London Walk 3: Waterloo to Charing Cross Via Lincoln's Inn Fields
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Remains 10 111 State
THE ST. 7;PAXJt, GLOBE, WEDNESDAY, SEPTEMBER IS, 1901. 3 KNEVVTHEPRESfDENT MILLS STARTING UP CANTON IS PREPARED — - I •\u25a0-\u25a0\u25a0...-. -:-i. -,:. :\u25a0.., v. ;-::.:. ST. CLOUD MAX WHO "WAS FOR- PLANTS OF THE STEEL TRUST.. ARE PLANS FOR TODAY AND TOMORROW MERLY EMPLOYED OX HIS ?she Hops NOW NEARLY ALL AT THE LATE PRESIDENT'S and Barley NONTAX RANCH ;' HUME 77 §P|m RUNNING 7 J-V' 77 USED TO HUNT WITH HIM TIN PLATE WORKERS SORE REMAINS' WILL LIE IN STATE |t^^^^;| Used in brewing Hamm's.delicious beer are the very fe^^^^S \u25a0 >'•\u25a0.>«> President l «ed to Come. Out Men ' I-:*!!ployed in Other Depart- Details for the Funeral Thursday anil Do His Stunt Alon-i With ments Are Generally ' Report- .Will Be Completed Alter Ar- Hejiiilar Cow ing fur Work »« Fast rival of (lie Train From The beer is aged in the only modern refrigerating Pthe P n n'e li h, 7";;; as Needed. We. shins; (on. '|]/y//_H^l W((((mi\n 1 /n!|]l*p P ,ant m St* PaU,< where sunlight and perfect ventila- 7 ST. CLOUD, Sept. 17.—(Special.)— PITTSBURG, Sept. 17.-After taking CANTON, Ohio, Sept. 17.—Programme if ffilU^lf i///B^S * dent Theodore Roosevelt has at least time to think it oyer President T. J. for Wednesday: 7 one warm friend in St. Cloud, in the per- "Shaffer, of the Amalgamated association,, 11 a. m.—Arrival of funeral train. son of Charles Bernick, deputy county has announced that there will be no pub- 11:20 a. -
Sir Hugh Lane and Mrs. Ruth Shine Papers
Leabharlann Naisiúnta na hÉireann National Library of Ireland Collection List No. 58 SIR HUGH LANE AND MRS. RUTH SHINE PAPERS (Mss 35,822-35,828) ACC. No. 5073 1 CONTENTS History and Organization of the Collection 3 1. LETTERS FROM LANE 4 2. LETTERS TO LANE 5-20 3. LETTERS TO RUTH SHINE 21-22 4. OTHER LETTERS 23-24 5. LANE’S DEATH AND ESTATE 25-26 6. ADDITIONAL PRINTED ITEMS 27-28 7. MISCELLANEOUS 29-30 Index 31-37 2 History and Organization of the Collection After the death of Sir Hugh (Percy) Lane on the Lusitania in 1915 his papers passed on to his sister Mrs. Ruth Shine (Later Mrs. A. R. Heaven). Material mostly relating to his death and his controversial will were added by Shine. On her death in 1959 the papers came into the custody of her executors, Mrs. G. de B. West (a cousin) and Mrs. Thistlethwaite, daughter of Harold Lane, brother of Sir Hugh Lane and Ruth Shine. The material was acquired by the National Library between 1960 and 2000 and the various accessions have been catalogued at various times: 1. Accession 2155: donated by Mrs. West in August 1960. 2. Accession 2293: purchased in July 1962. 3. Accession 2298: donated by Col. D.S.E. West, August 1962. 1-3 above are listed as Mss. 9975, 10,907-10,908, 10,929, 13,071-13,072 in Manuscript Sources for the History of Irish Civilization vol. 3, p. 15. 4. Accession 4136: NLI Collection List 10; Mss. 27,736-27,793; donated by Mrs. -
Union Depot Tower Interlocking Plant
Union Depot Tower Union Depot Tower (U.D. Tower) was completed in 1914 as part of a municipal project to improve rail transportation through Joliet, which included track elevation of all four railroad lines that went through downtown Joliet and the construction of a new passenger station to consolidate the four existing passenger stations into one. A result of this overall project was the above-grade intersection of 4 north-south lines with 4 east-west lines. The crossing of these rail lines required sixteen track diamonds. A diamond is a fixed intersection between two tracks. The purpose of UD Tower was to ensure and coordinate the safe and timely movement of trains through this critical intersection of east-west and north-south rail travel. UD Tower housed the mechanisms for controlling the various rail switches at the intersection, also known as an interlocking plant. Interlocking Plant Interlocking plants consisted of the signaling appliances and tracks at the intersections of major rail lines that required a method of control to prevent collisions and provide for the efficient movement of trains. Most interlocking plants had elevated structures that housed mechanisms for controlling the various rail switches at the intersection. Union Depot Tower is such an elevated structure. Source: Museum of the American Railroad Frisco Texas CSX Train 1513 moves east through the interlocking. July 25, 1997. Photo courtesy of Tim Frey Ownership of Union Depot Tower Upon the completion of Union Depot Tower in 1914, U.D. Tower was owned and operated by the four rail companies with lines that came through downtown Joliet. -
Brookwood Cemetery Trail
Trail Last exit to Brookwood Journey by train to the City of the Dead... © Will Jackson, Flickr (CCL) Time: 4 hours Distance: 1 mile at either end Landscape: rural Victorian London was a filthy place. It wasn’t Location: just the stinking River Thames, the festering Lambeth (London) and open drains and the overcrowded slums. Brookwood Cemetery (Surrey) There were also too many corpses. Start: Parish churchyards weren’t big enough to 121 Westminster Bridge Road, cope. Graves were regularly disturbed to make near Lambeth North station space for new coffins, bones were scattered or sold, fresh burials were placed in shallow pits Finish: with just a thin layer of soil. It was a gruesome Brookwood Cemetery, Woking GU22 0QZ danger to public health. Grid reference: One of the most radical solutions was a TQ 31054 79481 Necropolis - a City of the Dead so vast it would never run out of space, serviced by its Keep an eye out for: very own railway line out of London. Sounds Amongst others, Brookwood is the final bizarre – but it’s all true. resting place of writer Rebecca West and painter John Singer Sargent Dare you take the trail to the end of the line? Directions The trail begins in central London, near to Waterloo railway station. To complete it you will need to take a train from Waterloo to Brookwood in Surrey. Direct services take around 45 minutes or change at Woking (which reduces the journey time to 35 minutes). Every landscape has a story to tell – find out more at www.discoveringbritain.org Written by Mary-Ann Ochota, anthropologist and -
National Gallery of Ireland Annual Report 2015
National Gallery of Ireland Annual Report 2015 National Gallery of Ireland The National Gallery of Ireland was founded by an Act of Parliament in 1854 and opened to the public in 1864. It is home to over 16,300 works of art, complemented by the National Portrait Collection, as well as research facilities dedicated to the study of Irish art. The collection ranges in date from the fourteenth century to the present day comprising paintings, sculpture and works on paper spanning the history of Western European art, from Renaissance masters Fra Angelico and Paolo Uccello to Claude Monet and Pablo Picasso. The Gallery’s most prominent holdings relate to the Irish collection with works by Nathaniel Hone, Thomas Roberts, Daniel Maclise, Roderic O’Conor, William Orpen, John Lavery, Louis le Brocquy, among others. Particularly popular are the works of William Leech, Paul Henry and Jack B. Yeats, whose extensive archive is housed at the Gallery. More recently the Gallery has significantly enhanced its research facilities with the opening of the Sir Denis Mahon Reading Room. The permanent collection is free to the public and the Gallery welcomes large numbers of Irish and overseas visitors each year. Four wings of the Gallery, built between 1864 and 2002, accommodate a growing collection. As part of the Master Development Plan (MDP) a major refurbishment project of the Dargan and Milltown wings on Merrion Square is currently underway and scheduled to reopen with a new presentation of the collection in 2017. An additional wing to the Gallery is planned for the coming years. This final phase will conclude a decade-long process of essential improvement and modernisation of the National Gallery of Ireland for staff and visitors alike. -
The Foreign Service Journal, February 1954
"r^ Vji.i: liswl is X s •• -4 S^L :wc m <=> a* ^r.u •*> i JV* & % t" ■ ■ ' .SB r • ' -* “No, paisan. Io dico, ‘Make Mine “The only whisky bottled under 909’! Ca-na-da Schenley 909.” supervision of the Govern- “Ah, si—whisky di Canada!” mento di Canada at exactly “No, not just any Canadian 90.9 proof, the one proof of whisky. Bring me the one with perfection. Nove — zero— the naturally fine taste . the nove—909—capisc'?” one that fills your glass with the “Nove—zero—nove! Natural- beauty and magic of Canada.” mente . il benissimo*!” “Non capisc'.” ^(translation: naturally . tin* finest!) ©1954 Canadian Schenley, Ltd. AGED AND BOTTLED UNDER SUPERVISION OF THE CANADIAN GOVERNMENT- CANADIAN SCHENLEY, LTD., VALLEYFIELD, P. Q.r CANADA How the two parts of a great country achieve unity in spite of a 1,000-mile separation ... by means of modern radio broadcasting Six years ago Pakistan had neither a of communication, of enlightenment. pindi . operating a total broadcast government nor a capital. There were Radio Pakistan came into being ... at¬ time of 96 program hours a day. over 77 million people and 360,000 tracted competent engineers to its pro¬ Radio Pakistan is completely co¬ square miles of land, but commerce was gram ... developed into a compact pow¬ ordinated. Its nine transmitters link all almost at a standstill . transportation erful voice. To RCA was given the job sections of the nation into one united and communications were disrupted. of providing the powerful radio equip¬ network ... as well as being an enlight¬ And the greatest migration in history ments installed by Radio Pakistan. -
Bloomsbury Conservation Area Appraisal and Management Strategy
Bloomsbury Conservation Area Appraisal and Management Strategy Adopted 18 April 2011 i) CONTENTS PART 1: CONSERVATION AREA APPRAISAL 1.0 INTRODUCTION ........................................................................................................................ 0 Purpose of the Appraisal ............................................................................................................ 2 Designation................................................................................................................................. 3 2.0 PLANNING POLICY CONTEXT ................................................................................................ 4 3.0 SUMMARY OF SPECIAL INTEREST........................................................................................ 5 Context and Evolution................................................................................................................ 5 Spatial Character and Views ...................................................................................................... 6 Building Typology and Form....................................................................................................... 8 Prevalent and Traditional Building Materials ............................................................................ 10 Characteristic Details................................................................................................................ 10 Landscape and Public Realm.................................................................................................. -
Government Art Collection Annual Report 2015-2016
Annual Report 2015-2016 Contents 2 3 Director’s Report 8 Acquisitions 15 List of works lent to public exhibitions 17 List of long-term loans outside Government 23 Advisory Committee members 24 GAC staff Cover Image: Andy Goldsworthy working on the re-installation of Slate Cone at the British Embassy, Copenhagen Director’s Report 3 This year has been another busy one for the Government Art Collection (GAC) with a wide range of activities and events. We continue to emphasise the broader diplomatic function that art can play by selecting works that link Britain with the rest of the world in embassies and diplomatic buildings abroad, which this year included Copenhagen, Cairo and Moscow. Acquisitions Outset/Government Art Collection Fund This year saw the establishment of a new partnership, the Outset/ Government Art Collection Fund. Founded in 2003, Outset is an independent international organisation that supports new art within the public arena through private funding. The aim of the Fund is to add 12 important new works of art to the Collection over three years. The first work given to the GAC as a result of the Fund was a large-scale photograph by Isaac Julien, followed by an acrylic painting on vintage textile by Shezad Dawood. Aside from the Outset/GAC Fund acquisitions, other new works were acquired, including an abstract painting by the late Jon Thompson, an oil painting by Dexter Dalwood and a portfolio of 20 prints including Gillian Ayres, Gordon Cheung and Howard Hodgkin. We also purchased a rare historical portrait of King Henry VIII by an Unknown 16th-Century Anglo-Flemish artist. -
Heritage Inventory Sheet
Heritage Inventory Sheet Item Name No 1 Section buildings, relics and place Recommended Name Rookwood Cemetery and Necropolis, No 1 Section Buildings, Relics and Place Site Image Address East Street, Lidcombe NSW 2141 Lot/Section/DP Crown Land - - 7 - 46563 490 - 48319 492 - 48441 Draft Cumberland LEP ID I00718 Former LEP ID I00718 (Auburn LEP) Heritage Conservation Not included Area Date Updated March 2020 Significance Level STATE Site Type Level 1 Landscape / Archaeology – Terrestrial Heritage Study 2019 – Extent Heritage Pty Ltd Level 2 Cemeteries and Burial Sites Curtilage Map Statement of Significance The ‘Rookwood Cemetery and Necropolis, No 1 Section Buildings, Relics and Place’ item has State heritage significance. The following Statement of Significance has been quoted from the Rookwood - Conservation Management Plan prepared by GML (2016): . Rookwood Necropolis is one of the largest burial grounds in the world and contains the largest 19th century cemetery in Australia; . The scale of design, design features, use of plants, gardenesque layout, high quality and diversity of structures, monuments and details of Rookwood represent a rare surviving example of mid-late 19th century ideals for a major public cemetery. The choices of plants in these sections also demonstrate 19th century funerary etiquette and fashion by way of plant symbolism; . The imagination and expertise of a number of prominent individuals are manifest in the historic fabric and design of Rookwood …This includes its original design and subsequent development over almost 150 years. The Necropolis was designed as a pleasant setting both for the dead and a comforting site for visiting mourners. The landscape was equipped with visitor amenities such as carriageways, paths, plantings, fences, signs, chapels, shelters and drainage. -
June 2019 a Journal of Transport Timetable History and Analysis
The Times June 2019 A journal of transport timetable history and analysis RRP $4.95 Inside: Blue Poles on the NESG Incl. GST Australian PTTs Part 3 NOTE Q—too many stations George Bush Funeral Train timetable The Times A journal of the Australian Timetable Association Inc. (A0043673H) Print Publication No: 349069/00070, ISSN 0813-6327 June 2019 Vol 36 No. 06, Issue No. 425 The Times welcomes all contributions. Our Authors’ Guide is available on our web-site at https://www.timetable.org.au/ Reproduction Provided a Creative Commons acknowledgement is made, material appearing in The Times may be reproduced anywhere. Disclaimer Opinions expressed in our magazines are not necessarily those of the Association or its members. Editor Geoff Lambert 179 Sydney Rd FAIRLIGHT 2094 NSW email: [email protected] The Times is posted in full colour to our website https://www.timetable.org.au/times.html, two months after publication in paper and to the National Library website 6 months after publication. Colour PDF versions of previous issues of our magazines are at http://www.austta.org.au —Contents— Derek Scrafton CARDINGTON—LETTER TO THE EDITOR 2 Gnomes Group S.A.M.– SCIENCE, ART OR MUDDLE IN THE TIMETABLE WORLD? 3 Victor Isaacs PTTs– NSW PART 3 6 James T Wells NOTE Q—TOO MANY STATIONS 10 Katie Mettler GEORGE BUSH FUNERAL TRAIN 13 Dear Editor Geoff, I enjoyed your article on the airships and Cardington. The enclosed is to show the style in which the rich passengers might have arrived at the station: preserved Highland Railway No. -
Tate Report 2014/15
TATE REPORT 2014/15 Appendix A Tate Collection Acquisitions Appendix A: Tate Collection Acquisitions 2014/15 Art & Language (Michael Baldwin, born 1945; Art & Language (Michael Baldwin, born 1945; Mel Ramsden, born 1944) Mel Ramsden, born 1944) Untitled (1977) Untitled (1977) Ten Posters: Illustrations for Art-Language, Ten Posters: Illustrations for Art-Language, P81181-P81190 P81181-P81190 Screenprint on paper Screenprint on paper 1080 x 837 mm 1080 x 837 mm Number 3 from an edition of 40 Number 3 from an edition of 40 Purchased from the artists through Lisson Gallery, Purchased from the artists through Lisson Gallery, London 2014 London 2014 P81188 P81181 Art & Language (Michael Baldwin, born 1945; Art & Language (Michael Baldwin, born 1945; Mel Ramsden, born 1944) Mel Ramsden, born 1944) Untitled (1977) Untitled (1977) Ten Posters: Illustrations for Art-Language, Ten Posters: Illustrations for Art-Language, P81181-P81190 P81181-P81190 Screenprint on paper Screenprint on paper 1080 x 837 mm 1080 x 837 mm Number 3 from an edition of 40 Number 3 from an edition of 40 Purchased from the artists through Lisson Gallery, Purchased from the artists through Lisson Gallery, London 2014 London 2014 P81189 P81187 2 Appendix A: Tate Collection Acquisitions 2014/15 Art & Language (Michael Baldwin, born 1945; Art & Language (Michael Baldwin, born 1945; Mel Ramsden, born 1944) Mel Ramsden, born 1944) Karaoke (2005) Video, projection, colour and sound (stereo), 10 Untitled (1977) screenprints on paper and 13 ringbound booklets Ten Posters: Illustrations -
Surname Mistranscribed NSWBDM)
Sarah – daughter of John and Margaret Marriage 394/1868 Cleary William to Sarah Karanagh SYDNEY (surname mistranscribed NSWBDM) Death 1783/1907 William Cleary parents James and Anastasia LIVERPOOL CLEARY.—The Friends of WILLIAM CLEARY are respectfully invited to attend his Funeral, at R. C. Cemetery , Rookwood, this (Saturday) morning. Friends kindly catch 9. 28 train from Mortuary Station Redfern. CLEARY.—The Relatives and Friends of Mrs. S. Cleary are respectively invited to attend the Funeral of her late beloved husband, William, at R.C. Cemetery, Rookwood. THIS (Saturday) morning. Friends kindly catch 9. 28 train from Mortuary Station, Redfern. CLEARY.—The Friends of James, William, Thomas and Joseph Cleary are respectfully invited to attend the Funeral of their late beloved father, at R.C. Cemetery, Rookwood, this (Saturday) morning. Friends kindly catch 9. 28 train from Mortuary Station, Redfern. CLEARY.—The Friends of Mr. and Mrs. John Cleary are respectfully invited to attend the Funeral of their late beloved father, at R.C. Cemetery, Rookwood, THIS (Saturday) MORNING. Friends kindly catch 9. 28 train from Mortuary Station, Redfern. CLEARY.—The Friends of Mr. and Mrs. J. O'BRIEN (Wollongong) are respectfully invited to attend the Funeral of their late beloved FATHER, at R.C. Cemetery, Rookwood, (Saturday) MORNING. Friends kindly catch 9. 28 train from Mortuary Station, Redfern. COURT ROYAL ALBERT, No. 530, O.R. FORESTERS.—The Members are requested to attend the Funeral of the late Brother William Cleary this (Saturday) MORNING. Members catch 9.28 a.m. Funeral train for Rookwood. W. T. GIBB, C.R. R. A.