Journal of Asian Arts, Culture and Literature (Jaacl) Vol 2, No 1: March 2021
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Cultural Perspective of Tourism in Nepal
Cultural Perspective of Tourism in Nepal Nepal, Shankar Baral, Nenshan 2015 Kerava Laurea University of Applied Sciences Kerava Cultural Perspective of Tourism in Nepal Shankar Nepal, Nenshan Baral Degree Programme in Tourism Bachelor’s Thesis February 2016 Laurea University of Applied Sciences Abstract Kerava Degree Programme in Tourism Shankar Nepal Nenshan Baral Cultural perspectives of Tourism in Nepal Year 2016 Pages 39 This Bachelor’s thesis is conducted with the main objective of understanding the perspective of culture and its impact on the tourism industry of the host country i.e. Nepal. Furthermore, it will help to gain insight about the possible opportunities and threats in tourism through the responses gathered from various respondents. To research the topic, a web-based survey was conducted among the Nepali youths (mostly students) belonging different places via social networking sites. Both qualitative and quantitative approaches have been applied in this thesis. To gain initial insight regarding culture and tourism, online material related to different cultural monu- ments and places of historical importance within and outside the Kathmandu Valley were re- ferred. This provided a basis for quantitative research conducted in the next phase of the re- search. For the purpose of the study, online questionnaires using Google forms were created and sent via various social networking platforms for responses. Before developing the questionnaires for the online survey, researcher thoroughly reviewed the literature and considered the main objectives. For study purposes, data published by Ne- pal Tourism Board and various research works from other researchers relating to the same field were also examined. The data thus collected are analyzed using various statistical methods. -
Nepal Himalaya: Women, Politics, and Administration Tulasi Acharya
Journal of International Women's Studies Volume 18 | Issue 4 Article 14 Aug-2017 Nepal Himalaya: Women, Politics, and Administration Tulasi Acharya Follow this and additional works at: http://vc.bridgew.edu/jiws Part of the Women's Studies Commons Recommended Citation Acharya, Tulasi (2017). Nepal Himalaya: Women, Politics, and Administration. Journal of International Women's Studies, 18(4), 197-208. Available at: http://vc.bridgew.edu/jiws/vol18/iss4/14 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. This journal and its contents may be used for research, teaching and private study purposes. Any substantial or systematic reproduction, re-distribution, re-selling, loan or sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. ©2017 Journal of International Women’s Studies. Nepal Himalaya: Women, Politics, and Administration By Tulasi Acharya1 Abstract The paper is a qualitative analysis of the status of women and women in politics and administration in Nepal Himalaya. The paper reviews data on women in civil service and in administrative levels. Looking at women in Nepali politics, policy on women, and women in administration, the paper highlights some social and cultural issues that have “othered” women as the “second sex.” As the country is heading towards modernity, gender friendly approaches are being instituted. Although some data reflects the progress of women’s status and their increasing political and administrative participation, the data is insufficient to predict if there is democratic gender practices in political and administrative levels. The political and administrative culture of Nepal Himalaya can be changed only by promoting gender practices and by deconstructing gender images in administrative culture. -
Nepal Side, We Must Mention Prof
The Journal of Newar Studies Swayambhv, Ifliihichaitya Number - 2 NS 1119 (TheJournal Of Newar Studies) NUmkL2 U19fi99&99 It has ken a great pleasure bringing out the second issue of EdltLlo the journal d Newar Studies lijiiiina'. We would like to thank Daya R Sha a Gauriehankar Marw&~r Ph.D all the members an bers for their encouraging comments and financial support. ivc csp~iilly:-l*-. urank Prof. Uma Shrestha, Western Prof.- Todd ttwria Oregon Univers~ty,who gave life to this journd while it was still in its embryonic stage. From the Nepal side, we must mention Prof. Tej Shta Sudip Sbakya Ratna Kanskar, Mr. Ram Shakya and Mr. Labha Ram Tuladhar who helped us in so many ways. Due to our wish to publish the first issue of the journal on the Sd Fl~ternatioaalNepal Rh&a levi occasion of New Nepal Samht Year day {Mhapujii), we mhed at the (INBSS) Pdand. Orcgon USA last minute and spent less time in careful editing. Our computer Nepfh %P Puch3h Amaica Orcgon Branch software caused us muble in converting the files fm various subrmttd formats into a unified format. We learn while we work. Constructive are welcome we try Daya R Shakya comments and will to incorporate - suggestions as much as we can. Atedew We have received an enormous st mount of comments, Uma Shrcdha P$.D.Gaurisbankar Manandhar PIID .-m -C-.. Lhwakar Mabajan, Jagadish B Mathema suggestions, appreciations and so forth, (pia IcleI to page 94) Puma Babndur Ranjht including some ~riousconcern abut whether or not this journal Rt&ld Rqmmtatieca should include languages other than English. -
PDF Generated By
OUP UNCORRECTED PROOF – FIRSTPROOFS, Mon Dec 07 2015, NEWGEN 3 Vajrayāna Traditions in Nepal Todd Lewis and Naresh Man Bajracarya Introduction The existence of tantric traditions in the Kathmandu Valley dates back at least a thousand years and has been integral to the Hindu– Buddhist civi- lization of the Newars, its indigenous people, until the present day. This chapter introduces what is known about the history of the tantric Buddhist tradition there, then presents an analysis of its development in the pre- modern era during the Malla period (1200–1768 ce), and then charts changes under Shah rule (1769–2007). We then sketch Newar Vajrayāna Buddhism’s current characteristics, its leading tantric masters,1 and efforts in recent decades to revitalize it among Newar practitioners. This portrait,2 especially its history of Newar Buddhism, cannot yet be more than tentative in many places, since scholarship has not even adequately documented the textual and epigraphic sources, much less analyzed them systematically.3 The epigraphic record includes over a thousand inscrip- tions, the earliest dating back to 464 ce, tens of thousands of manuscripts, the earliest dating back to 998 ce, as well as the myriad cultural traditions related to them, from art and architecture, to music and ritual. The religious traditions still practiced by the Newars of the Kathmandu Valley represent a unique, continuing survival of Indic religions, including Mahāyāna- Vajrayāna forms of Buddhism (Lienhard 1984; Gellner 1992). Rivaling in historical importance the Sanskrit texts in Nepal’s libraries that informed the Western “discovery” of Buddhism in the nineteenth century (Hodgson 1868; Levi 1905– 1908; Locke 1980, 1985), Newar Vajrayāna acprof-9780199763689.indd 872C28B.1F1 Master Template has been finalized on 19- 02- 2015 12/7/2015 6:28:54 PM OUP UNCORRECTED PROOF – FIRSTPROOFS, Mon Dec 07 2015, NEWGEN 88 TanTric TradiTions in Transmission and TranslaTion tradition in the Kathmandu Valley preserves a rich legacy of vernacular texts, rituals, and institutions. -
Journal 2006
Lumbini Nepalese Buddha Dharma Society (UK) uddha was born more than 2600 years ago at Lumbini in Nepal. His teachings of existence of suffering and Lumbini Bthe way out of the suffering are applicable today as Journal of The Lumbini Nepalese Buddha Dharma Society (UK) it was applicable then. The middle way he preached is more appropriate now than ever before. Lumbini is the journal of LNBDS (UK) and published annually depending upon funds and written material; and distributed free For centuries Buddhism remained the religion of the East. of charge as Dharma Dana. It is our hope that the journal will Recently, more and more Westerners are learning about it serve as a medium for: and practising Dharma for the spiritual and physical well- being and happiness. As a result of this interest many 1.Communication between the society, the members monasteries and Buddhist organisations have been and other interested groups. established in the West, including UK. Most have Asian connections but others are unique to the West e.g. Friends 2.Publication of news and activities about Buddhism in of Western Buddhist Order. the United Kingdom, Nepal and other countries. Nepalese, residing in the UK, wishing to practice dharma for their spiritual development, turned to them as there were 3.Explaining various aspects of Dharma in simple and no such Nepalese organisations. Therefore, a group of easily understood language for all age groups. Nepalese met in February 1997 and founded Lumbini Nepalese Buddha Dharma Society (UK) to fill this gap. The 4.Discussion on Dharma through a readers column. -
Identity-Based Conflict and the Role of Print Media in the Pahadi Community of Contemporary Nepal Sunil Kumar Pokhrel Kennesaw State University
Kennesaw State University DigitalCommons@Kennesaw State University Dissertations, Theses and Capstone Projects 7-2015 Identity-Based Conflict and the Role of Print Media in the Pahadi Community of Contemporary Nepal Sunil Kumar Pokhrel Kennesaw State University Follow this and additional works at: http://digitalcommons.kennesaw.edu/etd Part of the International and Area Studies Commons, Peace and Conflict Studies Commons, and the Social and Cultural Anthropology Commons Recommended Citation Pokhrel, Sunil Kumar, "Identity-Based Conflict and the Role of Print Media in the Pahadi Community of Contemporary Nepal" (2015). Dissertations, Theses and Capstone Projects. Paper 673. This Dissertation is brought to you for free and open access by DigitalCommons@Kennesaw State University. It has been accepted for inclusion in Dissertations, Theses and Capstone Projects by an authorized administrator of DigitalCommons@Kennesaw State University. For more information, please contact [email protected]. IDENTITY-BASED CONFLICT AND PRINT MEDIA IDENTITY-BASED CONFLICT AND THE ROLE OF PRINT MEDIA IN THE PAHADI COMMUNITY OF CONTEMPORARY NEPAL by SUNIL KUMAR POKHREL A Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in International Conflict Management in the College of Humanities and Social Sciences Kennesaw State University, Kennesaw, Georgia March 2015 IDENTITY-BASED CONFLICT AND PRINT MEDIA © 2015 Sunil Kumar Pokhrel ALL RIGHTS RESERVED Recommended Citation Pokhrel, S. K. (2015). Identity-based conflict and the role of print media in the Pahadi community of contemporary Nepal. (Unpublished doctoral dissertation). Kennesaw State University, Kennesaw, Georgia, United States of America. IDENTITY-BASED CONFLICT AND PRINT MEDIA DEDICATION My mother and father, who encouraged me toward higher study, My wife, who always supported me in all difficult circumstances, and My sons, who trusted me during my PhD studies. -
Contested Secularism and Religious Conflict in Nepal
Contested Secularism and Religious Conflict in Nepal Suman Babu Paudel Master’s thesis University of Helsinki Faculty of Theology Master’s Degree programme in Religion, Conflict and Dialogue March 2019 UNIVERSITY OF HELSINKI Faculty Faculty of Theology Writer Suman Babu Paudel Title of thesis Contested Secularism and Religious conflict in Nepal Discipline: Religion, Conflict and Dialogue (RCD) Masters program Type of work Month and year Number of pages Master’s Thesis 8 April 2019 74 Abstract In the context of newly introduced secularism in Nepal, the qualitative study discuss different aspects of Nepalese society where religious tension is emerging. The objective of the study is to explore the understanding of religious leaders on secularism and their idea of religious rights. Based on interviews with these leaders (Islam, Hindu and Christian), the thesis describes how their understanding of secularism contrasted in daily life. Based on primary and secondary information, the study further deals about how religious tensions are evolving among different religious groups. Furthermore, it helps to understand how Nepalis secularism differs from western modal of secularism and explains different reasons why the ideal definition of secularism (separation of church and the state) could not be practical one in Nepalese society. The hope of religious equality beaten when the constitution barred to religious conversion. Though conversion is not allowed, different Christian organizations are conducting missionary activities. Consequently, police actions are increased against Christians on the charge of conversion. Christians are raising voice against state interference in religion. They are demanding conversion right if the state is secular. Secularism has been interpreted as a right to convert people, other features of secularism has become minor. -
Theatre and Life Heatre at the Intersection of Art, Politics and International Development
Cambridge University Press 978-1-108-41611-5 — Rehearsing for Life Monica Mottin Excerpt More Information 1 Theatre and Life heatre at the intersection of art, politics and international development his book is about social and political theatre in Nepal. In particular, it Texamines how everyday social problems and macro-political conlicts are both represented and challenged through drama-based performances. How are theatre and social reality (dis)connected? How can relexivity and ambiguity allow for the aesthetic space to become a transformative place? What diferentiates street theatre performed in planned development from street theatre performed within social and political movements? How can performance and dramatic action move communities towards social action? To answer these questions I delve into both aesthetic and social performance contexts of three types of theatre and performance for social change available to Nepali audiences in the mid-2000s: kachahari natak (forum theatre/street theatre), loktantrik natak (theatre for democracy) and Maoist political cultural programmes that may include krantikari natak (revolutionary theatre). In other words, the political theatre for democracy performed by Aarohan heatre Group, development forum theatre performed by both Aarohan heatre in Kathmandu and by the Kamlari Natak Samuha, a haru activist group, in the rural areas of western Nepal, the political performance of the Maoist cultural groups, all aim to bring about social change, but how are they similar and how do they difer? Aarohan heatre Group, a Kathmandu-based professional company and Gurukul, the theatre school associated with the group, is at the core of this ethnography. It is the main ield site from which I tried to understand the world of theatre for social change in Nepal. -
Essay Diwali 2
1 Essay Diwali 2 Tihar or swanti are the names referred to Diwali in Nepal and on the fourth day, the hindu god of death, Yama is worshipped for longer life of people for a longer life of the people. Lord Mahavira. Golden Temple. on diwali it is said that lord Mahavira attained his Moksha or his Nirvana. Hari Diwali. The death of the evil Narakusa at the hands of lord Krishna is the main reason for celebrating diwali by Hindus in South India. Celebrations in Odisha. Deepavali is referred to as Deepavali while Narakasura Vadha is the main celebration day in south india. Diwali is celebrated to mark the return of lord Rama after a 14 year exile according to the North Indian traditions by Hindus. Diwali Festival Facts. They burn jute stems to shed light on the dark path of the spirits on their way to heaven. Diwali marks the Hindu new year. Return of Lord Rama. There is unique traditional practice in orissa where the people call upon the spirits of their dead ancestors. Festival of Lights. Narakasura Vadha. Diwali is celebrated to mark the return of lord Rama after a 14 year exile according to the North Indian traditions by Hindus. Diwali Festival Facts. They burn jute stems to shed light on the dark path of the spirits on their way to heaven. Diwali marks the Hindu new year. Return of Lord Rama. There is unique traditional practice in orissa where the people call upon the spirits of their dead ancestors. Festival of Lights. Narakasura Vadha. -
Himalayan Voices VOICES from ASIA 1
Himalayan Voices VOICES FROM ASIA 1. Of Women, Outcastes, Peasants, and Rebels: A Selection of Bengali Short Stories. Translated and edited by Kalpana Bardhan. 2. Himalayan Voices: An Introduction to Modern Nepali Literature. Translated and edited by Michael James Hutt. Himalayan Voices An Introduction to Modern Nepali Literature TRANSLATED AND EDITED BY Michael James Hutt UNIVERSITY OF CALIFORNIA PRESS Berkeley Los Angeles Oxford This book is a print-on-demand volume. It is manufac- tured using toner in place of ink. Type and images may be less sharp than the same material seen in traditionally printed University of California Press editions. University of California Press Berkeley and Los Angeles, California University of California Press, Ltd. Oxford, England © 1991 by The Regents of the University of California Library of Congress Cataloging-in-Publication Data Himalayan voices : an introduction to modern Nepali literature / translated and edited by Michael James Mutt, p. cm. — (Voices from Asia ; 2) Translated from Nepali. Includes bibliographical references (p. ) and index. ISBN 0-520-07046-1 (cloth). — ISBN 0-5204)7048-8 (paper) 1. Nepali poetry—20th century—Translations into Knglish. 2. English poetry—Translations from Nepali. 3. Short stories, Nepali—Translations into English. 4. Short stories, English— Translations from Nepali. 5. Authors, Nepali—20th century— Biography. 1. Mutt, Michael. II. Series. PK2598./95E5 1990 891'.49—dc:20 90-11145 CIP Printed in the United States of America The paper used in this publication meets the -
Ganga Prasad Ghimire Gender Perspectives in Hinduism
Ganga Prasad Ghimire Gender Perspectives in Hinduism: Contemporary Practices in the Community School of Miklajung Rural Municipality, Nepal Master Thesis Submitted in Partial fulfillment of the requirement for the degree of Master in the faculty of Multicultural and International Education Oslo Metropolitan University, Oslo, Norway May 2020 Acknowledgement First and foremost, I would like to express my gratitude and appreciation to all those who gave the possibility to complete my entire research work because this research could not have been accomplished without their support. I would like to express my deep and sincere tribute to my research supervisor Ms. Tove Kvil for providing insightful comments and valuable guidance, suggestions and immense encouragement throughout the research procedure. Besides my advisor, I am always indebted for the constructive support, encouragement and guidance from Ellen Calm, Associate Professor, Oslo Metropolitan University, Faculty of Education and International Studies. I am grateful to all the students, teachers, school management committee chairperson and members of the school for their authentic information. Parents and guardians of the rural municipality deserve a lot of thanks for providing me time for discussion. Priests of local temples are heartily thankful for sharing their views. Similarly, local people with whom I have had the pleasure to work during the entire research project are appreciable for their welcoming remarks. The rural municipality chairperson, and the entire team deserve thanks for discussion and useful information from the municipality record. Each of the members of my seminar group and seminar guide has provided me extensive personal and professional guidance. Similarly, I would like to bow down to my family members whose love and guidance are always with me in whatever I pursue. -
Neupane 1 Chapter I Locating Setting and Its Role in Drama a Setting Is
Neupane 1 Chapter I Locating Setting and its Role in Drama A setting is just a beautiful thing, a collection of beautiful things. It is a presence, a mood, a warm wind fanning the drama to flame. It echoes, it enhances, it animates. It is an expectancy, a foreboding, a tension. It says nothing, but it gives everything. (Jones 26) An American scenic, lighting and costume designer, Robert Edmond Jones in his book The Dramatic Imagination (1941) exposes the basic sense of setting in drama. In another context, Jones states, "A stage setting has no independent life of its own. Its emphasis is directed toward the performance. In the absence of the actor it does not exist. Strange as it may seem, the simple and fundamental principle of stage design still seems to be widely misunderstood. " (Qtd. in Cohen, 122). The visions of setting and its significance are not defined clearly. On the one hand, Jones explains setting as an element that describes every emotion of the performance. On the other hand, he describes setting has no independent existence in absence of the performance and actor. Therefore, there is no clear perception on the importance of setting in drama. Since the setting is the crucial part of any text, it cannot be omitted or analyzed separately from the meaning. Kari K Pitkanen in The Spatio-Temporal Setting in Written Narrative Fiction brings the references of various researchers to introduce setting. He presents setting as such: For several researchers including e.g. Labov & Waletsky (1967), Rumelhart (1975: 213) and Van Dijk (1980), a setting is a text-initial, structural macro- unit that describes the starting point and surroundings for a story by providing the main character, the spatio-temporal location and other necessary information.