by Dino S. Cervigni and Anne Tordi REVIEW ARTICLE Vita nuova * Rime. A cura di Donato Pirovano e Marco Grimaldi. Premessa (XIII-XVII) e Introduzione di Enrico Malato (XIX-XXXI). Bibliografia citata in forma abbreviata (XXXII-LXXIV). Volume 1, tomo 1 delle Opere di Dante. 8 volumi. Roma: Salerno Editrice, 2015. Pp. 804. Hardcover. €49. ISBN 978-88-8402-986-7. This very elegant volume of more than 800 pages — containing prefaces, introductions, Dante’s Vita nuova, Rime of the Vita nuova, and other rhymes of the same time, with a very extensive commentary — constitutes the first volume of a new edition, accompanied by commentary, of the entire opus of Dante Alighieri. Spearheaded and directed by the eminent professor Enrico Malato, supported by a committee of distinguished scholars, and edited by renowned philologists and literary critics, this new edition and commentary — divided in eight volumes and several tomes, some of which have already appeared — links itself with, relies on, and seeks to supersede the editions of the sixth centenary of Dante’s death and seventh centenary of his birth, as well other very prestigious editions of Dante’s works appeared afterward, such as — to mention just a few — Giorgio Petrocchi’s critical edition of the Divine Comedy and Domenico De Robertis’s Vita nuova (1980) and Rime (2002). Begun a few years ago, this Nuova edizione commentata delle opere di Dante (NECOD) is scheduled to be completed by 2021, the seventh centenary of Dante’s death. Judging from the high scholarly level of the volumes already published, including this one edited by Donato Pirovano and Marco Grimaldi, one cannot but applaud such an undertaking: a true monument (as I will further elaborate below) to Dante, Italian scholarship, and Italy’s illustrious literary culture.
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  • American Dante Bibliography for 1999
    American Dante Bibliography for 1999 Christopher Kleinhenz This bibliography is intended to include all the Dante translations published in this country in 1999 and all Dante studies and reviews published in 1999 that are in any sense American. The latter criterion is construed to include foreign reviews of American publications pertaining to Dante. Special thanks go to the team of associate bibliographers who have assumed responsibility for the annotation of many of the items listed herein. The Society is very grateful to the following scholars for their invaluable expertise and for their continuing contributions to the journal: Fabian Alfie (The University of Arizona), V. Stanley Benfell (Brigham Young University), Gary P. Cestaro (DePaul University), Jessica Levenstein (Princeton University), Joseph Luzzi (Yale University), Christian Moevs (The University of Notre Dame), Michael Papio (Holy Cross University), Guy P. Raffa (The University of Texas at Austin), Alessandro Vettori (Rutgers University), and Lawrence Warner (National Humanities Center, Australia). (Their initials follow their abstracts.) Studies Audeh, Aida. “I Tre Fiorentini: Rodin’s Three Shades and Their Origin in Medieval Illustrations of Dante’s Inferno 15 and 16.” In Dante Studies, 117 (1999), 133-169. This essay examines Auguste Rodin’s monumental sculpture, the Gates of Hell, in relation to its source in Dante’s Inferno, with particular focus on a sculptural group within the Gates known as the Three Shades as the representation of the Three Florentines of Inferno 15 and 16. In the course of the study, the author explores the iconographic traditions of Medieval and early-Renaissance illustration of Dante’s Inferno 15 and 16, the medical and religious discourses concerning homosexuality in fourteenth-century Italy and nineteenth-century France, and the manner in which differing nineteenth-century French translations of Dante’s text may have informed Rodin’s understanding of Cantos 15 and 16.
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  • Grand Miniatures 19Th Century Souvenir Buildings from the Collection of Ace Architects
    Grand Miniatures 19th Century Souvenir Buildings from the Collection of Ace Architects San Francisco Airport, International Terminal December, 2010 - June, 2011 2 3 This page and cover: 19th Century Souvenir Buildings as installed in the Collection of Ace Architects 4 5 Grand Miniatures 19th Century SouvenirGrand Buildings from the Collection Miniatures of Ace Architects San Francisco19th Century Airport, SouvenirInternational Buildings Terminal from the Collection of Ace Architects December, 2010 - June, 2011 www. flysfo.com/web/page/sfo_museum/exhibitions/international_terminal_exhibitions/south_20.html San Francisco Airport, International Terminal December, 2010 - June, 2011 Catalogue Lucia Howard & David Weingarten Ace Architects www.aceland.com 19th Century Souvenir Buildings as installed in the Collection of Ace Architects 6 7 Concourse Contents Monument to Dante, Rheims Cathedral, Trento, Italy 20 1 Rheims I. Exhibition Plan facing page Eiffel Tower, Roman Forum Group, II. The Grand Tour and Its Souvenirs pp. 8-19 Paris 19 2 Italy Bank of England, Arc de Triomphe, III. 19th Century Souvenir Buildings - London 18 3 Paris 20 Vitrines pp. 20-45 Rouen Cathedral, Colonne du Congres, Rouen 17 4 Brussels IV. About the Collection p. 46 Cleopatra’s Needle, July Column, V. Bibliography p. 47 London 16 5 Paris Arch of Janus, Pantheon, Pantheon, Arch of Constantine, Rome 15 6 Rome Austerlitz Column, Notre Dame Cathedral, Paris 14 7 Paris Baptistry, Tomb of Scipio, Pisa 13 8 Rome Octogon zu Wilhelmshohe, Luxor Obelisk, Kassel, Germany 12 9 Paris Arch of Constantine, Colonna dell’Immacolata, Rome 11 10 Rome Exhibition Plan 8 9 The Grand Tour and Its Souvenirs Most visitors to this exhibition, in the International Terminal of San Francisco Air- port, are on their way somewhere else – often to places far away and provocatively unfamiliar; places perhaps exotic, ancient, and out-of-the-way; for purposes diverting, instructive, commercial.
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  • American Dante Bibliography for 1998.Pdf
    American Dante Bibliography for 1998 Christopher Kleinhenz This bibliography is intended to include all the Dante translations published in this country in 1998 and all Dante studies and reviews published in 1998 that are in any sense American. Special thanks go to the team of associate bibliographers who have assumed responsibility for the annotation of many of the items listed herein. The Society is very grateful to the following scholars for their invaluable expertise and for their continuing contributions to the journal: Fabian Alfie (The University of Arizona), V. Stanley Benfell (Brigham Young University), Jessica Levenstein (Princeton University), Christian Moevs (The University of Notre Dame), Michael Papio (Holy Cross University), Guy P. Raffa (The University of Texas at Austin), and Lawrence Warner (The University of Pennsylvania). (Their initials follow their abstracts.) Editions Alighieri, Dante. Dante’s Monarchia. Translated with a commentary by Richard Kay. Toronto: Pontifical Institute of Mediaeval Studies, 1998. xliii, 449 p. (Studies and Texts, 131) “Because the Monarchia is deeply rooted in medieval culture, its modern reader requires not only an accurate translation but also extensive explanations. The present work is the first to provide both for English readers. The translation of Dante’s Latin here maintains a balance between technical precision and readability; the commentary guides the nonspecialist through a maze of scholastic arguments and authorities, while for the specialist it confronts the critical cruxes of the work, such as its date and purpose, the author’s apparent Averroism, and what he thought the emperor owed to the pope.” Contents: Preface (ix-xii); List of Abbreviations (xiii- xiv); Introduction (xv-xliii); Dante’s Monarchia: Latin text, English translation, and commentary.
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