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The Corning Museum of Glass NewG lass Review 14

The Corning Museum of Glass Corning, New York 1993 Objects reproduced in this annual review Objekte, die in dieser jahrlich erscheinenden were chosen with the understanding Zeitschrift veroffentlicht werden, wurden unter that they were designed and made within der Voraussetzung ausgewahlt, daB sie the 1992 calendar year. innerhalb des Kalenderjahres 1992 entworfen und gefertigt wurden.

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The Corning Museum of Glass Sales Department One Museum Way Corning, New York 14830-2253 Telephone: (607) 937-5371 Fax: (607) 937-3352

All rights reserved, 1993 Alle Rechte vorbehalten, 1993 The Corning Museum of Glass The Corning Museum of Glass Corning, New York 14830-2253 Corning, New York 14830-2253

Printed in Frechen, Germany Gedruckt in Frechen, Bundesrepublik Deutschland

Standard Book Number 0-87290-130-0 ISSN: 0275-469X

Library of Congress Catalog Card Number Aufgefuhrt im Katalog der Library of Congress 81-641214 unter der Nummer 81-641214 Table of Contents/lnhalt

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Jury Statements/Statements der Jury 4 Artists and Objects/Kunstler/innen und Objekte 12 Bibliography/Bibliographie 32 A Selective Index of Proper Names and Places/ Ausgewahltes Register von Eigennamen und Orten 59 erliert die Spitze einer Organisationspyramide ihre Kontur, wenn Jury Statements Vsich die ganze Struktur erweitert? Mir kommt es so vor, als ob einige von den Fuhrenden an der Spitze einer Gruppe dann nicht mehr mitmachen, wenn die Gruppe groGer wird - zum Nachteil des Ganzes. Wahrend andere, nicht weniger wesentlich oder begeisternd, bleiben und so aktiv sind wie immer. Warum? oes the point of an organizational pyramid lose its sharpness as Dieses Phanomen ist in der New Glass Review ablesbar. Fast die Dthe whole structure expands? It seems to me that some of the Halfte der „Vorantreiber" aus den fruheren Jahren reicht selten, wenn leaders at the top of any group drop out as the group gets larger - to uberhaupt, Dias ihrer aktuellen Arbeiten ein, selbst dann wenn eine the detriment of the whole. But others, no less vital or inspiring, remain Arbeit in jeder Hinsicht neu ist. Zum Beispiel haben wir schon lange and are as active as ever. Why? keine Dias von den Libenskys, Gretel oder Erwin Eisch, Dale Chihuly, This phenomenon is evident in the New Glass Review. Almost half Howard Ben Tre, Lawrence oder Simon Whistler, Kyohei Fujita, Ludwig of the movers and shakers from previous years rarely, if ever, submit Schaffrath, Robert Kehlmann, Ann Wolff oder Karl Schantz erhalten, um slides of their current work, even when that work is "new" in every nur ein Dutzend Namen zu nennen. Auf der anderen Seite gehoren, um sense. For example, we have not received slides from the Libenskys, ein anderes beliebiges Dutzend aufzuzahlen, Bertil Vallien, und Ulrica Gretel or Erwin Eisch, Dale Chihuly, Howard Ben Tre, Lawrence or Hydman-Vallien, Dan Dailey, Jiri Harcuba, Ursula Huth, Tom Patti, Simon Whistler, Kyohei Fujita, Ludwig Schaffrath, Robert Kehlmann, Marvin Liposfsky, Diana Hobson, Susan Stinsmuehlin-Amend, Paul Ann Wolff, or Karl Schantz, to name but a dozen, for a long time. On the Stankard, die Leperliers und Dick Marquis zu denen, die das Museum other hand, those who consistently keep the Museum informed include konsequent auf dem Laufenden halten. Bertil Vallien and Ulrica Hydman-Vallien, Dan Dailey, Jiri Harcuba, Ich vermute, daR nur sehr wenige von denen, die uns nicht regelma- Ursula Huth, Tom Patti, Marvin Lipofsky, Diana Hobson, Susan Stins- Big informieren, das mit Absicht tun. Selbstverstandlich ist das ein muehlin-Amend, Paul Stankard, the Leperliers, and Dick Marquis, to irritierender Umstand fur einen Kunstler, nach mehreren Anlaufen nicht name another random dozen. aufgenommen worden zu sein, auf dessen Konto einige der „Wegfalle" I suspect that very few of those who do not keep us informed do so gehen. Allerdings miBverstehen die meisten, so meine ich, um was es deliberately. There is, of course, an irritation factor for an artist who is der Review geht. Sie halten sie fur eine Art jahrliche Ehrenliste, die sie not included after several tries, which probably accounts for some of entweder nicht notig haben oder uber die nachzudenken sie zu be- the dropouts. But most, I think, simply misunderstand what the Review schaftigt sind. Sie ist keine Dokumentation von Preistragern; sie ist eine is all about. They see it as a sort of annual honor roll, which they either historische Zusammenstellung uber die Kunst des Glasmachens in do not need or are too busy to think about. It is not an awards docu­ unserer Zeit. Wie eine wirkliche Pyramide ist sie dafur bestimmt zu ment; it is a historical record of the art of glassmaking in our time. Like a uberdauern - und je mehr von den ursprunglichen Strukturen uberle- true pyramid, it is designed to last - and the more of the original struc­ ben, umso besser. Kurzum, die New Glass Review sollte von jedem ture that survives, the better. In short, the New Glass Review should be zur Kenntnis genommen werden, der seine Arbeit mit Glas ernst nimmt. drawn from everybody who takes his or her work in glass seriously. Die Auswahl ist ein relativer und aufBerst subjektiver Proze(3 - relativ The selection is a relative and highly subjective process - relative to in Bezug auf auf die einzelnen, zu begutachtenden Vorlagen und the particular submissions surveyed, and subjective because of the subjektiv aufgrund der Erfahrungen und personlichen Vorlieben der experience and personal preferences of the individual jurors. But two jeweiligen Juroren. Aber zwei Faktoren gleichen diese Mangel aus: Zeit factors counterbalance these flaws: time and growth. Seventeen years, und Menge. Siebzehn Jahre mit jeweils zwei wechselnden Juroren in with two different jurors each year, levels out the subjectivity; the jedem Jahr, gleichen die Subjektivitat aus. Die Gesamtzahl aller einge- accumulation of all the slides submitted, not just those reproduced, reichten Dias, nicht nur der reproduzierten, ermoglicht es jedem For- makes it possible for any researcher to sit in judgment on the selections scher, mit der Auswahl jeder Jury ins Gericht zu gehen. of any jury. Bedenken Sie den potentiellen Wert dieser Sammlung, so wie sie Consider the potential value of this record as it now stands: every jetzt ist: Jedes Dia, das uberhaupt eingereicht wurde, ist katalogisiert slide ever submitted has been catalogued and is on file in the library of und in der Bibliothek des Corning Museum of Glass abgespeichert The Corning Museum of Glass. There are some 40,000 slides in all. worden. Es sind insgesamt etwas mehr als 40 000 Dias. Jeder Kunstler, Any artist who submits regularly has a documented retrospective der sich regelmaGig beteiligt hat, verfugt uber eine dokumentierte carefully preserved for the future. The evolution of particular techniques Retrospektive, die fur die Zukunft sorgfaltig aufbewahrt ist. Die Entwick- is not only traceable but also well illustrated. Changes in fashion, color lung der einzelnen Techniken ist nicht nur nachvollziehbar, sondern preferences, and style shifts are easily monitored. Geographic trends, auch gut illustriert. Anderungen in der Mode, Farbvorlieben und Wech- the impact of particular schools and teachers, influencers, and imitators sel des Stils sind leicht abzulesen. Geographische Trends, der EinfluR are all conserved within that database. der einzelnen Schulen, Lehrer, Vorbilder und Nachahmer sind in dieser And it is alive. Each year, another 2,500 slides enter the collection; Datenbank gespeichert. many are from artists whose work has not been seen before. But the Und die ist lebendig. Jedes Jahr erweitern neue 2.500 Dias die Samm­ quality of the Review, both as a contemporary document and as a lung; viele sind von Kunstlern, deren Arbeit vorher noch nicht zu sehen historical record, depends on the thoroughness of its coverage. Glass- war. Aber die Qualitat der Review, sowohl als zeitgenossisches Doku- making today may well be the best-recorded visual art of all time, but it ment als auch als historische Sammlung, hangt von der Vollstandigkeit could be a lot better. in ihrer Berichterstattung ab. Das Glasmachen ist vielleicht eine der am besten dokumentierten visuellen Kunstrichtung aller Zeiten, trotzdem $ $ $ konnte es noch viel besser sein.

It is not uncommon for old people to bemoan the present as they $ $ $ recollect their past. I perceive the symptoms in myself. Here is what I bemoan about the present (as just reviewed in 2,349 fast-moving Fur alte Leute ist es nicht ungewohnlich, die Gegenwart zu beklagen, slides): the steady decline in artists who choose or know how to blow wenn sie sich an ihre Vergangenheit erinnern. Ich kenne die Symptome glass. All the cutting, casting, gluing, and painting techniques are bei mir selbst. Hier ist das, was ich an der Gegenwart beklage (nach- gradually edging out the very qualities that attracted so many to the dem ich gerade 2.349 schnell wechselnde Dias gesehen habe): der medium in the first place. Glass is becoming a nonprecious stone, a stetige Niedergang bei Kunstlern, die sich dafur entschieden haben jack-of-all-trades in the imitation of other materials. I have seen human oder wissen wie man Glas blast. All die Techniken des Schleifens, figures that look as if they were cast in camphor, lumpy bowls in translu­ GieRens, Verklebens und Bemalens grenzen allmahlich diejenigen cent cement, smooth caskets in smoky topaz, and polished assem­ Qualitaten aus, die so viele zunachst zu dem Medium hingezogen blages as bright as Lucite®. There was a time when heavily glazed clay haben. Glas wird zu einem unedlen Stein, einem Hans-Dampf-in-allen- looked like glass; now glass can be made to look like unglazed clay. Is Gassen bei der Imitation anderer Materialien. Ich habe menschliche there some sort of rising shame in exploring and exploiting the unique Figuren gesehen, die aussehen, als waren sie in Kampfer gegossen, 4 aspects of glass, the sensuality of the blown form and the applied bit, klumpige Schalen aus durchscheinendem Zement, glatte Sarge aus rich and transparent color, bright reflections, and prismatic refraction? rauchigem Topas und polierte Assemblagen so leuchtend wie Lucite®. One of the best (if not the best) glassblowers in the United States, Es gab eine Zeit, als stark glasierter Ton aussah wie Glas; jetzt wird William Morris, sent us slides of Canopic jars and animal remains, Glas so bearbeitet, daft es wie unglasierter Ton aussieht. Gibt es eine incredible feats akin to the Blaschkas' flowers. But is he transcending or Art wachsender Scham beim Erforschen und Ausnutzen der dem Glas denying the material he works so magnificently? eigenen Eigenschaften, hinsichtlich des Gespurs fur die geblasene The glass champion, in this curmudgeon's view, is still Dale Chihuly. Form und Applikationen, vielfaltige und transparente Farben, strahlende He continues to explore, to invent, and to show us with extraordinary Reflektionen und prismatische Brechungen? exuberance just how sumptuous glass can be. His color systems, his Einer der besten (wenn nicht gar der beste) Glasblaser in den USA, forms, and the very scale of his pieces are outrageous. Full of allusions William Morris, hat uns Dias von Kanopen und tierischen Skeletten to glass tradition, they are the epitome of vitreous seduction. If he had geschickt, unglaubliche Kunststucke, verwandt mit den Blumen der only sent in slides, I could show you what I mean. Blaschkas. Aber geht er uber das Material hinaus, mit dem er so Thomas S. Buechner (TSB) herrlich arbeitet, oder leugnet er es? Founding Director Der Glaschampion, aus dieser Brummbarensicht, ist immer noch Dale The Corning Museum of Glass Chihuly. Er fahrt weiter fort zu erforschen, zu erfinden und uns im Uberfluft zu zeigen, wie prachtig Glas sein kann. Seine Farbenvielfalt, seine Formen und die ganze Bandbreite seiner Arbeiten ist aufteror- dentlich. Voller Anspielungen auf die Glastradition, sind sie der Inbegriff glaserner Verfuhrung. Wenn er wenigstens Dias eingeschickt hatte, konnte ich Ihnen zeigen, was ich meine. Thomas S. Buechner (TSB) Grundungsdirektor The Corning Museum of Glass (Ubersetzung HGR/UK)

ear after year, the refrain of these pages is dissatisfaction with the ahr fur Jahr wiederholt sich auf diesen Seiten die Unzufriedenheit Yterm "new". After two days in search of something different, many Jmit dem Terminus „neu". Nach zwei Tagen Suche nach etwas jurors experience exasperation and despair, and beg for abandonment anderem, erleben viele Juroren Erbitterung und Verzweiflung und bitten of the term. There can be no argument that the assessment of change um die Aufgabe dieses Terminus. Es kann kein Argument dafur geben, is a subtle and subjective matter, and that what may be significant daft das Einschatzen von Veranderungen eine subjektive und subtile variation to me may seem like old news to you. Furthermore, in recent Angelegenheit ist und daft etwas, das fur mich eine signifikante Veran- years, newness has become rather unfashionable. Some interpreta­ derung darstellt, fur jemand anderen altbekannt ist. Hinzu kommt, daft tions of Post-Modernism justifiably question the heavy burden of das Neue in den vergangenen Jahren ziemlich aus der Mode gekom- innovation inflicted on artists. men ist. Einige Interpretationen der Postmoderne zweifeln gerechter- However, if we honestly evaluate our own criteria for the contempo­ weise an der schweren Burde des Innovativen, die Kunstlern auferlegt rary works that we most admire, "newness" is indeed a significant ist. factor. It is an unfortunate predicament of the glass world that, as Gleichwohl, wenn wir unsere eigenen Kriterien fur die zeitgenossi- attempts to create serious sculpture have increased, so have the schen Arbeiten, die wir am meisten bewundern, ehrlich bewerten, ist borrowing and repetition of ideas. das „Neue" in der Tat ein ausschlaggebender Faktor. Es ist ein un- Derivativeness and its unquestioning acceptance have become gluckliches Vorurteil der Glaswelt, daft mit den zunehmenden Versu- "business as usual" within our small circle. Perhaps it is the recent chen ernstzunehmende Plastiken zu schaffen, sich auch die Anlehnun- worldwide economic crisis that has brought this predicament sharply to gen und Wiederholungen von Ideen gemehrt haben. our attention. Among the few glass object makers enjoying commercial Das Abgeleitete und seine nicht hinterfragte Akzeptanz sind zum success during these financial hard times are a disproportionate „business as usual" in unserem kleinen Kreis geworden. Vielleicht ist es number whose work warrants reevaluation. Here are some prominent die gegenwartige weltweite okonomische Krise, die dieses Vorurteil so examples from last year: scharf in unser Blickfeld geruckt hat. Unter den wenigen Glasmachern, One installation, and its variations, occupied the featured spot in die in diesen finanziell harten Zeiten kommerziellen Erfolg genieften, several international glass exhibitions. The piece mimics concepts and sind uberproportional viele, deren Arbeiten eine Neubewertung verbur- forms that have been explored more effectively for years by sculptors gen. Hier sind einige prominente Beispiele aus dem letzten Jahr: (largely from the field of fiber) using other light-transmitting materials. Eine Installation und ihre Variationen ist in den Mittelpunkt mehrerer Even greater praise and attention were lavished on another glass internationaler Glasausstellungen geruckt. Das Stuck ahmt Konzepte grouping, and its variations, that comes uncomfortably near to dupli­ und Formen nach, die vor Jahren weit effektiver von Bildhauern (haupt- cating previous well-documented work in clay. Of smaller scale was the sachlich auf dem Gebiet von Textil) erarbeitet worden sind, die andere most recent crop of complicated cut and laminated pieces. Most of this Licht durchlassige Materialien verwenden. Noch groftere Anerkennung work, which at one time represented technical advancement, long ago und Aufmerksamkeit wurde an eine weitere Glasgruppe und ihre ceased to contribute esthetically or thoughtfully to glass art - not to Varianten verschwendet, die dem Kopieren von bereits gut dokumen- mention contemporary craft, design, and sculpture. Yet each new wave tierten Arbeiten aus Ton, unangenehm nahekommt. Von geringerem is heralded with great excitement. Ausmaft war die jungste Ausbeute bei kompliziert geschliffenen und My question is: why do so many curators, critics, dealers, and laminierten Stucken. Die meisten dieser Arbeiten, die einstmals techni- collectors - not to mention the artists - continue to succumb to such schen Fortschritt reprasentierten, haben schon lange aufgehort, asthe- obvious entrapment? Is our focus so narrow that other important tisch oder gedanklich zur Glas-Kunst beizutragen - vom zeitgenossi- developments in art and craft are unknown? Does the reincarnation of schen Kunsthandwerk, vom Design und der Plastik zu schweigen. ideas in our chosen material deserve admiration? Is a twist in tech­ Trotzdem wird jede neue Welle mit grofter Aufregung verkundet. nique or an increase in scale really sufficient to distinguish an object? Ich frage mich: Warum fahren so viele Kuratoren, Kritiker, Handler Look through any survey of glass painting and sculpture in the past und Sammler - von den Kunstlern ganz zu schweigen - fort, solch five years, and make an honest assessment of the contents as art. I offensichtlichen Irrtumern zu erliegen. Ist unser Blickfeld so eng, daft believe the single exhibition that successfully challenged the status quo andere wichtige Entwicklungen in der Kunst und im Kunsthandwerk was "Glass: Material in the Service of Meaning," curated by Ginny nicht bekannt sind. Verdient das „Sich-neu-ausdrucken" von Ideen in Ruffner for the Tacoma Art Museum in Washington State. The work dem von uns gewahlten Material Bewunderung? Ist das Verknupfen included in that show used glass effectively to interpret, rather than unterschiedlicher Ebenen oder das immer grofter Werden wirklich recycle, ideas. ausreichend, um ein Objekt auszuzeichnen? Newness is important. Blattern Sie irgendeinen Uberblick uber Glasmalerei und Skulptur I found that a lot of entries in New Glass Review 14 satisfied my own aus den letzten fiinf Jahren durch, und nehmen Sie eine ehrliche new and good requirements. Within this group, two pieces are the most Einschatzung der Arbeiten als Kunst vor. Ich glaube, die einzige Aus- memorable. stellung, die den Status quo herausgefordert hat, war „Glass: Material in Anna Skibska's Tympanum is a splendid interpretation of medieval the Service of Meaning", die von Ginny Ruffner fur das Tacoma Art cathedral decoration. Traditionally, the lunette that sits above a portal Museum in Washington State betreut wurde. Die Arbeiten, die dort depicts scenes from the life of Christ. I find Skibska's web Qf trans­ gezeigt wurden, setzten Glas eindrucksvoll ein, um Ideen zu interpretie- parency more powerful than the early narratives. It evokes spirituality ren und nicht um sie zu recyclen. rather than religious dogma. Das Neue ist wichtig. The other object I return to is Shiro Annualar by Jack Wax. Like Ich bin der Meinung, daB viele Einsendungen fur die New Glass Tympanum, this sculpture is mysterious, but not obscure or unintelligi­ Review 14 meinen eigenen neuen und bewahrten Anforderungen ble. It provokes contemplation and wonder beyond the transient delight entsprachen. Innerhalb dieser Gruppe sind zwei Arbeiten besonders of obvious tricks. Various interpretations are suggested, with no one erwahnenswert. correct conclusion. The form of soft, hovering shapes is simple and Anna Skibskas Tympanum ist eine groBartige Interpretation des uncontrived, yet it manages to suspend easy assumptions about blown Schmucks mittelalterlicher Kathedralen. Traditionellerweise stellt die glass and beauty. Lunette, die oberhalb eines Portals angebracht ist, Szenen aus dem These qualities will not hold the same attraction for a viewer seeking Leben Christi dar. Ich finde Skibskas transparentes Gewebe aus- literal meaning and an unobstructed path to Understanding. Sometimes drucksstarker als die fruhen Darstellungen. Es vermittelt eher Spirituali­ we are wise to ask for guidance. Lack of thought and sensitivity can be ty als religioses Dogma. mistaken for, or misrepresented as, artistic concepts so sophisticated Das andere Objekt, auf das ich mich beziehe, ist Shiro Annualar that they defy comprehension by the humble viewer. Nonetheless, art von Jack Wax. Wie Tympanum ist diese Plastik geheimnisvoll, dabei must be permitted to be inexplicable, as it must be expected to be aber weder dunkel noch unverstandlich. Sie ruft Kontemplation und intelligent. Verwunderung hervor, jenseits eines fluchtigen Entziickens uber Both Wax and Skibska have been included in New Glass Review offensichtliche Kunstgriffe. Verschiedene Interpretationen werden ohne more than once - and with good cause. If you look through past issues, konkrete SchluBfolgerungen angedeutet. Die Form weicher, schweben- you will find the only published chronological record (spotty as it is) of der Gestalten ist einfach und absichtslos, trotzdem gelingt es ihr, vage both of these artists. Neither of them appears in the big glass surveys, Vermutungen uber geblasenes Glas und Schonheit auBer Kraft zu and both of them lack commercial representation in the United States. setzen. There is new art made of glass that rivals the best in any medium, Diese Eigenschaften uben auf einen Beobachter, der nach wortlicher but often it cannot be found in galleries, museum exhibitions, or private Bedeutung und einem ungehinderten Zugang sucht, nicht den gleichen collections. The responsibility is ours to seek it out from an educated Reiz aus. Manchmal sind wir klug genug, nach einer Fuhrung Aus- and discriminating perspective. schau zu halten. Ein Mangel an Gedanken und Gefuhl kann falschli- Susanne K. Frantz (SKF) cherweise fur ein kunstlerisch so raffiniertes Konzept gehalten werden, Curator of 20th-century Glass daB sie sich dem Verstehen durch den einfachen Betrachter widerset- The Corning Museum of Glass zen. Gleichwohl muB es der Kunst gestattet sein, nicht erklarbar zu sein, genauso wie man erwarten darf, daB sie intelligent ist. Beide, Wax und Skibska, sind mehr als einmal in die New Glass Review aufgenommen worden - und das mit gutem Grund. Wenn Sie alte Ausgaben aufschlagen, werden Sie als einzige veroffentlichte Chronologien (so merkwurdig das ist) die uber diese beiden Kunstler finden. Keiner von beiden taucht in den groBen Glasubersichten auf, und beiden fehlt eine kommerzielle Vertretung in den USA. Es gibt neue Kunst aus Glas, die mit dem Besten in jedem anderen Medium mithalten kann, aber meistens findet man sie nicht in Galerien, Museumsausstellungen Oder privaten Sammlungen. Es obliegt unserer Verantwortung, sie von einem geschulten und urteilsfahigen Standpunkt aus auszuwahlen. Susanne K. Frantz (SKF) Kuratorin fur Glas des 20. Jahrhunderts The Corning Museum of Glass (Ubersetzung HGR/UK)

aving reviewed the first New Glass in 1976,1 had a special oppor­ eil ich schon an der ersten New Glass von 1976 teilgenommen Htunity as a member of the New Glass Review 14 panel to reflect Whabe, ergab sich fur mich als Mitglied bei der New Glass Review on the growth and change of the international art glass movement 14 jetzt die besondere Gelegenheit, Uberlegungen zu Wachstum und during the past 17 years. Veranderungen in der internationalen Glaskunstszene wahrend der In reviewing works from 35 countries, it is obvious that the contempo­ vergangenen 17 Jahre anzustellen. rary art glass movement is an expanding global network. While stylistic Bei der Durchsicht von Arbeiten aus 35 Landern wird deutlich, daB die characteristics often exist in areas that have strong glass traditions, the zeitgenossische Glaskunstbewegung wie ein expandierendes globales entries in general reflected the increasing influence of communication Netzwerk ist. Wahrend stilistische Charakteristika oft in Gebieten mit through magazines, international exhibitions, conferences, and educa­ ausgepragten Glastraditionen vorkommen, spiegeln die Eingange insge- tional exchange programs. In addition, the mobility of the artist today - samt den wachsenden EinfluB von Kommunikation durch Zeitschriften, to share his or her expertise, to explore a learning experience, or to internationale Ausstellungen, Konferenzen und Studienaustauschpro- work in a foreign atelier - has strengthened the international glass gramme. Zusatzlich hat die Mobilitat des Kunstlers von heute - der community. While our panel did not review entries by country, we were Austausch von Fachwissen, das Experimentieren in der Praxis Oder das supplied with a list that indicated national response. The number of Arbeiten in Glasateliers - die internationale Gemeinschaft gestarkt. artists who submitted from some of the known active areas, such as the Obwohl unsere Gruppe die eingereichten Arbeiten nicht nach Landern Scandinavian countries, was disappointing. Japan was especially betrachtete, erhielten wir eine Liste, die die Beteiligung nach Nationalita- impressive, with the largest number of entries outside the United States. ten angab. Die Zahl der Kunstler aus den skandinavischen Landern war With contemporary glass truly a global art today, I expect that it will enttauschend. Japan, mit den meisten Einsendungen auBerhalb den continue to grow through international exchange. USA, war besonders beeindruckend. Vom zeitgenossischen Glas, heute Entries from both studio and production factories were reviewed einer wirklich weltumspannenden Kunstrichtung, erwarte ich, daB sie without separation. New as the thematic focus of this annual competi­ durch den internationalen Austausch wachsen wird. tion was the biggest challenge. While we were briefed as to the intent, it Ohne sie zu trennen, wurden die Einsendungen sowohl von Studios als became difficult to define; as a result, each member of the review auch aus der seriellen Fertigung betrachtet. Das Neue, als thematischer committee developed his or her own criteria. I used a very broad Schwerpunkt dieses jahrlichen Wettbewerbs, war die groBte Herausforde- interpretation by aiming for an overall selection of artists' works that rung. Da wir durch das Vorhaben zu Einschrankungen aufgerufen waren, portrayed the panorama of glassmaking in 1993. In a few cases, I wurde seine Definition schwierig; deshalb entwickelte jedes Mitglied des thought that the work was breaking new ground, but I selected a greater Review-Komitees eigene Kriterien. Ich fand zu einer sehr weitlaufigen number of works because they expressed a strong artistic statement, Interpretation, indem es mir darauf ankam, eine umfassende Auswahl zu were technically well executed, and represented something unique. For treffen, die das gesamte Spektrum des Glasschaffens von 1993 wieder- known artists' work, drastic change was not a decisive criterion. While gibt. In wenigen Fallen war ich der Meinung, daB eine Arbeit eine neue some artists' work changes yearly, the work of most artists evolves Qualitat erreicht hat, eine groBere Zahl von Arbeiten wahlte ich aufgrund slowly. ihrer starken kunstlerischen Aussage, weil sie technisch gut ausgefuhrt I believe the important purpose of this annual review is to give new or waren und etwas Besonderes reprasentierten. Fur die Arbeiten von emerging artists an opportunity to become known. I was pleased that bekannten Kunstlern waren radikale Veranderungen nicht das ausschlag- one-fourth of the artists we reviewed submitted work for the first time, gebende Kriterium. Wahrend die Arbeiten einiger Kunstler sich jedes Jahr and that 16 of these works were included in our final selection. andern, entwickeln sich die Arbeiten der meisten langsam. Any international competition such as New Glass Review is based Ich denke, das wichtigste Ziel dieser jahrlichen Review ist es, neuen on what is submitted. While many established artists sent slides, a vast Oder gerade auftauchenden Kunstlern, eine Chance zu geben. Ich war number of known international glass artists chose not to submit. There­ erfreut, daB ein Viertel der beteiligten Kunstler zum ersten Mai Arbeiten fore, the final selection does not give a complete overview of the field. eingereicht hat und daB 16 dieser Arbeiten in unsere Endausscheidung However, it does give a sense of trends and hints of new directions. In gekommen sind. looking at the material submitted as a whole, compared with 17 years Jeder internationale Wettbewerb wie die New Glass Review basiert ago, it is obvious that the field has grown in size, both in the number of auf dem, was eingereicht wird. Wahrend viele etablierte Kunstler Dias artists and in the new geographical areas engaged in some form of geschickt haben, hat eine Vielzahl bekannter internationaler Glaskunstler glassmaking. The work in general is more stylistically diversified, sich dafur entschieden, nicht teilzunehmen. Aus diesem Grund gibt die technically outstanding, mature, and refined. Looking at more than endgultige Auswahl keine komplette Ubersicht. Dennoch macht sie 2,300 entries leaves one with the impression that there are many very Trends und Anzeichen fur neue Richtungen sichtbar. Wenn man insge- accomplished artists who have mastered almost every traditional skill samt das eingereichte Material, verglichen mit dem von vor 17 Jahren, and invented many new interpretations. betrachtet, wird deutlich, daB der Bereich groBer geworden ist, sowohl in But while the review demonstrated the growth and accomplishments bezug auf die Zahl der Kunstler als auch hinsichtlich neuer geographi- of the glass movement, it also exposed some of its weaknesses. There scher Gebiete, die sich in irgendeiner Form dem Glasmachen widmen. is a monotony to a lot of the work. After my review session in Corning, I Allgemein sind die Arbeiten stilistisch ausgefeilter, technisch herausra- looked back at some of the early New Glass publications for compari­ gend, reif und verfeinert. Wenn man mehr als 2300 Einsendungen be­ son. This left me with the feeling that some of the same problems that trachtet, entsteht der Eindruck, daB es viele sehr fahige Kunstler gibt, die existed in the beginning of the Studio Glass Movement have not nicht nur fast jede traditionelle Technik beherrschen, sondern auch zu changed and are still issues today. vielen Neuinterpretationen gefunden haben. I believe that one of the main weaknesses is the artists' lack of focus Aber wahrend die Durchsicht das Anwachsen und die Leistungen der and intent. While it is often a challenge for artists to be objective about Glasbewegung veranschaulichte, stellte sie auch einige ihrer Schwachen their own work, one frequently senses that their motive is to be different heraus. In vielen Arbeiten findet sich eine Monotonie. Nach meiner or to relate to that which has already gained status. Many artists try to Review-Sitzung in Corning habe ich zum Vergleich einige derfruhen New create sculpture, when perhaps their strength is in making functional Glass-Veroffentlichungen herangezogen. Das hat in mir den Eindruck objects, or vice versa. hinterlassen, daB einige der alten Schwierigkeiten, die bereits zu Beginn For the sake of clarity, works submitted can be categorized into three der Studioglasbewegung da waren, sich nicht geandert haben und heute general areas: those created with a functional intent, those created as noch nachwirken. purely artistic statements that parallel developments in the fields of Ich glaube, daB eine der Hauptschwachen der Mangel der Kunstler an contemporary painting and sculpture, and those created for architec­ Konzentration und Intention ist. Wahrend es oft eine Herausforderung fur tural space, which often require collaboration with an architect or Kunstler ist, ihrem eigenen Werk objektiv gegenuberzustehen, spurt man interior designer. All three areas may identify with the craft and decora­ haufig, daB ihr Motiv darin besteht, sich von dem zu unterscheiden - oder tive art traditions, or they may be conceptual and innovative. All are very dazuzugehoren - was bereits einen Stellenwert erreicht hat. Viele Kunst­ valid, significant areas for any glass artist to explore. However, the ler versuchen skulptural zu arbeiten, wahrend ihre Starke vielleicht darin increasing influence of the art market is evident in the studio move­ liegt, funktionale Gegenstande zu entwerfen oder umgekehrt. ment. Usually, a unique goblet may sell for less than a hundred up to a Um der Klarheit willen kann man die eingereichten Arbeiten in drei few hundred dollars, while a mediocre sculpture can bring thousands. generelle Kategorien einteilen: jene, die mit einer funktionalen Intention Most artists today are attracted by the opportunity to sell their work at a entstanden sind, jene, die als rein kunstlerische Aussage entstanden sind, high figure, and galleries promote those works that bring in more parallel zu den Entwicklungen in den Bereichen der zeitgenossischen money. Collectors acquire what is presented to them. Malerei und Plastik, und jene, die fur einen Raum in der Architektur As I reflected on this two-day slide review, I thought that many works entstanden sind, der oft die Zusammenarbeit mit einem Architekten oder indicated a superficial effort to create mainly to be different. If there was Interiordesigner erfordert. Alle drei Bereiche konnen mit Traditionen aus any one consistent problem, it was not knowing when to stop, not dem Bereich der angewandten und dekorativen Kunste gleichgesetzt realizing that less may be more. werden, sie konnen aber auch konzeptorientiert und innovativ sein. Fur My wish for future directions of glass would be that we celebrate the jeden Glaskunstler sind das noch immer gultige, bedeutsame Gebiete, functional object. It would be wonderful to see some new ideas, not only die es zu erforschen gilt. Gleichwohl ist der wachsende EinfluB des in bowls and goblets, but also in the hundreds of things that we use in Kunstmarktes auf die Studiobewegung offensichtlich. Fur gewohnlich our daily lives - glass objects for our offices, kitchens, bedrooms, and kann ein Unikat-Kelch zwischen unter und bis zu mehreren hundert gardens. It would be great to see more artists who are making concep­ Dollar verkauft werden, wahrend eine mittelmaBige Skulptur tausende tual statements take some bold, new steps with the medium of glass, bringen kann. Die meisten Kunstler werden heute von der Moglichkeit free of the restrictions of the glass process and the influence of the gereizt, ihre Arbeiten zu einem sehr hohen Preis zu verkaufen, und marketplace. For public spaces, glass art has vast potential, which often Galerien promoten eben diese Arbeiten, die mehr Geld bringen. Sammler follows very conservative paths. Current technology offers endless erwerben das, was man ihnen vorfuhrt. possibilities for architectural enrichment. In general, I think that the Wenn ich iiber die zwei Tage wahrende Diadurchsicht nachdachte, glass art movement is enjoying a comfortable public spotlight with an kam es mir so vor, als ob viele Arbeiten eine oberflachliche Anstrengung ever expanding audience. Artists are enjoying this acceptance and verrieten, in erster Linie etwas zu schaffen, das anders ist. Wenn es ein financial support system, which is greater than in any other craft disci­ durchgangiges Problem gab, dann, daB man nicht weiB, wann man pline. But the energy and spontaneity that were present in the 1960s, aufhoren muB und nicht realisiert, daB weniger mehr sein kann. when the Studio Glass Movement emerged, are missing today. If Mein Wunsch fur zukunftige Ausrichtungen im Glas ware es, daB wir today's glass artists, with their technical mastery, can recapture some of den funktionalen Gegenstand feiern. Es ware wunderbar, einige neue that spirit of spontaneity and invention, an exciting new era in contem­ Ideen zu sehen, nicht nur was Schalen und Kelche angeht, sondern auch porary glass will emerge. all die hundert Dinge, die wir in unserem taglichen Leben benutzen - I applaud the efforts of The Corning Museum of Glass, which has Glasgegenstande fur unsere Buros, Kuchen, Schlafzimmer und Garten. conducted the New Glass Review for 17 years. The Museum has Es ware groBartig mehr Kunstler zu sehen, die grundsatzliche Uberlegun- promoted the results internationally and created archives for all the gen anstellen, die einige kiihne, neue Schritte mit dem Medium Glas slides that have been submitted each year. This is an ambitious pro­ wagen, unabhangig von den Einschrankungen bei der Glasverarbeitung gram, with a small staff. Having juried hundreds of competitions in the und den Einflussen durch den Markt. Fur den offentlichen Raum stellt die past, I was really impressed with the meticulous organization of the Glaskunst ein ungeheueres Potential bereit, das oft in sehr konservativen materials and the very fair process used. As difficult as it is to review Bahnen verlauft. Generell gesehen glaube ich, daB die Glaskunstbewe- through photography, I believe that the staff has developed a system gung im Brennpunkt des offentlichen Interesses steht, mit einem immer that is as good as any slide review I have experienced. It was also groBer werdenden Publikum. Kunstler erfreuen sich dieser Anteilnahme enjoyable to work with much-respected Museum colleagues Susanne und der finanziellen Unterstutzungen, die in diesem Bereich reichlicher K. Frantz and Tom Buechner, and the talented artists Erwin and Gretel sind als in jeder anderen kunsthandwerklichen Disziplin. Trotzdem fehlt Eisch, who brought an important artists' viewpoint with an international heute die Energie und Spontanitat, die in den 60er spurbar war, als die perspective. Studioglasbewegung aufkam. Wenn die Kunstler von heute mit ihrer Paul J. Smith (PS) technischen Meisterschaft etwas von dem Geist dieser Spontanitat und Director Emeritus, American Craft Museum, dem Erfindungsreichtum zuruckerobern konnen, dann wird eine aufre- and art consultant, New York City gende neue Ara im zeitgenossischen Glas anbrechen. Mein Beifall gilt den Anstrengungen des Corning Museum of Glass, das die New Glass Review schon seit 17 Jahren durchfuhrt. Das Museum hat die Ergebnisse international bekanntgemacht und ein Archiv geschaffen fur all die Dias, die jedes Jahr eingereicht worden sind. Nachdem ich in der Vergangenheit bei Hunderten von Wettbewerben juried habe, war ich wirklich von der auBerst gewissenhaften Organisation und dem sehr fairen AuswahlprozeB beeindruckt. So schwierig es ist, etwas aufgrund einer Photographie zu beurteilen, so sehr denke ich, daB die Mannschaft ein System entwickelt hat, das so gut ist wie jede Diadurchsicht, die ich miterlebt habe. AuBerdem war es ein Vergnugen, mit den allseits ge- schatzten Museumskollegen Susanne K. Frantz und Tom Buechner und den begabten Kunstlern Erwin und Gretel Eisch zusammenzuarbeiten, die den wichtigen Standpunkt von Kunstlern mit internationalen Perspektiven verknupften. Paul J.Smith (PS) Direktor des American Craft Museums a. D. und Art Consultant, New York City (Ubersetzung HGR/UK)

metal monster flew us and other passengers over the ocean. Time in metallenes Monster flog uns und weitere Passagiere uber den A flew with us, and we arrived in New York only three hours later. EOzean. Die Zeit flog mit uns, so daB wir bereits drei Stunden spater in Gretel and I made use of the trip to take in Manhattan; we saw the New York ankamen. Den langen Aufenthalt nutzten Gretel und ich fur Metropolitan Museum and strolled down Fifth Avenue and through einen Abstecher nach Manhattan, wir sahen das Metropolitan Museum Central Park. The imposing surroundings started to make an impact on und schlenderten die Fifth Avenue und den Central Park hinunter. Ein us: we were in America. imposanter Eindruck baute sich in uns auf: wir waren in Amerika. A few hours later, we landed in Elmira. Mary Buechner and Susanne Ein paar Stunden spater landeten wir in Elmira, Mary Buechner und Frantz were already waiting for us. Then, in Corning, the hospitality Susanne Frantz warteten schon auf uns. Dann in Corning empfing uns really started. In Thomas Buechner's studio, a few women and men Gastfreundschaft; in Thomas Buechners Malerstudio saBen ein paar were painting a pretty young girl's portrait. It was like at home in "Tom's Frauen und Manner und malten das Portrat einer hubschen jungen Frau. Hall", the painting workshop at "Bild-Werk Frauenau". Wir fiihlten uns wie zu Hause in „Tom's Hall", der Malerwerkstatt des Bild- We started the next day at 9 a.m. on the dot. Charlene Holland and Werk Frauenau. Barbara Miller showed us 2,349 slides, which Barbara had sorted into Am nachsten Morgen Punkt 9 Uhr ging's los. Charlene Holland und dozens of carousels. Tom introduced us to Paul Smith, director of the Barbara Miller hatten 2349 Dias in ein paar Dutzend Karussells sortiert. American Craft Museum in New York for many years, and then explain­ Tom stellte uns Paul Smith, den langjahrigen Direktor des American Craft ed to us what we were to do. One hundred slides representing quality Museum in New York, vor und sprach ein paar Satze zur Einfuhrung, wies and innovation were to be selected. Then it began - slides, slides, and uns auf den AuswahlprozeB hin. Hundert Dias sollten gefunden werden, more slides. In the beginning, I could still see the people behind the die Qualitat und Neuheit vorstellen. Dann ging's los, Dias, Dias und pictures, still feel the work and care involved in every picture. Eight wieder Dias. Am Anfang sah ich noch die Menschen, die hinter den hundred eighty pairs of eyes were looking up at me, hoping to be Abbildungen standen, wuBte, daB mit jedem Bild Arbeit und Muhe verbun- selected, as I raised my hand to say "yes" or remained still. den war. 880 Augenpaare und ihre Hoffnung auf Aufwertung schauten auf Life first. That has been my main principle for a long while, and so mich, wenn ich meine Hand zum „Yes" erhob Oder schwieg. the inevitable came about: I raised my hand in approval far too often. Leben zuerst - das ist meine Grundeinstellung seit langem, und so My social ego received its first dent as Tom pointed out to me that my kam es wie es kommen muBte, daB ich viel zu oft meine Hand zum „Yes" wife, Gretel, had the same voting rights as I (we shared one of the four erhob. Erst als mich Tom darauf aufmerksam machte, daB meine Frau votes). This called for a compromise. We came to decisions by tapping Gretel das gleiche Stimmrecht hat wie ich (wir beide hatten zusammen out our feelings in a kind of code, and by the pressure of hands. Of eine Stimme von vier), bekam mein Sozialego den ersten Knick. Ab nun course, we would have liked to discuss each slide longer, but that would war KompromiB angesagt. Uber Klopf- und Beruhrungszeichen einigten have meant taking weeks to make our selection. In the final stages, it wir uns auf Yes oder No, und wir beide hatten naturlich gerne uber jedes became clear that we weren't familiar enough with the international Dia langere Zeit diskutiert. DaB damit die Jurierung langer als eine Woche 8 glass scene. Susanne told us that some works we had selected were gedauert hatte, versteht sich von selbst. Bei der letzten und entscheiden- similar to others that had been submitted in previous years, and so they den Auswahl wurde es deutlich, daB wir die internationale Glasszene were no longer "new." Naturally, I have my own feelings about the word nicht gut genug kannten. Von Susanne Frantz erfuhren wir, daB Arbeiten, quality; in fact, I'd like to say straight away that it makes me feel rather die wir auswahlten, genauso Oder so ahnlich bereits in den vergangenen uneasy. This word is abused all too often in the supermarket, in politics, Jahren eingeliefert wurden - „neu" waren sie dann schon nicht mehr. and, above all, in technology. In glass production, "quality" is frequently Uber den Begriff „Qualitat" habe ich naturlich meine eigene Meinung und understood as pure and bubble-free glass. I would not give any prizes mochte gleich sagen, daB ich Unbehagen mit diesem Begriff verbinde. for that kind of quality. Allzuoft ist dieser Begriff im Supermarkt, in der Politik und vor allem von "Is There Life in Your Art?" was the title of my speech to the 1991 der Technologie miBbraucht worden. Auch im Bereich der Glasproduktion Glass Art Society conference. Life is the criterion with which I looked at ist Qualitat nicht selten mit reinem und blasenfreiem Glas gekoppelt. and judged the slides. A glass object is not alive, of course; it is worked Diese Art von Qualitat wurde ich auf keinen Fall pramieren. material in which the spirit, craft, and imagination of the maker are „ls There Life in Your Art?" habe ich bei meinem Vortrag bei der GAS- represented. I did a farewell drawing for Susanne with the title "A Jury Is Konferenz 1991 gefragt. „Leben" ist der MaBstab fur mich, mit dem ich die Searching for Quality - and Lady Beauty Smiles." I was trying to say Dias angeschaut und beurteilt habe. Nun weiB ich naturlich, daB ein Glas- that beauty is more than quality. Beauty is what we're all looking for. In objekt nichts Lebendiges ist, sondern bearbeitetes Material, in dem Geist, my work, I insist on beauty that challenges, beauty that looks for pic­ Handwerk und Imagination des Machers reprasentiert sind. Fur Susanne tures. Here I see the driving force as coming from the individuality of the Frantz habe ich zum Abschied eine Zeichnung mit dem Titel gemacht: „A artist, the root of the creative process. Jury is Searching for Quality - and Lady Beauty Smiles". Schonheit, will I was glad to see little sympathy left among the jurors for abstract ich damit sagen, ist mehr als Qualitat. Schonheit ist es, die wir alle suchen. perfectionism - effects with light and tricks with materials. Perfectionism In meinen Arbeiten setze ich auf Schonheit, die mich herausfordert und Kills Language was the title of one of my glass sculptures last year. And die nach Bildern sucht. Dabei sehe ich in der Individualist des einzelnen since perfectionism is never compatible with life, I reject art that tries to die treibende Kraft, sehe die Wurzel im kreativen ProzeB. go in that direction. "Introduce modern methods of production and Froh bin ich, daB innerhalb der Jury nur noch ganz wenig Sympathie distribution to no matter what homogeneous group, and you will kill its fur abstrakten Perfektionismus, Materialreize und Lichteffekte da war. art overnight," wrote Quentin Bell in his book Bad Art. I have nothing to Perfectionism Kills Language war der Titel einer meiner Glasskulpturen im vergangenen Jahr. Und weil Perfektionismus mit Leben nie vereinbar add to this quotation. I would like to say only that it made me think a lot. ist, darum lehne ich Kunst ab, die in diese Richtung zieht. „lntroduce A large part of art production today defines itself, not in human, but in modern methods of production and distribution to no matter what homo­ market terms, and that's why we have this confusion in art - and not genous group and you will kill its art over night" sagt Quentin Bell in only in art. The word art has lost its value, and so it is no wonder that in seinem Buch Bad Art. Diesem Zitat mochte ich hier nichts mehr hinzufu- the glass movement, too, the word art - glass art - is controversial. For gen. Ich mochte nur sagen, daB mich dieser Satz sehr nachdenklich my part, I would like to say that art is the big in - between - the code gemacht hat. Ein groBer Teil der Kunstproduktion von heute definiert sich between abstraction and figuration, the love between man and nicht human, sondern marktgemaB und darum haben wir diese Konfusion woman, the relationship between humanity and nature, the brake im Bereich der Kunst - und nicht nur dort. Das Wort Kunst hat seinen between two wheels, the mediation between business and death, Wert eingebuBt, und so ist es kein Wunder, daB auch innerhalb der the dusk between day and night, the color between black and Glasbewegung der Begriff Kunst - Glaskunst - umstritten ist. Fur mich, white, the gateway between inside and outside, the purgatory das mochte ich trotzdem sagen, ist Kunst das groBe Dazwischen - der between heaven and earth, the energy between the atoms, the Code zwischen Abstraktion und Figuration, die Liebe zwischen imagination between reality and Utopia, the air between the Mann und Frau, das Verhaltnis zwischen Mensch und Natur, die glassblower's pipe and the hot glass, the road from the start to Bremse zwischen zwei Radern, die Meditation zwischen Geschaft the goal, the everyday life between past and future, the calm und Tod, die Dammerung zwischen Tag und Nacht, die Farbe zwi­ between frenzy and stiffness, the humor between the lines. schen Schwarz und WeiB, das Tor zwischen innen und auBen, das In Frauenau now, looking back at the year 1964, thinking of my first Fegefeuer zwischen Himmel und Holle, die Energie zwischen den visit to The Corning Museum of Glass, as I stood before the magnificent Atomkernen, die Imagination zwischen Wirklichkeit und Utopie, die glass collection, shy and full of wonder, hearing Harvey K. Littleton Luft zwischen der Glasmacherpfeife und dem heiBen Glas, der Weg explaining to the then director, Paul Perrot, his visionary ideas about zwischen Start und Ziel, das alltagliche Leben zwischen Vergangen- glass as a medium for the artist and about glassmaking in the art heit und Zukunft, die Gelassenheit zwischen Hektik und Sturheit, departments, it seems to me that a lot has changed in the intervening der Humor zwischen den Zeilen. years - and not just in the Corning Museum. During the last 30 years, a Wenn ich nun von Frauenau aus auf das Jahr 1964 zuruckblicke und wonderful, lively international glass movement has grown out of those an meinen ersten Besuch im Corning Museum of Glass denke, als ich modest but determined experiments. That inhibited and heavily demar­ schuchtern und voller Staunen vor der groBartigen Glassammlung stand cated design ideology was overcome, and the way to great things was und dabei war, als Harvey K. Littleton dem damaligen Direktor Paul Perrot clear for glassmaking. seine.visionaren Ideen von Glas als Medium fur die Kunstler, vom Glas- It was only an accident that brought the Littleton-Corning tradition machen in den Art-Departments erlauterte, dann mochte ich feststellen, and my Bavarian-Bohemian glass tradition together. They combined to daB sich in den vergangenen Jahren nicht nur im Corning Museum viel build a bridge between cultural history and the demands of modern verandert hat. Aus bescheidenen, aber zielstrebigen Versuchen und times. I see now that the two people who came together were com­ Bemuhungen von damals ist in den vergangenen 30 Jahren eine vitale, pletely different from each other. Harvey's abstraction and determination wunderbare internationale Glasbewegung entstanden. Die arbeitsteilige and my baroque figuration met in the common aim of bringing glass art und verklemmte Design-ldeologie wurde uberwunden und dem Glasma- and freedom closer together. This could never have been achieved by cherhandwerk der Weg zu Hochstleistungen geebnet. means of planning and organization - and that's why it is so important Ein Zufall fuhrte die Littleton-Corning-Tradition und meine bayerisch- that the freedom of art is deeply rooted in every democratic society. bohmische Glastradition zusammen und baute eine Brucke zwischen Art as the human distance between opposites - art as the great Kulturgeschichte und den Bedurfnissen von heute. Jetzt darf ich sagen, unknown - as chance, planning, and beauty. daB hier zwei total verschiedene Menschen zusammen kamen. Harveys Erwin Eisch (E&GE) Abstraktion, seine Zielstrebigkeit und meine barocke Figuration trafen sich Artist in dem gemeinsamen Bemuhen, Glas-Kunst und Freiheit einander Frauenau, Federal Republic of Germany naherzubringen. Mit Planung und Organisation ware dies alles nicht (Translated by Steven Powell) gelungen, und darum ist es so wichtig, daB die Freiheit der Kunst in jeder demokratischen Gesellschaft fest verwurzelt ist. Kunst als humane Distanz zwischen den Gegensatzen - Kunst als die groBe Unbekannte - als Zufall, Planung und Schonheit. Erwin Eisch (E&GE), Kunstler Frauenau, Deutschland would very much like to thank Susanne Frantz and Thomas Buechner ur die Einladung, bei der Auswahl der Dias fur die New Glass Ifor the invitation to take part in the selection of slides for the 1993 FReview 1993 mitzuarbeiten, mochte ich mich bei Susanne Frantz New Glass Review. It was a great experience to see so much work in und Thomas Buechner herzlich bedanken. Es war ein groBes Erlebnis, glass all at once, and it was good training in being spontaneous, since so viele Arbeiten aus Glas auf einmal zu sehen, und es war eine gute we had to make our decisions so quickly. This is something that doesn't Erfahrung in bezug auf die Spontaneitat, die erforderlich war, da die really suit me, and it often pricks my conscience. Therefore, I found it Entscheidungen schnell fallen muBten - was mir nicht so liegt und difficult to reduce Erwin's initially generous selection and my own meiner Gewissenhaftigkeit in solchen Dingen im Wege steht. So fiel es favorites. There was not much time to take all the points into consider­ mir schwer mitzuhelfen, Erwins anfanglich groBzugige Auswahl und ation, to weigh everything, and then to make a decision. We hardly ever meine eigenen Favoriten um die Halfte zu verringern. Es war nicht viel knew who or what was behind the slides - there were too many names Zeit da um zu uberlegen, abzuwagen und alien Kriterien Spielraum zu that meant nothing to us. But, after all, this was supposed to be about lassen. Wir wuBten fast nie, wer Oder was hinter den Dias stand - zu the objects, not the people. Quality, expression, independence - and, viele Namen waren es, die uns nichts sagten. Aber es sollte ja auch above all, newness - were required. hauptsachlich um die Dinge selbst gehen. Qualitat war gefragt, Aus- The fact that some of the items selected do not represent any great druck und Eigenstandigkeit. Vor allem aber das „Neue". development in the artists' work shows that we, the jury, wanted most of DaB nun trotzdem einige Arbeiten unter den Ausgewahlten sind, die all to indicate what direction, according to our experience and opinion, keine groBen Veranderungen im Schaffen des Kunstlers spiegeln, zeigt, art (not only glass art) might take in the future. Where is new language daB uns, den eingeladenen Juroren, vor allem das Bedurfnis zugrunde appearing, new regularity and form, after all the years of abstraction, lag, in die Zukunft zu weisen, anzudeuten, wie es mit der Kunst (nicht speechlessness, and mere letting go? So a fantastic glass engraving, nur der Glaskunst) nach unserer Erfahrung und Meinung, in etwa old from the handcraft point of view but totally new in its objectivity, weitergehen konnte: wo sich eine neue Sprache bildet, eine neue couldn't be left out just because the artist had not changed the external GesetzmaBigkeit und Form, nach all den Jahren der Abstraktion, des form, the manner of speaking. The same was true of a number of Rinnenlassens und der Sprachlosigkeit. Da konnten wir naturlich eine paintings on glass and works in flat glass. phantastische Glasgravur, die in bezug auf das Handwerk alt, aber von What we selected is not the kind of annual review that museum der Gegenstandlichkeit her total neu ist, nicht weglassen, nur weil der people may have to do, showing the development in glass sculptures Kunstler in der auBeren Form - seiner Art zu sprechen - gleich geblie- and windows. Our aim was to seek out a tendency, a movement that ben ist. Dasselbe war bei einigen Flachglasarbeiten und Malereien der could point the way. Here, of course, our own pleasure in the objects Fall. was an important criterion. To "like" something means to be able to feel So wahlten wir nicht einen Jahresuberblick aus, der die Entwicklung one's way into it, to relate to it, because one is searching in the same von Glasskulpturen und Glasfenstern zeigt, wie es vielleicht Museums- direction, on the same road. In the end, art comes alive only insofar as leute tun mussen, sondern es ging uns darum, eine mogliche Tendenz, the individual can derive something personal from the picture or sculp­ eine richtungweisende Bewegung auszusuchen. Dabei war naturlich ture. auch das „Gefallen" ein MaBstab. Gefallen heiBt, mit etwas umgehen My road - our road - leads in the direction of poetry and abstraction, bzw. etwas nachfuhlen zu konnen, weil man selbst in der Richtung language and ornament, or chance and intention, where each artist can sucht und somit auf dem gleichen Weg ist Letztlich wird Kunst nur so find a way to express his or her feelings. For me, the material itself has weit lebendig, wie jeder einzelne aus dem jeweiligen Bild Oder der always been only a means to an end, and for that reason, I couldn't jeweiligen Skulptur etwas herausfuhlen und zu seinem Eigenen ma- really relate to the many undoubtedly stylish and skillfully made pate de chen kann. verre objects, or to many of the architectural glass montages. I hope I Mein - bzw. unser - Weg geht in Richtung Poesie und Abstraktion, will be forgiven for that. There is, to be sure, no other material so man konnte auch sagen Sprache und Ornament oder Zufall und Idee; beautiful and seductive as glass. And so there can be no good glass damit jeder Mensch in seinem jeweiligen Befinden einen Ausdruck sculpture that does not give the glass as a medium something to say in finden kann. Das Material ist mir immer nur ein Mittel zum Zweck, its own right. But this should not become the major or exclusive interest, deshalb konnte ich mit den vielen, bestimmt raffiniert und gekonnt just as the process, with all its chance and charm, should not become gemachten Pate de verre-Sachen und auch vielen architektonischen an end in itself. The glass must be overcome, yet still remain glass. Glasmontagen nicht viel anfangen, was mir hoffentlich verziehen wird. It was a pleasure to see that after 25 years of the Studio Glass Sicherlich gibt es kein Material, das an sich schon so schon und Movement, this material, with its multitude of craft traditions, has finally verfuhrerisch ist wie Glas. Und so wird es auch keine gute Glasskulptur been recognized as an artistic medium, and is being applied in so geben, wenn nicht das Glas als Material eine zusatzliche Aussage hat. many ways. If all the experiments with pate de verre, skillful molding Aber sie darf, meiner Meinung nach, nie vorrangig oder alleine daste- techniques, and new avenues opened up by hot glass colors and hen, ebenso wie der ProzeB mit all den Zufalligkeiten und Reizen nur techniques at the kiln lead to a rebirth of language and imagination, Mittel zum Zweck sein sollte. Das Glas muB uberwunden werden und glass will soon be a more interesting material for art than bronze and doch Glas bleiben. the other traditional sculptural media. Es war schon festzustellen, daB nach 25 Jahren „Glasbewegung" Perhaps in a few years it will be necessary to make a distinction in dieses Material mit seinen vielen Arten von Handwerk endlich als the New Glass Review between the beautiful games played with Werkstoff fur Kunst anerkannt ist und so viel Verwendung findet. Wenn utensils that have always been made of glass and sculpture - that is to all das Experimentieren mit Pate de verre, raffinierten GuBtechniken say, art - that happens to be made of glass because it was at hand or sowie den neuen Moglichkeiten mit HeiBglasfarben und Techniken am because the artist felt at home in the medium. Ofen dazu dient, Sprache kommen zu lassen und Phantasie, so wird Gretel Eisch (E&GE) Glas bald ein interessanteres Material fur die Kunst sein als Bronze Artist, Frauenau, Federal Republic of Germany oder andere traditionelle Werkstoffe fur Skulptur. (Translated by Steven Powell) Vielleicht wird man in der New Glass Review in ein paar Jahren unterscheiden mussen zwischen wunderschonen Spielereien rund um all die Gebrauchsgegenstande, die schon immer nur in Glas gemacht wurden, und der Plastik bzw. Skulptur, die eben Kunst ist, und hier zufallig aus Glas besteht, weil es zur Verfugung stand oder weil man damit gut umgehen konnte. Gretel Eisch, Kunstlerin Frauenau, Deutschland Note SchluBbemerkung

n 1992, more than 5,500 copies of the New Glass Review 14 pro­ 1992 sind mehr als 5500 Einladungen fur die New Glass Review 14 spectus were mailed. Each entrant could submit a maximum of three versandt worden. Jeder Teilnehmer konnte bis zu drei Dias einreichen. slides. A total of 880 individuals and companies representing 35 coun­ Insgesamt schickten 880 Einzelpersonen und Firmen aus 35 Landern tries submitted 2,349 slides. The 100 objects illustrated in this Review 2349 Dias. Die 100 Arbeiten, die in dieser Review abgebildet sind, were selected by the four jurors, whose initials follow the descriptions of wurden von vier Juroren ausgewahlt, deren Initialen den ausgesuchten the objects they chose. (Erwin and Gretel Eisch served as co-jurors and Objekten beigefugt sind. (Erwin und Gretel Eisch hatten zusammen shared one vote.) eine Stimme.) All slides submitted to New Glass Review are retained in the Rakow Alle fur die New Glass Review eingereichten Dias werden in der Library of The Corning Museum of Glass, where they may be viewed by Rakow-Bibliothek des Corning Museum of Glass gesammelt, wo sie der the public. Copies of slides published in any of the past Reviews may Offentlichkeit zur Ansicht zuganglich sind. Kopien von Dias, die in den be purchased by special order from the Museum's Sales Department. vergangenen Reviews erschienen sind, konnen durch Sonderbestel- Copies of New Glass Review 3 (1982) and 13 (1992) are still available lung bei der Verkaufsabteilung des Museums erworben werden. Aus- from the Sales Department, which can also supply all back issues of gaben der New Glass Review 3 (1982) und 13 (1992) sind noch liefer- the Review in black-and-white microfiche. bar. Alle alten Ausgaben der Review konnen auch auf SchwarzweiB- The Corning Museum of Glass would like to thank all of the artists Mikrofiche geliefert werden. and designers who submitted their slides to New Glass Review for Das Corning Museum of Glass mochte sich bei alien Kunstlern und consideration. Special thanks are due to those who made this publica­ Designern bedanken, die ihre Dias zum Wettbewerb eingereicht haben. tion possible: Louise Bush, Charlene Holland, Ernestine Kyles, Nina Besonderer Dank gilt jenen, die diese Ausgabe ermoglicht haben: McPhilmy, Barbara Miller, Richard Price, and Violet Wilson. Louise Bush, Charlene Holland, Ernestine Kyles, Nina McPhilmy, Bar­ bara Miller, Richard Price und Violet Wilson.

Countries Represented / Vertretene Lander

Australia Schwarzmueller, Michael Mexico Hauser, Karl X. Buddie, Roger Werchan, Elke Mort, Sofia Hawk, Leslie Mount, Nick Wolff, Hans-Jiirgen Holland, Susan Procter, Stephen The Netherlands Holmes, James and Great Britain Carlgren, Anna Deborah Doane (33) Austria Grimshaw, Rosalind Hopper, David Wilberger, Harald Malig, Julia New Zealand Jacobson, Garry Pennell, Ronald Robinson, Ann Jaross, Michael Canada Rapport, Frances Kozuru, Niho Jolda, E. G. Ted Solven, Pauline Poland Langston, Nancy Klein, Toan Taylor-Jacobson, Ruth Skibska, Anna Mickelsen, Robert A. Williams, Christopher Mihalisin, Julie Anne Czech Republic Sweden Miner, Charles Adensamova, Blanka Hungary Backstrom, Monica Mulcahy, Kathleen Exnar, Hana and Jan Exnar (23) Horvath, Gabriella Sahlin, Gunnel Nachman, Roger Mares, Jan Stern, Bjorn O'Brien, Leslie L. Sramkova-Solcova, Ivana Israel Oku, Densaburou Verberne, Daniel U.S.A. Rosol, Martin Denmark Aldridge, Peter Russell-Pool, Kari Buus, Marianne H. Italy Bartneck, Lea and Schaechter, Judith Estonia Barovier, Angelo Richard Marquis (6) Scheiner, Michael Kaljo, Kai de Santillana, Alessandro Diaz Boothe, Anna Schwab, Perry de Santillana, Laura Brekke, John Schwartz, Lisa and Finland Carpenter, Ed Kurt Swanson (74) Porkola, Minna Japan Carpenter, James Scott, Rolanda I. Fujita, Jun Cass, Robin Simpson, Josh France Fukunishi, Takeshi Chardiet, Jose Smith, Drew H. Leperlier, Etienne Ito, Kinuko Creyts, Katie Smith, Joel Kita, Yasuko Cribbs, Keke Stanaway, Robin Germany, Federal Republic of Masaki, Yuri Culler, Rene Stevens, Magan Adam, Jan Sumi, Tadashi Dowler, David Thai, Laurie Manta, Elena Graure Tsuji, Kazumi Edwards, Stephen Dee Van Cline, Mary Peretti, Sibylle Wax, Jack Gibian, Mark Volkersz, Willem Ribka, Gerhard Yamanokuchi, Tohru Glancy, Michael Walentynowicz, Janusz A. Schmidt, Christian Yasuda, Reiko Hamada, Kotaro Wolf, Martha 1 Jan Adam Gegossenes optisches Glas; Hamburg, Federal Republic of prazisionsgeschliffen, poliert Artists Germany H. (with base) 137 cm, W. 46 cm, D. 38 cm Novy Bor XXI Vase TSB, PS Cut and enameled sheet glass and Geschliffenes und emailliertes Flachglas H. 62 cm, W. 34 cm, D. 8 cm 4 Monica Backstrom Objects* PS Kosta Boda AB 36065 Boda Glasbruk, Sweden Le Nozze di Figaro 2 Blanka Adensamova Mold-blown glass with hot ap­ Kunstler NA Perstyne 8 plications, engraved, enameled 110 00 Prague 1, Formgeblasenes Glas mit hei- Czech Republic Ben Applikationen, graviert, und The Girls emailliert Molded and fused glass; cut, H. 54 cm, Diam. 24 cm polished, etched SKF Geformtes und verschmolzenes Objekte* Glas; geschliffen, poliert, geatzt H. 55 cm, W. 30 cm, D. 20 cm 5 Angelo Barovier TSB, E&GE Barovier & Toso * Descriptive information Fondamenta Vetrai 28 has been provided by the 1-30141 Murano/Venice, Italy 3 Peter Aldridge entrants. Chandelier Bissa Boba 42 Spencer Hill Road * Die Objektbeschreibungen Blown glass, metal armature Corning, New York 14830 Geblasenes Glas, Metall- sind von denTeilnehme- Amadeus fassungen rinnen und Teilnehmern Cast optical glass; precision- H. 85 cm, W. 85 cm geliefert worden. cut, polished TSB, SKF 6 Lea Bartneck and Tattou/Squirrel Richard Marquis Blown Graal glass; sand­ blasted, acid-etched 3660 Morgan Terrace Road Geblasenes Graalglas; sand- Clayton, California 94517 gestrahlt, sauregeatzt Portrait H. 33.5 cm, W. 23 cm, D. 23 cm Blown glass with encased TSB, E&GE enamels Geblasenes Glas mit Email- einschliissen 9 Roger Buddie H. 61 cm, W. 22 cm, D. 22 cm E & GE, PS 4 Farm Drive Redwood Park, South Australia 5097, Australia Debut 7 Anna Boothe Glass fused in a mold, con­ 391 Wartman Road crete base Collegeville, Pennsylvania Formgeschmolzenes Glas, 19426-1724 Betonsockel Without Stirrups H. 36 cm, W. 25 cm, D. 10 cm Glass fused in a cire perdue E & GE mold, mixed media Glas in einer Cire-perdue-Form geschmolzen, Mixed Media 10 Marianne H. Buus H. 30 cm, W. 18 cm, D. 13 cm Konkylievej 4 E & GE DK-8250 Eg, Denmark Jugs Blown glass 8 John Brekke Geblasenes Glas Leo Kaplan Modern Gallery Tallest: H. 19 cm, W. 10 cm, 965 Madison Avenue D. 13 cm New York, New York 10021 E & GE, SKF 11 Anna Carlgren Prismatic Tile Screen Bellamystrasse 91-93 Cut glass, machined stainless NL-1053 BJ Amsterdam, The stee[ Netherlands Geschliffenes Glas, maschinell bearbeiteter rostfreier Stahl Gold Cube H. 213 cm, W. 178 cm, Chiseled and cut optical glass D. 28 cm GemeiBeltes und geschliffenes PS optisches Glas H. 8 cm, W. 7 cm, D. 6 cm SKF, PS 14 Robin Cass 17 Edgehill Road Winchester, Massachusetts 12 Ed Carpenter 01890 1812 Northwest 24th Avenue Portland, Oregon 97210 Trophy Blown glass, qold leaf Orlando Tower City Hall Plaza, Geblasenes Glas, Blattgold Orlando, Florida H. 15 cm, W. 18 cm, D. 5 cm Tempered, laminated, and TSB, E& GE, PS enameled plate glass; stain­ less steel, lighting Gehartetes,laminiertes und 15 Jose Chardiet emailliertes Flachglas, rost­ 915 West Church Street freier Stahl, Beleuchtung Champaign, Illinois 61821-3331 H. 1,829 cm, W. 335 cm, Table and Chair D. 335 cm Sand-cast, hot-worked, and PS enameled glass Sandgegossenes, heiB bear- beitetes und emailliertes Glas 13 James Carpenter Chair: H. 70 cm, W. 28 cm, 485 Broome Street D. 21 cm New York, New York 10013 TSB, E& GE, PS 16 Katie Creyts Geblasenes, qegossenes und 202 Museum Road emailliertes Glas Shillington, Pennsylvania H. 45.7 cm, W. 31.7 cm, 19607 D. 25.4 cm E & GE Phallic Teapot Mold-blown and enameled glass Formgeblasenes und email- 19 Alessandro Diaz liertes Glas de Santillana H. 20 cm, W. 14 cm, D. 14 cm Via Gonfaloniere 21 TSB, E&GE 21040 Sumirago, Italy Balistide Verde 17 Keke Cribbs Blown and engraved glass P.O. Box 1148 Geblasenes und graviertes Freeland, Washington 98249 Glas H. 58 cm, W. 25 cm, D. 5 cm Katerina TSB, SKF Blown and tooled glass, mixed media Geblasenes und bearbeitetes Glas, Mixed Media 20 Laura de Santillana H. 71 cm, W. 30 cm, D. 17 cm EOS E& GE, SKF San Marco 3328 30121 Venice, Italy 18 Rene Culler Roma Blown glass with murrina 3064 Essex Road "pearls ; engraved Cleveland Heights, Ohio 44118 Geblasenes Glas mit Murano- Walled City Perlen; graviert Blown, cast, and enameled Tallest: H. 30 cm, Diam. 20 cm glass SKF 21 David Dowler Green Eye of the Earth Steuben Cut glass, raku-fired clay Corning, New York Geschliffenes Glas, raku- ebrannter Ton Sanctum Glasses Siiam. 30 cm Blown, sagged, cut, and SKF, PS polished glass Geblasenes, abgesacktes, cjeschliffenes und poliertes 24 Jun Fujita H. 18 cm, Diam. 10.5 cm 1-9, 2-508 Innai TSB, SKF, PS Funabashi Chiba 273, Japan 22 Stephen Dee Edwards The Horizon Blown glass; assembled, 5636 Foster Lake Road sandblasted, acid-etched Alfred Station, New York Geblasenes Glas; montiert, 14803-9746 sandgestrahlt, sauregeatzt Voyager H. 41.5 cm, W. 32 cm, D. 28 cm Glass fused in a mold, bronze, E & GE, SKF, PS stone Formverschmolzenes Glas, Bronze, Stein H. 122 cm, W. 21 cm, D. 36 cm 25 Takeshi Fukunishi TSB, E& GE, SKF, PS 3839-12-101, Shimonoshin Toyamashi, Toyama 930, Japan 23 Hana Exnar and Luna Jan Exnar Kiln-formed glass; polished U Menousku 1442 Ofengeformtes Glas; poliert 580 01 HavlickOv Brod, H. 60 cm, W. 20 cm, D. 11 cm 21 Czech Republic PS 26 MarkGibian Rees Memorial 808 Driggs Avenue Stained glass Brooklyn, New York 11211 Bleiverglasung H. 61 cm, W. 51 cm, D. 1.5 cm Brustian TSB, E&GE Slumped glass, steel Abgesenktes Glas, Stahl H. 136 cm, W. 64 cm, D. 33 cm 29 Kotaro Hamada TSB, SKF, PS 2 College Street Providence, Rhode Island 02903 27 Michael Glancy Looking Up Mt. Vesuvius Heller Gallery Blown glass, copper, wood 71 Greene Street Geblasenes Glas, Kupfer, Holz New York, New York 10012 H. 20 cm, W. 25 cm, D. 40 cm Sanctum Starx E& GE, SKF Blown glass, copper and gold leaf Geblasenes Glas, Kupfer und 30 Karl X. Hauser Blattgold 1094 Revere Avenue, #A-41 H. 8 cm, W. 24 cm, D. 24 cm San Francisco, California PS 94124 Barney Doesn't Eat Here Anymore Glass and neon 28 Rosalind Grimshaw Glas und Neon 6 Windsor Terrace H. 122 cm, W. 142 cm, Clifton, Bristol BS8 4LW, D. 25.5 cm England E&GE

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Ho twel 1.3 I Primary ScKaolj 31 Leslie Hawk Jewel Stripe Candlesticks Box 112, 510 Holmes Street Blown glass Marine on Saint Croix, Geblasenes Glas Minnesota 55047-0112 Tallest: H. 23 cm, Diam. 10 cm TSB, PS Sleight of Hand Pate de verre, reinforced con­ crete, hammered sheet lead Pate de verre, Stahlbeton, 34 David Hopper getriebene Bleiplatte 2902 Neal Road H. 165 cm, W. 48 cm, D. 33 cm Paradise, California 95969 TSB, E& GE, PS Speciman Hot-worked glass with en­ 32 Susan Holland cased enamels and photo­ graphic elements 650 Greenwich Avenue HeiB bearbeitetes Glas mit ein- Warwick, Rhode Island 02886- aeschlossenem Email und 2604 fotografischen Elementen Fresnel Compartments H. 50 cm, W. 22 cm, D. 22 cm Blown and engraved glass TSB, E&GE Geblasenes und graviertes Glas H. 23 cm, W. 102 cm, D. 23 cm TSB 35 Gabriella Horvath Daniel u. 23 B/2 1125 Budapest, Hungary 33 James Holmes and Axis -1 Deborah Doane Ground and polished glass, Chatham Glass Company clay P.O. Box 522 Mattglas, poliert, Ton North Chatham, Massachu­ H. 13 cm, Diam. 39.5 cm setts 02650 SKF, PS 36 Kinuko Ito Geblasenes Glas 4775 Tsurushima Each: H. 16.5 cm, Diam. 11 cm Uenoharamachi, Kitatsurugun TSB, E& GE, PS Yamanashiken 409-01, Japan Kimono Fused millefiori glass 39 E. G. Ted Jolda Verschmolzenes Millefioriglas Andrighetti Glassworks H. 5.7 cm, Diam. 28 cm 1751 West Second Avenue TSB, SKF Vancouver, British Columbia V6J 1 H7, Canada Bunny Hop 37 Garry Jacobson Blown glass with hot applica­ 130 West Second Street tions Chico, California 95928-5304 Geblasenes Glas mit hei(3en Applikationen Fluted Man H. 58 cm, Diam. 30 cm Blown glass with encased TSB, E&GE enamels Geblasenes Glas mit einge- schlossenem Email H. 51 cm, W. 22 cm, D. 25.5 cm 40 Kai Kaljo E & GE Ars-Monumentaal Valaevase 10-6 Tallinn EE0004, Estonia 38 Michael Jaross The Inside Stained, painted, and sand­ Pacifica Glassworks blasted glass 1235 Westlake Avenue North BleigefaBtes, bemaltes und Seattle, Washington 98109 sandgestrahltes Glas Martini Glasses H. 240 cm, W. 560 cm, D. 4 cm Blown glass TSB, E&GE 41 Yasuko Kita Untitled 13-10 Yanaai-cho Sand-cast glass, copper Kanazawa-ku Sandgegossenes Glas, Kupfer Yokohama 236, Japan H. 14 cm, W. 53 cm, D. 10 cm SKF Pirica Pate de verre Pate de verre H. 18 cm, W. 230 cm, D. 85 cm 44 Nancy Langston TSB, SKF 37 Flett Road Belmont, Massachusetts 02178-2216 42 Toan Klein Bird and Stone 280 College Street Pate de verre Toronto, Ontario M5T 1R9, Pate de verre Canada H. 61 cm, W. 9 cm, D. 9 cm TSB, E& GE, PS Rainy Day Mooosic Hot-worked glass with encased photographic elements 45 Etienne Leperlier HeiG bearbeitetes Glas mit ein- 26, rue Frangois aeschlossenen fotografischen Decorchemont Elementen 27190 Conches, France H. 16 cm, W. 15 cm, D. 13 cm Coupe a fleur de peau E&GE Pate de verre Pate de verre H. 17 cm, Diam. 23.5 cm 43 Niho Kozuru TSB, PS 5 Lockwood Lane Topsfield, Massachusetts 01983-1636 46 Julia Malig Vernericka 403 18 Highfields 190 00 Prague, Caldecote Czech Republic Cambridge CB3 7NX, England Crazy Boys and Hot Car 92 Safety Blown Graal glass; engraved Painted, acid-etched, and Geblasenes Graalglas; graviert sandblasted glass; H. 38 cm assembled with copper and E & GE, PS lead Bemaltes, sauregeatztes und 49 Yuri Masaki sandgestrahltes Glas; montiert 1-31, Zeze, 2-chome, Otsu-City mit Kupfer und Blei Shiga 520, Japan H. 19 cm, W. 13.5 cm, D. 4 cm E&GE Creation of Mind Sandblasted plate glass, wood bases 47 Elena Graure Manta Sandgestrahltes Flachglas, Herriger Strasse 24 Holzsockel 5042 Erftstadt-Lechenich, Tallest: H. 120 cm Federal Republic of Germany PS Coloured Cerebral Complica­ tions 50 Robert A. Mickelsen Blown and painted glass 265 Rita Boulevard Geblasenes und bemaltes Melbourne Beach, Florida Glas 32951 H. 70 cm, W. 30 cm, D. 30 cm E & GE, PS Sangre del Iguanazul Flameworked borosilicate glass 48 Jan Mares Lampenbearbeitetes Hartglas with the assistance of Curtiss H. 36 cm, W. 12 cm, D. 10 cm Brock TSB 46 51 Julie Anne Mihalisin 53 Sofia Mort Route 2, Box 45A Mo. Vitrales Milton, West Virginia 25541- Coyoacan, Mexico 9802 Ermitano Droop Brooch Glass assembled with copper Slumped glass, fabricated foil silver, 24-karat gold Glas montiert mit Kupferblech Abgesenktes Gias, Silber, H. 120 cm, W. 70 cm 24 Karat Gold E&GE H. 3.75 cm, W. 11.25 cm, D. 1.25 cm TSB, SKF, PS 54 Nick Mount 87 Sydenham Road Norwood S.A. 5067, Australia 52 Charles Miner Two Cones Tesuque Glassworks Blown glass P.O. Box 146 Geblasenes Glas Bishops Lodge Road Each: H. 44 cm, W. 14 cm Tesuque, New Mexico 87574 TSB, E&GE Blue Fish Glass fused in a cire perdue 55 Kathleen Mulcahy mold Glas in einer Cire-perdue- 260 Whittengale Road Form geschmolzen Oakdale, Pennsylvania 15071 H. 24 cm, Diam. 46 cm Vapors TSB Blown glass, metal armatures Geblasenes Glas, Metall- fassungen Each: H. 152 cm, W. 38 cm, D. 38 cm SKF 56 Roger Nachman Head 1473 Elliott Avenue West Blown glass Seattle, Washington Geblasenes Glas 98119-3104 H. 14 cm, W. 10 cm, D. 10 cm TSB, E& GE, SKF Fun-Loving Beach Beetle Fused ana kiln-formed glass Verschmolzenes und ofen- 59 Ronald Pennell geformtes Glas Hereford, England H. 52 cm, W. 35 cm, D. 13 cm TSB, E&GE Mythmaking Wheel-engraved cased glass Rundum radgraviertes Glas 57 Leslie L. O'Brien H. 20 cm, Diam. 16 cm TSB, E& GE, PS 13 Lewis Street Providence, Rhode Island 02906 60 Sibylle Peretti The Study of Time III Graeffstrasse 2 Cast glass, resin-bonded sand 5000 Cologne 30, Gegossenes Glas, harzdurch- Federal Republic of Germany trankter Sand H. 30 cm, W. 50 cm, D. 30 cm Untitled TSB, SKF, PS Mold-blown, engraved, enam­ eled, and lustered glass; pate de verre, metal Formaeblasenes, graviertes, 58 Densaburou Oku emailNertes und verlustertes 2100 Chestnut Road Glas, Pate de verre, Metall Coopersburg, H. 60 cm, Diam. 25 cm Pennsylvania 18036 TSB, E & GE, SKF, PS 61 Minna Porkola Purim Kosolantie 1 Stained glass 62200 Kauhava, Finland Bleiverglasung H. 1,000 cm, W. 600 cm, Home of Snow D. 4 cm Assembled glass, Styrofoam® TSB, E&GE Montiertes Glas, Styrofam® H. 100 cm, W. 40 cm, D. 45 cm PS 64 Gerhard Ribka Riigenerstrasse 4 W-605 Offenbach-Burgel, 62 Stephen Procter Federal Republic of Germany Canberra School of Art St. Anastasius Childers Street, Acton Painted and leaded glass GPO Box 804 Bemaltes und bleigefaBtes Canberra ACT 2601, Australia Glas World in Change H. 39 cm, W. 52 cm Sand-cast glass, glass and TSB, SKF wood base Sandaegossenes Glas, Glas und Holzsockel 65 Ann Robinson H. 14 cm, Diam. 30 cm P.O. Box 21-495 TSB Henderson Post Office Auckland, New Zealand Nikau Series 63 Frances Rapport Glass fused in two molds; 11 Millwood, Lisvane assembled Cardiff CF4 5TL, Wales Glas in zwei Formen ver- schmolzen; montiert H. 90 cm, W. 20 cm, D. 20 cm TSB, PS

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•iJE,' a • r.w ,,?• -'v • » 51 ~ • 1 M A 66 Martin Rosol Geblasenes Glas mit Farb- Holsten Gallery pulver, sauregeatzt Elm Street Each: H. 36 cm, Diam. 9 cm Stockbridge, Massachusetts TSB, SKF, PS 01262 Last Treasure Series 69 Judith Schaechter Blown, cut, sandblasted, and Snyderman Gallery polished glass; gold leaf 303 Cherry Street Geblasenes, geschliffenes, Philadelphia, Pennsylvania sandgestrahltes und poliertes 19106 Glas; Blattgold Respecting the Bag H. 28 cm, W. 12.5 cm, D. 10 cm Sandblasted, enameled, and TSB, PS engraved glass; assembled with copper foil Sandgestrahltes, emailliertes 67 Kari Russell-Pool und araviertes Glas; montiert Route 3, Box 164A mit Kupferblech Bakersville, North Carolina H. 52 cm, W. 73 cm, D. 2 cm 28705-9525 E & GE, PS Sunflower Wish Bowl Flameworked glass 70 Michael Scheiner Lampenbearbeitetes Glas 10 Clinton Street H. 21 cm, Diam. 23 cm Central Falls, Rhode Island TSB, SKF 02863-2906 Dormant 68 Gunnel Sahlin Blown and acid-etched glass; assembled Kosta Boda AB Geblasenes und sauregeatztes 36052 Kosta, Sweden Glas; montiert Naturalis Vases H. 23 cm, W. 31.5 cm, Blown glass with powdered D. 35.5 cm color, acid-etched TSB, SKF Christian Schmidt King & Queen Chairs Auackerweg 5 Blown glass, steel, velvet 8372 Rabenstein/Zwiesel, Geblasenes Glas, Stahl, Samt Federal Republic of Germany Each: H. 100 cm, W. 46 cm, D. 46 cm Begegnung mit Stefan TSB, E&GE Engraved cased glass, metal support Rundum graviertes Glas, MetallfuB 74 Michael Schwarzmueller H. 32 cm Rappenstrasse 25 TSB, E&GE 7500 Karlsruhe 41, Federal Republic of Germany Kopfe 72 Perry Schwab Flameworked glass 15972 East 14th Street Lampenbearbeitetes Glas San Leandro, California H. 35 cm, W. 30 cm, D. 32 cm 94578-3031 TSB, E&GE Hell Hath No Fury Blown glass Geblasenes Glas 75 Rolanda I. Scott H. 35.6 cm, W. 16.5 cm P.O. Box 5693 EtS GE Richmond, Virginia 23220 Every Which Way Glass and copper cast in a cire Lisa Schwartz and perdue mold Kurt Swanson Glas und Kupfer in eine Cire- Pinkwater Glass perdue-Form gegossen R.D. 10, Church Hill Road H. 18 cm, W. 18 cm, D. 25.5 cm Carmel, New York 10512 E& GE, SKF, PS 76 Josh Simpson Glasborsten, Stahlgriff, Poly- Frank Williams Road OQtprharT Shelburne Falls, H. 67 cm, W. 90 cm, D. 30 cm Massachusetts 01370-9726 TSB, E&GE Tektite Meteorite Goblet Blown glass with iridization Geblasenes Glas mit Metall- 79 Joel Smith bedampfung Steuben H. 28 cm, Diam. 10 cm Corning, New York TSB Menorah Cast, cut, and polished glass; metal 77 Anna Skibska Geaossenes, aeschliffenes UL. Klodnicka 31/30 und poliertes Glas; Metall 54-217 Wroclaw, Poland H. 13.5 cm, W. 24.5 cm, Tympanum D. 4.8 cm Rameworked glass TSB Lampenbearbeitetes Glas H. 350 cm, W. 230 cm, D. 30 cm 80 Pauline Solven TSB, SKF, PS Gloucestershire, England Altered Form - Natural Planes 78 Drew H. Smith Blown glass; cut, reassembled, sandblasted, etched 7793 Bremen Road Geblasenes Glas; geschliffen, Logan, Ohio 43138-9341 montiert, sandgestrahlt, geatzt Painter's Brush H. 30 cm, W. 9.5 cm, Glass bristles, steel handle, D. 12.5 cm polyester resin TSB, E&GE 81 Ivana Sramkova-Solcova 84 Magan Stevens Prague, Czech Republic 5th Street Glass Mother-in-Law's Tongue 2303 Barren Road Oxford, Pennsylvania 19363 mii Glass fused in a mold Formverschmolzenes Glas Woman from Atlantis H. 70 cm, Diam. 30 cm Mold-blown glass, mixed TSB, SKF, PS media Formaeblasenes Glas, Mixed Media 82 Robin Stanaway H. 91.5 cm, W. 58.5 cm, D. 37 cm 874 Kimmerlings Road E & GE Lebanon, Pennsylvania 17042 Circumference Blown, cut, and polished glass; lighting, sound 85 Tadashi Sumi Geblasenes, geschliffenes und Pasutelhous 203, Sannai 87-1 poliertes Glas; Beleuchtung, Itukaichimachi Nishtamagun Klang Tokyo, Japan Overall: H. 300 cm, W. 600 cm, Through D. 720 cm Fused and assembled glass E&GE, PS elements Verschmolzene und montierte Glaselemente 83 Bjorn Stern Overall: H. 120 cm, W. 300 cm, Lovestad, Sweden D. 300 cm PS Silent Deadly Nightshade Pate de verre, wood, brass Pate de verre, Holz, Messing H. 25 cm, W. 15 cm, D. 15 cm 81 E & GE 86 Ruth Taylor-Jacobson Donna Decorata 25 Holne Chase Blown and sandblasted glass Hampstead Garden Suburb Geblasenes und sandgestrahl- London N2 OQL, England tes Glas H. 30 cm, Diam. 25 cm Tree of Life TSB, SKF Enameled and acid-etched glass; assembled with lead Emailliertes und sauregeatztes Glas; montiert mit Blei 89 Mary Van Cline H. 70 cm, W. 40 cm 1473 Elliott Avenue West E & GE Seattle, Washington 98119 The Listening Point 87 Laurie Thai Photosensitive glass, metal with the assistance of Fotosensitives Glas, Metall Melissa Malin H. 183 cm, W. 457 cm, Star Route 352-A D. 396 cm Jackson, Wyoming 83001 E & GE, PS Deep Sea Slumped and sandblasted lass 90 Daniel Verberne bgesenktes und sand- 3 Ha Arava Street gestrahltes Glas P.O. Box 3693 H. 40 cm, W. 76 cm, D. 36 cm Maoz-Zion 90805, Israel TSB Tura Mold-blown glass; etched, 88 Kazumi Tsuji lustered, painted, engraved #303-4-13-35 Mitsukuchishin- Formgeblasenes Glas; geatzt, machi verlustert, bemalt, graviert Kanazawa-shi H. 28 cm, W. 14 cm, D. 9 cm Ishikawa-ken 920, Japan TSB, E& GE, PS 86

m 91 Willem Volkersz Shiro Annualar with the assistance of Bill Todd Blown glass 12299 Portnell Road Geblasenes Glas Bozeman, Montana 59715 H. 42 cm, Diam. 42 cm SKF, PS Studio Portrait Glass and neon, mixed media Glas und Neon, Mixed Media 94 Elke Werchan H. 183 cm, W. 61 cm, D. 74 cm Weststrasse 19 E&GE, PS 5100 Aachen, Federal Republic of Germany Untitled 92 Janusz A. Walentynowicz Glass melted in a metal web 305 East Front Street In Metallgewebe eingeschmol- P.O. Box 3792 zenes Glas Bloomington, H. 30 cm, W. 10 cm, D. 25 cm Illinois 61702-3792 TSB, E& GE, SKF, PS Sea Gull Glass fused in a mold and 95 Harald Wilberger polished, oil paint Glaspunkt Formverschmolzenes Glas, Bahnstrasse 7A poliert, Olfarbe 6166 Fulpmes/Tirol, Austria H. 71.5 cm, W. 46.5 cm, D. 54 cm I Need Glass E&GE, PS Enameled, sandblasted, and enaraved glass; assembled with lead Emailliertes, sandgestrahltes 93 Jack Wax und graviertes Glas; montiert 80 Nishikanaya mit Blei Toyama-shi, H. 29 cm, W. 28 cm, D. 0.5 cm Toyama-ken 930-01, Japan E & GE

30 94 96 Christopher Williams 99 Tohru Yamanokuchi The Glasshouse 533-23 Shimoyasumatsu 65 Long Acre Tokorozawa-city London WC2E 9JH, England Saitama-Pref., Japan Embossed Vases One-Eyed Monsters Mold-blown glass Fused and sand-cast glass Formgeblasenes Glas Verschmolzenes und sand- Each: H. 28 cm, W. 18.5 cm, gegossenes Glas D. 8 cm H. 42 cm, W. 18 cm, D. 11 cm PS TSB, E&GE

97 Martha Wolf 100 Reiko Yasuda 3245 Northeast 78th Portland, Oregon 97213 4-25-23-2008 Irumagawa Sayama-shi Pedal to the Metal Saitama 350-13, Japan Fused and painted glass, wood Verschmolzenes und bemaltes Birds I 1992 Glas, Holz Pate de verre and fused H. 30 cm, W. 55 cm, D. 15 cm glass, metal TSB, E&GE Pate de verre und verschmol­ zenes Glas, Metall H. 145 cm, W. 75 cm, 98 Hans Jiirgen Wolff D. 75 cm Sollner Strasse 20 TSB, E&GE D-8000 Munich 71, Federal Republic of Germany Medizinmann Stained glass Bleiverglasung H. 42 cm, W. 30 cm TSB, E& GE, PS

BIN 111889BK Bibliography OF RECENTLY PUBLISHED ARTICLES AND BOOKS ON GLASS

Bibliographie KURZLICH VEROFFENTLICHTER ARTIKEL UND BUCHER UBER GLAS

This list includes publications added to the Rakow Library of The Corning Diese Liste enthalt Veroffentlichungen, die seit der Bibliographie in der New Museum of Glass since the bibliography for New Glass Review 13. Glass Review 13 zu der Rakow-Bibliothek des Corning Museum of Glass hinzugefugt worden sind. Contemporary Glass (after 1945) Flat Glass (after 1945), including Architectural, Mosaic, Painted, Zeitqenossisches Glas (nach 1945) and Stained Glass Flacnglas (nach 1945), einschlie3lich architekturbezogenes Glas, Glas- Technology (after 1945) mosaik, Glasmalerei und Buntglas Films ana videotapes Technologie (nach 1945) Filme una Videobander Only substantive book reviews are listed; they may be found under the author of the work reviewed. Nur bedeutende Buchkritiken sind aufgefuhrt. Sie sind unter dem Autor des rezensierten Werkes zu finden. The following periodicals are recommended for comprehensive coverage of contemporary glassmaking: Die folgenden Zeitschriften werden fur einen umfassenden Uberblick uber die zeitgenossische Glasgestaltung empfohlen: Glass Glass Art Magazine Glass Glass Art Society Journal Glass Art Magazine Glasswork (Japan) Glass Art Society Journal Neues Glas/New Glass (Germany) Glasswork (Japan) La Revue de la Ceramique et du Verre (France) Neues Glas/New Glass Stained Glass Quarterly La Revue de la Ceramique et du Verre Stained Glass Quarterly Before 1982, this bibliography appeared annually in the Journal of Glass Studies, also published by The Corning Museum of Glass. Vor 1982 erschien diese Bibliographie jahrlich in dem Journal of Glass Studies, das ebenfalls vom Corning Museum of Glass herausgegeben wurde. Entries beginning with a cardinal or ordinal number, expressed either as a numeral or spelled out, will be found after the alphabetical entries, arranged Titel, die mit einer Kardinal- oder Ordinalzahl anfangen und die als Zahl oder numerically. als Wort ausgedruckt sind, werden nach den alphabetischen Eintragen zah- lenmaBig geordnet. Exhibition catalogs, formerly listed under the name of the city in which each exhibition was held, are now listed in the following manner: Ausstellungskataloge, die fruher unter dem Namen der Stadt, in der die Aus- stellung stattgefunden hatte, gefuhrt wurden, finden sich jetzt nach folgendem 1. Under the name of the author (person or organization). Schema geordnet: 2. Under the name of the city in which the exhibition was held (when the author's name is not provided). 1. Unter dem Namen des Autors (der Person oder Organisation) 3. Under the title (when neither the author's name nor the city name is 2. Unter dem Namen der Stadt, in der die Ausstellung stattgefunden hat provided). (sofern der Name des Autors nicht zur Verfugung steht) 3. Unter dem Titel (sofern der Name des Autors oder der Stadt nicht zur Verfugung steht).

CONTEMPORARY GLASS (after 1945)/ZEITGEN0SSISCHES GLAS (nach 1945)

Anonymous 8 "Ein Amerikaner in Frauenau" 17 "At the Craft Gallery" Porzellan + Glas, no. 10, Oct. 1992, p. 63, ill. Craft News (Toronto), v. 16, no. 1, Jan. 1991, p. 1, 1 "Accessions 1991-92" Harvey Littleton's 70th birthday at the Eisch ill. The Toledo Museum of Art Annual Report, home in Frauenau. "Canadian Glassworks" exhibition, Jan.-Feb. 1991-1992, p. 8 and 20-22, ill. 1991. Work by Howard Ben Tre, Toots Zynsky, and 9 "Angelo Mangiarotti, concevoir des objets en others. cristal" 18 "Award Received" Revue des Industries d'Art Offrir, no. 287, Jan. The Corning Museum of Glass Newsletter, 1992, pp. 164-168, ill. 2 "Acquisitions: Charles A. Wustum Museum Winter 1987, p. 4, ill. of Fine Arts, Racine, Wisconsin" 10 "Anthony Corradetti" Gold Medal for Exhibitions from the American American Craft, v. 52, no. 6, Dec. 1992/Jan. 1993, Craft Council, 1987. pp. 22-23, ill. Niche, v. 4, no. 1, Winter 1991/1992, p. 57, ill. Thermon Statom, Judy Bally Jensen. 11 "The Art of Engraving from Saxony" 19 "Baccarat, fasti del passato e del presente" 3 "Acrobatic Alchemy" Continental Homewares, Fall 1992, p. 47, ill. Abitare, no. 307, May 1992, p. 116, ill. In Italian Ontario Craft, v. 17, no. 2, Summer 1992, p. 5, ill. Engraved glasses from Olbernhauer Glas, and English. Jeff Goodman, Sheila Mahut, David Barron Germany. New designers at Baccarat. create work for Toronto restaurant. 12 "Arte e vetro" 20 "Barcelone, le verre en vedette" Ceramic Antica, v. 2, no. 6, June 1992, p. 21, ill. 4 "Adieu, Lalique" Table et Cadeau, no. 329, March 1992, p. 48, ill. Glass by Martin Bradley, Arno Arts, Riccardo Lalique Magazine, v. 4, no. 1, Spring 1992, "Les Nomades du Verre" exposition, Barcelona. Licata, and others in exhibition at Certaldo, Italy. pp. 7-8, ill. List of Lalique designs being retired. 13 "The Artist House" 21 "Ben Tre: New Sculpture Commissioned by Omnuyot (Tel Aviv), no. 1, July 1988, pp. 28-29, ill. Museum" 5 "Alessandro Mendini in Munchen" In Hebrew. The Corning Museum of Glass Newsletter, ArtAurea, no. 2, 1992, p. 107, ill. Alex De Rothschild fund, Jerusalem, awards Winter 1987, p. 2, ill. Designer Mendini's work in Munich exhibit, prizes to artists; piece by Daniel Verberne. Rakow Commission. including vases for Venini, 1988. 14 "Artist Profile: Morna Tudor" 22 "Bergstrom-Mahler Receives Sculptures" 6 "Allehanda: Nytand Hoglund" Glass Gazette (Toronto), Spring 1992, p. 13, ill. Antik et Auktion, no.2, Feb. 1992, p.75, ill. Glass Shards, Winter 1992, p. 2. Erik Hoglund exhibition. 15 "Artist Profile: Ruth Brockmann" Eight sculptures and two paperweights from Wii- The Bullseye Bulletin (Bullseye Glass Co.), ken collection. 7 "The American Craft Council Awards: Marvin Summer 1992, pp. 4-6, ill. Lipofsky" 23 "Bornholmglass populaert i Norge" American Craft, v. 52, no. 4, Aug./Sept. 1992, 16 "Artists Profile: Katherine Gray" Glass & Porselen, v. 46, no.2,1992, pp.28-29, ill. pp. 11-12, ill. Glass Gazette (Toronto), Summer 1992, p. 13, ill. Baltic Sea Glass at Bornholm, Denmark. 24 "Bronzen award voor 'Quetsuuren, roosen- 40 "Creative Glass Center of America - Glass 57 "Una fabbrica di cristallo" hoet en tormentuuren,' bij het 'Kristallnacht' Talk News" Abitare, no. 310, Sept. 1992, pp. 130-131, ill. In project 1991" The Journal, A Newsletter for Friends of Italian and English. Glas & Keramiek, no. 12, July/Aug./Sept. 1992, Wheaton Village, v. 15, no. 2, Spring 1992, p. 4, ill. Cristalleria Livellara, Milan. p. 31, ill. John N. de Wit, Kellmis Fernandez, Stephen M. Work by Jan Willem van Zijst in Kristallnacht Lorson, Woo Mee Suh. 58 "Fall Fellows Arrive at CGCA; USA, project. Canada, Germany Represented" 41 "Les Cristalleries Saint-Louis a la pointe de The Journal, a Newsletter for Friends of 25 "A Celebration of Studio Glass: Howard I'art verrier" Wheaton Cultural Alliance, v. 15, no. 4, Fall 1992, Ben Tre" Revue des Industries d'Art Offrir, no. 288, p. 5. The Toledo Museum of Art Newsletter, April/May Feb. 1992, pp. 111-117, ill. Katherine Gray, Sibylle Peretti, Boyd Sugiki, 1992, p.1, ill. Stephen Paul Day. 42 "Dale Chihuly, Venetians" 26 "Un cilindro in un cubo su un tetto" Glas & Keramiek, no. 12, July/Aug./Sept. 1992, 59 "Fargstarkt, uppkaftigt" Abitare, no. 307, May 1992, p. 101, ill. In Italian and p. 30. In Dutch. Skona Hem, no. 1, Sept. 1992, pp. 62-65, ill. English. Exhibit at Nationaal Glasmuseum, Leerdam. Glass by Gunnel Sahlin, Eva Englund, and Anne Dan Graham design for Dia Center for the Arts, Nilssons. New York. 43 "Daum: Les Stars des collections 92" Revue des Industries d'Art Offrir, no. 296, 60 "Feerie de cristal" 27 "Collecting: Indianapolis Museum of Art" Nov. 1992, pp. 56-57, ill. Trouvailles, no. 94, March 1992, p. 22, ill. American Craft, v. 52, no. 1, Feb./March 1992, Includes piece designed by Philippe Starck. Baccarat makes largest vase known, 1.70 meters p. 8, ill. high. New galleries for decorative arts include 44 "Decade in Glass" 17 pieces of studio glass. Glass Art Magazine, v. 7, no. 2, Jan./Feb. 1992, 61 "Fifth Anniversary, Braggiotti Gallery. Alter p. 34, ill. Ego en Ajeto" 28 "Commissions" Art Glass Association of Southern California Glas & Keramiek, no. 12, July/Aug./Sept. 1992, Sculpture Maquette, v. 1, no. 2, Feb. 1992, pp. 1 exhibit. p. 32, ill. In Dutch. and 6. Gallery with work by Sydney Cash, Askold Ned Kahn, Rick Mills, Jeffrey Rumaner, Tad Savi- 45 "Designer: Hiroyuki Toyoda" Zacko, Borek Sipek. nar, Brynhildur Thorgeirsdottir, David Wilson. Barovier & Toso Informa, no. 1, July 1990, p. 2, ill. In Italian. 62 "Finland Wins International Design Award" 29 "Commissions: Danny Lane" Form-Function-Finland, no. 2, 1992, p. 21, ill. Sculpture, v. 11, no. 4, July/Aug. 1992, p. 63, ill. 46 "Designer Quartet" Pate de verre objects by Paivi Kekalainen. Glass sculpture by Danny Lane for British Rail Reflections, Caithness Paperweights, annual Freight. review no.7, 1992, pp.4- 7, ill. 63 "Finlande: Galerie de portraits" Colin Terris and other Caithness designers. Table et Cadeau, no. 324, Oct. 1991, pp. 21-24, ill. 30 "Commissions: Glen Michaels" Aalto, Wirkkala, Sarpaneva, Toikka, Nurminen, American Craft, v. 52, no. 3, June/July 1992, 47 "Designer Spotlight: Nicolas Triboulot" Salo. p. 26, ill. China, Glass & Tableware, v. 110, no. 11, Fountain reservoir of fused glass tiles in Lansing, Nov. 1992, pp. 8-9, ill. 64 "Flavin Acquisition Radiates Light & Color" Ml. Baccarat designer. On & Off the Wall (Denver Art Museum, Denver, CO), July/Aug. 1992, pp.8- 9, ill. 31 "Commissions: John Gilbert Luebtow" 48 "Designpris 1992" Fluorescent structure by Dan Flavin. American Craft, v. 52, no. 1, Feb./March 1992, Form, v. 88, no. 3 (680), 1992, pp. 11 and 68-69, p. 77, ill. ill. 65 "From the OCC [Ontario Crafts Council] Slumped and sandblasted glass and steel sculp­ 1992 Swedish design prize for a unified table Scrapbook" ture for Los Angeles office. service with glass by Gunnar Cyren. Craft News (Toronto), v. 16, no. 1, Jan. 1991, p. 4, ill. 32 "I confini del design = The Limits of Design" 49 "Egidio Costantini, van Picasso tot Fontana" Glass by Darrell Wilson, Karl Schantz. Ottagono, v. 27, no. 103, June 1992, pp. 33-39, ill. Glas & Keramiek, no. 12, July/Aug./Sept. 1992, Vase by David Palterer, Venini lamp, Philippe pp. 31-32, ill. 66 "Galerie jeste jinak II." Starck vase. Glass vessels by Marc Chagall, Picasso. Umeni a Remesla, no. 4,1991, pp. 77-79, ill. Interview with Eliska Stolting, Hittfeld gallery 33 "Contemporary Glass and the Mass Col­ 50 "Endless Column: C.A.D. Brings a New owner; Novy Bor 4th symposium. lege of Art" Dimension to Glass Art" Cullet from the Glass Museum, Newsletter of the Glass Circle News, no. 54, July 1992, p. 2, ill. 67 "Gallery: Glass" Sandwich Historical Society, v. 6, no. 2, Summer 23-foot column designed by Peter Layton and American Craft, v. 52, no. 2, April/May 1992, 1992, p. 1, ill. Simon Moss for Rouen exhibition. p. 65, ill. Exhibit by glass program students and alumni at Thor Bueno, David Huchthausen, Virginia Hoff­ The Sandwich Glass Museum. 51 "Erik Hoglund" man, George Ponzini, David Lewin. Kultur Spridaren, no. 1, Jan./March 1992, p. 7, ill. 34 "Contemporary Kilnformed Glass" In Swedish. 68 "Gallery: Glass" Glass Art Magazine, v. 7, no. 6, Sept./Oct. 1992, Exhibit at Vaxjo Glasmuseum. American Craft, v. 52, no. 3, June/July 1992, p. 74, pp. 50-51, ill. ill. Exhibition in Portland, Oregon, gallery. 52 "Exhibitions" Christine Baukus, Latchezar Boyadjiev, Linda Craft Arts International (Sydney), no. 24, 1992, Lichtman, Sally Rogers, Therman Statom. 35 "Corning France et les Nomades du Verre a pp. 116-118+, ill. Barcelone" Gerry King, Carol Cohen, Naoto Yokoyama, Jay 69 "Gallery: Glass" Verre Actualites, v. 113, Jan./Feb. 1992, p. 34, ill. Musler, Stephen Skillitzi, Keith Brocklehurst, American Craft, v. 52, no. 5, Oct./Nov. 1992, p. 71, Exposition in Barcelona, Winter 1991-1992. Setsuko Ogishi, and others. ill. Ellie Burke, Clifford Rainey, Ruth Brockmann, 36 "Cover" 53 "Exhibitions" Randy Strong, Rick Beck. Corning World(Corning Incorporated), v. 4, no. 1, Craft Arts International (Sydney), no. 25,1992, Jan./Feb. 1992, cover and p. 1, ill. pp. 116-117, ill. 70 "Gallery: Glass" Steuben swan bowl engraved by Ladislav Havlik. Work by Brocklehurst, Libensky/Brychtova, American Craft, v. 52, no. 6, Dec. 1992/Jan. 1993, Stonor, Yokoyama, Zamecnikova, Zuber. p. 75, ill. 37 "Cover: Accessions" Zoe Adorno, Michael Scheiner, Josh Simpson, The Toledo Museum of Art Annual Report, 54 "Exhibitions: Dale Chihuly at American Narcissus Quagliata, Judith LaScola. 1990-1991, cover, inside cover, and pp. 11 -12, ill. Craft Museum; The Sculpture of Howard Ben A "Venetian" piece and 17 others by Chihuly. Tre" 71 "Gallery: Glass/Mixed Media" Neues Glas, no. 2, 1992, p. 50, ill. American Craft, v. 52, no. 1, Feb./March 1992, 38 "Craftspeople Make Commemorative p. 72, ill. Pieces" 55 "Exhibitions: Neues Glas aus Finnland" Glass by Deborah Dohne, Josh Simpson, Gene Craft News (Toronto), v. 17, no. 2, April/May 1992, Neues Glas, no. 2, 1992, p. 51, ill. Koss. p. 1, ill. Circulating exhibition in Europe. Jamie Sherman, Toan Klein. 72 "Gallery: Glass/Mixed Media" 56 "Exhibitions: Rene Lalique; Frank van den American Craft, v. 52, no. 4, Aug./Sept. 1992, 39 "Crea. Desuet mais actuel" Ham" pp. 90-91, ill. Table et Cadeau, no. 335, Nov. 1992, p. 57, ill. Neues Glas, no. 1, 1992, pp. 48-49, ill. In Work by Nancy Mee, Linda Ethier, Judy Bally Sculptural piece by Jonathan Andersson. German. Jensen. 73 "Gallery: Mixed Media" 91 "Jaroslav Taraba: The Harmony of Shape 110 "Modernes Glas" American Craft, v. 52, no. 5, Oct./Nov. 1992, p. 72, and Function" Kunst und Antiquitaten, no. 9,1992, pp. 83-93, ill. ill. Glass Review, v. 46, no. 12,1991, pp. 16-21, ill. Brief biographies of 17 glass artists. Cast glass piece by Steve Linn. 1960s-1980s Czech designer. 111 "Moonlight, Neon and Time" 74 "Gathering Glass Artists in Spain" 92 "Jenaer Glaswerk GmbH, Jena/Thuringen" Signs of the Times, v. 217, no. 11, Nov. 1992, Craft News (Toronto), v. 16, no. 2, Feb. 1991, p. 11. Die Schaulade, v. 67, no. 2, Feb. 1992, pp. 132-135, ill. Nov. 1990 conference of glass artists and educa­ pp. 230-231, ill. "Time & Light" exhibition incorporating neon tors in Barcelona and Segovia. The Jenaer glass tea service. clocks at New York neon gallery.

75 "Der Glasdesigner Walter Wenzl" 93 "Jim Donofrio" 112 "Morris Museum Presents Landmark Die Schaulade, v. 67, no. 7, July 1992, pp. 84-85, The Weight-Paper (Dunlop Collection, Phoenix, Exhibition" ill. AZ), no. 15, Summer 1992, p. 3, ill. Glass Art Magazine, v. 8, no. 1, Nov./Dec. 1992, Paperweight maker. pp. 26-27, ill. 76 "Glaserne Poesie: 30 Jahre Sonderausstel- Exhibit "Glass from Ancient Craft to Contempo­ 94 "John Reeves; David Van Noppen" lung Erwin Eisch im Hause Tritschler" rary Art: 1962-1992 and Beyond" with 66 artists. Art Today, v. 6, no.3, 1992, pp.25 and 28, ill. Die Schaulade, v. 67, no. V, July 1992, pp. 90-91, 113 "Museum Exhibit to Feature Work of South ill. 95 "Juryrapport - Stimuleringsprijs heden- Jersey Artists" Stuttgart exhibition. daagse glaskunst: Bernardine de Neeve-prijs The Journal, A Newsletter for Friends of 1992" Wheaton Village, v. 15, no. 1, Jan./Feb./March 77 "Glaserner Gleichklang" Bulletin Vereniging van Vrienden van Modern 1992, p. 1, ill. ArtAurea, no. 1,1992, p. 14, ill. Glas, no. 2, 1992, pp. 18-20, ill. Colored vase series by Gerold Wucherer, Glass prize, the Netherlands. 114 "Un Musicien de verre" Vienna. Le Courrier des Metiers d'Art, no. 114, July/Aug. 96 "Karol Holosko, the Founder of the Slovak 1992, p. 20, ill. 78 "Glass America 1992" Glass Design" Jean-Claude Chapuis and his glass musical Glass Art Magazine, v. 7, no. 3, March/April 1992, Glass Review, v. 46, no. 12, 1991, pp. 12-15, ill. instruments association, Paris. pp. 34-35, ill. Czech designer, 1960s-1970s. 115 "Natalie Tatz" 79 "A Glass Realm" 97 "Kjell Engman - Ausstellung in Hamburg" Ornament, v. 15, no. 2, Winter 1991, pp. 76-77, ill. Glass Review, v. 47, no. 7/8,1992, p. 39, ill. Die Schaulade, v. 67, no. 4, April 1992, p. 108, ill. Beaded jewelry. Glass mask by Jan Mares for a film series. 98 "Klar wie Wasser - schwer wie Stein" 116 "Necessario, funzionale, motivato, giusto" 80 "Glass Studio Gets New Name" Porzellan + Glas, no. 5, May 1992, p. 41, ill. Abitare, no. 310, Sept. 1992, pp. 120-121, ill. In British Artists in Glass, no. 6, May 1992, p. 4. Per Lutken, 50 years of glass design. Italian and English. Studio Access to Glass, Corning, NY. Kaj Franck. 99 "Kosta Boda fete 250 ans de creativite" 81 "Glaswerk Dobern: Chronik eines Weges in Revue des Industries d'Art Offrir, no. 292, June 117 "Der neue Stolz von Barcelona" die Zukunft" 1992, pp. 47-51, ill. Art (Hamburg), no. 7, July 1992, pp. 58-59, ill. Die Schaulade, v. 67, no. 8, Aug. 1992, Gunnar Cyren, Ulrica Hydman-Vallien, Bertil Mirrored sculptural piece by Eugenia Balcells. pp. 294-295, ill. English summary. Vallien. 118 "Neues Glas aus Finnland" 100 "Kosta Boda hosten 1992 - artisteri och ArtAurea, no.2, 1992, p. 105, ill. 82 "Graceful Magic of Art in Glass" personligheter" Exhibition at Germanisches Nationalmuseum, Life, April 1979, pp. 83-88, ill. Glas och Porslin, v. 62, no. 5/6,1992, p. 13, ill. Nurnberg. Object by Mary Jane Gregory. Glass from exhibit "New Glass - 1979" held at Designs by Bertil Vallien, Goran Warff, Gunnel The Corning Museum of Glass. Sahlin. 119 "New and Notable" ID (International Design), v. 39, no. 3, May/June 83 "Hackman Tabletop: Eine starke nordische 101 "Kosta - en fargerik historie" 1992, pp. 82-87, ill. Union" Glass & Porselen, v. 46, no. 3,1992, pp. 14-15, ill. Modular glassware set designed by Joe Porzellan + Glas, no 1, Jan. 1992, pp. 67-71, ill. Kosta Boda anniversary. Glass by Gunnel Sah­ Colombo; range of Murano tiles by Renato Toso Glass by Finnish designers Tina Nordstrom, lin, Monica Backstrom. and Noti Massari. Markku Salo, Kerttu Nurminen. 102 "Das Kreuz aus Kristall: Neuer Behang 120 "New Animalia Series from Steuben" 84 "Hydman Vallien i Paris" von Swarovski" Corning World, v. 4, no. 5, Oct. 1992, p. 19, ill. Glas och Porslin, v. 62, no. 4,1992, p. 17, ill. Kunst und Kirche, no. 3, 1992, p. 229, ill. Exhibit at Centre Culturel Suedois. Chandelier by Swarovski. 121 "New CGCA Fellows Reflect International Appeal of Glass Art" 85 "In Memoriam: Loredano Rosin" 103 "Kunstler-Personlichkeiten zeigen Vielfalt The Journal, A Newsletter for Friends of British Columbia Glass Arts Association News­ der Glaskunst" Wheaton Village, v. 15, no. 1, Jan./Feb./March letter, v. 5, no. 2, Jan. 1992, p. 5. Porzellan + Glas, no. 6, June 1991, pp. 102-103, 1992, p. 2. ill. John Nicholas de Wit, Kellmis Fernandez, Woo 86 "Incontri pesaresi" Kosta Boda designers in Dusseldorf show: Kjell Mee Suh, Stephen Lorson. Pesaro (Edizioni Conde Nast), supplement to Engman, Goran Warff, Bertil and Ulrica Hydman- Casa Vogue, no. 242, June 1992, p. 74+, ill. Eng­ Vallien. 122 "New National Craft Award" lish summaries. Craft Arts International (Sydney), no. 24,1992, Glass furniture and sculptural pieces by design 104 "Laurence Whistler C.B.E.: An Exhibition pp. 100-101, ill. firms Fiam, R.S.V.P. Oggetti d'autore, Tonelli, for His 80th Birthday" Glass by Klaus Zimmer, Julio Santos, Kazuko Zeritalia. Sotheby's Preview, Jan. 1992, p. 26, ill. Eguchi.

87 "Into the Glass House: Reflections on 105 "The Light Made Articulate by Simon 123 "New on View: Casket" Glass" Whistler" The Toledo Museum of Art Newsletter, April/May Crafts (U.K.), no. 118, Sept./Oct. 1992, p. 11, ill. Glass Circle News, no. 54, July 1992, pp. 4-5. 1992, p. 3, ill. Liverpool exhibit with Patrick Stern, Peter Layton, Review of a talk by Simon Whistler. Casket by Kyohei Fujita. and others. 106 "Listen to the Flames" 124 "Nick Munro, la philosophie design" Craft News (Toronto), v. 16, no. 8, Nov. 1991, p. 3, Table et Cadeau, no. 333, Aug./Sept. 1992, p. 134, 88 "Izabel und das heisse Glas" ill. ill. Porzellan + Glas, no. 4, April 1992, p. 93, ill. Toan Klein sculpture commemorating Lithuani­ Crackle glass items by English designer. Designer Izabel Lam and her tabletop collection. ans killed in the Holocaust. 125 "Les Nomades du verre a Barcelone 1992" 89 "James Lundberg, 43, Glass Artist" 107 "Marco Mencacci, Designer" Revue des Industries d'Art Offrir, no. 288, Feb. American Craft, v. 52, no. 3, June/July 1992, Barovier & Toso Informa, no. 4, Feb. 1992, p. 2, ill. 1992, pp. 43-44, ill. pp. 20-21. In Italian. International exposition; work by Dejonghe, Obituary. Layton, Meitner, Leperlier, Shaffer is illustrated. 108 "Matz Borgstroms nya kollection" 90 "Japanese Glass" Glas och Porslin, v. 62, no. 1, 1992, p. 41, ill. 126 "Normanver et 'Le Verre' a Rouen" The Corning Museum of Glass Newsletter, Verre Actualites, no. 113, Jan./Feb. 1992, Spring 1992, pp. 4-5, ill. 109 "Member Feature: Chuck St. John" pp. 26-28, ill. 75 examples of contemporary Japanese glass British Columbia Glass Arts Association News­ Mirror-making firm cooperates in the inter­ on display. letter, v. 5, no. 3, March 1992, p.3, ill. national contemporary glass exposition, Rouen. 127 "Notizen" 145 "Portfolio: John Brekke" 163 "Roberto Niederer. Ein Leben fur Glas" ArtAurea, no. 1,1992, p. 114, ill. American Craft, v. 52, no. 3, June/July 1992, Schweizer Heimatwerk/Kunsthandwerk, v. 57, Glass by Jorg Zimmermann, David Palterer, p. 50, ill. no. 3, 1992, pp. 16-25, ill. Stanislaw Borowski in various exhibitions. Graal vessels by Brekke. 164 "Ronald King: Danto Residence" 128 "Notizen: Jan Adam - Antike Formen in 146 "Portfolio: Robert Bellucci" Interior Design, v. 63, no. 14, Oct. 1992, Glas" American Craft, v. 52, no. 1, Feb./March 1992, pp. 142-147, ill. ArtAurea, no.3, 1992, p. 103, ill. pp. 54-55, ill. Contemporary studio glass collection. Czech artist Jan Adam. 147 "Portfolio: Robert Dane" 165 "Royal Copenhagen Holmegaard. Per 129 "Nouvelles acquisitions au Musee des Arts American Craft, v. 52, no. 2, April/May 1992, Lutken - 50 Jahre mit Glas" decoratifs de Montreal" pp. 48-49, ill. Die Schaulade, v. 67, no. 7, July 1992, pp. 76-78, Canadian Society of Decorative Arts Bulletin, ill. v. 10, no.1/2, Spring 1992, pp. 3-5, ill. In French 148 "Portfolio: Susan Plum" and English. American Craft, v. 52, no. 5, Oct./Nov. 1992, p. 52, 166 "Scandinavian Design" Chihuly vase, David Palterer/Borek Sfpek cham­ ill. Form-Function-Finland, no. 3,1992, p. 39, ill. pagne glass. Scandinavian design exhibition at the Design 149 "Pris till glasblcisarmastaren Bengt Museum, London; includes Wirkkala, Sarpa- 130 "I nuovi vetri di Eos" Heintze" neva. Abitare, no. 311, Oct. 1992, p. 145, ill. In Italian and Glas och Porslin, v. 62, no. 4,1992, p. 59, ill. English. Kosta glassblower Bengt Heintze. 167 "Schauen und fragen Sie" New glassware from Eos, Murano firm. Glaswelt, v. 45, no. 2, Feb. 1992, pp. 84-86, ill. 150 "Le Prix du Feu: Grands Prix de la cre­ State glassmaking school, Rheinbach. 131 "Ob'Art en images" ation de la ville de Paris 1991" 168 "Sculpture of Howard Ben Tre" Le Courrier des Metiers d'Art, no. 115, Sept. 1992, Le Courrier des Metiers d'Art, no. 109, Jan./Feb. The Toledo Museum of Art Newsletter, April/May pp. 14-15, ill. 1992, p. 18, ill. Ob'Art exhibition included bowl by Jonathan Includes piece by Isabelle Bas. 1992, p. 1, ill. Philip Andersson and pate de verre piece by Spring exhibition of Ben Tre's work at the 151 "Proc stalo za to videt americka Marie-Aimee Grimaldi. museum. remesla..^?" 169 "Showcase" 132 "Obituary: Charles Kaziun" Umeni a Remesla, v. 34, no. 2,1992, pp. 79-81, ill. Glass Art Magazine, v. 7, no. 4, May/June 1992, Antiques Journal, v. 10, no. 10, April 1992, p. 3. English summary. "Craft Today, USA" exhibition in Bratislava; Karla p. 47, ill. Paperweight maker. Trinkley vessel. Sculpture by Tony Rizzo, Kathy Bradford. 133 "Oggetti sensuali" 152 "Profile of a President: Elizabeth McClure" 170 "Showcase" Casa Vogue, no. 239, March 1992, pp. 98-108, ill. Ausglass Magazine, Winter 1992, p. 3, ill. Glass Art Magazine, v. 7, no. 5, July/Aug. 1992, Glass by designers Andrea Anastasio, William Work by the artist. p. 52, ill. Sawaya, Borek Sipek, Philippe Starck, and Ed Francis, Edward Schmid. others. 153 "Quarter Century" Crafts (U.K.), no. 118, Sept./Oct. 1992, p. 12, ill. 171 "Showcase" 134 "Olympic Paperweights: An Issue for Steven Newell in London exhibition. Glass Art Magazine, v. 7, no. 6, Sept./Oct. 1992, Collectors" p. 68, ill. Lalique Magazine, v. 3, no. 4, Winter 1992, p. 7, ill. 154 "Rakow Commission Awarded to Austrian Work by Juan Rodriguez, Lewis Woodruff, Judi Jewelry Maker" Weilbacher. 135 "Parlons d'eux: L'Objet-parfum" Journal of Glass Studies, v. 34,1992, p. 164. Table et Cadeau, no. 331, May 1992, p. 44, ill. Jacqueline Lillie. 172 "Showcase" Perfume lamps by Lampes Berger. Glass Art Magazine, v. 8, no. 1, Nov./Dec. 1992, 155 "Rakow Commission Unveiled" p. 44, ill. 136 "Peter Bremers ontwerpt Ledenobject The Corning Museum of Glass Newsletter, Work by Laura Lopez, Jean Amann. 1992" Winter 1991, p. 3, ill. Bulletin Vereniging van Vrienden van Modern Sculptural vessel by Hiroshi Yamano. 173 "Signalement" Glas, no. 4, 1992, pp. 22-23, ill. Glas & Keramiek, no. 11, April/May/June 1992, 156 "Rassegna: Lampade e spazi domestici" p. 34, ill. 137 "Petr Vlcek" Domus, no. 740, July/Aug. 1992, u.p. [30 pp.], ill. Carafe by Jan van der Vaart, sculptural object by Umeni a Remesla, v. 34, no. 2, 1992, pp. 53-54, In Italian and English. Winnie Teschmacher. ill. In Czech and English. New lighting designs by many firms and Glass sculpture by Vlcek. designers. 174 "Snowbound: The Enduring Magic of Snowglobes" 138 "Phantasie als Antrieb - Poesie als Bot- 157 "Recent Acquisitions" John Michael Kohler Arts Center Newsletter, schaft" Decorative Arts Society 1850 to the Present Nov./Dec. 1991, p. 2, ill. Porzellan + Glas, no. 7, July 1991, p. 81, ill. Journal, no. 15, 1992, pp. 38-39, ill. Exhibit included commissioned snowglobes by Painted carafes. "Ariel" vase designed by Edvin Ohrstrom, 1955, Thermon Statom and William Bernstein. and Finnish vase by Gunnel Nyman, 1947. 139 "Pilchuck Scholarship Winner: Gary Bolt" 175 "Society of Glass Technology News: Glass British Columbia Glass Arts Association News­ 158 "Regional Reviews: Michael Petry" Sellers' Award" letter, v. 5, no. 2, Jan. 1992, p. 1. Arts Review (London), v. 44, April 1992, p. 136 Glass, Monthly Journal of the European Glass and back cover, ill. Industry, v. 69, no. 10, Oct. 1992, p. 448, ill. 140 "Please Be Seated" Installation at Farnham, England, with glass Engraved bowl by Clare Henshaw. The Toledo Museum of Art Newsletter, June/July laboratory vessels and hand-blown amphorae. 1992, cover and p. 3, ill. 176 "Spectrum" Howard Ben Tre benches. 159 "Remise de prix Bourdelle" Neues Glas, continuing series: no. 1,1992 - Le Courrier des Metiers d'Art, no. 112, May 1992, no. 4,1992. In German and English. 141 "Portfolio: Danny Perkins" p. 21, ill. Congresses, competitions, auctions, book American Craft, v. 52, no. 4, Aug./Sept. 1992, Prize for sculptural piece by Sunagawa. reviews, news, etc. p. 62, ill. 160 "Reviews: The Suntory Prize 1991; IGS 177 "Steuben, Groupe Corning" 142 "Portfolio: David Prytherch, Barbara Jane Glass Art 1992" Revue des Industries d'Art Offrir, no. 289, March Cowie, Denise Margret Hunt, Bernard Michael Glasswork (Kyoto), no. 11, March 1992, p. 47, ill. 1992, pp. 22-26, ill. D'Onofrio" English summary. Glasswork (Kyoto), no. 11, March 1992, pp. 34-37, Two Tokyo exhibitions. 178 "Steuben Piece Reflects Past, Future" ill. In Japanese and English. Corning World (Corning Incorporated), v. 4, no. 3, 161 "Richard Meier, architecte renomme, cree June/July 1992, p. 16, ill. 143 "Portfolio: Ed Francis" des modeles pour Steuben" Holocaust commemorative piece by Steuben American Craft, v. 52, no. 6, Dec. 1992/Jan. 1993, Revue des Industries d'Art Offrir, no. 292, June designer Joel Smith for New Jersey memorial. p. 52, ill. 1992, p. 86. Cast glass, bronze, and wood piece. Architect designs for Steuben. 179 "Stolzle Oberglas AG stellt limitierte Werke vor" 144 "Portfolio: Jeannine Goreski" 162 "Richard Meier cree des objets pour Die Schaulade, v. 67, no. 2, Feb. 1992, p. 242, ill. American Craft, v. 52, no. 4, Aug./Sept. 1992, Steuben" Stolzle firm commissions glass artists for de­ p. 66, ill. Revue des Industries d'Art Offrir, no. 295, Oct. signs: Richard Meitner, Helmut Hundstorfer, Ken Beaded baskets. 1992, p. 17, ill. Carder, and others. 180 "Streng limitiert" 197 "Vocation verriere" 213 "Expositions actualites: L'Art du verre con- Porzellan + Glas, no. 11, Nov. 1992, pp. 28-35, ill. Connaissance des Arts, no. 479, Jan. 1992, p.12, temporain, vente a Paris" Limited edition glass designs by Sottsass, ill. La Revue de la Ceramique et du Verre, no. 62, McConnico, Bastide, Warff, Eisch, Vennola. International exposition at Espace Duchamp- Jan./Feb. 1992, p. 58, ill. Villon, Rouen, of 80 artists and designers from Sale of 102 pieces. 181 "Successful Results of Cooperation of 12 countries. Czech Glass Artists" 214 "Expositions actualites: Le Verre, exposi­ Glass Review, v. 46, no. 12, 1991, pp. 22-23, ill. 198 "A Weighty Object d'Art" tion internationale de verre contemporain" Kudrova, Turek, Rejnart, Zahour. Schott Information, no. 61, 1992, p. 23, ill. La Revue de la Ceramique et du Verre, no. 63, Cast glass bowl by New Zealand artist Ann March/April 1992, p. 57, ill. 182 "Svensk glaslyrik i Japan" Robinson. Review of Rouen exhibition. Form, v. 88, no. 6 (683), 1992, p. 9, ill. Exhibit of Swedish glass in Japan. 199 "World Glass Congress, 1992" 215 "Expositions actualites: Le Symposium de Craft Arts International (Sydney), no. 25, 1992, Novy Bor" 183 "Swarovski Presents 'Selection'" p. 111, ill. La Revue de la Ceramique et du Verre, no. 62, Continental Homewares, Fall 1992, pp. 64-65, ill. Sydney artist Marc Grunseit at Reno, Nevada, Jan./Feb. 1992, p. 60, ill. Also in Porzellan + Glas, no. 7, July 1992, conference. pp. 64-65, ill. 216 "Expositions actualites: Nomades du Swarovski series and its six designers. 200 "Young Slovak Glass Artists at Lednicke verre" Rovne: Jozek Kolembus, Ladislav Pagac, Juraj La Revue de la Ceramique et du Verre, no. 63, 184 "Ten Join Council Board" Steinhubel" March/April 1992, p. 57. American Craft, v. 52, no. 2, April/May 1992, Glass Review, v. 46, no. 12, 1991, pp. 24-29, ill. Barcelona exhibition. pp. 94-96, ill. Brian Maytum, Alice Rooney. 201 "IVe Symposium International du Verre 217 "Expositions actualites: Yan Zoritchak" 185 "Theodor G. Sellner" 1992, Crystalex-Novy Bor, Tchecoslovaquie" La Revue de la Ceramique et du Verre, no. 62, Antiquitaten Zeitung, no. 9, April 24, 1992, p. 266, Revue des Industries dArt Offrir, no. 287, Jan./Feb. 1992, p. 61, ill. ill. Jan. 1992, pp. 148-155, ill. Sale of work by Sellner. 218 "Pascal Mourgue, signes de verre" 202 "1989 Rakow Commission: Old Technique, La Revue de la Ceramique et du Verre, no. 63, 186 "This Year's Talent: Next Year's Artists" New Direction" March/April 1992, pp. 24-27, ill. Glass, Monthly Journal of the European Glass The Corning Museum of Glass Newsletter, Industry (London), v. 69, no. 9, Sept. 1992, Winter 1989, p. 4, ill. 219 "Un Plafond de verre pour la FNAC- pp. 401-404, ill. Mixed-media piece by Diana Hobson. Ternes" Graduation shows at British art and design La Revue de la Ceramique et du Verre, no. 64, colleges. 203 "1991 Ontario-German Craft Exchange" May/June 1992, p. 60, ill. Craft News (Toronto), v. 16, no. 8, Nov. 1991, Glass ceiling installation designed by Guillaume 187 "Tour de force of Glass Spheres at pp. 4-5, ill. Saalburg. American Craft Museum" John Kepkiewicz and Heather Wood work with Antiques and The Arts Weekly, v. 20, no. 4, glassblower Jorg Zimmerman. 220 "La Verrerie de Biot ou I'esprit de la bulle, Jan. 24, 1992, p. 17. Eloi Monod" Chihuly's "Niijima Floats" installation. 204 "1992 Olympic Medals" La Revue de la Ceramique et du Verre, no. 62, Lalique Magazine, v. 3, no. 4, Winter 1992, Jan./Feb. 1992, pp. 14-20, ill. 188 "Tradici nezatfzena a hledajici: Vysoka pp. 4-5, ill. skola vytvarnych umeni v Bratislave" 221 Ann Arbor. The University of Michigan Umeni a Remesla, v. 34, no. 2, 1992, pp. 2-19, ill. 205 "1992 Rakow Commission: A New Use for Museum of Art English summary. Glass Fiber" Janice Gordon Academy of Fine Arts and Design in Bratislava The Corning Museum of Glass Newsletter, Ann Arbor: the museum, 1992,16 pp., ill. includes glass department. Winter 1992, p. 6, ill. Multi-media assemblages, some with glass. Glass jewelry piece by Jacqueline Lillie. 189 "Treasury of Canadian Craft" 222 Antonelli, Paola American Craft, v. 52, no. 5, Oct./Nov. 1992, 206 "1992 Summer Fellows Arrive at CGCA: "Intervista: Joel Stearns" pp. 44-47, ill. Betz, Budd, McEleheny, Tedesco at Work" Abitare, no. 310, Sept. 1992, pp. 210-211+, ill. In Vancouver inaugural exhibit included glass The Journal, a Newsletter for Friends of Whea- Italian and English. sculpture by Mimi Gellman, vessel by David ton Cultural Alliance, v. 15, no. 3, Summer 1992, Stearns creates glass fish for Frank Gehry. New-Small. p. 5, ill. 223 "William Sawaya, les fleurs du mal" 190 "Tropic of Neon" 207 Abramovic, Marina Abitare, no. 305, March 1992, pp.120-122, ill. In Signs of the Times, v. 214, no. 7, July 1992, "Reviews: Dennis Adams" Italian and English. pp. 62-65, ill. Flash Art, v. 25, no. 165, Summer 1992, p. 122, ill. Miami Beach neon. Installations with neon. 224 Aoki, Tomoko "Events: The 4th Niijima International Glass Art 191 "Two Centuries of the Art and Craft of 208 Adlerova, Alena Festival" Glass" "An Interview with Vaclav Cigler" Glasswork (Kyoto), no. 11, March 1992, p. 52, ill. Design in Finland 1993 (Helsinki), Nov. 1992, Glasswork (Kyoto), no. 10, Oct. 1991, pp. 2-9, ill. English summary. pp. 70-81, ill. In English, French, Japanese. In Japanese and English. At Niijima Glass Art Center, Nov. 1991. Nuutajarvi glassworks and work by Oiva Toikka, Heikki Orvola, Kerttu Nurminen, Markku Salo. 209 "Reviews: Festival of Czechoslovakian 225 Art and Science Collaborations, Inc. and Japanese Glass" The Pull of Kinetics 192 "Vera Walther: Eine Welt schoner Glaser" Glasswork (Kyoto), no. 13, Nov. 1992, pp. 34-35, Staten Island, NY: Snug Harbor Cultural Center, Die Schaulade, v. 67, no. 7, July 1992, ill. In Japanese and English. 1992, 5-p.folder, ill. pp. 108-109, ill. English summary. Prague exhibition. Work by artists Sydney Cash, Nancy Meli 193 "La Verrerie du Marais de Riom" Walker. Revue des Industries dArt Offrir, no. 287, 210 Aldersey-Williams, Hugh Jan. 1992, pp. 190-191, ill. "Borek Sipek's Bohemian Rhapsody" 226 Asheville. The Asheville Art Museum Small glass firm in Riom begun in 1980. I.D. (International Design), v. 39, no. 6, Nov./Dec. Penland Overlook (Text: Jane Kessler, Frank 1992, p. 25, ill. Thompson and John Ruskin) 194 "Vetri veneziani: Si stanno assestando i Asheville, NC: the museum, 1992, 43 pp., ill. prezzi del 900" 211 Anderson-Spivy, Alexandra Penland work, 1963-1990. Antiquariato, no. 134, Feb. 1992, pp. 132-133, ill. "Archives: Wirkkala's Mass-Produced Ice Sculp­ Old and new (1950s-1960s: Seguso, Poli, Baro- ture" 227 Augustijn, Piet vier & Toso) Venetian glass. I.D. (International Design), v. 39, no. 6, Nov./Dec. '"Je volgt je voorkeuren van een moment'" 1992, pp. 22-23, ill. Glas & Keramiek, v. 5, no. 13, Oct./Nov./Dec. 195 "Victor Trabucco" Finnish designer's vodka bottle. 1992, pp. 31-33+, ill. The Weight-Paper (Dunlop Collection, Phoenix, Work by Floris Meydam. AZ), no. 15, Summer 1992, p. 4, ill. 212 Andreani, Carole Lizard paperweights by Trabucco. "Le Centre de Vidre de Barcelone: Une Ecole 228 Ayotte, Rick experimental et professionnelle" "Technically Speaking - The Making of the 196 "Vitrine: C'est Zuber" La Revue de la Ceramique et du Verre, no. 62, Ducks on the Pond" LAtelier News, no. 14, March 1992, p. 4, ill. Jan./Feb. 1992, pp. 50-51, ill. Paperweight News, v. 13, no. 1, Jan. 1992, Zuber exhibit announcements. Fundacio Centre del Vidre in Barcelona. pp. 2-4, ill. 229 "Think Peace: The Making of a Realistic 245 "Schau mich an, ich will dir was bedeuten" 260 "Student Artists Display Their Best at Rose" Glaswelt, v. 45, no. 9, Sept. 1992, p. 32+, ill. Corning" Paperweight News, v. 13, no. 1, Jan. 1992, Glass decorator organization awards prizes to The Glass Art Society Journal 1991, p. 129, ill. pp. 11-12. Gunter Helleberg, Dominikus Dedy, Stefanie Prizes to Tracy Peabody, Harumi Yukutake, Stanke. Stephen Lorson. 230 "Innovations and Challenges of Lampwork Paperweights: The Desert Scene Paperweight" 246 Bayerisches Staatsministerium fur Unter- 261 Berriman, Ann Annual Bulletin of the Paperweight Collectors' richt und Kultur "A Body of Water" Association, 1991, pp. 38-43, ill. Industrie, Handwerk, Formgebung: Die Staat- Craft Arts International (Sydney), no. 24,1992, Paperweights by the author. lichen Fachschulen in Bayern pp. 57-59, ill. Munchen: Bayerischer Schulbuch-Verlag, 1954, Jewelry by Giselle Courtney. 231 Baldwin, Philip and Guggisberg, Monica 110 pp., ill. 262 Berting, Jacqueline "A Small Studio Working in Collaboration with Includes state glassmaking schools at Zwiesel "Artist Profile: Jacqueline Berting" the Glass Industry" and Gablonz. Glass Gazette (Toronto), Winter 1992, pp. 4-5, ill. The Glass Art Society Journal 1991, pp. 79-81, ill. 247 Beaumont, Thierry de "Les Aiguilleurs du verre" 263 Bethlehem. Lehigh University Art Galleries 232 Balint, Juliana, ed. L Atelier News, no. 16,1992, pp. 6-9, ill. Steve Tobin, Transformations: Three Installations Images of Finnish Design 1960-1990 Ulrica Hydman-Vallien and Bertil Vallien. in Glass (Curated by Gregory L. Cangialosi) Espoo: Kustannusosakeyhtio Tietopuu, 1991, Bethlehem, PA: the galleries, 1992, [22] pp., ill. [279] pp., ill. 248 "La Planete blanche: Bernard Dejonghe" Finnish Association of Designers, Ornamo; L'Atelier News, no. 17, Aug./Sept. 1992, pp. 10-11, 264 Biskeborn, Susan Finnish glass artists of last 30 years. ill. "Artists at Work" Horizon Air, v. 3, no. 2, Feb. 1992, pp.14-19+, ill. 233 Balk, Hildelies 249 "Le Verre au zenith: Galerie Internationale Northwest glassmakers Sonja Blomdahl, Ruth "Balans in het glas: Het werk van Tosca Over- du Verre a la Verrerie de Biot" Brockmann. diep" L'Atelier News, no. 16,1992, pp. 14-15, ill. Glas & Keramiek, no. 11, April/May/June 1992, Glass gallery and studio at Biot, France. 265 Blomberg, Katja pp. 32-33, ill. Glas 50er Jahre [Inge Prokot Sammlungen] Dutch artist Tosca Overdiep. 250 Beaumont, Thierry de and Save, Colette [S.I.: the author, n.d.], 20 pp. "Marcoland" Information about the Inge Prokot collection of 234 Bangert, Albrecht LAtelier News, no. 14, March 1992, pp. 8-9, ill. 1950s-1960s glass. Die 50er Jahre: Mobel und Ambiente, Design Marco de Gueltzl. und Kunsthandwerk (2nd ed.) 266 Bodonyi, Emoke Munchen: Wilhelm Heyne, 1990, 285 pp., ill. 251 Beckman, Ulf "A targyaim mar nem jol neveltek. Beszelgetes 1950s glass: pp. 172-175, 200-218. "Blcitt, uppackat och klart" Buczko Gyorggyel" Form, v. 88, no. 4 (681), 1992, pp. 46-47, ill. Uj Muveszet, v. 3, no. 4, April 1992, pp. 32-36, ill. 235 Banon. ARgile [sic] English summary. Glass by Gyorgy Buczko. In Situ Blue glassware by Anders Wing&rd in Stockholm 267 Bohanes, Jaroslav Banon, France: ARgile, 1991, (Silex, 1), 46 pp., ill. exhibit. "Fusion of Expression" Includes sculptural work by Isabelle Monod. 252 "Medioker Konst" Craft Arts International (Sydney), no. 25,1992, Form, v. 88, no. 6 (683), 1992, p. 6, ill. pp. 74-75, ill. 236 Barbizon. Suzanne Tarasieve Galerie Review of exhibit with work by Gunnar Cyren, Glass by Jitka Forejtova. Koch: Passeport 90-91 Erika Lagerbielke, Olle Alberius. Paris: Fragments, 1991, (Collection Passeport), 268 Boman, Monica [40] pp., ill. 253 "Vital symbios: Konst, industri, hantverk" "Noblesse oblige" Glass by Gerard Koch. Form, v. 88, no. 1 (678), 1992, p. 24, ill. English Form-Function-Finland, no. 2,1992, p. 25, ill. summary. Gunnar Cyren's glassware chosen for a Nobel 237 Barcott, Bruce Stemmed glassware by Goran Bergstrom of Prize ceremony dinner, Stockholm. "Reviews: Dale Chihuly" Orrefors. New Art Examiner, v. 20, no. 1, Sept. 1992, p. 37. 269 Borgward, Monica Review of Seattle Art Museum exhibit. 254 Bell, Robert "Renaissance in Glass" "Design Visions: Second Australian International ArtAurea, no. 3, 1992, pp. 96-99, ill. 238 Barovier, Jacopo Crafts Triennial" Glass jewelry; exhibition "Glas-Schmuck" circu­ "Designer: Umberto Riva" Craft Arts International [Sydney), no. 25, 1992, lating in Germany. Barovier & Toso Informa, Jan. 1991, p. 2, ill. In pp. 32-38, ill. Italian. Van Ginneke, Rybak, Chihuly, Palusky, Fujita, 270 Borowsky, Irvin J. Lamp designer. Knottenbelt, C. Thompson. "Artists Confronting the Inconceivable: Award- Winning Glass Sculpture" 239 Barovier Mentasti, Rosa 255 "World Glass Now '91" Glass Art Magazine, v. 7, no. 5, July/Aug. 1992, Lino Tagliapietra Craft Arts International (Sydney), no. 24, 1992, pp. 46-51, ill. [S.I.: s.n.], 1992, [34] pp., ill. In Japanese, Italian pp. 103-104, ill. Exhibition and book in remembrance of Kristall- text. Work by Hank Murta Adams, Katsuya Ogita, nacht. Gyorgy Buczko. 240 Yoichi Ohira: I calici veneziani 271 Borowsky, Irvin J., ed. [Venezia: the designer, 1992], [12] pp., ill. 256 Berlin. Galerie Glaswerk Artists Confronting the Inconceivable: Award Venetian-style stemware by Ohira. Vladimir Bachorik (Text: Ranier Schrade and Winning Glass Sculpture Zdenka Kalabisova) Philadelphia: American Interfaith Institute, 1992, 241 Bartolucci, Marisa Berlin: the gallery, 1992, [20] pp., ill. 133 pp., ill. "Oscar Tusquets: Barcelona's Bourgeois Rebel" Sculptural pieces by Czech artist. Exhibition of work commemorating Kristallnacht Metropolis, v. 11, no. 10, June 1992, pp. 36-43+, and the Holocaust. Reviewed by L. A. Brunsman 257 Berlin. Galerie von der Tann in Glass, no. 48, Summer 1992, pp. 12-15. ill. Andrew Topolski (Text: Charlotta Kotik; Interview: Work by Catalan architect Oscar Tusquets: Peter Herbstreuth) 272 Borrmann, Gottfried decanter, glass wall for Barcelona's Palau. Berlin: the gallery, 1991, 58 pp., ill. In German "Palterers poetische Impressionen" and English. Kunsthandwerk & Design (formerly Kunst & 242 Basel. Galerie von Bartha Sculptures with glass. Handwerk), no. 3, May/June 1992, pp. 32-35, ill. Michael Glancy: Interaction 1991 (Text: Dan David Palterer. Klein) 258 Bernstein, Ruby Basel, Switzerland: the gallery, 1991, 42 pp., ill. "Four on the Floor: The Steuben Competition 273 Bow, Kim Winners" "Three Modes of Contemporary Glass" 243 Bate, Ulrich The Glass Art Society Journal 1991, pp. 130-131, Craft Arts (Sydney), no.23, Nov. 1991/Jan. 1992, "Glasobjekt: Carol Cohen" ill. cover and pp. 40-44, ill. Glaswelt, v. 45, no. 4, April 1992, p. 3, ill. Donna Rice, Rob Levin, Flo Perkins, Susan Warren Langley. Sculptural piece by Carol Cohen. Stinsmuehlen-Amend work with Steuben glass- workers. 274 Boydell, Mary 244 "Ich zeig dir was: Staatliche Glasfach- "Kaj Franck (1911-89): The Irish Connection" schule Hadamar" 259 "Neon Show Lights Up Bridge and Block The Glass Society of Ireland Newsletter, no. 2, Glaswelt, v. 44, no. 12, Dec. 1991, pp. 56-60, ill. Party" Dec. 1992, pp. 5-6, ill. Open house at Glasfachschule Hadamar and The Glass Art Society Journal 1991, pp. 132-133, Franck participated in a review of Irish design, some student work there. ill. 1961. 275 Braff, Phyllis 290 Buechner, Thomas S. 306 "Kristallnacht '92: Eine Ausstellung im "Nanas, Guns and Gardens" "Aesthetics of Contemporary Glass" Angedenken an den Holocaust = An Exhibition Art in America, v. 80, no. 12, Dec. 1992, The Glass Art Society Journal 1991, pp. 21-24, ill. to Commemorate the Holocaust" pp. 102-107, ill. Neues Glas, no. 2,1992, pp. 26-33, ill. Niki de Saint Phalle uses glass shards in figura­ 291 Burgemeestre, Kevin tive sculptures. "Immigration: Glass Installations by Gerie 307 "New York Letter" Hermans" Glasswork (Kyoto), no. 10, Oct. 1991, pp. 50-51, ill. 276 Branzi, Andrea Craft Arts (Sydney), no.23, Nov. 1991/Jan. 1992, In Japanese and English. "Vetri di Sergio Asti" pp. 100-101, ill. Reviews of exhibits: Janusz Walentynowicz; four Ottagono, no. 101, Dec. 1991, pp. 18-19, ill. In Czech artists. Italian and English. 292 Busch, Akiko "Talking Teapots" 308 "New York Letter" 277 Branzi, Andrea and Burkhardt, Frangois Metropolis, v. 12, no. 5, Dec. 1992, pp. 42-45, ill. Glasswork (Kyoto), no. 11, March 1992, pp. 38-45, Neues europaisches Design Glass candle holders by designer Laura Handler. ill. In Japanese and English. Berlin: Ernst & Sohn, 1991,196 pp., ill. Reviews: Yokoyama, Karel, van Meurs, Lindblad, Dusseldorf exhibition. Includes glass by Matteo 293 Carducci, Vincent A. Stankard, Kuhn, Reekie, Musler, and many Thun, Philippe Starck, Thierry Lecoule, Annibale "Seasons of Glass: Michigan Invitational others. Oste. Catches Glass at a Turning Point" American Craft, v. 52, no. 4, Aug./Sept. 1992, 309 "New York Letter" 278 Bratislava. Slovenska Narodna Galeria pp. 68-71, ill. Glasswork (Kyoto), no. 13, Nov. 1992, pp. 40-45, Bratislava Habatat Galleries invitational exhibit. ill. In Japanese and English. Sucasne Slovenske Sklo = The Contemporary Work illustrated: Dan Dailey, James Carpenter, Slovak Art Glass (Text: Agata Zackova) 294 Carlen, Staffan Jill H. Davis, Daniel Clayman, Antoine Leperlier. Architektury Bratislava: the museum, Galeria "Functional Artefacts" Uziteho Umenia a Designu, 1991, 72 pp., ill. In Form-Function-Finland, no. 3, 1992, pp. 40-41, ill. 310 "Out of the Fire" Czech and English. Glass designs by Ingegerd R&man. Glass (New York Experimental Glass Workshop), Work by 29 Czech artists. no. 46, Winter 1991-1992, pp. 42-47, ill. 279 Breda. De Beyerd 295 Carmichael, Suzanne Northwest glass and the artists from Bonnie Jan van Munster(Text: Lisette Pelsers) "International Reviews, Exhibitions: Dale Miller's book Out of the Fire. Breda, The Netherlands: De Bayerd, 1991-2, [88] Chihuly" pp., ill. In Dutch, German, English. Crafts (U.K.), no. 119, Nov./Dec. 1992, p. 48, ill. 311 "Review of Exhibitions: Gyorgy Buczko, Exhibition of glass and neon by the artist. Review of Seattle exhibit. John Brekke" Glass (New York Experimental Glass Workshop), 280 Bredikhina, Lyudmila 296 Carpenter, Ed no. 48, Summer 1992, pp. 48-49, ill. "Nazovi rybku rybkoi, ili kniga o knige, "Art of the Fisherman" ukhodiashchei v storonu ob'kta" Artists in Stained Glass Bulletin (Toronto), May 312 "Review of Exhibitions: Michael Taylor" Dekorativnoe Iskusstvo, no. 9/10, 1991, pp. 32-45, 1992, p.1+, ill. Glass (New York Experimental Glass Workshop), ill. Thoughts about architectural glass commissions. no. 48, Summer 1992, p. 55, ill. Sculptural works on the theme of the book; glass by O. Kulik. 297 Casciani, Stefano 313 "The Uncontradictable Dan Dailey" "L'objet realiste" The World & I, v. 7, no. 1, Jan. 1992, pp. 288-293, 281 Bremen. Bremer Landesmuseum fur Abitare, no. 309, July/Aug. 1992, pp. 153-165, ill. ill. Kunst- und Kulturgeschichte In Italian and English. Isgard Moje-Wohlgemuth: Glas II (Text: Monica New French design. Philippe Starck, Martin 314 Chao, Bruce Borgwald. Alfred Lohr, ed.) Szekely. "Twenty Years of American Glass Education" Bremen: the museum, 1991, (Hefte des Focke The Glass Art Society Journal 1991, pp.16-17, ill. Museums, Nr. 88), 56 pp., ill. In German and 298 "Sotto la luna elettrica" English. Abitare, no. 305, March 1992, pp. 273-284, ill. In 315 Chapman, Liese Exhibition circulating in Europe, 1991. Italian and English. "Interglass Symposium 1991" New lamps and lighting designs. Glass Gazette (Toronto), Winter 1992, p. 6. Also 282 Brill, Louis M. in British Columbia Glass Arts Association "Burning Man: Neon in the Afterglow" 299 "Vetri di Marsiglia: Gaetano Pesce" Newsletter, v. 5, no. 2, Jan. 1992, p. 2+. Signs of the Times, v. 217, no. 11, Nov. 1992, Abitare, no. 310, Sept. 1992, pp. 212-217+, ill. In Report on Novy Bor symposium. pp. 122-125, ill. Italian and English. John Law uses neon in perfomance art. Interview with Pesce. 316 Chiarlone, LoRenzo "I vetri di Cherchi" 283 Brisson, Harriet E. 300 Castiglione, Achille and Ferrari, Paolo Alte Vitrie, v. 5, April 1992, p. 15, ill. English sum­ "Visualization in Art and Science" "Achille Castiglione" mary. Leonardo, v. 25, no. 3/4,1992, pp. 257-262, ill. Ottagono, no. 101, Dec. 1991, pp. 42-55, ill. Sculptor Sandro Cherchi tries a new medium, Neon structures by the author. Lamps and lighting, vases. glass.

284 Brunsman, Laura A. 301 Centre International d'Art Contemporain 317 Chicago International Art Exposition "Exhibitions: Dale Chihuly" Chateau Beychevelle Chicago: the exposition, 1992, ill. Glass (New York Experimental Glass Workshop), La Temperance, 1990-1991 Includes glass and neon by David Anderson, no. 49, Fall 1992, pp. 48-49, ill. [S.I.]: the center, [1991], (Les Cahiers de Beyche­ Maurizio Nannucci, Larry Bell. Seattle exhibit. velle, no. 1), 72 pp., ill. English summary. Includes glass by Michael Glancy, pp. 30-33. 318 Chicago International New Art Forms 285 "Exhibitions: Dante Marioni" Exposition 1992 Glass (New York Experimental Glass Workshop), 302 Chambers, Karen S. Chicago: the exposition, 1992, 135, [56] pp., ill. no. 49, Fall 1992, p. 52, ill. "Exhibitions: Arnulf Komposch" Exhibition at Navy Pier; work by many glass Seattle show. Glass (New York Experimental Glass Workshop), artists. 286 "Exhibitions: Gerry Newcomb" no. 49, Fall 1992, p. 50, ill. Glass (New York Experimental Glass Workshop), Austrian artist at Viennese gallery. 319 Cibot, Elisabeth no. 49, Fall 1992, p. 53, ill. "La Plate-forme de recherche verriere de Van- Seattle exhibit. 303 "Exhibitions: Dan Graham" nes-le-Chatel" Glass (New York Experimental Glass Workshop), La Revue de la Ceramique et du Verre, no. 65, 287 "Review of Exhibitions: Etsuko Nishi" no. 49, Fall 1992, p. 49, ill. July/Aug. 1992, pp. 52-53, ill. Glass (New York Experimental Glass Workshop), Vienna, Austria, exhibit. Glass center for research, design, technology for no. 48, Summer 1992, p. 53, ill. artists. 304 "Exhibitions: Pilchuck Glass Prints" 288 "Review of Exhibitions: Paul Marioni" Glass (New York Experimental Glass Workshop), 320 "Rubar con I'occhio: La Legon du verre a Glass (New York Experimental Glass Workshop), no. 49, Fall 1992, p. 56, ill. Murano" no.'48, Summer 1992, p. 52, ill. Boca Raton exhibit: David Reekie, Donald Lipski, La Revue de la Ceramique et du Verre, no. 65, Italo Scanga, and others. July/Aug. 1992, pp. 38-43, ill. 289 Buck, Louisa Venetian glassmaking and firms. "In His Own Image" 305 "Gaetano Pesce: Renaissance Craftsman" Crafts (U.K.), no. 114, Jan./Feb. 1992, pp. 40-43, The World & I, v. 7, no. 4, April 1992, pp. 184-189, 321 Clark, Jon ill. ill. "The Future of Glass Education" Andrew Logan sculptures with mirrors, glass. Italian designer uses glass. The Glass Art Society Journal 1991, pp. 18-20, ill. 322 Clark, Vicky A. 339 Cross, Andrew 357 Duits, Thimo te "Exhibitions: Kathleen Mulcahy" "The Chemistry of Love" "Bert Frijns" Glass (New York Experimental Glass Workshop), Arts Review, v. 44, July 1992, pp. 314-315, ill. Glass (New York Experimental Glass Workshop), no. 49, Fall 1992, pp. 52-53, ill. Staffordshire laboratory glass company no. 49, Fall 1992, pp. 28-35, ill. Pittsburgh exhibit. sponsors exhibit with West Surrey College of Art; installation by Michael Petry. 358 "In memoriam: A. D. Copier 1901 -1991" 323 Clinanti, Giuseppe Glas & Keramiek, no. 11, April/May/June 1992, "Felix Berdyszak, scultore del vetro" 340 Cuadra, Cynthia p. 29, ill. Alte Vitrie, v. 5, April 1992, pp. 22-23, ill. English "Tom Andre" summary. Ornament, v. 15, no. 2, Winter 1991, pp. 88-89+, 359 Dunas, Peter Polish glass sculptor. ill. "Seeing: Akira Komoto" Jewelry with glass beads and pendants. Neues Glas, no. 4, 1992, pp. 28-35, ill. In German 324 Coffeng, Yvon and English. "Sybren Valkema, nestor van het studioglas" 341 Currie, Deborah 360 Ebeltoft. Glasmuseum Glas & Keramiek, no. 10, Jan./Feb./March 1992, "Canadian Clay and Glass Gallery" Glasmuseum pp. 32-35, ill. Glass Gazette (Toronto), Spring 1992, p. 6. Ebeltoft, Denmark: the museum, 1992, 29 pp., ill. Overview of Valkema's work. Center for exhibitions, educational programs, resources, archives. 361 Eckenwalder, Susan 325 Coffey, Julia 342 Curtis, Kemp "Artist Profile: Daniel Crichton" "Table Talk" Glass Gazette (Toronto), Spring 1992, pp. 4-5, ill. Seattle Home and Garden, v. 1, no. 2, Winter "Richard Clements" 1989, cover and pp. 33-34+, ill. Glass Line, v. 6, no. 2, Aug./Sept. 1992, p. 1, ill. 362 Edwards, Geoffrey Glassware by Mesolini Glass Studio and Roger Australian lampworker. "Labyrinths of Light" Nachman. Craft Arts International (Sydney), no. 24,1992, 343 Danto, Arthur C. pp. 65-67, ill. "Learning to Live with Pluralism" 326 Coleman, Katharine Sculpture by Rob Knottenbelt. "The Barbican's 10th Birthday Celebrations" The Glass Art Society Journal 1991, pp. 7-13, ill. The Glass Engraver, no. 66, Spring 1992, 363 Edwards, Stephen Dee 344 Day, Stephen Paul pp. 28-31, ill. "The Effect of Mexican Culture on My Work" "Glass and the Bigger Picture" Trophy winners Alison Kinnaird, David Pilkington. Glass work (Kyoto), no. 13, Nov. 1992, pp. 28-30, The Glass Art Society Journal 1991, pp. 61-62, ill. ill. In Japanese and English. 327 Collins, Bill "A Neon Topping for Emerald City" 345 De Angelis, Almerico 364 Eisch, Erwin Signs of the Times, v. 217, no. 11, Nov. 1992, "Intervista: Franco Cembalo" "Erwin Eisch on Glass, from a Talk Given at BAG Abitare, no. 307, May 1992, p. 236+, ill. In Italian pp. 104-105, ill. Conference in Stoke-on-Trent" Emerald Center buildings, San Diego, with neon. and English. British Artists in Glass, no. 6, May 1992, p. 6. Metal and glass craftsman of Naples. 328 Cologne. Kunsthaus am Museum Carola 365 "Is There Life in Your Art, Your Relation­ 346 De Lucchi, Michele van Ham ships, Your Education?" "I designer si raccontano: Confessioni di un Die Kleine Skulptur: IV. Ausstellung Internationa­ The Glass Art Society Journal 1991, pp. 14-15, ill. architetto" les Studioglas Casa Vogue, no. 239, March 1992, pp. 88-91, ill. Koln: the museum, 1992, 100 pp., ill. 366 Ekelund, Jan Olof Includes the author's glass designs for Cleto Small glass works by 48 artists. "Succe for Nobelservisen" Munari. Glas och Porslin, v. 62, no. 1, 1992, pp. 34-35, ill. 329 Cooke, Glenn R. Gunnar Cyren glassware for Nobel table service. 347 Designed in Finland 1967, Helsinki: Fin­ "The National Glass Exhibition" nish Foreign Trade Association, 1967, 68 pp., ill. 367 Elder, Art Craft Arts International (Sydney), no. 24, 1992, Includes glass. "Major Work from Barry Sautner Now at the pp. 101 -102, ill. Houston Museum of Fine Arts" Glass by Mark Galton, Tina Cooper, Ian Mow­ 348 Designed in Finland 1973, Helsinki: Fin­ Paperweight Collectors Association of Texas bray, Velta Vilmanis, Setsuko Ogishi. nish Foreign Trade Association, 1973, 88 pp., ill. Newsletter, no. 12A, Feb. 1992, pp. 2-3. Includes glass. 330 "Review: International Directions in Glass 368 Elliott, Candace and Riley, Jane at the Art Gallery of Western Australia" 349 Designed in Finland 1975, Helsinki: Fin­ "Glass for Architecture" Craftlink (Crafts Council of Queensland, Bris­ nish Foreign Trade Association, 1975,112 pp., ill. Craft Arts (Sydney), no. 23, Nov. 1991/Jan. 1992, bane), v. 6, no. 9, Oct. 1992, pp.3-4, ill. Includes glass, pp. 76-77. pp. 66-68, ill. Wall pieces, panels, screens, lighting by Aus­ 331 Copeland, Beverly M. 350 Dewald, Gabi tralian glass artist Judi Elliott. "Dale Chihuly, Niijima Floats" "Kleinplastik als Weltkunst" Glass Focus, Feb./March 1992, pp. 1 -2. Kunsthandwerk & Design (formerly Kunst + 369 Engel, Dick Handwerk), no. 5, Sept./Oct. 1992, pp. 37-41, ill. "Glasmuseum Hoogeveen officieel open" 332 "Glass Focus Interviews Robert Palusky" Glass piece by Luigi Ontani. Bulletin Vereniging van Vrienden van Modern Glass Focus, Aug./Sept. 1992, pp. 14-17. Glas, no. 4, 1992, pp. 14-15, ill. 351 Di Pietrantonio, Giacinto 333 "Glass Focus Interviews Steve Maslach" Incontri con architettura e design 370 Epinal. Musee Departemental des Vosges Glass Focus, April/May 1992, pp.10-13. Milano: Giancarlo Politi Editore, 1991, 194 pp., ill. Michele Blondel Architectural glass, lamps and lighting, vase by Epinal, France: the museum, 1988, [60] pp., ill. 334 "Glass Focus Interviews Tom Sottsass. McGlauchlin" 371 Erlhoff, Michael, ed. Glass Focus, Dec. 1992/Jan. 1993, pp. 10-15. 352 Dimitrijevic, Nena Deutsches Design 1950-1990; Designed in "Broken Glass and Nomadism" Germany (Text: Helge Aszmoneit and others) 335 "Glass Focus Interviews Yaffa Sikorsky- Arts Magazine, v. 66, no. 5, Jan. 1992, pp. 46-49, Munchen: Prestel-Verlag, 1990, 280 pp., ill. In Todd and Jeffrey Todd" ill. German. Glass Focus, June/July 1992, pp. 12-15. Maura Sheehan installations with glass. Includes tableware, lamps by German glass firms. 336 Cornett, Stephanie 353 Dohne, Deborah "Stephen Powell's Recovery Marks Beginning of "Deborah Dohne" 372 Essen. Essener Glasgalerie New Phase in Career" The Glass Art Society Journal 1991, p. 63, ill. Kunst mit Glas: Vladimir Kopecky & Ivan Mares The Centre College Cento (Danville, KY), Jan. Essen: the gallery, 1989, 26 pp., ill. 23, 1992, p. 6, ill. 354 Donefer, Laura "Galerie Elena Lee Verre d'Art" 373 Exposition Internationale de verre contem- 337 Cotton, Anne Glass Gazette (Toronto), Winter 1992, p. 11 +. porain = International Exhibition of Contemporary "The Fellows' Exhibition" Montreal gallery. Glass (Text: Catherine Vaudour) The Glass Engraver, no. 68, Autumn 1992, [Rouen]: Le Conseil Regional de Haute-Nor- pp. 18-23, ill. 355 "Glass Fashion Show Two: A Unique mandie, 1991, 48 pp., ill. In French and English. Review of glass engraving exhibition, Salisbury. Perspective" 140 artists from 15 countries in Rouen exhibition. The Glass Art Society Journal 1991, pp. 134-135, 338 Crestou, Nicole ill. 374 Fagone, Vittorio and Luchi, Monica "Expositions actualites: NTmagine 91" Angelo Mangiarotti: Disegnare il cristallo La Revue de la Ceramique et du Verre, no. 62, 356 "Mollie Clarke - A Unique Approach to Milano: Idea Books, 1991, 170 pp., ill. In Italian Jan./Feb. 1992, p. 62, ill. Glass" and English. Glass by Denis Bracke and others in NTmes Glass Gazette (Toronto), Spring 1992, p. 7. Mangiarotti designs produced by Colle ceramic show. Ontario artist. Cristalleria. 375 Farmington Hills. Habatat Galleries 390 Harvey K. Littleton zum 70. Geburtstag 404 Gallo Pecca, Luciano and Margherita The Annual Invitational Exhibition 1973-1992: 14.Juni '92 (Text: Alfons Hannes and Erwin "Le sculture, non sculture in vetro di Maria A Tradition in the Evolution of Glass (Text: Linda Eisch) Teresa Quaranta" Boone and Ferdinand Hampson) Frauenau: the museum, 1992, [20] pp., ill. In Alte Vitrie, v. 5, no. 2, Aug. 1992, p. 14, ill. English Farmington Hills, Ml: the gallery, 1992, 72 pp., ill. German and English. summary. 20-year survey of studio glass. Exhibition in honor of Littleton's 70th birthday. Glass sculpture by Maria Teresa Quaranta.

376 Dale Chihuly 391 Frederiks, PW. 405 Gasnier, Odette-Helene Farmington Hills, Ml: the gallery, 1992, [15] pp., ill. "Copier, dat is een lang leven en een indrukwek- "Milan, capitale du design" kend oeuvre" L'Oeil, no. 442, June 1992, pp. 62-71, ill. 377 Mary Shaffer (Text: William Warm us) Glas & Keramiek, no. 10, Jan./Feb./March 1992, Includes Artemide colored glass. Farmington Hills, Ml: the gallery, 1992, [14] pp., ill. pp. 22-28, ill. Overview of Andries Copier's work. 406 Gavan, Jane 378 Fay-Halle, A. "Mirror-Images" "Acquisitions: Sevres. Musee National de 392 Freeman-Moir, John Craft Arts International (Sydney), no. 26,1992, Ceramique" "Objects in Landscape, Landscape in Objects: pp. 52-55, ill. Revue de Louvre, no. 5/6, Dec. 1991, pp. 136-137, Recent Works by Graham Bennett" Glass wall sculptures and mirrors by Philippa ill. Craft New Zealand, no. 38, Spring 1991, pp. 8-11, Playford. Flacon by Alain Guillot and vases by Richard ill. 407 Gehr, Christa Meitner. 40-meter glass and steel sculpture by Graham Bennett. "Flirt zwischen Software und Kunst" Glaswelt, v. 45, no. 1,1992, pp. 52-54, ill. 379 Festival Ceskeho a Japonskeho Skla Glass sculpture by Heide-Astrid Betz-Schlierer 1992-1993 (Text: Kyohei Fujita, Atsushi Takeda, 393 French, Christopher and Sultan, Terrie at event in Linden. Denji Takeuchi, Yasuhito Kawamatsu, and "Report from The Netherlands: A New Inter­ nationalism" Antonin Hartmann) 408 Geissler, Marie Art in America, v. 80, no. 7, July 1992, pp. 43-51, [S.I.: s.n., 1992], 110 pp., ill. In Japanese and "Seville Expo 92" ill. Czech. Craft Arts International (Sydney), no. 24,1992, Neon by Korrie Besems; layered glass piece by Exhibition held in Prague and Tokyo; work by pp. 60-64, ill. Niek Kemps. over 40 Czech and Japanese glass artists. Colin Heaney, Judi Elliott, Brian Hirst work at Expo 92 in Seville. 380 The Fine Art Index 394 Freudenheim, Betty Chicago, IL: International Art Reference, 1991, "Exhibitions: James Watkins" 409 "10th Australian Glass Triennial" 666 pp., ill. Glass (New York Experimental Glass Workshop), Craft Arts International (Sydney), no. 24,1992, "1992 compendium of contemporary art." no. 46, Winter 1991- 1992, pp. 54-55, ill. pp. 99-100, ill. Ben Tre, Chihuly, Cribbs, Dailey, Linn, Luebtow, Review of New York exhibit. Judi Elliott, Tony Hanning, Irena Kaluza, Jan Marquis, Pavlik, Wilmarth. Blum, and many others. 395 Fridl, Frantisek 381 Frabel Studio "A Symbiosis of Craft and Technology" 410 Girard, Sylvie Frabel 93 For You from Czechoslovakia, no. 3, Sept. 1992, "Communiquer avec le verre" Atlanta, GA: the studio, 1992, [36] pp., ill. pp. 42-45, ill. La Revue de la Ceramique et du Verre, no. 63, Calendar with Hans-Godo Frabel work. Crystalex glass. March/April 1992, p. 5, ill. Renato Santarossa piece at Rouen exhibition. 382 Franck, Kaj 396 "Twenty-Five Years of a Giant Glass- Muotoilijan Tunnustuksia: Form och Miljd making Complex" 411 "Expositions: Hongrie, 10 artistes verriers Helsinki: Taidetollisen Korkeakoulun, 1991, Glass Review, v. 47, no. 9, 1992, pp. 2-7, ill. contemporains" (Taidetollisen Korkeakoulun Julkaisusarja B12), Crystalex, Novy Bor. La Revue de la Ceramique et du Verre, no. 65, 96 pp., ill. In Finnish and English. July/Aug. 1992, p. 61, ill. Modern Finnish product design; includes glass 397 "Utopia Becomes Reality" Margit Toth and others in Paris exhibit. by Gunnel Nyman, Oiva Toikka, and the author. Glass Review, v. 47, no. 9,1992, pp. 26-27, ill. Jiff Suhajek. 412 Gjessing, Tove M. 383 Frankfurt am Main. Galerie Gottschalk- "Glasskolan i Orrefors stallde ut i Goteborg" Betz 398 Fridl, Frantisek and others Glas och Porslin, v. 62, no. 4,1992, p. 27, ill. Bohumil Elias: Korrelationen (Text: Sylva Pe- "IV. Interglass Symposium" Work from Orrefors glass school at Goteborg trova) Glass Review, v. 47, no. 2/3, 1992, pp. 2-38, ill. gallery. Frankfurt am Main: the gallery, 1990, [14] pp., ill. Entire issue devoted to the symposium at Novy Bor. Work and comments by participating artists, 413 "Gullaskrufs Glasbruk - st&r for det akta 384 Frantz, Susanne K. critics' evaluations, etc. hantverket" Artists and Glass: A History of International Glas och Porslin, v. 62, no. 1, 1992, pp. 12-17, ill. Studio Glass 399 Friedel, Helmut, ed. Peter Kuchinke and Roger Johansson of Thesis, MA, The University of Arizona, 1987, Maurizio Nannucci: You Can Imagine the Oppo­ Gullaskrufs studio in Srriciland. 92 pp. [2 sheets microfiche], ill. site Munchen: Stadtische Galerie im Lenbachhaus, 414 "Morgondagens designers" 385 "Internationalism in Glass: Too Much 1991,119 pp., ill. In German and English. Glas och Porslin, v. 62, no. 1,1992, pp. 6-8, ill. Common Ground" Neon by Nannucci. Includes designs by Goran Bergstrom for Orre­ Craftlink (Crafts Council of Queensland, Bris­ fors. bane), v. 6, no. 9, Oct. 1992, pp. 4-7. 400 Fucina degli Angeli 415 "Skrufs Glasbruk - valm^ende hantverk i Extract from paper presented at 1991 Ausglass Vetro, un amore: Egidio Costantini e la sua blyfritt" Conference. Fucina degli Angeli (Roberto Ballarin, ed.) Glas och Porslin, v. 62, no. 2,1992, pp. 18-21, ill. Venezia: [the company], 1986, 66 pp., ill. Bert Jonsson and Skrufs, the Swedish glass­ 386 "Looking for 'Lost' Czech Sculpture Work by Costantini's collaborating artists, works. Proves to Be No Easy Undertaking" 1950-1986. The Corning Museum of Glass Newsletter, 416 Glas och Lera: Konsthantverkare i bl£s & Winter 1992, pp. 1-4, ill. 401 Funaba, Tadashi kn£da Locating objects for a Libensky/Brychtova retro­ "Reviews: Blanka Adensamova and Lotz Studio" Stockholm: Carlsson Bokforlag, 1992, 93 pp., ill. spective. Glasswork (Kyoto), no. 11, March 1992, p. 49, ill. Nine Swedish glass artists. English summary. 387 "Should Making Art Be a Career?" Exhibit at the Azabu Museum of Arts & Crafts, 417 Glasplastik: Ulrike und Thomas Oelzner The Glass Art Society Journal 1991, pp. 33-38. Tokyo. [Berlin]: Staatlicher Kunsthandel der DDR; Mag­ deburg: Kleine Galerie, 1978, [4] pp. [1 folding 388 Franzoi, Umberto 402 Furbacher, Zdenek leaf], ill. I Vetri di Archimede Seguso "The Beauty of Manual Work with the Egermann- 1978 exhibition in Magdeburg. Venezia: Arsenale, 1991, (I Grandi Libri), 166 pp., Exbor Mark" ill. Glass Review, v. 46, no. 4, 1992, pp. 8-10, ill. 418 Glass Axis Transformations: New Installations Using Glass 389 Frauenau. Glasmuseum 403 Gaal, Andre Columbus, OH: Ohio Arts Council; Glass Axis, Glaskunst aus Ungarn (Alfons Hannes, ed. Text: "Modern Glass in Hungary" 1992, 10 pp., ill. Vera Varga) Omnuyot (Tel Aviv), no. 2,1988, pp. 26-27, ill. In Exhibition at Columbus gallery: J. O'Dorisio, Frauenau: the museum, 1989, 44 pp., ill. Hebrew. Andrew Scott, M. Watanabe, James Shumate, Work by 15 Hungarian glass artists. Zoltan Bohus, Maria Lugossy, and others. Rob van Erve, Gretchen Cochran. 419 Glass Now '92: World Studio Glass 434 "Verre de I'au-dela" 450 Harz-Kristall Wernigerode, VEB Exhibition Le Courrier des Metiers d'Art, no. 109, Jan./Feb. VEB Harz-Kristall Wernigerode Tokyo: Yamaha, 1992, 73 pp., ill. In Japanese. 1992, pp. 3-4, ill. Wernigerode, DDR: the company, [1980?], Yan Zoritchak. [78] pp., ill. In German, French, English. 420 Glasschmuck = Glass Jewelry Trade catalog of cut glass tableware by the (Text: Monica Borgward, Birgit Mockel, Margaret 435 "Le Verre et le voyage: 'Nomades du German firm. Steinbiss, and Christianne Weber) verre' a Barcelona" Hanau: Das Deutsche Goldschmiedehaus; Der Le Courrier des Metiers d'Art, no. 110, March 451 Hatakeyama, Kozo Gesellschaft fur Goldschmiedekunst e.V.; 1992, pp. 8-10, ill. "Reviews: Bertil Vallien" Bremen: Der Galerie Borgward, 1992, ill. In Exposition organized by Corning France and the Glasswork (Kyoto), no. 11, March 1992, p. 46, ill. German and English. glass center at Barcelona with about 50 inter­ English summary. Exhibition circulating in Germany. national artists' work. Tokyo exhibition, 1991. 421 GJeizes, Serge 436 The Guild 7: The Designer's Reference 452 "A Study on Venetian Glass: Yoichi Ohira "Borek Sipek contre I'indolence imaginaire" Book of Artists and Lino Tagliapietra" Table et Cadeau, no. 333, Aug./Sept. 1992, Madison, Wl: Kraus Sikes, 1992, 276 pp., ill. Glass (Tokyo), no. 31, June 1992, pp. 27-28, ill. In pp. 132-133, ill.English summary. Includes glass vessels, wall pieces, sculptural Japanese. Interview with Sipek. pieces. 422 "Question d'equilibre" 453 Havlova, Hana Table et Cadeau, no. 328, Feb. 1992, pp. 39-41, 437 Gulian, Thierry "Czechoslovakia's Glass Exposition at EXPO '92 ill. Maria Lugossy: "Enclaves" in Seville" Glasses by Thomas Bastide, Martin Szekely. Chatres, France: Birdyland Editions; Paris: Glass Review, v. 47, no. 7/8, 1992, pp. 12-14, ill. Carpe Diem Gallery, 1992,111 pp., ill. Work by Vratislav Novak, Jaroslav Matous, 423 "Saint-Louis, sous le regne de ('inspira­ Vladimir Kopecky, Viktor Oravec, Milan Pagac. tion" 438 Gutierrez-Solana, Carlos Table et Cadeau, no. 328, Feb. 1992, pp. 42-43, "Aesthetics of Contemporary Glass" 454 Haystack Mountain School of Crafts ill. The Glass Art Society Journal 1991, pp. 25-26, Craft and Learning (Text: Audrey Walker, William ill. Daley, Jo-Anna J. Moore) 424 "Vincenzo Nason & C, le passe actuel" Deer Isle, ME: the school, 1992, 12 pp., ill. Table et Cadeau, no. 324, Oct. 1991, pp. 48-49, ill. 439 Hacker, Chris Lino Tagliapietra. Flacons by Carlo Nason. "Steuben: A Persistence of Vision" The Glass Art Society Journal 1991, pp. 111 -113. 455 Craft in the 90's: A Return to Materials 425 Glowen, Ron (Text: Wayne Higby, Jonathan Fairbanks, Nancy "A Cultural, Artistic Mix in Mexico" A. Corwin) The Crafts Report, v. 18, no. 198, Sept. 1992, 440 Hajdamach, Charles R. "A Fishy Paperweight" Deer Isle, ME: the school, 1991,12 pp., ill. p. 16. Corwin article mentions Joyce Scott beadwork Review of 1992 Glass Art Society conference. Antique Collecting, v. 27, no. 7, Dec. 1992/Jan. 1993, p. 41, ill. and the "Glassworks" installations at the Ren- wick Gallery. 426 Glueck, Grace Paul Ysart paperweights and some fakes. "Kunst mit moralischem Imperativ" 456 Heartney, Eleanor 441 Halkovova, Ludmila Art (Hamburg), no. 6, June 1992, pp. 56-67, ill. "Skeptics in Utopia" "The Glass Studio Morava Vizovice" English summary. Art in America, v. 80, no. 7, July 1992, pp. 76-81, Bruce Nauman work, including neon. Glass Review, v. 47, no. 7/8, 1992, pp. 23-27, ill. ill. Jin Vosmik, designer at Morava Glass Studio. Artists' installations at the Netherlands horticul­ 427 Goldfarb, Alan tural fair; work by Dennis Adams. Pilchuck Glass School 1991 Session 5: Master­ 442 "The Glassworks at Skrdlovice" pieces [Class]. Dale Chihuly, Lino Tagliapietra, Glass Review, v. 47, no. 5,1992, pp. 2-6, ill. Dick Marquis, William Warmus. Studio Notebook 457 Helly Oestreicher [Text: Marjan Linger, Renee Waale; Organization: Sonja Herst) [Seattle, WA: Pilchuck Glass School, 1992], 443 "Young People Worked at Moser" 54 pp., ill. [Breda: De Beyerd], 1989, 52 pp., ill. In Dutch Glass Review, v. 46, no. 4,1992, pp. 6-7, ill. and English. Studio notebook with drawings and notes by the Three Kopecky students work at Moser, 1991. author. Glass and ceramic sculptures by the artist in exhibition in the Netherlands. 428 Graulich, Gerhard 444 Hamaker, Barbara "Kunst der Worter" "Exhibition Review: Joyce Scott" 458 Herlitz-Gezelius, Ann Marie Kunst und Antiquitaten, no. 12, 1992, pp. 24-28, Ornament, v. 15, no. 2, Winter 1991, p. 33+, ill. "Olle Alberius - 20 &r med glaset" ill. Glas och Porslin, v. 61, no. 3,1991, pp. 9-11, ill. Includes neon by Bruce Nauman. 445 Hamburg. Galerie L Colin Reid: Recent Work (Text: Rudiger Joppien) 459 Hermans, Gerie 429 Grenon, Ariane Hamburg: the gallery, 1992, [9] pp., ill. In English "The Hermans Tapes: An Interview with Scott "Ajouter aux charmes d'Ob'Art, le design" and German. Chaseling" Le Courrier des Metiers dArt, no. 117, Nov. 1992, Exhibition in Tokyo and Hamburg. Ausglass Magazine, Winter 1992, pp. 13-15, ill. pp. 8-9, ill. Australian glassblower on "art, money, and Work by Philippe Merloz, Garcia-Luna (Arjuna). 446 Hanning, Tony honesty." "The Wagga Show and the Language of Glass" 430 "Bijorhca, la creation" Ausglass Magazine, Winter 1992, pp. 16-18. 460 Hermans, Nicole, ed. Le Courrier des Metiers dArt, no. 112, May 1992, Talk given by Hanning at Tenth Australian Glass Glas en Licht pp. 12-13, ill. Triennial exhibit. [Utrecht: s.n., 1988], 231 pp., ill. Table accessories by Olivier Gagnere, Thomas Glass and flat glass by many artists. Bastide, Studio Nago. 447 Harris, Timothy "An Englishman's Experiences with American 431 "Nouveaux poles pour rArchipel" 461 Hersey, Jan Glass" Le Courrier des Metiers d'Art, no. 109, Jan./Feb. "Couples Collaborate in Life and Work" Glass International (London), Sept. 1992, p. 61+, The Crafts Report, v. 18, no. 190, Jan. 1992, p. 1 +, 1992, p. 17. ill. ill. Art enterprises and events such as "Le Chemin British glassmaker Timothy Harris studies under Paul Marioni and Ann Troutner. des Verriers,"exhibition of 10 French glass Jack Wax at Penland. artists. 462 Hickey, Gloria 432 "Ob'Art en pieces: Le Salon de la piece 448 Harrison, David "Exhibitions: Jack Schmidt" unique au PAAS" "Events & Reviews: Chicago, International New Glass (New York Experimental Glass Workshop), Le Courrier des Metiers dArt, no. 117, Nov. 1992, Art Forms Exposition" no. 46, Winter 1991 -1992, pp. 52-53, ill. pp. 6-7, ill. Craft Arts International (Sydney), no. 24,1992, Review of Toronto exhibit. Glass by Jonathan Andersson, Janine Jacquot- pp. 85-87, ill. Perrin. Glass by Borowski, H. Littleton, Kuhn, Ritter, 463 Hillhouse, Virginia Fujita. "The Glasshouse: England's Contribution to 433 "Scenes d'interieur" Studio Glass" Le Courrier des Metiers d'Art, no. 109, Jan./Feb. 449 Harvey K Littleton - Neues Glas Glass Art Magazine, v. 7, no. 3, March/April 1992, 1992, pp. 10-11, ill. Immenhausen: Glasmuseum Immenhausen, cover and pp. 4-6, ill. Interior design show includes glass by Verrerie 1991, 1-p. folder, ill. Annette Meech, Christopher Williams, David de Biot. Exhibition check list. Taylor, Fleur Tookey. 464 Hirsch, Sam 481 International Design Yearbook 7 (Andree 496 Johnson, Virginia and Odell "The Florida Glass Blowers" Putman, ed.) "Christopher Ries, Glass Sculptor" Ideas (Coral Gables, FL), v. 9, no. 4,1991, London and New York: Abbeville Press, 1992, Heisey News, v. 20, no. 11, Oct. 1991, p. 6. pp. 59-63, ill. 240 pp., ill. Lawrence Glass, Hialeah, FL. Tableware, lighting. 497 Jonson, Lotta "Gladje farg och ljus" 465 Hoffmann, Ute 482 Ito, Makoto Form, v. 88, no. 5 (682), 1992, pp. 18-31, ill. "Meditative Process" "Reviews: Kazumi Ikemoto" English summary. Schott Information, no. 62,1992, pp. 20-21, ill. Glasswork (Kyoto), no. 11, March 1992, p. 48, ill. Tableware by three Stockholm design school Zwiesel artist Franz Xaver Holler uses optical English summary. graduates. glass in sculptures. Tokyo exhibition. 483 Iwata, Itoko 498 "A Provocative Princess" 466 Hollaar, Henk Form (Design Annual), v. 87, no. 6/7 (676), 1991, "Chihuly's Yankee-Venetians te zien in Leerdam" "The Significant 1991: Glass in Japan" Neos, Journal of the Design Council (Denver Art pp. 68-71+, ill. In Swedish and English. Bulletin Vereniging van Vrienden van Modern Glass designer Gunilla Kihlgren. Glas, no. 3,1992, pp. 10-11, ill. Museum, Denver, CO), v. 2, no. 2, p. 15. Studio glass in Japan, exhibition scene, etc. 467 "De gebroken werelden van Frank van 499 Joppien, Rudiger den Ham" 484 Jablonec nad Nisou. Muzeum Skla a "Vor sachkundigem Publikum" Bulletin Vereniging van Vrienden van Modern Bizuterie Kunsthandwerk & Design (formerly Kunst + Glas, no. 2,1992, pp. 6-9+, ill. Rene Roubicek, MiI use Roubickova (Text: Handwerk), no. 6, Nov./Dec. 1992, pp. 24-31, ill. Sculptural work by van den Ham. Antonin Langhamer and Rene Roubicek) Vessels by Elizabeth McClure in Hamburg Jablonec nad Nisou: the museum, 1992, [27] pp., exhibition. 468 "Het Glasrijk: 250 jaar Kosta Boda" ill. 500 Jyvaskyla. Alvar Aalto Museum Bulletin Vereniging van Vrienden van Modern 485 Jackson, Lesley In Beruhrung mit Alvar Aalto (Text: Aki Davids- Glas, no. 3, 1992, pp. 25-26, ill. The New Look: Design in the Fifties son and Markku Lahti) New York: Thames & Hudson, 1991,160 pp., ill. Jyvaskyla, Finland: the museum, 1992,116 pp., 469 "Richard Meitner: Rationaliteit en magie" Includes glass, especially Italian, Scandinavian, Bulletin Vereniging van Vrienden van Modern ill. and Dutch, and lighting, in exhibit traveling in Glas, no. 3,1992, pp. 6-9 and 17, ill. Exhibition, primarily of Aalto's architecture and Great Britain. furniture. 470 "Sien van Meurs' Menhirs" 486 Jahne, Karl Bulletin Vereniging van Vrienden van Modern "The Loss of a Great Practician: Josef Rozinek" 501 Kalmar. Konstmuseum Glas, no. 4, 1992, pp. 2-5+, ill. Glass Review, v. 47, no. 7/8, 1992, p. 34, ill. Tankar om glas: Skisser, utkast Novy Bor glassmaker. Kalmar, Sweden: Arkiv for Svensk Formgivning, 471 "Vincent van Ginnekes stuitende aantrek- Konstmuseum, 1991-1992, 7 brochures, loose- kelijkheden" 487 James, Curtia leaf binder, ill. Bulletin Vereniging van Vrienden van Modern "Reviews: Zizi Raymond, Kiki Smith" Series of exhibitions on work by Goran Warff, Glas, no. 1, 1992, pp. 14-18, ill. New Art Examiner, v. 19, no. 9, May 1992, Gunnel Sahlin, Anna Ehrner, Monica Backstrom, Sculptural work by van Ginneke, the Netherlands pp.41 -42, ill. Ann W&hlstrom, Ulla Forsell. artist. Exhibition of Kiki Smith sculptures at the Corcoran Gallery of Art. 502 Kandel, Susan 472 Hollister, Paul "L.A. in Review: Dan Graham" "Review of Exhibitions: Michael Glancy" 488 Jareo, Lori E. Arts Magazine, v. 66, no. 5, Jan. 1992, p. 91, ill. Glass (New York Experimental Glass Workshop), "Tubebenders in Tinseltown" Sculpture with glass. no. 48, Summer 1992, p. 50, ill. Signs of the Times, v. 216, no. 10, Oct. 1992, pp. 88-91, ill. 473 Honolulu. Honolulu Academy of Arts Making neon signs for film productions. 503 Kangas, Matthew Chihuly Courtyards (Text: Sarah E. Bremser) "Doubt, Delirium, and Delight: Experimental Honolulu, HI: the academy, 1992, [15] pp., ill. 489 Jaromfr Rybak's World (Text: C hristi ne Glass in Seattle in the Early 1980s" Wacquez-Ermel; Thierry Gulian; and Kristian The Glass Art Society Journal 1991, pp. 58-59, 474 Horton, Cecily Suda) ill. "Exhibitions: Stephen Skillitzi" Bruxelles: Transparence Gallery; Paris: Carpe Michael Burns, Charles Parriott, Walter Lieber- Glass (New York Experimental Glass Workshop), Diem Gallery; Chatres, France: Birdyland T.G., man, Therman Statom, and others. no. 46, Winter 1991-1992, p. 54, ill. [1991], 60 pp. ill. In English. Review of Houston exhibit. 504 "Exhibitions: Norie Sato" 490 Jerusalem. The Israel Museum Glass (New York Experimental Glass Workshop), 475 Hubert Koch: Glasgestalter vor der Lampe Oskar Kogoj: Nature Design (Text: Izzika Gaon, no. 49, Fall 1992, p. 54, ill. 1/1982 (Text: Rainer Krauss) Giuseppe Mazzariol, Goroslav Keller) Seattle exhibit. [Berlin]: Staatlicher Kunsthandel der DDR; Suhl: Jerusalem: the museum; Yugoslavia: Adria Air­ Galerie im Steinweg, 1982, [6] pp., ill. ways, 1990, 36 pp., ill. In English and Hebrew. 505 "From Earth into Air: The Transition from Lampworked glass by Hubert Koch. Exhibit of Slovenian designer's work includes Ceramics to Glass in the U.S." glassware. Glasswork (Kyoto), no. 11, March 1992, pp. 28-33, 476 Huisman, Geertje ill. In Japanese and English. "Atelierbezoek bij Bert van Loo" 491 Jindrova, Nona "The Secondary School of Glass-making at Bulletin Vereniging van Vrienden van Modern 506 "Review of Exhibitions: Charles Parriott, Glas, no. 4, 1992, p. 24. Novy Bor Celebrates an Anniversary" Glass Review, v. 47, no. 7/8,1992, p. 38, ill. Keith Sonnier" Glass (New York Experimental Glass Workshop), 477 "Kamelen uit Finland" 492 Jirasek, Ivana no. 48, Summer 1992, pp. 54-55, ill. Bulletin Vereniging van Vrienden van Modern "Cydonia: Glass in the Shadow of Mars" Parriott at Portland, Oregon, gallery and Sonnier Glas, no. 3, 1992, pp. 23-24, ill. Craft Arts International (Sydney), no. 26,1992, in New York show. Markku Salo and other Finnish artists. pp. 69-73, ill. Sydney artist Sergio Redegalli and his Cydonia 507 "Review of Exhibitions: Joey Kirkpatrick 478 Huntington. Huntington Museum of Art Glass Studio. Exhibition 280: Works Off Walls and Flora Mace" Glass (New York Experimental Glass Workshop), Huntington, WV: the museum, 1991, [19] pp., ill. 493 "An Exhibition of Work by Nick Wirdnam" Exhibition included work by Curt Brock, no. 48, Summer 1992, pp. 50-51, ill. Ausglass Magazine, Spring/Summer 1991/1992, Seattle exhibit. Ed Francis, Mary Kay Simoni. pp. 18-19. At Sydney gallery. 479 Immenhausen. Glasmuseum 508 "Reviews: Dale Chihuly" Grafik und Glas: Bernhard Langer... 494 "Melbourne Makers" Sculpture, v. 2, no. 6, Nov./Dec. 1992, pp. 76-77, Immenhausen, Germany: the museum, 1992, Ausglass Magazine, Spring/Summer 1991/1992, ill. 28 pp., ill. pp. 4-5. Seattle exhibition. Woodcuts and glass by Bernhard Langer. Review of 1991 exhibition in Sydney. 509 "Reviews - Glass: Material in the Service 480 Interglass Symposium Ceskoslovensko 495 Johnson, Ken of Meaning" Novy Bor, III. 1988 (Text: Antonin Langhamer; "Starship Guggenheim" Sculpture, v. 2, no. 3, May/June 1992, pp. 95-96, Vincenc Kutac, ed.) Art in America, v. 80, no. 9, Sept. 1992, ill. Novy Bor: Crystalex, 1990,148 pp., ill. In Czech pp. 106-119, ill. Tacoma Art Museum exhibit curated by Ginny and English. Dan Flavin light installation, pp. 118-119. Ruffner. 510 Karlskrona. Blekinge Lans Museum 525 Koplos, Janet 540 Leighton, John Erik Hoglund: Glas; Sigvard Olsson: M&leri "Review of Exhibitions: Christopher Wilmarth at "The Collaborative Process: 1992 California Karlskrona, Sweden: the museum, 1992, [7] pp., Hirschl & Adler Modern" Glass Exchange" ill. Art in America, v. 80, no. 6, June 1992, Glass Art Magazine, v. 7, no. 6, Sept./Oct. 1992, pp. 109-110, ill. pp. 14-16, ill. 511 Kazmann, Reena Conference at San Francisco State University "Making Connections: Australian Glass Exhibits 526 Korink, W. M. and others and the CA College of Arts and Crafts in in the USA" "In memoriam: A. D. Copier" Oakland; Dana Zamecnikova. Craft Arts International (Sydney), no. 25,1992, Bulletin Vereniging van Vrienden van Modern pp. 98-100, ill. Glas, no. 1, 1992, pp. 2-7, ill. 541 Lescat, Jean Dinand: Les Forms du parfum, 30 ans de design 512 Keeble, K. Corey 527 Kozo, Hatakeyama 1960-1990 "In Review: Thirteenth Anniversary Exhibition" "Reviews: Hiroshi Yamano" Paris: Belfond, 1990, 158 pp., ill. Ontario Craft, v. 17, no. 3, Fall 1992, p. 21, ill. Glasswork (Kyoto), no. 13, Nov. 1992, p. 38, ill. In Perfume bottle designs. Toronto gallery exhibition with 40 international Japanese and English. glassmakers. Tokyo exhibition. 542 Levas, Dimitri "Robert Mapplethorpe: Flowering Glass" 513 Kehlmann, Robert 528 Krakauer, Jon Glass (New York Experimental Glass Workshop), "Mexican Glass Today" "Dale Chihuly Has Turned Art Glass into a Red- no. 46, Winter 1991-1992, pp. 28-35, ill. American Craft, v. 52, no. 5, Oct./Nov. 1992, Hot Item" Photographs with 1950s Venetian and Scandina­ pp. 36-39, ill. Smithsonian Magazine, v. 22, no. 11, Feb. 1992, vian glass from Mapplethorpe's collection. pp. 90-101, ill. 514 Keller, Martha 543 Lewenhaupt, Ann "Exhibitions: Robert Palusky" 529 Kulvik, Barbro "Formrevy: Starkt kvinnoarbete" Glass (New York Experimental Glass Workshop), "Interview with Gallerist, Art Dealer and Collector Form, v. 87, no. 8 (677), 1991, p. 8, ill. no. 46, Winter 1991 -1992, p. 50, ill. Bruno Bischofberger" Paula Bartron glass in Malmo exhibit. Review of Birmingham, Ml, exhibit. Form-Function-Finland, no. 3, 1992, pp. 8-11, ill. Collector of Finnish glass. 544 LGA-Zentrum Form: Internationale 515 Khrustal'nye Grani: Fotorasskaz o Krasote Produktgestaltung... i Sozdateliakh Diat'kovskogo Khrustalia 530 Kuroki, Rika Stuttgart: Landesgewerbeamts Baden-Wurttem- Tula: Priokskoe Knizhnoe Izdatel'stvo, 1990, 207, "Interview: Fred Tschida" berg, 1964, 264 pp., ill. [24] pp., ill. Glasswork (Kyoto), no. 11, March 1992, pp. 10-17, Includes glass by Claus Riedel. 20th-c. Russian glass, especially 1950s to the ill. In Japanese and English. present. 545 Liebmann, Lisa 531 Langen, Andreas "Grand Elisions: Keith Sonnier" 516 King, Gerry "Wasser, Licht und Glas" Artforum, v. 30, no. 8, April 1992, pp. 88-91, ill. "Kazumi Ikemoto, Visiting Artist" Glasforum, v. 42, no. 3, pp. 45-47, ill. Ausglass Magazine, Spring/Summer 1991/1992, Fountain designed by Robin Winogrond for 546 Lofberg, Aimo p. 8, ill. Pforzheim landscape garden show. "Suomen lasimuseo 25 vuotta/The Finnish Glass Museum 25 Years" 517 Kinnaird, Alison 532 Langhamer, Antonin Lasitutkimuksia - Glass Research III, 1986 (The "Glass - A Medium of Inspiration" "Glass - A Life Destiny. Deliberations on the Bulletin of the Finnish Glass Museum), pp. 5-6. The Glass Engraver, no. 68, Autumn 1992, Exhibition of the Life Work of Rene Roubicek and pp. 10-13, ill. Miluse Roubickova" 547 Los Angeles, del Mano Gallery The author's work. Glass Review, v. 47, no. 9,1992, pp. 28-29, ill. Jay von Koffler Los Angeles, CA: the gallery, 1992, 8 leaves, ill. 518 Klaes, Manfred 533 "Miloslav Klinger" "Botschaften im Glas" Glass Review, v. 47, no. 9,1992, pp. 30-31, ill. 548 Josh Simpson Glaswelt, v. 45, no. 3, March 1992, pp. 66-68, ill. Zelezny Brod artist of the 1970s. Los Angeles, CA: the gallery, 1992, [20] photo­ Association of Rheinbach hand glass workers graphs in an album, ill. holds exhibition. 534 Larsson, Bjorn 549 Kit Karbler & Michael Davis "Visa Ditt glas" Los Angeles, CA: the gallery, 1992, [11] photo­ 519 Klein, Toan Antik & Auktion, no. 4, April 1992, pp. 58-62, ill. graphs in an album, ill. '"Listen to the Flames'" Glass by Erika Lagerbielke, Jan Johansson, Glass Gazette, Summer 1992, cover and pp. 6-7, Rosenthal Studios, etc., in article on displaying 550 Michael Jaross and Ginger Kelly ill. glass. Los Angeles: the gallery, 1992, [4] pp, ill. Sculpture by the author for the "Kristallnacht" exhibition, Philadelphia. 535 Laudani, Marta 551 Peter Vandelaan & Mary Beth Bliss "Gemma Bernal, Ramon Isern - Serie di vetri Los Angeles: the gallery, 1992, [7] photographs 520 Klotz, Uta M. duo" in an album, ill. "Nomades del Vidre: Ausstellung Glas-Noma- Domus, no. 734, Jan. 1992, pp. 12-13, ill. English den = Exhibition Nomads of Glass" summary. 552 Tom McGlauchlin Neues Glas, no. 2, 1992, pp. 20-25, ill. Stainless steel and glass bowls and jugs. Los Angeles, CA: the gallery, 1992, [8] pp., ill. Barcelona exhibition. Album of photos of objects. 536 Laurence Whistler C.B.E.: An Exhibition 521 Koch, Katrin for His 80th Birthday 553 Lovisetti, Clara "Marco de Gueltzl: Furniture as Sculpture, [London: Sotheby's, 1992], [5] pp., 53 plates, ill. "Arte, natura, energia: Incontro con Federico de Sculpture as Furniture, Sculptured Furniture?" Leonardis = Art, Nature, Energy: An Interview Neues Glas, no. 3,1992, pp. 10-17, ill. In German 537 Lausanne. Musee des Arts Decoratifs de with Federico De Leonardis" and English. la Ville Showcase (Milan), v. 4, no. 9, Feb. 1992, Ode a la coupe pp. 17-22, ill. 522 "'Der zerbrochene Krug'... von Concetta Lausanne: the museum, 1992, 2 pp., 26 cards, ill. Sculptural lamps. Mason" Glass (and ceramic) bowls: Musler, Chihuly, ArtAurea, no. 2,1992, pp. 78-83, ill. English Zynsky, Vizner, Clegg, Brocklehurst, Frijns, 554 Liibeck. Museum fur Kunst und Kulturge- summary. Procter, Woodman. schichte der Hansestadt Liibeck Work and techniques used by Concetta Mason. Frank van den Ham: Glass Fusing (Text: Peter 538 Leffingwell, Edward Dunas and Ulrich Pietsch) 523 Koekkoek, Roland "The Bienal Adrift" [Lubeck: the museum, 1991], 71 pp., ill. In "Multiply the Multiples: Over ambachtelijke Art in America, v. 80, no. 3, March 1992, German and English. seriele produktie" pp. 83-87, ill. Glas & Keramiek, no. 12, July/Aug./Sept. 1992, Includes Mark McDonnell's "Glass House" in 555 Luce '90: International Light Fittings pp. 17-19, ill. Sao Paolo Bienal. Milan: Elemond periodici, 1989, (Interni Annual), Exhibit of glass and ceramic multiple series; 157 pp., ill. In Italian and English. qlass by Jan van der Vaart and Hanneke Fokkel- 539 Enclosure: A Gathering of Eagles, The Lighting firms and products, especially Italian. man. Doll Within [Los Angeles, CA: Los Angeles Municipal Art 556 Luciano Vistosi: Sculture (Organizers: 524 Koivisto, Kaisa Gallery, 1991], [26] leaves, ill. Fundacion Centro Nacional del Vidrio, Segovia; "The Medium Is Nothing But the Means to an Proposed catalog for an exhibit of installations, Istituto Italiano di Cultura Madrid) End: The Objects of Vesa Varrela" some with glass, by Sherrie Levine, Fred Fehlau, Firenze: Centro Culturale II Bisonte, 1992, Neues Glas, no. 3,1992, pp. 18-25, ill. In German Mike Kelley, Liz Larner, Sarah Seager, and 205 pp., ill. In Italian, Spanish, English. and English. others. Exhibition in Segovia, Spain, 1992. 557 Lueg, Gabriele 573 Marks, Ben 588 Michele Blondel (Text: Bernard Huin) Glas der 50er und 60er J ahre: Samml una Inge "The Brinkmanship of Jay Musler" [Paris?: s.n., 1989?], 66 pp, ill. Prokot Glass (New York Experimental Glass Workshop), Exhibition/installations at Chapelle St. Louis de Koln: the museum, 1991,18 pp., ill. no. 49, Fall 1992, pp. 20-27, ill. la Pitie Salpetriere, Paris, Sept. 1989. Prokot Collection of 1950s-1960s glass in Cologne exhibition. 574 "Tension and Line in the Art of Henry 589 Miller, Bonnie J. Halem" "Exhibitions: David William Levi and Dimitri 558 Lundberg, Steve American Craft, v. 52, no. 1, Feb./March 1992, Michaelides" "James Lundberg (1948-1992), a Memoriam" pp. 42-45, ill. Glass (New York Experimental Glass Workshop), Paperweight Collectors Association Newsletter, Glass, pate de verre, vitrolite in Halem exhibition. no. 46, Winter 1991-1992, p. 49, ill. no. 103, April 1992, pp. 1-2, ill. Review of Seattle exhibit. 575 Marlies Ameling, Karin Korn, Herbert Kny: 559 Lutfy, Carol Huttenglas 590 "Exhibitions: Michael Scheiner" "Reviews: Yukinori Yanagi" Berlin: Staatlicher Kunsthandel der DDR, Galerie Glass (New York Experimental Glass Workshop), ARTnews, v. 91, no. 10, Dec. 1992, p. 134, ill. Unter den Linden, 1990, 36 pp., ill. no. 46, Winter 1991-1992, p. 52, ill. Tokyo exhibit includes neon. Berlin exhibition. Review of Seattle show. 591 "Exhibitions: Sonja Blomdahl" 560 Lutteman, Helena Dahlback 576 Marseille. Musees de Marseille, Reunion Glass (New York Experimental Glass Workshop), "Gunnar Cyren, a Swedish Designer" des Musees Nationaux no. 46, Winter 1991-1992, p. 48, ill. Scandinavian Journal of Design History, v. 2, Gaetano Pesce: Cinq techniques pour le verre / Review of Seattle exhibit. 1992, pp. 91-100, ill. experience au C.I.R.V.A (Text: Frangois Barre, and others) 592 Out of the Fire: Contemporary Glass 561 Lyon. Galerie Jacqueline Betton Marseille: the museum, 1992, 267 pp., ill. Pate de verre and other techniques used by Artists and Their Work Begou San Francisco, CA: Chronicle Books, 1991, Lyon: the gallery, 1992, 22 pp., ill. In French. Pesce in exhibit of work at the Centre de la Vieille Charite, Marseille. 120 pp., ill. Exhibit of work by Alain and Marisa Begou. 30 artists from the Pacific Northwest. 562 Flagons d'artistes 1992 577 Marsikova, Jaromira "Czech Glassworks in the Course of Reorgani­ 593 "Reviews: Clearly Art: Pilchuck's Glass Lyon: the gallery, 1992, 30 pp., ill. Legacy" Exhibition of work by 31 French glass artists. zation" For You from Czechoslovakia, no. 1, March 1992, Glasswork (Kyoto), no. 13, Nov. 1992, pp. 36-37, pp. 37-41, ill. ill. In Japanese and English. 563 Pierini (Text: Edmond Rosenberg) Whatcom County Museum exhibition. Lyon: the gallery, 1991, [12] pp., ill. Sklo Bohemia at Svetla nad Sazavou. Robert Pierini. 594 "Reviews: Dale Chihuly, Installations 578 "Interrelations: The Glass Sculpture and 1964-1992" Window Glass 1992" 564 Machat, Michal Glass work (Kyoto), no. 13, Nov. 1992, pp. 32-34, For You from Czechoslovakia, no. 3, Sept. 1992, "Glass, What Should We Do With You?" ill. In Japanese and English. pp. 54-55, ill. Glasswork (Kyoto), no. 10, Oct. 1991, pp. 20-34, Seattle Art Museum exhibition. ill. In Japanese and English. Spring 1992 exhibition in Brno with 80 Czech Young Czech artists Mares, Nekovar, Lhotsky, artists. 595 Miller, R. Craig Rona, Masitova, Sramkova-Solcova, Velisek, and "Betwixt and Between: Contemporary Glass in 579 Masahiro, Hachida others. American Art Museums" "Glass Schools: Bild-Werk Frauenau" The Glass Art Society Journal 1991, pp. 27-32. Glasswork (Kyoto), no. 13, Nov. 1992, pp. 46-47, 565 Machat, Michal and Velisek, Martin ill. In Japanese and English. "In Context" 596 Minson, James Glass (New York Experimental Glass Workshop), "Contemporary Lampworking: An International 580 Maslach, Steven no. 48, Summer 1992, pp. 42-47, ill. Overview" "The Art of Production, The Production of Art" Work by the authors, Czech artists. The Glass Art Society Journal 1991, pp. 72-75, The Glass Art Society Journal 1991, pp. 40-43, ill. ill. 566 Madrid. Galeria Quorum 597 Montreux. Galerie d'Art Annie Chevalley Javier Gomez 581 Mayumi, Shinohara Madrid: the gallery, 1992, [4] pp., 14 pp. plates, La Magie du verre: Quinze artistes verriers "An Interview with Jaroslav Matous" tcheques (Text: Annie Chevalley, Fredy Alt, Eva [2] pp., ill. English summary. Glasswork (Kyoto), no. 10, Oct. 1991, pp. 42-45, Glass sculptures by the Spanish artist. Schmitt, and Eva Stara) ill. In Japanese and English. Montreux, Switzerland: the gallery, 1992, [34] pp., 567 Malarcher, Patricia ill. 582 McClure, Elizabeth 15 Czech glass artists. "Exhibitions: Antoine Leperlier" "Idioms of the Antipodes: Australia's Young Glass (New York Experimental Glass Workshop), Generation of Glass Artists" 598 Moore, Andrew no. 49, Fall 1992, pp. 50-51, ill. Glasswork (Kyoto), no. 13, Nov. 1992, pp.10-19, New York exhibit. Theo Faberge and The St. Petersburg Collection ill. In Japanese and English. London: Dauphin Publishing; The St. Petersburg Work by Meza Rijsdijk, Kirstie Rea, Mikaela Collection, 1991,161 pp., ill. 568 "Exhibitions: Steven Weinberg" Brown, Kathy Elliott, Benjamin Edols, Scott Boxes, jewelry, eggs, and other glass and Glass (New York Experimental Glass Workshop), Chaseling, the author. no. 49, Fall 1992, p. 55, ill. enamel items by Carl Faberge's grandson. New York exhibit. 583 McCoy, Mary 599 Moore, Susan "Fritz Dreisbach" "New York, New Work" 569 Mangan, Peter American Craft, v. 52, no. 3, June/July 1992, Borax Review (Journal of Boron and the Borate "Portfolio No. 95: Peter Mangan" pp. 58-59, ill. Industry, London), no. 10,1991, pp. 15-19, ill. Craft Arts International (Sydney), no. 24, 1992, Exhibition review. Ceramics and glass exhibit by Royal College of p. 83, ill. Art graduates following a study trip to N.Y.C. 584 McGregor, Lani 570 Mann, Denis "Artist Profile: Linda Ethier" 600 Morgan, Robert C. "Manifesto of an Out of Step Engraver" The Bullseye Bulletin, Spring 1992, pp. 4-5+, ill. "Between Motion and Motionlessness: The The Glass Engraver, no. 66, Spring 1992, Glass Art of Concetta Mason" pp. 8-16, ill. 585 Meech, Annette The Glass Art Society Journal 1991, p. 64, ill. Work by the author. "Obituary: Ronald Wilkinson" Crafts (U.K.), no. 118, Sept./Oct. 1992, p. 13, ill. 601 Morley, Christopher 571 Marcus, Adrianne Gaffer at The Glasshouse, London. "The Whitefriars Glassworks (James Powell and "Swedish SoHo" Sons Ltd.): The Final Chapter in the Post-War The World & I, v. 7, no. 2, Feb. 1992, pp. 182-187, 586 Meitner, Richard Years" ill. "Vriendenprijs 1992 voor Jaap de Harder" Decorative Arts Society 1850 to the Present Stockholm's Hornsgatan district; colored glass Bulletin Vereniging van Vrienden van Modern Journal, no. 15,1992, pp. 29-33, ill. sculpture by Ingalena Klenell. Glas, no. 4,1992, pp. 12-13, ill. 602 Morlot, Valerie 572 Mariacher, Giovanni 587 Memphis: Ceramique, Argent, Verre, "Man of Glass: Emmanuel Saulnier and His "I vetri di Archimede Seguso in Palazzo Ducale" 1981-1987 Sculpture" Ceramica Antica, v. 1, no. 7, July/Aug. 1991, Paris: Michel Aveline Editeur; Marseille: Musees Arts Magazine, v. 66, no. 6, Feb. 1992, pp. 36-38, pp. 6-9, ill. de Marseille, 1991, 143 pp., ill. ill. 1991 exhibition of Seguso's work, Venice. Glass by Memphis designers, pp. 94-137. Installations with glass. 603 Morrison, Rosalyn 618 Nelis, Use 634 New York. Peter Joseph Gallery "In Review: Glass in Sculpture, A Canadian Con­ "Bernardine de Neeve-prijs: Over het 'jonge' A/D at the Peter Joseph Gallery tribution" glas dat de beker moet delen" New York: the gallery, 1992, 48 pp., ill. Craft News (Toronto), v. 14, no. 3, April 1989, p. 11, Glas & Keramiek, no. 12, July/Aug./Sept. 1992, Includes fiberglass and steel rod bowl by John ill. pp. 10-14, ill. Duff. Exhibit at the Koffler Gallery, Dec. 1988-Jan. Prize-winning glass by Heesen, van den Ham, 1989. Price, van Ginneke, Teschmacher, Trossel, and 635 James Carpenter: The Structure of Trans­ others. parency (Text. Davidson Norris) 604 Morristown. The Morris Museum New York: the gallery, 1992,12 pp., ill. Glass, From Ancient Craft to Contemporary Art: 619 "Mag het ietsje meer zijn? De glasexplo- 1962-1992 and Beyond [Text: Karen S. Cham­ sies van Dale Chihuly" 636 Masterworks (Text: Peter T. Joseph, Witold bers, Ferdinand Hampson) Glas & Keramiek, v. 5, no. 13, Oct./Nov./Dec. Rybczynski, Arthur C. Danto) Morristown, NJ: the museum, 1992, 83 pp., ill. 1992, pp. 9-11, ill. New York: the gallery, 1991, 55 pp., ill. Traveling exhibition: 30 years of studio glass Chihuly work in Rotterdam exhibit. Sculptural piece by James Carpenter. movement, work by 65 artists. 620 "Winnie Teschmacher: Op zoek naar het 637 New York. The Museum of Modern Art 605 Mortensen, Kristine licht" Kaj Franck: Designer (Text: Christopher Mount) "Marvelous Marbles" Glas & Keramiek, no. 11, April/May/June 1992, New York: the museum, 1992, [8] pp., ill. Glass (New York Experimental Glass Workshop), pp. 14-16, ill. 638 Newell, Clarence A. no. 48, Summer 1992, pp. 28-35, ill. Work by Winnie Teschmacher. "John ('Jack') Choko - In Memoriam" Mark Matthews, Josh Simpson. Annual Bulletin of the Paperweight Collectors' 621 Nerskii khrustal': Katalog vystavki, Lenin- 606 Moser, Brigitte gradskogo zavoda, khudozhestvennogo stekla Association, 1991, p. 50. "Die Kunst des Schmuckens. Der Schmuck als (Text: M. M. Dubova; T. P. Vasil'eva, ed.) South Jersey paperweight maker. Kunst" Moskva: Reklamno-Proizvodstvennoe Predpriia- 639 Nickas, Robert Schweizer Heimatwerk/Kunsthandwerk, v. 57, tie "Moskovskii Kontakt" (MOCKOH), 1991, [46] "R.I.P. (Rest in Pieces): Some Scattered no. 4, 1992, pp. 2-13, ill. pp., ill. Thoughts on the End of Scatter Art" Glass armband by Maria Hoeppli. Glass by individual Soviet artists from the 1950s Flash Art, v. 25, no. 165, Summer 1992, to 1989. pp. 84-85, ill. 607 Mount, Christopher Barry Le Va sheet glass piece. "Kaj Franck: Designer" 622 Netzer, Sylvia Domus, no. 741, Sept. 1992, p. 4, ill. In Italian and "Exhibitions: David Reekie" 640 Nicola, Karl Gunter English. Glass (New York Experimental Glass Workshop), "Ausstellungen: Neues Glas aus Finnland" Retrospective at the Museum of Modern Art, no. 46, Winter 1991-1992, p. 51, ill. Kunsthandwerk & Design (formerly Kunst + New York. Review of New York exhibit. Handwerk), no. 2, March/April 1992, p. 50, ill. Review of a touring exhibit of Finnish glass. 608 "Kaj Franck: Designer" 623 "Exhibitions: Jill Henrietta Davis" MoMA Members Quarterly (The Museum of Glass (New York Experimental Glass Workshop), 641 "Glas Arbeiten an der Akademie Stuttgart Modern Art, NY), no. 12, Summer 1992, p. 19, ill. no. 49, Fall 1992, p. 48, ill. = Glass Work at the Academy Stuttgart" Neues Glas, no. 2, 1992, pp. 41-46, ill. 609 Mourgue, Pascal 624 "Exhibitions: Robin Stanaway" Includes an interview with Ludwig Schaffrath. "Pascal Mourgue, verre a la galerie Scremini" Glass (New York Experimental Glass Workshop), Le Courrier des Metiers dArt, no. 108, Dec. 1991, no. 49, Fall 1992, pp. 54-55, ill. 642 "Hessischer Staatspreis: Rudolf Bott" pp. 4-6, ill. Queens Museum of Art exhibit. Kunsthandwerk & Design (formerly Kunst + Handwerk), no. 6, Nov./Dec. 1992, pp. 7-15, ill. 610 Moyer, Kathy M. 625 "Review of Exhibitions: James Carpenter" Glass vessel by the designer. "Charles Kaziun, Paperweight Artist" Glass (New York Experimental Glass Workshop), Paperweight Collectors Association Newsletter, no. 48, Summer 1992, p. 49, ill. 643 Niort. Galerie di Folco no. 102, Feb. 1992, pp.1 -2, ill. Exhibit of Carpenter's furniture in New York Zoritchak (Text Claude Beauville) Obituary. gallery. Niort, France: Edition Vers les Arts, 1992, [16] pp., ill. 611 "Paul Ysart, Paperweight Artist" 626 "Reviews: Douglas Navarra" Paperweight Collectors Association Newsletter, Sculpture, v. 2, no. 5, Sept./Oct. 1992, p. 77, ill. 644 Nomades del vidre = Nomades du verre = no. 102, Feb. 1992, pp. 2-3, ill. Exhibit at New York Experimental Glass Work­ Nomadas del vidrio, Barcelona 91/92 Obituary. shop. [Paris: Corning; Barcelona: Fundacio Centre del Vidre de Barcelona, 1991], 80 pp., 39 plates in a 612 "Wheaton '92 Paperweight Artist Update" 627 New Glass Review 13 folder, ill. Paperweight Collectors Association Newsletter, Corning, NY: The Corning Museum of Glass, Glass exhibition organized by Corning France no. 105, Sept. 1992, pp. 1 -4. 1992, 56 pp., ill. and Fundacio Centre del Vidre of Barcelona. Rick Ayotte, the Banfords, Chris Buzzini, Paul [Also added to Neues Glas, no. 2,1992.] Stankard, and others. 645 Notin, Veronique 628 New York. American Craft Museum "Emaux de Limoges dans les collections du 613 Mual, Makiri Dale Chihuly: Niijima Floats Musee de I'Eveche" "Copier en Cigler bij Nationale Nederlanden" New York: the museum, 1992,12 pp., ill. La Revue de la Ceramique et du Verre, no. 65, Glas & Keramiek, no. 10, Jan./Feb./March 1992, July/Aug. 1992, pp.12-15, ill. pp. 20-21, ill. 629 A Decade of Craft: Recent Acquisitions. Includes plique a jour bowl by Alexandra Collections of Copier and Vaclav Cigler work. Part 1: Glass and Wood Raphael. New York: the museum, 1992, [11] pp., ill. 614 Mueller, Megan Work by 28 glass artists. 646 Notojima. Notojima Glass Art Museum "Dale Chihuly: American Craft Museum, Charles Notojima Open-Air Glass Art Competition Cowles" 630 More Than One: Contemporary Studio (Hiroko lezumi, ed.) Art News, v. 91, no. 5, May 1992, pp. 125-126, ill. Production (Curator: John Perreault) Notojima: the museum, 1992, 56 pp., ill. In Chihuly exhibits in New York City. New York: the museum, 1992, 55 pp., ill. Japanese and English. Exhibition includes glass by Ibex Studio and Sculptures by 14 Japanese glass artists. 615 Mulvane Art Museum Steven Maslach. Earth and Fire: Vernon Brejcha, Larry Schwarm, 647 Nottingham. Angel Row Gallery George Timock 631 New York. Artwear Contemporary British Kiln-Worked Glass (Text: Topeka, KS: the museum, [1992], [13] pp., ill. Seeds (Text: Robert Lee Morris) Keith Cummings and Carol Maund) Glass by Vernon Brejcha. New York: the gallery, 1992, [36] pp., ill. Nottingham, England: Nottinghamshire County Jewelry exhibition includes glass jewelry by Council, 1991, 27 pp., ill. 616 Munder, Peter Kazuko Mitsushima. Work by Tessa Clegg, Keith Cummings, David "Faszination, die aus dem Feuer kommt" Reekie, Colin Reid, and four others. Hanse Art (Hamburg), v. 4, no. 6, Dec. 1992, 632 New York. Elga Wimmer pp. 26-27, ill. Peter Fletcher (Text: Alisa Tager. Concept: 648 Nyberg, Annika Galerie Eliska Stolting in Hittfeld and contem­ Patrice Landau and Elga Wimmer) "The Conscience of Finnish Design" porary Czech glass on exhibit. New York: the gallery, 1992, [19] pp., ill. Form-Function-Finland, no. 2, 1992, pp. 12-13, ill. Sculptures with glass, mirrors, fluorescent tubes. Kaj Franck at the Museum of Modern Art, New 617 Munro, Alison York. "Origins and Originality: The Ausglass Confer­ 633 New York. Heller Gallery ence, Canberra School of Art, January 1993" Michael Pavlik: Ecstatic Geometry (Text: Donald 649 "Mathematician Turned Glass Designer" Craft Arts International (Sydney), no. 26,1992, Kuspit) Form-Function-Finland, no. 4,1992, pp. 66-67, ill. p. 103, ill. New York: the gallery, 1992, [25] pp., ill. Steve Tobin. 650 O'Connor, D. Thomas 665 Paris. Clara Scremini Gallery 680 "New Forms, New Tendencies: Die jung- "Eickholt Glass: Quality Art at Affordable Prices" Christian Astuguevieille: Sculptures (Text: ste tschechische Glasmacher-Generation/The Glass Collector's Digest, v. 6, no. 4, Dec. 1992/ Dominique Legay) Latest Generation of Czech Glass Makers" Jan. 1993, pp. 10-14, ill. Paris: the gallery, 1992, 55 pp., ill. In French and Neues Glas, no. 1, 1992, pp. 8-17, ill. Robert Eickholt, Columbus, Ohio. English. Exhibition at the Prague Academy of Applied Arts in the spring of 1991; work by eight artists 651 "A Love Affair with Glass" 666 [Michal Machat and Martin Velisek] illustrated. Glass Collector's Digest, v. 5, no. 6, April/May Paris: the gallery, 1991, [34] pp., ill. In Czech and 1992, pp. 17-20, ill. English. 681 Phantasie in Glas: Ein Gestaltungs-Wett- Phil Hopfe and the New England Crystal Co. bewerb fur Glasmaler im Jahre 1990 667 Paolo Martinuzzi: Oeuvres (Text: Gerard- Rudesheim am Rhein: Asbach, 1991, 79 pp., ill. 652 O'Connor, J. G. Georges Lemaire and Andre Laude) Competition for young glass painters, each "John Gooderham: Master of a Miniature World" Paris: the gallery, 1991, 55 pp., ill. decorating a clear glass cruet. Annual Bulletin of the Paperweight Collectors' Glass by Martinuzzi. Association, 1991, pp. 30-34, ill. 668 Paris. Galerie Isy Brachot 682 Philippe Starck(Text: Olivier Boissiere) Paperweight buttons, jewelry, and dollhouse Leo Copers: Des Vases = vazen (Text: Wim Van Koln: Benedikt Taschen, 1991,176 pp., ill. paperweights by Canadian artist. Mulders) Lamps and lighting, some glass objects. Paris: the gallery, 1989, 70 pp., ill. In French, 653 Ober, Jerven Dutch, English. 683 Piel, Claude "Utrechtse galerie Douwes Dekker heeft in het "Skin-Deep" ooglopend expositieprogramma" 669 Parkman, Paul and Elmerina Schott Information, no. 62,1992, pp. 18-19, ill. Bulletin Vereniging van Vrienden van Modern "Parkman Coupe" Glass jewelry by Emmanuelle and Francis Glas, no. 2, 1992, pp. 11-14, ill. The Glass Art Society Journal 1991, pp. 124-125, Vaudan. Glass gallery in Utrecht. ill. Commissioned work by Dan Dailey. 684 Pittsburgh. Pittsburgh Center for the Arts 654 "Vaclav Cigler maakt kunstwerk dat staat Kathleen Mulcahy: Artist of the Year (Text: Vicky als een groots gebaar" 670 "The Rise of Glass Art: A Personal View" A. Clark) Bulletin Vereniging van Vrienden van Modern The Glass Art Society Journal 1991, pp. 44-48, Pittsburgh, PA: the center, 1992,17 pp., ill. Glas, no. 2, 1992, pp. 2-5, ill. ill.

671 Pathe, Nouchka and Thouard, Valerie 685 Poeverlein, Robert, ed. 655 Ohio Designer Craftsmen Bayerisches Kunsthandwerk von heute 1992 Ohio Designer Craftsmen Buyers Guide "Une Collection metiers d'art chez Armand Munchen: Verlag F. Bruckmann, 1952, [142] pp., Columbus, OH: the craftsmen, 1992, [16] pp., ill. Colin" Le Courrier des Metiers d'Art, no. 117, Nov. 1992, ill. p. 14, ill. Glass by Zwiesel, Theresienthal, Franz Scholze, 656 Olic, Jiri and others. "Negativni nastin jednoho portretu" Piece by Paolo Martinuzzi. Umeni a Remesla, v. 34, no. 3, 1992, inside cover 686 Porcelli, V. Lorenzo; Green, Donna; and and pp. 24-30, ill. English summary. 672 Patrick, Kathryn others Includes glass sculpture by Frantisek Skala. "Studio Profile" Glass Gazette (Toronto), Spring 1992, pp. 8-9, ill. International Lighting Design Calgary artist Jim Norton. Rockport, MA: Rockport Publishers, 1991, 657 Olivie, Jean-Luc and others 256 pp., ill. "Acquisitions des musees nationaux" 673 Pearlman, Chee Numerous lighting projects created over last five Revue du Louvre, no. 1, April 1992, pp. 89-121, ill. "Something's Pesce Here" years. Acquisitions at the Musee des Arts Decoratifs: I.D. (Industrial Design), v. 38, no. 1, J an./Feb. Richard Meitner, Steven Weinberg, Mieke Groot. 1992, p. 26, ill. 687 Poulizac, Stephanie Gaetano Pesce, architect/designer, makes glass "Distinctement ensemble" 658 Oosthoek, Jeanette items at CIRVA, Marseilles. Revue des Industries d'Art Offrir, no. 294, Sept. "Atelier-werkgroep bezoekt Augusta Pfann en 1992, pp. 157-158, ill. Richard Price" 674 Pedersenova, L'ubica Bertil Vallien and Ulrica Hydman-Vallien in Paris Bulletin Vereniging van Vrienden van Modern "Kristal' a halogen - priodvazne?" exhibition. Glas, no. 2,1992, p. 21+, ill. Umeni a Remesla, no. 4,1991, pp. 44-46, ill. English summary. 688 Powers, Alan 659 Operacion M-V New chandelier designs with halogen bulbs. Glass and Ceramics "Exhibition Reviews - Laurence Whistler CBE: Madrid: Operacion M-V, [1950?], (Spanish Manu­ 675 Peine. Kreismuseum An Exhibition for His 80th Birthday" factures), ill. Chronologie der 50er Jahre Weltereignisse und Crafts (U.K.), no. 116, May/June 1992, pp. 51-52, Overview of the Spanish glass manufacturing Peiner Ereignisse... ill. industry. Peine, Germany: the museum, 1991, [48] pp., ill. Review of exhibit at Sotheby's, London. Exhibition of daily life in the 1950s in German 660 Osborne, Peggy Ann town; included drinking glasses. 689 "Sources of Inspiration: The Glass "Charles Kaziun, Farewell and God Speed" Engraver Laurence Whistler" The National Button Bulletin, v. 51, no. 2, May 676 Pekarek, Jin Crafts (U.K.), no. 119, Nov./Dec. 1992, pp. 40-43, 1992, pp. 112-113, ill. "Mala galerie ceskoslovenskych penez" ill. Paperweight and paperweight button maker. Umeni a Remesla, no. 4,1992, pp. 11 -21, ill. English summary. 690 Prague Glass Prize '91 = Sklarska cena 661 Otis, Lauren H. Includes Czech coins designed by Jin Harcuba, Praha '91 (Text: Sylva Petrova, Douglas Heller) "Exhibitions: Sibylle Peretti" pp. 18-19. Praha: Sklarske sdruzene Praha; Unie Glass (New York Experimental Glass Workshop), vytvarnych umelcu; New York: Heller Gallery, no. 46, Winter 1991-1992, pp. 50-51, ill. 677 Perry, Regina 1991, ill. In Czech and English. Review of New York exhibit. Free Within Ourselves: African-American Artists 35 Czech artists in jointly sponsored exhibition, in the Collection of the National Museum of displayed in Prague and at Heller Gallery in New American Art 662 "Exhibitions: Toots Zynsky" York. Washington, DC: National Museum of American Glass (New York Experimental Glass Workshop), Art, Smithsonian Institution; San Francisco: no. 46, Winter 1991-1992, p. 55, ill. 691 Press, Mike Pomegranate Artbooks, 1992, 205 pp., ill. Review of Philadelphia exhibit. "Full Circle: Elizabeth Swinburne" Includes James Hampton throne installation with Neues Glas, no. 4, 1992, pp. 36-45, ill. In German glass, ca. 1950-1964. 663 Pagel, David and English. "Reviews: Linda Roush-Hudson" 678 Petrova, Sylva Artforum, v. 31, no. 4, Dec. 1992, pp. 99-100, ill. "Glass in Sevilla" 692 Price, Geoffrey H. Los Angeles exhibit. Neues Glas, no. 4,1992, pp. 8-17, ill. In German "Gwydyr is Welsh for Glass" and English. Schott Information, no. 60, 1991, pp. 18-19, ill. 664 Palterer, David Czech glass at EXPO '92: Vladimir Kopecky, Glassblowing at Ruthin Craft Centre, northern Chimere: Animali fantastici in cristallo proposti Marian Karel, Jaroslav Matous. Wales. da Vilca (Text: Anna Gazzi) Firenze: Morgana Edizioni, 1992, [44] pp., ill. In 679 "Jan Adam: The Comeback of a Czech 693 Profiles: Who's Who in American Crafts Italian and English. Glass Artist/Das Comeback des tschechischen Baltimore, MD: Rosen Publishing, 1993, 238 pp., Collaboration between David Palterer and Glaskunstlers" ill. Cristalleria Vilca di Colle Val d'Elsa. Neues Glas, no. 1,1992, pp. 26-33, ill. Glass, pp. 63-96. 694 Racine. Charles A. Wustum Museum of 708 "Expositions: Mieke Groot" 722 Rous, Jan Fine Arts La Revue de la Ceramique et du Verre, no. 67, "Magma tvaru" Just Plane Screwy: Metaphysical and Meta­ Nov./Dec. 1992, p. 62, ill. Domov (Prague), v. 32, no. 10, 1992, pp. 54-55, ill. phorical Tools by Artists Groot's sculpture at Paris gallery. Glass sculpture by Petr Vlcek. Racine, Wl: the museum, 1992, [40] pp., ill. Includes glass: Rick Beck, Ellie Burke, Linda 709 "La Galerie Transparence" 723 Ruhlig, Dagmar Hoffhines, Stephen Lorson, Richard Posner, La Revue de la Ceramique et du Verre, no. 62, Elke Schubert - Glasbilder James Van Deurzen. Jan./Feb. 1992, p. 52, ill. Immenhausen: Glasmuseum Immenhausen, Brussels gallery specializes in glass. 1991,1-p. folder, ill. 695 Radeschi, Loretta 710 "Prototypes pour un multiple: Une Collab­ Exhibition check list. "Buying Commissioned Lamps" oration de Hanneke Fokkelman et Richard Price Professional Stained Glass, v. 12, no. 7 (112), July au CIRVA" 724 Rumble, Janet L. 1992, pp. 12-15, ill. La Revue de la Ceramique et du Verre, no. 65, "Flights of Fancy" Lamps by Rick Melby, William Grix, and others. July/Aug. 1992, p. 55, ill. Metropolis, v. 11, no. 8, April 1992t pp. 33-35, ill. New chandeliers by Castiglioni, Sipek, Ray King, 696 Raimondi, Giuseppe 711 R'Hila, Karin Sottsass, and others. Italian Living Design: Three Decades of Interior "Salone del mobile" Decoration 1960-1990 Kunsthandwerk & Design (formerly Kunst + 725 Russ, Joel New York: Rizzoli, 1990, 288 pp., ill. Handwerk), no. 4,1992, pp. 4-11, ill. "Artist Profile: Lou Lynn" Includes glassware, lamps and lighting. Glass furniture by Roberto Taroni, Diego Zanella. Glass Gazette, Summer 1992, p. 11, ill. 712 Richards, Kristen 697 Rakoto, Vony 726 Rydin, Birgitta "Light Winds" "Le Verre en vogue" "Den nya ljuskronan" Interiors, v. 151, no. 10, Oct. 1992, p. 26, ill. Trouvailles, no. 93, Feb. 1992, p. 17, ill. Skona Hem, no. 1, Sept. 1992, pp. 125-127, ill. Jordan Mozer suspended lights of hand-blown Rene Deniel. Includes lighting fixture by Artemide and neon glass that appear to be blowing in the wind. chandelier by Per Sundberg. 698 Ramshaw, Wendy "Kompositionen aus Glas: Studio-Glas in Eng­ 713 Ricke, Helmut 727 San Francisco. San Francisco Museum of land" "Looking for a European Position: Remarks on Modern Art ArtAurea, no. 1, 1992, pp. 92-99, ill. English sum­ New Glass in the Old World Today" Jeff Koons mary. The Glass Art Society Journal 1991, pp. 49-56, San Francisco, CA: the museum, 1992,132 pp., Review of London exhibit: David Taylor, Tessa ill. ill. Clegg, Brian and Jenny Blanthorn, Rachel 714 Ricke, Helmut and Vaudour, Catherine Includes glass sculptures. Woodman, Keith Brocklehurst. "Le Verre: Internationale Ausstellung zeitgenos- sischer Glaskunst = International Exhibition of 728 Luciano Fabro (Text: John Caldwell, and 699 Randa, Sigrid Contemporary Glass" "Finnish Glass: Zwischen Unikat und Serie/ others) Neues Glas, no. 2, 1992, pp. 10-19, ill. San Francisco, CA: the museum, 1992,151 pp., Zwischen Kunst und Design" Rouen exhibition. Neues Glas, no. 3, 1992, pp. 26-35, ill. In German ill. Mixed-media sculptures. and English. 715 Riihimaki. Suomen Lasimuseo Oiva Toikka, Markku Salo, Marja Myllymaki. Make Glass Not War: 1960-luvun suomalaista lasia 729 S.E.C.A. Art Awards 1992: Hung Liu, John 700 Rasmussen, Laura Riihimaki: the museum, 1992, 32 pp., ill. In Beech, Maria Porges (Text: Janet Bishop, John "Ask Me the Time and I'll Build a Clock" English and Finnish. Caldwell, Dominique Payot) Glass Line, v. 5, no. 6, April/May 1992, p. 1 +, ill. Finnish glass from the 1960s in exhibit at the San Francisco: the museum, 1992, [28] pp., ill. Ricky Charles Dodson, lampworker. Finnish Glass Museum. Society for the Encouragement of Contemporary Art award exhibition; some glass included. 701 "A Visit to Hooper Studios" 716 Neues Glas in Finnland(Documentation: Glass Line, v. 5, no. 5, Feb./March 1992, p. 1+, ill. Uta Lauren) 730 Santa Barbara. Santa Barbara Museum of Bob and Warren Hooper, California lampworkers. Riihimaki: the museum, [1991 ?], 45 pp., ill. Art Exhibit circulating in Europe in 1992. Matt Mullican: The Spectrum of Knowledge 702 Rat des Bezirkes Suhl Santa Barbara, CA: the museum, 1992, [12] pp., 717 Riolfo Marengo, Silvio ill. 10. Kunstausstellung des Bezirkes Suhl (Ka\a\og: "Nell'anno di Piero" Ludwig Winkler) Work commissioned by the museum; includes Alte Vitrie, v. 5, no. 2, Aug. 1992, pp. 2-3, ill. leaded glass. Suhl: Rat des Bezirkes Suhl; Verband Bildender English summary. Kunstler der DDR, Bezirk Suhl, 1989, 96 pp., ill. Exhibit inspired by Piero della Francesca; 731 Sarpellon, Giovanni Exhibition included glass by Hubert Koch, Baz- includes two glass medallions by Giampaolo "II Premio Murano" Dolle, Knye, Greiner-Mai, the Prechts, and Parini. others, pp. 50-59. Ceramica Antica, v. 1, no. 9, Oct. 1991, pp. 52-57, 718 Rippstein, Laurence ill. 703 Ratajczak, Miroslaw "Expositions: Sculptures de verre contem- Artists and designers collaborate with Muranese "Szkfo Anny Skibskiej/Anna Skibska's Glass" poraines" glassmakers. Art& Business (Warsaw), no. 3, March 1992, Crafts Council Schweiz/Suisse/Svizzera, no. 3, pp. 34-35, ill. In Polish and English. Sept. 1992, p. 7, ill. German summary. Polish glass artist Skibska. Exhibit of contemporary glass in Lausanne 732 "Premio Murano" museum; bowl by Bert Frijns. Showcase (Milan), v. 4, no. 9, Feb. 1992, 704 Ratcliff, Carter pp. 118-120, ill. In Italian. "Jeff Koons: Not for Repro" 719 Roberts, Nellann Muranese artists in the fourth Premio Murano Artforum, v. 30, no. 6, Feb. 1992, pp. 82-87, ill. Hot Glass Jewelry event. Includes glass sculpture. Mesquite, TX: Paragon Industries, 1991, 8 pp., ill. "..projects you can make with a kiln." 733 Sarpellon, Giovanni, ed. Arte & vetro: Premio Murano, IV edizione 705 Rebella, Monica 720 Rose, Matthew "Vetro News: Istituto per lo Studio del Vetro e 1990-1991 "Bright Lights, Big Museum" [Murano]: Arsenale Editrice, 1991, 75 pp., ill. dell'Arte Vetraria" Art & Antiques, v. 9, no. 6, Summer 1992, p. 17, ill. Alte Vitrie, v. 5, April 1992, pp. 27-28, ill. English Exhibition with the drawn designs and the exe­ Dan Flavin's light installation at the Guggenheim cuted works by Muranese artists. summary. Museum. School of glassmaking opens at Altare. 721 Rotterdam. Museum Boymans-van 734 Savage, Michael 706 Renton, Andrew Beuningen "Czechoslovakia Explored" "Reviews: Alex Hartley" 11 jonge Nederlandse glaskunstenaars: Ten- The Glass Cone, no. 31, Autumn 1991, pp. 7-8, ill. Flash Art, v. 25, no. 165, Summer 1992, p. 118, ill. toonstelling bij deuitreiking van de Bernardine de Visit to glassmaking towns and museums. Sculptures with frosted glass. Neeve-prijs; Stimuleringsprijs hedendaagse glaskunst (Organizer: Dorris U. Kuyken-Schnei- 735 Save, Colette and Beaumont, Thierry de 707 Rhebergen, Robi der) "Le Verre Superstar" "Expositions: Le Verre a Ob'Art" Rotterdam: the museum; Vereniging van Vrien- L'Atelier News, no. 13, Jan. 1992, pp. 10-14, ill. La Revue de la Ceramique et du Verre, no. 67, den van Modern Glas, 1992, [19] pp., ill. Exhibitions, the market, and artists: Lecha- Nov./Dec. 1992, p. 57, ill. Juried exhibition of Dutch prize-winning glass czynski, Steve Tobin, Walentynowicz, Vaudour, Ob'Art exhibition with 90 glass artists. artists. Eisch, and others. 736 Schack von Wittenau, Clementine 751 Schwedischen Institut, Stockholm 766 Sevres. Musee National de Ceramique "Die '150 schonsten Glaser' der Wiesenthal- Schwedische Glaskunst der Gegenwart Retrospective Jean-Paul van Lith: Ceramique et hutte" Stockholm: the institute, 1985; (Stockholm: verre, 1957-1991. De I'or et du feu Kunst und Antiquitaten, no. 9,1992, pp. 48-53, ill. Stellan St£ls Buchdruckerei), 63 pp. Paris: Reunion des Musees Nationaux, 1991, Loan exhibit of 1950s-1980s glass from Wiesen- Exhibition of Swedish glass at Karlsruhe site. 172 pp., ill. thalhutte at Coburg museum. Glass, pp. 128-165. 752 Schwoerer, Daniel 737 Schamroth, Helen "The Art of Kiln-formed Glass" 767 Shaw, Brittain "Glass Art in New Zealand" Society of Glass & Ceramic Decorators, Pro­ "Commissions: Robert Studer" Neues Glas, no. 1,1992, pp. 40-46, ill. In German ceedings of the 27th Annual Seminar (Dallas, Sculpture, v. 2, no. 6, Nov./Dec. 1992, p.72, ill. and English. TX, Sept. 30-0ct. 3, 1990), Port Jefferson, NY: Glass and steel installation, Vancouver. Ann Robinson, Lynley Adams, Peter Viesnik, and the society, 1990, pp. 65-66, ill. others. 768 Shinohara, Mayumi "Events: Interglass Symposium" 738 Scheinin, Peggy 753 "A Survey of Contemporary Glass Fusing" Glasswork (Kyoto), no. 11, March 1992, pp. 50-51, "Markku Salo: Glass Adventures" Society of Glass & Ceramic Decorators, Pro­ ill. English summary. Glass (New York Experimental Glass Workshop), ceedings of the 25th Annual Seminar (Arlington, 1991 symposium at Novy Bor. no. 49, Fall 1992, pp. 42-47, ill. VA, Sept. 26-28, 1988), Port Jefferson, NY: the society, 1988, pp. 72-76. 769 "Interview: Dana Zamecnfkova, Marian 739 Scherer, Alice Text for a slide presentation; many artists' work Karel" "New Directions in Contemporary Beadwork" described. Glasswork (Kyoto), no. 11, March 1992, pp. 2-9, The Glass Art Society Journal 1991, pp. 77-78, ill. ill. In Japanese and English. 754 Searle, Karen 740 Scheuerer, Stefan Otto "Glass Lampworking Workshop" 770 Siltavuori, Eeva Entstehung und Entwicklung der europaischen Ornament, v. 15, no. 4, Summer 1992, "Living Memory: In Defence of Crafts" Studioglas-Bewegung von 1950 bis 1970 pp. 104-105, ill. Form-Function-Finland, no. 4, 1992, pp. 10-23, ill. (2 vols.) Review of a beadmaking workshop, Milwaukee. Glass by Taru Syrjanen and Oiva Toikka, Thesis, Johann Wolfgang Goethe-Universitat, pp. 18-19. Frankfurt am Main, 1989,129, 49 pp., ill. 755 "Joyce Scott, Migrant Worker for the Arts" Origins and development of European studio 771 Simon, Zsuzsanna Ornament, v. 15, no. 4, Summer 1992, pp. 46-51+, glass from 1950 to 1970. "Tiikor, tiikrok, tukrozes" ill. Uj Muveszet, v. 3, no. 12, Dec. 1992, pp. 35-38, ill. Artist makes beaded jewelry. 741 Schiess, Christian Mirrored objects (and mixed-media with mirrors) "Bright Ideas for the Big Picture" in Hungarian collection. Signs of the Times, v. 216, no. 10, Oct. 1992, 756 Seattle. Linda Farris Gallery pp. 112-117, ill. NancyMee 772 Simpson, Richard V. Neon artist Valerij Bugrov, working in Germany. Seattle, WA: the gallery, 1992, [14] pp., ill. "Charles Kazuin Paperweights" Antiques & Collecting Hobbies, v. 97, no. 8, Oct. 742 "Interview: Peter Freeman" 1992, pp. 42-45, ill. Signs of the Times, v. 214, no. 2, Feb. 1992, 757 Seidel, Miriam pp. 106-111, ill. "Review of Exhibitions: Lucartha Kohler" Glass (New York Experimental Glass Workshop), 773 Sims, Patterson British neon sculptor. no. 48, Summer 1992, p. 51, ill. Dale Chihuly: Installations 1964-1992 743 "Using Light Largely" Seattle: Seattle Art Museum, 1992, 70 pp., ill. Signs of the Times, v. 214, no. 3, March 1992, 758 Sekora, Ondrej J. 774 Singapore. National Museum Art Gallery pp. 128-133, ill. "Hovory o mincich" Forms of Light: Glass Sculptures by Ramon G. Light sculptor John David Mooney. Umeni a Remesla, no. 4,1992, pp. 24-26, ill. Orlina (Text: T. K. Sabapathy) English summary. Singapore: the museum, 1991, 18 pp., ill. 744 Schiffer, Nancy Aspects of Czech coin design; Jin Harcuba. The Best of Costume Jewelry West Chester, PA: Schiffer Publications, 1990, 775 Skarlantova, Jana 759 Selman, Lawrence H. "Glass with a Count's Crown: 280 Years of the 160 pp., ill. All About Paperweights 1940s-1980s. Glassworks at Harrachov" Santa Cruz, CA: Paperweight Press, 1992, Glass Review, v. 47, no. 5,1992, pp. 11 -16+, ill. 745 Schluifer, Gemot 119 pp., ill. Gemot Schluifer: Glasbildhauer = Glass-sculptor About 40 contemporary paperweight artists. 776 Smolik, Noemi = Scultore vetario [sic] "The Heart of It All: Asta Groting" [Kitzbuhel, Austria: the artist], 1992, [28] pp., ill. 760 "Artist Profiles: Gordon Smith, Modern- Artforum, v. 30, no. 6, Feb. 1992, pp. 95-99, ill. Sculpture and engraved glass. Day Gauguin" Includes glass sculpture by the German artist. Paperweight News, v. 13, no. 1, Jan. 1992, 746 Schmitt, Eva pp. 10-11, ill. 777 Solcova-Sramkova, Ivana "Engraved Glass" Paperweight artist. "Ivana Solcova-Sramkova" Neues Glas, no. 4,1992, pp. 46-51, ill. In German The Glass Art Society Journal 1991, pp. 65-67, ill. and English. 761 "Seven Questions for Paul Stankard" 778 Sour, Annemarie First international symposium on engraved Paperweight News, v. 13, no.1, Jan. 1992, glass, Karlsbad. "Bohemen in de ban van het glas" pp. 4-6, ill. Bulletin Vereniging van Vrienden van Modern 747 "Lukas Derow: Sculpture as Architecture, Glas, no. 3, 1992, pp. 19-22, ill. Architecture as Sculpture" 762 "The Skillful Hands of Randall Grubb" Neues Glas, no. 1, 1992, pp. 18-25, ill. In German Annual Bulletin of the Paperweight Collectors' 779 "De dynamische verzameling van Herman and English. Association, 1991, pp. 35-37, ill. Dommisse" Paperweights by Oregon artist. Bulletin Vereniging van Vrienden van Modern 748 Schrijvers, Dirk Glas, no. 1,1992, pp. 8-12, ill. "Moderne Glaskunst in Belgie" 763 [Seoul, Korea.] Gallery Seomi Modern glass collector. Bulletin Vereniging van Vrienden van Modern Kim, Jung Hoo (Text: Jeannine Falino, Jamie Glas, no. 4, 1992, pp. 18-20, ill. Bennett) 780 "Rietveld Academie: Van trapeze tot Veronique Lutgen, Louis Leloup. [Seoul?, Korea]: the gallery, 1992, ill. In Korean zwangerschap" and English. Bulletin Vereniging van Vrienden van Modern 749 Schulenburg, Stephan Graf von der Jewelry, including glass. Glas, no. 3,1992, pp. 13-16, ill. Gendai Kdgei: Neues Kunsthandwerk aus Japan Renee Ridgway, Anneke Teijink, Philippa (Text: Fukunaga Shigeki, Irmtraud Schaar- Edwards, Jens Pfeifer. schmidt-Richter, and Stephan Graf von der 764 Sersiron, Nicolas "Scott Slagerman: La Reussite d'un aventurier Schulenburg) 781 "Terrier Laansma wil vereniging die Frankfurt am Main: Museum fur Kunsthandwerk, du verre" moderne glas stimuleert en uitdraagt" La Revue de la Ceramique et du Verre, no. 66, 1992, 223 pp., ill. In German. Bulletin Vereniging van Vrienden van Modern Includes glass by Nao Kudo, Kyohei Fujita, Rury Sept./Oct. 1992, pp. 42-45, ill. Glas, no.4, 1992, pp.6- 11, ill. Iwata, Yumiko Noda. 765 "Verriers de la Mediterranee" 782 Speranza, Carolyn P. 750 Schwartz, Bonnie La Revue de la Ceramique et du Verre, no. 64, We Are Transmitters: A Visual Essay + Guide to "Neon Totems" May/June 1992, p. 61, ill. Richard Harned's Eccentric Vision Interiors, v. 151, no. 2, Feb. 1992, p. 16, ill. Exhibit and glassblowing demonstrations by Washington, DC: The Renwick Gallery, The Three 75-foot-high neon towers for Universal Israeli, Turkish, Lebanese, Syrian, Tunisian, and Smithsonian Institution, 1990, [10] pp., ill. City, CA. French artists at Gruissan. Harned's exhibition at The Renwick Gallery. 783 Spring, Justin 800 "Wagga Wagga '91" 815 Tarchinski, Pamela J. "Reviews: Dale Chihuly, Charles Cowles Gal­ Ausglass Magazine, Spring/Summer 1991/1992, "Exhibitions: Kenny Carder" lery" pp. 2-3. Glass (New York Experimental Glass Workshop), Artforum, v. 30, no. 10, Summer 1992, p. 110, ill. Review of the 10th Anniversary Australian Glass no. 46, Winter 1991- 1992, pp. 48-49, ill. Triennial. Review of Santa Fe exhibit. 784 Stankard, Martin F. "In Memoriam: Adelmo Tarsitano (1921-1991)" 801 Stone, Graham; Tysoe, Peter; and Somer- 816 Tarroni, Laura Annual Bulletin of the Paperweight Collectors' ville, Declan "La fabbrica del cristallo" Association, 1991, pp. 44-46, ill. "Vicki Torr - Obituary" Casastile, v. 19, no. 203, Aug. 1992, pp.120-121, Paperweight maker Del Tarsitano. Ausglass Magazine, Winter 1992, pp. 24-25. ill. Visit to La Cristalleria Livellara, Milan. 785 Stankard, Paul J. 802 Strattman, Wayne "An Appreciation for Jack Choko" "The Hows of Bending, the Whys of Coating" 817 Tarsitano, Debbie Annual Bulletin of the Paperweight Collectors' Signs of the Times, v. 214, no. 6, June 1992, "Delmo Tarsitano: 1921-1991. The Man Who Association, 1991, pp. 47-49, ill. p. 32+, ill. Brought Earth to Life in Glass" South Jersey paperweight artist. Neon techniques. Paperweight News, v. 13, no. 1, Jan. 1992, pp. 16-17, ill. 786 Stara, Eva 803 Stuttgart. Design Center Stuttgart des "Homage to Mozart" Landesgewerbeamts Baden-Wurttemberg 818 Taylor, Michael Glasswork (Kyoto), no. 10, Oct. 1991, p. 55, ill. In Eine Ausstellung von Produkten aus Baden- "Regional Glass Artists and Studios of Northwest Japanese and English. Wurttemberg New York State" Review of Jirf Harcuba's work. Stuttgart: the center, 1970, 172 pp., ill. The Glass Art Society Journal 1991, pp. 82-91, ill. Includes tableware. 787 "An Interview with Ivan Mares" 819 Terris, Colin Glasswork (Kyoto), no. 10, Oct. 1991, pp. 36-41, ill. 804 Jahresauswahl 1971 "The End of an Era: A Tribute to the Late Paul In Japanese and English. Stuttgart: the center, 1971, 356 pp., ill. Ysart, a Master Glassmaker" Includes glass by Peill + Putzler, Zwiesel, Ichen- Reflections, Caithness Paperweights, annual 788 "A Jubilee of the Libochovice Glassworks" dorfer. review no. 7,1992, p. 19, ill. Glass Review, v. 47, no. 5, 1992, pp. 17-19, ill. 805 Jahresauswahl 1975 820 Theophilus, Jeremy 789 "The Prague Glass Prize" Stuttgart: the center, 1975, 356 pp., ill. "Exhibition Reviews - Le Verre: International Glasswork (Kyoto), no. 10, Oct. 1991, pp. 56-57, ill. Includes tableware by Schott-Zwiesel, Peill + Exhibition of Contemporary Glass" In Japanese and English. Putzler, etc. Crafts (U.K.), no. 116, May/June 1992, pp. 48-49, Review of exhibition in Prague, August 1991. ill. 806 Stuttgart. Wurttembergisches Landes- Review of exhibition at Espace Duchamp-Villon, 790 Starnbach, Ann museum Rouen. "Review of Exhibitions: Douglas Navarra" Schdne Form, gute Ware: Wilhelm Wagenfeld Glass, no. 48, Summer 1992, pp. 52-53, ill. zum 80. Geburtstag 821 Thiel, Ana 791 Starosta, Josef (Katalog: Andrea Berger-Fix and Heribert "Glas Plastik in Mexiko = Glass Sculpture in "Chandeliers from Kamenicky Senov - From Meurer) Mexico" Their History to Their Present" Stuttgart: the museum, 1980, 63 pp., ill. Neues Glas, no. 2,1992, pp. 34-40, ill. For You from Czechoslovakia, June 2,1992, Exhibition of Wagenfeld's work on his 80th birth­ 822 Thomas, Mona pp. 34-38, ill. day. "Martial Raysse, la retrospective" 792 "Chandeliers from Kamenicky Senov - 807 Suda, Kristian Connaissance des Arts, no. 490, Dec. 1992, Tradition and Contemporary Innovation" "The Academy of Applied Arts of Prague" pp. 52-58, ill. Glass Review, v. 46, no. 4, 1992, pp. 2-5, ill. Glasswork (Kyoto), no. 10, Oct. 1991, pp. 46-49, Includes neon. ill. In Japanese and English. 793 Stavis, Amy 823 Thomson, Jim "Ann Morhauser" 808 Sugahara Glass Corporation "In Review: Perspectives in Glass" China, Glass & Tableware, v. 110, no. 3, March Glass Situation '89: Sugahara Craft Glass of Ontario Craft, v. 17, no. 1, Spring 1992, p. 17, ill. 1992, pp. 12-13, ill. Japan Ian Forbes and Jeff Goodman glass in Ottawa Annieglass, California studio. Tokyo: The Company, [1989], 120 pp., ill. exhibit. Sales catalog with prices for Sugahara table­ 794 "Designer Spotlight: Goran Warff, Swedish ware. 824 Thor, Lars Glass Master" "Studio glas" China, Glass & Tableware, v. 110, no. 12, Dec. 809 Summit. New Jersey Center for Visual Kultur Spridaren, no. 1, Jan./March 1992, p. 3, ill. 1992, pp. 10-11, ill. Arts Ulf Johansson vase. Contemporary Glass Sculpture: Innovative Form 795 "Over the Rainbow" and Expression 825 Tiffany, Louis Comfort, Foundation China, Glass & Tableware, v. 110, no. 7, July 1992, Summit, NJ: the center, 1992, 24 pp., ill. 1991 Awards in Painting, Sculpture, Printmaking, pp. 16-18, ill. 15 glass artists. Photography and Craft Media Iris Arc Crystal. New York: The Foundation, 1992, 59 pp., ill. 810 Suwa. Suwa Garasu no Sato Includes glass by Kiki Smith, pp. 44-45. 796 Stensman, Mailis Shinichi and Kimiake Higuchi Exhibition, Pate de "Colorful Nordic Light" Verre 826 Tokyo Glass Art Institute Form, v. 88, no. 7/8 (683), Swedish Design An­ Suwa: the gallery, 1992, [20] pp., ill. In Japanese Glass Works 1992: Tokyo Glass Art Institute nual 1992, pp. 40-43+, ill. In Swedish and and English. Graduation Exhibition.The Graduation Works of English. the 10th Graduates and the 9th Postgraduates, 250th anniversary of Kosta Boda. Work by 811 Swedish Art in Glass 1900-1990: An Im­ 1st Pate de Verre Course Graduates Gunnel Sahlin, Anna Ehrner. portant Private Collection (Text: Bo Knutsson) Tokyo: the institute, 1992,104 pp., ill. In Japanese Vanersborg, Sweden: Knutsson Art & Antiques, and English. 797 Stensman, Mailis and Wickman, Kerstin 1991, 234 pp., ill. In English and Japanese. "Hotad varldsattraktion" Sales catalog of about 140 pieces: Gate, Hald, 827 Tokyo. Suntory Museum of Art Form, v. 88, no. 2 (679), 1992, pp.18-27, ill. In Ohrstrom, Palmqvist, Cyren, Englund, the Val- The Suntory Prize '90 Swedish and English. liens, Tinback, Wolff, etc. Tokyo: the museum, 1990, 76 pp., ill. In Japanese Swedish ownership of Orrefors endangered. and English. 812 Szego, Gyorgy Includes glass by Ryoji Shibuya, Shinichi Muro, 798 Stevens, Ellen "Iparmuveszet: Artemide - fenyformak" Richard Craig Meitner, Maria Lugossy. "Een museum met een persoonlijke visie" Uj Muveszet, v. 3, no. 8, Aug. 1992, pp. 53-54, ill. Glas & Keramiek, no. 12, July/Aug./Sept. 1992, Lighting design. 828 The Suntory Prize '91 pp. 34-35, ill. Tokyo: the museum, 1991, 83 pp., ill. In Japanese Van der Togt collection; glass by Pavel Tomecko, 813 Takeda, Atsushi and English. Zoltan Bohus. "Niyoko Ikuta: The Glass of a Flickering Heart" Includes work by Toshio lezumi, Tadashi Sumi, Neues Glas, no. 4,1992, pp. 18-27, ill. In German Yuko Nakao, Y. Hashimoto, Hideko Masuda, 799 Stone, Graham and English. Teruo Yamada, Maria Lugossy. "Recent Glass Shows in Melbourne" Ausglass Magazine, Spring/Summer 1991/1992, 814 Tallman, Susan 829 Tokyo. Takashimaya Department Store pp. 11-13, ill. "Kiki Smith: Anatomy Lessons" Free Blown Glassware by Kyohei Fujita Leisa Wharington, Jing Lu, Gerie Hermans, Scott Art in America, v. 80, no. 4, April 1992, Tokyo: the store, 1992, [46] pp., ill. In Japanese Chaseling, and others. pp. 146-153+, ill. and English. 830 Toso, Gianni 845 Vaughan, Michael Thomas 858 "Blake Street Glass" "What I Know, What I've Learned, and What I "In Memoriam: Paul Ysart 1904-1991" Glass Art Magazine, v. 7, no. 4, May/June 1992, Believe, after 39 Years of Working with Glass" Scottish Glass Society Newsletter, no. 39, Feb. pp. 48-52, ill. The Glass Art Society Journal 1991, pp. 68-69, 1992, pp. 9-10. Michael David, Kit Karbler, Miguel Guzman in ill. Denver studio. 846 Vegesack, Alexander von 831 Transparency & Shape. Sculpture by L C. Borek Sipek: Die Nahe der Feme. Architektur- 859 "A Conversation with Ginny Ruffner" Armstrong, Michele Blondel, John Chamberlain, Design Vitra Design Museum. (Mit Beitragen von Glass Art Magazine, v. 7, no. 2, Jan./Feb. 1992, Heather Hutchison, Donald Lipski, Kiki Smith, Milena Lamarova and others) pp. 4-8, ill. Andrew Topolski, Christopher Wilmarth Weil am Rhein: Vitra Design Museum, 1992, New York: Elga Wimmer, [1992], 68 pp., ill. 79 pp., ill. 860 "Exploring Mankind's Internal Life: The Includes essay, "Clear Contradiction," by Exhibition at Vitra Design Museum, Weil am Work of David Ruth" Christopher French. Rhein, and at the Kunstgewerbemuseum, Glass Art Magazine, v. 8, no. 1, Nov./Dec. 1992, Prague. pp. 38-42, ill. 832 Troncy, Eric Cast glass by Ruth. "London Calling: Intimacy and Chaos in Con­ 847 Verberne, Daniel temporary British Art" "Through the Glass" 861 "Southern California's Glass Artists: Flash Art, v. 25, no. 165, Summer 1992, Omnuyot (Tel Aviv), no. 1, July 1988, pp. 24-25, ill. Diversity Defined" pp. 86-89, ill. In Hebrew. Glass Art Magazine, v. 7, no. 2, Jan./Feb. 1992, Damian Hirst, Melanie Counsell use glass. Author, a glass artist, visits U.S. and recom­ pp. 46-50, ill. mends galleries, art centers, etc. Susan Stinsmuehlen-Amend, John Luebtow, 833 Turbide, Frangois Joan Irving, Christopher Lee, Elly Sherman. "Studio Profile: La Meduse enr. lles-de-la-Made- 848 Versluis, Petra leine, Que." "De wissel bij Galerie Kapelhuis" 862 "The State of Public Art. How to Break into Glass Gazette (Toronto), Winter 1992, pp. 7-9, ill. Glas & Keramiek, no. 10, Jan./Feb./March 1992, the Market" In French and English. pp. 17-19, ill. Glass Art Magazine, v. 7, no. 3, March/April 1992, Includes glass by Simon Moore. pp. 36-43, ill. 834 Turner, Ralph Projects by Kenneth von Roenn and Ginny Ruff­ "Exhibitions: Talentborse Handwerk 1992" 849 Verzotti, Giorgio ner, and advice for artists. Crafts (U.K.), no. 117, July/Aug. 1992, pp. 47-48, ill. "Reviews: Maurizio Nannucci" Glass piece by Finnish artist Paivi Kekalainen. Artforum, v. 30, no. 10, Summer 1992, p. 117, ill. 863 "The Story Teller: Ricky Charles Dodson" Neon exhibit, Bologna. Glass Art Magazine, v. 7, no. 5, July/Aug. 1992, 835 "Heart of Glass: Clare Henshaw" pp. 4-8, ill. Crafts (U.K.), no. 118, Sept./Oct. 1992, pp. 44-45, 850 Vescovi, Elaine Lampworked sculpture. ill. "Exhibitions: Mary Shaffer" Engraved glass by Henshaw. Glass (New York Experimental Glass Workshop), 864 "The Work of James Nowak" no. 46, Winter 1991-1992, p. 53, ill. Glass Art Magazine, v. 7, no. 6, Sept./Oct. 1992, 836 Vadasz, Robert Review of San Diego exhibit. pp. 4-6, ill. "Sculptures of Light" Artist uses dichroic glass. Craft Arts International (Sydney), no. 25,1992, 851 Vetromurano 85 [sic]: Mostra vetri San pp. 55-59, ill. Nicold 865 "The Work of Klaus Moje: A New Order" Pate de verre by Australian artist Martin Russell. [Venezia: Museo Vetrario Murano, 1985], [30] pp., Glass Art Magazine, v. 7, no. 4, May/June 1992, ill. pp. 4-8, ill. 837 Valjakka, Timo Exhibition of glass by Italian designers and "Experience Replaces Object" design firms. Form-Function-Finland, no. 4,1992, pp. 50-51, ill. 866 Walker, Susannah Queensberry Hunt: Creativity and Industry Exhibit of contemporary art from the Baltic 852 Vettese, Angela London: Fourth Estate; Wordsearch Publishing, countries; neon by Toivo Raidmets. "Thirty Years of Art and Lighting" 1992,112 pp., ill. llluminotecnica, no. 369/370, Sept./Oct. 1991, Cut glass designs for Webb Corbett by the 838 "Paintings Come to Life" pp. 470-485, ill. In five languages. British design firm Queensberry Hunt, p. 17. Form-Function-Finland, no. 1,1992, pp. 38-41, ill. Neon by John Mooney, Bruce Nauman, Lili Finnish artist Marja Kanervo uses glass and Lakich, Dan Flavin, Keith Sonnier, and others. mirrors in installations. 867 Wallerius, Inga "Barande funktion" 853 Vezzosi, Alessandro Form, v. 88, no. 6 (683), 1992, p. 6, ill. 839 Valkema, Sybren II tesoro delTarehitettura: Cleto Munari 1980/ Kaj Franck. "Kleuren in Glas" 1990. Gioielli, argenti, vetri, orologi (Katalin Mol- Bulletin Vereniging van Vrienden van Modern lek Burmeister, ed.) Glas, no. 2,1992, p. 15. Firenze: Edifir, 1990,149 pp., ill. 868 "Nupet glas" Color in glass. Luxury furnishings, jewelry designed by archi­ Form, v. 88, no. 6 (683), 1992, p. 7, ill. tects/designers and manufactured by Munari. Exhibit of the London Glasshouse group; vessel 840 Van Mulders, Wim Glass by Hans Hollein, Izzika Gaon, Achille by Annette Meech. Leo Copers: Des vases/Vazen Castiglioni. Paris: Isy Brachot Galerie, 1989, 69 pp., ill. Text 869 Warmus, William in French, Dutch, English. 854 Viesnik, Peter "Flawed Masterpieces and Perfect Reproduc­ Copers' broken vases. "Reviews: Gerry King, Sculpture in Glass" tions" Craft New Zealand, no. 38, Spring 1991, p. 23, ill. The Glass Art Society Journal 1991, p. 39, ill. 841 Varga, Vera Review of 1991 Auckland exhibit. "Glass Now: Gaal Endre uvegmunkai" 870 Warnia, Pierre Uj Muveszet, v. 3, no. 12, Dec. 1992, pp. 45-47, ill. 855 Vogel, Sabine B. "L'Atelier de la verrerie de Skrdlovice" Glass by Hungarian artist Andre Gaal. "Reviews: Keith Sonnier" Revue des Industries dArt Offrir, no.294, Sept. Artforum, v. 30, no. 7, March 1992, p. 120, ill. 1992, pp. 67-71, ill. 842 "Uveg-ter-plasztika. Kortars szlovak Cologne exhibit of Sonnier's neon. Beranek Glass, small privatized company in uvegmuveszet" Skrdlovice. Uj Muveszet, v. 3, no. 4, April 1992, pp. 37-40, ill. 856 Vries, Anton de Czech glass by Stepan Pala, Maria Hajnova, "Sculture veneziane in vetro si specchiano nelle 871 "La Verrerie de Moravie Kvetna" Askold Zacko, Lubomir Artz. acque olandesi" Revue des Industries d'Art Offrir, no. 294, Sept. Ceramica Antica, v. 1, no. 7, July/Aug. 1991, 1992, pp. 79-82, ill. 843 Vasilevskaia, Nina Ivanovna pp. 10-15, ill. Adol'f Mikhailovich Ostroumov Amsterdam exhibition of work by Riccardo 872 Washington, DC. The Corcoran Gallery of Leningrad: Khudozhnik RSFSR, 1990,112 pp., ill. Licata, Paolo Valle. Art Joyce Scott: l-con-no-body/l-con-o-graphy. 844 Vaudour, Catherine 857 Waggoner, Shawn Gallery One "Exposition internationale de verre contem- "Art Against AIDS: A Benefit for the Colorado Washington, DC: the museum, 1991,17 pp., ill. porain: Le Verre a Rouen" AIDS Project" Beaded sculpture. Le Courrier des Metiers dArt, no. 108, Dec. 1991, Glass Art Magazine, v. 7, no. 5, July/Aug. 1992, pp. 10-11, ill. pp. 38-39, ill. 873 Washington, DC. Maurine Littleton Gallery Rouen exhibition. Work by Shaffer, Negreanu, Vase by Matthew Buechner, bowl by J. C. Dale Chihuly: Floats, Drawings, New Baskets Iwata, Lemieux, E. Leperlier illustrated. Homola. Washington, DC: the gallery, 1992, [8] pp., ill. 874 Erwin Eisch: Night of the Crystal Death Paul Marioni, David Hopper, John deWit, Thor 890 Wooster, Ann-Sargent [Kristallnacht] Bueno, Lance Friedman. "Kaj Franck: The Conscience of Finnish Design" Washington, DC: the gallery, 1992, 20 pp., ill. Glass (New York Experimental Glass Workshop), Based on a portfolio of 10 vitreographs by Eisch 882 Whistler, Simon no. 48, Summer 1992, pp. 36-41, ill. produced at Littleton Studios; drawings and "Templa quam dilecta" graphics developed for the "Kristallnacht" com­ The Glass Engraver, no. 64, Autumn 1991, 891 Yokohama. Yokohama Museum of Art petition. pp. 3-8, ill. Catalogue of Collections, vol. 1: Japanese Paint­ Engraved piece by the author. ing, Oil Painting, Print, Watercolor & Drawing, 875 Watts, Greville Sculpture, Craft; vol. 2: Photographs "Glass in the Fifties" 883 White, Pegeen "Fritz Dreisbach" Yokohama: the museum, 1989, 208, 261 pp., ill. The Glass Cone, no. 31, Autumn 1991, pp. 5-6, ill. In Japanese and English. Visit to Manchester City Art Gallery exhibition, Glasswork (Kyoto), no. 13, Nov. 1992, pp. 2-9, ill. In Japanese and English. Includes Japanese and foreign glass, pp. 198, "The New Look - Design in the Fifties." 200, 202. 876 Weaire, Denis 884 Whitehouse, David "Let There Be Light" "Learning by Experiment: Ancient Objects and 892 Zackova, Agata Irish Arts Review, v. 9, Yearbook 1993,1992, Modern Copies" "Glass Artist Milos Balgavy" pp. 84-85, ill. The Glass Art Society Journal 1991, pp. 93-101, Glass Review, v. 46, no. 4, 1992, pp. 28-29, ill. Trinity College, Dublin, exhibition with neons by ill. Alexandra Wejchert. Bill Gudenrath, George Scott. 893 Zdar nad Sazavou. Okresni Muzeum 885 Whiteway, Arthur Sklari Vysociny "88 (Text: Marcela Chutna) 877 Weber, Christianne Zdar nad Sazavou: Okresni Muzeum, Ustredi "Historical Glass: Bisazza Vetro" "Glasschmuck" Umeleckych Remesel Praha-Sklarska hut ve Kunsthandwerk & Design (formerly Kunst + China, Glass & Tableware, v. 110, no. 9, Sept. 1992, pp. 24-27+, ill. Skrdlovicich, 1988, 27 pp., ill. Handwerk), no. 5, Sept./Oct. 1992, pp. 42-43, ill. 10 Czech glass artists. Glass jewelry exhibition circulating in Germany. Company marketing contemporary Venetian glass in the U.S. 878 Weil, Benjamin 894 Zdenek Nemecek (Text: Jana Urbancova) "Reviews: Melanie Counsell" 886 Wickman, Kerstin Novy Bor: Crystalex; Sklarske Muzeu, 1992; Flash Art, v. 25, no. 165, Summer 1992, p. 120, ill. "Formrevy: Komplexitet och extas" (Decin: Grafiatisk), [6] pp., ill. In German, Czech, Installations with glass. Form, v. 87, no. 8 (677), 1991, p. 6, ill. English. Exhibition of contemporary Soviet glass in Cut glass by Crystalex designer and cutter in 879 Weingarten, Lucille and Speights, M. W. Stockholm. Piece by Vitalij Ginzburgs illustrated. Novy Bor Glass Museum exhibit. "Six More Types of West German Glass" The National Button Bulletin, v. 51, no. 4, Oct. 887 "Formrevy: Sallsynt slipat" 895 Zelezny Brod Sklarska Skola 1992, pp. 196-206, ill. Form, v. 87, no. 8 (677), 1991, p. 6, ill. 70 let stredni pru my stove skoly sklarske v Stockholm exhibition with Anna Carlgren, Jan W. German glass buttons since the 1950s. Zeleznem Brode Johansson, Durk Valkema. 880 Weiss, Dick Turnov: Vytiskla Severografia, 1990, [80] pp., ill. "Glassblowers of the Pacific Northwest" 888 "Rock and Rolling with Gun Lindblad" Summaries in three languages. Glasswork (Kyoto), no. 11, March 1992, pp. 20-27, Glass (New York Experimental Glass Workshop), Zelezny Brod State Technical School for Glass- ill. In Japanese and English. no. 46, Winter 1991- 1992, pp. 20-27, ill. blowing and examples of many artists' work. Chihuly, Kirkpatrick/Mace, Blomdahl, Blank, Sand-cast pieces by Swedish artist. Singletary, and others. 896 Zimmermann, Jorg F. 889 Wissinger, Joanna "Primarily Trivialities: GAS Conference Mexico 881 "High-Fire Enamels" "Variegated Life Forms" City" Glasswork (Kyoto), no. 13, Nov. 1992, pp. 20-27, Metropolis, v. 12, no. 1, July/Aug. 1992, p. 26, ill. Neues Glas, no. 3, 1992, pp. 48-50, ill. In German ill. In Japanese and English. Chihuly's "Niijima Floats." and English.

FLAT GLASS (after 1945), including Architectural, Mosaic, Painted, and Stained Glass FLACHGLAS (nach 1945), einschlieBlich architekturbezogenes Glas, Mosaikglas, Glasmalerei und Bundglas

897 Anonymous 901 "Commissions: Ruth Brockmann and Hal 905 "Echos: Le Signal" "Atelier-werkgroep bezoekt de An-Nur Moskee" Bond" Le Courrier des Metiers d'Art, no. 117, Nov. 1992, Bulletin Vereniging van Vrienden van Modern American Craft, v. 52, no. 6, Dec. 1992/Jan. 1993, p. 25, ill. Glas, no. 1, 1992, pp. 21-23. p. 19, ill. 12-meter-high flat glass sculpture for town of Panels by Jan Willem van Zijst, Angela van der Murals of cast and fused glass in state office Maubeuge by Thibault d'Aucuns. Burght in a mosque. building, Portland, Oregon.

898 "The Class: Die Glasklasse von Prof. 906 "Gerhard Ribka Wins International Com­ Schaffrath an der Akademie Stuttgart" 902 "Commissions: Tim Perkins" petition" Neues Glas, no. 3, 1992, pp. 36-47, ill. In German Crafts (U.K.), no. 114, Jan./Feb. 1992, p. 15, ill. Stained Glass, The Magazine of the British So­ and English. London window. ciety of Master Glass-Painters, Spring/Summer Work by ten of Schaffrath's students at Akade­ 1992, p. 13. mie Stuttgart. 903 "Decorative Glass" 907 "The Grimy, Grizzly Tales of Slovenly 899 "Commissions: Michaela Mahady/Pega- Glass Age, v. 35, no. 12, Dec. 1992, p.14+, ill. Peter" sus Studio, Inc." Commissions by Alex Beleschenko, Martyn Stained Glass Quarterly, v. 87, no. 2, Summer American Craft, v. 52, no. 2, April/May 1992, Harris, Mark Angus, and others. 1992, pp. 128-129, ill. p. 58, ill. Window by Ann Willet Kellogg based on Minnesota library window. children's book. 904 "A Dramatic Entry in Japan" 900 "Commissions: Robert Forman" Stained Glass Quarterly, v. 87, no. 4, Winter 1992, American Craft, v. 52, no. 5, Oct./Nov. 1992, p. 63, pp. 258-261, ill. 908 "Idea Becomes a Reality" ill. Wall for shopping center in Nagoya by Rohlf's Design (U.K.), no. 523, July 1992, p. 44, ill. Window for Bayonne, New Jersey, temple. Studio. Stained glass window by Martin Donlin. 909 "In Memoriam: Fredrica H. Fields 924 "Shortform: Ritual Effects" 940 Bate, Ulrich 1912-1992" Crafts (U.K.), no. 117, July/Aug. 1992, p. 12, ill. "Sie werben fur das Handwerk" Stained Glass Quarterly, v. 87, no. 2, Summer Stained glass window by John Clark for a Glas­ Glaswelt, v. 45, no. 9, Sept. 1992, pp. 103-106, ill. 1992, p. 94, ill. gow synagogue. Decorated flat glass furniture and panels in So- Stained glass artist. lingen fair. 925 "Shortform: Through the Looking Glass" 910 "Lead Plays Supporting Role in Stained Crafts (U.K.),no. 119, Nov./Dec. 1992, p. 11, ill. 941 Beal, Heather Glass Architecture" British artist Bronson Shaw makes window "Art Meets Architecture" Elements, a Publication of the Doe Run Com­ series for Spanish church. Architecture Minnesota, v. 17, no. 5, Sept./Oct. pany (St. Louis), v.5, no.2, Fall 1992, p. 2, ill. 1991, pp. 38-41, ill. Windows by Mel Meyer and Emil Frei Studios. 926 "Showcase" Residential project by Michaela Mahady and Glass Art Magazine, v. 7, no. 3, March/April 1992, John Pietras of Pegasus Studios. 911 "Library Receives Sowers Book Collec­ p. 44, ill. tion" Panels by Lea Bartneck. 942 Beeh-Lustenberger, Suzanne American Craft, v. 52, no. 5, Oct./Nov. 1992, p. 87, "Glass, Light, Space: An Exhibition/Eine Ausstel- ill. 927 "The Snowy Owl" lung des Centre International du Vitrail" American Craft Council library receives Robert Stained Glass Quarterly, v. 87, no. 4, Winter 1992, Neues Glas, no. 1, 1992, pp. 34-39, ill. Sowers collection. pp. 262-264, ill. Udo Zembok, Henri Guerin, Florian Lechner, and others. 912 "Des MaTtres-Verriers: Adeline et Paul Stained glass owl sculpture by George Sell. Bony, Jacques Bony, Louis-Rene Petit, Henri 943 Bel, Jose-Marie 928 "Sowers Archives 'Invaluable'" Guerin" 17 vitraux pour 89: La Revolution frangaise en 17 The Coming Museum of Glass Newsletter, Win­ Espace: Eglise Arts, Architecture (Chambray- vitraux Yemenites ter 1992, p. 4, ill. les-Tours, France), no. 13, issue title: Le Vitrail, [S.l.:s.n., 1989], [10] pp., ill. Gifts of Robert Sowers archives. 1981, pp. 47-57, ill. Yemenite stained glass to commemorate the French Revolution. 913 "Michael Pilla" 929 "Stained Glass Windows by Matisse and Art Today, v. 6, no. 2,1992, p. 22, ill. Chagall at Union Church" 944 Bier, Barry Antiques and The Arts Weekly, v. 20, no. 36, Sept. The Art of Stained Glass Made Easy 914 "New Work: David Pearl, Alex Bele- 4, 1992, p.S-31. London: New Holland, 1991, 96 pp., ill. schenko, Mike Davis/Cate Watkinson, Catrin Pocantico Hills, NY. Jones, Joseph Nuttgens [and others]" 945 Bradbury, Susan Stained Glass, The Magazine of the British So­ 930 "The Stained Glass Window of Judy Chi­ "A Look Abroad: Kaca patrt in Indonesia" ciety of Master Glass-Painters, Spring 1991, cago's Holocaust" Stained Glass, The Magazine of the British So­ pp. 22-24, ill. Stained Glass Quarterly, v. 87, no. 3, Fall 1992, ciety of Master Glass-Painters, Autumn 1991, p. 193, ill. pp. 12-13, ill. 915 "New Work: Gareth Morgan, Joseph Nutt­ "Rainbow Shabbat" panel. Author introduces stained glass to an Indonesian gens, Cliff Durant, Douglas Hogg, Jean Bailey, art college. Graham Jones" 931 "The 1992 Associates' Show" Stained Glass, The Magazine of the British So­ Stained Glass Quarterly, v. 87, no. 3, Fall 1992, 946 Caloz, Marie ciety of Master Glass-Painters, Spring/Summer p. 204, ill. "Sacred Spaces" 1992, pp. 22-24, ill. Panels by 14 stained glass artists. Ontario Craft, v. 17, no. 3, Fall 1992, pp. 8-12, ill. Commissions. Stained glass artist Sarah Hall. 932 Aachen. Suermondt-Museum 916 "New Work: Gerhard Ribka, Martin Donlin, Ludwig Schaffrath: Malerei + Glasmalerei (Text: 947 Carlson, Lance Eli Benedetti" K. Pfaff and E. G. Grimme) "Jim Isermann" Stained Glass, The Magazine of the British So­ Aachen: the museum, 1966, [22] pp., ill. Artweek, v. 23, no. 25, Oct. 8,1992, p.19, ill. ciety of Master Glass-Painters, Autumn/Winter 1966 exhibition. Stained glass panels in Santa Monica exhibit. 1992, p. 19, ill.

917 "New Work: Susan Bradbury, Alex Bele- 933 Alvarez Landete, Marisa 948 Carpenter, Ed schenko, Kathy Shaw, Strephon Druckering, "Roca's Particular Poetry" "A Personal View" Crafts (U.K.), no. 4, Sept./Oct. 1973, pp. 22-27, ill. Laurence Whistler [and others]" Stained Glass Quarterly, v. 87, no. 1, Spring 1992, Stained Glass, The Magazine of the British So­ pp. 44-46, ill. The future of stained glass, based on the ciety of Master Glass-Painters, Autumn 1991, Contemporary Spanish stained glass artist Ximo author's findings in Germany and Britain. pp. 14-16, ill. Roca. 949 Castrillo, Jose Fernandez 918 "Notable Work: Glassworks '92" 934 Andreani, Carole "Una aventura apasionante" Professional Stained Glass, v. 12, no. 10 (115), "Alain Vinum ou la modernite du vitrail" Professional Stained Glass, v. 12, no. 2 (107), Feb. Oct. 1992, p. 37, ill. La Revue de la Ceramique et du Verre, no. 65, 1992, pp. 6-13, ill. English summary, pp. 14-15. Atlanta Art Glass Guild exhibition awards. July/Aug. 1992, pp. 48-51, ill. Barcelona stained glass artist discusses his work. 919 "On Blooming Late: The Work of Leone 935 "Jean Mauret, un 'Cistercien' du vitrail" McNeil" La Revue de la Ceramique et du Verre, no. 66, 950 Chagall, Marc and Mayer, Klaus Stained Glass Quarterly, v. 87, no. 3, Fall 1992, Sept./Oct. 1992, pp. 38-41, ill. Le Dieu des Peres: Les Vitraux de Chagall en p. 208, ill. I'Eglise, Saint-Etienne de Mayence Wurzburg: Editions Echter, Exclusivite Weber, 936 "Le Vitrail, un art plastique" 1984, 55 pp., ill. 920 "Portraits: Catrin Jones, Rosalind Grim- La Revue de la Ceramique et du Verre, no. 67, shaw, Katherine Bernstein, David Bradbury, Tony Nov./Dec. 1992, pp. 42-43, ill. Gilliam, Will Roy McDaniel" 951 Chartres. Centre International du Verre Third summer program at the Centre Inter­ Le Vitrail dans la demeure Stained Glass, The Magazine of the British So­ national du Vitrail, Chartres. ciety of Master Glass-Painters, Spring/Summer Chartres: the center, 1969, [28] pp., ill. 1992, pp. 8-11, ill. Exhibit of stained glass for the home by French 937 Baas, Friedrich-Karl and Ruhlig, Dagmar maitre-verriers. 921 '"Robert Mangold: The Oberlin Window'" "Jochem Poensgen: Glaskunstfur Architektur" Allen Memorial Art Museum News (Oberlin Col­ Glas, eine Schriftenreihe der Freunde der Glas- 952 Chartres. Musee de Chartres lege), v. 3, no. 3, Summer 1992, pp. 1 -2, ill. kunst Richard Sussmuth e.V. (Immenhausen), Gabriel Loire: La Creation Exhibit chronicles the creation of an Oberlin Col­ no. 14, 1992, pp. 6-30, ill. Chartres: the museum, 1990; (Chartres: lege chapel window. SODEXIC), 157 pp., ill. 938 Bailey, Jean 922 "Une Sculpture en verre feuillete (qui se- "A Role for Holography in Decorative Architec­ 953 Cole, Jesse rait la plus haute du monde) signale le renou- tural Glass" "Crystal Creations" veau de Maubeuge" Leonardo, v. 25, no. 5, 1992, pp. 517-518, ill. Sky Magazine (Delta Airlines), v. 21, no. 10, Oct. Verre Actualites, no. 117, Sept. 1992, pp. 46-48, ill. Author's maquette for a holographic wall in a 1992, p. 44+, ill. Plate glass sculpture by Thibault d'Aucuns for concert hall. Architectural glass, including work by Kenneth Maubeuge plaza. von Roenn, Shelley Jurs, James Carpenter. 939 Barker, Michael 923 "SGAA Awards of Excellence" "Stained Glass in France in the 1950s" 954 Collins, George Stained Glass Quarterly, v. 87, no. 3, Fall 1992, Decorative Arts Society 1850 to the Present "The Mind's Eye" p. 205, ill. Journal, no. 15,1992, pp.5- 13, ill. Stained Glass Quarterly, v. 86, no. 4, Winter 1991, Awards to 12 studios; window by Ronald Estep Glass by Matisse, Rouault, Chagall, Manessier, pp. 268-274, ill. illustrated. and others. Work by Conrad Pickel. 955 Coombs, Debora 969 Evans, Sydney Hall 984 Grab, Paul "New Work: Alison [Alisoun] Howie" Prisoners of Conscience Window: Salisbury "Kunst und Kirche: Der Verhaltnis einer Konkur- Stained Glass, The Magazine of the British So­ Cathedral [Photographs: Sonia Halliday and renz?" [in] ciety of Master Glass-Painters, Spring/Summer Laura Lushington) Anstdsse - Theologie im Schnittpunkt von Kunst, 1992, p. 21, ill. London: Pitkin Pictorials, 1980, 16 pp., ill. Kultur und Kommunikation, ed. by Inken Moller, Windows by Gabriel Loire, 1980. Darmstadt: Verlag Das Beispiel, 1991, pp. 28-39, 956 Copeland, Beverly M. ill. "Glass Focus Interviews Judith Schaechter" 970 Ferrell, Ginger "Biology" window by Johannes Schreiter in Hei­ Glass Focus, Feb./March 1992, pp. 10-11. "Competitions: Hartley Wood Contest" delberg church. Stained Glass, The Magazine of the British So­ 957 Crestou, Nicole and Louvet, Jacqueline ciety of Master Glass-Painters, Spring/Summer 985 Grandidier, Daniel "Metro, carreaux, deco" 1992, pp. 28-30, ill. Les Vitraux de la Cathedrale de Saint-Die-des- La Revue de la Ceramique et du Verre, no. 63, Stained glass entries for a seven-floor atrium Vosges March/April 1992, pp. 42-45, ill. site, London. Saint-Die, France: Paques, 1988, [30] pp., ill. Windows by Bony, Le Moal, de Rougemont, and Art in the Paris metro includes mosaics by Jean 971 Figarsky, Bertha Berson Bazaine and Claude Marechal. "Glass Guru: Judy Miller" others. Glass Art Magazine, v. 8, no. 1, Nov./Dec. 1992, 958 Criddle, Richard pp. 18-22, ill. 986 Green, Di; Jacobson, Ruth; and others "Profile: Debora Coombs" "The Graduates: Student Work from British Stained Glass, The Magazine of the British So­ 972 Frankfurter Kunstkabinett Degree Programmes" ciety of Master Glass-Painters, Spring 1991, Johannes Schreiter: Brandcollagen, Zeich- Stained Glass, The Magazine of the British So­ pp. 9-11, ill. nungen, Druckgraphik ciety of Master Glass-Painters, Autumn 1991, Frankfurt: Frankfurter Kunstkabinett, 1967, pp. 22-25, ill. 959 Crosbie, Michael J. [12] pp., ill. "Glass Artistry: An Architect-trained Craftsman 1967 exhibition. 987 Grimshaw, Rosalind Develops New Techniques and Applications" "On Motivation" Architecture, Jan. 1992, pp. 93-97, ill. 973 Gabaldo, Virginia Stained Glass, The Magazine of the British So­ Kenneth vonRoenn. "Traditional Glass Painting with the Airbrush" ciety of Master Glass-Painters, Autumn 1991, Professional Stained Glass, v. 12, no. 11 (116), p. 34. 960 Darwin, Robin; Spence, Basil; Lee, Nov. 1992, pp. 12-13, ill. Practising stained glass in Great Britain today. Lawrence; and Taylor, Basil 974 Gallet, Didier Windows for Coventry: The Ten Stained Glass Didier Gallet: Vitraux de I'eglise Saint Martin 988 Grylls, Chinks Windows for the Nave of Coventry Cathedral d'Ury "Ice in our Luggage" [London]: The Royal College of Art, 1956,10 pp., Fanjeaux: the artist, 1981; (Carcassonne: Impri- Crafts (U.K.), no. 114, Jan./Feb. 1992, pp. 55-56, ill. merie Offset Sival), [16] pp., ill. ill. Windows by Lawrence Lee, Geoffrey Clarke, 13 women stained glass artists participate in Keith New. 975 Galli, Giovanna workshop and exhibition in Swansea, Wales. LArt de la mosai'que 961 de Farrari, Gabriella Paris: Armand Colin, 1991, 175 pp., ill. 989 "Ice in Our Luggage" "Low Country, High Art" History, tools, techniques. Stained Glass, The Magazine of the British So­ Connoisseur, v. 222, no. 960, Jan. 1992, ciety of Master Glass-Painters, Autumn 1991, pp. 56-57, ill. 976 Gallin, Saara pp. 17-21+, ill. Includes Wim Delvoye panel. "An Exhibition at New York Experimental Glass Workshop in Swansea, Wales, and work by the Workshop: Personal Visions/Silent Voices" 13 artists. 962 Deinze. De Ceder Stained Glass Quarterly, v. 87, no. 2, Summer Blondeel: Armand - Herman - Sander, Kunst- 1992, pp. 112-116, ill. 990 The Guild 7: The Architect's Source of glasramen (Text: Johan Valcke) 16 artists in Brooklyn exhibit. Artists and Artisans Deinze, Belgium: De Ceder, [1985?], [10] pp., ill. Madison, Wl: Kraus Sikes, 1992, 280 pp., ill. Stained glass by the Blondeels at Belgian site. 977 Gercke, Hans "Fenster - Nahtstelle zwischen Innen und Aus- Flat and stained glass artists. sen" [in] 963 Dodson, John A. 991 Hampe, Johann Christoph "Window on Stained Glass" Anstdsse - Theologie im Schnittpunkt von Kunst, Kultur und Kommunikation, ed. by Inken Moller, Und ich sprach zu meinem Herzen, lass uns Society of Glass & Ceramic Decorators, Pro­ Fest zusammenhalten ceedings of the 26th Annual Seminar (Lake Darmstadt: Verlag Das Beispiel, 1991, pp. 44-49, ill. Wuppertal-Barmen: Kiefel, 1985, 47 pp., ill. Buena Vista, FL, Oct. 8-11, 1989), Port Jefferson, Poetry by the author with illustrations of stained NY: the society, 1989, pp. 24-27. Windows by Johannes Schreiter in Mannheim church. glass designed by Meistermann, Oidtmann, Overview of standard techniques and some of Sowers, and others. the newer imitative processes. 978 Geron, Jean-Marie L'Oeuvre vitrail chez le peintre Leon Zack: Hom- 992 Haufschild, Lutz 964 Dorr, Sandra mage a un grand artiste Chretien (1892-1980), "Design Seminar in Morelia" "Stained Glass: The New Art of Painting with Offprint: Artd'Eglise, vol. 49, no. 190, Jan.-Feb. Professional Stained Glass, v. 12, no. 11 (116), Light" 1980, pp. 117-143, ill. English summary. Nov. 1992, pp. 44-45, ill. Realites, no. 7, Sept./Oct. 1979, pp. 42-48, ill. Author's workshop in Mexico. Schaffrath, Thorn Prikker, Bakst, King, 979 Gethsemane Lutheran Church von Roenn, Marioni, Sowers. The Stained Glass Windows Conceived and 993 "The Painted Words of Johannes Executed by Gabriel Loire from Chartres Schreiter" 965 Dubin, Wendy Austin, TX: the church, 1987, [43] pp., ill. Professional Stained Glass, v. 12, no. 5 (110), May "Exhibitions: Linda Lichtman" Glass (New York Experimental Glass Workshop), 980 Glasfenster: Heinz Hindorf (Beitragen: 1992, pp. 6-15, ill. no. 49, Fall 1992, p. 51, ill. Suzanne Beeh-Lustenberger, Regine Dolling, Exhibit at Simmons College, Boston. Dieter Stoodt; Farbbildern von Wolfgang Muller) 994 Hauser, Bert Freiburg: Herder, 1989,176 pp., ill. "Hans Gottfried von Stockhausen" 966 L'Eglise de Sacre-Coeur, Audincourt (Text: German stained glass artist Heinz Hindorf. The Glass Art Society Journal 1991, pp. 70-71, ill. Andre Mariotte) [S.I.: s.n., n.d.]; (Macon: Combier Imprimeur), 981 Glaskunst N. Dierig 995 Heartney, Eleanor 23 pp., ill. In French and German. 25 Jahre Glaskunst N. Dierig "Reviews: Dan Graham, DIA Center for the Arts" Stained glass by Fernand Leger. Uberlingen: Glaskunst N. Dierig, [1987], [32] pp., Art News, v. 91, no. 4, April 1992, pp. 113-114, ill. Glass pavilion by Graham. Stained glass firm in Uberlingen. 967 Elskus, Albinas "A Few Thoughts About Looking at Stained 982 Gordon-Bowe, Nicola 996 Hindre, Jean-Pol Glass Windows" "Wilhelmina Geddes: Irish Stained Glass Artist" "Le Vitrail contemporain" Stained Glass Quarterly, v. 87, no. 2, Summer Ireland Today, no. 968, July/Aug. 1980, covers Espace: Eglise Arts, Architecture (Chambray- 1992, pp. 125-127, ill. and pp. 13-15, ill. les-Tours, France), no. 13, issue title: Le Vitrail, 1981, pp. 36-45, ill. 968 Emery, John C. 983 Gorvy, Brett "Sidelights and Transoms" "Confessions of a Hoarder: Brian Clarke" 997 Hixson, Valerie Professional Stained Glass, v. 12, no. 10 (115), The Antique Collector, v. 63, no. 3, March 1992, Adventures in Stained Glass Oct. 1992, pp. 6-9, ill. pp. 78-83, ill. Grass Valley, CA: Hixon Studios, 1990, 40 pp., ill. 998 Hoare, Roger and others 1013 Kearney, Victoria M. 1027 Lorenz, Konrad "The Graduates" "His Evocative Style: Charles Ziegler Lawrence" Die Ev. St. Marienkirche zu Dortmund anlasslich Stained Glass, The Magazine of the British So­ Stained Glass Quarterly, v. 87, no. 3, Fall 1992, des 800jahrigen Bestehens herausgegeben im ciety of Master Glass-Painters, Autumn/Winter pp. 179-182+, ill. Auftrage des Presbyteriums der Ev. St. Marien- 1992, pp. 12-18, ill. gemeinde Flat and stained glass by graduates at Chelsea, 1014 Kehlmann, Robert Dortmund: Ev. St. Mariengemeinde, 1981, 80 pp., The London Institute, Swansea, Wrexham, Edin­ 20th Century Stained Glass ill. burgh, Dublin. Kyoto: Kyoto Shoin, 1992, 251 pp., ill. In Japa­ Windows designed by Johannes Schreiter, made nese and English. by Derix Werkstatten, pp. 68-71. 999 Hoffmann, Klaus Reviewed by Peter Mollica in Professional "Johannes Schreiter als Glasbildner" Stained Glass, v.12, no. 11 (116), Nov. 1992, 1028 Loukin, Andrea Das Munster, v. 21, no. 3,1968, pp. 173-180, ill. pp. 41-42. "Tuttleman Center" Interior Design, v. 63, no. 6, April 1992, 1000 Holmlund, Diane 1015 King, Ray and Smith, Paul J. pp. 110-111, ill. Johannes Schreiter: Recent Works "Conversation: Glass Art in the Context of Archi­ Stained glass murals by Sigstedt Studio for [S.I.: the author, 1987], 23 pp., ill. tecture" hospital. Glass (New York Experimental Glass Workshop), 1001 Hoover, Richard L. no. 46, Winter 1991 -1992, pp. 12-15, ill. "Dancing on the Ceiling" 1029 Loyle, Donna Stained Glass Quarterly, v. 87, no. 3, Fall 1992, 1016 Klasse Schaffrath: Staatliche Akademie "You Can Fight City Hall" pp. 190-192, ill. der Bildenden Kunste Stuttgart {Text Werner The Crafts Report, v. 18, no. 198, Sept. 1992, p. 15. Ceiling in a yacht designed by Harriet Hyams. Meyer and Suzanne Beeh-Lustenberger) How stained glass artists got themselves ex­ [Stuttgart: the academy], 1992, [63] pp., ill. cluded from new lead laws. 1002 "Do You Believe in Magic?" Exhibition of work by students in a program Stained Glass Quarterly, v. 87, no. 1, Spring 1992, taught by Ludwig Schaffrath. 1030 Maison d'Art Frangais pp. 26-29, ill. Vitraux et tapisseries en liberte (Text: A. Makara- Dichroic glass. 1017 Konigsmunster (Text: Anton Henze; viez) Theodor Bogler; and Manfred Horhammer) Paris: La Maison d'Art Frangais, 1979, 78 pp., ill. 1003 "A Li'l Ol' Stained Glass Business" Recklinghausen: Paulus Verlag, [n.d., about Work by Chaboissier, Fleury, Guerin, Hermet, Stained Glass Quarterly, v. 87, no. 4, Winter 1992, 1965], 95 pp., ill. Juteau, and others. pp. 265-272, ill. Abbey with windows by Hubert Spierling. Statesville, NC, studio. 1018 Kunz, Jiirgen, ed. 1031 Mandelbaum, Ellen 1004 "Telling Tales in Glass" Die Kirchenfenster von St. Barbara Dudweiler "New Glass: The Painterly Alternative" Stained Glass Quarterly, v. 87, no. 1, Spring 1992, [S.I.]: SDV Saarbrucker Druckerei und Verlag, Professional Stained Glass, v. 12, no. 9 (114), cover and pp. 40-42, ill. 1985, 31 pp., ill. Sept. 1992, pp. 7-10, ill. California artist John Bera. Stained glass by Gabriel Loire. Author's work.

1005 "Windows in a Medical Setting" 1019 Laboratoire de Recherche des Monu­ 1032 Marburg. Institut fur Kirchenbau und Stained Glass Quarterly, v. 86, no. 4, Winter 1991, ments Historique Kirchliche Kunst der Gegenwart an der Philipps- pp. 256-260, ill. Chartres, le vitrail: art et technique (Organized by Universitat Windows by Jeff Smith and Albinas Elskus. Laboratoire de Recherche des Monuments Jochem Poensgen: Glasfenster und Betonglas- Historique & Palais de la Decouverte. Text: wande 1006 Horiuchi, Toshiko, ed. Victor Bouloy, Georges Lemoine, and Jean- Marburg: the institute, 1969, [19] pp., ill. Stained Glass Lamps Jacques Gruber) 1969 exhibition of Poensgen's work at Marburg [S.I.]: Toshiko Horiuchi; Koyoen, Nishinomiya, Chartres: Office de Tourisme, 1978, [20] pp., ill. university. Japan: Ekikara Nanafunkobo, 1992,118 pp., ill. In Exhibit of stained glass art and technique; Japanese, English captions. includes conservation, contemporary work. Lamps by the author and her daughter, Yumi 1033 Marks, Ben Imasu. 1020 Larson, Alicia "Susan Stinsmuehlen-Amend and the Aesthetics Stained Glass Design Secrets: The Component of Anarchy" 1007 Huggler, Max Method (Sher\ Wright, ed.) Glass, no. 48, Summer 1992, pp. 20-27, ill. "Der Fensterzyklus der katholischen Kirche Park City, UT: Crystal Images Stained Glass, Interlaken" 1991, 104 pp., 2 folding leaves, ill. 1034 Marseille. Maison de I'Artisanat et des Schweizer Heimatwerk/Kunsthandwerk, v. 57, Metiers d'Art no. 4, 1992, pp. 22-27, ill. 1021 Laughter, J. S. Transparences: Vitraux contemporains Church windows designed by Walter Loosli, "Artists, Designers Pitch In to Make AIDS Care [Marseille, France: Maison de I'Artisanat et des Interlaken. House a Unique Home" Metiers d'Art, 1991], 30 pp., ill. The Crafts Report, v. 18, no. 195, June 1992, p.1 +, Contemporary stained glass by about 30 artists. 1008 Hughes, Bronwyn ill. "Kaleidoscope" Skip Wright windows for AIDS care facility. Ausglass Magazine, Spring/Summer 1992, 1035 Mayo, Melanie S. pp. 27-28. 1022 "A Garden of Hope" The Directory of Stained Glass Books + Patterns Exhibition of stained glass based on the book The Crafts Report, v. 18, no. 197, Aug. 1992, p. 1 +, (2nd ed.) Australia's Historic Stained Glass at Sydney site. ill. San Carlos, CA: Stained Glass Images, 1989, Colored glass tiles and stained glass windows in 206 pp., ill. 1009 Jacobson, Ruth B. Tijuana school designed by James Hubbell. "Exhibition: Kathy Shaw" 1036 Mayo Collins, M. Stained Glass, The Magazine of the British So­ 1023 Lecanu, Fernand The Directory of Stained Glass Books & Pat­ ciety of Master Glass-Painters, Autumn/Winter "Le Vitrail et le maitre-verrier" terns, 1989 thru 1991 (3rd ed.) 1992, p. 9, ill. Bibliotheque de travail, no. 756, Dec. 15,1972, San Carlos, CA: Stained Glass Images, 1992. New Zealander's work at Commonwealth Insti­ pp. 1-27, ill. Sources for patterns; books on technique; direc­ tute, London. Stained glass studio of M. Bourget, near Cher­ tories of videos and slides; stained glass asso­ bourg. ciations, periodicals. 1010 Jean Lesquibe: Retrospective (Exposition organisee par la Ville d'Anglet) 1024 Leucos SRL 1037 McGuire, Maureen Anglet: the city, [1980]; (Bayonne: Imp. Arsenate), Leucos Form elle "The 1991 IFRAA International Visual Arts [12] pp., ill. Scorze, Venezia: the company, 1991, 78 pp., ill. Awards" In five languages. Faith and Forum (Journal of the Interfaith Forum 1011 Johnston, Ian W. Glass tiles by Renato Toso and Noti Massari. "Theology for Glass Workers: Portrayal of the on Religion, Art and Architecture), v. 25, Winter Human Figure in Modern Religious Art" 1025 Lichtman, Linda 1991/1992, pp. 27-41, ill. Ausglass Magazine, Spring/Summer 1991/1992, "Painted Glass: Transforming the Material" Stained glass by Jeff Smith, James Furman, and pp. 5-7. Professional Stained Glass, v. 12, no. 9 (114), David Wilson; glass screen by Donald Booth. Sept. 1992, pp. 5-6, ill. 1012 Jurs, Shelley 1038 Melun. Musee de Melun "Opening Up New Vistas" 1026 Lichtman, Linda and Schmitt, Peter Le Vitrail espace de lumiere Professional Stained Glass, v. 12, no. 10 (115), "Notable Work: Hans Gottfried von Stockhausen" Melun: the museum, 1986, 32 pp., ill. Oct. 1992, pp. 10-12, ill. Professional Stained Glass, v.12, no. 9 (114), Work by Sylvie Gaudin, Gruber, Juteau, Loire, Stained glass doors and transoms. Sept. 1992, pp. 38-41, ill. Petit, Rousvoal, and others. 1039 Mezger, Manfred 1052 Quagliata, Narcissus 1066 Rosi, Mino, ed. "Chagalls Chorfenster im Fraumunster Zurich" "Anatomy of a Commission" L'Occhio della Cattedrale di Volterra (Text: Um- [in] Professional Stained Glass, v. 12, no. 1 (106), Jan. berto Baldini and others) Anstdsse - Theologie im Schnittpunkt von Kunst, 1992, pp. 6-11, ill. Pisa: Giardini, 1990, 89 pp., ill. Kultur und Kommunikation, ed. by Inken Moller, Skylight and glass wall for Mexico City home by Rose window in Volterra Cathedral made by Darmstadt: Verlag Das Beispiel, 1991, pp. 74-78, the author. Mino Rosi, 1980s. ill. Chagall windows in Zurich church. 1053 Quail, Jane 1067 Ross, Sharon "A Look Abroad: Nigeria" "Bookends: Two Small-Town Libraries" 1040 Minier, Sarah Stained Glass, The Magazine of the British So­ Architecture Minnesota, v. 17, no. 5, Sept./Oct. "The Fragile Canvas" ciety of Master Glass-Painters, Autumn 1991, 1991, pp. 24-27, ill. Life Today (Grote Deutsch Inc., Madison, Wl), p. 10, ill. Arched window by Michaela Mahady in Warroad, Dec. 1991, pp. 22-26, ill. Window by Paul Quail for church near Lagos. MN, library. Stained glass by Jae Carmichael, Janet 1054 Quantock, Elizabeth Christensen, and others. "The Education of a Stained Glass Painter" 1068 Roston, Anne Professional Stained Glass, v. 12, no. 9 (114), "Arctic Kaleidoscope" 1041 My Tender Shell: Maud Cotter (Text: John Sept. 1992, pp. 15-16, ill. Form-Function-Finland, no. 2,1992, pp. 53-54, ill. Montague and Nicola Gordon Bowe) Requirements for the artist. Work by Mary Jane Gregory. Dublin: Gandon Books, 1991, 35 pp., ill. In French, English, German. 1055 Rebella, Monica, ed. 1069 Ruhrberg, Karl and Schafke, Werner, ed. Stained glass and sculptural works of glass and "Vetro News: Tondo" Georg Meistermann: Monographie und Werkver- metal by the Irish artist. Alte Vitrie, v. 5, no. 2, Aug. 1992, p. 29, ill. In zeichnis Italian. Koln: Wienand Verlag, 1991, 532 pp., ill. 1042 Notre Dame au Cierge, Epinal (Text: Stained glass roundel by Marco Ciarlo. "Glasmalerei" by Franz Joseph van der Grinten, Andre Laurent) pp. 216-231. Lyon: M. Lescuyer et Fils, [n.d.], 39 pp., ill. 1056 Reibel, Andre Windows by Gabriel Loire. "Expositions: Marie-Christine Wohlfahrt" 1070 Sanford, Holly La Revue de la Ceramique et du Verre, no. 66, "Ice in Our Luggage" Sept./Oct. 1992, p. 61, ill. Craft New Zealand, no.38, Spring 1991, p. 18, ill. 1043 Notre-Dame de Toute Grace Strasbourg exhibition of stained glass. Notre-Dame de Toute Grace, Plateau D'Assy International workshop for women artists in Swansea, Wales. (Haute-Savoie) (Text: M. A. Couturier) 1057 Reichert, Edward L. and Parker, Mildred [S.I.]: Editions Paroissiales d'Assy, [n.d.], 40 pp., Windows Sharing God's Caring: The Art ill. Windows of First United Methodist Church, 1071 Schreiter, Johannes Stained glass windows by Roualt, Chagall, and Houston, Depicting the Church's Ministry "Aphoristische Notizen" [in] others. Houston: the church, 1983, 61 pp., ill. Anstdsse - Theologie im Schnittpunkt von Kunst, Windows designed by Reichert. Kultur und Kommunikation, ed. by Inken Moller, 1044 Oxalev, Evgueni Darmstadt: Verlag Das Beispiel, 1991, pp. 40-43, "L'Harmonie des verres: Centre International du 1058 Reims. Maison de la Culture ill. Vitrail a Chartres" Le Vitrail et les peintres a Reims 1957-1969 Chronological developments in art, culture, and Le Courrier des Metiers d'Art, no. 115, Sept. 1992, (Monique Faux, ed.) communication since the 1950s. pp. 3-4, ill. Reims: Maisone la Culture, 1969, 78 pp., ill. Exhibition with work by Louis-Rene Petit, Udo Stained glass by Villon, Bissiere, Chagall, 1072 Schroder, Hans Joachim Zembok, Florian Lechner. Braque, Ubac, Vieira da Silva, and others. "Der Glasmaler Gabriel Loire" Das Munster, v. 40, no. 2, 1987, pp. 89-100, ill. 1059 Reims. Maison de la Culture Andre 1045 Parot, Pierre-Alain; Ricardon, Jean; and Malraux Seuphor, Michel 1073 Shaw, Kathy Vitrail en eclat: Le Vitrail contemporain frangais "A Look Abroad: Czechoslovakia" "Les Vitraux de I'abbaye d'Acey" (Denis Guerin, ed.) Monuments Historiques, no. 183, Sept./Oct. 1992, Stained Glass, The Magazine of the British So­ Reims: Maison de la Culture, 1983, 50 pp., ill. pp. 86-89, ill. ciety of Master Glass-Painters, Autumn 1991, French stained glass since 1948. Windows by Jean Ricardon and atelier Parot. pp. 8-9, ill. Visit to Prague to look for old and new stained 1060 Reyntiens, Patrick glass. 1046 Peterson, Chris "Stained Glass as a Fine Art" "The Lampmaker's World" Professional Stained Glass, v. 12, no. 9 (114), Professional Stained Glass, v. 12, no. 7 (112), July Sept. 1992, pp. 11-14, ill. 1074 Shealtiel, Joseph 1992, pp. 36-39, ill. Author's work. "The Endless Game in Glass, Color and Light, or, Schlitz Studios, Milwaukee. The Computer Servicing the Arts" 1061 Rivet, Fernand Omnuyot (Tel Aviv), no. 9, Feb. 1991, cover and pp. 10-13 and 18-19, ill. In Hebrew. 1047 Porcelli, Joe Cathedrale Saint-Vincent, Saint-Malo [Saint Malo: F. Rivet, 1973?], [20] pp., ill. Stained glass windows in the new basilica in "1992 World Glass Congress" Ivory Coast. Professional Stained Glass, v. 12, no. 7 (112), July Windows by Jean Le Moal and Bernard Allain, 1992, pp. 26-27. and others. 1075 Shrine of the Miraculous Medal: Saint Review of Reno, NV, meeting. 1062 Roberts, Diane Catherine Laboure Parish, Harrisburg, Penn­ "The Classical Glass of Hartley Wood" sylvania 1048 Povremoyne, Jehan de Stained Glass Quarterly, v. 86, no. 4, Winter 1991, White Plains, NY: Monarch, 1977, [24] pp., ill. L'Eglise Saint Pierre d'Yvetot pp. 262-266, ill. Windows designed by Gabriel Loire. Colmar-lngersheim, France: S.A.E.P, 1971, [20] pp., ill. 1063 "Man and Machine: A Legacy of Excel­ 1076 Smith, Alison Stained glass by Max Ingrand. lence" "Obituary: John Petts" Stained Glass Quarterly, v. 87, no.1, Spring 1992, Crafts (U.K.), no. 114, Jan./Feb. 1992, p. 13+, ill. 1049 Powers, Alan pp. 18-23, ill. Welsh stained glass artist. "John Piper" Kokomo Opalescent Glass Co. in Kokomo, IN. Crafts (U.K.), no. 119, Nov./Dec. 1992, pp. 32-35, 1064 Roca, Ximo 1077 Starr, Penelope Comfort ill. "How to Move into New Markets" British stained glass artist. "Panorama contemporaneo de la vidriera de arte" Society of Glass & Ceramic Decorators, Pro­ Tribuna de la Construccion (Valencia), April ceedings of the 26th Annual Seminar (Lake 1050 Pratsch, Sybille 1992, pp. 12-16, ill. Buena Vista, FL, Oct. 8-11, 1989), Port Jefferson, Glasbilder in der Tiffanytechnik The contemporary stained glass scene. NY: the society, 1989, pp. 30-33, ill. Stuttgart: Frech-Verlag, 1982, 48 pp., ill. Architectural glass design. Stained glass techniques. 1065 Romont. Musee Suisse du Vitrail 26 Fois le vitrail suisse = 26 Kantone, 26 Glas- 1078 Swash, Caroline 1051 Price, Thomas E. gemalde. Vitraux contemporains... (Text: Stefan "Exhibition: Kunst aus Glas in der Architektur" "Liturgical Arts Bestow Renewed Design Trumpler; Myriam Poiatti; and Peter Killer) Stained Glass, The Magazine of the British So­ Strength" Wabern-Bern: Benteli Verlag, 1991, 72 pp., ill. In ciety of Master Glass-Painters, Autumn 1991, Stained Glass Quarterly, v. 87, no. 3, Fall 1992, French and German. pp. 28-29, ill. pp. 195-197, ill. Exhibition of stained glass by Swiss artists from Summer 1991 exhibition of architectural glass at Ronald Neill Dixon, stained glass designer. the different cantons. Taunusstein, Germany. 1079 "The Hetley Competition 1991" 1089 Vanderburght, Andre 1098 Watts, David C. Stained Glass, The Magazine of the British So­ De Idee verbeeld in de Monumentale Glaze- "New Developments in Stained and Decorated ciety of Master Glass-Painters, Spring 1991, nierskunst Glass" pp. 6-8, ill. [Belgium?: the artist/studio, n.d.], 70 pp., ill. Glass Circle News, no. 54, July 1992, p. 8, ill. Awards to David Williams and others. Stained glass by Van der Burght-Van Zijst Stu­ Includes report on the Interior Design Exhibition, dio, Fenestra Ateliers. London. 1080 "Profile: Peter Young" Stained Glass, The Magazine of the British So­ 1099 Weiner, Kay Bain 1090 Velasco, Alberto-Xavier Baubles, Bangles and Beads: Stained Glass ciety of Master Glass-Painters, Autumn/Winter "Saga, sixieme. Salon des arts du multiple au Jewelry 1992, p. 8, ill. Grand Palais" Dublin exhibition. [S.I.]: Eastman, 1991, 82 pp., ill. Le Courrier des Metiers d'Art, no. 114, July/Aug. Do-it-yourself book. 1992, pp. 10-11, ill. 1081 "Reviews: Peter Young" Includes stained glass by Ricardo Licata. Crafts (U.K.), no. 119, Nov./Dec. 1992, pp. 53-54, 1100 Weis, Helene ill. "Conversations with Odell Prather" Dublin exhibition. 1091 Ville de Vitry-sur-Seine Stained Glass Quarterly, v. 87, no. 2, Summer Les Vitraux d'Adami: Congus et realises pour 1992, pp. 120-124+, ill. 1082 Tetlow, Karin I'Hotel de Ville (Text: Raoul-Jean Moulin) Philadelphia artist. Vitry-sur-Seine: Ateliers Municipaux d'lmpres- "Healing Spirit" 1101 "An Interview ... Stained Glass in Swe­ Interiors, v. 151, no. 12, Dec. 1992, pp. 51 -59, ill. sion de Vitry-sur-Seine, 1985, [24] pp., ill. Stained glass by Valerio Adami. den" Panels by Gordon Huether for meditation room, Stained Glass Quarterly, v. 87, no. 1, Spring 1992, San Diego Medical Center. p. 8+, ill. 1092 Vitrail 89: Annuaire de la Chambre Bengt Eriksson, owner of a studio in Malmo, 1083 Thissen, Werner Syndicate des Maltres-Verriers Frangais Sweden. Einsichten in Unsichtbares: Die Fenster Georg Paris: the association, 1988?, 192 pp., ill. Meistermanns im Dom zu Munster Directory of the membership. 1102 Wichert, Geoffrey Freiburg: Herder, 1992, 72 pp., ill. "The Alchemists' Art" 1093 Vitraux Raymond Mirande, Eglise Saint- Stained Glass Quarterly, v. 87, no. 2, Summer 1084 Thuillier, Jacques Pierre Bassens-Gironde Maftre verrier, Jacques 1992, pp. 106-111, ill. Les Prophetes: Vitraux de Sergio de Castro Dupuy(Tex\\ Claude Peyroutet, and others) Glassmaking at Uroboros. Madrid: El Viso, 1984, 71 pp., ill. Paris: ADAGP Raymond Mirande, 1990; (Pes- Five windows by Sergio de Castro for the Col- 1103 Wilcox, Elizabeth sac: Multiphot), 50 pp., ill. legiale de Romont, Fribourg. Stained glass designed by Mirande, executed by "Commissions: Thomas Skomski" Dupuy. Sculpture, v. 2, no. 6, Nov./Dec. 1992, p. 73, ill. 1085 Toulouse. Musee des Augustins Panels in Chicago library. Transparences et diffractions: Regis Gal, Patrice Guyomard[Text: Denis Milhau) 1094 Waggoner, Shawn 1104 Wilde, David Toulouse: the museum, 1988, [15] pp., ill. "Creating a Window for a King" "New Canadian Window Brightens Historic Glass Art Magazine, v. 7, no. 3, March/April 1992, Church" 1086 Trans-Parois: 7 verriers contemporains pp. 31-33, ill. Stained Glass Quarterly, v. 87, no. 1, Spring 1992, Rodez: Mission Departementale de la Culture, Maine studio creates window for author Stephen p. 4+, ill. 1992, [12] p. folder, ill. King. Window in Toronto church by Doreen Balabanoff. Architectural panels in exhibit near Montpellier by Mauret, Chauche, Fournier, Fanjat, Baillon, 1105 Wright, Bruce N. Petit, Quentin. 1095 "Designing Stained Glass for Disney­ "AM Sketches: Rest-Stop Art" land" Architecture Minnesota, v. 17, no. 5, Sept./Oct. 1087 Trondheim. Nordenfjeldske Kunstindustri- Glass Art Magazine, v. 7, no. 2, Jan./Feb. 1992, 1991, p. 5, ill. museum pp. 38-44, ill. Windows by Michaela Mahady at Minnesota Oddmund Kristiansen i Nordenfjeldske Kunstin- Mark Walton. highway rest area. dustrimuseum: Utstilling av glassmalerier 1976 (Text: Alf Boe) 1096 "Images in Fused Glass: The Wall 1106 Young, Peter Joseph [Trondheim, Norway: the museum, 1976], Reliefs of Dawn Adams and Dale Steffey" "Profile: Benjamin P. Finn" [24] pp., ill. Glass Art Magazine, v. 7, no. 4, May/June 1992, Stained Glass, The Magazine of the British So­ Stained glass by Oddmund Kristiansen. pp. 18-20, ill. ciety of Master Glass-Painters, Spring/Summer 1992, p. 20, ill. 1088 Van Tetterode, F. Van Tetterode glasobjekten 1097 "Windows for the People: The Stained 1107 Zissoff, Mary Jane Amsterdam: the company, [n.d., about 1975?], Glass of Atascadero Community Church" "A Canadian Master's Work" 35 pp., ill. Glass Art Magazine, v. 7, no. 6, Sept./Oct. 1992, Stained Glass Quarterly, v. 87, no. 4, Winter 1992, Installations by various designers and text pro­ pp. 62-66, ill. pp. 280-284, ill. moting the company's glass. California church windows by Marilyn Hoerl. Interview with Russell Charles Goodman.

TECHNOLOGY (after 1945)/TECHNOLOGIE (nach 1945)

1108 Anonymous 1111 "Van Ginneke gebruikt insmelttechniek en 1114 Berg, Hermann-Josef "Glassmaking Trends in Czechoslovakia" blank kristal" "Glass Chronology" Glass, Monthly Journal of the European Glass Bulletin Vereniging van Vrienden van Modern Schott Information, no. 60, 1991, pp. 10-11, ill. Industry (U.K.), v. 69, no. 6, June 1992, Glas, no. 1,1992, p. 24. World's largest hourglass constructed in Nima, pp. 219-232, ill. Japan. Current state of the industry in the process of 1112 Abad Perez, Jesus and Wedel, Walter privatization. "Water Visions" Schott Information, no. 62,1992, pp. 3-5, ill. 1115 Bertram, Hartwig German pavilion at EXPO '92 demonstrates 1109 "Lead Update" Tiffany treatment of impure water using borosilicate Stained Glass Quarterly, v. 87, no. 3, Fall 1992, Ravensburg: Otto Maier, 1988, (Ravensburger glass. p. 169. Hobbykurse), 64 pp., ill. Stained glass instruction booklet. 1113 Arango, Jorge 1110 "Science and Art in Glass" "Disappearing Materials: Crafts in the Age of Glass (U.K.), v. 69, no. 12, Dec. 1992, p. 529. Political Correctness" 1116 Bradford, Kathy Review of multi-disciplinary symposium at the The Crafts Report, v. 18, no.195, June 1992, p.1+, ill. "Airbrushing Sandblasted Glass" Royal Institution of Great Britain, including paper Includes toxicity of materials in ceramics and Glass Art Magazine, v. 7, no. 6, Sept./Oct. 1992, by Chihuly. glass. pp. 10-13, ill. 1117 "Light Shading" 1133 Gosudarstvennoe Predpriiatie VELT 1148 Mickelsen, Robert A. Glass Art Magazine, v. 8, no. 1, Nov./Dec. 1992, Gosudarstvennoe Predpriiatie VELT g. Voronezh "The Soft Touch: Lampworking Soft Glass" pp. 34-37, ill. = Voronezh State Plant VELT Glass Line, four-part series: v. 5, no. 5, Feb./ Sandblast carving. Voronezh: the company, [1992?], [20] pp., ill. In March 1992 - v. 6, no. 3, Oct./Nov. 1992, ill. Russian and English. Lampworking low-temperature glasses. 1118 Brandon, Brendon J. and Smith, Kent VELT plant products (television picture tubes, cut "Trouble Shooting Gilding Glass" glass, Christmas tree lights). 1149 Mirbeck, Xavier de The Gilder's Tip, v. 5, no. 1, Spring 1992, pp. 8-9. Technique du verre 1134 Hale, Michael Paris: Dessain et Tolra, 1992, 96 pp., ill. Hot and cold glassmaking techniques. 1119 Calderwood, James; Wells, L. Jack; "The Industrial Scene Thirty Years Ago" The Blackcountryman, v. 25, no. 2, Spring 1992, Thomas, John E.; and others 1150 Mitchell, Robert R. pp. 14-18, ill. "Lead Release" The Art of Glue-chipped Glass Signs (Rev. ed.) Mention of Stourbridge area glass industry, Society of Glass & Ceramic Decorators, Pro­ Ft. Myers, FL: SignCraft, 1992, (SignCraft Techni­ Phoenix glassware, Chance Brothers in 1962, ceedings of the 26th Annual Seminar (Lake cal Series), 72 pp., ill. p. 16. Buena Vista, FL, Oct. 8-11,1989), Port Jefferson, Techniques. NY: the society, 1989, pp. 45-69. Aspects of lead release: legal developments, 1135 Hattel, Birthe 1151 Myers, G. E. and Gregar, J. S. lead-free colors, etc. Magic on Glass: New Approaches to Glass "Health Hazards in the Glass Shop" [in] Painting Proceedings of the Thirty-fifth Symposium and 1120 Campbell, Robyn Kenthurst, NSW: Kangaroo Press, 1990, 76 pp., Exhibition on the Art of Glassblowing (Orlando, "Pate de verre - Glass Paste" ill. FL, 1990), Toledo, OH: The American Scientific Ausglass Magazine, Winter 1992, pp. 20-21, ill. Glassblowers Society, 1990, pp. 19-23. 1136 Hixson, Valerie Learning Leaded Glass: A Step-by-Step Guide 1152 Nachtmann, F. X. 1121 Causey, Denzil and Sandy to Leaded Glass Construction Ein Glas Geht um die Welt... 150 Jahre Nacht­ "Using the Computer in Glass Art Design" Grass Valley, CA: Hixson Studios, 1991, 48 pp., mann Bleikristall, 1834-1934 Glass Art Magazine, v. 7, no. 2, Jan./Feb. 1992, ill. Neustadt/Waldnaab: the company, 1984, 56 pp., pp. 24-25, ill. ill. English insert. 1137 Hoover, Richard L. Promotional booklet for Nachtmann Lead Crystal 1122 Cibot-Genin, Elisabeth "Government Concerns Mount about Lead and firm. "La Vitroceramique" Stained Glass" La Revue de la Ceramique et du Verre, no. 62, Stained Glass Quarterly, v. 86, no. 4, Winter 1991, 1153 Oechsner, Sibylle Jan./Feb. 1992, pp. 48-49, ill. p. 250+. "Total Clarity" Corning France and its products. Schott Information, no. 62, 1992, p. 22, ill. 1138 Hughes, Bronwyn Exhibit on the science and technology of glass, 1123 Cummings, H. W. "Eye Protection for Furnace Glassblowers" Winterthur, Switzerland. "Planning a Repair or Stained Glass Restoration Ausglass Magazine, Spring/Summer 1991/1992, Project" 1154 Porcelli, Joe pp. 20-22. The Lampmaking Handbook Professional Stained Glass, v. 12, no. 11 (116), Based on article by David Gruenig. Nov. 1992, pp. 33-34+, ill. Richboro, PA: The Glass Press, 1991,135 pp., ill. 1139 Jobaris, Russell and Brayer, Richard 1155 Rossol, Monona 1124 Curtis, Kemp "Fiber Optics - and What They Can Do" "Glassmaking Health and Safety: Update 1991" "Lampworkers Corner" Home Lighting & Accessories, v. 75, no. 11, The Glass Art Society Journal 1991, pp. 104-108. Glass Line, irregular series: v. 5, no. 4, Dec. 1991/ Nov. 1992, p. 56+, ill. Jan. 1992 - v. 6, no. 4, Dec. 1992/Jan. 1993. Fiber optic lighting systems. 1156 Safety Training Manual: Our Right-To- Know Program 1125 Dehors, Edward J. 1140 Johnson, Darlene and Lee, Judy Brewster, NY: Professional Stained Glass, 1991, The Stained Glass Restoration Handbook of Enchanted Creations by Fused Fantasies [looseleaf notebook] 105 pp., ill. Short Stories, vol. 1 Bradenton, FL: Fused Fantasies, 1988,103 pp., Lead toxicity, respiratory protection, a "Safe and New York: the author, [1991 ?], 52 pp., ill. ill. Legal Studio," etc. Pattern book for fused glass. 1157 "Stained Glass Exempted from Lead 1126 Dobbins, Norm Exposure Reduction Act" Sandblasting: The Time Has Never Been Better 1141 Maxham, David "The Evolving World of Glass and Ceramic ACTS Facts (Arts, Crafts and Theater Safety), [Simi Valley, CA: the author, 1991], ill. v. 6, no.10, Oct. 1992, p. 3. Seven article reprints from Glass Art Magazine Decorating" and Glass Craft News. Glass Industry, v. 73, no. 9, Aug. 1992, p. 10+, ill. 1158 Rougvie, James Decorating methods used by production glass "Building Houses for Hermits" 1127 Durant, Clifford and Barley, Keith industry. Scottish Glass Society Newsletter, no. 40, June "Conservation: The Cookson Award" 1992, pp. 3-4, ill. Stained Glass, The Magazine of the British So­ 1142 Mayhew, Raymond S. Scots laboratory lampworker helps marine biolo­ ciety of Master Glass-Painters, Autumn 1991, Neon Pricing Guide 1992 gists by creating glass homes for hermit crabs. p. 33, ill. Grand Island, NE: the author, 1992, 16 pp., ill. 1159 Schwartz, Bonnie 1143 McDaniel, Will Roy 1128 Femenella, Arthur J. "1992 International Association of Lighting "Sandblasting: The Abrasive Etch" "The Fordyce Bathhouse Ceilings" Designers Awards" Stained Glass, The Magazine of the Society of Stained Glass Quarterly, v. 87, no. 4, Winter 1992, Interiors, v. 151, no. 5, May 1992, p. 42, ill. British Master Glass-Painters, Spring/Summer pp. 274-279, ill. Use of dichroic filters, prisms, and optical mirrors 1992, pp. 16-19, ill. Stained glass restoration work at Hot Springs to create changing patterns of light in Coming's National Park, Arkansas. N.Y.C. office. 1144 Meltzer, Steve "Photographing Glass" 1160 Schwoerer, Daniel and McGregor, Lani 1129 "In-situ Repairs" Professional Stained Glass, v. 12, no. 1 (106), Jan. "Kilnworking Developments" Glass Art Magazine, v. 7, no. 6, Sept./Oct. 1992, 1992, pp. 16-18, ill. The Glass Art Society Journal 1991, pp. 102-103. pp. 18-20, ill. 1161 Skillitzi, Stephen Repairing stained glass. 1145 "Photographing Lamps" "The Glass/Clay Connection" Glass Art Magazine, v. 7, no. 5, July/Aug. 1992, Ausglass Magazine, Spring/Summer 1991/1992, 1130 Fielder, Larry p. 18, ill. "Building a Sandblasting Cabinet" pp. 9-10. Fusion firing process. Glass Art Magazine, v. 7, no. 4, May/June 1992, 1146 "Photographing Flat Glass" pp. 12-14, ill. Professional Stained Glass, v. 12, no. 2 (107), Feb. 1162 Smith, Robert V. 1992, pp. 16-18, ill. Glass Engraving with Grindstones 1131 "Kilnbuilding" Corning, NY: The Corning Museum of Glass; Glass Art Magazine, v. 7, no. 5, July/Aug. 1992, 1147 Meredith, Greg Studio Access to Glass, 1992, 321 pp., ill. pp. 26-29, ill. "Sand Carving on a Production Scale" [in] Society of Glass & Ceramic Decorators, Pro­ 1163 Smrcek, Antonin 1132 Glass Music World (Glass Music Inter­ ceedings of the 26th Annual Seminar (Lake "European Pressed Glass 1986 to 1990" national, Loveland, CO) Buena Vista, FL, Oct. 8-11, 1989), Port Jefferson, Glastechnische Berichte, v. 65, no. 7, July 1992, Two issues: v. 5, no. 4, Oct. 1, 1991 and v. 6, NY: the society, 1989, pp. 28-29. pp. 192-199, ill. German summary. no. 1/2, Jan./April 1992. At Fenton Art Glass Co. Composition of pressed glasses. 1164 Society of Glass and Ceramic Decorators 1168 Tysoe, Peter 1171 Webster, Stuart Your Best Source: Proceedings of the 1985/86 Verre, resine et metal "Approaches to Conservation" 22nd Annual Seminar Paris: Dessain et Tolra, 1975, (Atelier des loisirs), Stained Glass, The Magazine of the British So­ Washington, DC: the society, [1986], 128 pp., ill. 117 pp., ill. ciety of Master Glass-Painters, Spring/Summer How to create sculptures of glass, resin, and 1992, pp. 14-15, ill. 1165 Stazione Sperimentale del Vetro metal. Conservation regulations and training in Ger­ Stazione Sperimentale del Vetro many and France. Murano, Venezia: the center; Arsenale Editrice, 1169 Waggoner, Shawn 1172 Williams, Nicholas 1988, 12 pp., ill. In Italian and English. "Restoration Education. Alternatives to the Lack "Basic Photography of Glass" Venetian research center offers technical of Stained Glass Schools in the U.S." The Glass Art Society Journal 1991, p. 109, ill. assistance; also industrial research, develop­ Glass Art Magazine, v. 7, no. 3, March/April 1992, ment. 1173 Wohlfahrt, Frank pp. 24-28, ill. La Peinture sous verre Courses, apprenticeships, etc. 1166 Taylor, Josephine Majella Paris: Dessain et Tolra, 1987, (Manu-presse: Des Glass Engraving: A Practical Guide activities manuelles ...), 64 pp., ill. A manual of techniques for reverse painting on London: Bishopsgate Press, 1991, 78 pp., ill. 1170 Weber, Mara L. glass. "Liability and Insurance Issues for the Moon­ 1167 Taylor, Michael E. lighting Glassblower" [in] 1174 Yoshimizu, Tsuneo "An Artist Presentation on Art Glass" [in] Proceedings of the Thirty-fifth Symposium and Art & Technique of Pate de verre Society of Glass & Ceramic Decorators: Pro­ Exhibition on the Art of Glassblowing (Orlando, Kawasaki-shi: Tokyo Art Glass Institute, 1992, ceedings of the 1987/88 24th Annual Seminar FL, 1990), Toledo, OH: The American Scientific 190 pp., ill. In Japanese. Washington, DC: the society, 1988, pp. 83-85, ill. Glassblowers Society, 1990, pp. 59-64. Art, history, and how-to-do-it projects.

FILMS AND VIDEOTAPES/FILME UND VIDEOKASSETTEN

1175 Ancient Arrowheads, Roman Baseball 1184 Dolly Curtis Interviews: Alice Rosenthal, 1194 Opera Vitrail Cards, and Optical Fibers: The Many Uses of Lifetime of Art Maison de la Culture Andre Malraux and Jean Glass Dolly Curtis, 1992 Pourtale, 1983 Robert Greenleaf/Blue Sky Associates, 1992 30 min., sound, color. 60 min., sound, color. 57 min., sound, color. 1185 Glass Bead Making with Gil Reynolds. 1195 Reflections from the Crystal City 1176 Art in the Station: Detroit People Mover Volume I: Wound Dichroic Beads with Cay Glass Art Society, 1992 Sue Marx Films, 1989 Dickey 115 min., sound, color. 30 min., sound, color. GR8 Productions for Fusion Headquarters, 1992 54 min., sound, color. 1196 Ruri Iwata 1177 The Art of Lubomir Arzt "Style," Cable News Network, Feb. 8,1992 Peter Kohutiar, 1991 1186 Glass Fusing and Slumping with Zoe 4 min., sound, color. 24 min., sound, color. Adorno Bob Reynolds, Instructional Resources Center, 1197 Sandi Scoville's Basic Glass Fusing Tape 1178 Bill Gudenrath's Venetian Style Glass- San Jose State University, 1992 Paragon Industries, 1992? making Class at Studio Access to Glass, 12 min., sound, color. 51 min., sound, color. Corning, NY, Aug. 10-16, 1992 Brad Shute, 1992 1187 History and Practice of Stained Glass 1198 Stained Glass Patina Techniques with 210 min., sound, color. Connick Studio Foundation and James Joe Porcelli Griebsch, 1991 59 min., sound, color. 1179 Contemporary Czech Glass 74 min., sound, color. Eliska Stolting Glasgalerie Hittfield, 1990 1199 Stained Glass with Vicki Payne: 20 ? min., sound, color. 1188 The Hope Chapel Stained Glass Arts and Crafts Lantern: Using a Glass Saw. 14 min., sound, color. 30 min. 1180 The Contemporary Studio Glass Move­ Brass and Bevel Cluster Construction. 30 min. ment, by Jerry Raphael 1189 Journey through Glass: A Tour of the Building a Victorian Lead Window. 30 min. Appraisers Association of America, 1991 ? Corning Museum Collection Building a Window with Copper Foil. 30 min. 55 min., sound, color. The Corning Museum of Glass, 1992 Butterfly Ladies. 30 min. 20 min., sound, color. Designing for Stained Glass. 30 min. 1181 Corning Museum of Glass Guides' Lec­ How to Repair a Copper Foil Window. 30 min. tures, 1992: Modern Expressions, by Susanne 1190 Kurt WaUstab: Lampwork My First Project. 50 min. Frantz Isabel De Obaldia, 1991 Rapid Fusing Techniques. 30 min. 90 min., sound, color. 14 min., sound, color. Repair Techniques for Leaded Windows. 30 min. Stained Glass Decorating Accessories. 30 min. 1182 Corning Museum of Glass 1992 Seminar 1191 [Libensky/Brychtova] Working with Real Glass: A Laminating System. Tape 4: The Vitreous Canvas: A Look at the Ob­ Terry Moyemont, 1992 30 min. jects and Techniques of Contemporary Glass 100 min., sound, color. All: Cutters Video Productions, 1991-1992; Painters, by Catherine Thompson. 70 min. sound, color. Tape 8: Rakow Commission Presentation, by 1192 Lino Tagliapietra: A Collection of Glass Jacqueline Lillie. 30 min. Blowing Demonstrations 1200 Tony Gilliam Tape 10: Curator's Choice, by David Whitehouse, Glass Art Society, 1992 David Mocatta, 1991 Jane Spillman, and Susanne Frantz. 60 min. 50 min., sound, color. 55 min., sound, color.

1183 Dante Marioni Glass 1193 Neon Tube Bending and Processing 1201 [William Morris] Pat & Scrant Productions, 1992 Masonlite, 1992 Friesen Gallery, 1992 15 min., sound, color. 60 min., sound, color. 14 min., sound, color. A SELECTIVE INDEX OF PROPER NAMES AND PLACES

AUSGEWAHLTES REGISTER VON EIGENNAMEN UND ORTEN

This is a subject index to the "Bibliogra­ Es handelt sich im folgenden urn ein eine Zeitschrift ausfindig zu machen, die phy" of New Glass Review 14. The num­ Sachregister zur „Bibliographie" der New von einer Kunstlerin oder einem Kunstler bers following the names below are keyed Glass Review 14. Die Zahlen hinter den geschrieben wurde, sollte direkt in der to the numbers preceding the individual Namen entsprechen den Zahlen, die den „Bibliographie" nachgesehen werden; die "Bibliography" entries in which these per­ Eintragungen der einzelnen Beitrage der Titel sind in jedem abgeschlossenen Teil sons and places are discussed. To find a „Bibliographie" vorangestellt sind, in denen der „Bibliographie" nach den Namen der book or periodical article written by an die entsprechenden Personen oder Orte Autoren in alphabetischer Reihenfolge artist, consult the "Bibliography" directly; behandelt werden. Urn ein Buch oder geordnet. the entries in each section are arranged alphabetically by author.

Aalto, Alvar, 63, 500 Coombs, Debora, 958 Graham, Dan, 26, 303, 502, 995 Adam, Jan, 128, 679 Copers, Leo, 668, 840 Gray, Katherine, 16, 58 Adorno, Zoe, 70, 1186 Copier, A. D., 358, 391, 526, 613 Gregory, Mary Jane, 118, 640, 1068 Alberius, Olle, 252, 458 Costantini, Egidio, 49, 400 Groot, Mieke, 708, 657 Andersson, Jonathan, 39,131, 432 Cotter, Maud, 617,1041 Gudenrath, Bill, 629, 884, 1178 Artemide, 405, 726, 812 Creative Glass Center of America, 40, 58, Gueltzl, Marco de, 250, 521 Aschenbrenner, Michael, 629, 809 121, 206 Hanning, Tony, 409, 446 Astuguevieille, Christian, 665 Cribbs, KeKe, 112, 380 Harcuba, Jin, 676, 758, 786 Ayotte, Rick, 228, 229, 230, 612 Cyren, Gunnar, 48, 99, 252, 268, 366, 560, Harned, Richard, 782 Bachorik, Vladimir, 256 811 Haufschild, Lutz, 992, 993 Baldwin, Philip/Guggisberg, Monica, 231 d'Aucuns, Thibault, 905, 922 Henshaw, Clare, 175, 835 Beck, Rick, 69, 694 Dailey, Dan, 309, 313, 380, 669 Hoglund, Erik, 6, 51, 510 Begou, Alain and Marisa, 435, 561, 562 Dane, Robert, 147 Huchthausen, David, 67, 629 Beleschenko, Alex, 903, 914, 917 David, Michael/Karbler, Kit, 858 Hydman-Vallien, Ulrica, 84, 99, 103, 247, 687, Bellucci, Robert, 146 Davis, Jill Henrietta, 309, 623 811 Ben Tre, Howard, 1, 21, 25, 54,140, 168, 293, Day, Stephen Paul, 58, 344 Ikemoto, Kazumi, 482, 516 380 de Wit, John, 40,121, 881 Ikuta, Niyoko, 809, 813 Bergstrom, Goran, 253, 414 Dejonghe, Bernard, 125, 248, 435 Iwata, Ruri, 749, 844, 1196 Blomdahl, Sonja, 264, 591, 629, 880 Derow, Lukas, 747 Jensen, Judy Bally, 2, 72 Blondel, Michele, 370, 588, 831 Dohne, Deborah, 71, 353 Jurs, Shelley, 953, 1012 Bohus, Zoltan, 389, 403, 798 Donefer, Laura, 354, 355, 356 Karbler, Kit/David, Michael, 549, 857 Borowski, Stanislaw, 112, 127, 448 Dreisbach, Fritz, 583, 880, 883 Karel, Marian, 308, 678, 769 Bradford, Kathy, 169, 1117, 1118 Edwards, Stephen Dee, 363, 818 Kaziun, Charles, 132, 610, 660, 772 Brejcha, Vernon, 615 Ehrner, Anna, 501, 796 Kehlmann, Robert, 513,1014 Brekke, John, 145, 311 Eisch, Erwin, 76, 180, 364, 365, 390, 735, 874 Kekalainen, Paivi, 62, 834 Brock, Curtis, 478, 629 Elias, Bohumil, 383, 597 King, Gerry, 52, 854 Brocklehurst, Keith, 52, 53, 537, 698 Elliott, Judi, 368, 408, 409 King, Ray, 724, 1015 Brockmann, Ruth, 15, 69, 264, 901 Elskus, Albinas, 967, 1005 Kinnaird, Alison, 326, 517 Buczko, Gyorgy, 255, 266, 311, 389 Englund, Eva, 59, 811 Kirkpatrick, Joey/Mace, Flora, 507, 880 Bueno, Thor, 67, 881 Engman, Kjell, 97, 103, 811 Klein, Toan, 38,106, 519 Burke, Ellie, 69, 694 Ethier, Linda, 72, 584 Knottenbelt, Rob, 254, 362 Carder, Kenneth, 179, 815 Flavin, Dan, 64, 495, 720, 852 Komoto, Akira, 359 Carpenter, Ed, 296, 948 Fokkelman, Hanneke, 523, 710 Kopecky, Vladimir, 372, 443, 453, 678 Carpenter, James, 309, 625, 635, 636, 953 Forejtova, Jitka, 267 Layton, Peter, 50, 87,125 Cash, Sidney, 61, 225 Francis, Ed, 143,170, 478 Leperlier, Antoine, 125, 309, 562, 567 Chihuly, Dale, 37, 42, 54, 129, 187, 237, 284, Franck, Kaj, 116, 274, 382, 607, 608, 637, 648, Levi, David/Michaelides, Dimitri, 589, 630 293, 295, 331, 376, 380, 427, 867, 890 Libensky, Stanislav/Brychtova, Jaroslava, 35, 466, 473, 508, 528, 594, 614, 619, 628, 629, Frijns, Bert, 357, 537, 718 53, 112, 386, 435, 597, 809, 1191 773, 783, 873, 880, 889, 1110 Fujita, Kyohei, 123, 254, 379, 448, 629, 749, Licata, Riccardo, 12, 856,1090 Cigler, Vaclav, 208, 597, 613, 654 809, 829 Lichtman, Linda, 68, 965, 1025,1026 Clegg, Tessa, 537, 647, 698 Glancy, Michael, 242, 301, 472 Lillie, Jacqueline, 154, 205, 269, 1182 Cohen, Carol, 52, 243 Glass Art Society, 425, 896 Linn, Steve, 73, 380 Lipski, Donald, 293, 304, 831 Rybak, Jaromir, 254, 489, 597 von Roenn, Kenneth, 862, 953, 959, 964 Littleton, Harvey, 8, 390, 448, 449, 809 Sahlin, Gunnel, 59, 100, 101, 501, 796 Wagenfeld, Wilhelm, 806 Loire, Gabriel, 952, 969, 1018, 1038, 1042, Salo, Markku, 63, 83, 191, 232, 477, 699, 738 Walentynowicz, Janusz, 307, 735 1072, 1075 Sarpaneva, Timo, 63, 166, 232 Warff, Goran, 100, 103, 180, 501, 794 Lorson, Stephen, 40, 121, 260, 694 Sautner, Barry, 367, 612 Whistler, Laurence, 104, 536, 688, 689, 917 Luebtow, John Gilbert, 31, 380, 861 Schaechter, Judith, 956 Whistler, Simon, 105, 882 Lugossy, Maria, 389, 403, 437, 827, 828 Schaffrath, Ludwig, 641, 898, 932, 964, 1016 Williams, Christopher, 463, 868 Lundberg, James, 89, 558 Scheiner, Michael, 70, 78, 590 Wilmarth, Christopher, 380, 525, 831 Lutken, Per, 98, 165 Schluifer, Gemot, 745 Wirkkala, Tapio, 63, 166, 211, 232 Machat, Michal/Velisek, Martin, 564, 565, 666 Schreiter, Johannes, 972, 977, 984, 993, 999, Yamano, Hiroshi, 155, 527, 809 Mahady, Michaela, 899, 941, 1067,1105 1000, 1027, 1071 Yokoyama, Naoto, 52, 53, 308 Mares, Ivan, 372, 564, 787 Scott, Joyce, 444, 455, 739, 755, 872 Young, Peter, 1080, 1081,1106 Marioni, Paul, 288, 461, 880, 881, 964 Seguso, Archimede, 388, 572 Zacko, Askold, 61, 842 Martinuzzi, Paolo, 667, 671 Shaffer, Mary, 125, 293, 377, 844, 850 Zamecnikova, Dana, 53, 540, 769 Maslach, Steve, 333, 580, 629, 630 Shaw, Kathy, 917, 1009, 1073 Zembok, Udo, 942, 1044 Mason, Concetta, 522, 600 Simpson, Josh, 70, 71, 548, 605 Zimmermann, Jorg, 127, 203, 896 Matous, Jaroslav, 453, 581, 678 Sipek, Borek, 61, 129, 133, 210, 421, 724, 846 Zoritchak, Yan, 35, 217, 434, 562, 643 McClure, Elizabeth, 152, 499, 582 Skillitzi, Stephen, 52, 474, 1161 Zuber, Czeslaw, 53, 196 McGlauchlin, Tom, 334, 552 Slagerman, Scott, 764 Zynsky, Toots, 1, 537, 629, 662, 809 Mee, Nancy, 72, 756, 809 Smith, Jeff, 1005, 1038 Meech, Annette, 463, 585, 868 Smith, Kiki, 487, 814, 825, 831 Meistermann, Georg, 991,1069,1083 Solcova-Sramkova, Ivana, 564, 777 Meitner, Richard, 125, 179, 378, 469, 586, Sonnier, Keith, 380, 506, 545, 852, 855 657, 827 Sowers, Robert, 911, 928, 964, 991 Moje, Klaus, 752, 865 Stankard, Paul, 308, 612, 761 Moje-Wohlgemuth, Inge, 269, 281 Starck, Philippe, 32, 43, 133, 277, 297, 682 Morris, William, 78, 629, 809,1201 Statom, Therman, 2, 68, 174, 503 Mourgue, Pascal, 218, 609 Steuben, 20, 36, 161, 162, 177, 178, 258, 439 Mulcahy, Kathleen, 322, 684 Stinsmuehlen-Amend, Susan, 258, 629, 861, Musler, Jay, 52, 78, 308, 537, 573, 809 1033 Nannucci, Maurizio, 317, 399, 849 Stockhausen, Hans Gottfried von, 994,1026 Navarra, Douglas, 626, 790 Tagliapietra, Lino, 239, 427, 452, 454, 1192 Negreanu, Matei, 435, 844 Taylor, David, 463, 698, 868 Nishi, Etsuko, 287, 330 Taylor, Michael, 312, 818, 1167 Nowak, James, 864 Teschmacher, Winnie, 173, 618, 620, 721 Nurminen, Kerttu, 63, 83,191 Thompson, Catherine, 254, 1182 Ohira, Yoichi, 240, 452 Tobin, Steve, 263, 649, 735 Palterer, David, 32,127, 129, 272, 664 Toikka, Oiva, 63, 191, 232, 382, 699, 770 Palusky, Robert, 254, 332, 514, 818 Tookey, Fleur, 463, 868 Parriott, Charles, 503, 506 Toso, Gianni, 830 Pavlik, Michael, 380, 633 Trabucco, Victor, 195, 612 Peretti, Sibylle, 58, 661 Tschida, Fred, 530, 818 Perkins, Danny, 141 Valkema, Sybren, 324, 839 Pesce, Gaetano, 299, 305, 576, 673 Vallien, Bertil, 99, 100, 103, 247, 451, 468, 687, Petit, Louis-Rene, 912, 1038, 1044, 1086 809, 811 Pierini, Robert, 562, 563 van den Ham, Frank, 55, 56, 467, 554, 618, Pilchuck, 139, 304, 427, 593 721 Plum, Susan, 148 Van Deurzen, James, 694 Poensgen, Jochem, 937,1032 van Ginneke, Vincent, 254, 471, 618, 721,1112 Posner, Richard, 694 van Lith, Jean-Paul, 562, 766 Price, Richard, 87, 618, 658, 710, 721 van Loo, Bert, 476 Quagliata, Narcissus, 70,1052 van Meurs, Sien, 308, 470 Reekie, David, 304, 308, 617, 622, 647 van Zijst, Jan Willem/van der Burght, Angela, Reid, Colin, 445, 647 24, 897, 898, 1089 Ribka, Gerhard, 906, 916 Varrela, Vesa, 524 Robinson, Ann, 198, 737 Verberne, Daniel, 13, 847 Roubicek, Rene/Roubickova, Miluse, 215, Verrerie de Biot, 220, 249, 433 484, 532, 597 Vistosi, Luciano, 556 Ruffner, Ginny, 78, 509, 809, 859, 862 Vlcek, Petr, 137, 722 60