The Returns of Odysseus: Colonization and Ethnicity [Review] Erwin F
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OCCIDENTAL MYTHOLOGY INTRODUCTION 5 Gone, Who Art Gone to the Yonder Shore, Who at the Yonder Shore Tide and Was Followed by the Victories of Rome
Aiso BY JOSEPH CAMPBELL The Masks of God: Oriental Mythology JOSEPH CAMPBELL The Masks of God: Primitive Mythology The Hero with a Thousand Faces A Skcleton Key to Finncgans Wake THE (WITH HENRY MORTON ROBINSON) EDITED BY JOSEPH CAMPBELL MASKS OF 60D: The Portafale Arabian Nights OCCIDENTAL MYTHOLOGY LONDON SECK.ER & WARBURG : 1965 + + + » + * 4444 + * t »4-*-4t* 4+4-44444 »+•» 4- Copyright (c) 1964 by Joseph Campbell All rights reserved CONTENTS First published in England 1965 by Martin Secker & Warburg Limited » + «4+4+444+44 14 Carlisle Street, Soho Square W. l PART ONE: THE..AGE OF THE The Scripture quotations in this publication are from the Revised Standard Version of the Bible, copyrighted 1946 and 1952 by the Di- GODDESS Introduction. Myth and Ritual: East vision of Christian Education, National Council of Churches, and used by permission. and West 9 Chapter 1. The Serpent's Bride 9 The author wishes to acknowledge \vith gratitude ihe 17 generous support of his researches by the Bollingen Foundation i. The Mother Goddess Eve n. 31 The Gorgon's Blood 34 m. Ultima Thule Printed in England by IV. Mother Right D. R. Hillman & Son Ltd 42 Frome Chapter 2. The Consort of the Bull 42 45 i. The Mother of God 54 ir. The Two Queens 72 m. The Mother of the Minotaur iv. The Victory of the Sons of Light PART TWO: THE AGE OF HERDES Chapter 3. Gods and Heroes of the Levant: 1500-500 B.C. 95 i. The Book of the Lord The 95 n. Mythological Age The Age 101 m. -
Summaries of the Trojan Cycle Search the GML Advanced
Document belonging to the Greek Mythology Link, a web site created by Carlos Parada, author of Genealogical Guide to Greek Mythology Characters • Places • Topics • Images • Bibliography • PDF Editions About • Copyright © 1997 Carlos Parada and Maicar Förlag. Summaries of the Trojan Cycle Search the GML advanced Sections in this Page Introduction Trojan Cycle: Cypria Iliad (Synopsis) Aethiopis Little Iliad Sack of Ilium Returns Odyssey (Synopsis) Telegony Other works on the Trojan War Bibliography Introduction and Definition of terms The so called Epic Cycle is sometimes referred to with the term Epic Fragments since just fragments is all that remain of them. Some of these fragments contain details about the Theban wars (the war of the SEVEN and that of the EPIGONI), others about the prowesses of Heracles 1 and Theseus, others about the origin of the gods, and still others about events related to the Trojan War. The latter, called Trojan Cycle, narrate events that occurred before the war (Cypria), during the war (Aethiopis, Little Iliad, and Sack of Ilium ), and after the war (Returns, and Telegony). The term epic (derived from Greek épos = word, song) is generally applied to narrative poems which describe the deeds of heroes in war, an astounding process of mutual destruction that periodically and frequently affects mankind. This kind of poetry was composed in early times, being chanted by minstrels during the 'Dark Ages'—before 800 BC—and later written down during the Archaic period— from c. 700 BC). Greek Epic is the earliest surviving form of Greek (and therefore "Western") literature, and precedes lyric poetry, elegy, drama, history, philosophy, mythography, etc. -
The Evolution of Power and Politics in the Mycenaean World and Its Reflection in the Homeric Epic: the Iliad
Near East University (NEU) Faculty of Economics and Administrative Sciences Department of International Relations The Evolution of Power and Politics in the Mycenaean World and its Reflection in the Homeric Epic: the Iliad By: Nicolaie A. Şorodoc We certify that the thesis is satisfactory for the award of the Degree of Master of International Relations Examining committee: Prof. Dr. Levent Köker Faculty of Law, Department of Law, NEU Prof. Dr. Jouni Suistola Faculty of Economics and Administrative Sciences, Department of International Relations, NEU Assoc. Prof. Dr. Ali Efdal Özkul Faculty of Education, Department of History Teaching, NEU Approval of the Graduate School of Social Sciences Prof. Dr. Aykut Polatoğlu 1 Jury Report June, 2010 Student Info: Full Name Nicolaie Alin Şorodoc Faculty Economics and Administrative Sciences Institution Near East University Department International Relations Thesis Info: Title: The Evolution of Power and Politics in the Mycenaean World and its Reflection in the Homeric Epic the Iliad Abstract: This study tries to go beyond the boundaries of present day issues and examine the evolution of power and politics of the Mycenaean people during the Bronze Age. At each stage, be it big-man leadership, chiefdom or state based society I examine how power and social complexity increases and what were the reasons behind such a phenomenon. I start with some few considerations regarding developments during the Neolithic and Early Bronze Age and then I jump to the question of the “coming of the Greeks.” I argue that any explanation of the political life shall start from early stages; it is only then that we might get a measured insight in respect to the workings of political and social institutions. -
The Coinage of Akragas C
ACTA UNIVERSITATIS UPSALIENSIS Studia Numismatica Upsaliensia 6:1 STUDIA NUMISMATICA UPSALIENSIA 6:1 The Coinage of Akragas c. 510–406 BC Text and Plates ULLA WESTERMARK I STUDIA NUMISMATICA UPSALIENSIA Editors: Harald Nilsson, Hendrik Mäkeler and Ragnar Hedlund 1. Uppsala University Coin Cabinet. Anglo-Saxon and later British Coins. By Elsa Lindberger. 2006. 2. Münzkabinett der Universität Uppsala. Deutsche Münzen der Wikingerzeit sowie des hohen und späten Mittelalters. By Peter Berghaus and Hendrik Mäkeler. 2006. 3. Uppsala universitets myntkabinett. Svenska vikingatida och medeltida mynt präglade på fastlandet. By Jonas Rundberg and Kjell Holmberg. 2008. 4. Opus mixtum. Uppsatser kring Uppsala universitets myntkabinett. 2009. 5. ”…achieved nothing worthy of memory”. Coinage and authority in the Roman empire c. AD 260–295. By Ragnar Hedlund. 2008. 6:1–2. The Coinage of Akragas c. 510–406 BC. By Ulla Westermark. 2018 7. Musik på medaljer, mynt och jetonger i Nils Uno Fornanders samling. By Eva Wiséhn. 2015. 8. Erik Wallers samling av medicinhistoriska medaljer. By Harald Nilsson. 2013. © Ulla Westermark, 2018 Database right Uppsala University ISSN 1652-7232 ISBN 978-91-513-0269-0 urn:nbn:se:uu:diva-345876 (http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-345876) Typeset in Times New Roman by Elin Klingstedt and Magnus Wijk, Uppsala Printed in Sweden on acid-free paper by DanagårdLiTHO AB, Ödeshög 2018 Distributor: Uppsala University Library, Box 510, SE-751 20 Uppsala www.uu.se, [email protected] The publication of this volume has been assisted by generous grants from Uppsala University, Uppsala Sven Svenssons stiftelse för numismatik, Stockholm Gunnar Ekströms stiftelse för numismatisk forskning, Stockholm Faith and Fred Sandstrom, Haverford, PA, USA CONTENTS FOREWORDS ......................................................................................... -
Sons and Fathers in the Catalogue of Argonauts in Apollonius Argonautica 1.23-233
Sons and fathers in the catalogue of Argonauts in Apollonius Argonautica 1.23-233 ANNETTE HARDER University of Groningen [email protected] 1. Generations of heroes The Argonautica of Apollonius Rhodius brings emphatically to the attention of its readers the distinction between the generation of the Argonauts and the heroes of the Trojan War in the next genera- tion. Apollonius initially highlights this emphasis in the episode of the Argonauts’ departure, when the baby Achilles is watching them, at AR 1.557-5581 σὺν καί οἱ (sc. Chiron) παράκοιτις ἐπωλένιον φορέουσα | Πηλείδην Ἀχιλῆα, φίλωι δειδίσκετο πατρί (“and with him his wife, hold- ing Peleus’ son Achilles in her arms, showed him to his dear father”)2; he does so again in 4.866-879, which describes Thetis and Achilles as a baby. Accordingly, several scholars have focused on the ways in which 1 — On this marker of the generations see also Klooster 2014, 527. 2 — All translations of Apollonius are by Race 2008. EuGeStA - n°9 - 2019 2 ANNETTE HARDER Apollonius has avoided anachronisms by carefully distinguishing between the Argonauts and the heroes of the Trojan War3. More specifically Jacqueline Klooster (2014, 521-530), in discussing the treatment of time in the Argonautica, distinguishes four periods of time to which Apollonius refers: first, the time before the Argo sailed, from the beginning of the cosmos (featured in the song of Orpheus in AR 1.496-511); second, the time of its sailing (i.e. the time of the epic’s setting); third, the past after the Argo sailed and fourth the present inhab- ited by the narrator (both hinted at by numerous allusions and aitia). -
THE ARGONAUTIKA He'd Gone on His Vain Quest with Peirithoos: That Couple Would Have Made Their Task's Fulfillment Far Easier for Them All
Book I Starting from you, Phoibos, the deeds ofthose old-time mortals I shall relute, who by way ofthe Black Sea's mouth and through the cobalt-dark rocks, at King Pelias 's commandment, in search of the Golden Fleece drove tight-thwarted Argo. For Pelias heard it voiced that in time thereafter a grim fate would await him, death at the prompting of the man he saw come, one-sandaled, from folk in the country: and not much later-in accordance with your word-Jason, fording on foot the Anauros's wintry waters, saved from the mud one sandal, but left the other stuck fast in the flooded estuary, pressed straight on to have his share in the sacred feast that Pelias was preparing for Poseidon his father, and the rest of the gods, though paying no heed to Pelasgian Hera. The moment Pelias saw him, he knew, and devised him a trial of most perilous seamanship, that in deep waters or away among foreign folk he might lose his homecoming. ,\row singers before 7ny time have recounted how the vessel was fashioned 4 Argos with the guidance of Athena. IW~cctIplan to do now is tell the name and farnib of each hero, describe their long voyage, all they accomplished in their wanderings: may the Muses inspire mnj sinpng! First in our record be Orpheus, whom famous Kalliope, after bedding Thracian Oikgros, bore, they tell us, 44 THE XRGONAUTIKA hard by Pimpleia's high rocky lookout: Orpheus, who's said to have charmed unshiftable upland boulders and the flow of rivers with the sound of his music. -
ANCIENT TERRACOTTAS from SOUTH ITALY and SICILY in the J
ANCIENT TERRACOTTAS FROM SOUTH ITALY AND SICILY in the j. paul getty museum The free, online edition of this catalogue, available at http://www.getty.edu/publications/terracottas, includes zoomable high-resolution photography and a select number of 360° rotations; the ability to filter the catalogue by location, typology, and date; and an interactive map drawn from the Ancient World Mapping Center and linked to the Getty’s Thesaurus of Geographic Names and Pleiades. Also available are free PDF, EPUB, and MOBI downloads of the book; CSV and JSON downloads of the object data from the catalogue and the accompanying Guide to the Collection; and JPG and PPT downloads of the main catalogue images. © 2016 J. Paul Getty Trust This work is licensed under the Creative Commons Attribution 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042. First edition, 2016 Last updated, December 19, 2017 https://www.github.com/gettypubs/terracottas Published by the J. Paul Getty Museum, Los Angeles Getty Publications 1200 Getty Center Drive, Suite 500 Los Angeles, California 90049-1682 www.getty.edu/publications Ruth Evans Lane, Benedicte Gilman, and Marina Belozerskaya, Project Editors Robin H. Ray and Mary Christian, Copy Editors Antony Shugaar, Translator Elizabeth Chapin Kahn, Production Stephanie Grimes, Digital Researcher Eric Gardner, Designer & Developer Greg Albers, Project Manager Distributed in the United States and Canada by the University of Chicago Press Distributed outside the United States and Canada by Yale University Press, London Printed in the United States of America Library of Congress Cataloging-in-Publication Data Names: J. -
Homer and Hesiod
University of Pennsylvania ScholarlyCommons Departmental Papers (Classical Studies) Classical Studies at Penn 1-1-1997 Homer and Hesiod Ralph M. Rosen University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/classics_papers Part of the Classical Literature and Philology Commons Recommended Citation Rosen, R. M. (1997). Homer and Hesiod. Retrieved from https://repository.upenn.edu/classics_papers/7 Postprint version. Published in A New Companion to Homer, edited by Barry Powell and Ian Morris, Mnemosyne: Bibliotheca classica Batava, Supplementum 163 (New York: Brill, 1997), pages 463-488. The author has asserted his right to include this material in ScholarlyCommons@Penn. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/classics_papers/7 For more information, please contact [email protected]. Homer and Hesiod Abstract One of the most frustrating aspects of Homeric studies is that so little literary material outside the Homeric corpus itself survives to enhance our understanding of the cultural landscape of the period. Recent scholarship suggests that a large and diverse poetic tradition lay behind the figure we refer to as "Homer," but little of it survives. Indeed we have little continuous written Greek for another century. The one exception is Hesiod, who composed two extant poems, the Theogony and Works and Days, and possibly several others, including the Shield of Heracles and the Catalogue of Women. As we shall see, while Hesiodic poetry was not occupied specifically with heroic themes, it was part of the same formal tradition of epic, sharing with Homer key metrical, dialectal, and dictional features. -
The Voyage of the Argo and Other Modes of Travel in Apollonius’ Argonautica
THE VOYAGE OF THE ARGO AND OTHER MODES OF TRAVEL IN APOLLONIUS’ ARGONAUTICA Brian D. McPhee A thesis submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Classics. Chapel Hill 2016 Approved by: William H. Race James J. O’Hara Emily Baragwanath © 2016 Brian D. McPhee ALL RIGHTS RESERVED ii ABSTRACT Brian D. McPhee: The Voyage of the Argo and Other Modes of Travel in Apollonius’ Argonautica (Under the direction of William H. Race) This thesis analyzes the Argo as a vehicle for travel in Apollonius’ Argonautica: its relative strengths and weaknesses and ultimately its function as the poem’s central mythic paradigm. To establish the context for this assessment, the first section surveys other forms of travel in the poem, arranged in a hierarchy of travel proficiency ranging from divine to heroic to ordinary human mobility. The second section then examines the capabilities of the Argo and its crew in depth, concluding that the ship is situated on the edge between heroic and human travel. The third section confirms this finding by considering passages that implicitly compare the Argo with other modes of travel through juxtaposition. The conclusion follows cues from the narrator in proposing to read the Argo as a mythic paradigm for specifically human travel that functions as a metaphor for a universal and timeless human condition. iii parentibus meis “Finis origine pendet.” iv ACKNOWLEDGEMENTS First and foremost, I owe a tremendous debt of gratitude to my director and mentor, William Race. -
Homer's Use of Myth Françoise Létoublon
Homer’s Use of Myth Françoise Létoublon Epic and Mythology The Homeric Epics are probably the oldest Greek literary texts that we have,1 and their subject is select episodes from the Trojan War. The Iliad deals with a short period in the tenth year of the war;2 the Odyssey is set in the period covered by Odysseus’ return from the war to his homeland of Ithaca, beginning with his departure from Calypso’s island after a 7-year stay. The Trojan War was actually the material for a large body of legend that formed a major part of Greek myth (see Introduction). But the narrative itself cannot be taken as a mythographic one, unlike the narrative of Hesiod (see ch. 1.3) - its purpose is not to narrate myth. Epic and myth may be closely linked, but they are not identical (see Introduction), and the distance between the two poses a particular difficulty for us as we try to negotiate the the mythological material that the narrative on the one hand tells and on the other hand only alludes to. Allusion will become a key term as we progress. The Trojan War, as a whole then, was the material dealt with in the collection of epics known as the ‘Epic Cycle’, but which the Iliad and Odyssey allude to. The Epic Cycle however does not survive except for a few fragments and short summaries by a late author, but it was an important source for classical tragedy, and for later epics that aimed to fill in the gaps left by Homer, whether in Greek - the Posthomerica of Quintus of Smyrna (maybe 3 c AD), and the Capture of Troy of Tryphiodoros (3 c AD) - or in Latin - Virgil’s Aeneid (1 c BC), or Ovid’s ‘Iliad’ in the Metamorphoses (1 c AD). -
Achilles in the Underworld: Iliad, Odyssey, and Aethiopis Anthony T
EDWARDS, ANTHONY T., Achilles in the Underworld: "Iliad, Odyssey", and "Aethiopis" , Greek, Roman and Byzantine Studies, 26:3 (1985:Autumn) p.215 Achilles in the Underworld: Iliad, Odyssey, and Aethiopis Anthony T. Edwards I HE ACTION of Arctinus' Aethiopis followed immediately upon T the Iliad in the cycle of epics narrating the war at Troy. Its central events were the combat between Achilles and the Ama zon queen Penthesilea, Achilles' murder of Thersites and subsequent purification, and Achilles' victory over the Ethiopian Memnon, lead ing to his own death at the hands of Apollo and Paris. In his outline of the Aethiopis, Proclus summarizes its penultimate episode as fol lows: "Thetis, arriving with the Muses and her sisters, mourns her son~ and after this, snatching (allap1Tauao-a) her son from his pyre, Thetis carries him away to the White Island (AevK7) "1iuo~)." Thetis removes, or 'translates', Achilles to a distant land-an equivalent to Elysium or the Isles of the Blessed - where he will enjoy eternally an existence similar to that of the gods.! Unlike the Aethiopis, the Iliad presents no alternative to Hades' realm, not even for its hero: Achil les, who has learned his fate from his mother (9.410-16),foresees his arrival there (23.243-48); and in numerous references elsewhere to Achilles' death, the Iliad never arouses any alternative expectation.2 1 For Proclus' summary see T. W. Allen, ed., Homeri Opera V (Oxford 1946) 105f, esp. 106.12-15. On the identity of the AEVKT, ~(J'o<; with Elysium and the Isles of the Blessed see E. -
Heracles in Homer and Apollonius: Narratological Character Analysis in a Diachronic Perspective
Heracles in Homer and Apollonius: Narratological Character Analysis in a Diachronic Perspective Silvio Bär Department of Philosophy, Classics, History of Art and Ideas, University of Oslo, Norway For Winnie 1. Introduction Aristotle in his Poetics (1451a 16–22) mentions epics on the life and deeds of Heracles as a negative example of what he considers to be imperative for good dramatic progress and coherence, namely, the unity of action.1 According to Aristotle, unity of action is not automatically constituted by the sum of all the single events that occur in one and the same character’s lifetime. This verdict encapsulates two parameters that are going to be of eminent importance in this article. First, it shows that Aristotle did not see an inherent connection between a literary character and the idea of unity, but indeed rather viewed these two aspects as contradictory. As will be demonstrated, plausible as it sounds, this methodological proposition is often not taken for granted in literary character studies in classical scholarship. Secondly, the Aristotelian passage testifies to the fact that Heracles was indeed popular as an 1 µῦθος δ᾿ ἐστὶν εἷς οὐχ ὥσπερ τινὲς οἴονται ἐὰν περὶ ἕνα ᾖ· πολλὰ γὰρ καὶ ἄπειρα τῷ ἑνὶ συµβαίνει, ἐξ ὧν ἐνίων οὐδέν ἐστιν ἕν· οὕτως δὲ καὶ πράξεις ἑνὸς πολλαί εἰσιν, ἐξ ὧν µία οὐδεµία γίνεται πρᾶξις. διὸ πάντες ἐοίκασιν ἁµαρτάνειν ὅσοι τῶν ποιητῶν Ἡρακληίδα καὶ Θησηίδα καὶ τὰ τοιαῦτα ποιήµατα πεποιήκασιν· οἴονται γάρ, ἐπεὶ εἷς ἦν ὁ Ἡρακλῆς, ἕνα καὶ τὸν µῦθον εἶναι προσήκειν. (“A plot is not one coherent thing, as some believe, if it is centred around one single [person].