The Creation of a Secular Inquisition in Early Modern Brabant
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Antwerp, Belgium
ANTWERP, BELGIUM The Little Gem of Flanders Hotel Market Snapshot February 2017 H O T E L S 1 Hotel De Witte Lelie (Source: © Hotel) Antwerp, Belgium Hotel Market Snapshot, February 2017 HIGHLIGHTS City of the famous Flemish painter Peter Paul Rubens, Antwerp ANTWERP - Key Facts & Figures (2015) is the largest urban area in the Flanders region, the second Population 513 570 most important petrochemical centre in the world after GDP (In million €) € 43 000 Houston, Texas and its port is the second most noteworthy in GDP per capita € 83 700 Europe. Lying on the banks of the river Scheldt, the city GDP growth +1.1% positions itself as one of the major commercial hubs in Europe, Unemployment 6.8% strategically located between the two metropolitan areas of Tourism Arrivals 1 078 148 Antwerp-Brussels-Ghent and the Randstad conurbation in the Netherlands. The city is also the world’s diamond capital and an Overnight Stays 1 924 155 1 increasingly important international fashion centre. % Leisure Tourism 51.9% % Business Tourism1 48.1% Antwerp’s notoriety for leisure and business tourism is rooted in % Domestic Tourism1 31.5% the city’s dynamism, rich architectural and historical heritage % International Tourism1 68.5% as well as its strong artistic links and its well-diversified Number of Hotels 57 attractions and infrastructure offer. Number of Hotel Rooms 4 438 The growing interest of international hotel groups and investors 1Based on overnight stays for the city has led us to choose Antwerp as the subject of our Sources: Statbel, Europa.eu, Oxford Economics, Antwerp Tourism Office, BNP Paribas Real Estate Hotels new Hotel Market Snapshot. -
1. Introduction. Fascinating Multilingualism
This post-print includes the introduction, chapter 4 and the conclusion of the book ‘van de Haar, A. (2019). The Golden Mean of Languages. Leiden, The Netherlands: Brill.’ The publication is uploaded with permission of Brill. More information on the book is available at https://brill.com/view/title/35813. 1. Introduction. Fascinating Multilingualism 1.1. Introduction The year 1546 constitutes a pivotal moment in the history of the Dutch language. It was in this year that Ghent schoolmaster and printer Joos Lambrecht published his Naembouck. Not only was this the first alphabetically ordered dictionary with a variant of Dutch as its source language, it is also considered to be the first purist dictionary of this vernacular. As such, the Naembouck is part of a sixteenth-century trend in the Low Countries, that focused on the rejection of foreign—usually French or Latin—loanwords. Needless to say, no historical overview of the Dutch tongue fails to mention this work. However, rather than a monolingual feat focused solely on the promotion of Dutch, the Naembouck is a Dutch-French dictionary designed for the instruction of the latter tongue. Moreover, Lambrecht used a new way of spelling both Dutch and French words that was strongly inspired by French orthographical treatises. The Naembouck is not a product of simple veneration of Dutch, but of an inquisitive mind interested in the languages he encountered in his everyday life. The sixteenth-century Low Countries were, indeed, fundamentally multilingual. While Latin continued to be an important player in the interregional, scholarly, and religious fields, the vernacular realm saw Dutch and French dialects in constant contact. -
Downloaded from Brill.Com09/28/2021 10:23:11PM Via Free Access Notes to Chapter 1 671
Notes 1 Introduction. Fall and Redemption: The Divine Artist 1 Émile Verhaeren, “La place de James Ensor Michelangelo, 3: 1386–98; Summers, Michelangelo dans l’art contemporain,” in Verhaeren, James and the Language of Art, 238–39. Ensor, 98: “À toutes les périodes de l’histoire, 11 Sulzberger, “Les modèles italiens,” 257–64. ces influences de peuple à peuple et d’école à 12 Siena, Church of the Carmines, oil on panel, école se sont produites. Jadis l’Italie dominait 348 × 225 cm; Sanminiatelli, Domenico profondément les Floris, les Vaenius et les de Vos. Beccafumi, 101–02, no. 43. Tous pourtant ont trouvé place chez nous, dans 13 E.g., Bhabha, Location of Culture; Burke, Cultural notre école septentrionale. Plus tard, Pierre- Hybridity; Burke, Hybrid Renaissance; Canclini, Paul Rubens s’en fut à son tour là-bas; il revint Hybrid Cultures; Spivak, An Aesthetic Education. italianisé, mais ce fut pour renouveler tout l’art See also the overview of Mabardi, “Encounters of flamand.” a Heterogeneous Kind,” 1–20. 2 For an overview of scholarship on the painting, 14 Kim, The Traveling Artist, 48, 133–35; Payne, see the entry by Carl Van de Velde in Fabri and “Mescolare,” 273–94. Van Hout, From Quinten Metsys, 99–104, no. 3. 15 In fact, Vasari also uses the term pejoratively to The church received cathedral status in 1559, as refer to German art (opera tedesca) and to “bar- discussed in Chapter Nine. barous” art that appears to be a bad assemblage 3 Silver, The Paintings of Quinten Massys, 204–05, of components; see Payne, “Mescolare,” 290–91. -
Jaar Verslag
JAAR VERSLAG 2020 INHOUD WOORD VOORAF ...................................................................................................... 5 01 OPERATIONEEL EN REGLEMENTAIR KADER .............................................................7 1. Juridisch kader ........................................................................................... 9 2. Verruimde opdracht ................................................................................... 9 3. Interne financieringsfondsen ......................................................................10 4. Personeel .................................................................................................10 5. Verankering binnen de provincie ..................................................................10 6. Relevante ontwikkelingen ...........................................................................10 02 WOONOPDRACHT ............................................................................................... 13 1. Opdracht .................................................................................................. 15 2. Grondbeleid ............................................................................................. 16 2.1 Prospectie .....................................................................................17 2.2 Aankopen 2020 ..............................................................................17 2.3 Verkopen 2020 ..............................................................................17 2.4 Gronden in eigendom .................................................................... -
The Visualization of Urban Landscape in the Southern Netherlands During the Late Medieval and Early Modern Period
Peregrinations: Journal of Medieval Art and Architecture Volume 2 Issue 4 185-188 2009 The Visualization of Urban Landscape in the Southern Netherlands during the Late Medieval and Early Modern Period Katrien Lichtert University of Ghent and University of Antwerp Follow this and additional works at: https://digital.kenyon.edu/perejournal Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons Recommended Citation Lichtert, Katrien. "The Visualization of Urban Landscape in the Southern Netherlands during the Late Medieval and Early Modern Period." Peregrinations: Journal of Medieval Art and Architecture 2, 4 (2009): 185-188. https://digital.kenyon.edu/perejournal/vol2/iss4/9 This Feature Article is brought to you for free and open access by the Art History at Digital Kenyon: Research, Scholarship, and Creative Exchange. It has been accepted for inclusion in Peregrinations: Journal of Medieval Art and Architecture by an authorized editor of Digital Kenyon: Research, Scholarship, and Creative Exchange. For more information, please contact [email protected]. Lichtert The Visualization of Urban Landscape in the Southern Netherlands during the Late Medieval and Early Modern Period by Katrien Lichtert (University of Ghent and University of Antwerp) This article is a short review of an interdisciplinary collaboration between the University of Ghent and the University of Antwerp entitled The Visualisation of Urban Landscape in the Southern Netherlands during the Late Medieval and Early Modern Period. The project investigates the different forms of visual urban representations in different media that were produced during the late Middle Ages and the Early Modern Period. Because of the large scope of such a subject we (my colleague, Jelle de Rock (M.A. -
Diest Stad Aan De Demer
DIEST STAD AAN DE DEMER 1 Prijs e 1 Demerwandeling Diest DIEST STAD AAN DE DEMER De wandeling Neem een duik in het Demer-verleden van Diest. Stap na stap. • Vertrekplaats: parking Provinciedomein Halve Maan Omer Vanaudenhovelaan. • Afstand: 5,5 km (ongeveer 2 uur). • Type: stadswandeling, een klein stukje over de groene stadsvesten. • Wegdek: verharde wegen en zandwegen. Aangepast schoeisel wenselijk. • Bewegwijzering: geen (zie kaart). • Niet volledig toegankelijk voor rolwagens en kinderwagens. De Demer: 85 km meanderen De Demer ontspringt in Ketsingen, deelgemeente van Tongeren en slingert zich via ’s Herenelderen (Riemst), Hoeselt, Bilzen en Hasselt naar Diest. Daarna meandert de rivier via Zichem en Aarschot naar Werchter. Hier gaat hij – 85 km na de bron – op in de Dijle. Of … omgekeerd: want de Demer is de grootste van de twee. Stad op ‘Linkeroever’ Zonder de Demer was Diest niet de bruisende stad van vandaag. Al in de prehistorie bevolken onze voorouders de linkeroever. Logisch. Hier vinden ze vis, is er stromend water. De scheepvaart op de Demer zal eeuwen later de handel en dus ook de groei van de stad stimuleren. Die ontwikkelt zich ook aan de hoge linkeroever. Rechts – aan de lage oever – is de bodem over het algemeen te instabiel en te nat voor huizenbouw. Ook voor akkerbouw is de Demervallei niet geschikt. De slibbodem is wel ideaal voor graslanden en het hooien van gras. Hij bevat veel nutriënten uit Haspengouw die de rivier in dit overstromingsgebied afzet. Deze alluviale vlakte staat Colofon bekend als het ‘Webbekoms Broek’. Ver. Uitgever: Stadsbestuur Diest - 2018 Redactie: Toerisme Diest – Grote Markt 1 – 3290 Diest Wist je dat … Fotografie: Toerisme Diest … in de middeleeuwen mensen ook de lagere oever bebouwden? Denk maar aan de 2 3 Druk: Chapo Demerstraat, de Refugiestraat en de Statiestraat (Vetterbroek). -
1957 Dbl Jaargang 6
HET GESLACHT LIPS UIT BAVEL Gedurende minsten halvn ee s e eeuw hebben sommig- ge e nealogen getrach oplossinn ee t e vindengt bakermae d m o , e t t achterhale deznvan e familie haadie , r naa ontleenmwel dzal middeleeuwsn hebbeee n naa e stamvader e voornaad e di , m Lubbrecht Liebrecht— ( ) voerde drie d t feitet overgeHe .da , - bleven grafstenen van Bavel, die een wapen vertonen, alle op deze familie betrekking hebben, wijst er op, dat zij destijds tot de notabele e plaatdi n s nva moet hebbek n oo behoord t za j Zi . vanaf de XVe tot de XVII eeuw regelmatig in de schepenbank van Ginneke Baveln ne hunnern Ee . , Jacob Janszn. Lips, sche- pen (1526—1543), voerde blijkens zijn zegel, hangende aan een charter van 13-7-1535 : twee in elkaar geschoven open driehoe- t ' harn klei n ee i (croin t nt ke Davie vierblaxd me , d?) f o d kruisje, alles in de vorm van een zespuntige ster. Maar een Laurens Lips, ontvange e Eindhovet r e XVIIId n i n e eeuw, bezigde het Hollandse wapen Lips (met de dwarsbalk en de koeken) in zijn cachet (medegedeeld door de Heer A. R. Kleyn e Zeist)t j hebbeWi . n than e genealogid s e kunnen opvoeren tot Rombout Lips, geb. omstr zoon . ee 1390ne haddi ,Lipsn :Ja , geb. omstr. 1420, wonende „opden Leeghen Eyckbergh" te Ba- vel. Waarui voo— t r zove j bekenmi r vied— r kinderen sproten: 1. Rombotit Janszn. Lips, schepen van Ginneken en Bavel (1512) . Lysbeth2 ; n RomboutJa Lips, . -
Agrarianism in a Boomtown the Proto-Urban Origins of 13Th Century ‘S-Hertogenbosch
Agrarianism in a boomtown The proto-urban origins of 13th century ‘s-Hertogenbosch J.N van der Weiden Contact: J.N. Van der Weiden Zuiderzeeweg 80F 1095 KX Amsterdam [email protected] 0631343958 Cover image: Profile 63, SHKS. (Cleijne 2013) Agrarianism in a boomtown The proto-urban origins of 13th century ‘s-Hertogenbosch Author: James Nathan van der Weiden 1304704 Tutor: Dr. R. Van Oosten Master Thesis of the Faculty of Archaeology, University of Leiden. Version 2 1 14 June 2015, Amsterdam 2 Contents Chapter 1: Introduction to the research.....................................................................................................5 1.1 Introduction to the subject...............................................................................................................5 1.2. The research.....................................................................................................................................8 1.3. Data and literature.........................................................................................................................10 1.4. Structure.........................................................................................................................................10 Chapter 2: The wonder of ‘s-Hertogenbosch...........................................................................................12 2.1 The city of ‘s-Hertogenbosch.........................................................................................................12 2.2 Wooden houses and barns in the -
Christopher White Table of Contents
Christopher White Table of Contents Introduction .................................................................................................................................................. 4 Peter the “rock”? ...................................................................................................................................... 4 Churches change over time ...................................................................................................................... 6 The Church and her earthly pilgrimage .................................................................................................... 7 Chapter 1 The Apostle Peter (d. 64?) : First Bishop and Pope of Rome? .................................................. 11 Peter in Rome ......................................................................................................................................... 12 Yes and No .............................................................................................................................................. 13 The death of Peter .................................................................................................................................. 15 Chapter 2 Pope Sylvester (314-335): Constantine’s Pope ......................................................................... 16 Constantine and his imprint .................................................................................................................... 17 “Remembering” Sylvester ...................................................................................................................... -
Trompe L'oeil and Financial Risk in The
Carrington Bowles (publisher). The Bubblers Medley, or a Sketch of the Times: Being Europe’s Memorial for the Year 1720, 1721. Engraving. © Trustees of the British Museum. Carrington Bowles (publisher). The Bubblers Medley, or a Sketch of the Times: Being Europe’s Memorial for the Year 1720, 1721. Engraving. © Trustees of the British Museum. 6 https://doi.org/10.1162/grey_a_00287 Downloaded from http://www.mitpressjournals.org/doi/pdf/10.1162/grey_a_00287 by guest on 28 September 2021 Trompe L’oeil and Financial Risk in the Age of Paper MAGGIE M. CAO Three hundred years ago, in the summer of 1720, the bursting of the South Sea Bubble marked the first recorded stock market crash. The ensuing financial crisis provided great fodder for the British satirical press, which took to caricaturing both the company’s gullible victims and manipulative executives. Among the rich material trove of that historical moment are a pair of prints published by the London shop of John Bowles and Carington Bowles.1 Titled The Bubblers Medley, or A Sketch of the Times: Being Europe’s Memorial for the Year 1720, the prints depict a scattered array of paper artifacts in collage-like, random fashion. Sheets overlap and furl on the edges, creating a trompe l’oeil effect that encourages viewers to misread the artwork as a collection of the actual ephemera it represents. Trompe l’oeil–style prints like these, also called medley prints, developed in 1700s London, and in the century that followed they enjoyed episodic popularity, often at moments of fiscal uncertainty. As Mark Hallett argues, this print type, like other satirical images referencing public discourses and debates, was meant to be read as well as viewed. -
Cyprian on the Lord’S Prayer
Early Church Classics. ST. CYPRIAN ON THE LORD’S PRAYER AN ENGLISH TRANSLATION, WITH INTRODUCTION BY T. HERBERT BINDLEY, M.A., D.D. PRINCIPAL OF CODRINGTON COLLEGE, BARBADOS; EXAMINING CHAPLAIN TO THE LORD BISHOP. PUBLISHED UNDER THE DIRECTION OF THE TRACT COMMITTEE LONDON: SOCIETY FOR PROMOTING CHRISTIAN KNOWLEDGE, NORTHUMBERLAND AVENUE, W.C.; 43, QUEEN VICTORIA STREET, E.C. BRIGHTON: 129, NORTH STREET. NEW YORK: EDWIN S. GORHAM. 1914 Source: https://archive.org/stream/stcyprianonlords00cypruoft/stcyprianonlords00cypruoft_djvu.txt Modernized, corrected, and annotated (in blue) © William H. Gross www.onthewing.org Apr 2014 CONTENTS INTRODUCTION............................................................................................................................... 4 § 2. St. Cyprian’s Life. .................................................................................................................... 4 § 3. The Date Of The Treatise. ....................................................................................................... 7 § 4. Cyprian’s Text Of The Paternoster. ........................................................................................ 7 § 5. Liturgical Allusions. ................................................................................................................ 9 CHAPTER 1 ...................................................................................................................................... 12 CHAPTER 2 .................................................................................................................................... -
The Future of the Internet and How to Stop It the Harvard Community Has
The Future of the Internet and How to Stop It The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters. Jonathan L. Zittrain, The Future of the Internet -- And How to Citation Stop It (Yale University Press & Penguin UK 2008). Published Version http://futureoftheinternet.org/ Accessed July 1, 2016 4:22:42 AM EDT Citable Link http://nrs.harvard.edu/urn-3:HUL.InstRepos:4455262 This article was downloaded from Harvard University's DASH Terms of Use repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http://nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms- of-use#LAA (Article begins on next page) YD8852.i-x 1/20/09 1:59 PM Page i The Future of the Internet— And How to Stop It YD8852.i-x 1/20/09 1:59 PM Page ii YD8852.i-x 1/20/09 1:59 PM Page iii The Future of the Internet And How to Stop It Jonathan Zittrain With a New Foreword by Lawrence Lessig and a New Preface by the Author Yale University Press New Haven & London YD8852.i-x 1/20/09 1:59 PM Page iv A Caravan book. For more information, visit www.caravanbooks.org. The cover was designed by Ivo van der Ent, based on his winning entry of an open competition at www.worth1000.com. Copyright © 2008 by Jonathan Zittrain. All rights reserved. Preface to the Paperback Edition copyright © Jonathan Zittrain 2008. Subject to the exception immediately following, this book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S.