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Read: Literary Journey: a Rushdie-Esque Take on Nepali Travel Writing
Upclose with Rabindra Mishra | Pitamber Sharma on books March-May 2007|Issue-02 What Kathmandu is reading NIBl bene_ In itssoci.1 rttjIOnSibIlily. WM !hIIln mind NIBl hllstarted I ~-- uniquo, firsl of ~I kind lithe .... whlclo Ihl'" wllh _lily I IIttlo III whal k ..... ,chl.vu. Th. S""I,I OepolH. Accllunl pennita any INGOINGO Iccount ------- hoIdH to d.lm 11har>i In !hi ptofllS of IhI account Tht Soclll Deposit Aecount Is NIBl's conlrlbUlllln te help Ichl",e . belle< NEPAL INVESTMENT BANK LTD. Nepal. WIll NIBl Invit.In such ~niza~en. to Join hinds with us In this ncbIoClUH. 'fru[y a :Nepafi (/Jan/t www.melamchiwater.org Melamchi Water Supply Project: At a Glance A view of Sindhu Adit Access Raod Intake Point of Melamchi Water The main objective of the Melamchi Water supply Project is to solve the chronic water supply shortage in the Kathman- du Valley. The objective will be achieved by the diversion of 170 MLD water from the Melamchi River via 26.5 km long tunnel system to a water system to a water treatment plant and distribution facilities to be constructed in the Kathmandu Valley. The project consists of the following four major components; namely; Infrastructure Development, Social and Environment Support, Institutional Reforms and Implementation. These major components are supplemented by management, social institutional activities including the Social Uplift Program (SUP) for the MDS works, Resettlement Action Plan (RAP), Environmental Management and Monitoring for all the components, and related support activities. The current activity of the Project are mainly concentrated on construction of the access roads, main access road in the Melamchi Valley, and the preparations for the procurement of the Management contractor (MC), in place of the previ- ously proposed Private Operator of the distribution system. -
Journal of Asian Arts, Culture and Literature (Jaacl) Vol 2, No 1: March 2021
JOURNAL OF ASIAN ARTS, CULTURE AND LITERATURE (JAACL) VOL 2, NO 1: MARCH 2021 Riveting Nepal: A Cultural Flash! By Ms. Mahua Sen [email protected] Abstract “A Nepali outlook, pace and philosophy had prevented us being swamped by our problems. In Nepal, it was easier to take life day by day.” -Jane Wilson-Howarth, A Glimpse of Eternal Snows: A Journey of Love and Loss in the Himalayas. We do sniff the essence of Nepal in these lines! Squeezed in between China and India, Nepal is one of the most fascinating places to visit on earth. Home to the awe-inspiring Mt. Everest, the birthplace of Lord Buddha, this exquisite country stretches diverse landscapes from the Himalayan Mountains in the North to the flat expansive plains in the south. The birth of the nation is dated to Prithvi Narayan Shah's conquest of the Kathmandu Valley kingdoms in 1768. Deep gorges, sky-scraping mountains, exuberant culture and charismatic people – Nepal is the ideal destination not only for adventurers but also for people seeking a peaceful sojourn in the lap of serenity. Keywords Nepal, culture, festival, Hindu, Buddhism 1 JOURNAL OF ASIAN ARTS, CULTURE AND LITERATURE (JAACL) VOL 2, NO 1: MARCH 2021 Festival Flavors Customs and culture vary from one part of Nepal to another. The capital city Kathmandu is drenched in a rich drapery of cultures, a unique silhouette to form a national identity. Nepali culture portrays an amalgamation of Indo-Aryan and Tibeto-Mongolian influences, the result of a long history of migration, conquest, and trade. -
Tribhuvan University Bhupi Sherchan
Tribhuvan University Bhupi Sherchan : A Rebel in Nepali Poetry A Thesis Submitted to the Faculty of Humanities and Social Sciences, Department of English, Ratna Rajyalaxmi Campus, in Partial Fulfillment of the Requirements For the Degree of Master in English by Manoj Lama TU Regd. No: 6-2-40-154-2010 Roll No: 400315/72 June 2018 Declaration I hereby declare that the thesis entitled “Bhupi Sherchan : A Rebel in Nepali Poetry” is my own original work carried out as a Master’s student at the Department of English at Ratna Rajya Laxmi Campus except to the extent that assistance from others in the thesis design and conception in the presentation style and linguistic expression are duly acknowledged. All the sources used for the thesis have been fully and properly cited. It contains no material which to a substantial extent has been accepted for the award of any other degree at Tribhuvan University or any other educational institution, except where due acknowledgement is made in the thesis. Manoj Lama June 2018 Tribhuvan University Faculty of Humanities and Social Sciences Ratna Rajyalaxmi Campus, Kathmandu Letter of Approval This is to certify that the thesis entitled “Bhupi Sherchan : A Rebel in Nepali Poetry” submitted to the Department of English, Ratna Rajyalaxmi Campus, by Manoj Lama, has been approved by the undersigned members of the research committee: ……………………………. Mr. Bam Dev Sharma Supervisor ……………………………. External Examiner ……………………………. Mr. Pradip Sharma Head Department of English Acknowledgements I would like to express my deepest and sincere gratitude to my respected research supervisor Mr. Bam Dev Sharma, Department of English, Ratna Rajya Laxmi Campus, who guided me with valuable supervision, constructive help and guidelines. -
Thesis Full Version (1.534Mb)
University of Plymouth PEARL https://pearl.plymouth.ac.uk 04 University of Plymouth Research Theses 01 Research Theses Main Collection 2019 Birds with Wolf Hearts, a Collection of Poetry, with an Analysis of Contemporary Nepalese Women's Poetry Walsh, Eleanor http://hdl.handle.net/10026.1/14293 University of Plymouth All content in PEARL is protected by copyright law. Author manuscripts are made available in accordance with publisher policies. Please cite only the published version using the details provided on the item record or document. In the absence of an open licence (e.g. Creative Commons), permissions for further reuse of content should be sought from the publisher or author. This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with its author and that no quotation from the thesis and no information derived from it may be published without the author's prior consent. BIRDS WITH WOLF HEARTS, A COLLECTION OF POETRY, WITH AN ANALYSIS OF CONTEMPORARY NEPALESE WOMEN’S POETRY by ELEANOR WALSH A thesis submitted to the University of Plymouth in partial fulfilment for the degree of DOCTOR OF PHILOSOPHY School of Humanities and Performing Arts March 2019 Acknowledgements I would first like to thank my supervisors Anthony Caleshu, Min Wild and Mandy Bloomfield, for their tireless effort with this project, as well as great ideas, feedback, and guidance. The research for this thesis was supported by the Roland Levinsky Scholarship fund and the Santander Scholarship Program. I’m so grateful for their assistance, without which such extensive fieldwork could never have taken place. -
Repealing Ordinances Might Quell Dissent but Oli Still Faces Moral
WITHOUT F EAR OR FAVOUR Nepal’s largest selling English daily Vol XXVIII No. 60 | 8 pages | Rs.5 O O Printed simultaneously in Kathmandu, Biratnagar, Bharatpur and Nepalgunj 34.5 C 4.4 C Saturday, April 25, 2020 | 13-01-2077 Nepalgunj Jumla Repealing ordinances might quell dissent but Oli still faces moral questions Prime minister needs to answer for a series of political events, including an alleged kidnapping, triggered by the two controversial ordinances, leaders and analysts say. ANIL GIRI KATHMANDU, APRIL 24 Five days after issuing two ordinances to a mass outcry, Prime Minister KP Sharma Oli, on Friday, backtracked and withdrew both the ordinances. Although the withdrawal could somewhat quell the dissent that had arisen from across the political spec- trum, including his own party, leaders PHOTO COURTESY: PM’S SECRETARIAT and analysts say that the repeal alone Prime Minister KP Sharma Oli doesn’t absolve Oli of his moral failings. The Oli Cabinet on Friday decided amendment allowing 40 percent of to recommend that both the ordinanc- central committee or Parliamentary es—one related to political parties and Party members to split a party. the other to the Constitutional Based on the new provision, a sec- Council—be repealed. President Bidya tion of leaders from the Samajbadi Devi Bhandari accordingly repealed Party had sought to split the party. But both the ordinances, in much the same the Samajbadi leadership’s sudden manner that she had approved them— decision to merge with the Rastriya without delay and consultation. Janata Party blocked that plan. “Though the government has decid- Surendra Yadav, a lawmaker from ed to withdraw both the ordinances, the Samajbadi Party Nepal, has the prime minister still needs to alleged that he was forcefully brought answer some moral questions,” said to Kathmandu from Janakpur at Oli’s Jhala Nath Khanal, a senior ruling behest, leading to allegations of kid- party leader and former prime minis- napping. -
Language Politics and State Policy in Nepal: a Newar Perspective
Language Politics and State Policy in Nepal: A Newar Perspective A Dissertation Submitted to the University of Tsukuba In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in International Public Policy Suwarn VAJRACHARYA 2014 To my mother, who taught me the value in a mother tongue and my father, who shared the virtue of empathy. ii Map-1: Original Nepal (Constituted of 12 districts) and Present Nepal iii Map-2: Nepal Mandala (Original Nepal demarcated by Mandalas) iv Map-3: Gorkha Nepal Expansion (1795-1816) v Map-4: Present Nepal by Ecological Zones (Mountain, Hill and Tarai zones) vi Map-5: Nepal by Language Families vii TABLE OF CONTENTS Table of Contents viii List of Maps and Tables xiv Acknowledgements xv Acronyms and Abbreviations xix INTRODUCTION Research Objectives 1 Research Background 2 Research Questions 5 Research Methodology 5 Significance of the Study 6 Organization of Study 7 PART I NATIONALISM AND LANGUAGE POLITICS: VICTIMS OF HISTORY 10 CHAPTER ONE NEPAL: A REFLECTION OF UNITY IN DIVERSITY 1.1. Topography: A Unique Variety 11 1.2. Cultural Pluralism 13 1.3. Religiousness of People and the State 16 1.4. Linguistic Reality, ‘Official’ and ‘National’ Languages 17 CHAPTER TWO THE NEWAR: AN ACCOUNT OF AUTHORS & VICTIMS OF THEIR HISTORY 2.1. The Newar as Authors of their history 24 2.1.1. Definition of Nepal and Newar 25 2.1.2. Nepal Mandala and Nepal 27 Territory of Nepal Mandala 28 viii 2.1.3. The Newar as a Nation: Conglomeration of Diverse People 29 2.1.4. -
Everything I Learned About Nepali Literature Is Wrong | 217
(ALMOST) EVERYTHING I LEARNED ABOUT NEPALI LITERATURE IS WRONG | 217 Chautari Foundation Lecture 2018 (ALMOST) EVERYTHING I LEARNED ABOUT NEPALI LITERATURE IS WRONG Manjushree Thapa I’ve been rethinking my sense of Nepali literature, and am pleased to have a chance to share my thoughts at Martin Chautari, an organization that I played a very small role in founding back in the 1990s, when it was an informal discussion group among “development” workers.1 Most of us, at the time, were foreign-educated, or actual foreigners. We were well meaning, but we were seeking an intellectual life without any links to Nepal’s own intellectual traditions in the political parties, the universities, the writers and activists. It was particularly under Pratyoush Onta’s leadership that Martin Chautari developed these links and became a site where foreign-educated Nepalis, foreigners, and Nepal’s own intellectual traditions could meet for open debate. Knowledge-generation is a collective enterprise. It is not an endeavor a person undertakes in isolation. I’ve written and spoken before on the thoughts I’ll share here, first in the introduction (Thapa 2017a) to La.Lit, A Literary Magazine Volume 8 (Special issue: Translations from the Margins), which I edited (Thapa 2017b), and then at two talks for the Himalayan Studies Conference at the University of Colorado, in Boulder, in September 2017, and for the Nepal Studies Initiative at the University of Washington, in Seattle, in April 2018. This lecture is a crystallizing of those thoughts, which are still in formation. One caveat: I am not a scholar, but a writer; I am engaged in what Gayatri Chakravorty Spivak calls the “wild practice” (2012: 394). -
Devkota's Voice of Rebellion and Social Critique in the Lunatic
© IJARW | ISSN (O) - 2582-1008 April 2020 | Vol. 1 Issue. 10 www.ijarw.com DEVKOTA’S VOICE OF REBELLION AND SOCIAL CRITIQUE IN THE LUNATIC Dr. Ramesh Prasad Adhikary Assistant Professor, Tribhuwan University, Kathmandu, M.M. Campus, Nepalgunj, Nepal ABSTRACT The present research paper explores Laxmi Prasad Devkota’s use of nonconformist theme and style in his seminal poem The Lunatic. His nonconformist theme and his style challenge the traditional values and norms prevailing in the contemporary society. The poet develops his consciousness of change and antitraditional view against the contemporary society in his poem The Lunatic. He challenges the contemporary traditional social norms, systems and values in order to flow his consciousness of change and progress. Devkota is against the traditional Rana regime and advocated for consciousness of change, progress and democracy in his literary work. Keyword: Descent voice, nonconformist theme, social rebellion, modernity, voice for freedom 1. INTRODUCTION DEVKOTA AS A DISSENT consciousness of his age that’s why to change the AND REBELLIOUS POET age from the poverty, injustice, emptiness and domination; he sees the bullets power rather than The Lunatic presents Devkota’s anger and satire other. Only revolution and bullets can be the over the-then society. In his poems, he protests all suitable solutions to these problems. In his poems, contemporary traditional and religion oriented Devkota tries to inspire all the Nepalese people to rules, values and system. Devkota introduces change the thinking, morality and behavior many anti-traditional themes from the according to the age. contemporary society in his poem. He deals with the themes like domination, poverty, employment, Moreover, Devkota passed his life under the rules and hunger and education system of Nepal. -
POST-MORTEM Round, and the Outcome Will Be Decided at the Party’S Upcoming Convention in Pokhara
#24 5 - 11 January 2001 20 pages Rs 20 EXCLUSIVE 69-41 The ruling party’s vicious internal power struggle is now in its final POST-MORTEM round, and the outcome will be decided at the party’s upcoming convention in Pokhara. But before In the 36 hours of mobocracy that ruled that, there was the small matter of Kathmandus streets last week, we caught the no-trust vote against Prime Minister Girija Prasad Koirala that a glimpse of an area of darkness in our wannabe Sher Bahadur Deuba countrys soul. wanted to settle first. The vote was set for 28 December, and both BINOD BHATTARAI factions did some grandstanding ○○○○○○○○○○○○○○○○○○○○ University. The government was not there at about secret or open ballot to hide n 26-27 December, Nepal had no a critical moment. It was only on Wednesday the fact that they were both terrified government. Legitimate political parties afternoon, after things began to get really out o of control that the Prime Ministers office of losing. cowered, citizens were afraid to speak Both sides met for the duel in out, the capital sank into an anarchic limbo. It began taking stock. The only party that the murky fog-shrouded Singha was all the more shocking because we had showed some sanity was the main opposition Durbar on Thursday morning. The been brought up to believe that things like this UML, which began drafting its now-famous rebels led by Deuba boycotted the werent supposed to happen in peaceful Nepal. statement warning people not to fish in vote when the Koirala camp It wont be the same again: Nepalis of all muddy waters. -
Theatre and Life Heatre at the Intersection of Art, Politics and International Development
Cambridge University Press 978-1-108-41611-5 — Rehearsing for Life Monica Mottin Excerpt More Information 1 Theatre and Life heatre at the intersection of art, politics and international development his book is about social and political theatre in Nepal. In particular, it Texamines how everyday social problems and macro-political conlicts are both represented and challenged through drama-based performances. How are theatre and social reality (dis)connected? How can relexivity and ambiguity allow for the aesthetic space to become a transformative place? What diferentiates street theatre performed in planned development from street theatre performed within social and political movements? How can performance and dramatic action move communities towards social action? To answer these questions I delve into both aesthetic and social performance contexts of three types of theatre and performance for social change available to Nepali audiences in the mid-2000s: kachahari natak (forum theatre/street theatre), loktantrik natak (theatre for democracy) and Maoist political cultural programmes that may include krantikari natak (revolutionary theatre). In other words, the political theatre for democracy performed by Aarohan heatre Group, development forum theatre performed by both Aarohan heatre in Kathmandu and by the Kamlari Natak Samuha, a haru activist group, in the rural areas of western Nepal, the political performance of the Maoist cultural groups, all aim to bring about social change, but how are they similar and how do they difer? Aarohan heatre Group, a Kathmandu-based professional company and Gurukul, the theatre school associated with the group, is at the core of this ethnography. It is the main ield site from which I tried to understand the world of theatre for social change in Nepal. -
Chemjong Cornellgrad 0058F
“LIMBUWAN IS OUR HOME-LAND, NEPAL IS OUR COUNTRY”: HISTORY, TERRITORY, AND IDENTITY IN LIMBUWAN’S MOVEMENT A Dissertation Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Dambar Dhoj Chemjong December 2017 © 2017 Dambar Dhoj Chemjong “LIMBUWAN IS OUR HOME, NEPAL IS OUR COUNTRY”: HISTORY, TERRITORY, AND IDENTITY IN LIMBUWAN’S MOVEMENT Dambar Dhoj Chemjong, Ph. D. Cornell University 2017 This dissertation investigates identity politics in Nepal and collective identities by studying the ancestral history, territory, and place-naming of Limbus in east Nepal. This dissertation juxtaposes political movements waged by Limbu indigenous people with the Nepali state makers, especially aryan Hindu ruling caste groups. This study examines the indigenous people’s history, particularly the history of war against conquerors, as a resource for political movements today, thereby illustrating the link between ancestral pasts and present day political relationships. Ethnographically, this dissertation highlights the resurrection of ancestral war heroes and invokes war scenes from the past as sources of inspiration for people living today, thereby demonstrating that people make their own history under given circumstances. On the basis of ethnographic examples that speak about the Limbus’ imagination and political movements vis-à-vis the Limbuwan’s history, it is argued in this dissertation that there can not be a singular history of Nepal. Rather there are multiple histories in Nepal, given that the people themselves are producers of their own history. Based on ethnographic data, this dissertation also aims to debunk the received understanding across Nepal that the history of Nepal was built by Kings. -
1 I. a Nexus Between Nepali Nationalism and Ethnic Mode Of
1 I. A Nexus between Nepali Nationalism and Ethnic Mode of Expression “A nation is not some geographical entity, it is a place which is loved and liked by the people” (B.P. Koirala, Atmabrittanta, 289) The discourse of nationalism is often associated with collective identity of people. It is a tie that binds people with a nation. Nationalism is a mode of defining, expressing and recognizing oneself in relation to the state. It is constructed along with formation of nation state and incorporates several elements like people, language, culture, religion, history, social structures, and political conditions. On the other hand, ethnicity is related with particular social group that shares common cultural, lingual, religious, historical and national experiences. It is a communal identity that is based on specific value systems, rituals, customs, festivals, myths and symbols. As nationalism is not a mere political construct or pervasive integration of people in certain physical boundary, it should reflect memories, aspirations, and imaginations of the people living in particular place. Literature, like other modes of cultural production reflects the specific socio- historical dimensions of its creation. It manifests the society and culture in which it is composed. As the socio-economic materiality is the base for the articulation and production of any literary texts, literature is usually shaped by the politics or power dynamisms. In this connection, Nepali poetry can also be studied and analyzed by contextualizing it to the historical development of the nation-state or nationalism. This dissertation thus, is an attempt to study the relation between ethnicity and nationalism by foregrounding the nexus between literature and the state.