National Gallery of Ireland Annual Report 2015
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18_121726-bindex.qxp 4/17/09 2:59 PM Page 486 Index See also Accommodations and Restaurant indexes, below. GENERAL INDEX Ardnagashel Estate, 171 Bank of Ireland The Ards Peninsula, 420 Dublin, 48–49 Abbey (Dublin), 74 Arigna Mining Experience, Galway, 271 Abbeyfield Equestrian and 305–306 Bantry, 227–229 Outdoor Activity Centre Armagh City, 391–394 Bantry House and Garden, 229 (Kildare), 106 Armagh Observatory, 394 Barna Golf Club, 272 Accommodations. See also Armagh Planetarium, 394 Barracka Books & CAZ Worker’s Accommodations Index Armagh’s Public Library, 391 Co-op (Cork City), 209–210 saving money on, 472–476 Ar mBréacha-The House of Beach Bar (Aughris), 333 Achill Archaeological Field Storytelling (Wexford), Beaghmore Stone Circles, 446 School, 323 128–129 The Beara Peninsula, 230–231 Achill Island, 320, 321–323 The arts, 8–9 Beara Way, 230 Adare, 255–256 Ashdoonan Falls, 351 Beech Hedge Maze, 94 Adrigole Arts, 231 Ashford Castle (Cong), 312–313 Belfast, 359–395 Aer Lingus, 15 Ashford House, 97 accommodations, 362–368 Agadhoe, 185 A Store is Born (Dublin), 72 active pursuits, 384 Aillwee Cave, 248 Athlone, 293–299 brief description of, 4 Aircoach, 16 Athlone Castle, 296 gay and lesbian scene, 390 Airfield Trust (Dublin), 62 Athy, 102–104 getting around, 362 Air travel, 461–468 Athy Heritage Centre, 104 history of, 360–361 Albert Memorial Clock Tower Atlantic Coast Holiday Homes layout of, 361 (Belfast), 377 (Westport), 314 nightlife, 386–390 Allihies, 230 Aughnanure Castle (near the other side of, 381–384 All That Glitters (Thomastown), -
Hot Tickets 2019 Food and the Gut Go on Show As Angolan ‘Sea Monsters’ Resurface and Alexander Von Humboldt Pops Into Focus
COMMENT BOOKS & ARTS A visitor examines some of Leonardo da Vinci’s writing at the Water as Microscope of Nature exhibition at the Uffizi Gallery in Florence, Italy. Hot tickets 2019 Food and the gut go on show as Angolan ‘sea monsters’ resurface and Alexander von Humboldt pops into focus. The year is also a feast of anniversaries, from the eclipse proving Albert Einstein right to Leonardo da Vinci’s death — and the first footfall on the Moon. Nicola Jones reports. Alexander von Humboldt Sea Monsters Unearthed: Life in Angola’s PaleoAngola unearthed a new dinosaur Museum Ludwig, Cologne, Germany. Ancient Seas species, the long-necked sauropod Until 27 January. National Museum of Natural History, Angolatitan adamastor; a host of sea turtles Prussian polymath and explorer Alexander Washington DC. (pictured); and giant marine reptilian von Humboldt’s 250th birthday rolls Until 2020. plesiosaurs and mosasaurs. Full-scale around this September. The ‘father Some 130 million years ago, the reconstructions and fossils will be on of environmentalism’ is credited with supercontinent Gondwana was being display at the US National Museum of envisioning geology, ecology and humanity ripped apart, forming Africa and South Natural History. Meanwhile, the museum’s as part of an interconnected web. Less well America. The South Atlantic Ocean David H. Koch Hall of Fossils will open known is his role in early photography. emerged between them. Today, Angola is a on 8 June with Deep Time, featuring INNOCENTI/UFFIZI GALLERIES M. DEGL’ In 1839, Humboldt was among the first hotspot for tracking the sea’s biological 700 specimens and the return of a established scientists to embrace the record: it is the only African nation with Tyrannosaurus rex fossil. -
Netta O'brien Sheedy Autograph Book
i Clarecastle & Ballyea Heritage & Wildlife Group L to R – Jean Ryan, Clara Hoyne, Joe Power, Gerry Breen, Christy Leyden, Michael Sheedy, Eric Shaw, John Power, Frank Barry, Catherine O’Connor. Group photograph courtesy of John Mangan Joan McCarthy Fr. Harry Brady Clarecastle Heritage and Wildlife Team is a sub-committee of Clarecastle Community Development - their aim is to source, collect & publish Cultural, Historical, Wildlife and Natural Amenities material in order to raise awareness and to aid preservation of knowledge and amenities. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, recording or otherwise, without the prior written permission of the publisher. All photographs used in this publication remain the copyright of the individual photographer or the owning repository and may not be reproduced without permission. Inevitably, in a work of this scope and geographical spread, some omissions and inaccuracies will have occurred. In this regard, local knowledge is invaluable and the Heritage & Wildlife Group welcomes additional information and corrections from readers. All such contributions will be considered for inclusion in a future electronic version of this publication. The publication was part-funded by Clare County Council under the Community Arts Grant 2017. ©Published by Clarecastle & Ballyea Heritage & Wildlife Group 2017 ii Contents East Clare By-Election 1917 2 The Netta O’Brien Autograph Book and its story 8 The Signatures in the Autograph Book 11 iii Foreword Structure of Book One of the obligations and chal- The composition and profile of the contributors to the autograph lenges facing any heritage group book is reflected on, before the book opens up a detailed exploration is balancing provision of access of the ten contributors. -
Durham E-Theses
Durham E-Theses The development of the qur'anic calligraphy and illumination under the Mamlukes, 1300-1376 and in Ir James, David Lewis How to cite: James, David Lewis (1982) The development of the qur'anic calligraphy and illumination under the Mamlukes, 1300-1376 and in Ir, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/1984/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 iý THE DEVELOPMENT OF QUR'ANIC CALLIGRAPHY AND ILLUMINATION UNDER THE MAMLUKES 1300- 1376 AND IN IRAQ AND IRAN IN THE SAME PERIOD A THESIS SUBMITTED TO THE FACULTY OF ARTS !N THE UNIVERSITY OF DURHAM FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DAVID JAMES MA (DUNELM) SUPERVISOR ; DR R. W. J. AUSTIN The copyright of this thesis rests with the author. No quotation from it should be published without his prior written consent and information derived from it should be acknowledged. -
Curating Queer British Art, 1861-1967 at Tate Britain and Being Human at Wellcome Collection, London
Rejecting Normal: Curating Queer British Art, 1861-1967 at Tate Britain and Being Human at Wellcome Collection, London Clare Barlow Independent curator This item has been published in Issue 01 ‘Transitory Parerga: Access and Inclusion in Contemporary Art,’ edited by Vlad Strukov. To cite this item: Barlow С (2020) Rejecting normal: Curating Queer British Art, 1861-1967 at Tate Britain and Being Human at Wellcome Collection, London. The Garage Journal: Studies in Art, Museums & Culture, 01: 264-280. DOI: 10.35074/GJ.2020.1.1.016 To link to this item: https://doi.org/10.35074/GJ.2020.1.1.016 Published: 30 November 2020 ISSN-2633-4534 thegaragejournal.org 18+ Full terms and conditions of access and use can be found at: https://thegaragejournal.org/en/about/faq#content Curatorial essay Rejecting Normal: Curating Queer British Art, 1861-1967 at Tate Britain and Being Human at Wellcome Collection, London Clare Barlow There has been a number of exhibi- tember 2017) and Being Human tions in the last five years that have (September 2019–present). Drawing explored queer themes and adopted on my experience of curating these queer approaches, yet the posi- projects, I consider their successes tion of queer in museums remains and limitations, particularly with precarious. This article explores regards to intersectionality, and the the challenges of this museological different ways in which queerness landscape and the transformative shaped their conceptual frameworks: potential of queer curating through from queer readings in Queer British two projects: Queer British Art, Art to the explicit rejection of ‘nor- 1861—1967 (Tate Britain, April–Sep- mal’ in Being Human. -
Organizations
Long Distance Friends Is Fundraising in the United States the Right Move? - A Five-Point Checklist By Gisela Keller Translation of a German article that appeared in Stiftung und Sponsoring in October 2006 The candles on the elegant Park Avenue dinner table cast a soft glow on the influential guests engaged in conversation as Ortrud Westheider, the Art Director of the Hamburg-based Bucerius Kunst Forum, hosts a recent “Friendraising Dinner” in New York. She seeks to raise visibility and financial support from individuals, collectors, foundations and companies for her American Art from 1800 – 1950 project. Three years ago when the Museum embarked on finding U.S. donors for their exhibition trilogy that will open in Hamburg, Vienna und Zurich starting in 2008 the term “Friendraising Dinner” was pretty novel. That’s different today. In light of diminishing state support overseas for arts, culture, science and education the strong U.S. culture of philanthropy increasingly attracts international nonprofit leaders’ attention. “When talking with German clients I notice that interest in international fundraising is rising. Yet, nonprofit management tends to be oblivious to the fact that it is relatively simple to create the technical and legal framework that will allow them to qualify for US donations - and to attain tax exemption for U.S. donations,” comments Steffen Lang, Relationship Manager at Deutsche Bank Private Wealth Management in New York. Tax exemption is a prerequisite for fundraising in the United States. International organizations have a couple of options: It can be advisable to set up a Donor-Advised Fund via an organization such as the King Baudouin Foundation United States or Charities Aid. -
However Students May Use Their Own Transport Tickets Where Valid
The Linguaviva Centre Ltd. Social and Activity Programme July and August 2015 Some things to keep in mind: 1. Some of the social and outdoor sport activities may be changed nearer the time as these activities are weather dependent. Prices subject to change. 2. Spaces are limited students who would like to join activities should sign up and pay for excursions as early in the week as possible. For the weekend activities students MUST sign up by the previous Wednesday at morning break. This is crucial for the organisation of the activities. It is also very important for students to be on time for all activities. 3. Meeting points and times will be stated on the excursion board each Monday morning. Sign up sheets are located in the office. 4. In the case of ‘pub outings’ students must be at least 21 and have valid I.D. in order to join. We cannot be held responsible if entry is refused. Neat dress is essential e.g. no running shoes or hoodies. 5. The prices listed for weekday activities are for entrance fees only . Transportation costs are not included, however students may use their own transport tickets where valid. 6. Students who do not want to join the listed activities are welcome to watch a movie in the ‘student cinema’ in the afternoons. Movies will be shown every weekday afternoon starting at 14.00. 7. Students are also welcome to use the ‘games room’ during breaks and after classes. We now have table tennis, billiards, air hockey and table football. 8. -
Sir Hugh Lane and Mrs. Ruth Shine Papers
Leabharlann Naisiúnta na hÉireann National Library of Ireland Collection List No. 58 SIR HUGH LANE AND MRS. RUTH SHINE PAPERS (Mss 35,822-35,828) ACC. No. 5073 1 CONTENTS History and Organization of the Collection 3 1. LETTERS FROM LANE 4 2. LETTERS TO LANE 5-20 3. LETTERS TO RUTH SHINE 21-22 4. OTHER LETTERS 23-24 5. LANE’S DEATH AND ESTATE 25-26 6. ADDITIONAL PRINTED ITEMS 27-28 7. MISCELLANEOUS 29-30 Index 31-37 2 History and Organization of the Collection After the death of Sir Hugh (Percy) Lane on the Lusitania in 1915 his papers passed on to his sister Mrs. Ruth Shine (Later Mrs. A. R. Heaven). Material mostly relating to his death and his controversial will were added by Shine. On her death in 1959 the papers came into the custody of her executors, Mrs. G. de B. West (a cousin) and Mrs. Thistlethwaite, daughter of Harold Lane, brother of Sir Hugh Lane and Ruth Shine. The material was acquired by the National Library between 1960 and 2000 and the various accessions have been catalogued at various times: 1. Accession 2155: donated by Mrs. West in August 1960. 2. Accession 2293: purchased in July 1962. 3. Accession 2298: donated by Col. D.S.E. West, August 1962. 1-3 above are listed as Mss. 9975, 10,907-10,908, 10,929, 13,071-13,072 in Manuscript Sources for the History of Irish Civilization vol. 3, p. 15. 4. Accession 4136: NLI Collection List 10; Mss. 27,736-27,793; donated by Mrs. -
Luan Gallery Art Education Programme for Secondary Schools Encourages Critical Thinking
Luan Gallery Art Education Programme for Secondary Schools encourages critical thinking builds self esteem nurtures creativity enhances learning develops skill inspires debate exam focused broadens horizons INTRODUCTION At Luan Gallery we aim to promote access, understanding and engagement with visual art via the growing Education Programme. Luan Gallery staff strive to support the meaningful delivery of arts education within the secondary school curriculum. Teachers are encouraged to bring student groups to Luan Gallery to view the exhibitions in the company of gallery staff. Luan Gallery staff present exhibition tours and education packages which introduce a variety of tools to foster students’ comfort with art and the gallery environment. This in turn encourages young people to find enjoyment and meaning in art, and to think critically. The provision of thought provoking exhibition programmes teamed with talks, workshops and tours, pave the way for discourse, engagement and learning. LEAVING CERTIFICATE Leaving Certificate students are invited to avail of the Luan Gallery Workbook developed specifically for the Art Appreciation section of the Art History Leaving Certificate Paper. This resource guides students’ exploration through the gallery, directing focus to exam related features such as: building architecture, lighting design, signage, access, curation and display. OTHER STUDENT OFFERS Guided Tours - Luan Gallery offers free guided gallery tours for groups (booking required) Group Workshops - students are invited to engage in -
Janet Cardiff & George Bures Miller
JANET CARDIFF & G. B. MILLER page 61 JANET CARDIFF & GEORGE BURES MILLER Live & work in Grindrod, Canada Janet Cardiff Born in 1957, Brussels, Canada George Bures Miller Born in 1960, Vegreville, Canada AWARDS 2021 Honorary degrees, NSCAD (Nova ScoOa College of Art & Design) University, Halifax, Canada 2011 Käthe Kollwitz Prize, Akademie der Künste, Berlin, Germany 2004 Kunstpreis der Stadt Jena 2003 Gershon Iskowitz Prize 2001 Benesse Prize, 49th Venice Biennale, Venice, Italy Biennale di Venezia Special Award, 49th Venice Biennale, Venice, Italy 2000 DAAD Grant & Residency, Berlin, Germany SELECTED INDIVIDUAL EXHIBITIONS 2019 Janet Cardiff & George Bures Miller, Museo de Arte Contemporaneo de Monterrey, Monterrey, Mexico 2018-2019 Janet Cardiff & Geroge Bures Miller: The Instrument of Troubled Dreams, Oude Kerk, Amsterdam, The Netherlands 2018 Janet Cardiff & George Bures Miller: The Poetry Machine and other works, Fraenkel Gallery, FRAENKELGALLERY.COM [email protected] JANET CARDIFF & G. B. MILLER page 62 San Francisco, CA FOREST… for a thousand years, UC Santa Cruz Arboretum and Botanic Garden, Santa Cruz, CA Janet Cardiff & George Bures Miller: Two Works, SCAD Art Museum, Savannah, GA 2017-18 Janet Cardiff & George Bures Miller, 21st Century Museum of Contemporary Art, Kanazawa, Japan 2017 Janet Cardiff: The Forty Part Motet, Switch House at Tate Modern, London, England; Nelson Atkins Museum of Art, Kansas City, MO; Mobile Museum of Art, Mobile, AL; Auckland Castle, Durham, England; TRAFO Center for Contemporary Art, Szczecin, Poland -
A Guide for Holders of the International Association of Art Card Prepared with Contributions from the Slovak Union of Visual Arts (Slovenská Výtvarná Únia) 2017
A guide for holders of the International Association of Art card Prepared with contributions from the Slovak Union of Visual Arts (Slovenská výtvarná únia) 2017 The International Association of Art (IAA/AIAP) is a non-governmental organization working in official partnership with UNESCO. Its objectives are to stimulate international cooperation among visual artists of all countries, nations or peoples, to improve the socio-economic position of artists nationally and internationally, and to defend their material and moral rights. The IAA issues identity cards to professional visual artists. This card allows free or discounted admission to many galleries and museums in countries around the world. The card is a tool for the lifelong education of artists in their professional artistic research. These institutions, large or small, recognize the benefit they gain from enabling the artists, like art critics and journalists, to visit exhibitions, art events and collections of art, to carry on research, and to gain inspiration. As a member within the IAA network, CARFAC National issues IAA cards exclusively to Canadian professional artists that are members of CARFAC upon request. Only National Committees of the IAA may issue the card. Where to use the IAA card This document includes a chart detailing selected institutions that offer free or discounted admission prices, or other perks to IAA card holders while travelling abroad. This information was obtained from surveying recent users of the card and IAA National Committees worldwide, and is updated regularly – most recently in 2017 by the Slovak Union of Visual Arts (SUVA). Users will find that different areas in Europe are more receptive to the card than others. -
SCC Annual Report 2002 7/18/03 9:29 AM Page 1
SCC Annual Report 2002 7/18/03 9:29 AM Page 1 SLIGO COUNTY COUNCIL Annual Report 2002 Contents Cathaoirleach’s Introduction . .2 County Manager’s Foreword . .3 Sligo County Council Members . .4 Service Indicators 2002 . .6 How We Performed in 2002 . .9 Housing & Building . .11 Roads Development Programme . .14 Planning & Development . .17 Environment . .20 Arts Office . .25 Motor Taxation Office . .28 Higher Education Grants . .28 Community & Enterprise . .29 County Sligo Civil Defence . .34 Communications Office . .36 County Library and Museum Services . .38 Partnership . .40 ‘What we achieved’ is denoted Register of Electors . .40 throughout the Report by this symbol Sligo Fire Authority . .4 1 Special Projects Office . .40 Sligo County Council Comhairle Chontae Shligigh Human Resources . .45 Telephone: +353 71 9143221, +353 71 9156666 Fax: +353 71 9141119 Rural Water Programme . .48 e-mail: [email protected] www.sligococo.ie County Sligo Heritage Office . .50 Photocopying prohibited by law. All rights reserved. No part of this publication may be copied, reproduced Sligo Courthouse . .53 or transmitted in any form or by any means without the permission of Sligo County Council. Conferences and Seminars . .55 Produced by Westprint Ltd., Enniscrone. Cathaoirleach’s Year Photo Gallery . .56 Photography: Charlie Brady, Gerry Grace, Steve Rogers, Vincent Vidal. Feature: Séamus Egan . .58 Financial Statement . .59 page 1 SCC Annual Report 2002 7/18/03 9:29 AM Page 2 SLIGO COUNTY COUNCIL Annual Report 2002 Cathaoirleach’s introduction I am pleased to introduce Sligo County Council’s Annual Report for 2002. It was a busy and challenging year for this Authority, and it was encouraging to see so many important initiatives advanced or brought to fruition.