Tate Report 2014/15
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Sir Hugh Lane and Mrs. Ruth Shine Papers
Leabharlann Naisiúnta na hÉireann National Library of Ireland Collection List No. 58 SIR HUGH LANE AND MRS. RUTH SHINE PAPERS (Mss 35,822-35,828) ACC. No. 5073 1 CONTENTS History and Organization of the Collection 3 1. LETTERS FROM LANE 4 2. LETTERS TO LANE 5-20 3. LETTERS TO RUTH SHINE 21-22 4. OTHER LETTERS 23-24 5. LANE’S DEATH AND ESTATE 25-26 6. ADDITIONAL PRINTED ITEMS 27-28 7. MISCELLANEOUS 29-30 Index 31-37 2 History and Organization of the Collection After the death of Sir Hugh (Percy) Lane on the Lusitania in 1915 his papers passed on to his sister Mrs. Ruth Shine (Later Mrs. A. R. Heaven). Material mostly relating to his death and his controversial will were added by Shine. On her death in 1959 the papers came into the custody of her executors, Mrs. G. de B. West (a cousin) and Mrs. Thistlethwaite, daughter of Harold Lane, brother of Sir Hugh Lane and Ruth Shine. The material was acquired by the National Library between 1960 and 2000 and the various accessions have been catalogued at various times: 1. Accession 2155: donated by Mrs. West in August 1960. 2. Accession 2293: purchased in July 1962. 3. Accession 2298: donated by Col. D.S.E. West, August 1962. 1-3 above are listed as Mss. 9975, 10,907-10,908, 10,929, 13,071-13,072 in Manuscript Sources for the History of Irish Civilization vol. 3, p. 15. 4. Accession 4136: NLI Collection List 10; Mss. 27,736-27,793; donated by Mrs. -
National Gallery of Ireland Annual Report 2015
National Gallery of Ireland Annual Report 2015 National Gallery of Ireland The National Gallery of Ireland was founded by an Act of Parliament in 1854 and opened to the public in 1864. It is home to over 16,300 works of art, complemented by the National Portrait Collection, as well as research facilities dedicated to the study of Irish art. The collection ranges in date from the fourteenth century to the present day comprising paintings, sculpture and works on paper spanning the history of Western European art, from Renaissance masters Fra Angelico and Paolo Uccello to Claude Monet and Pablo Picasso. The Gallery’s most prominent holdings relate to the Irish collection with works by Nathaniel Hone, Thomas Roberts, Daniel Maclise, Roderic O’Conor, William Orpen, John Lavery, Louis le Brocquy, among others. Particularly popular are the works of William Leech, Paul Henry and Jack B. Yeats, whose extensive archive is housed at the Gallery. More recently the Gallery has significantly enhanced its research facilities with the opening of the Sir Denis Mahon Reading Room. The permanent collection is free to the public and the Gallery welcomes large numbers of Irish and overseas visitors each year. Four wings of the Gallery, built between 1864 and 2002, accommodate a growing collection. As part of the Master Development Plan (MDP) a major refurbishment project of the Dargan and Milltown wings on Merrion Square is currently underway and scheduled to reopen with a new presentation of the collection in 2017. An additional wing to the Gallery is planned for the coming years. This final phase will conclude a decade-long process of essential improvement and modernisation of the National Gallery of Ireland for staff and visitors alike. -
Featured Releases Spring Highlights 107
Anonymous artist, Bowling Alley (1905). From Greetings from the Barricades, published by Four Corners Books. See page 42. Featured Releases 2 Limited Editions 99 Journals 101 CATALOG EDITOR Thomas Evans DESIGNER Spring Highlights 107 Martha Ormiston Art 108 CATALOG ASSISTANT Arthur Cañedo Photography 152 COPY WRITING Design 166 Arthur Cañedo, Janine DeFeo, Megan Ashley DiNoia, Thomas Evans Architecture 172 PHOTOGRAPHY Justin Lubliner, Carter Seddon PROOFREADER Specialty Books 185 Miles Champion Art 186 PRINTING Group Exhibitions 196 Sonic Media Solutions, Inc. Photography 200 FRONT COVER IMAGE Patrick Waterhouse, Side Portrait Right Restricted with Athena Nangala Granites from Restricted Images: Made with the Warlpiri of Central Australia, published by SPBH Editions. See page 67. Backlist Highlights 206 BACK COVER IMAGE Index 215 Paul Mogensen, no title (stepped wide and narrow spirals). From Paul Mogensen, published by Karma Books, New York. See page 119. Landscape Painting Now From Pop Abstraction to New Romanticism Edited by Todd Bradway. Text by Barry Schwabsky. Contributions by Susan A. Van Scoy, Robert R. Shane, Louise Sørensen. Although the fact may be surprising to some, landscape painting is positively thriving in the 21st century—indeed, the genre has arguably never felt as vital as it does today. The reasons why, if speculative, surely include our imminent environmental collapse and increasingly digitally mediated existence. Landscape Painting Now is the first book of its kind to take a global view of its subject, featuring -
Bloomsbury Conservation Area Appraisal and Management Strategy
Bloomsbury Conservation Area Appraisal and Management Strategy Adopted 18 April 2011 i) CONTENTS PART 1: CONSERVATION AREA APPRAISAL 1.0 INTRODUCTION ........................................................................................................................ 0 Purpose of the Appraisal ............................................................................................................ 2 Designation................................................................................................................................. 3 2.0 PLANNING POLICY CONTEXT ................................................................................................ 4 3.0 SUMMARY OF SPECIAL INTEREST........................................................................................ 5 Context and Evolution................................................................................................................ 5 Spatial Character and Views ...................................................................................................... 6 Building Typology and Form....................................................................................................... 8 Prevalent and Traditional Building Materials ............................................................................ 10 Characteristic Details................................................................................................................ 10 Landscape and Public Realm.................................................................................................. -
Government Art Collection Annual Report 2015-2016
Annual Report 2015-2016 Contents 2 3 Director’s Report 8 Acquisitions 15 List of works lent to public exhibitions 17 List of long-term loans outside Government 23 Advisory Committee members 24 GAC staff Cover Image: Andy Goldsworthy working on the re-installation of Slate Cone at the British Embassy, Copenhagen Director’s Report 3 This year has been another busy one for the Government Art Collection (GAC) with a wide range of activities and events. We continue to emphasise the broader diplomatic function that art can play by selecting works that link Britain with the rest of the world in embassies and diplomatic buildings abroad, which this year included Copenhagen, Cairo and Moscow. Acquisitions Outset/Government Art Collection Fund This year saw the establishment of a new partnership, the Outset/ Government Art Collection Fund. Founded in 2003, Outset is an independent international organisation that supports new art within the public arena through private funding. The aim of the Fund is to add 12 important new works of art to the Collection over three years. The first work given to the GAC as a result of the Fund was a large-scale photograph by Isaac Julien, followed by an acrylic painting on vintage textile by Shezad Dawood. Aside from the Outset/GAC Fund acquisitions, other new works were acquired, including an abstract painting by the late Jon Thompson, an oil painting by Dexter Dalwood and a portfolio of 20 prints including Gillian Ayres, Gordon Cheung and Howard Hodgkin. We also purchased a rare historical portrait of King Henry VIII by an Unknown 16th-Century Anglo-Flemish artist. -
London Walk 3: Waterloo to Charing Cross Via Lincoln's Inn Fields
London Walk 3: Waterloo to Charing Cross via Lincoln's Inn Fields Leave Waterloo Station by main entrance 1 Waterloo Station * Britain's busiest station originally opened in 1840. * Station was very chaotic until rebuilding in early 20th century when 24 platforms were put under one roof. Finally completed in 1922 when the victory arch and war memorial were opened by Queen Mary. * In Jerome K Jerome's 1889 comic novel, Three Men in a Boat, the protagonists spend some time in the station, trying to find their train to Kingston upon Thames. After being given contradictory information by every railway employee they speak to, they eventually bribe a train driver to take his train to their destination: We got to Waterloo at eleven, and asked where the eleven-five started from. Of course nobody knew; nobody at Waterloo ever does know where a train is going to start from, or where a train when it does start is going to, or anything about it. The porter who took our things thought it would go from number two platform, while another porter, with whom he discussed the question, had heard a rumour that it would go from number one. The station-master, on the other hand, was convinced it would start from the local. * The London Necropolis Company ran a daily one-way funeral train to Brookwood cemetery from 1854 until 1941 when the station received a direct hit. * With just under 100 million passenger entries and exits between April 2013 and March 2014, Waterloo is Britain's busiest railway station by passenger usage.[9] The Waterloo complex is the 15th busiest passenger terminal in Europe,[10] and the 91st busiest railway station in the world. -
Sean Scully, Jim Dine, Zhang Huan, Wang Guangyi and Historian and Scholar Barry Schwabsky
Skira Skira Spring 2020 SKIRA EDITORE Spring 2020 Palazzo Casati Stampa via Torino 61 I - 20123 Milan T: +39 02 72 444 1 F: +39 02 72 444 211 [email protected] www.skira.net DISTRIBUTION in USA, Canada, Central & South America through ARTBOOK | D.A.P. (see Trade Information page) in the rest of the world by Thames & Hudson (see Trade Information page) SkiraSpring2020 Skira Group Milan Genève Spring2020 Skira editore All prices apply in the UK, 7 Palazzo Casati Stampa US and Canada only Via Torino, 61 and are subject to alteration Highlights and New Titles I – 20123 Milano without notice. For Value Limited Editions T +39 02 724441 Added Tax (VAT) purposes, F +39 02 72444211 books are zero rated. Photography www.skira.net Information contained Design and Applied Arts Marketing, Publicity and Rights Enquiries in this catalogue was Please contact the International Marketing correct at the time of going Special Editions Manager at Skira: [email protected] to press but is liable to Ancient Art alteration without notice. Editions d’Art Skira Genève Contemporary Art Place du Molard 3 CH 1204 Genève Fashion Distribution details are listed on the Architecture Trade Information pages of this catalogue. Printed in Italy 51 Backlist visit our website Limited Editions www.skira.net Sports find us on Japanese and Oriental Art facebook.com/skiraeditore Modern and Contemporary Art follow us on twitter.com/skiraeditore Catalogues raisonnés instagram.com/skiraeditore pinterest.com/skiraeditore Ancient Art youtube.com/skiraeditore Louvre Abu -
Exhibitions in France As Symbolic Domination: Images of Postmodernism and Cultural Field in the 1980S
Research Collection Journal Article Exhibitions in France as Symbolic Domination: Images of Postmodernism and Cultural Field in the 1980s Author(s): Charitonidou, Marianna Publication Date: 2021-02-12 Permanent Link: https://doi.org/10.3929/ethz-b-000469325 Originally published in: Arts 10(1), http://doi.org/10.3390/arts10010014 Rights / License: Creative Commons Attribution 4.0 International This page was generated automatically upon download from the ETH Zurich Research Collection. For more information please consult the Terms of use. ETH Library Article Exhibitions in France as Symbolic Domination: Images of Postmodernism and Cultural Field in the 1980s Marianna Charitonidou Chair of the History and Theory of Urban Design, Institute for the History and Theory of Architecture (gta), Department of Architecture, ETH Zurich, 8093 Zürich, Switzerland; [email protected] Abstract: The article examines a group of exhibitions that took place in the late seventies and early eighties and are useful for grasping what was at stake regarding the debates on the tensions between modernist and post-modernist architecture. Among the exhibitions that are examined are Europa- America: Architettura urbana, alternative suburbane, curated by Vittorio Gregotti for the Biennale di Venezia in 1976; La Presenza del passato, curated by Paolo Portoghesi for the Biennale di Venezia in 1980; the French version of La presenza del passato—Présence de l’histoire, l’après modernisme—held in the framework of the Festival d’Automne de Paris in 1981; Architectures en France: -
Lewis Baltz, N°40 G, 18.8X22.8 Cm, Tiré De San Quentin Point, 1982-83, Publié En 1985
Lewis Baltz, n°40 G, 18.8x22.8 cm, tiré de San Quentin Point, 1982-83, publié en 1985 LEWIS BALTZ LES NON-LIEUX DU PAYSAGE Nassim Daghighian 2 3 4 5 Lewis Baltz, Candlestick point, 1984-1988, portfolio de 84 photographies, 16.8x22.9cm Lewis Baltz, Fos (Bouches-du-Rhône), 1986, 26.3x41cm, image réalisée dans le cadre de mission photographique de la DATAR, 1983-1989 6 7 8 9 10 11 Lewis Baltz (1945, Newport Beach, Californie ; 2014, Paris, France) Images sur : http://www.geh.org/ar/strip87/htmlsrc2/baltz_sld00001.html Voir aussi Contacts d'Arte ; réalisation Sylvain Roumette, 1998, extrait sur http://archives.arte.tv/fr/archive_62687.html Lewis Baltz est lié à ce genre photographique, qu'on a appelé la "Nouvelle Topographie", qui était une volonté de voir différemment le paysage, s'attachant à la représentation d'un environnement changeant. Expansion des banlieues, espaces désolés, industriels, terrains vagues, les non-lieux prirent une place de plus en plus importante dans le paysage photographique. Si cette nouvelle approche a souvent été interprétée comme dénonciation écologique, on peut noter que nombre de ses artistes mêlent à ce regard documentaire une dimension fortement esthétique, où la beauté n'est pas mise en cause ni absente. Baltz s'est d'abord fait connaître en participant à l'exposition de 1975 New Topographics : Photographs of a Man-altered Landscape, qui montrait un tournant, dans la photographie de paysages, s'éloignant d'une vision héroïque du désert américain pour s'intéresser au caractère souvent banal d'une suburbanité croissante. La totalité des photographies de Baltz représentait une zone industrielle, d'entrepôts, située dans le sud de la Californie. -
Urban Landscapes Register of Parks and Gardens Selection Guide Summary
Urban Landscapes Register of Parks and Gardens Selection Guide Summary Historic England’s selection guides help to define which historic buildings and sites are likely to meet the relevant tests for national designation. Four guides, of which this is one, deal with the types of site included on Historic England’s Register of Parks and Gardens of Special Historic Interest in England which is a constituent part of the National Heritage List for England. Each guide falls into two halves. The first defines the types of site included in it, before going on to give a brisk overview of how these developed through time, with notice of the main designers and some of the key sites. The second half of the guide sets out the particular tests a site has to meet if it is to be included on the Register. A select bibliography gives suggestions for further reading. This guide covers urban designed landscapes, including town walks, squares, municipal parks and seaside gardens. The other three guides treat Rural, and Institutional, landscapes, and Landscapes of Remembrance, that is cemeteries and burial grounds. First published by English Heritage February 2013. This edition published by Historic England December 2017. All images © Historic England unless otherwise stated. HistoricEngland.org.uk/listing/ Front cover Morrab Gardens, Cornwall. A public park developed from the 1880s around a brewer’s house and garden of the 1860s. Registered Grade II. Contents Introduction .........................................1 4 Select Bibliography ...................24 -
GREGORY FAMILY. Gregory Family Papers, 1770-1956
GREGORY FAMILY. Gregory family papers, 1770-1956 Emory University Robert W. Woodruff Library Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Collection Stored Off-Site All or portions of this collection are housed off-site. Materials can still be requested but researchers should expect a delay of up to two business days for retrieval. Descriptive Summary Creator: Gregory family. Title: Gregory family papers, 1770-1956 Call Number: Manuscript Collection No. 624 Extent: 25 linear ft. (49 boxes), 1 oversized papers folder (OP), 7 bound volumes (BV), 2 oversized bound volumes (OBV), and 1 framed item (FR) Abstract: Personal papers of the Gregory family of Ireland including correspondence, financial records, printed material and original literary works. Language: Materials entirely in English. Administrative Information Restrictions on access Collection stored off-site. Researchers must contact the Rose Library in advance to access this collection. Terms Governing Use and Reproduction All requests subject to limitations noted in departmental policies on reproduction. Source Purchase, 1981 with subsequent additions. Citation [after identification of item(s)], Gregory family papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University. Emory Libraries provides copies of its finding aids for use only in research and private study. Copies supplied may not be copied for others or otherwise distributed without prior consent of the holding repository. Gregory family papers, 1770-1956 Manuscript Collection No. 624 Processing Processed by W. Bradford Smith, 1989. This finding aid may include language that is offensive or harmful. Please refer to the Rose Library's harmful language statement for more information about why such language may appear and ongoing efforts to remediate racist, ableist, sexist, homophobic, euphemistic and other oppressive language. -
Dominique Perrault Architecture
GENERIQUE / REMERCIEMENTS PAVILLON DE L’ARSENAL Centre d’information, de documentation et d’exposition d’urbanisme et d’architecture de la Ville de Paris Association loi 1901 Jean-Pierre Caffet, Président, Adjoint au maire de Paris, chargé de l’Urbanisme et de l’Architecture « Scénographies d’architectes » 115 expositions européennes mises en scène par des architectes Exposition et ouvrage créés par le Pavillon de l’Arsenal, juillet 2006 Commissariat général : Pavillon de l’Arsenal Dominique Alba, architecte, Directrice générale Alexandre Labasse, architecte, Directeur délégué Marianne Carrega, architecte, Adjointe à la directrice générale et Responsable des éditions Coordination et suivi de l’ouvrage et de l’exposition : Marion Dambrin, architecte, Catherine Haas, architecte avec Nicolas Migot Recherches documentaires : Fleur Bouscaud et Antonella Casellato, documentalistes Communication : Julien Pansu, architecte, Responsable de la Communication et Elfi Turpin Commissariat scientifi que Christine Desmoulins, critique d’architecture / Agence Desmoulin Architecte avec Emmanuelle Danger EXPOSITION Scénographie : Dominique Perrault Architecture Dominique Perrault, architecte et Gaëlle Lauriot-Prévost, architecte designer avec Julien Fuentes, designer Conception graphique : Sylvain Enguehard, graphiste Ingénierie et structures : e > p, David Chambolle Réalisation et montage Impressions : AD Prod Caissons lumineux : RM Production Bureau d’études : SOCOTEC OUVRAGE Éditions du Pavillon de l’Arsenal Dominique Alba, architecte, Directrice de la