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OCCIDENTAL MYTHOLOGY INTRODUCTION 5 Gone, Who Art Gone to the Yonder Shore, Who at the Yonder Shore Tide and Was Followed by the Victories of Rome
Aiso BY JOSEPH CAMPBELL The Masks of God: Oriental Mythology JOSEPH CAMPBELL The Masks of God: Primitive Mythology The Hero with a Thousand Faces A Skcleton Key to Finncgans Wake THE (WITH HENRY MORTON ROBINSON) EDITED BY JOSEPH CAMPBELL MASKS OF 60D: The Portafale Arabian Nights OCCIDENTAL MYTHOLOGY LONDON SECK.ER & WARBURG : 1965 + + + » + * 4444 + * t »4-*-4t* 4+4-44444 »+•» 4- Copyright (c) 1964 by Joseph Campbell All rights reserved CONTENTS First published in England 1965 by Martin Secker & Warburg Limited » + «4+4+444+44 14 Carlisle Street, Soho Square W. l PART ONE: THE..AGE OF THE The Scripture quotations in this publication are from the Revised Standard Version of the Bible, copyrighted 1946 and 1952 by the Di- GODDESS Introduction. Myth and Ritual: East vision of Christian Education, National Council of Churches, and used by permission. and West 9 Chapter 1. The Serpent's Bride 9 The author wishes to acknowledge \vith gratitude ihe 17 generous support of his researches by the Bollingen Foundation i. The Mother Goddess Eve n. 31 The Gorgon's Blood 34 m. Ultima Thule Printed in England by IV. Mother Right D. R. Hillman & Son Ltd 42 Frome Chapter 2. The Consort of the Bull 42 45 i. The Mother of God 54 ir. The Two Queens 72 m. The Mother of the Minotaur iv. The Victory of the Sons of Light PART TWO: THE AGE OF HERDES Chapter 3. Gods and Heroes of the Levant: 1500-500 B.C. 95 i. The Book of the Lord The 95 n. Mythological Age The Age 101 m. -
NI 43-101 Technical Report Pilbara Gold Projects Western Australia
NI 43-101 Technical Report Pilbara Gold Projects Western Australia Prepared for: Graphite Energy Corp Prepared by: Xplore Resources Pty Ltd Authors: Matthew Stephens – Senior Consultant Geologist Bryan Bourke – Resource Consultant Geologist Effective Date: 13-Aug-2020 Issue Date: 30-Sep-2020 NI 43-101 Technical Report Pilbara Gold Group Table of Contents 1.0 SUMMARY .................................................................................................... 9 1.1 GEOLOGY ........................................................................................................... 10 1.1.1 BEATONS RIVER PROJECT GEOLOGY ........................................................ 10 1.1.2 CUPRITE EAST AND WEST PROJECT GEOLOGY ...................................... 11 1.1.3 FORTUNA AND TYCHE PROJECT GEOLOGY ............................................ 12 1.1.4 NORTIA PROJECT GEOLOGY ........................................................................ 12 1.2 CONCLUSIONS .................................................................................................. 14 1.2.1 BEATONS RIVER PROJECT AREA ................................................................ 14 1.2.2 CUPRITE EAST AND WEST PROJECT AREA............................................... 15 1.2.3 FORTUNA AND TYCHE PROJECT AREA ..................................................... 17 1.2.4 NORTIA PROJECT AREA ................................................................................. 18 1.3 RECOMMENDATIONS .................................................................................... -
An Examination of Cavità 254 in Orvieto, Italy, and Its Primary Usage As an Etruscan Quarry
An Examination of Cavità 254 in Orvieto, Italy, and its Primary Usage as an Etruscan Quarry Master’s Thesis Presented to The Faculty of the Graduate School of Arts and Sciences Brandeis University Graduate Program in Ancient Greek and Roman Studies Professor Ann Olga Koloski-Ostrow, Advisor In Partial Fulfillment of the Requirements for the Degree Master of Arts in Ancient Greek and Roman Studies by Kelsey Latsha May 2018 Copyright by Kelsey Latsha © 2018 ACKNOWLEDGEMENTS This Project is the culmination of years of work on the excavation of Cavità 254 under the direction of Professor David George and Claudio Bizzarri. I would like to thank Professor George for the opportunity to work on the site of Cavità 254 and for introducing me to the world of the Etruscans during my time at Saint Anselm College. I am forever grateful for Professor George’s mentorship that motivated me to pursue a graduate degree in Ancient Greek and Roman Studies at Brandeis University. I would also like to thank Doctor Paolo Binaco a fantastic teacher, friend, and archaeologist. Paolo has guided me in the right direction, while simultaneously sparking excitement in asking new questions about our unique site. Thank you, Paolo, for the unforgettable adventures to see Orvieto’s “pyramids” and for teaching me everything Etruscan. This thesis would not be possible without the immense support of the Department of Classical Studies at Brandeis. I especially would like to thank my Advisor Professor Ann Olga Koloski-Ostrow for her enthusiastic support of my project from its early beginnings and always pushing me to better my writing and research. -
Review of P. Gregory Warden, from the Temple and the Tomb Peter Nulton Rhode Island School of Design, [email protected]
Rasenna: Journal of the Center for Etruscan Studies Volume 2 | Issue 1 Article 6 2009 Review of P. Gregory Warden, From the Temple and the Tomb Peter Nulton Rhode Island School of Design, [email protected] Follow this and additional works at: https://scholarworks.umass.edu/rasenna Recommended Citation Nulton, Peter (2010) "Review of P. Gregory Warden, From the Temple and the Tomb," Rasenna: Journal of the Center for Etruscan Studies: Vol. 2: Iss. 1, Article 6. Available at: https://scholarworks.umass.edu/rasenna/vol2/iss1/6 This Book Review is brought to you for free and open access by the CES Electronic Resources at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Rasenna: Journal of the Center for Etruscan Studies by an authorized editor of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. From the Temple and the Tomb: Etruscan Treasures from Tuscany. P. Gregory Warden, (ed.). Dallas: Meadows Museum, SMU, 2009. Pp. 359. ISBN 978-1-60702- 755-3. $45.00. Reviewed by Peter Nulton, Rhode Island School of Design Exhibition catalogues have traditionally contained a number of related essays, but this volume is exceptional in the depth and breadth of the articles included. With topics ranging from urban landscape, to language, to gender studies, From the Temple and the Tomb can serve as a primer for the study of Etruscan culture. It is detailed enough to bring scholars working in tangentially-related specialties up to date on the rapid changes taking place in Etruscology. Importantly, for such a work, high-quality images abound. -
Bronzi Romani Inediti Del Museo Delle Terme
MEMORIE DELLA R. ACCADEMIA NAZIONALE DEI LINCEI CLASSE DI SCIENZE MORALI STORICHE E FILOLOGICHE (ANNO CCCXXIV) SERIE VI. — VOLUME II. — FASCICOLO II. « LUCIA MORPURGO BRONZI ROMANI INEDITI DEL MUSEO DELLE TERME \ ROMA DOTT. GIOVANNI BARDI TIPOGRAFO DELLA R. ACCADEMIA NAZIONALE DEI LINCEI 1927 RELAZIONE letta dal Socio L. PERNIER, anche a nome del Socio R. PARIBENI, nella seduta del 21 giugno 1925, sulla memoria della sig.na L. Morpurgo, avente per titolo: Bronci romani inediti del Museo delle Terme. Nello scritto presentato per la pubblicazione nelle Memorie della nostra Acca- demia la signorina dottoressa Morpurgo illustra due piccoli bronzi delle collezioni del Museo Nazionale Romano. È il primo un'ascia martello in bronzo disgraziata- mente non intatta, decorata con ornamenti geometrici e con figure a rilievo di Vittoria e di Attis. La materia prescelta e le ornamentazioni rivelano che non si tratta di un ordinario strumento da lavoro. Con saggio ragionamento corredato di buona dottrina l'autrice pensa, che il martello possa aver servito alla cerimonia della clavifixio, che esso abbia relazione col culto della Dea etnisca Nortia, venerata in special modo a Bolsena, alla quale rinnovata, e confusa con l'asiatica Cibele nella grande invasione di culti orientali, accennerebbe la figura di Attis. L' altro oggetto illustrato è una statuina di bronzo nella quale 1' autrice propone di riconoscere un centurione romano con le sue caratteristiche di armamento e di costume. Data l'importanza degli oggetti illustrati, e la attendibilità dei risultati raggiunti, ci sembra lo scritto della signorina dott. Morpurgo degno di essere accolto nelle Memorie della nostra Accademia. -
Performance and Visual Culture in Etruria: 7Th 2Nd Century BC
Performance and Visual Culture in Etruria: 7th - 2nd Century BC Stephanie Anne Layton Marietta, Georgia Bachelor of Arts, The George Washington University, 2003 Master of Arts, Florida State University, 2006 A Dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy McIntire Department of Art University of Virginia December 2013 © Copyright by Stephanie Anne Layton All rights Reserved December 2013 Abstract The Etruscan iconographic record is the primary source of information regarding performance activities, which include dance, music, gaming, ritual, spectacle, and athletics. In this study, performance theory is used as a framework for analyzing Etruscan material culture related to emically constructed and provisionally identified performance activities and ascertaining their meaning. Although evidence for Etruscan cultural activity, beliefs, and social interaction is limited, especially given the paucity of textual information, the application of performance theory to the archaeological record provides a means to analyze public and private transmission of messages, relationships, experiences, and cultural behaviors primarily in funerary and civic contexts. Although numerous Etruscan performances have been investigated individually by prior scholarship, performance theory has not been previously applied to Etruscan art and architecture and, therefore, this work takes a new approach towards the analysis of the archaeological record. Evidence included in this study dates between the 8th -2nd centuries BC and consists of wall painting, painted and relief vase decoration, stone and terracotta relief sculpture, engraved gems, and bronze mirrors, decorative attachments, figurines, and vessels. It is only through the study of such varied materials from a wide chronological range that a more complete understanding of Etruscan performance emerges. -
Dictionary of Gods and Goddesses.Pdf
denisbul denisbul dictionary of GODS AND GODDESSES second edition denisbulmichael jordan For Beatrice Elizabeth Jordan Dictionary of Gods and Goddesses, Second Edition Copyright © 2004, 1993 by Michael Jordan All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For information contact: Facts On File, Inc. 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data denisbulJordan, Michael, 1941– Dictionary of gods and godesses / Michael Jordan.– 2nd ed. p. cm. Rev. ed. of: Encyclopedia of gods. c1993. Includes bibliographical references and index. ISBN 0-8160-5923-3 1. Gods–Dictionaries. 2. Goddesses–Dictionaries. I. Jordan, Michael, 1941– Encyclopedia of gods. II. Title. BL473.J67 2004 202'.11'03–dc22 2004013028 Facts On File books are available at special discounts when purchased in bulk quantities for businesses, associations, institutions, or sales promotions. Please call our Special Sales Department in New York at (212) 967-8800 or (800) 322-8755. You can find Facts On File on the World Wide Web at http://www.factsonfile.com Text design by David Strelecky Cover design by Cathy Rincon Printed in the United States of America VBFOF10987654321 This book is printed on acid-free paper. CONTENTS 6 PREFACE TO THE SECOND EDITION v INTRODUCTION TO THE FIRST EDITION vii CHRONOLOGY OF THE PRINCIPAL RELIGIONS AND CULTURES COVERED IN THIS BOOK xiii DICTIONARY OF GODS AND GODDESSES denisbul1 BIBLIOGRAPHY 361 INDEX 367 denisbul PREFACE TO THE SECOND EDITION 6 It is explained in the introduction to this volume and the Maori. -
The Etruscan Civilization
The Etruscan Civilization Fred Hamori Introduction The Etruscans and their civilization have long disappeared from Europe, but their legacy lives on in many ways, even though their many contributions are often unrecognized for their proper origin. Why were they important, when we hear so little about them in our history books? Long before Rome was founded and grew into a major power, Etruscans ruled a large portion of Italy and the surrounding seas and were one of the 3 major naval powers of the Mediterranean Sea. They were famous for their architectural innovations, metal works and technology, as well as their fine artistic skills. The Etruscans have also given us many cultural terms, which we still use today, that are often thought to be from Latin. Their descendants are part and parcel of the people of Italy along with several others, like the Latins, who gave Italians and many others their language. Among the most important contributions to Rome, besides the construction of the city, are many Roman customs, the alphabet, symbols and customs of monarchy that came from the Etruscans. As a language and a culture, they were unique in Europe, because, unlike much of Europe in Roman and modern times, they were not speakers of Indo-European languages and their customs were also different. The Etruscans' name Various old languages have called Etruscans by different names. The Romans called them Tursci or Etrusci. In Attic Greek they were called Tyrrhenians. The related name Teresh was used by the Egyptians, who also knew them as "Sea People", who attacked Egypt. -
Number Worked As Current Name Vol-Num Pg # Authors 1 Ceres 42-2 94 Melillo, F
The "Worked As" column gives the name/designation used in the original article. If the object was subsequently named, the "Current Name" column gives the name currently in the MPCORB file. The page number gives the first page of the article in which the object appears. Only those references that include lightcurves, other photometric data, and/or shape/spin axis models are included. Number Worked As Current Name Vol-Num Pg # Authors 1 Ceres 42-2 94 Melillo, F. J. 2 Pallas 35-2 63 Higley, S. et al. (Shape/Spin Models) 5 Astraea 35-2 63 Higley, S. et al. (Shape/Spin Models) 8 Flora 36-4 133 Pilcher, F. 9 Metis 36-3 98 Timerson, B. et al. 10 Hygiea 47-2 133 Picher, F. 10 Hygiea 48-2 166 Ferrais, M. et al. 11 Parthenope 37-3 119 Pilcher, F. 11 Parthenope 38-4 183 Pilcher, F. 12 Victoria 40-3 161 Pilcher, F. 12 Victoria 42-2 94 Melillo, F. J. 13 Egeria 36-4 133 Pilcher, F. 14 Irene 36-4 133 Pilcher, F. 14 Irene 39-3 179 Aymani, J.M. 16 Psyche 38-4 200 Timerson, B. et al. 16 Psyche 43-2 137 Warner, B. D. 17 Thetis 34-4 113 Warner, B.D. (H-G, Color Index) 18 Melpomene 40-1 33 Pilcher, F. 18 Melpomene 41-3 155 Pilcher, F. 19 Fortuna 36-3 98 Timerson, B. et al. 22 Kalliope 30-2 27 Trigo-Rodriguez, J.M. 22 Kalliope 34-3 53 Gungor, C. 22 Kalliope 34-3 56 Alton, K.B. -
Abhiyoga Jain Gods
A babylonian goddess of the moon A-a mesopotamian sun goddess A’as hittite god of wisdom Aabit egyptian goddess of song Aakuluujjusi inuit creator goddess Aasith egyptian goddess of the hunt Aataentsic iriquois goddess Aatxe basque bull god Ab Kin Xoc mayan god of war Aba Khatun Baikal siberian goddess of the sea Abaangui guarani god Abaasy yakut underworld gods Abandinus romano-celtic god Abarta irish god Abeguwo melansian rain goddess Abellio gallic tree god Abeona roman goddess of passage Abere melanisian goddess of evil Abgal arabian god Abhijit hindu goddess of fortune Abhijnaraja tibetan physician god Abhimukhi buddhist goddess Abhiyoga jain gods Abonba romano-celtic forest goddess Abonsam west african malicious god Abora polynesian supreme god Abowie west african god Abu sumerian vegetation god Abuk dinkan goddess of women and gardens Abundantia roman fertility goddess Anzu mesopotamian god of deep water Ac Yanto mayan god of white men Acacila peruvian weather god Acala buddhist goddess Acan mayan god of wine Acat mayan god of tattoo artists Acaviser etruscan goddess Acca Larentia roman mother goddess Acchupta jain goddess of learning Accasbel irish god of wine Acco greek goddess of evil Achiyalatopa zuni monster god Acolmitztli aztec god of the underworld Acolnahuacatl aztec god of the underworld Adad mesopotamian weather god Adamas gnostic christian creator god Adekagagwaa iroquois god Adeona roman goddess of passage Adhimukticarya buddhist goddess Adhimuktivasita buddhist goddess Adibuddha buddhist god Adidharma buddhist goddess -
The Iconographic Choices of the Minucii Augurini: Re-Reading Rrc 242 and 243
NUMISMATICS THE ICONOGRAPHIC CHOICES OF THE MINUCII AUGURINI: RE-READING RRC 242 AND 243 Abstract: The coinage of the Minucii Augurini (RRC 242 and 243) has received extensive scholarly commentary (Crawford 1974, 273-6; Wiseman 1996; Evans 2011; Elkins 2015, 21-2), but a holistic comparative approach to the iconography of these two types leads to new conclusions regarding likely compositional prototypes in other media, the motivations behind the design choice, and the attributes and identification of the figures. All this helps Liv Mariah Yarrow explain compositional variations between the two coin types that previous City University of New York scholars have found problematic. A wide range of comparative evidence is used [email protected] including glass paste intaglios, Etruscan tomb decoration, relief depictions and archaeological finds of priestly implements, further coin imagery, and literary testimony, especially Plut. Mor. 89F. Keywords: Roman republican coinage, numismatic iconography, gens Minucii, priestly implements, monumentality, glass paste intaglios DOI: 10.14795/j.v4i1.221 ISSN 2360 – 266X ISSN–L 2360 – 266X wo members of the Augurini branch of the Minucii, perhaps brothers, chose as their basic coin design a column with a figure standing at the top, flanked by two other standing figures (RRC 242/1 and 243/1; T 1† figs 1-2). On both designs, two large ears of grain also flank the column. The types are remarkable in the republican coin series for being the first to represent an architectural monument and the first explicit commemoration of the moneyer’s ancestors. The order of creation and dates of production are disputed. -
Roscher's Mythological Lexicon
The Classical Review http://journals.cambridge.org/CAR Additional services for The Classical Review: Email alerts: Click here Subscriptions: Click here Commercial reprints: Click here Terms of use : Click here Roscher's Mythological Lexicon W. Warde Fowler The Classical Review / Volume 2 / Issue 10 / December 1888, pp 307 - 312 DOI: 10.1017/S0009840X00193655, Published online: 27 October 2009 Link to this article: http://journals.cambridge.org/abstract_S0009840X00193655 How to cite this article: W. Warde Fowler (1888). Roscher's Mythological Lexicon. The Classical Review, 2, pp 307-312 doi:10.1017/S0009840X00193655 Request Permissions : Click here Downloaded from http://journals.cambridge.org/CAR, IP address: 128.173.127.127 on 15 Mar 2015 THE CLASSICAL REVIEW. 307 rived his catalogue already possessed the of the Perfect State.' Here, strange to say, ' first text' and the ' second text' of Physics the analysis might have been carried further. B. VII., which we hear of in Simplicius 1 Birt (Das antilce Buchwesen, p. 459, n. 3) at If so, it was not between the times of once fastened on book E, on Revolutions, as Alexander Aphrodisiensis and Simplicius a separate treatise : nor is the connexion of that the double text arose (or, as Mr. Shute books A Z either with the first three, or would say, the one text was differentiated with 'the tract of the Perfect State,' one into two) : on the contrary, the two texts whit less obscure than the connexion between are carried back to the Alexandrine age: those two portions of the work themselves. this is admitted for Diogenes' catalogue Are we then to amend Mr.