DOCSLIB.ORG

Featured Releases Spring Highlights 107

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Featured Releases Spring Highlights 107 Anonymous artist, Bowling Alley (1905). From Greetings from the Barricades, published by Four Corners Books. See page 42. Featured Releases 2 Limited Editions 99 Journals 101 CATALOG EDITOR Thomas Evans DESIGNER Spring Highlights 107 Martha Ormiston Art 108 CATALOG ASSISTANT Arthur Cañedo Photography 152 COPY WRITING Design 166 Arthur Cañedo, Janine DeFeo, Megan Ashley DiNoia, Thomas Evans Architecture 172 PHOTOGRAPHY Justin Lubliner, Carter Seddon PROOFREADER Specialty Books 185 Miles Champion Art 186 PRINTING Group Exhibitions 196 Sonic Media Solutions, Inc. Photography 200 FRONT COVER IMAGE Patrick Waterhouse, Side Portrait Right Restricted with Athena Nangala Granites from Restricted Images: Made with the Warlpiri of Central Australia, published by SPBH Editions. See page 67. Backlist Highlights 206 BACK COVER IMAGE Index 215 Paul Mogensen, no title (stepped wide and narrow spirals). From Paul Mogensen, published by Karma Books, New York. See page 119. Landscape Painting Now From Pop Abstraction to New Romanticism Edited by Todd Bradway. Text by Barry Schwabsky. Contributions by Susan A. Van Scoy, Robert R. Shane, Louise Sørensen. Although the fact may be surprising to some, landscape painting is positively thriving in the 21st century—indeed, the genre has arguably never felt as vital as it does today. The reasons why, if speculative, surely include our imminent environmental collapse and increasingly digitally mediated existence. Landscape Painting Now is the first book of its kind to take a global view of its subject, featuring more than eighty outstanding contemporary artists— both established and emerging—whose ages span seven decades and who hail from twenty-five different countries. Through its thematic organization into six chapters—Realism and Beyond, Post-Pop Landscapes, New Romanticism, Constructed Realities, Abstracted Topographies, and Complicated Vistas— the book affords a generous window into the very best of contemporary landscape painting, from Cecily Brown’s sensual, fleshy landscapes to Peter Doig’s magic realist renderings of Trinidad, Maureen Gallace’s serene views of beach cottages and the foaming ocean, David Hockney’s radiant capturings of seasonal change in the English countryside, Julie Mehretu’s dynamically cartographic abstractions, Alexis Rockman’s mural-sized, postapocalyptic dioramas, and far beyond. Landscape Painting Now features an extensive essay by Barry Schwabsky, art critic for The Nation. Schwabsky’s text weaves throughout the book, tracing the history of landscape painting from its origins in Eastern and Western art, through its transformation in the 20th century, to its present flourishing. Shorter texts by art historians Robert R. Shane, Louise Sørensen, and Susan A. Van Scoy introduce each artist, situating the importance of landscape within their practice and addressing key works. With over 400 color reproductions, including many details, this ambitious survey makes a compelling case for the continued relevance of landscape painting in our time. D.A.P. 9781942884262 U.S. $55.00 CDN $70.00 Hbk, 11 x 10.25 in. / 368 pgs / 420 color. Includes works by April/Art Etel Adnan Vincent Desiderio Isca Greenfield-Sanders Per Kirkeby Alexis Rockman Francis Alÿs Lois Dodd April Gornik Makiko Kudo Jean-Pierre Roy Hurvin Anderson Peter Doig Pat de Groot Li Dafang Tomás Sánchez Mamma Andersson Rackstraw Downes Daniel Heidkamp Liu Xiaodong Lisa Sanditz Lucas Arruda Tim Eitel Barkley L. Hendricks Damian Loeb George Shaw Jules de Balincourt Inka Essenhigh Israel Hershberg Antonio López García Mark Tansey Ali Banisadr Richard Estes David Hockney Enrique Martínez Celaya Alison Elizabeth Taylor Hernan Bas Genieve Figgis Shara Hughes Julie Mehretu Wayne Thiebaud Amy Bennett Jane Freilicher Yvonne Jacquette Justin Mortimer Luc Tuymans Cecily Brown Barnaby Furnas Merlin James Jordan Nassar Kay WalkingStick Nigel Cooke Maureen Gallace Yishai Jusidman Silke Otto-Knapp Corinne Wasmuht Will Cotton Tim Gardner Alex Kanevsky Celia Paul Matthew Wong Cynthia Daignault Franz Gertsch Alex Katz Sylvia Plimack Mangold Jonas Wood Verne Dawson Adrian Ghenie Anselm Kiefer Neo Rauch Lisa Yuskavage and many more 2 artbook.com artbook.com 3 “We publicly announced 50,000 but planned and built everything for 200,000, which was unheard of. It felt like it was in the air, things were getting uptight and all the assassinations in ’68 and all the political violence . It was the right time to bring everyone together and live the dream for a minute and remind ourselves of what was possible.” –MICHAEL LANG Woodstock: 3 Days of Peace & Music By Michael Lang. This is the official 50th-anniversary celebration of Woodstock, by the festival’s creator and founder, Michael Lang. A large illustrated edition, it includes hundreds of photographs and documents accompanied by Lang’s fascinating memories and insights into the most famous and influential festival of all time, with images of Jimi Hendrix, The Who, Crosby, Stills Nash & Young, Richie Havens, Creedence Clearwater Revival, Santana, Janis Joplin, Joan Baez, Sha-Na-Na, Country Joe McDonald and the Grateful Dead. The ephemera from Lang’s largely unseen archive include the original designs and plans for the event, correspondence, set-lists, information on artists’ fees and much more. This wealth of information is accompanied by the best photographs of the event by famous and unknown photographers such as Ralph Ackerman, John Dominis, Bill Epperidge, Dan Garson, Barry Z. Levine, Ken Regan, Lee Marshall and Baron Wolman, and notably featuring the archive of Henry Diltz.Diltz was the only official photographer at Woodstock and was there for two weeks, from an empty field of cows to first construction, crowds arriving and the aftermath. He also captured onstage performances and behind-the-scenes moments with the many artists involved. Woodstock is an exuberant volume that conveys the vision, hard work and elusive magic that made up “three days of peace and music.” REEL ART PRESS 9781909526624 U.S. $59.95 CDN $75.00 Hbk, 10 x 12 in. / 288 pgs / 150 color / 150 b&w. The official 50th-anniversary July/Music book on the festival that epitomizes the ‘60s 4 artbook.com artbook.com 5 Among Others: Blackness at MoMA Edited with text by Darby English, Charlotte Barat. Text by Mabel O. Wilson, et al. This expansive collection of essays on nearly 200 works in the collection of the Museum of Modern Art is the first substantial exploration of MoMA’s uneven historical relationship with black artists, black audiences and the broader subject of racial blackness. By addressing these subjects through the consideration of works produced either by black artists or in response to race-related subjects, Among Others confronts two kinds of truth: one plainly factual and informative, the other moral. It is equal parts historical investigation and truth-telling about the Museum’s role in the history of the cultural politics of race. The richly illustrated volume begins with two historical essays. The first, by Darby English and Charlotte Barat, traces the history of MoMA’s encounters with racial blackness since its founding—from an early commitment to African art and solo exhibitions devoted to the work of artists such as William Edmondson and Jacob Lawrence in the 1930s and 1940s to its activities during the Civil Rights Movement to the controversial Primitivism show of 1984 and beyond. The second essay, by Mabel O. Wilson, scrutinizes the Museum’s record in collecting the work of black architects and designers. Following these essays are nearly 200 plates, each accompanied by an essay by one of the over 100 authors who hail from a range of fields. Darby English (born 1974) is an Adjunct Curator in the Department of Painting and Sculpture at the Museum of Modern Art, New York, and the Carl Darling Buck Professor at the University of Chicago, where he teaches modern and contemporary art and cultural studies. He is the author of How to See a Work of Art in Total Darkness (2010) and 1971: A Year in the Life of Color (2016). THE MUSEUM OF MODERN ART 9781633450349 U.S. $65.00 CDN $82.00 Hbk, 9 x 10.5 in. / 488 pgs / 300 color. June/Art/African American Art & Culture/African Art & Culture Includes works by John Akomfrah Arthur Jafa William Pope.L Jean-Michel Basquiat William H. Johnson Noah Purifoy Romare Bearden Isaac Julien Faith Ringgold Kevin Beasley Jacob Lawrence Betye Saar Dawoud Bey Spike Lee Ibrahim el-Salahi Paul Chan Norman Lewis Chéri Samba Roy DeCarava Glenn Ligon Yinka Shonibare Stan Douglas Kalup Linzy Malick Sidibé Marlene Dumas Kerry James Marshall Lorna Simpson Melvin Edwards Julie Mehretu Henry Taylor Samuel Fosso Zanele Muholi Hervé Télémaque LaToya Ruby Frazier Wangechi Mutu Alma Thomas Charles Gaines Alice Neel Mickalene Thomas Ellen Gallagher Senga Nengudi Kara Walker Sam Gilliam Chris Ofili Carrie Mae Weems Phillip Guston Gordon Parks Jack Whitten David Hammons Benjamin Patterson Sue Williamson ALSO AVAILABLE ALSO AVAILABLE Barkley L. Hendricks Raoul Peck Fred Wilson Charles White: Black Pope Jacob Lawrence: Leslie Hewitt Howardena Pindell Lynette Yiadom-Boakye 9781633450271 The Migration Series Hbk, U.S. $26.95 CDN $37.00 9781633450400 The Museum of Pbk, U.S. $35.00 CDN $47.50 and more Modern Art, New York The Museum of Modern Art, New York 6 artbook.com artbook.com 7 René Magritte: Life Line The Early Picasso Edited by Xavier Canonne, Julie Waseige, Guido Comis. Blue and Rose Periods In 1938, René Magritte delivered a lecture Edited with text by Raphaël Bouvier. Text by Claire Bernardi, entitled “La Ligne de vie” (“The Life Line”) in Laurent Le Bon, Marilyn McCully, Stéphanie Molins, Antwerp—one of the rare occasions in which the Emilia Philippot. artist talked about his work in public. During the Published for the most ambitious exhibition ever staged hour-long lecture, he illustrated, with the aid of by the Fondation Beyeler, this book is devoted to the slides, the evolution of his work, and revealed the paintings and sculptures of the young Pablo Picasso techniques that had allowed him to create images (1881–1973) from the so-called Blue and Rose periods, characterized by what he called a “disturbing between 1901 and 1906.
Load more

Recommended publications
  • Sean Scully, Jim Dine, Zhang Huan, Wang Guangyi and Historian and Scholar Barry Schwabsky
    Skira Skira Spring 2020 SKIRA EDITORE Spring 2020 Palazzo Casati Stampa via Torino 61 I - 20123 Milan T: +39 02 72 444 1 F: +39 02 72 444 211 [email protected] www.skira.net DISTRIBUTION in USA, Canada, Central & South America through ARTBOOK | D.A.P. (see Trade Information page) in the rest of the world by Thames & Hudson (see Trade Information page) SkiraSpring2020 Skira Group Milan Genève Spring2020 Skira editore All prices apply in the UK, 7 Palazzo Casati Stampa US and Canada only Via Torino, 61 and are subject to alteration Highlights and New Titles I – 20123 Milano without notice. For Value Limited Editions T +39 02 724441 Added Tax (VAT) purposes, F +39 02 72444211 books are zero rated. Photography www.skira.net Information contained Design and Applied Arts Marketing, Publicity and Rights Enquiries in this catalogue was Please contact the International Marketing correct at the time of going Special Editions Manager at Skira: [email protected] to press but is liable to Ancient Art alteration without notice. Editions d’Art Skira Genève Contemporary Art Place du Molard 3 CH 1204 Genève Fashion Distribution details are listed on the Architecture Trade Information pages of this catalogue. Printed in Italy 51 Backlist visit our website Limited Editions www.skira.net Sports find us on Japanese and Oriental Art facebook.com/skiraeditore Modern and Contemporary Art follow us on twitter.com/skiraeditore Catalogues raisonnés instagram.com/skiraeditore pinterest.com/skiraeditore Ancient Art youtube.com/skiraeditore Louvre Abu
    [Show full text]
  • Tate Report 2014/15
    TATE REPORT 2014/15 Appendix A Tate Collection Acquisitions Appendix A: Tate Collection Acquisitions 2014/15 Art & Language (Michael Baldwin, born 1945; Art & Language (Michael Baldwin, born 1945; Mel Ramsden, born 1944) Mel Ramsden, born 1944) Untitled (1977) Untitled (1977) Ten Posters: Illustrations for Art-Language, Ten Posters: Illustrations for Art-Language, P81181-P81190 P81181-P81190 Screenprint on paper Screenprint on paper 1080 x 837 mm 1080 x 837 mm Number 3 from an edition of 40 Number 3 from an edition of 40 Purchased from the artists through Lisson Gallery, Purchased from the artists through Lisson Gallery, London 2014 London 2014 P81188 P81181 Art & Language (Michael Baldwin, born 1945; Art & Language (Michael Baldwin, born 1945; Mel Ramsden, born 1944) Mel Ramsden, born 1944) Untitled (1977) Untitled (1977) Ten Posters: Illustrations for Art-Language, Ten Posters: Illustrations for Art-Language, P81181-P81190 P81181-P81190 Screenprint on paper Screenprint on paper 1080 x 837 mm 1080 x 837 mm Number 3 from an edition of 40 Number 3 from an edition of 40 Purchased from the artists through Lisson Gallery, Purchased from the artists through Lisson Gallery, London 2014 London 2014 P81189 P81187 2 Appendix A: Tate Collection Acquisitions 2014/15 Art & Language (Michael Baldwin, born 1945; Art & Language (Michael Baldwin, born 1945; Mel Ramsden, born 1944) Mel Ramsden, born 1944) Karaoke (2005) Video, projection, colour and sound (stereo), 10 Untitled (1977) screenprints on paper and 13 ringbound booklets Ten Posters: Illustrations
    [Show full text]
  • Exhibitions in France As Symbolic Domination: Images of Postmodernism and Cultural Field in the 1980S
    Research Collection Journal Article Exhibitions in France as Symbolic Domination: Images of Postmodernism and Cultural Field in the 1980s Author(s): Charitonidou, Marianna Publication Date: 2021-02-12 Permanent Link: https://doi.org/10.3929/ethz-b-000469325 Originally published in: Arts 10(1), http://doi.org/10.3390/arts10010014 Rights / License: Creative Commons Attribution 4.0 International This page was generated automatically upon download from the ETH Zurich Research Collection. For more information please consult the Terms of use. ETH Library Article Exhibitions in France as Symbolic Domination: Images of Postmodernism and Cultural Field in the 1980s Marianna Charitonidou Chair of the History and Theory of Urban Design, Institute for the History and Theory of Architecture (gta), Department of Architecture, ETH Zurich, 8093 Zürich, Switzerland; [email protected] Abstract: The article examines a group of exhibitions that took place in the late seventies and early eighties and are useful for grasping what was at stake regarding the debates on the tensions between modernist and post-modernist architecture. Among the exhibitions that are examined are Europa- America: Architettura urbana, alternative suburbane, curated by Vittorio Gregotti for the Biennale di Venezia in 1976; La Presenza del passato, curated by Paolo Portoghesi for the Biennale di Venezia in 1980; the French version of La presenza del passato—Présence de l’histoire, l’après modernisme—held in the framework of the Festival d’Automne de Paris in 1981; Architectures en France:
    [Show full text]
  • Lewis Baltz, N°40 G, 18.8X22.8 Cm, Tiré De San Quentin Point, 1982-83, Publié En 1985
    Lewis Baltz, n°40 G, 18.8x22.8 cm, tiré de San Quentin Point, 1982-83, publié en 1985 LEWIS BALTZ LES NON-LIEUX DU PAYSAGE Nassim Daghighian 2 3 4 5 Lewis Baltz, Candlestick point, 1984-1988, portfolio de 84 photographies, 16.8x22.9cm Lewis Baltz, Fos (Bouches-du-Rhône), 1986, 26.3x41cm, image réalisée dans le cadre de mission photographique de la DATAR, 1983-1989 6 7 8 9 10 11 Lewis Baltz (1945, Newport Beach, Californie ; 2014, Paris, France) Images sur : http://www.geh.org/ar/strip87/htmlsrc2/baltz_sld00001.html Voir aussi Contacts d'Arte ; réalisation Sylvain Roumette, 1998, extrait sur http://archives.arte.tv/fr/archive_62687.html Lewis Baltz est lié à ce genre photographique, qu'on a appelé la "Nouvelle Topographie", qui était une volonté de voir différemment le paysage, s'attachant à la représentation d'un environnement changeant. Expansion des banlieues, espaces désolés, industriels, terrains vagues, les non-lieux prirent une place de plus en plus importante dans le paysage photographique. Si cette nouvelle approche a souvent été interprétée comme dénonciation écologique, on peut noter que nombre de ses artistes mêlent à ce regard documentaire une dimension fortement esthétique, où la beauté n'est pas mise en cause ni absente. Baltz s'est d'abord fait connaître en participant à l'exposition de 1975 New Topographics : Photographs of a Man-altered Landscape, qui montrait un tournant, dans la photographie de paysages, s'éloignant d'une vision héroïque du désert américain pour s'intéresser au caractère souvent banal d'une suburbanité croissante. La totalité des photographies de Baltz représentait une zone industrielle, d'entrepôts, située dans le sud de la Californie.
    [Show full text]
  • Dominique Perrault Architecture
    GENERIQUE / REMERCIEMENTS PAVILLON DE L’ARSENAL Centre d’information, de documentation et d’exposition d’urbanisme et d’architecture de la Ville de Paris Association loi 1901 Jean-Pierre Caffet, Président, Adjoint au maire de Paris, chargé de l’Urbanisme et de l’Architecture « Scénographies d’architectes » 115 expositions européennes mises en scène par des architectes Exposition et ouvrage créés par le Pavillon de l’Arsenal, juillet 2006 Commissariat général : Pavillon de l’Arsenal Dominique Alba, architecte, Directrice générale Alexandre Labasse, architecte, Directeur délégué Marianne Carrega, architecte, Adjointe à la directrice générale et Responsable des éditions Coordination et suivi de l’ouvrage et de l’exposition : Marion Dambrin, architecte, Catherine Haas, architecte avec Nicolas Migot Recherches documentaires : Fleur Bouscaud et Antonella Casellato, documentalistes Communication : Julien Pansu, architecte, Responsable de la Communication et Elfi Turpin Commissariat scientifi que Christine Desmoulins, critique d’architecture / Agence Desmoulin Architecte avec Emmanuelle Danger EXPOSITION Scénographie : Dominique Perrault Architecture Dominique Perrault, architecte et Gaëlle Lauriot-Prévost, architecte designer avec Julien Fuentes, designer Conception graphique : Sylvain Enguehard, graphiste Ingénierie et structures : e > p, David Chambolle Réalisation et montage Impressions : AD Prod Caissons lumineux : RM Production Bureau d’études : SOCOTEC OUVRAGE Éditions du Pavillon de l’Arsenal Dominique Alba, architecte, Directrice de la
    [Show full text]
  • Exhibitions in France As Symbolic Domination: Images of Postmodernism and Cultural Field in the 1980S
    arts Article Exhibitions in France as Symbolic Domination: Images of Postmodernism and Cultural Field in the 1980s Marianna Charitonidou 1,2,3 1 Department of Architecture, Institute for the History and Theory of Architecture (GTA), ETH Zurich, 8093 Zürich, Switzerland; [email protected] 2 School of Architecture of National Technical University of Athens, 42 Patission Street, 106 82 Athens, Greece 3 Faculty of Art History and Theory of Athens School of Fine Arts, 42 Patission Street, 106 82 Athens, Greece Abstract: The article examines a group of exhibitions that took place in the late seventies and early eighties and are useful for grasping what was at stake regarding the debates on the tensions between modernist and post-modernist architecture. Among the exhibitions that are examined are Europa- America: Architettura urbana, alternative suburbane, curated by Vittorio Gregotti for the Biennale di Venezia in 1976; La Presenza del passato, curated by Paolo Portoghesi for the Biennale di Venezia in 1980; the French version of La presenza del passato—Présence de l’histoire, l’après modernisme—held in the framework of the Festival d’Automne de Paris in 1981; Architectures en France: Modernité/post- modernité, curated by Chantal Béret and held at the Institut Français d’Architecture (18 November 1981–6 February 1982); La modernité, un projet inachevé: 40 architectures, curated by Paul Chemetov and Jean-Claude Garcias for the Festival d’Automne de Paris in 1982; La modernité ou l’esprit du temps, curated by Jean Nouvel, Patrice Goulet, and François Barré and held at the Centre Pompidou in 1982; and Nouveaux plaisirs d’architecture, curated by Jean Dethier for the Centre Pompidou in 1985, among other exhibitions.
    [Show full text]
  • Featured Releases Spring Highlights 107 Specialty Books
    Annonymous artist, Bowling Alley (1905). From Greetings from the Barricades, published by Four Corners Books. See page 42. Featured Releases 2 Limited Editions 99 Journals 101 CATALOG EDITOR Thomas Evans DESIGNER Spring Highlights 107 Martha Ormiston Art 108 CATALOG ASSISTANT Arthur Cañedo Photography 152 COPY WRITING Design 166 Arthur Cañedo, Janine DeFeo, Thomas Evans, Megan Ashley DiNoia Architecture 172 PHOTOGRAPHY Justin Lubliner, Carter Seddon PROOFREADER Specialty Books 185 Miles Champion Art 186 PRINTING Group Exhibitions 196 Sonic Media Solutions, Inc. Photography 200 FRONT COVER IMAGE Artisti, from Title, published by SPBH Editions. See page X. BACK COVER IMAGE Backlist Highlights 206 Paul Mogensen, no title (stepped wide and narrow spirals). From Paul Mogensen , published by Karma Books, Index 215 New York. See page 119. Landscape Painting Now From Pop Abstraction to New Romanticism Edited by Todd Bradway. Text by Barry Schwabsky. Contributions by Susan A. Van Scoy, Robert R. Shane’, Louise Sørensen. Although the fact may be surprising to some, landscape painting is positively thriving in the 21st century—indeed, the genre has arguably never felt as vital as it does today. The reasons why, if speculative, surely include our imminent environmental collapse and increasingly digitally mediated existence. Landscape Painting Now is the first book of its kind to take a global view of its subject, featuring more than eighty outstanding contemporary artists— both established and emerging—whose ages span seven decades and who hail from
    [Show full text]
  • Download New Glass Review 14.Pdf
    The Corning Museum of Glass NewG lass Review 14 The Corning Museum of Glass Corning, New York 1993 Objects reproduced in this annual review Objekte, die in dieser jahrlich erscheinenden were chosen with the understanding Zeitschrift veroffentlicht werden, wurden unter that they were designed and made within der Voraussetzung ausgewahlt, daB sie the 1992 calendar year. innerhalb des Kalenderjahres 1992 entworfen und gefertigt wurden. For additional copies of New Glass Review, Zusatzliche Expemplare der New Glass Review please contact: konnen angefordert werden bei: The Corning Museum of Glass Sales Department One Museum Way Corning, New York 14830-2253 Telephone: (607) 937-5371 Fax: (607) 937-3352 All rights reserved, 1993 Alle Rechte vorbehalten, 1993 The Corning Museum of Glass The Corning Museum of Glass Corning, New York 14830-2253 Corning, New York 14830-2253 Printed in Frechen, Germany Gedruckt in Frechen, Bundesrepublik Deutschland Standard Book Number 0-87290-130-0 ISSN: 0275-469X Library of Congress Catalog Card Number Aufgefuhrt im Katalog der Library of Congress 81-641214 unter der Nummer 81-641214 Table of Contents/lnhalt Page/Seite Jury Statements/Statements der Jury 4 Artists and Objects/Kunstler/innen und Objekte 12 Bibliography/Bibliographie 32 A Selective Index of Proper Names and Places/ Ausgewahltes Register von Eigennamen und Orten 59 erliert die Spitze einer Organisationspyramide ihre Kontur, wenn Jury Statements Vsich die ganze Struktur erweitert? Mir kommt es so vor, als ob einige von den Fuhrenden an der Spitze einer Gruppe dann nicht mehr mitmachen, wenn die Gruppe groGer wird - zum Nachteil des Ganzes. Wahrend andere, nicht weniger wesentlich oder begeisternd, bleiben und so aktiv sind wie immer.
    [Show full text]
  • Harry Shunk and Shunk-Kender Photographs, 1957-1990S, Undated
    http://oac.cdlib.org/findaid/ark:/13030/c8bk1gq2 Online items available Preliminary finding aid for the Harry Shunk and Shunk-Kender photographs, 1957-1990s, undated Laura Schroffel Preliminary finding aid for the 2014.R.20 1 Harry Shunk and Shunk-Kender photographs, 1957-1990s, unda... Descriptive Summary Title: Harry Shunk and Shunk-Kender photographs Date (inclusive): 1957-1990s Number: 2014.R.20 Creator/Collector: Shunk, Harry Creator/Collector: Shunk-Kender Creator/Collector: Kender, Janos Physical Description: 240.81 Linear Feet(334 boxes and 1 flatfile folder) Repository: The Getty Research Institute Special Collections 1200 Getty Center Drive, Suite 1100 Los Angeles 90049-1688 [email protected] URL: http://hdl.handle.net/10020/askref (310) 440-7390 Abstract: Harry Shunk and his partner Janos Kender worked as photographers recording the art world from the 1950s to the 1970s in the United States and Europe. Their extensive photography archive contains iconic images from the post-war era and documents key artists of the time, with candid portraits of artists in their homes and studios, and documentary photographs of exhibitions, exhibition openings and installations, performances, and other events. Request Materials: Request access to the physical materials described in this inventory through the catalog record for this collection. Click here for the access policy . Language: Collection material is in English . Biographical / Historical Note Harry Shunk (1924-2006) was born in Reudnitz, Germany and moved to Paris in his teens. At age 15 he worked as a studio assistant to the photographer Dora Kallmus and from her learned photographic technique. Shunk worked with Kallmus for two years and then set off on his own as a photographer.
    [Show full text]
  • Kartell, Une Entreprise Pionnière Dans Les Matières Plastiques
    FR KARTELL, UNE ENTREPRISE PIONNIÈRE 01 DANS LES MATIÈRES PLASTIQUES PLASTICARIUM COLLECTION Les matières plastiques font leur entrée dans le monde du ANNA CASTELLI-FERRIERI [1918-2006] mobilier notamment grâce à l’entreprise Kartell, fondée en 1949 par Giulio Castelli [1920-2006], ingénieur chimiste, Anna Castelli-Ferrieri est une architecte et designer diplômé de Politecnico de Milan. italienne. En 1943, elle est la première femme diplômée de Politecnico de Milan, dans le domaine de l’architecture. « Mon défi d’entrepreneur a consisté justement à présenter au Cette même année elle épouse Giulio Castelli. Anna public le plastique comme une matière noble, non comme un Castelli-Ferrieri fait partie des designers qui souhaitent ersatz de matière naturelles, mais avec une dignité bien à lui. » transformer le monde du design avec la nouvelle technologie et les nouveaux matériaux, en particulier les plastiques. « Conversazione con Giulio Castelli », in Giulio Castelli, Paola Antonelli et Francesca Picchi, La fabbrica del design. Conversazione i protagnisti del Pour y parvenir, elle a multiplié les collaborations avec des design italiano, Milan : Skira, 2007, p. 26 entreprises prestigieuses dans le domaine du design indus- triel [Arflex, Sambonet, Ycami, Matteograssi, etc.]. En 1966 Giulio Castelli a compris le potentiel extraordinaire des elle rejoint l’entreprise Kartell puis en prend la direction matériaux polymères et a consacré sa vie professionnelle à artistique de 1976 à 1987. créer des objets. Le premier produit a été un porte-ski, suivi d’une ligne importante d’accessoires pour l’automobile. Elle décline alors de nombreux objets du quotidien acces- Cette passion pour cette nouvelle matière l’amène à créer sibles à tous, au point que, dans chaque foyer italien, on en 1951 un département de produits destinés à l’environne- pouvait trouver un objet Kartell.
    [Show full text]
  • Pritzker Architecture Prize Laureate
    ALL MATERIALS ARE FOR PUBLICATION/BROADCAST ON OR AFTER MONDAY, MARCH 31, 2008 MEDIA KIT ANNOUNCING THE 2008 PRITZKER ARCHITECTURE PRIZE LAUREATE A separate photo booklet is provided with images of the Laureate’s works. The photos of the Laureate and his works provided do not represent a complete catalogue of the Laureate’s work, but rather a small sampling. All of the images are linked to high resolution files that you may download for printing. If you have difficulty with downloading, etc., please feel free to contact the media office noted below by phone or email. These may be published and/or broadcast with stories related to this announcement without the need for further permissions or charges. Additional photos are available through the web site at www.rrp.co.uk, but will require permissions following the instructions provided there. Contents Previous Laureates of the Pritzker Prize ....................................................2 Media Release Announcing the 2008 Laureate ......................................3-5 Citation from Pritzker Jury ........................................................................6 Members of the Pritzker Jury ....................................................................7 About Jean Nouvel ................................................................................8-11 Fact Summary .....................................................................................12-13 About the Pritzker Medal ........................................................................14 2008 Ceremony
    [Show full text]
  • THE D.A.P. CATALOG MID-SUMMER 2019 Pipilotti Rist, Die Geduld [The Patience], 2016
    THE D.A.P. CATALOG MID-SUMMER 2019 Pipilotti Rist, Die Geduld [The Patience], 2016. Installation view from Kunsthaus Zürich. Photo: Lena Huber. Courtesy the artist, Hauser & Wirth and Luhring Augustine. From Pipilotti Rist: Open My Glade, published by Louisiana Museum of Modern Art. See page 20. Mid-Summer 2019 New Releases 2 CATALOG EDITOR Back in Stock 9 Thomas Evans DESIGNER Lower-Priced Books 10 Martha Ormiston PHOTOGRAPHY Books for Summer 12 Justin Lubliner, Carter Seddon COPY WRITING More New Books 14 Janine DeFeo, Thomas Evans, Megan Ashley DiNoia, Arthur Cañedo, Jack Patterson Recently Published by Steidl 26 FRONT COVER IMAGE Stefan Draschan. from Coincidences at Museums, published by Hatje Cantz. See page 5. SPRING/SUMMER ■ 2019 SPRING/SUMMER ■ 2019 Basquiat's "Defacement": The Untold Story Text by Chaédria LaBouvier, Nancy Spector, J. Faith Almiron. Police brutality, racism, graffiti and Jean-Michel Basquiat painted Defacement (The Death of Michael Stewart) on the wall of Keith the art world of the early-1980s Haring’s studio in 1983 to commemorate the death of a young black artist, who died from injuries sustained while in police custody after being arrested for allegedly tagging a New York City subway Lower East Side converge in one station. Defacement is the starting point for the present volume, which focuses on Basquiat’s response to anti-black racism and police brutality. Basquiat’s “Defacement” explores this chapter painting by Jean-Michel Basquiat in the artist’s career through both the lens of his identity and the Lower East Side as a nexus of activism in the early 1980s, an era marked by the rise of the art market, the AIDS crisis and ongoing racial tensions in the city.
    [Show full text]