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UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Doing the Time Warp: Queer Temporalities and Musical Theater Permalink https://escholarship.org/uc/item/1k1860wx Author Ellis, Sarah Taylor Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Doing the Time Warp: Queer Temporalities and Musical Theater A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Theater and Performance Studies by Sarah Taylor Ellis 2013 ABSTRACT OF THE DISSERTATION Doing the Time Warp: Queer Temporalities and Musical Theater by Sarah Taylor Ellis Doctor of Philosophy in Theater and Performance Studies University of California, Los Angeles, 2013 Professor Sue-Ellen Case, Co-chair Professor Raymond Knapp, Co-chair This dissertation explores queer processes of identification with the genre of musical theater. I examine how song and dance – sites of aesthetic difference within the musical – can warp time and enable marginalized and semi-marginalized fans to imagine different ways of being in the world. Musical numbers can complicate a linear, developmental plot by accelerating and decelerating time, foregrounding repetition and circularity, bringing the past to life and projecting into the future, and physicalizing dreams in a narratively open present. These excesses have the potential to contest naturalized constructions of historical, progressive time, as well as concordant constructions of gender, sexual, and racial identities. While the musical has historically been a rich source of identification for the stereotypical white gay male show queen, this project validates a broad and flexible range of non-normative readings. -
Network TEN – RADIO SCRIPT
Network TEN – RADIO SCRIPT PROGRAMME GLEE CAST RADIO VERSIONS / DUR ALL VERSIONS. 30-45s PRODUCER ANDREW GARRICK: 0416 026 408 SUE SYLVESTER SOURCE AUDIO JANE LYNCH AUDIO TEN'S GLEE PROMO TAKE 1. [BEEP] OKAY SUE… ENG SUE WAIT A MOMENT…SNIFFS THE AIR. I CAN SMELL SYLVESTER SOMETHING IN HERE. AUDIO UMMM ENG SUE HAVE YOU HAD A GEEK HERE IN THE BOOTH? SYLVESTER AUDIO UMM, YEAH ENG SUE OKAY, LET ME STOP YOU THERE, BUTTON PUSHER. I SYLVESTER DON'T DO THIS. I DON'T GET IN CRAMPED SPACES WHERE PEOPLE WHO ARE BELOW ME HAVE BEEN. I DON'T SIT IN PHONE BOXES WITH MY GARDNER JORGE AND I DON'T DO THIS. AUDIO AHHH..OKAY. ENG SUE YOU DO IT. I WILL NOT BE A PART OF THIS…DISRESPECT. SYLVESTER AUDI HIT NEW SERIOUS GLEE. TONIGHT, ON TEN. ENGINEER SUE SERIOUSGLEE SYLVESTER Network TEN – RADIO SCRIPT FINN HUDSON SOURCE AUDIO CORY MONTEITH FEMALE TEN'S GLEE PROMO TAKE 1. [BEEP] AUDIO ENG FINN OKAY. THANKS. HI AUSTRALIA, IT'S FINN HUSON HERE, HUDSON FROM TEN'S NEW SHOW GLEE. FEMALE IT'S REALLY GREAT, AND I CAN ONLY TELL YOU THAT IT'S FINN COOL TO BE A GLEEK. I'M A GLEEK, YOU SHOULD BE TOO. HUDSON FEMALE OKAY, THAT'S PRETTY GOOD FINN. CAN YOU MAYBE DO IT AUDIO WITH YOUR SHIRT OFF? ENG FINN WHAT? HUDSON FEMALE NOTHING. AUDIO ENG FINN OKAY… HUDSON FEMALE MAYBE JUST THE LAST LINE AUDIO ENG FINN OKAY. UMM. GLEE – 730 TONIGHT, ON TEN. SERIOUSGLEE HUDSON FINN OKAY. -
Baltimore Folk Music Society Member, Country Dance & Song Society September 2014
Baltimore Folk Music Society Member, Country Dance & Song Society September 2014 BFMS American Contra & Square Dance* BFMS English Country Dance* Lovely Lane United Methodist Church Saint Mark's on-the-Hill Parish Hall 2200 Saint Paul St, Baltimore 21218 1620 Reisterstown Rd, Pikesville 21208 Use parking lots on either side of 23rd St. at Saint Paul 0.5 miles from Balt. Beltway Exit 20 South Wednesday evenings, 8-10:30 pm Monday evenings, 8-10:30 pm English Country Dancing is New dancer session at 7:30 on the second and fourth lively movement to elegant music in a friendly, informal Wednesdays of the month setting. All dances are taught and walked through. Admission: $13/$9 for BFMS members & affiliates. New dancer session at 7:45 on the first Monday of the month This September all students with ID dance free! $11/$8 for BFMS members & affiliates; $2 student discount Info: Perry Shafran at [email protected] Info: Carl Friedman at 410-321-8419 or [email protected] http://bfms.org/squarecontra.php http://bfms.org/mondayDance.php Sept 3—Laura Brown calls to A.P. and the Banty Roosters Sept 1— New Dancers Workshop (free) at 7:45 PM – Andy Porter (fiddle), Joe Langley (guitar), Mark Lynch Sharon McKinley calls to Jeff Steinberg (violin), Marty (mandolin), and Artie Abrams (bass). Taylor (winds, concertina) and Mark Vidor (accordion). Sept 10—Perry Shafran calls to Old Time Jam Band. New Sept 8— Carl Friedman calls to Emily Aubrey (violin), dancer orientation at 7:30 pm Steve Epstein (clarinet), and Francine Krasowska (piano). -
2010 Annual Report
2010 ANNUAL REPORT Table of Contents Letter from the President & CEO ......................................................................................................................5 About The Paley Center for Media ................................................................................................................... 7 Board Lists Board of Trustees ........................................................................................................................................8 Los Angeles Board of Governors ................................................................................................................ 10 Media Council Board of Governors ..............................................................................................................12 Public Programs Media As Community Events ......................................................................................................................14 INSIDEMEDIA Events .................................................................................................................................14 PALEYDOCFEST ......................................................................................................................................20 PALEYFEST: Fall TV Preview Parties ...........................................................................................................21 PALEYFEST: William S. Paley Television Festival ......................................................................................... 22 Robert M. -
Beliefs About Individuals with Disability As Related to Media Portrayal of Disability in Glee
BELIEFS ABOUT INDIVIDUALS WITH DISABILITY AS RELATED TO MEDIA PORTRAYAL OF DISABILITY IN GLEE _______________________________________ A thesis presented to the Faculty of the Graduate School at the University of Missouri _______________________________________________________ In Partial Fulfillment of the Requirements for the Degree Master of Arts _____________________________________________________ by EMILY LORENZ Dr. Cynthia M. Frisby, Ph.D., MAY 2016 The undersigned, appointed by the dean of the Graduate School, have examined the thesis titled BELIEFS ABOUT INDIVIDUALS WITH DISABILITY AS RELATED TO MEDIA PORTRAYAL OF DISABILITY IN GLEE presented by Emily Lorenz, a candidate for the degree of master of arts and hereby certify that, in their opinion, it is worthy of acceptance. Professor Dr. Cynthia M. Frisby Professor Dr. Elizabeth (Lissa) Behm-Morawitz Professor Dr. Sungkyoung Lee Professor Dr. Cristina Mislán DEDICATION In loving memory of mom, Janice Peurrung, I would not be who I am without her, and this research would not exist. With love and gratitude, dedicated to Kevin, Lily, Michael, and Kate – everything I do, I do for and because of my family. ACKNOWLEDGEMENTS Thank you Dr. Frisby, you are truly an inspiration and your support through this process has been invaluable. I am grateful for your positive attitude, dedication and support in my research. Thank you also to Dr. Elizabeth (Lissa) Behm-Morawitz, Dr. Sungkyoung Lee and Dr. Cristina Mislán for serving on my committee and helping make my dream a reality. Finally, thank you to Sarah Smith-Frigerio for her support, encouragement and answering myriad questions for me during the past eight (yes, I said eight) years since I started this master’s program. -
Un-Defining Disability
Bridges: A Journal of Student Research Issue 7 Article 6 2013 Who's Allowed to Ride the Short Bus? Un-Defining Disability Hannah Widdifield Coastal Carolina University Follow this and additional works at: https://digitalcommons.coastal.edu/bridges Part of the Disability Studies Commons Recommended Citation Widdifield, Hannah (2013) "Who's Allowed to Ride the Short Bus? Un-Defining Disability," Bridges: A Journal of Student Research: Vol. 7 : Iss. 7 , Article 6. Available at: https://digitalcommons.coastal.edu/bridges/vol7/iss7/6 This Article is brought to you for free and open access by the Office of Undergraduate Research at CCU Digital Commons. It has been accepted for inclusion in Bridges: A Journal of Student Research by an authorized editor of CCU Digital Commons. For more information, please contact [email protected]. Who’s Allowed to Ride the Short Bus? Un-Defining Disability Hannah Widdifield Hannah Widdifield is a senior English major with a minor in the medical humanities and will graduate with an Honors degree from Coastal Carolina University in May 2013. She was glad to work under the advisement of Dr. Tripthi Pillai on her very personal thesis concerning disability studies and its future within the academy. A member of Omicron Delta Kappa and Sigma Tau Delta (English Honor Society), Widdifield is excited to continue her studies as a graduate student in the fall of 2013. She would like to thank Dr. Pillai for all of her guidance and support during this project and the entire English Department for the fostering environment they have provided over the years. -
Sounding Sentimental: American Popular Song from Nineteenth-Century Ballads to 1970S Soft Rock Emily Margot Gale Vancouver, BC B
Sounding Sentimental: American Popular Song From Nineteenth-Century Ballads to 1970s Soft Rock Emily Margot Gale Vancouver, BC Bachelor of Music, University of Ottawa, 2005 Master of Arts, Music Theory, University of Western Ontario, 2007 A Dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy Department of Music University of Virginia May, 2014 © Copyright by Emily Margot Gale All Rights Reserved May 2014 For Ma with love iv ABSTRACT My dissertation examines the relationship between American popular song and “sentimentality.” While eighteenth-century discussions of sentimentality took it as a positive attribute in which feelings, “refined or elevated,” motivated the actions or dispositions of people, later texts often describe it pejoratively, as an “indulgence in superficial emotion.” This has led an entire corpus of nineteenth- and twentieth-century cultural production to be bracketed as “schmaltz” and derided as irrelevant by the academy. Their critics notwithstanding, sentimental songs have remained at the forefront of popular music production in the United States, where, as my project demonstrates, they have provided some of the country’s most visible and challenging constructions of race, class, gender, sexuality, nationality, and morality. My project recovers the centrality of sentimentalism to American popular music and culture and rethinks our understandings of the relationships between music and the public sphere. In doing so, I add the dimension of sound to the extant discourse of sentimentalism, explore a longer history of popular music in the United States than is typical of most narratives within popular music studies, and offer a critical examination of music that—though wildly successful in its own day—has been all but ignored by scholars. -
Kurt Hummel's Language Features in Glee Television
PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI KURT HUMMEL’S LANGUAGE FEATURES IN GLEE TELEVISION SERIES SEASON 1: A SOCIOLINGUISTIC ANALYSIS A SARJANA PENDIDIKAN THESIS Presented as Partial Fulfillment of the Requirements to Obtain the Sarjana Pendidikan Degree in English Language Education By Yustina Rostyaningtyas Student Number: 131214113 ENGLISH LANGUAGE EDUCATION STUDY PROGRAM DEPARTMENT OF LANGUAGE AND ARTS EDUCATION FACULTY OF TEACHERS TRAINING AND EDUCATION SANATA DHARMA UNIVERSITY YOGYAKARTA 2017 i PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI “There is no substitute for hard work.” Thomas A. Edison This thesis is dedicated to: Antonius Wiryono, Yuliana Saryati, and myself iv PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI ABSTRACT Rostyaningtyas, Yustina. 2017. Kurt Hummel’s Language Features in Glee Television Series Season 1: A Sociolinguistic Analysis. Yogyakarta: English Language Education Study Program, Sanata Dharma University. The use of language by individuals is influenced by many factors. Gender is one factor that influences the use of language. In this research, gender is seen to be different from sex. It is seen as a social construction rather than as a fixed category. As a result, women and men do not stick to one language style but change it based on their social context. Therefore, the researcher was interested in analyzing the women’s language used by a feminine man named Kurt Hummel in Glee Television Series Season 1. In conducting the research, a research question was formulated: What women’s language features does Kurt Hummel use in his speech in Glee Television Series Season 1? The research was qualitative research in which discourse analysis was employed to analyze the data. -
"Glee: Silly Love Songs (#2.12)" (2011) Santana Lopez: Please. I've Had Mono So Many Times It Turned Into Stereo
"Glee: Silly Love Songs (#2.12)" (2011) Santana Lopez: Please. I've had mono so many times it turned into stereo. Santana Lopez: I've kissed Finn, and can I just say: NOT worth a buck. I would, however, pay $100 to jiggle one of his man boobs. Santana Lopez: Finn only wears that gassy infant look when he feels guilty about something. Santana Lopez: I'll just marry an NFL player. They're super reliable. Santana Lopez: I just try to be really, really honest with people when I think that they suck. Santana Lopez: That's how we do it in Lima Heights. "Glee: Sectionals (#1.13)" (2009) Mercedes Jones: I thought you and Puck were dating? Santana Lopez: Sex is not dating. Brittany: Yeah, if it was, Santana and I would be dating. Santana Lopez: Look, we may still be Cheerios, but neither of us ever gave Sue the set list. Brittany: Well... I did. But I didn't know what she was gonna do with it. Santana Lopez: Okay, look... believe what you want, but no one's forcing me to be here. And if you tell anyone this, I'll deny it - but I like being in Glee Club. It's the best part of my day, okay? I wasn't gonna go and mess it up. Rachel Berry: I believe you. Santana Lopez: Sex is not dating. Brittany: If it was, Santana and I would be dating. Santana Lopez: Sex is not dating. Brittany Pierce: If it were, Santana and I would be dating. -
Fantasizing Disability: Representation of Loss and Limitation in Popular Television and Film
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 8-19-2014 12:00 AM Fantasizing Disability: Representation of loss and limitation in Popular Television and Film Jeffrey M. Preston The University of Western Ontario Supervisor Dr. Sharon Sliwinski The University of Western Ontario Graduate Program in Media Studies A thesis submitted in partial fulfillment of the equirr ements for the degree in Doctor of Philosophy © Jeffrey M. Preston 2014 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Feminist, Gender, and Sexuality Studies Commons, Film and Media Studies Commons, and the Television Commons Recommended Citation Preston, Jeffrey M., "Fantasizing Disability: Representation of loss and limitation in Popular Television and Film" (2014). Electronic Thesis and Dissertation Repository. 2386. https://ir.lib.uwo.ca/etd/2386 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. FANTASIZING DISABILITY: REPRESENTATION OF LOSS AND LIMITATION IN POPULAR TELEVISION AND FILM (Monograph) by Jeffrey Preston Graduate Program in Media Studies A thesis submitted in partial fulfillment of the requirements for the degree of Doctorate in Media Studies The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Jeffrey Preston 2014 Abstract Most media texts currently being developed with disabled characters are crafted by individuals who are nondisabled and, as such, are based on what the nondisabled think it would be like to be disabled—a perception that is informed by the fantasy of disability. -
Glee’ Contributed by Benjy Maor Source: by Jay Michaelson from the Jewish Daily Forward
CHILDREN The Four ‘Sons’ as Characters From ‘Glee’ Contributed by Benjy Maor Source: By Jay Michaelson from the Jewish Daily Forward As it happens, the four Jewish characters in McKinley High School’s glee club map quite neatly onto the four children of the Passover Seder, and the way each of them performs his or her Jewishness shines a different light on American Jewish identity, and on the themes of the Passover holiday. Rachel Berry (Lea Michele) is the “Wise Child” — to a fault. She endlessly touts her Jewishness in one way or another, from Barbra Streisand songs to protests at Christmastime. She is also an irritating control freak, just like the unctuous Wise Child, who asks annoying, detailed questions about the statutes, laws and ordinances that God has commanded. The Haggadah obviously wants us to praise this kid, but most years I just want to slap him. Just like Rachel, he’s a know-it-all and a drama queen. “Look at me!” the Wise Child brags, just as Rachel does. Look how smart and good I am! Like Rachel in her goody-two-shoes sweaters, the Wise Child is intolerable. Rachel is a quintessential Jewish stereotype — smart, Semitic-looking, Magen-David-wearing — and yet she performs her Jewishness in the same way she performs her many solos on the show: in your face, turned up to 11. The Wise Child is the same way. Noah “Puck” Puckerman (Mark Salling) is the “Wicked Child.” His is the most original of the Jewishnesses on “Glee,” contradicting every stereotype that Rachel serves to uphold. -
PLACES the FRENCH STUDENTS TINA COHEN-CHANG FINN HUDSON Is Popular Is Artie’S Best Friend
PEOPLE AND PLACES THE FRENCH STUDENTS TINA COHEN-CHANG FINN HUDSON is popular is Artie’s best friend. and good-looking. He's a JEAN-PAUL is great singer and a talented QUINN FABRAY was good-looking but football and basketball player. he’s very quiet and the best cheerleader at RACHEL BERRY is the a little strange. McKinley High but she BRITTANY is a top star of Glee Club. She’s a can’t practise while she’s cheerleader. fantastic singer and she pregnant. She really wants wants to be famous. to be popular again. NOAH ‘PUCK’ PUCKERMAN is a football and RIELLE sings well and basketball player also plays the guitar. like Finn. He thinks She writes her own he’s very good- songs too. looking, but he’s often lazy and he’s not always kind. CELESTE is the best singer in the French Glee club. She’s blonde MERCEDES JONES and very pretty. She’s is a great singer and also really clever. she wears stylish clothes. MARC is a really nice guy. Unlike the PLACES other French students, he isn't very stylish. MCKINLEY HIGH The students from Glee all go to McKinley High School, Lima. KURT HUMMEL ARTIE ABRAMS is a LIMA loves fashion and good singer and he’s clever All the activity in Glee happens in stylish clothes. He SANTANA is in and funny too. He’s in a this small town in Ohio, USA. It's prefers boys to girls Glee Club and the wheelchair and he’s not not an exciting town and lots of the and he likes Finn a lot! cheerleading team.