The Mirror of Salvation
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The Dramaturgy of Participation and Unreliable Mirror Figures in Sixteenth-Century Drama
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 5-2014 A Mirror for Spectators: The Dramaturgy of Participation and Unreliable Mirror Figures in Sixteenth-Century Drama Virginia Hanlon Murphy University of Tennessee - Knoxville, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Literature in English, British Isles Commons Recommended Citation Murphy, Virginia Hanlon, "A Mirror for Spectators: The Dramaturgy of Participation and Unreliable Mirror Figures in Sixteenth-Century Drama. " PhD diss., University of Tennessee, 2014. https://trace.tennessee.edu/utk_graddiss/2773 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Virginia Hanlon Murphy entitled "A Mirror for Spectators: The Dramaturgy of Participation and Unreliable Mirror Figures in Sixteenth-Century Drama." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in English. Heather A. Hirschfeld, Major Professor We have read this dissertation and recommend its acceptance: Rob Stillman, Laura Howes, Kate Buckley Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) A Mirror for Spectators: The Dramaturgy of Participation and Unreliable Mirror Figures in Sixteenth-Century Drama A Dissertation Presented for the Doctor of Philosophy Degree The University of Tennessee, Knoxville Virginia Hanlon Murphy May 2014 Copyright © 2014 by Virginia H. -
Jonson's Use of the Morality of Vice in Volpone and the Alchemist
JONSON'S USE OF THE MORTALITY VICE IN VOLPONE AND THE ALCHEMIST JONSON'S USE OF THE MORALITY VICE IN VOLPONE AND THE ALCHEMIST By JANE CHRISTINE GARRETT A Thesis Submitted to the School of Graduate Studies in Partial Fulfilment of the Requirements for the Degree Master of Arts McMaster University © Copyright by Jane Christine Garrett, September, 1990 MASTER OF ARTS (1990) McMaster University (English) Hamilton, Ontario TITLE: Jonson's Use of the Morality of Vice in Volpone and The Alchemist AUTHOR: Jane Christine Garrett, Hons. B.A. (McMaster University) SUPERVISOR: Dr. Anthony Brennan NUMBER OF PAGES: vi, 98 11 ABSTRACT This thesis is an attempt to demonstrate the ways in which Ben Jonson incorporates some of the qualities of the Morality Vice into the lead characters of Volpone and The Alchemist. While critics have often ignored Jonson's Morality heritage, the similarity between his lead cozeners and the Vice is often striking. Face and Mosca's overwhelming love of the theatre manifests itself in their superior ability to create a drama in which their scheming partners and ambitious clients expose the faults to which all humanity is prone. Certainly, as it strives to rule the dramatic world, the Vice forms a precarious bond with the audience. Its Morality traits underscore its evil nature and therefore alienate us from the Vice to some degree. However, this figure could imitate humanity and thus invites the audience into an uncomfortable camaraderie which exposes the spectators' own attraction to greed. The first chapter of my thesis examines many of the Vice's central characteristics, such as his love of masks and his ability to create and sustain anarchy. -
Jaar Verslag
JAAR VERSLAG 2020 INHOUD WOORD VOORAF ...................................................................................................... 5 01 OPERATIONEEL EN REGLEMENTAIR KADER .............................................................7 1. Juridisch kader ........................................................................................... 9 2. Verruimde opdracht ................................................................................... 9 3. Interne financieringsfondsen ......................................................................10 4. Personeel .................................................................................................10 5. Verankering binnen de provincie ..................................................................10 6. Relevante ontwikkelingen ...........................................................................10 02 WOONOPDRACHT ............................................................................................... 13 1. Opdracht .................................................................................................. 15 2. Grondbeleid ............................................................................................. 16 2.1 Prospectie .....................................................................................17 2.2 Aankopen 2020 ..............................................................................17 2.3 Verkopen 2020 ..............................................................................17 2.4 Gronden in eigendom .................................................................... -
Diest Stad Aan De Demer
DIEST STAD AAN DE DEMER 1 Prijs e 1 Demerwandeling Diest DIEST STAD AAN DE DEMER De wandeling Neem een duik in het Demer-verleden van Diest. Stap na stap. • Vertrekplaats: parking Provinciedomein Halve Maan Omer Vanaudenhovelaan. • Afstand: 5,5 km (ongeveer 2 uur). • Type: stadswandeling, een klein stukje over de groene stadsvesten. • Wegdek: verharde wegen en zandwegen. Aangepast schoeisel wenselijk. • Bewegwijzering: geen (zie kaart). • Niet volledig toegankelijk voor rolwagens en kinderwagens. De Demer: 85 km meanderen De Demer ontspringt in Ketsingen, deelgemeente van Tongeren en slingert zich via ’s Herenelderen (Riemst), Hoeselt, Bilzen en Hasselt naar Diest. Daarna meandert de rivier via Zichem en Aarschot naar Werchter. Hier gaat hij – 85 km na de bron – op in de Dijle. Of … omgekeerd: want de Demer is de grootste van de twee. Stad op ‘Linkeroever’ Zonder de Demer was Diest niet de bruisende stad van vandaag. Al in de prehistorie bevolken onze voorouders de linkeroever. Logisch. Hier vinden ze vis, is er stromend water. De scheepvaart op de Demer zal eeuwen later de handel en dus ook de groei van de stad stimuleren. Die ontwikkelt zich ook aan de hoge linkeroever. Rechts – aan de lage oever – is de bodem over het algemeen te instabiel en te nat voor huizenbouw. Ook voor akkerbouw is de Demervallei niet geschikt. De slibbodem is wel ideaal voor graslanden en het hooien van gras. Hij bevat veel nutriënten uit Haspengouw die de rivier in dit overstromingsgebied afzet. Deze alluviale vlakte staat Colofon bekend als het ‘Webbekoms Broek’. Ver. Uitgever: Stadsbestuur Diest - 2018 Redactie: Toerisme Diest – Grote Markt 1 – 3290 Diest Wist je dat … Fotografie: Toerisme Diest … in de middeleeuwen mensen ook de lagere oever bebouwden? Denk maar aan de 2 3 Druk: Chapo Demerstraat, de Refugiestraat en de Statiestraat (Vetterbroek). -
Ph.D. THESIS Ewa Błasiak
UNIVERSITY OF WROCŁAW Faculty of Letters Ph.D. THESIS Ewa Błasiak The Return of the Morality Play in Anglophone Drama of the First Half of the Twentieth Century Supervisor prof. dr hab. Ewa Kębłowska-Ławniczak Co-supervisor dr Marcin Tereszewski Wrocław 2020 2 ACKNOWLEDGEMENTS I wish to express my gratitude to my supervisor, Professor Ewa Kębłowska-Ławniczak, for her mentorship, guidance and constant support throughout the writing process. I am grateful for her patience, encouragement and the time she devoted to helping me develop this project. I would also like to thank her for being an extraordinary academic teacher, for it was the intellectual challenge of her English Literature classes which I attended as a first-year undergraduate student that inspired me to undertake further studies in this direction. I wish to extend my gratitude to my co-supervisor, Doctor Marcin Tereszewski, for the attention he gave to this thesis and for his invaluable suggestions. I am also grateful to the entire Institute of English Studies at the University of Wrocław for providing me with a stable and stimulating academic environment during all the years I spent there as an undergraduate and postgraduate student. I wish to thank all my teachers and lecturers for instilling in me curiosity and equipping me with skills which proved indispensable in working on this thesis. 3 4 Contents Introduction: Within and Beyond the Middle Ages ........................................ 7 Modern reception and assessment of the Middle Ages .................................................... 12 The notion of medievalism ............................................................................................... 18 Part I: The Return of the Morality Play Tradition to Contemporary British, European and American Drama and Its Reception ....................... -
The Moral Basis of Family Relationships in the Plays of Shakespeare and His Contemporaries: a Study in Renaissance Ideas
The Moral Basis of Family Relationships in the plays of Shakespeare and his Contemporaries: a Study in Renaissance Ideas. A submission for the degree of doctor of philosophy by Stephen David Collins. The Department of History of The University of York. June, 2016. ABSTRACT. Families transact their relationships in a number of ways. Alongside and in tension with the emotional and practical dealings of family life are factors of an essentially moral nature such as loyalty, gratitude, obedience, and altruism. Morality depends on ideas about how one should behave, so that, for example, deciding whether or not to save a brother's life by going to bed with his judge involves an ethical accountancy drawing on ideas of right and wrong. It is such ideas that are the focus of this study. It seeks to recover some of ethical assumptions which were in circulation in early modern England and which inform the plays of the period. A number of plays which dramatise family relationships are analysed from the imagined perspectives of original audiences whose intellectual and moral worlds are explored through specific dramatic situations. Plays are discussed as far as possible in terms of their language and plots, rather than of character, and the study is eclectic in its use of sources, though drawing largely on the extensive didactic and polemical writing on the family surviving from the period. Three aspects of family relationships are discussed: first, the shifting one between parents and children, second, that between siblings, and, third, one version of marriage, that of the remarriage of the bereaved. -
The Summons of Death on the Medieval and Renaissance English Stage
The Summons of Death on the Medieval and Renaissance English Stage The Summons of Death on the Medieval and Renaissance English Stage Phoebe S. Spinrad Ohio State University Press Columbus Copyright© 1987 by the Ohio State University Press. All rights reserved. A shorter version of chapter 4 appeared, along with part of chapter 2, as "The Last Temptation of Everyman, in Philological Quarterly 64 (1985): 185-94. Chapter 8 originally appeared as "Measure for Measure and the Art of Not Dying," in Texas Studies in Literature and Language 26 (1984): 74-93. Parts of Chapter 9 are adapted from m y "Coping with Uncertainty in The Duchess of Malfi," in Explorations in Renaissance Culture 6 (1980): 47-63. A shorter version of chapter 10 appeared as "Memento Mockery: Some Skulls on the Renaissance Stage," in Explorations in Renaissance Culture 10 (1984): 1-11. Library of Congress Cataloging-in-Publication Data Spinrad, Phoebe S. The summons of death on the medieval and Renaissance English stage. Bibliography: p. Includes index. 1. English drama—Early modern and Elizabethan, 1500-1700—History and criticism. 2. English drama— To 1500—History and criticism. 3. Death in literature. 4. Death- History. I. Title. PR658.D4S64 1987 822'.009'354 87-5487 ISBN 0-8142-0443-0 To Karl Snyder and Marjorie Lewis without who m none of this would have been Contents Preface ix I Death Takes a Grisly Shape Medieval and Renaissance Iconography 1 II Answering the Summon s The Art of Dying 27 III Death Takes to the Stage The Mystery Cycles and Early Moralities 50 IV Death -
State Congregation Country Website Cong Belgium A14 Gasthuiszers Augustinessen B ‐ 3290 Diest France Adoration Reparatrice F ‐ 75005 Paris India Adoration Srs
STATE CONGREGATION COUNTRY WEBSITE_CONG BELGIUM A14 GASTHUISZERS AUGUSTINESSEN B ‐ 3290 DIEST FRANCE ADORATION REPARATRICE F ‐ 75005 PARIS INDIA ADORATION SRS. OF THE BLESSED SACRAMENT ALWAYE,KERALA 683.102 ARGENTINA ADORATRICES DEL SMO. SACRAMENTO 1061 BUENOS AIRES MEXICO ADORATRICES PERPETUAS GUADALUPANAS 04010 MEXICO D.F. ITALIA ADORATRICI DEL SS. SACRAMENTO 26027 RIVOLTA D'ADDA CR www.suoreadoratrici.it UNITED KINGDOM ADORERS OF THE SACRED HEART GB ‐ LONDON W2 2LJ U.S.A. ADRIAN DOMINICAN SISTERS ADRIAN, MI 49221‐1793 MEXICO AGUSTINAS DE NUESTRA SEÑORA DEL SOCORRO 03920 MEXICO D.F. ESPAÑA AGUSTINAS HERMANAS DELAMPARO BALEARES PORTUGAL ALIANÇA DE SANTA MARIA 4800‐443 GUIMARÃES www.aliancadesantamaria.com PUERTO RICO AMISTAD MISIONERA EN CRISTO OBRERO SAN JUAN 00912‐3601 ITALIA ANCELLE DEL S. CUORE DI GESU' 40137 BOLOGNA BO ROMA ANCELLE DEL S. CUORE DI GESU' 00188 ROMA RM www.ancellescg.it ITALIA ANCELLE DEL SACRO CUORE DELLA VEN. C. VOLPICELLI 80137 NAPOLI NA ROMA ANCELLE DELLA BEATA VERGINE MARIA IMMACOLATA 00191 ROMA RM ITALIA ANCELLE DELLA CARITA' 25100 BRESCIA BS ROMA ANCELLE DELLA VISITAZIONE 00161 ROMA RM www.ancelledellavisitazione.org ROMA ANCELLE DELL'AMORE MISERICORDIOSO 00176 ROMA RM ITALIA ANCELLE DELL'IMMACOLATA DI PARMA 43123 PARMA PR ITALIA ANCELLE DELL'INCARNAZIONE 66100 ‐ CHIETI CH ITALIA ANCELLE DI GESU' BAMBINO 30121 VENEZIA VE ROMA ANCELLE FRANCESCANE DEL BUON PASTORE 00166 ROMA RM POLAND ANCELLE IMMACOLATA CONCEZIONE B. V. MARIA PL ‐ 62‐031 LUBON 3 ROMA ANCELLE MISSIONARIE DEL SS. SACRAMENTO 00135 ROMA RM www.ancellemisionarie.org ITALIA ANCELLE RIPARATRICI 98121 MESSINA ME CHILE APOSTOLADO POPULAR DEL SAGRADO CORAZON CONCEPCION ‐ VIII ROMA APOSTOLE DEL SACRO CUORE DI GESU' 00185 ROMA RM www.apostole.it INDIA APOSTOLIC CARMEL GENERALATE BANGALORE 560.041 ‐ KARNATAKA ESPAÑA APOSTOLICAS DEL CORAZON DE JESUS MADRID 28039 GERMANY ARME DIENSTMAEGDE JESU CHRISTI D ‐ 56428 DERNBACH www.phjc‐generalate.org GERMANY ARME FRANZISKANERINNEN V. -
Everystudent Collection 2011
Everystudent A Collection of Allegorical Plays In the Style of the Medieval Morality Play “The Summoning of Everyman” By Students of the 2011-12 MYP 10 Drama Class Gyeonggi Suwon International School - 1 - Table of Contents Introduction by Daren Blanck .................................................................. page 3 Seven by Nick Lee and Lyle Lee .................................................................. page 4 Slayers by Mike Lee, Daniel Choi and Eric Cho ......................................... page 9 True Friendship by Yealim Lee and Hannah Seo .................................... page 12 Graduation by Judy Oh and Jaimie Park .................................................. page 16 FC society by JH Hyun and Jacob Son ...................................................... page 19 It’s Just Too Late by Jeeho Oh, Ryan Choi and Jee Eun Kim ................. page 22 The Freedom of Will by Eric Han and Bryan Ahn ................................. page 26 Everystudent Justine Yun, Rick Eum, and Seong Soo Son ...................... page 32 Everystudent by Lilly Kim, Seungyeon Rho, Erin Yoon .......................... page 37 Appendix: The Summoning of Everyman abridged by Leslie Noelani Laurio .... page 39 - 2 - Introduction An allegory is a narrative having a second meaning beneath the surface one - a story with two meanings, a literal meaning and a symbolic meaning. In an allegory objects, persons, and actions are metaphors or symbols for ideas that lie outside the text. Medieval drama was wrapped in the stories and doctrines of the medieval Christian church. Most plays could be classified as Mystery Plays - plays that told the stories of the Bible, Miracle Plays - plays that told the stories of saints and martyrs, and Morality plays - allegorical works that sought to convey a moral or some doctrine of the church. Everyman is perhaps the most famous of this last category. -
The Creation of a Secular Inquisition in Early Modern Brabant
Orthodoxy and Opposition: The Creation of a Secular Inquisition in Early Modern Brabant Item Type text; Electronic Dissertation Authors Christman, Victoria Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 10/10/2021 08:36:02 Link to Item http://hdl.handle.net/10150/195502 ORTHODOXY AND OPPOSITION: THE CREATION OF A SECULAR INQUISITION IN EARLY MODERN BRABANT by Victoria Christman _______________________ Copyright © Victoria Christman 2005 A Dissertation Submitted to the Faculty of the DEPARTMENT OF HISTORY In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2 0 0 5 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Dissertation Committee, we certify that we have read the dissertation prepared by Victoria Christman entitled: Orthodoxy and Opposition: The Creation of a Secular Inquisition in Early Modern Brabant and recommend that it be accepted as fulfilling the dissertation requirement for the Degree of Doctor of Philosophy Professor Susan C. Karant Nunn Date: 17 August 2005 Professor Alan E. Bernstein Date: 17 August 2005 Professor Helen Nader Date: 17 August 2005 Final approval and acceptance of this dissertation is contingent upon the candidate’s submission of the final copies of the dissertation to the Graduate College. I hereby certify that I have read this dissertation prepared under my direction and recommend that it be accepted as fulfilling the dissertation requirement. -
University of Szeged Faculty of Arts Doctoral School of English and American Literatures and Cultures
CB WSf University of Szeged Faculty of Arts Doctoral School of English and American Literatures and Cultures THE VICE-DEVICE: IAGO AND LEAR'S FOOL AS AGENTS OF REPRESENTATIONAL CRISIS PhD THESIS Submitted by Agnes MATUSKA Supervisor Dr. Attila KISS Szeged 2005 THE VICE-DEVICE: IAGO AND LEAR'S FOOL AS AGENTS OF REPRESENTATIONAL CRISIS INTRODUCTION 3 1. THEORETICAL BACKGROUND, METHODOLOGY 11 1. L THE QUESTION OF EPISTEMOLOGICAL CRISIS 12 1.2 DIALECTICAL TRAGEDY: EPISTEMIC CHANGE IN THEATRE 21 1.3 "IF ACODE IS CRUMBLING..." 25 1.4 REPRESENTATIONAL CRISIS IN SHAKESPEARE 28 2. HAPHAZARDLY AMBIDEXTROUS: THE VICE-FAMILY 35 2. L PROBLEMS OF DEFINITION 35 "YOU WILL LEARN TO PLAYE THE VICE": PROBLEMS OF INTERPRETATION 37 2.2 VICES 48 Merry Report 49 Ambidexter 52 Haphazard 56 Punisher or punished? 60 The Fool in the Vice 66 2.3. VICE-SUCCESSORS AND FOOLS 72 Intriguer villains 73 Sir John Falstaff: The Vice-Fool 77 The "corrupter of-words": Feste 81 Deceiver among deceivers: Parolles 85 Afterlife of post-vices and the common life of lago and the Fool 87 2.4. THE VICE-CLOWN ON THE SHAKESPEAREAN STAGE 91 3. METADRAMA 97 3. L METADRAMA AND THE VICE, A DEFINITION OF THE TERM 97 3.1.1 The Vice as mediator 97 3.1.2 Metadrama in Shakespeare-criticism 102 3.2 MEANING AS AN EVENT - IAGO AND METADRAMA IN OTHELLO 107 3.2.1 Commenting on drama, involving the audience 109 3.2.2 Iago's book of identity and role-playing 110 3.2.3 Plays -within - Iago as director 117 3.2.4 Representation as fiction 121 3.2.5 Iago's metadramatic effect—summary 122 3.3 METADRAMATIC ASPECTS OF THE FOOL 124 3.3.1 The Fool and his audience 125 3.3.2 "All thy other titles " 127 3.3.3 Plays of the fool -within and without. -
Comparison of the Two Plays
Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Eliška Poláčková Everyman and Homulus: analysis of their genetic relation Bachelor’s Diploma Thesis Supervisor: Mgr. Pavel Drábek, Ph.D. 2010 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Eliška Poláčková Acknowledgement I would like to thank my supervisor Mgr. Pavel Drábek, Ph.D. for his patient and kind help, Prof. PhDr. Eva Stehlíková for useful advice, and Mgr. Markéta Polochová for unprecedented helpfulness and support. Table of Contents Introduction ....................................................................................................................... 1 1 Morality Play and Its Representatives ........................................................................... 3 1.1 Morality Play .......................................................................................................... 3 1.2 Everyman ................................................................................................................ 5 1.3 Homulus .................................................................................................................. 7 2 Concept of Translation in The Middle Ages ................................................................. 9 3 Comparison of Everyman and Homulus ...................................................................... 11 3.1 Composition .........................................................................................................