Biographies of Eminent Monks Volume II (DRAFT!!!! – DO NOT CITE!!) Imre Galambos
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Contents Transcriptions Romanization Zen 1 Chinese Chán Sanskrit Name 1.1 Periodisation Sanskrit Dhyāna 1.2 Origins and Taoist Influences (C
7/11/2014 Zen - Wikipedia, the free encyclopedia Zen From Wikipedia, the free encyclopedia Zen is a school of Mahayana Buddhism[note 1] that Zen developed in China during the 6th century as Chán. From China, Zen spread south to Vietnam, northeast to Korea and Chinese name east to Japan.[2] Simplified Chinese 禅 Traditional Chinese 禪 The word Zen is derived from the Japanese pronunciation of the Middle Chinese word 禪 (dʑjen) (pinyin: Chán), which in Transcriptions turn is derived from the Sanskrit word dhyāna,[3] which can Mandarin be approximately translated as "absorption" or "meditative Hanyu Pinyin Chán state".[4] Cantonese Zen emphasizes insight into Buddha-nature and the personal Jyutping Sim4 expression of this insight in daily life, especially for the benefit Middle Chinese [5][6] of others. As such, it de-emphasizes mere knowledge of Middle Chinese dʑjen sutras and doctrine[7][8] and favors direct understanding Vietnamese name through zazen and interaction with an accomplished Vietnamese Thiền teacher.[9] Korean name The teachings of Zen include various sources of Mahāyāna Hangul 선 thought, especially Yogācāra, the Tathāgatagarbha Sutras and Huayan, with their emphasis on Buddha-nature, totality, Hanja 禪 and the Bodhisattva-ideal.[10][11] The Prajñāpāramitā Transcriptions literature[12] and, to a lesser extent, Madhyamaka have also Revised Romanization Seon been influential. Japanese name Kanji 禅 Contents Transcriptions Romanization Zen 1 Chinese Chán Sanskrit name 1.1 Periodisation Sanskrit dhyāna 1.2 Origins and Taoist influences (c. 200- 500) 1.3 Legendary or Proto-Chán - Six Patriarchs (c. 500-600) 1.4 Early Chán - Tang Dynasty (c. -
Proquest Dissertations
Daoxuan's vision of Jetavana: Imagining a utopian monastery in early Tang Item Type text; Dissertation-Reproduction (electronic) Authors Tan, Ai-Choo Zhi-Hui Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 25/09/2021 09:09:41 Link to Item http://hdl.handle.net/10150/280212 INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are In typewriter face, while others may be from any type of connputer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overiaps. ProQuest Information and Learning 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 800-521-0600 DAOXUAN'S VISION OF JETAVANA: IMAGINING A UTOPIAN MONASTERY IN EARLY TANG by Zhihui Tan Copyright © Zhihui Tan 2002 A Dissertation Submitted to the Faculty of the DEPARTMENT OF EAST ASIAN STUDIES In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2002 UMI Number: 3073263 Copyright 2002 by Tan, Zhihui Ai-Choo All rights reserved. -
Chapter 2 Wuguang’S Quest
Cover Page The handle http://hdl.handle.net/1887/49753 holds various files of this Leiden University dissertation Author: Bahir, C. Title: Reenchanting Buddhism via modernizing magic: Guru Wuguang of Taiwan’s philosophy and science of ‘superstition’ Issue Date: 2017-06-01 Chapter 2 Wuguang’s Quest Spirit, far from being opposed to the biological (as in the Cartesian dualism of body and mind), is the potentiality of human life—through conscious positing of future foals—for purposeful creation and growth. It is the possibility of structural self-transcendence made incipiently conscious in man...Its close connection with consciousness precludes exclusive linking of spirit with the irrational. French esprit, like German Geist and analogous terms in other languages, embraces “spirit” and “mind” in a single concept; hence the spiritual quest can include both the intellectual and scientific search for truth and the religious pursuit of salvation, which are fundamentally akin...Yet the ultimate indeterminacy of scientific truth need not entail a directionless relativism. On the contrary, an indeterminate goal engendered through purposive trial and error is a prime criterion for the spiritual quest (as for its biological and psychological antecedents), which thus attains in scientific inquiry one of its fullest expressions. ~ Robert Mitchell Torrance242 Wuguang was a complex individual who led a multi-faceted life that consisted of several somewhat self-contained phases. In each phase he attempted to master a specific thought tradition and harmonize it with those already in his eclectic repertoire. These traditions include: Daoism, Chinese folk religion, Chan, Zhenyan/Shingon and Tibetan Buddhism as well as modern philosophy and science. -
A Distant Mirror. Articulating Indic Ideas in Sixth and Seventh Century
Index pp. 535–565 in: Chen-kuo Lin / Michael Radich (eds.) A Distant Mirror Articulating Indic Ideas in Sixth and Seventh Century Chinese Buddhism Hamburg Buddhist Studies, 3 Hamburg: Hamburg University Press 2014 Imprint Bibliographic information published by the Deutsche Nationalbibliothek (German National Library). The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available in the internet at http://dnb.d-nb.de. The online version is available online for free on the website of Hamburg University Press (open access). The Deutsche Nationalbibliothek stores this online publication on its Archive Server. The Archive Server is part of the deposit system for long-term availability of digital publications. Available open access in the Internet at: Hamburg University Press – http://hup.sub.uni-hamburg.de Persistent URL: http://hup.sub.uni-hamburg.de/purl/HamburgUP_HBS03_LinRadich URN: http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:gbv:18-3-1467 Archive Server of the Deutsche Nationalbibliothek – http://dnb.d-nb.de ISBN 978-3-943423-19-8 (print) ISSN 2190-6769 (print) © 2014 Hamburg University Press, Publishing house of the Hamburg State and University Library Carl von Ossietzky, Germany Printing house: Elbe-Werkstätten GmbH, Hamburg, Germany http://www.elbe-werkstaetten.de/ Cover design: Julia Wrage, Hamburg Contents Foreword 9 Michael Zimmermann Acknowledgements 13 Introduction 15 Michael Radich and Chen-kuo Lin Chinese Translations of Pratyakṣa 33 Funayama Toru -
Bridging Worlds: Buddhist Women's Voices Across Generations
BRIDGING WORLDS Buddhist Women’s Voices Across Generations EDITED BY Karma Lekshe Tsomo First Edition: Yuan Chuan Press 2004 Second Edition: Sakyadhita 2018 Copyright © 2018 Karma Lekshe Tsomo All rights reserved No part of this book may not be reproduced or utilized in any form or by any means, electronic or mechanical, or by any information storage or retreival system, without the prior written permission from the publisher, except in the case of brief quotations. Cover Illustration, "Woman on Bridge" © 1982 Shig Hiu Wan. All rights reserved. "Buddha" calligraphy ©1978 Il Ta Sunim. All rights reserved. Chapter Illustrations © 2012 Dr. Helen H. Hu. All rights reserved. Book design and layout by Lillian Barnes Bridging Worlds Buddhist Women’s Voices Across Generations EDITED BY Karma Lekshe Tsomo 7th Sakyadhita International Conference on Buddhist Women With a Message from His Holiness the XIVth Dalai Lama SAKYADHITA | HONOLULU, HAWAI‘I iv | Bridging Worlds Contents | v CONTENTS MESSAGE His Holiness the XIVth Dalai Lama xi ACKNOWLEDGMENTS xiii INTRODUCTION 1 Karma Lekshe Tsomo UNDERSTANDING BUDDHIST WOMEN AROUND THE WORLD Thus Have I Heard: The Emerging Female Voice in Buddhism Tenzin Palmo 21 Sakyadhita: Empowering the Daughters of the Buddha Thea Mohr 27 Buddhist Women of Bhutan Tenzin Dadon (Sonam Wangmo) 43 Buddhist Laywomen of Nepal Nivedita Kumari Mishra 45 Himalayan Buddhist Nuns Pacha Lobzang Chhodon 59 Great Women Practitioners of Buddhadharma: Inspiration in Modern Times Sherab Sangmo 63 Buddhist Nuns of Vietnam Thich Nu Dien Van Hue 67 A Survey of the Bhikkhunī Saṅgha in Vietnam Thich Nu Dong Anh (Nguyen Thi Kim Loan) 71 Nuns of the Mendicant Tradition in Vietnam Thich Nu Tri Lien (Nguyen Thi Tuyet) 77 vi | Bridging Worlds UNDERSTANDING BUDDHIST WOMEN OF TAIWAN Buddhist Women in Taiwan Chuandao Shih 85 A Perspective on Buddhist Women in Taiwan Yikong Shi 91 The Inspiration ofVen. -
Central Asia in Xuanzang's Great Tang Dynasty Record of the Western
Recording the West: Central Asia in Xuanzang’s Great Tang Dynasty Record of the Western Regions Master’s Thesis Presented in Partial Fulfilment of the Requirements for the Degree of Master Arts in the Graduate School of the Ohio State University By Laura Pearce Graduate Program in East Asian Studies Ohio State University 2018 Committee: Morgan Liu (Advisor), Ying Zhang, and Mark Bender Copyrighted by Laura Elizabeth Pearce 2018 Abstract In 626 C.E., the Buddhist monk Xuanzang left the Tang Empire for India in a quest to deepen his religious understanding. In order to reach India, and in order to return, Xuanzang journeyed through areas in what is now called Central Asia. After he came home to China in 645 C.E., his work included writing an account of the countries he had visited: The Great Tang Dynasty Record of the Western Regions (Da Tang Xi You Ji 大唐西域記). The book is not a narrative travelogue, but rather presented as a collection of facts about the various countries he visited. Nevertheless, the Record is full of moral judgments, both stated and implied. Xuanzang’s judgment was frequently connected both to his Buddhist beliefs and a conviction that China represented the pinnacle of culture and good governance. Xuanzang’s portrayal of Central Asia at a crucial time when the Tang Empire was expanding westward is both inclusive and marginalizing, shaped by the overall framing of Central Asia in the Record and by the selection of local legends from individual nations. The tension in the Record between Buddhist concerns and secular political ones, and between an inclusive worldview and one centered on certain locations, creates an approach to Central Asia unlike that of many similar sources. -
MEDIEVAL WORLD from the Conversion of Constantine to the First Crusade W@
The History of the M E D I E V A L WORLD % Also by Susan Wise Bauer The History of the Ancient World: From the Earliest Accounts to the Fall of Rome (W. W. Norton, 2007) The Well-Educated Mind: A Guide to the Classical Education You Never Had (W. W. Norton, 2003) The Story of the World: History for the Classical Child (Peace Hill Press) Volume I: Ancient Times (rev. ed., 2006) Volume II: The Middle Ages (rev. ed. 2007) Volume III: Early Modern Times (2004) Volume IV: The Modern Age (2005) The Complete Writer:Writing with Ease (Peace Hill Press, 2008) The Art of the Public Grovel: Sexual Sina and Public Confession in America (Princeton University Press, 2008) With Jessie Wise The Well-Trained Mind: A Guide to Classical Education at Home (rev. ed., W. W. Norton, 2009) The History of the MEDIEVAL WORLD From the Conversion of Constantine to the First Crusade W@ S u s a n W i s e B a u e r B W . W . Norton New York London Copyright © 2010 by Susan Wise Bauer All rights reserved Printed in the United States of America First Edition For information about permission to reproduce selections from this book, write to Permissions, W. W. Norton & Company, Inc., 500 Fifth Avenue, New York, NY 10110. Maps designed by Susan Wise Bauer and Sarah Park and created by Sarah Park Since this page cannot legibly accommodate all the copyright notices, pages 000–000 constitute an extension of the copyright page. Manufacturing by Book Design by Margaret M. -
Topos and Entelechy in the Ethos of Reclusion in China
Swarthmore College Works Chinese Faculty Works Chinese 10-1-1994 Topos And Entelechy In The Ethos Of Reclusion In China Alan Berkowitz Swarthmore College, [email protected] Follow this and additional works at: https://works.swarthmore.edu/fac-chinese Part of the Chinese Studies Commons Recommended Citation Alan Berkowitz. (1994). "Topos And Entelechy In The Ethos Of Reclusion In China". Journal Of The American Oriental Society. Volume 114, Issue 4. 632-638. DOI: 10.2307/606169 https://works.swarthmore.edu/fac-chinese/7 This work is brought to you for free by Swarthmore College Libraries' Works. It has been accepted for inclusion in Chinese Faculty Works by an authorized administrator of Works. For more information, please contact [email protected]. Topos and Entelechy in the Ethos of Reclusion in China While the topos of reclusion was ubiquitous in the scholar-official culture of traditional China, there was already in medieval sources a discernible differentiation between essentiality and sem blance, between bona fide men in reclusion and men who took office, between reclusion per se and its synthetic translation into the political, intellectual, and literary repertoire of the scholar-official. Men recognized as having practiced reclusion as a way of life categorically eschewed official ap pointments. Many scholar-officials espoused precepts ordinarily associated with reclusion, but on an occasional or purely noetic basis; their conduct, rationale, and writings evince the entrenchment of topoi of reclusion within the scholar-official ethos, but do not evince the ethos of reclusion. In traditional "Confucian" China, the customary path these areas, 2 yet there still is need for disambiguating to achievement was through service to the state. -
Linking Khotan and Dūnhuáng: Buddhist Narratives in Text and Image
5 (2018) Article 6: 250–311 Linking Khotan and Dūnhuáng: Buddhist Narratives in Text and Image CHRISTOPH ANDERL Department of Languages and Cultures, Ghent University, Belgium This contribution to Entangled Religions is published under the Creative Commons Attribution 4.0 International Public License (CC BY 4.0 International). The license can be accessed at https://creativecommons.org/licenses/by/4.0/legalcode. © 2018 Christoph Anderl Entangled Religions 5 (2018) http://dx.doi.org./10.13154/er.v5.2018.250–311 Christoph Anderl Linking Khotan and Dūnhuáng: Buddhist Narratives in Text and Image1 CHRISTOPH ANDERL Ghent University ABSTRACT In the propagation and spread of Buddhism throughout Asia, jātaka and avadāna narratives played a decisive role, both in the form of texts and iconographical representations. In this paper I will focus on another set of narratives which enjoyed great popularity in the Dūnhuáng area during the later Tang and Five Dynasties period, dealing with historical projections concerning the origin and transmission of Buddhism. In this stories, “Auspicious Statues” (ruìxiàng 瑞像) play a key role. These “living” statues were thought to have moved from Indian monasteries to Khotan and other regions, serving as agents of the transmission of the Dharma in these areas. Besides reflecting religious key concern during that period, the historical narratives on the spread of Buddhism also give witness to the close diplomatic and family relations between Dunhuang and the Kingdom of Khotan during that period. KEY WORDS Mogao caves; Auspicious Statues; 瑞像; Khotan; Dunhuang; Buddhist narratives; transmission of Buddhism; localization of Buddhism; Oxhead Mountain; 牛頭山 1 This paper was presented at the workshop “Ancient Central Asian Networks. -
LECTURE> Angela Howard at Waseda
H-Buddhism LECTURE> Angela Howard at Waseda Discussion published by Noboyoshi Yamabe on Tuesday, June 7, 2016 Dear Colleagues: On behalf of my colleague, Professor HIDA Romi, who is not on this list, I am posting the following announcement of a public lecture. The lecture will be given in English and translated into Japanese. No preregistration is required. Anybody interested will be welcome. Speaker: Angela Howard, Professor Emerita, Rutgers University Title: A Question of Identity: Who is the Cosmological Buddha? Date: Monday, July 4, 2016, 5pm-6:30pm. Venue: Waseda University, Toyama Campus, Bldg 31, Rm 208. https://www.waseda.jp/top/en/access/toyama-campus About the Speakier: Angela F. Howard was professor of Asian art in the Department of Art History, Rutgers University, from 1990-2015. She served as special consultant in the Department of Asian Art of the Metropolitan Museum, New York from 1999-2004 and participated in organizing the 2004 exhibition From Han to Tang. In addition to numerous articles, Dr. Howard authored The Imagery of the Cosmological Buddha, E. J. Brill 1986;Summit of Treasures, Buddhist Cave Art of Dazu, Sichuan, Weatherhill Publishers 2001; Chinese Sculpture, in collaboration with Wu Hung, Yang Hong, Li Song, Yale University Press 2006; Archaeological and Visual Sources of Meditation in the ancient Monasteries of Kuča, in collaboration with Giuseppe Vignato, E. J. Brill 2014. Her research has been supported by the NEH National Endowment for the Humanities 1985, 1993; the Henry Luce Foundation 2002; the ACLS American Council of Learned Societies 2008. Abstract: ORIGIN OF THE COSMOLOGICAL BUDDHA In 1986 I publishedThe Imagery of the Cosmological Buddha, discussing a very special Buddha image, which I named ‘Cosmological Buddha’ on account of carrying on its body a vision of the Buddhist world inclusive of the destinies or gatis in which sentient beings are reborn according to the karmic process. -
A Huayan Paradigm for the Classification of Mahāyāna Teachings: the Origin and Meaning of Faxiangzong and Faxingzong∗
IMRE HAMAR A HUAYAN PARADIGM FOR THE CLASSIFICATION OF MAHĀYĀNA TEACHINGS: THE ORIGIN AND MEANING ∗ OF FAXIANGZONG AND FAXINGZONG Introduction Dan Lusthaus finds the origin of the paradigm xing 性 versus xiang 相 in the Cheng weishi lun 成唯識論 and concludes: Ironically, this very distinction became one of the major rhetorical weapons used by Fa- tsang against Hsüan-tsang’s school, calling them ‘[the mere] fa-hsiang’ (Dharma-Charac- teristics) school against his own Sinitic ‘fa-hsing’ (Dharma-Nature) school. This distinction became so important that every Buddhist school originating in East Asia, including all forms of Sinitic Mahāyāna, viz. T’ien-t’ai, Hua-yen, Ch’an, and Pure Land, came to be considered Dharma-nature schools.1 Whalen Lai also attributes the establishment of this paradigm to Fazang, refer- ring to Zhili 知禮: “The name ‘Fa-hsiang’ was, however, attributed to it by its crit- ics; it is a derogative term alleging that the school did not know thoroughly the deeper Fa-hsing (Dharma-essence). The contrast was intended to bring out the ‘Hī- nayānist phenomenalism’ [sic] inherent in the Wei-shih school and to highlight the ‘Mahāyāna essentialism’ of its critic. As recalled by Sung T’ien-t’ai master Ssu- ming Chih-li (959–1028), the distinction arose at the time of Fa-tsang’s (643–712) attack on the Wei-shih school: At the time [of Hua-yen (Avatamsaka) patriarch, Fa-tsang,] there was widely held the theory of chen-ju sui-yüan (Suchness or tathatā accompanying the conditions [the pratyaya that brought samsāra into being]) and the theory of a (passive) Suchness that would not create (‘let rise’) the various existents (dharmas). -
The Transition of Inner Asian Groups in the Central Plain During the Sixteen Kingdoms Period and Northern Dynasties
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2018 Remaking Chineseness: The Transition Of Inner Asian Groups In The Central Plain During The Sixteen Kingdoms Period And Northern Dynasties Fangyi Cheng University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Asian History Commons, and the Asian Studies Commons Recommended Citation Cheng, Fangyi, "Remaking Chineseness: The Transition Of Inner Asian Groups In The Central Plain During The Sixteen Kingdoms Period And Northern Dynasties" (2018). Publicly Accessible Penn Dissertations. 2781. https://repository.upenn.edu/edissertations/2781 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/2781 For more information, please contact [email protected]. Remaking Chineseness: The Transition Of Inner Asian Groups In The Central Plain During The Sixteen Kingdoms Period And Northern Dynasties Abstract This dissertation aims to examine the institutional transitions of the Inner Asian groups in the Central Plain during the Sixteen Kingdoms period and Northern Dynasties. Starting with an examination on the origin and development of Sinicization theory in the West and China, the first major chapter of this dissertation argues the Sinicization theory evolves in the intellectual history of modern times. This chapter, in one hand, offers a different explanation on the origin of the Sinicization theory in both China and the West, and their relationships. In the other hand, it incorporates Sinicization theory into the construction of the historical narrative of Chinese Nationality, and argues the theorization of Sinicization attempted by several scholars in the second half of 20th Century. The second and third major chapters build two case studies regarding the transition of the central and local institutions of the Inner Asian polities in the Central Plain, which are the succession system and the local administrative system.