DOCSLIB.ORG

Masterclasses 2021 Will Select the Number of Participants in the Masterclasses Will Be Around 15 Participants Who Will Form the European Limited to 7 Per Class

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

European Hanseatic Ensemble Application The­teachers­of­the­masterclasses­2021­will­select­ The number of participants in the masterclasses will be around 15 participants who will form the European limited to 7 per class. In the event that there are more Hanseatic Ensemble and will tour hanseatic cities in applicants than available places, selection will be determined the­summer­of­2022­under­the­artistic­direction­of­ upon evaluation of the provided audio material. Manfred Cordes. For those who will participate in the Application deadline: April 30th 2021 concerts, the course fee will be refunded and a daily INTERNATIONAL rate will be payed for rehearsal and concert days. The online application form and information about Resulting travel and accommodation expenses will transfer of the audio files (not exceeding 15 minutes in MASTERCLASSES be covered as well. total) is available on our website www.hanseatic-ensemble.eu/en/masterclasses 2021 The­specific­concert­programme­for­2022­will­be­ adapted to the structure of the ensemble, thus will All applicants will be informed about possible Solo­and­ensemble­music­around­1600 be developed after the selection of the ensemble ­participation­by­June­15th­2021­at­the­latest.­If­you­are­ members. The goal is a balanced distribution of selected, we kindly request that you pay the course fee of September 20th - 23rd 2021 singers, string, wind and continuo players which will 150­€­by­July­15th­2021. allow for the performance of multi-choral works. in Lübeck We have booked budget accommodation for you in Lübeck (DJH Youth hostel), however costs for travel, Ulrike Hofbauer · Voice accommodation (youth hostel, hotel, etc.) and meals are Jan Van Elsacker · Voice to be absorbed by the participants. Veronika Skuplik · Baroque violin Hanseatic cities Contact Frithjof Smith · Cornetto Tallinn/Reval Europäisches Hanse-Ensemble Hille Perl · Viola da gamba Stockholm Geschäftsstelle – Sarah Hodgson Simen Van Mechelen · Baroque trombone Pernau Tartu (Pärnu) (Dorpat)c/o Europäisches Hansemuseum Joachim Held · Lute/Theorbo Windawa An der WolmarUntertrave 1 Marcin Szelest · Organ continuo (Ventspils) Riga (Rīga) 23552­(Valmiera)Lübeck­ Visby Michael Fuerst · Organ continuo Goldynga Germany (Kuldīga) Manfred Cordes · Ensemble Ostsee Office:­Tuesday­-­Thursday,­10­-­13­h Danzig Königsberg (Kaliningrad) Telephone:­+49­­(0)451­­­80­90­99­86 Nordsee (Gdańsk) Email: [email protected] Kiel Stralsund Braunsberg (Braniewo) Wismar Stupsk www.hanseatic-ensemble.eu Lübeck Elbing (Elblag) Title: Lithograph from Johannes Geffcken (1855) after a woodcut of Elias Diebel (16th century) Source: Wikimedia Groningen Rostock Greifswald Köslin Bremen Hamburg (Koszalin) Kulm (Chełmno) Stettin Zwolle Lüneburg Thorn (Toruń) Sponsors and partners: Osnabrück Braunschweig Berlin (Szczecin) Frankfurt an der Oder Magdeburg In cooperation with Deventer Münster Goslar Dortmund Paderborn Breslau (Wrocław) Köln Erfurt Krakau (Kraków) The project Masterclasses 2021 The hanseatic cities in Northern Europe, with Lübeck at for voice, baroque violin, cornetto, viola da gamba, © Anna Yurienen Gallego the top, were poles of economic wealth and middle class baroque trombone, lute and organ continuo prosperity. At the same time the Hanseatic League incited a diverse flourishing of culture, including music. The goal September 20th - 23rd 2021 in Lübeck Ulrike Hofbauer (Basel) Jan Van Elsacker (Trossingen) of this European project is to rediscover the great musical Voice Voice heritage­of­this­region­in­the­years­around­1600­and­to­ Work with a team of internationally renowned teachers revive it for our time through concert performances. The during a four day masterclass dedicated to European project is coordinated in the European Hansemuseum music­of­the­16th­and­17th­centuries.­The­course­will­ in Lübeck. consist­of­individual­lessons­(2­x­45­minutes),­further- more there will be special emphasis on ensemble work. © soundandpicturedesign © Through the affiliation with the European Hansemuseum Your repertoire is to be prepared ahead of time and the the ensemble has found its ideal home. The museum pieces named in your application. offers the participants of the masterclasses the oppor- Veronika Skuplik (Bremen) Frithjof Smith (Basel) tunity to gather valuable insights into the history of the The­course­fee­is­150­€. Baroque violin Cornetto Hanseatic League, the era that they are exploring in their music. The pieces for the ensemble work will be chosen accor- ding to the selected participants. The music will be sent The project is aimed at talented young musicians to the participants in due time. © Foppe Schut who study or have studied Early Music at a European ­conservatory­or­university­and­will­be­under­the­age­of­32­ Diapason:­a­=­466­Hz,­¹⁄₄­comma­meantone in­September­2021.­ Please supply us with recordings of your musical work Simen Van Mechelen (Antwerp) Hille Perl (Bremen) The European Hanseatic Ensemble will be newly formed that can be forwarded to the teachers for the selection Baroque trombone Viola da gamba each year, consisting of musicians that particularly of the participants. Consider works exclusively from excelled in the masterclasses of the previous year. The the Renaissance and Early Baroque (no Händel, Bach, ensemble will tour different hanseatic cities with a newly Vivaldi, etc.) and transfer them as requested on our developed programme each year. The concerts and website. © Manfred Esser ­rehearsals­will­take­place­in­the­summer­of­2022.­­Detailed­ plans­and­dates­will­be­announced­in­late­2021. The online application form and additional useful information can be found at www.hanseatic-ensemble.eu/en/masterclasses Joachim Held (The Hague/Bremen) Marcin Szelest (Krakow) Lute/Theorbo Organ continuo You can find out more about Lübeck and the European Hansemuseum here: www.hansemuseum.eu © Foppe Schut Michael Fuerst (Lübeck/Bremen) Manfred Cordes (Bremen) Ensemble rehearsal at the European Hansemusem Lübeck, 2019 Organ continuo Ensemble.
Recommended publications
  • Borrowing Images of Empire: the Contribution of Research on The

    Borrowing Images of Empire: the Contribution of Research on The

    Medieval Studies, vol. 22, 2018 / Studia z Dziejów Średniowiecza, tom 22, 2018 Piotr Samól (Gdansk Univeristy of Technology) https://orcid.org/ 0000-0001-6021-1692 Piotr Samól Borrowing Images of Empire: The contribution of research on the artistic influence of the Holy Roman Empire on Polish Romanesque architecture in the eleventh and twelfth centuries1 Borrowing Images of Empire… Keywords: Romanesque architecture, Poland, Ostrów Lednicki, monumental stone buildings Although knowledge concerning Romanesque architecture in Poland has developed over many years, most cathedrals and ducal or royal seats have not been comprehensively examined. Moreover, a substan- tial number of contemporary scholarly works have erased the thin line between material evidence and its interpretation. As a consequence, the architectural remains of Polish Romanesque edifices are often considered the basis for wider comparative research. Meanwhile, fragmentarily preserved structures of Romanesque buildings have allowed scholars to conduct research on their origins and models, but they have rarely provided enough information for spatial recon- structions of them. This means that one might investigate the process of transposing patterns from the Holy Roman Empire to Poland instead of the influence of Polish masons’ lodges on each other. Therefore, this paper has two aims. The first is to look at how imperial pat- terns affected the main stone structures (cathedrals and collegiate 1 Originally, my paper entitled ‘In the Shadow of Salian and Hohenstaufen Cathedrals: The Artistic Influence of the Holy Roman Empire on Polish Romanesque Architecture in the Eleventh and Twelfth Centuries’ was given at the ‘Borrowing Images of Empire’ seminar during the Medieval Congress in Leeds in July 2014.
  • Handreichung Zu Informationszentren Im Welterbe Welterbe Vermitteln Deutsche UNESCO-Kommission Im Welterbe Informationszentren Handreichung Zu Welterbe Vermitteln –

    Handreichung Zu Informationszentren Im Welterbe Welterbe Vermitteln Deutsche UNESCO-Kommission Im Welterbe Informationszentren Handreichung Zu Welterbe Vermitteln –

    Welterbe vermitteln Hand- reichung zu Informations- zentren im Welterbe Welterbe vermitteln – Handreichung zu Welterbe vermitteln Welterbe Informationszentren im Welterbe Deutsche UNESCO-Kommission Handreichung zu Informationszentren im Welterbe im zu Informationszentren Handreichung 2 3 Inhalt 6 17 vermitteln Welterbe 35 49 Danksagung 2. Erste Schritte vor 3. Hinweise und 4. Hinweise und und zu Beginn Überlegungen zur Überlegungen zur der Planungsphase „Hardware“ „Software“ 7 Abkürzungen 18 36 50 Ausgangspunkt Vermittlungskonzept Die bauliche Gestaltung Vermittlungsinhalte 9 18 37 51 Exkurs Fallbeispiel 5 Fallbeispiel 7 Über diese Museum vs. Besucherzentrum. Erfolgsfaktoren bei der Einrichtung „Erbe der Menschheit“ – Auftaktthema Handreichung Gemeinsamkeiten und Unterschiede von Informations- und Besucherzentren – in der Welterbe-Ausstellung Stralsund, beider Einrichtungen in Verbindung Erfahrungen aus dem UNESCO-Welterbe Teil des UNESCO-Welterbes „Altstädte von mit dem UNESCO-Welterbe „Altstadt von Regensburg mit Stadtamhof“ Stralsund und Wismar“ 11 21 40 53 1. Welterbevermittlung – Fallbeispiel 1 Szenographie, Technik und Ausstellungs- Fallbeispiel 8 Regulatorischer Konzeptstudie Welterbe-Infozentren - mobiliar Welterbe & Globale Geoparks: Vermittlung, Rahmen und Richtlinien Touristische Entwicklung und Inwertsetzung Bildung & Kooperation am Beispiel des flächenhaften Welterbes „Bergwerk 41 des UNESCO-Welterbes „Grube Messel“ Rammelsberg, Altstadt von Goslar und Ober- Leitsysteme – intern und extern 12 harzer Wasserwirtschaft“ 54 UNESCO-Welterbekonvention
  • Organigramm Der Bundespolizei (PDF)

    Organigramm Der Bundespolizei (PDF)

    Bundespolizeipräsidium (Potsdam) Direktion Bundes- BPOLD BPOLD BPOLD BPOLD BPOLD BPOLD BPOLD BPOLD BPOLD Flughafen BPOLD 11 bereitschaftspolizei Bad Bramstedt Hannover Sankt Augustin Koblenz Stuttgart München Pirna Berlin Frankfurt am Main (Berlin) (Fuldatal) Direktionsbereich BPOLI KB Hamburg BPOLI KB Köln BPOLI KB BPOLI KB Stuttgart Bundespolizei BPOLI KB Halle BPOLI KB Berlin BPOLI KB Flughafen BPOLABT GSG 9 BPOL Bundespolizei See mit Hannover mit Kleve Frankfurt am Main mit Weil am Rhein Flughafen München (Saale) mit Dresden mit Frankfurt (Oder) Frankfurt am Main Ratzeburg BPOLI KB Rostock BPOLI BPOLI BPOLI BPOLI BPOLI KB München BPOLI BPOLI BPOLABT BPOLI FRA I BPOLFLG mit Flensburg Hamburg Münster Kassel Karlsruhe mit Schwandorf Magdeburg Berlin-Hauptbahnhof Uelzen Hamburg-Altona Bielefeld Gießen Mannheim Halle (Saale) Wittenberge BPOLFLS Oberschleißheim BPOLI BPOLI BPOLABT Hamburg-Harburg Hamm Fulda Pforzheim Stendal Oranienburg BPOLI FRA II BPOLFLS Fuldatal Halberstadt Flensburg Hamburg-Hauptbahnh. Paderborn Bundesverfassungsgericht Würzburg Berlin-Bahnhof Duderstadt BPOLFLS Blumberg Aschaffenburg Dessau Zoologischer Garten Bredstedt BPOLI BPOLFLS Fuhlendorf Neumünster Trier Bamberg Berlin-Spandau BPOLABT BPOLI BPOLI BPOLI BPOLI BPOLI FRA III Koblenz Berlin-Friedrichsstraße Sankt Augustin Brunsbüttel Bad Bentheim Kleve Offenburg Erfurt PSA BPOL Flughafen Hahn BPOLI Bunde Kempen Kehl Flughafen Erfurt-Weimar BPOLI BPOLABT BPOLI Nürnberg BPOLI FRA IV Oldenburg Prüm Flughafen Karlsruhe/ Meiningen Berlin-Ostbahnhof Kiel Augsburg Hünfeld Osnabrück BPOLI Baden-Baden Saalfeld Potsdam BSL BPOL BPOLI Lübeck Düsseldorf Ansbach Gera Berlin-Südkreuz BPOLABT Emden BPOLI FRA V Puttgarden Oberhausen Saarbrücken BPOLI Ingolstadt Nordhausen Berlin-Lichtenberg Bad Bergzabern BPOLI Duisburg Saarbrücken-Goldene Weil am Rhein Brandenburg EEU BPOL BPOLI Bremm BPOLI BPOLI BPOLABT Bremen Wuppertal Waldshut BPOLI MKÜ EB Lübeck Rostock Flugh.
  • Broschüre Hilfeschrei Englische Fassung 15.12.14

    Broschüre Hilfeschrei Englische Fassung 15.12.14

    UNESCO WORLD HERITAGE QUEDLINBURG – COLLEGIATE CHURCH, CASTLE AND OLD TOWN If Houses could cry – A call for help 1 UNESCO WORLD HERITAGE QUEDLINBURG – COLLEGIATE CHURCH, CASTLE AND OLD TOWN Imprint Publisher City of Quedlinburg Markt 1 06484 Quedlinburg Contacts City of Quedlinburg Markt 1 06484 Quedlinburg www.quedlinburg.de Building Department Department head: Herr Malnati [email protected] Phone: +49-(0)3946 / 905 700 City development and renovation section, UNESCO-World Heritage Section leader: Frau Rippich [email protected] Phone: +49-(0)3946 / 905 710 BauBeCon Sanierungsträger GmbH Office in Quedlinburg Word 3 06484 Quedlinburg Contact person: Herr Plate www.baubeconstadtsanierung.de [email protected] Phone: +49-(0)3946 / 779 366 Edit Quedlinburg City and BauBeCon Sanierungsträger GmbH Photos Quedlinburg City Edition July 2014 2 UNESCO WORLD HERITAGE QUEDLINBURG – COLLEGIATE CHURCH, CASTLE AND OLD TOWN How everything began: Situation in 1989: 4% of the buildings were decaying 26% heavily damaged 57 % heavily to fairly damaged 13 % new or renovated buildings (taken from a readily available investigation from 1991) • Favourable conditions for the conservation area and monuments in Quedlinburg until 1989 • No significant destruction by fire or war • Poverty during GDR times prevented improper construction; but also meant catastrophic conditions for the buildings • The 1989 revolution was also a fight against demolition of the conservation area • The cost for renovation was huge: estimated cost more than 250 million Euro • A large part of the population was indifferent to the historical architectural heritage; awareness was growing steadily. • The recognition as a UNESCO World Heritage was the goal; but also an instrument for the protection of the conservation of the area and its monuments.

  • Studying in Germany a Good Choice for Your Child 15 Questions And

    Studying in Germany A Good Choice for Your Child 15 Questions and Answers for Parents AnzElternFlyer_105x210_HD_Aula_02_1_en_vek_rz.indd 1 26.01.2010 17:36:27 Uhr Studying in Germany A Good Choice for Your Child 15 Questions and Answers for Parents 2nd Edition Who are we? The German Academic Exchange Service (DAAD) is a joint organisation of German institutions of higher education and student bodies. Our task is to support academic cooperation around the world, especially by promoting the exchange of students and academics. You can find more information about studying and living in Germany in our info brochures, at www.daad.de and on our DAAD branch office and information centre websites. Studying in Germany 3 Dear Parents, We are happy that you and your child are considering Germany as a place to study abroad. Studying in a foreign country is a big challenge. As a mother myself, I am very aware of the concerns parents have about their children’s well-being and professional future. You’re probably a little nervous about how your child will fare in a foreign country. And you may have many questions that still need answering. This brochure should help you find those answers. Germany is a great place to study and has much to offer your child. German universities have an excellent reputation around the world – a reputation that has endured for hundreds of years. This might explain why Germany is one of the most popular destinations for international students. There are more than 260,000 young people from around the world who study and research in Germany today.
  • Bildungsbericht Des Landkreises - Erste Fortschreibung 2017

    Bildungsbericht Des Landkreises - Erste Fortschreibung 2017

    Bildungsbericht des Landkreises - Erste Fortschreibung 2017 Rahmenbedingungen, Angebote und lebenslanges Lernen Erstellt Fachdienst Bildung und Kultur Foto www.pixabay.com Wir bedanken uns bei den externen Institutionen für ihre Beiträge. SEITE 2 Impressum Herausgeber: Landkreis Nordwestmecklenburg Rostocker Straße 76 23970 Wismar Telefon: 03471 / 3040 - 0 Fax: 03841 / 3040 6599 [email protected] www.nordwestmecklenburg.de Redaktionsschluss: 31. Juli 2017 Nicht alle notwendigen statistischen Angaben waren bis zum Redaktionsschluss beim Landesamt für innere Verwaltung Mecklenburg- Vorpommern - Statistisches Amt - für die Jahre 2015 und 2016 abschließend verfügbar. Insofern wird auf die jeweils vorliegenden Daten zurückgegriffen. Hinweis: In diesem Bericht wird teilweise aus Gründen der besseren Lesbarkeit die männliche Schreibweise verwendet. Dabei sind sowohl männliche als auch weibliche Personen gemeint. Bildungsbericht 2017 Erste Fortschreibung SEITE 3 Inhaltsverzeichnis Der politische Auftrag .............................................................................................................................................................. 8 Einleitung ........................................................................................................................................................................................ 9 1. Bildungsrelevante Rahmenbedingungen .......................................................................................................... 12 1.1 Demografische Entwicklung
  • Brick Gothic Recovering Atmospheric Versatility Itinerary Route

    Brick Gothic Recovering Atmospheric Versatility Itinerary Route

    Brick Gothic Recovering atmospheric versatility Itinerary Route The contemporary dilemma of uniting building character with energy and Latvia Day 1-2 effciency considerations has often led to isolated specialist approaches that Riga overlook synergies in the inherent properties of common construction materials. A study of building traditions before the introduction of large-scale metal Poland Day 3-7 components and conditioning systems, however, reveals a tectonic richness Gdansk stemming from culturally self-aware and inherently economical approaches to Malbork structural and climatic challenges. In the case of the brick gothic architecture Torun of the former Hanseatic League cities, this awareness manifested in muscular buildings with polychrome patterns and bas-relief complexity, assembled from Germany Day 8-18 simple brick masonry units. Of many subsequent pan-European interpretations, Stralsund one British architect devoted to the neo-Gothic - Professor Alan Short - has Wismar Riga exhibited particular virtuosity in adapting this subtle form of exuberance to Lübeck his very different and highly specifc environmental requirements. His work Hamburg demonstrates the enduring versatility of this lineage of architectural expression Bremen in creating atmospheric depth with tectonic sophistication but material economy. Manchester Gdansk Netherlands Day 19-21 Lichfeld The backsteingotik, ‘brick gothic’ in German, partly evolved from a desire Zwolle Stralsund Leicester to reinforce continental culture along the shipping routes of the Hanseatic Amsterdam Lübeck Birmingham Malbork League of allied trading port-cities in the 12th - 15th centuries. With political Wismar and religious tensions as present as the harsh maritime conditions, important England Day 22-32 Bremen Coventry Amsterdam Hamburg commercial and public projects tended to be durable and aesthetically confdent Manchester Zwolle Torun structures, but due to the lack of stone resources, were often built using clay Lichfeld masonry.
  • OWHC-Application

    OWHC-Application

    , Proposal for a strong and active OWHC Regional Secretariat North West Europe Content 1. The objectives of Regional Secretariats .......................................................... 5 A Objectives B Resources 2. General proposals ......................................... 5 A Lobbying B Website C Publication D Exchange of Expertise E Strong voice of the member citiesx F Enhance output of regional conferences G Networking 3. Background information: City of Regensburg ........................................6 A Resources B Benefit of a Regional Secretariatx in Regensburg: Coordination Political support, networks and output Financial aspects 4. Next steps ...........................................................8 A Communication initiative B Strategic initiative C Solidarity initiative D Expertise initiative E Resources Titelfotos: Bamberg, Bergen, Edinburgh: Matthias Ripp, Bern: chrchr_75, Brügge: Markus Bechtold, Stralsund: antoinou2958, Innenteil: Peter Ferstl, Luftansicht: Hajo Dietz 2 Proposal for a strong and active OWHC Regional Secretariat for north-west Europe Good reasons for location in Regensburg, Germany 3 Potential member cities of the north-west European region Wismar Germany Quedlinburg Germany Røros Norway Bremen Germany Bergen Norway Goslar Germany Bern Switzerland Liverpool United Kingdom Luxembourg Luxembourg Mantova Italy Stralsund Germany Sabbioneta Italy Regensburg Germany Weimar Germany Beemste Netherlands Karlskrona Sweden Brugge Belgium Potsdam Germany Berlin Germany BathUnited Kingdom Rauma Finland Lübeck Germany Visby Sweden Edinburgh United Kingdom Bamberg Germany 4 The OWHC is an internationally-organized and -oriented Member cities should be invited to cooperate and integ- organization that promotes the implementation of the rate their ideas and approaches into the working process. World Heritage Convention. The Organisation also focuses For the best results and to the benefit of all heritage on the exchange of information and expertise on matters cities of the region, an integrated approach is essential.
  • Rebecca Horn Introduction of Works

    Rebecca Horn Introduction of Works

    REBECCA HORN INTRODUCTION OF WORKS • Parrot Circle, 2011, brass, parrot feathers, motor t = 28 cm, Ø 67 cm | d = 11 in, Ø 26 1/3 in Since the early 1970s, Rebecca Horn (born 1944 in Michelstadt, Germany) has developed an autonomous, internationally renowned position beyond all conceptual, minimalist trends. Her work ranges from sculptural en- vironments, installations and drawings to video and performance and manifests abundance, theatricality, sensuality, poetry, feminism and body art. While she mainly explored the relationship between body and space in her early performances, that she explored the relationship between body and space, the human body was replaced by kinetic sculptures in her later work. The element of physical danger is a lasting topic that pervades the artist’s entire oeuvre. Thus, her Peacock Machine—the artist’s contribu- tion to documenta 7 in 1982—has been called a martial work of art. The monumental wheel expands slowly, but instead of feathers, its metal keels are adorned with weapon-like arrowheads. Having studied in Hamburg and London, Rebecca Horn herself taught at the University of the Arts in Berlin for almost two decades beginning in 1989. In 1972 she was the youngest artist to be invited by curator Harald Szeemann to present her work in documenta 5. Her work was later also included in documenta 6 (1977), 7 (1982) and 9 (1992) as well as in the Venice Biennale (1980; 1986; 1997), the Sydney Biennale (1982; 1988) and as part of Skulptur Projekte Münster (1997). Throughout her career she has received numerous awards, including Kunstpreis der Böttcherstraße (1979), Arnold-Bode-Preis (1986), Carnegie Prize (1988), Kaiserring der Stadt Goslar (1992), ZKM Karlsruhe Medienkunstpreis (1992), Praemium Imperiale Tokyo (2010), Pour le Mérite for Sciences and the Arts (2016) and, most recently, the Wilhelm Lehmbruck Prize (2017).
  • Definition[Edit]

    Definition[Edit]

    Romanesque architecture is an architectural style of medieval Europe characterized by semi-circular arches. There is no consensus for the beginning date of the Romanesque architecture, with proposals ranging from the 6th to the 10th century. It developed in the 12th century into the Gothic style, marked by pointed arches. Examples of Romanesque architecture can be found across the continent, making it the first pan-European architectural style since Imperial Roman Architecture. The Romanesque style in England is traditionally referred to as Norman architecture. Combining features of ancient Roman and Byzantine buildings and other local traditions, Romanesque architecture is known by its massive quality, thick walls, round arches, sturdy piers, groin vaults, large towers and decorative arcading. Each building has clearly defined forms, frequently of very regular, symmetrical plan; the overall appearance is one of simplicity when compared with the Gothic buildings that were to follow. The style can be identified right across Europe, despite regional characteristics and different materials. Many castles were built during this period, but they are greatly outnumbered by churches. The most significant are the great abbeychurches, many of which are still standing, more or less complete and frequently in use.[1] The enormous quantity of churches built in the Romanesque period was succeeded by the still busier period of Gothic architecture, which partly or entirely rebuilt most Romanesque churches in prosperous areas like England and Portugal. The largest groups of Romanesque survivors are in areas that were less prosperous in subsequent periods, including parts of southern France, northern Spain and rural Italy. Survivals of unfortified Romanesque secular houses and palaces, and the domestic quarters of monasteries are far rarer, but these used and adapted the features found in church buildings, on a domestic scale.
  • Jews in the Medieval German Kingdom

    Jews in the Medieval German Kingdom

    Jews in the Medieval German Kingdom Alfred Haverkamp translated by Christoph Cluse Universität Trier Arye Maimon-Institut für Geschichte der Juden Akademie der Wissenschaften und der Literatur | Mainz Projekt “Corpus der Quellen zur Geschichte der Juden im spätmittelalterlichen Reich” Online Edition, Trier University Library, 2015 Synopsis I. Jews and Christians: Long-Term Interactions ......................................... 1 . Jewish Centers and Their Reach ......................................................... 1 . Jews Within the Christian Authority Structure ......................................... 5 . Regional Patterns – Mediterranean-Continental Dimensions .......................... 7 . Literacy and Source Transmission ........................................................ 9 II. The Ninth to Late-Eleventh Centuries .............................................. 11 . The Beginnings of Jewish Presence ..................................................... 11 . Qehillot: Social Structure and Legal Foundations ...................................... 15 . The Pogroms of ................................................................... 20 III. From the Twelfth Century until the Disasters of – ....................... 23 . Greatest Extension of Jewish Settlement ............................................... 23 . Jews and Urban Life ..................................................................... 26 . Jewish and Christian Communities ..................................................... 33 . Proximity to the Ruler and “Chamber
  • UNESCO-Welterbestatten in Deutschland

    UNESCO-Welterbestatten in Deutschland

    UNESCO-Welterbestatten in Deutschland 1. Aachener Dom (Aufhahme in die Welterbeliste: 1978) 2. Wiirzburger Residenz und Hofgarten (1981) 3. Speyerer Dom (1981) 4. Wallfahrtskirche ,,Die Wies" (1983) 5. Schlosser Augustusburg und Falkenlust in Bruhl (1984) 6. Dom und Michaeliskirche in Hildesheim (1985) 7. Romische Baudenkmaler, Dom und Liebfrauenkirche von Trier (1986) 8. Hansestadt Liibeck (1987) 9. Schlosser und Parks von Potsdam und Berlin (1990) 10.KlosterLorsch(1991) 11. Bergwerk Rammelsberg und Altstadt von Goslar (1992) 12. Altstadt von Bamberg (1993) 13. Klosteranlage Maulbronn (1993) 14. Volklinger Hiitte (1994) 15. Stiftskirche, Schloss und Altstadt von Quedlinburg (1994) 16. GrubeMessel(1995) 17. Kolner Dom (1996) 18. Das Bauhaus und seine Statten in Weimar und Dessau (1996) 19. Luthergedenkstatten in Eisleben und Wittenberg (1996) 20. Klassisches Weimar (1998) 21.Wartburg(1999) 22. Museumsinsel Berlin (1999) 23. Gartenreich Dessau-Worlitz (2000) 24. Klosterinsel Reichenau (2000) 25. Industriekomplex Zeche Zollverein in Essen (2001) 26. Altstadte von Stralsund und Wismar (2002) 27. Oberes Mittelrheintal (2002) 28. Dresdner Elbtal (2004) 29. Rathaus und Roland in Bremen (2004) 30. Muskauer Park (2004) 31. Grenzen des Romischen Reiches: Obergermanisch-raetischer Limes (2005) 32. Altstadt von Regensburg mit Stadtamhof (2006) UNESCO World Heritage Sites in Germany Les sites du patrimoine mondial de I'UNESCO en Allemagne 1. Aachen Cathedral (World Heritage site since 1978) 1. Cathedrale d'Aix-la-Chapelle (Bien du patrimoine mondial depuis 1978) 2. Wiirzburg Residence with the Court Gardens and Residence Square (1981) 2. Residence de Wurtzbourg avec les jardins de la Cour et la place de la 3. Speyer Cathedral (1981) Residence C1981) 4. Pilgrimage Church of Wies (1983) 3.