OCCIDENTAL MYTHOLOGY INTRODUCTION 5 Gone, Who Art Gone to the Yonder Shore, Who at the Yonder Shore Tide and Was Followed by the Victories of Rome
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Ransom Is a Story of Vengeance Clashing with Grief.’ Discuss
‘Ransom is a story of vengeance clashing with grief.’ Discuss. In his lyrical novel, Ransom, David Malouf reimagines the final book of The Iliad, and in doing so, highlights the futility of countering grief with vengeance. He asserts the pointlessness of such vengeful actions, examines the role of the ‘rough world of men’ in creating it, and notes its cyclic nature, leaving many readers disheartened. However, Malouf also demonstrates how grief can be overcome with honourable actions. Malouf demonstrates to readers the uselessness of trying to assuage grief with acts of revenge. He introduces this concept right from the outset of the novel through his characterisation of Achilles. Malouf moves away from the traditional portrayal of Achilles as the most formidable of the Greeks and instead describes him as hollow and like a dead man. This new perspective of Achilles depicts him as lacking balance and feeling trapped in a clogging grey web due to his grief over the death of his soulmate Patroclus. Once Malouf describes Achilles’ barbaric actions in dragging around the corpse of Patroclus’ killer, Hector, it becomes clear to readers that Achilles is attempting to assuage his grief with violence and brutal, callous actions. Malouf uses imagery to depict Achilles as already dead himself as he continues to desecrate Hector’s body, by describing him as caked with dust like a man who has walked out of his grave. Thus, Malouf asserts how Achilles’ act of revenge has only wasted his spirit and left him feeling that it was never enough; being unable to overcome his pain at the loss of his friend. -
NI 43-101 Technical Report Pilbara Gold Projects Western Australia
NI 43-101 Technical Report Pilbara Gold Projects Western Australia Prepared for: Graphite Energy Corp Prepared by: Xplore Resources Pty Ltd Authors: Matthew Stephens – Senior Consultant Geologist Bryan Bourke – Resource Consultant Geologist Effective Date: 13-Aug-2020 Issue Date: 30-Sep-2020 NI 43-101 Technical Report Pilbara Gold Group Table of Contents 1.0 SUMMARY .................................................................................................... 9 1.1 GEOLOGY ........................................................................................................... 10 1.1.1 BEATONS RIVER PROJECT GEOLOGY ........................................................ 10 1.1.2 CUPRITE EAST AND WEST PROJECT GEOLOGY ...................................... 11 1.1.3 FORTUNA AND TYCHE PROJECT GEOLOGY ............................................ 12 1.1.4 NORTIA PROJECT GEOLOGY ........................................................................ 12 1.2 CONCLUSIONS .................................................................................................. 14 1.2.1 BEATONS RIVER PROJECT AREA ................................................................ 14 1.2.2 CUPRITE EAST AND WEST PROJECT AREA............................................... 15 1.2.3 FORTUNA AND TYCHE PROJECT AREA ..................................................... 17 1.2.4 NORTIA PROJECT AREA ................................................................................. 18 1.3 RECOMMENDATIONS .................................................................................... -
The Ultimate Foe
The Black Archive #14 THE ULTIMATE FOE By James Cooray Smith Published November 2017 by Obverse Books Cover Design © Cody Schell Text © James Cooray Smith, 2017 Range Editor: Philip Purser-Hallard James Cooray Smith has asserted his right to be identified as the author of this Work in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or in any form or by any means, without the prior permission in writing of the publisher, nor be otherwise circulated in any form of binding, cover or e-book other than which it is published and without a similar condition including this condition being imposed on the subsequent publisher. 2 INTERMISSION: WHO IS THE VALEYARD In Holmes’ draft of Part 13, the Valeyard’s identity is straightforward. But it would not remain so for long. MASTER Your twelfth and final incarnation… and may I say you do not improve with age1. By the intermediate draft represented by the novelisation2 this has become: ‘The Valeyard, Doctor, is your penultimate reincarnation… Somewhere between your twelfth and thirteenth regeneration… and I may I say, you do not improve with age..!’3 The shooting script has: 1 While Robert Holmes had introduced the idea of a Time Lord being limited to 12 regenerations, (and thus 13 lives, as the first incarnation of a Time Lord has not yet regenerated) in his script for The Deadly Assassin, his draft conflates incarnations and regenerations in a way that suggests that either he was no longer au fait with how the terminology had come to be used in Doctor Who by the 1980s (e.g. -
Desert God: a Novel of Ancient Egypt Free
FREE DESERT GOD: A NOVEL OF ANCIENT EGYPT PDF Wilbur Smith | 425 pages | 20 May 2015 | William Morrow & Company | 9780062377623 | English | United States Ancient Egypt History Ancient Egypt 's gods and goddesses looked at least partly like humans and behaved a bit like us, too. Some deities had animal features--typically their heads--on top of humanoid bodies. Different cities and pharaohs each favored their own specific set of gods. Anubis was a funerary god. He was tasked with holding the scales on which the heart was weighed. If the heart was lighter than a feather, the dead would be led by Anubis to Osiris. If heavier, the soul would be destroyed. Bast is usually shown with a feline head or ears on a woman's body or as a usually, non-domestic cat. The cat was her sacred animal. She was a daughter of Ra and was a protective goddess. Another name for Bast is Ailuros and it is believed she was originally a sun goddess who came to be associated with the moon after contact with the Greek goddess Artemis. Bes may have been an imported Egyptian god, possibly of Nubian origin. Bes is depicted as a dwarf sticking out his tongue, in full frontal view instead of the profile view of most of the other Egyptian gods. Bes was a protector god who helped in childbirth and promoted fertility. He was a guardian against snakes and misfortune. Geb, god of the earth, was an Egyptian fertility god who laid the egg from which the sun was Desert God: A Novel of Ancient Egypt. -
An Examination of Cavità 254 in Orvieto, Italy, and Its Primary Usage As an Etruscan Quarry
An Examination of Cavità 254 in Orvieto, Italy, and its Primary Usage as an Etruscan Quarry Master’s Thesis Presented to The Faculty of the Graduate School of Arts and Sciences Brandeis University Graduate Program in Ancient Greek and Roman Studies Professor Ann Olga Koloski-Ostrow, Advisor In Partial Fulfillment of the Requirements for the Degree Master of Arts in Ancient Greek and Roman Studies by Kelsey Latsha May 2018 Copyright by Kelsey Latsha © 2018 ACKNOWLEDGEMENTS This Project is the culmination of years of work on the excavation of Cavità 254 under the direction of Professor David George and Claudio Bizzarri. I would like to thank Professor George for the opportunity to work on the site of Cavità 254 and for introducing me to the world of the Etruscans during my time at Saint Anselm College. I am forever grateful for Professor George’s mentorship that motivated me to pursue a graduate degree in Ancient Greek and Roman Studies at Brandeis University. I would also like to thank Doctor Paolo Binaco a fantastic teacher, friend, and archaeologist. Paolo has guided me in the right direction, while simultaneously sparking excitement in asking new questions about our unique site. Thank you, Paolo, for the unforgettable adventures to see Orvieto’s “pyramids” and for teaching me everything Etruscan. This thesis would not be possible without the immense support of the Department of Classical Studies at Brandeis. I especially would like to thank my Advisor Professor Ann Olga Koloski-Ostrow for her enthusiastic support of my project from its early beginnings and always pushing me to better my writing and research. -
The Tale of Troy
THE TALE OF TROY WITH THE PUBLISHERS' COMPLIMENTS. THE TALE OF TROY DONE INTO ENGLISH BY AUBREY STEWART, M.A. LATE FELLOW OF TRINITY COLLEGE, CAMBRIDGE. ^London MACMILLAN AND CO. AND NEW YORK 1886 D CONTENTS CHAP. PAGE i. How Paris carried off Helen . i ii. How the Heroes gathered at Aulis 13 in. How Achilles quarrelled with Agamemnon . 27 iv. How Paris fought Menelaus . 45 v. How Hector fought Ajax . .61 vi. How Hector tried to burn the Ships 87 vii. How Patroclus lost the Arms of Achilles . .109 vni. How Achilles slew Hector . .129 ix. How the Greeksfought the Amazons 147 x. How Paris slew Achilles . .167 xi. How Philoctetes slew Paris . 193 xn. How the Greeks took Troy . .215 HOW PARIS CARRIED OFF HELEN B CHAPTER I g earned off upon a time there lived a king ONCEand queen, named Tyndareus and Leda. Their home was Sparta, in the plea- sant vale of Laconia, beside the river Eurotas. They had four children, and these were so beautiful that men doubted whether they were indeed born of mortal parents. Their two sons were named Castor and Polydeuces. As they grew up, Castor became a famous horseman, and Polydeuces was the best boxer of his time. Their elder daughter, Clytem- nestra, was wedded to Agamemnon the son of Atreus, king of Mycenae, who was the greatest prince of his age throughout all the land of Hellas. Her sister Helen was the The Tale of Troy CHAP. loveliest woman ever seen upon earth, and every prince in Hellas wooed her for his bride; yet was her beauty fated to bring sorrow and destruction upon all who looked upon her. -
Homer the Iliad
1 Homer The Iliad Translated by Ian Johnston Open access: http://johnstoniatexts.x10host.com/homer/iliadtofc.html 2010 [Selections] CONTENTS I THE QUARREL BY THE SHIPS 2 II AGAMEMNON'S DREAM AND THE CATALOGUE OF SHIPS 5 III PARIS, MENELAUS, AND HELEN 6 IV THE ARMIES CLASH 6 V DIOMEDES GOES TO BATTLE 6 VI HECTOR AND ANDROMACHE 6 VII HECTOR AND AJAX 6 VIII THE TROJANS HAVE SUCCESS 6 IX PEACE OFFERINGS TO ACHILLES 6 X A NIGHT RAID 10 XI THE ACHAEANS FACE DISASTER 10 XII THE FIGHT AT THE BARRICADE 11 XIII THE TROJANS ATTACK THE SHIPS 11 XIV ZEUS DECEIVED 11 XV THE BATTLE AT THE SHIPS 11 XVI PATROCLUS FIGHTS AND DIES 11 XVII THE FIGHT OVER PATROCLUS 12 XVIII THE ARMS OF ACHILLES 12 XIX ACHILLES AND AGAMEMNON 16 XX ACHILLES RETURNS TO BATTLE 16 XXI ACHILLES FIGHTS THE RIVER 17 XXII THE DEATH OF HECTOR 17 XXIII THE FUNERAL GAMES FOR PATROCLUS 20 XXIV ACHILLES AND PRIAM 20 I THE QUARREL BY THE SHIPS [The invocation to the Muse; Agamemnon insults Apollo; Apollo sends the plague onto the army; the quarrel between Achilles and Agamemnon; Calchas indicates what must be done to appease Apollo; Agamemnon takes Briseis from Achilles; Achilles prays to Thetis for revenge; Achilles meets Thetis; Chryseis is returned to her father; Thetis visits Zeus; the gods con-verse about the matter on Olympus; the banquet of the gods] Sing, Goddess, sing of the rage of Achilles, son of Peleus— that murderous anger which condemned Achaeans to countless agonies and threw many warrior souls deep into Hades, leaving their dead bodies carrion food for dogs and birds— all in fulfilment of the will of Zeus. -
Review of P. Gregory Warden, from the Temple and the Tomb Peter Nulton Rhode Island School of Design, [email protected]
Rasenna: Journal of the Center for Etruscan Studies Volume 2 | Issue 1 Article 6 2009 Review of P. Gregory Warden, From the Temple and the Tomb Peter Nulton Rhode Island School of Design, [email protected] Follow this and additional works at: https://scholarworks.umass.edu/rasenna Recommended Citation Nulton, Peter (2010) "Review of P. Gregory Warden, From the Temple and the Tomb," Rasenna: Journal of the Center for Etruscan Studies: Vol. 2: Iss. 1, Article 6. Available at: https://scholarworks.umass.edu/rasenna/vol2/iss1/6 This Book Review is brought to you for free and open access by the CES Electronic Resources at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Rasenna: Journal of the Center for Etruscan Studies by an authorized editor of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. From the Temple and the Tomb: Etruscan Treasures from Tuscany. P. Gregory Warden, (ed.). Dallas: Meadows Museum, SMU, 2009. Pp. 359. ISBN 978-1-60702- 755-3. $45.00. Reviewed by Peter Nulton, Rhode Island School of Design Exhibition catalogues have traditionally contained a number of related essays, but this volume is exceptional in the depth and breadth of the articles included. With topics ranging from urban landscape, to language, to gender studies, From the Temple and the Tomb can serve as a primer for the study of Etruscan culture. It is detailed enough to bring scholars working in tangentially-related specialties up to date on the rapid changes taking place in Etruscology. Importantly, for such a work, high-quality images abound. -
Homer's Use of Myth Françoise Létoublon
Homer’s Use of Myth Françoise Létoublon Epic and Mythology The Homeric Epics are probably the oldest Greek literary texts that we have,1 and their subject is select episodes from the Trojan War. The Iliad deals with a short period in the tenth year of the war;2 the Odyssey is set in the period covered by Odysseus’ return from the war to his homeland of Ithaca, beginning with his departure from Calypso’s island after a 7-year stay. The Trojan War was actually the material for a large body of legend that formed a major part of Greek myth (see Introduction). But the narrative itself cannot be taken as a mythographic one, unlike the narrative of Hesiod (see ch. 1.3) - its purpose is not to narrate myth. Epic and myth may be closely linked, but they are not identical (see Introduction), and the distance between the two poses a particular difficulty for us as we try to negotiate the the mythological material that the narrative on the one hand tells and on the other hand only alludes to. Allusion will become a key term as we progress. The Trojan War, as a whole then, was the material dealt with in the collection of epics known as the ‘Epic Cycle’, but which the Iliad and Odyssey allude to. The Epic Cycle however does not survive except for a few fragments and short summaries by a late author, but it was an important source for classical tragedy, and for later epics that aimed to fill in the gaps left by Homer, whether in Greek - the Posthomerica of Quintus of Smyrna (maybe 3 c AD), and the Capture of Troy of Tryphiodoros (3 c AD) - or in Latin - Virgil’s Aeneid (1 c BC), or Ovid’s ‘Iliad’ in the Metamorphoses (1 c AD). -
A Dictionary of Mythology —
Ex-libris Ernest Rudge 22500629148 CASSELL’S POCKET REFERENCE LIBRARY A Dictionary of Mythology — Cassell’s Pocket Reference Library The first Six Volumes are : English Dictionary Poetical Quotations Proverbs and Maxims Dictionary of Mythology Gazetteer of the British Isles The Pocket Doctor Others are in active preparation In two Bindings—Cloth and Leather A DICTIONARY MYTHOLOGYOF BEING A CONCISE GUIDE TO THE MYTHS OF GREECE AND ROME, BABYLONIA, EGYPT, AMERICA, SCANDINAVIA, & GREAT BRITAIN BY LEWIS SPENCE, M.A. Author of “ The Mythologies of Ancient Mexico and Peru,” etc. i CASSELL AND COMPANY, LTD. London, New York, Toronto and Melbourne 1910 ca') zz-^y . a k. WELLCOME INS77Tint \ LIBRARY Coll. W^iMOmeo Coll. No. _Zv_^ _ii ALL RIGHTS RESERVED INTRODUCTION Our grandfathers regarded the study of mythology as a necessary adjunct to a polite education, without a knowledge of which neither the classical nor the more modem poets could be read with understanding. But it is now recognised that upon mythology and folklore rests the basis of the new science of Comparative Religion. The evolution of religion from mythology has now been made plain. It is a law of evolution that, though the parent types which precede certain forms are doomed to perish, they yet bequeath to their descendants certain of their characteristics ; and although mythology has perished (in the civilised world, at least), it has left an indelible stamp not only upon modem religions, but also upon local and national custom. The work of Fruger, Lang, Immerwahr, and others has revolutionised mythology, and has evolved from the unexplained mass of tales of forty years ago a definite and systematic science. -
Achilles in the Underworld: Iliad, Odyssey, and Aethiopis Anthony T
EDWARDS, ANTHONY T., Achilles in the Underworld: "Iliad, Odyssey", and "Aethiopis" , Greek, Roman and Byzantine Studies, 26:3 (1985:Autumn) p.215 Achilles in the Underworld: Iliad, Odyssey, and Aethiopis Anthony T. Edwards I HE ACTION of Arctinus' Aethiopis followed immediately upon T the Iliad in the cycle of epics narrating the war at Troy. Its central events were the combat between Achilles and the Ama zon queen Penthesilea, Achilles' murder of Thersites and subsequent purification, and Achilles' victory over the Ethiopian Memnon, lead ing to his own death at the hands of Apollo and Paris. In his outline of the Aethiopis, Proclus summarizes its penultimate episode as fol lows: "Thetis, arriving with the Muses and her sisters, mourns her son~ and after this, snatching (allap1Tauao-a) her son from his pyre, Thetis carries him away to the White Island (AevK7) "1iuo~)." Thetis removes, or 'translates', Achilles to a distant land-an equivalent to Elysium or the Isles of the Blessed - where he will enjoy eternally an existence similar to that of the gods.! Unlike the Aethiopis, the Iliad presents no alternative to Hades' realm, not even for its hero: Achil les, who has learned his fate from his mother (9.410-16),foresees his arrival there (23.243-48); and in numerous references elsewhere to Achilles' death, the Iliad never arouses any alternative expectation.2 1 For Proclus' summary see T. W. Allen, ed., Homeri Opera V (Oxford 1946) 105f, esp. 106.12-15. On the identity of the AEVKT, ~(J'o<; with Elysium and the Isles of the Blessed see E. -
The Returns of Odysseus: Colonization and Ethnicity [Review] Erwin F
Trinity University Digital Commons @ Trinity Classical Studies Faculty Research Classical Studies Department 2000 The Returns of Odysseus: Colonization and Ethnicity [Review] Erwin F. Cook Trinity University, [email protected] Follow this and additional works at: https://digitalcommons.trinity.edu/class_faculty Part of the Classics Commons Repository Citation Cook, E. (2000). [Review of the book The Returns of Odysseus: Colonization and Ethnicity, by I. Malkin]. Bryn Mawr Classical Review, 2000(3), 22. This Book Review is brought to you for free and open access by the Classical Studies Department at Digital Commons @ Trinity. It has been accepted for inclusion in Classical Studies Faculty Research by an authorized administrator of Digital Commons @ Trinity. For more information, please contact [email protected]. Irad Malkin, The Returns of Odysseus: Colonization and Ethnicity. Berkeley: The University of California Press, 1998. Pp. 331 + xiii. $45.00. ISBN 0-520-21185-5. Reviewed by Erwin Cook -- The University of Texas - Austin [email protected] The Returns of Odysseus will be essential reading for specialists in Homer, early Greek history, and ancient ethnology. They and others willing to expend the time and energy necessary to read this densely argued and worded book will win a perspective on Greek (pre)colonization and its mythology unavailable from any other source. I myself required a full week for a careful reading, after which I noted to my surprise that I had taken over 50 pages of notes, many of which now belong to my permanent files. If, in what follows, I concentrate on some illustrative problems with Malkin’s (M.) use of archaic epic, it is in order to spare BMCR and its readers a commensurate review, and because I am counting on you to go out and buy a copy (you will want your own to mark up).