DOCSLIB.ORG

With Dante in Modern Florence

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
With Dante in Modern Florence S A DAN B! DEM] OGG OF TH T TUE OF TE, , L IE E U FFI Z I . WITH DA NTE IN MOD ERN FLORENCE MA LA ! B! R! E. C 1 WITH TWENT! -EIGHT ILLUSTRATIONS NEW ! ORK ON COMPA N! E . P . D U TT 31 WEST TWENT! -THIRD STREET L. H m“ LA MIA AMIGA ” m1 8 umAm ’ mi lo o mio m o mre Tu oe estro e lo t I fo ll hmthe fo tin of tb feete o w o g y t th mI e ra h " i h n so mth t er a m That w y e ni g y eete. Bo nus !) Su ns“ . PREFACE ’ ” I m Land of H rt s Desire. ade il rima e to the eo p g g E. Ho r t o n. Un vo n e dans lee lieu o uDante a ve mest y g c ” — Au rknt . nne perp etnelle illustratio nde so npo ene. l 'r must he confessed that there is something slightly disappointing to the Dante lover at first sight in the aspect o f modern Florence. has 0 He journeyed thither as a pilgrim, h ping to discover fo r himself the City that the Poet s so dearly loved and so pa sionately hated, and he is at once confr onted with buildings that f did not exist, at least in their present orm , o f an: in the thirteenth century, with works i u that Dante never saw, and w th streets thro gh which by no possibility he could have passed. a f Spre d out be ore his eyes, and visible to his o c s o f m st a ual glance, lies the Florence the M n f c edicea period, the Florence o the Decaden e, and th e Florence o f United Italy. The City is still so beautiful in spite o f the m any changes PREFACE f re- it has known, that he eels inclined to echo f u the words o the Emperor Charles, q oted by “ Isaac Walton, and say that it is too pleasant " to be looked upon but only on holidays, but no t it is not the City he came to see, the City where the greatest o f Florentines was born. It will take some time to learn that the Florence o f to -day is in reality a palimpsest ; that under the writing o f later scribes lies the original manuscript ; that if he will be at pains to sear ch fo r trac es o f the Divine Poet they may be found, even though six centuries have come and gone since he passed away into exile. The object o f this little book is to help the reader to r e-construct as far as may be the f Florence o Dante , and to gather together whatever is still left in the City that will ' serve to throw light either on the B iatuo ' mmedza o f . Co or on the history the Author In the last chapter an account will be found o f the manner in which Florence Repentant has sought— all too late— to reconcile herself to s the son who, while living, she so ruthles ly f " thrust out into the cold world, that lay uori, beyond his birthplace. MA R! E. LACY. mm1 1 2. 1 ” 3 , 9 CONTENTS I . THE CIT! o r r un Po r t Ta x Dam- mr an o r F RENCE I I. Qu LO I II. THE Praz z a DEL Duo u o . AN MI E E T E B IV On S CH L , H n c n w, AND z V m Pan z o ac c o V. Tux CHURCHES o r r u n Farms s T RT r mT I. DmAND HE A o s n V ur ' ' VII . Fla me: Rs p z N rAN r INDEX LIST OF ILLU STRATIONS - ' ‘ r m STA run o r AN I B av DemL o ms o r THE U r D , , o ' FLORENCE As a n o n SAN MrNi Aro AL MONTE. Cc c x Do wn OS'I’BLLO “ m: Vn u r . IL Po c c o m Po w r mA E RAZ I E R mc mAND AN Vrn o Po s LL G ( v o ), S ' MrmA r Ar. M m o o A'ro Vac c mo Mu c [reu ni n r SAN MxNiA'ro AL Mo m o o CAs: EG I Au mnmAmn R N R o EC ST UCTI N m D L O O 1 91 : ' x rmo n r BAPTI T ! . V E o S ER osr no ANTICO BAP r rsu o ' “ r! o r e r v. IL m h um s n a . AN o o n S GIO VAN!" new : o r Duo uo hu mo r: o r e s't u r A'r PISA n wm , s o o FONT ' mVI I. D r A Po m; Bo u I u S rUt o r cr. uo o mx MA LD o N . ma r o Co uNu ss u A r Tusc A v Mom Cmmc n o r 011 SAN Mrc nu r Ea mn o r o xiv LIST OF ILLUSTRATIONS TORRIONT o r THE GUILD o r W001 . ExTRRIOR o r THE PALAz z O DEL Po po no, WITH THE T mTII V A o o r R ACC PORTRAIT o r DANTII IN Tm: A RLn i r THE B RG o, B o n RR-p AINTINo TRA ITI N RT AIT r D NTR r D O AL PO R o A , B ORCACNA. SANTA MARIA NOVELLA INTRRIOR o r SPANISH CHAPEL. S ANTA MARIA No a LA TunTRIUMPH o r ST. TNOII As AquINAs . SANTA MARIA NOVELLA N N S. I TT . THE RR UNCIATION o r ST. FRA CI G O O SANTA Tm; R EL I B AN UC LAI MADONNA, C MA UE . S TA MARIA NOVEL“ 0 0 o 0 0 O 0 0 0 ' ‘ DRATII o r ST. FRANCIS. GIOTI O. SANTA CROCE “ ” Tux CAMPANILE. ORA IIA GIOTTO IL GRI DO ’ T ns R V N A INTTRIOR o r DANTE S o . A E N D II PAINTING o r DANTE. av O RNIco DI MICHRLINO. DUOMO MONUMENT To DANTE. S ANTA CROCR NATIONAL MONUII TNT To DANTR. PIAz z A SANTA CROCE INTRODU CTION f R m ns Flo re nc e is the daughter o o e and Etruria the So — i me s c in h o rse o f o f Go d having as n so any oth r in tan es t e c u ’ — ’ th dau h er of mn. this world s histo ry wedded e g t s e BEFORE beginning the task set before us it would be well in the first instance to devote our attention to what Dante has to say concerning o f the origin his native City, and then, taking ' ivina mdz D Co me a fo r the guide, make a slight sketch o f her history down to the middle o f the thirteenth century. In no par t o f his writings does the Poet describe in so many words the founding o f ' o nmto Florence, but in the C he speaks o f her as la bellissima e famosissima figlia di Roma — the most beautiful and famous o f the many daughters o f Rome ; and it is evident from other passages in his works that he loved to regard her as an offshoot from the great Mistress o f the Wmorld . This is not to be wondered at when we re ember in what high estimation the writer B INTRODUCTION Co mmedia o f the held Ancient Rome, how he looked upon her as an antitype o f that Eternal City where the earthly head o f the Church o f f d God was a terwards to be enthrone , nay more, that he beheld in her a symbol o f Paradise as— b o f itself. He believed Aene y reason the position he occupied as father o f the Roman — o f people to have been worthy, like St. Paul, a 1 o f special revelation, spoke Heaven as that f “ Rome where Christ Himsel is Roman , and did not hesitate to apply to the Cruc ified f “ “ Saviour the title o Sommo Giove, supreme o f Jove . It is Virgil, the Poet the Empire, who leads him tenderly through the gloomy circles " i o f o f Hell, and the m lder shades Purgatory, never quitting his side, until amid the glories n o f the ear thly Eden, huma understanding gives place to Divine Wisdom, and Beatrice herself appears before his longing eyes. Dante wished with all his heart that primitive Florence had been wholly peopled by colonists o f from the banks the Tiber, but he was obliged was reluctantly to confess that this not so, and that a portion o f her population came to her — from Fiesole, that town which sadly diminished in size and importance— still clings to a hillside ’ n II 1 . i . I f. 3 rtrg r u n. 1 02. a [bid VI. I I s0 TH E MAKING OF FLORENCE t e m s hr e iles to the north o f the pot no w o c c u pied by her great desc endant.
Load more

Recommended publications
  • The Political Persecution of a Poet: a Detail of Dante's Exile
    Parkland College A with Honors Projects Honors Program 2012 The olitP ical Persecution of a Poet: A Detail of Dante's Exile Jason Ader Parkland College Recommended Citation Ader, Jason, "The oP litical Persecution of a Poet: A Detail of Dante's Exile" (2012). A with Honors Projects. 44. http://spark.parkland.edu/ah/44 Open access to this Article is brought to you by Parkland College's institutional repository, SPARK: Scholarship at Parkland. For more information, please contact [email protected]. THE POLITICAL PERSECUTION OF A POET A Detail of Dante's Exile By Jason Ader John Poling History 101 April 2012 Durante degli Alighieri, known throughout the world as simply Dante, was a fourteenth century Italian poet, philosopher, literary theorist, and politician. He is best known for his epic Commedia, which was later dubbed The Divine Comedy. Commedia is generally considered the greatest Italian literary work and a masterpiece of world literature.1 Due to the turbulent political atmosphere of his time and place, Dante spent over a third of his life living in exile. This paper will explore the details of Dante's exile and the influence that it had upon his work. Dante was born in Florence around 1265 to an aristocratic family of moderate wealth and status. Dante's father was a notary, and Dante was the only child of his father's first marriage. Dante's mother died when he was about thirteen years old. His father then remarried and his second wife bore another son and two daughters before he too died when Dante was about eighteen.2 It is thought that at around six years of age Dante entered school.
    [Show full text]
  • Trastevere a Porte Aperte
    Trastevere a Porte Aperte 1 ____________________________________________________________________________________________________ Turismo Culturale Italiano prenotazioni +39.06.4542.1063 [email protected] informazioni www.turismoculturale.org Trastevere a Porte Aperte TRASTEVERE A PORTE APERTE 2 3 / 30 APRILE 2018 – I EDIZIONE Turismo Culturale Italiano ha programmato la I Edizione di questa iniziativa che si svolgerà a Roma dal 3 al 30 aprile. Questo nuovo evento, che si affianca alle precedenti edizioni di Palazzi e Ville di Roma a Porte Aperte, prevede l’apertura di chiese, palazzi, ville e giardini dello storico quartiere di Trastevere, tra i più popolari e intriganti rioni di Roma che conserva ancora oggi angoli e scorci intatti. Il programma si articola in un ricco programma di visite guidate in luoghi capaci di raccontare la storia del rione: dagli antichi sotterranei di Santa Cecilia a quelli di San Pasquale Baylonne, dalle piccole chiese romaniche di San Benedetto in Piscinula o Santa Maria in Cappella agli splendori berniniani in San Giacomo alla Lungara, dall’antica Farmacia di Santa Maria della Scala alla villa Aurelia Farnese, dalle architetture settecentesche dell’ex carcere nel complesso di San Michele a Ripa Grande fino al capolavoro di Moretti della ex-GIL. In programma anche una serie di passeggiate e itinerari urbani tra le caratteristiche vie, piazze e vicoli volte alla scoperta di aneddoti, curiosità, aspetti insoliti e poco conosciuti del popolare rione. Trastevere è pronta a svelare i suoi tesori. Vi aspettiamo!
    [Show full text]
  • 039-San Pancrazio.Pages
    (39/20) San Pancrazio San Pancrazio is a 7th century minor basilica and parish and titular church, just west of Trastevere. This is in the suburb of Monteverde Vecchio, part of the Gianicolense quarter. The church is up a driveway from the road, and is surrounded by the park of the Villa Doria Pamphilj. The dedication is to St Pancras. History The basilica is on the site of the tomb of St Pancras, an early 4th century martyr. Unfortunately his legend is unreliable, but his veneration is in evidence from early times. The revised Roman martyrology carefully states in its entry for 12 May: "St Pancras, martyr and young man who by tradition died at the second milestone on the Via Aurelia". The actual location is on the present Via Vitellia, which is possibly an ancient road in its own right. The legend alleges that the body of the martyr was interred by a pious woman called Octavilla. This detail is thought to preserve the name of the proprietor of the cemetery in which the martyr was buried, which as a result is also called the Catacombe di Ottavilla. The re-laying of the church's floor in 1934 revealed some of the original surface cemetery (cimitero all'aperto), which began as a pagan burial ground in the 1st century. Three columbaria or "gardens of remembrance" for funerary ashes were found. This cemetery around the saint's tomb was extended as a Christian catacomb beginning at the start of the 4th century, with four separate identifiable foci. The earliest area seems to be contemporary with his martyrdom.
    [Show full text]
  • Falda's Map As a Work Of
    The Art Bulletin ISSN: 0004-3079 (Print) 1559-6478 (Online) Journal homepage: https://www.tandfonline.com/loi/rcab20 Falda’s Map as a Work of Art Sarah McPhee To cite this article: Sarah McPhee (2019) Falda’s Map as a Work of Art, The Art Bulletin, 101:2, 7-28, DOI: 10.1080/00043079.2019.1527632 To link to this article: https://doi.org/10.1080/00043079.2019.1527632 Published online: 20 May 2019. Submit your article to this journal Article views: 79 View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=rcab20 Falda’s Map as a Work of Art sarah mcphee In The Anatomy of Melancholy, first published in the 1620s, the Oxford don Robert Burton remarks on the pleasure of maps: Methinks it would please any man to look upon a geographical map, . to behold, as it were, all the remote provinces, towns, cities of the world, and never to go forth of the limits of his study, to measure by the scale and compass their extent, distance, examine their site. .1 In the seventeenth century large and elaborate ornamental maps adorned the walls of country houses, princely galleries, and scholars’ studies. Burton’s words invoke the gallery of maps Pope Alexander VII assembled in Castel Gandolfo outside Rome in 1665 and animate Sutton Nicholls’s ink-and-wash drawing of Samuel Pepys’s library in London in 1693 (Fig. 1).2 There, in a room lined with bookcases and portraits, a map stands out, mounted on canvas and sus- pended from two cords; it is Giovanni Battista Falda’s view of Rome, published in 1676.
    [Show full text]
  • Dante's Political Life
    Bibliotheca Dantesca: Journal of Dante Studies Volume 3 Article 1 2020 Dante's Political Life Guy P. Raffa University of Texas at Austin, [email protected] Follow this and additional works at: https://repository.upenn.edu/bibdant Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons, Italian Language and Literature Commons, and the Medieval History Commons Recommended Citation Raffa, Guy P. (2020) "Dante's Political Life," Bibliotheca Dantesca: Journal of Dante Studies: Vol. 3 , Article 1. Available at: https://repository.upenn.edu/bibdant/vol3/iss1/1 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/bibdant/vol3/iss1/1 For more information, please contact [email protected]. Raffa: Dante's Political Life Bibliotheca Dantesca, 3 (2020): 1-25 DANTE’S POLITICAL LIFE GUY P. RAFFA, The University of Texas at Austin The approach of the seven-hundredth anniversary of Dante’s death is a propi- tious time to recall the events that drove him from his native Florence and marked his life in various Italian cities before he found his final refuge in Ra- venna, where he died and was buried in 1321. Drawing on early chronicles and biographies, modern historical research and biographical criticism, and the poet’s own writings, I construct this narrative of “Dante’s Political Life” for the milestone commemoration of his death. The poet’s politically-motivated exile, this biographical essay shows, was destined to become one of the world’s most fortunate misfortunes. Keywords: Dante, Exile, Florence, Biography The proliferation of biographical and historical scholarship on Dante in recent years, after a relative paucity of such work through much of the twentieth century, prompted a welcome cluster of re- flections on this critical genre in a recent volume of Dante Studies.
    [Show full text]
  • Indipendenza
    ItinerariItinerari PIAZZE FFIRENZEIRENZE e 17th may 2009 nell’nell’800 MUSICA Piazza dell’Indipendenza The 19th Century Florence itineraries: Squares and Music ThTTheh brass band of the Scuola Marescialli e Brigadieri deddeie Carabinieri is one of the fi ve Carabinieri bands whwwhoseh origin lies in the buglers of the various Legions TheTh 19th19th CenturyC t FlorenceFl ititinerariesi i – 17th1717 h may 2009200009 of the Carabinieri, from which the fi rst bands were designed signifi cantly to coincide with Piazza later formed with brass and percussion instruments. the150th anniversary of the unifi cation of dell’Indipendenza, Today the Brass Band – based in Florence at the Tuscany to the newly born unifi ed state (1859 11.00 am-12.30 am School with the same name – is a small band with – 2009) – will take citizens and tourists on the a varied repertoire (symphonies, operas, fi lm sound discovery of the traces of a Century that left a Fanfara (Brass tracks as well as blues and jazz), especially trained for profound impression on the face of Florence. band) of the its main activity: the performance of ceremonies with The idea is to restore the role of 19th Century Scuola Marescialli assemblies and marches typical of military music. The band wears the so-called Grande Uniforme Speciale, a Florence within the collective imagination, e Brigadieri alongside the Florence of Medieval and very special uniform with its typical hat known as the Renaissance times. This is why one of the dell’Arma dei “lucerna” (cocked hat) and the red and white plume Carabinieri that sets it apart from the musicians of other units of Century’s typical customs will be renewed: the Carabinieri (red-blue plume).
    [Show full text]
  • AMERICAN ACADEMY in ROME PRESENTS the SCHAROUN ENSEMBLE CONCERT SERIES 14-16 JANUARY 2011 at VILLA AURELIA Exclusive Concert
    FOR IMMEDIATE RELEASE January 11, 2011 AMERICAN ACADEMY IN ROME PRESENTS THE SCHAROUN ENSEMBLE CONCERT SERIES 14-16 JANUARY 2011 AT VILLA AURELIA Exclusive Concert Dates in Italy for the Scharoun Ensemble Berlin Courtesy of the Scharoun Ensemble Berlin Rome – The American Academy in Rome is pleased to present a series of three concerts by one of Germany’s most distinguished chamber music ensembles, the Scharoun Ensemble Berlin. Comprised of members of the Berlin Philharmonic Orchestra, the Scharoun Ensemble Berlin specializes in a repertoire of Classical, Romantic, 20th century Modernist, and contemporary music. 2011 marks the third year of collaboration between the Ensemble and the American Academy in Rome, which includes performances of work by current Academy Fellows in Musical Composition Huck Hodge and Paul Rudy, as well as 2009 Academy Fellow Keeril Makan. Featuring soprano Rinnat Moriah, the Ensemble will also perform music by Ludwig van Beethoven, John Dowland, Antonin Dvořák, Sofia Gubaidulina, Heinz Holliger, Luca Mosca, and Stefan Wolpe. The concerts are free to the public and will take place at the Academy’s Villa Aurelia from 14-16 January 2011. Event: Scharoun Ensemble Berlin (preliminary program*) 14 January at 9pm – Ludwig van Beethoven, John Dowland, Huck Hodge, and Stefan Wolpe 15 January at 9pm – Sofia Gubaidulina, Huck Hodge, Heinz Holliger and Keeril Makan 16 January at 11am – Antonin Dvořák, Luca Mosca, and Paul Rudy *subject to change Location: Villa Aurelia, American Academy in Rome Largo di Porta San Pancrazio, 1 Scharoun Ensemble Berlin The Scharoun Ensemble Berlin was founded in 1983 by members of the Berlin Philharmonic Orchestra.
    [Show full text]
  • The Chronicle of Dino Compagni / Translated by Else C. M. Benecke
    #m hbl.stx DG 737.2.C613 le i?mnP/!f? of Dino Compagni / 3 1153 0DSMS117 t, % n WRITTEN •T$' FIRST PRINTED • IN • 1726- PLEASE NOTE It has been necessary to replace some of the original pages in this book with photocopy reproductions because of damage or mistreatment by a previous user. Replacement of damaged materials is both expensive and time-consuming. Please handle this volume with care so that information will not be lost to future readers. Thank you for helping to preserve the University's research collections. THE TEMPLE CLASSICS THE CHRONICLE OF DINO COMPAGNI Digitized'by the Internet Archive in 2010 with funding from Boston Library Consortium Member Libraries http://www.archive.org/details/chronicleofdinocOOcomp mmyi CHRPNICE 92DINO COMPAGNI TRANSITED ^ELSE CM. BENECKE S§ FERRERS HOWELL MDCCCCVI PUBL15H6D- BY-^M D6NT- •AMP-CO : ALDlNe-HOUSe-LOMDON-W-O PRELIMINARY NOTE vii PRELIMINARY NOTE Though Dino Compagni calls his work a Chronicle, it is not (like Giovanni Villani's, for example) a Chronicle in the sense in which the term is now used to express a particular kind of narration dis- " tinguished from a history ; the terms " chronicle and "history" being in Dino's time interchange- able. Dino's book is in form the history of a particular fact, namely, the division of the Guelf party in Florence into the White and the Black Guelfs, with its attendant circumstances, its causes, and its results : but under this form is unfolded at the same time the history of the steps by which the wealthy traders of Florence (jfropolani, popolani grassi, and collectively popolo grasso) organised in the greater guilds (see Appendix II.) acquired and retained the control of the machinery of govern- ment in the city and its outlying territory (contado), excluding (practically) from all participation therein on the one hand the Magnates (i.e.
    [Show full text]
  • Download a Pdf File of This Issue for Free
    Issue 70: Dante's Guide to Heaven and Hell Dante and the Divine Comedy: Did You Know? What a famous painting suggests about Dante's life, legend, and legacy. Big Man in the Cosmos A giant in the world of which he wrote, laurel-crowned Dante stands holding his Divine Comedy open to the first lines: "Midway this way of life we're bound upon, / I woke to find myself in a dark wood, / Where the right road was wholly lost and gone." Of course, his copy reads in Italian. Dante was the first major writer in Christendom to pen lofty literature in everyday language rather than in formal Latin. Coming 'Round the Mountain Behind Dante sits multi-tiered Mount Purgatory. An angel guards the gate, which stands atop three steps: white marble for confession, cracked black stone for contrition, and red porphyry for Christ's blood sacrifice. With his sword, the angel marks each penitent's forehead with seven p's (from Latin peccatum, "sin") for the Seven Deadly Sins. When these wounds are washed away by penance, the soul may enter earthly paradise at the mountain's summit. Starry Heights In Paradiso, the third section of the Comedy, Dante visits the planets and constellations where blessed souls dwell. The celestial spheres look vague in this painting, but Dante had great interest in astronomy. One of his astronomical references still puzzles scholars. He notes "four stars, the same / The first men saw, and since, no living eye" (Purgatorio, I.23-24), apparently in reference to the Southern Cross. But that constellation was last visible at Dante's latitude (thanks to the earth's wobbly axis) in 3000 B.C., and no one else wrote about it in Europe until after Amerigo Vespucci's voyage in 1501.
    [Show full text]
  • Italian Poet, Born at Florence, 1265; Died at Ravenna, Italy, 14 September, 1321
    “Dante Alighieri” Catholic Encyclopedia Italian poet, born at Florence, 1265; died at Ravenna, Italy, 14 September, 1321. His own statement in the "Paradiso" (xxii, 112-117) that he was born when the sun was in Gemini, fixes his birthday between 18 May and 17 June. He was the son of Alighiero di Bellincione Alighieri, a notary belonging to an ancient but decadent Guelph family, by his first wife, Bella, who was possibly a daughter of Durante di Scolaio Abati, a Ghibelline noble. A few months after the poet's birth, the victory of Charles of Anjou over King Manfred at Benevento (26 February, 1266) ended the power of the empire in Italy, placed a French dynasty upon the throne of Naples, and secured the predominance of the Guelphs in Tuscany. Dante thus grew up amidst the triumphs of the Florentine democracy, in which he took some share fighting in the front rank of the Guelph cavalry at the battle of Campaldino (11 June, 1289), when the Tuscan Ghibellines were defeated by the forces of the Guelph league, of which Florence was the head. This victory was followed by a reformation of the Florentine constitution, associated with the name of Giano della Bella, a great-hearted noble who had joined the people. By the Ordinances of Justice (1293) all nobles and magnates were more strictly excluded from the government, and subjected to severe penalties for offences against plebeians. To take any part in public life, it was necessary to be enrolled in one or other of the "Arts" (the guilds in which the burghers and artisans were banded together), and accordingly Dante matriculated in the guild of physicians and apothecaries.
    [Show full text]
  • 50Th Anniversary Guest Instructions
    50th Anniversary Guest Instructions Welcome to the ICCS’s 50th Anniversary Celebration! Below are instructions for your tours and the gala dinner. Please see our staff and volunteers, if you have any questions. Tours Bring hats, water bottles, and sunscreen for all outdoor tours. The reverse side of your name badge lists the tours for which you are registered. Your name badge will serve as your ticket for all tours. We will also have lists of guests for each tour at each site. Check in with the tour leader at each site when you arrive. You may not switch tours. Tours will begin promptly at the times specified below. If you need to leave a tour early, you may do so. If you are on a bus or boat tour, please inform the tour leader before you go. City bus tickets may be purchased at tobacco and newspaper shops. Saturday Tours Below are the meeting times and places for all the Saturday tours: Archaeo-Culinary Tour: 9:00 Meet at the Piazza Testaccio fountain. Children’s Tour of the Capitoline Museums 9:30 Meet at Piazza del Campidoglio near the statue of Marcus Aurelius. Grown-ups Tour of the Sculpture Galleries, Capitoline Museums 9:30 Meet at Piazza del Campidoglio near the statue of Marcus Aurelius. Non-Catholic Cemetery Tour 10:00 Meet at the entrance of the Cemetery on Via Caio Cestio, 6. Near the Pyramid. Pantheon Tour: 10:00 Meet at the corner of Via Pantheon and Via Orfani in P.zza della Rotonda. Villa Doria Pamphili Tour: 9:00 Meet at the Centro.
    [Show full text]
  • Di Piero Gualtieri
    Oltre Bianchi e Neri. I rapporti fra Pistoia e Firenze negli anni della vita politica di Dante di Piero Gualtieri Reti Medievali Rivista, 18, 1 (2017) <http://www.retimedievali.it> Dante attraverso i documenti. II. Presupposti e contesti dell’impegno politico a Firenze (1295-1302) a cura di Giuliano Milani e Antonio Montefusco Firenze University Press Reti Medievali Rivista, 18, 1 (2017) <http://rivista.retimedievali.it> ISSN 1593-2214 © 2017 Firenze University Press DOI 10.6092/1593-2214/5151 Dante attraverso i documenti. II. Presupposti e contesti dell’impegno politico a Firenze (1295-1302) a cura di Giuliano Milani e Antonio Montefusco Oltre Bianchi e Neri. I rapporti fra Pistoia e Firenze negli anni della vita politica di Dante di Piero Gualtieri Il rapporto fra Firenze e Pistoia alla fine del Duecento fu un rapporto profondo e complesso, che trovò diretta eco nella vita e nelle opere di Dante. Il contributo intende analizzare, dal punto di vista pistoiese, i principali ambiti di interazione (sociali e familiari, economici, istituzionali) fra i due contesti cittadini negli anni dell’impegno politico di Dante, evidenziando le reciproche in- fluenze e l’impatto che esse ebbero sulle vicende di entrambe al di là dell’importazione a Firenze del conflitto fra Bianchi e Neri. The relationship between Florence and Pistoia at the end of the Thirteenth century was a deep and complex one, and it had a direct impact on the life and the works of Dante. The paper aims at analysing from a Pistoian perspective the social, familiar, economic and institutional con- nections between the two cities in the years of Dante’s political engagement.
    [Show full text]