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Opera Olimpiade
OPERA OLIMPIADE Pietro Metastasio’s L’Olimpiade, presented in concert with music penned by sixteen of the Olympian composers of the 18th century VENICE BAROQUE ORCHESTRA Andrea Marcon, conductor Romina Basso Megacle Franziska Gottwald Licida Karina Gauvin Argene Ruth Rosique Aristea Carlo Allemano Clistene Nicholas Spanos Aminta Semi-staged by Nicolas Musin SUMMARY Although the Olympic games are indelibly linked with Greece, Italy was progenitor of the Olympic operas, spawning a musical legacy that continues to resound in opera houses and concert halls today. Soon after 1733, when the great Roman poet Pietro Metastasio witnessed the premiere of his libretto L’Olimpiade in Vienna, a procession of more than 50 composers began to set to music this tale of friendship, loyalty and passion. In the course of the 18th century, theaters across Europe commissioned operas from the Olympian composers of the day, and performances were acclaimed in the royal courts and public opera houses from Rome to Moscow, from Prague to London. Pieto Metastasio In counterpoint to the 2012 Olympic games, Opera Olimpiade has been created to explore and celebrate the diversity of musical expression inspired by this story of the ancient games. Research in Europe and the United States yielded L’Olimpiade manuscripts by many composers, providing the opportunity to extract the finest arias and present Metastasio’s drama through an array of great musical minds of the century. Andrea Marcon will conduct the Venice Baroque Orchestra and a cast of six virtuosi singers—dare we say of Olympic quality—in concert performances of the complete libretto, a succession of 25 spectacular arias and choruses set to music by 16 Title page of David Perez’s L’Olimpiade, premiered in Lisbon in 1753 composers: Caldara, Vivaldi, Pergolesi, Leo, Galuppi, Perez, Hasse, Traetta, Jommelli, Piccinni, Gassmann, Mysliveek, Sarti, Cherubini, Cimarosa, and Paisiello. -
9914396.PDF (12.18Mb)
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter fece, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely afreet reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, b^inning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back o f the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Ifigher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Infonnaticn Compare 300 North Zeeb Road, Aim Arbor NO 48106-1346 USA 313/761-4700 800/521-0600 NOTE TO USERS The original manuscript received by UMI contains pages with indistinct print. Pages were microfilmed as received. This reproduction is the best copy available UMI THE UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE A CONDUCTOR’S GUIDE TO THREE SACRED CHORAL/ ORCHESTRAL WORKS BY ANTONIO CALDARA: Magnificat in C. -
"Lucca Città Della Musica" Di Sara Matteucci
SARA MATTEUCCI Lions Club Lucca Host CLuccaITTÀ DELLA MUSICA Questo volume è un’espressione del progetto “Lucca città della musica” che il Lions Club Lucca Host sta portando avanti negli ultimi anni al fine di far entrare Lucca fra le città UNESCO creative della musica. Il Comitato Cultura del Lions Club Lucca Host, presieduto da Leonardo Odoguardi e com- posto da Riccardo Benvenuti, Michele Bianchi, Francesco Cipriano, Giuliano Marchetti, Cristiano Meossi, Enrico Ragghianti, Antonio Sargenti, è stato supportato dai presidenti del Club Umberto Stefani, Adalberto Saviozzi, Maria Carla Giambastiani e dai soci Cesare Rocchi, Gualberto Del Roso. Si ringraziano tutti coloro che hanno collaborato alla realizzazione di questa pubblicazione ed in particolare l’autrice del lavoro Sara Matteucci e Manifatture Sigaro Toscano. SARA MATTEUCCI CLuccaITTÀ DELLA MUSICA Lions Club Lucca Host Si ringrazia per il contributo CLuccaITTÀ DELLA MUSICA Referenze fotografiche Foto Ghilardi, Lucca; Foto Arnaldo Fazzi, Archivio Maria Pacini Fazzi Editore © Copyright 2010: Lions Club Lucca Host Cura grafica e impaginazione Gabriele Moriconi per Maria Pacini Fazzi Editore, Lucca www.pacinifazzi.it ISBN 978-88-6550-026-2 Lions Club Lucca Host Negli Scopi del lionismo è previsto di «prendere attivo interesse al bene civico, culturale, sociale e mo- rale della comunità», mentre nel Codice dell’etica lionistica si chiede di «dimostrare con l’eccellenza delle opere e la solerzia del lavoro, la serietà della vocazione al servizio». Questo desiderio di incidere positiva- mente nel tessuto cittadino è stato ed è una vocazione congenita al Lions Club Lucca Host. Dalla sua istituzione nel 1955, esso si è impegnato per la valorizzazione del patrimonio culturale ed artistico di una città dalla lunga storia. -
Antonio Caldara
Portus Felicitatis Johann Georg Reutter (1708-1772) MOTETS AND ARIAS FOR THE PANTALEON MOTETTEN UND ARIEN FÜR DAS PANTALEON MOTETS ET ARIAS POUR LE PANTALÉON 1. Aria Venga l'età vetusta 6:59 (from the FESTA DI CAMERA PER MUSICA La magnanimità di Alessandro, 1729) 2. Mottetto de ominibus Sanctis Justorum animae in manu Dei sunt (1732) 5:34 3. Pizzicato 5:29 4. Aria Dura legge a chi t'adora 7:20 (from the FESTA TEATRALE Archidamia, 1727) 5. Allegro 3:20 6. Mottetto de quovis Sancto vel Sancta Hodie in ecclesia sanctorum (1753?) 7:37 7. Mottetto de Sancto Wenceslau Wenceslaum Sanctissimum (1752?) 5:09 8. Aria Del pari infeconda 6:42 (from the AZIONE SACRA La Betulia liberata, 1734) 9. Mottetto de Resurrectione Domini Surrexit Pastor bonus (1748?) 8:13 10. Mottetto de Sanctissima Trinitate Deus Pater paraclytus (1744?) 6:21 11. Aria Soletto al mio caro 6:45 (from the DRAMMA PER MUSICA Alcide trasformato in dio, 1729) TOTAL 69:36 4 Monika Mauch soprano Stanislava Jirků alto La Gioia Armonica Meret Lüthi violin Sabine Stoffer violin Lucile Chionchini viola Felix Knecht cello Armin Bereuter violone Margit Übellacker dulcimer Michael Freimuth archlute, theorbo Jürgen Banholzer organ, direction 5 Th e ensemble La Gioia Armonica was founded by Austrian dulcimer-player Margit Übellacker and German or- ganist and singer Jürgen Banholzer. One of the ensemble's objectives is to explore the baroque repertoire for dulcimer, in particular in connection with the legendary pantaleon. Th e size of the group varies from dulcimer-organ duet to large chamber-music settings. -
Luca Antonio Predieri
Masarykova univerzita Filozofická fakulta Ústav hudební vědy Hudební věda Iva Bittová Luca Antonio Predieri: Missa in C Sacratissimi Corporis Christi Magisterská diplomová práce Vedoucí práce: doc. PhDr. Jana Perutková, Ph.D. 2017 Prohlašuji, že jsem práci vypracovala samostatně a pouze s využitím uvedených pramenů a literatury. ...................................... OBSAH PŘEDMLUVA ....................................................................................................................................................... 4 ÚVOD ..................................................................................................................................................................... 5 1 STAV BÁDÁNÍ .............................................................................................................................................. 6 2 LUCA ANTONIO PREDIERI .................................................................................................................... 12 2.1 ŽIVOTOPIS .............................................................................................................................................. 12 2.2 PŘEHLED DÍLA ........................................................................................................................................ 16 3 EDICE PRAMENE MISSA IN C SACRATISSIMI CORPORIS CHRISTI ......................................... 19 3.1 POPIS PRAMENE ..................................................................................................................................... -
Andreas Ottensamer: Der Seelenbohrer Schätze Für Die Nackte Den Plattenschrank 57 Gulasch-Kanone 22 Boulevard: Tianwa Yang: Bunte Klassik 58 25.07
Das Klassik & Jazz Magazin 2/2015 HILLE PERL Unter Strom Bryan Hymel und Piotr Beczała: Zeit für Helden Frank Peter Zimmermann: Feilen am perfekten Klang François Leleux: Seelenbohrer Pierre Boulez: Maître der Moderne Immer samstags aktuell www.rondomagazin.de Foto: Rankin Foto: Foto: Shervin Lainez Foto: 7. bis 16. maiSchirmherr: Oberbürgermeister 2015 Jürgen Nimptsch Nigel Kennedy Lizz Wright Foto: Ferrigato Foto: Foto: Stephen Freiheit Stephen Foto: onn www.jazzfest-bonn.de zfest Marilyn Mazur Wolfgang Muthspiel b Karten an allen Do 7.5. Post Tower Mo 11.5. Brotfabrik VVK-Stellen Pat Martino Trio Peter Evans – Zebulon Trio z und unter www.bonnticket.de Ulita Knaus Hanno Busch Trio Fr 8.5. LVR-LandesMuseum Bonn Di 12.5. Haus der Geschichte Anke Helfrich Trio Wolfgang Muthspiel Trio Norbert Gottschalk Quintett Efrat Alony Trio Sa 9.5. Universität Bonn Mi 13.5. Bundeskunsthalle ja Lizz Wright Marilyn Mazur‘s Celestial Circle Stefan Schultze – Large Ensemble Frederik Köster – Die Verwandlung So 10.5. Volksbank-Haus Do 14.5. Beethoven-Haus Bonn Michael Schiefel & David Friedman Enrico Rava meets Michael Heupel Gianluca Petrella & Giovanni Guidi Julia Kadel Trio Fr 15.5. Bundeskunsthalle Franco Ambrosetti Sextet feat. Terri Lyne Carrington, Greg Osby, Buster Williams WDR Big Band & Erik Truffaz Sa 16.5. Telekom Forum Nigel Kennedy plays Jimi Hendrix Rebecca Treschers Ensemble 11 Fotos: Johannes Gontarski; Dario Acosta/Warner Classics; Georg Thum/Sony; Lars Borges/Mercury Calssics; Friedrun Reinhold Calssics; Friedrun Borges/Mercury Dario Thum/Sony; Acosta/Warner Lars Johannes Gontarski; Classics; Georg Fotos: 2 Rondo.indd 1 09.02.15 15:26 Lust auf Themen Musikstadt: St. -
Antonio Vivaldi I La Cantata
PROJECTE FINAL La Cantata a Europa a l’entorn del segle XVIII Música da camera italiana del Barroc tardà Estudiant: Anna Valls i Puig Àmbit/Modalitat: Música antiga / cant històric Director: Lambert Climent Curs: 2012-2013 Vistiplau del Membres del tribunal: director: 1. Lambert Climent 2. Emilio Moreno 3. Albert Romaní AGRAÏMENTS A la Maria Dolors Puig i en Joan Valls, els meus estimats pares, per decidir de donar-me la millor herència, la meva educació. A la meva àvia i al meu avi, Francesca Torrellas i Francesc Puig, per ser un exemple de superació personal. Al Manuel Cabero, per dir-me un dia “nena, a tu no t’agradaria cantar?” A l’Elisenda Cabero, per “picar pedra” i creure en mi. Al Lambert Climent, per aquella frase “tu vols estudiar amb mi, jo et faré lloc” i per la seva gran disponibilitat i generositat docent. A l’Albert Romaní, per ensenyar-me tantes coses amb poques paraules. Al Raúl Coré, un gran bibliotecari, un gran musicòleg, un gran cantant i per sobre de tot, un gran amic. Al Genís Riba, un savi amic. Afortunats aquells que el tinguin al voltant. Al Pedro Beriso, per dedicar-me generosament el seu temps. A la Kathy Leidig, la Marta Carreton i la Belén Doménech, una germana nord americana, una basca i una valenciana sempre disposades a ajudar-me “més”. Als instrumentistes i amics que m’han regalat, generosament, el seu temps i professionalitat acompanyant-me en aquest projecte: Kathy Leidig, Amie Weiss, Leticia Moros, Melodie Roig, Daniel Ramírez, Dimitri Kindynis i Ariadna Cabiró. -
Konzert Programm 2020−21 Schinkelsaal & Gartensaal Im Gesellschaftshaus Am Klosterbergegarten Allgemeines Allgemeines
GESELLSCHAFTSHAUS-MAGDEBURG.DE KONZERT PROGRAMM 2020−21 SCHINKELSAAL & GARTENSAAL IM GESELLSCHAFTSHAUS AM KLOSTERBERGEGARTEN ALLGEMEINES ALLGEMEINES KLAVIERMUSIK Editorial 2 IM SCHINKEL- UND GARTENSAAL Sa 19.09.20 FiktionundAbstraktion 27 Sa23.01.21Roots 28 KAMMERMUSIK Sa24.04.21 Solorezital 30 IM SCHINKEL- UND GARTENSAAL Sa12.06.21 Musikbewegt 30 Sa 12.09.20 JosephJoachimundClaraSchumann 4 Sa 17.10.20 AusderNeuenWelt 7 Sa14.11.20AgeofPassion 8 MUSIK AM NACHMITTAG Sa 09.01.21 CircusundRegen 9 IM GARTENSAAL Sa27.02.21 Klangrausch 11 So 01.11.20 RosyundUrsula–DieÜberlebenden 32 Sa20.03.21 ClairdeLune 13 So 17.01.21 Neujahrskonzert 33 Sa 10.04.21 Quartetconcertant 14 So 28.03.21 Frangis–DieSeidenweberin 36 Sa 29.05.21 DieWahrheitunddasLeben 16 So 09.05.21 Liana–DieKosmopolitin 38 SONNTAGSMUSIK FÜR JUNGE HÖRER IM SCHINKELSAAL IM GESELLSCHAFTSHAUS So06.09.20 570.Zuviert… 18 So 27.09.20 FrauGerburgverkauftdenJazz 39 So 04.10.20 571.QuerdurchEuropa 19 Mi 21.10.20 KarnevalderTiere 40 So01.11.20 572.Zudritt… 20 Mi 10.02.21 DieBremerStadtmusikanten 41 So 06.12.20 573.ZuAdventundWeihnachten 21 Mi31.03.21 DerfalscheTon 42 So 03.01.21 574.Zuzweit… 21 So 18.04.21 TrioMeetsVoice 43 So 07.02.21 575.Ausgezeichnet! 22 Mi19.05.21Amadeus 44 So 07.03.21 576.Seigetreu…! 23 So 11.04.21 577.GambeundFagott 24 VERANSTALTUNGSKALENDER 45 KARTENSERVICE 56 ABONNEMENTBEDINGUNGEN 58 PREISE 59 IMPRESSUM 60 1 1 ALLGEMEINESEDITORIAL ALLGEMEINESEDITORIAL Liebe Musikfreunde, zwei Jubiläen können in der neuen Konzertsaison in unserem Haus Spieler dieses wundervollen Instruments werden sich im Gesell- gefeiert werden! Am 14. Oktober 2005 wurde das Gesellschaftshaus schaftshaus die „Klinke in die Hand geben“ – so u.a. -
Cangianze: the Deception of Baroque
CANGIANZE: THE DECEPTION OF BAROQUE A JOURNEY INTO THE MODERNITY OF BAROQUE Teatro Caio Melisso Spazio Carla Fendi Sunday, july 10 at 19.30 CANGIANZE: THE DECEPTION OF BAROQUE Created specifically for the fifth edition of the Carla Fendi Foundation Award, a performance combining contemporary arts with the baroque. Three different moments of choir, dance and bel canto. The vocal talent of the Pueri Cantores of the Sistine Chapel. Representing the young, propelling soul and real jewel in the crown of the entire choir, the Pueri Cantores maintain alive a tradition which, albeit with various interruptions, has been around for 15 centuries, contributing to giving value to a musical heritage which is one-of-a-kind. In this performance the choirmeets the words of the poet GIUSEPPE MANFRIDI; on music by SAMUEL BARBER. The versatility of great soloists who “deceive” through unexpected appearances. The Escuela Nacional de Ballet di Cuba: the best European and American academic traditionscombined with the vitality and musicality typical of La Isla Grande; juxtaposed to the baroque music of GIAN BATTISTA LULLY. A voice without boundaries and limitations. The timeless talent of the countertenor Max Emanuele Cenčic, one of the most important figures responsible for rediscovering music from the XVIII century; accompanied by the baroque ensemble IL POMO D’ORO. Cangianze : like the mutation and contemporary rewriting of Baroque Theatre, or of “the deception.” PUERI CANTORES OF THE SISTINE CHAPEL The Pueri Cantores of the Sistine Chapel make up the section of white voices of the Pontifical Musical Choir. Representing the young, propelling soul and real jewel in the crown of the entire choir, and required to carry out musical studies for five intense years, the Pueri Cantores maintain alive a tradition which, albeit with various interruptions, has been around for 15 centuries, contributing to giving value to a one-of-a-kind musical heritage. -
Masterclasses 2021 Will Select the Number of Participants in the Masterclasses Will Be Around 15 Participants Who Will Form the European Limited to 7 Per Class
European Hanseatic Ensemble Application Theteachersofthemasterclasses2021willselect The number of participants in the masterclasses will be around 15 participants who will form the European limited to 7 per class. In the event that there are more Hanseatic Ensemble and will tour hanseatic cities in applicants than available places, selection will be determined thesummerof2022undertheartisticdirectionof upon evaluation of the provided audio material. Manfred Cordes. For those who will participate in the Application deadline: April 30th 2021 concerts, the course fee will be refunded and a daily INTERNATIONAL rate will be payed for rehearsal and concert days. The online application form and information about Resulting travel and accommodation expenses will transfer of the audio files (not exceeding 15 minutes in MASTERCLASSES be covered as well. total) is available on our website www.hanseatic-ensemble.eu/en/masterclasses 2021 Thespecificconcertprogrammefor2022willbe adapted to the structure of the ensemble, thus will All applicants will be informed about possible Soloandensemblemusicaround1600 be developed after the selection of the ensemble participationbyJune15th2021atthelatest.Ifyouare members. The goal is a balanced distribution of selected, we kindly request that you pay the course fee of September 20th - 23rd 2021 singers, string, wind and continuo players which will 150€byJuly15th2021. allow for the performance of multi-choral works. in Lübeck We have booked budget accommodation for you in Lübeck (DJH Youth hostel), however costs for travel, Ulrike Hofbauer · Voice accommodation (youth hostel, hotel, etc.) and meals are Jan Van Elsacker · Voice to be absorbed by the participants. -
The Chalumeau in Eighteenth-Century Vienna: Works for Soprano and Soprano Chalumeau Elizabeth Crawford
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2008 The Chalumeau in Eighteenth-Century Vienna: Works for Soprano and Soprano Chalumeau Elizabeth Crawford Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC THE CHALUMEAU IN EIGHTEENTH - CENTURY VIENNA: WORKS FOR SOPRANO AND SOPRANO CHALUMEAU By ELIZABETH CRAWFORD A Treatise submitted to the College of Music In partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded: Spring Semester, 2008 The members of the Committee approve the treatise of Elizabeth Crawford defended on March 17, 2008. ________________________________ Frank Kowalsky Professor Directing Treatise ________________________________ James Mathes Outside Committee Member ________________________________ Jeff Keesecker Committee Member ________________________________ John Parks Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii Dedicated to my mother and to the memory of my father. iii ACKNOWLEDGEMENTS I would like to thank the members of my committee – Dr. Frank Kowalsky, Professor Jeff Keesecker, Dr. Jim Mathes, and Dr. John Parks – for their time and guidance. Thanks also to the staff of the Österreichische Nationalbibliothek for their assistance and to Eric Hoeprich for his insight and patience. iv TABLE OF CONTENTS List of Musical Examples . vi Preface . vii Chapter 1 – The Chalumeau . 1 Chapter 2 – Italian Influence in Vienna . 8 Chapter 3 – Musical Life at Court . 13 Chapter 4 – Giovanni Bononcini (1670-1747) . 17 Chapter 5 – Joseph I, Habsburg (1678-1711) . 23 Chapter 6 – Johann Joseph Fux (1660-1741) . -
Heinric H Sc H
HeinricH scHütz The Complete Narrative Works Ars nova copenhagen, Paul Hillier HeinricH scHütz (1585-1672) CD 1 Lukas-Passion SWV 480 (1666) �� � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � �52:41 The Complete Narrative Works Historia des Leidens und Sterbens unsers Herrn und Heilandes Jesu Christi nach dem Evangelisten St. Lukas Ars nova copenhagen, Paul Hillier 1 Eingang 1:34 2 Evangelist: Es war aber nahe das Fest der süßen Brot 14:03 3 Evangelist: Und er ging hinaus nach seiner Gewohnheit 9:17 4 Evangelist: Die Männer aber, die da Jesum hielten 3:19 5 Evangelist: Und der ganze Haufe stund ab ����������������������������������������������������������������������������7:19 6 Evangelist: Aber sie lagen ihm an mit großen Geschrei 11:09 7 Evangelist: Da aber der Hauptmann sahe ������������������������������������������������������������������������������3:54 8 Beschluß 2:07 Johan Linderoth, evangelist Jakob Bloch Jespersen, Jesus CD 2 Weihnachtshistorie SWV 435 (c� 1660) �� � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � �34:43 1 Eingang 1:18 2 Evangelist 2:57 3 Intermedium 1 Der Engel zu den Hirten