The Transition of Inner Asian Groups in the Central Plain During the Sixteen Kingdoms Period and Northern Dynasties
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Chinese Collection: a Closer Look at Designs
Chinese Collection: A closer look at designs Ritual covered wine vessel, fangyi, Bronze, late Shang dynasty, c.1250-1050 BC © Compton Verney Taking time to make close observations, make sketches and collect images you are drawn to is a great starting point for your own design and art work. Take a really close look at the intricate patterns found on the objects and ritual bronze vessels in the Chinese Collection. Follow this link to look closely it will take you to the gallery guide which includes lots of fascinating images. Don’t forget to double click on the images to enlarge them Spend some time looking at the different objects, what do you notice? What shapes and pattern stand out to you? Are they just patterns or do they resemble something? Share your observations with someone at home Challenge: Focus on 2 or 3 objects Try to recreate the patterns you can see, sketch them onto paper or a notepad Really try to copy the detail and shapes Make a variety of sketches, they can be of a whole design or of a detail Keep them safe, you can use these sketches to help with the next activity! You will need: Paper or sketch book Pencils, pens Focus and concentration! Compton Verney ART GALLERY & PARK Chinese Collection: A closer look at designs Some examples to get started. But take a close look at the images on our website. Ritual wine vessel, zhi, Bronze, early Western Zhou dynasty, Ritual wine vessel, hu, Bronze, late Western Zhou dynasty, c.1050-950 BC © Compton Verney c.850-771 BC © Compton Verney Ritual wine vessel and cover, you (detail) © Compton Verney Compton Verney ART GALLERY & PARK . -
An Analysis of the Death Mystery of Huo Qubing, a Famous Cavalry General in the Western Han Dynasty
Journal of Frontiers of Society, Science and Technology DOI: 10.23977/jfsst.2021.010410 Clausius Scientific Press, Canada Volume 1, Number 4, 2021 An Analysis of the Death Mystery of Huo Qubing, a Famous Cavalry General in the Western Han Dynasty Liu Jifeng, Chen Mingzhi Shandong Maritime Vocational College, Weifang, 261000, Shandong, China Keywords: Huo qubing, Myth, Mysterious death Abstract: Throughout his whole lifetime, Huo Qubing created a myth of ancient war, and left an indelible mark in history. But, pitifully, he suddenly died during young age. His whole life was very short, and it seemed that Huo was born for war and died at the end of war. Although he implemented his great words and aspirations “What could be applied to get married, since the Huns haven’t been eliminated?”, and had no regrets for life, still, his mysterious death caused endless questions and intriguing reveries for later generations. 1. Introduction Huo Qubing, with a humble origin, was born in 140 B.C. in a single-parent family in Pingyang, Hedong County, which belongs to Linfen City, Shanxi Province now. He was an illegitimate child of Wei Shaoer, a female slave of Princess Pingyang Mansion, and Huo Zhongru, an inferior official. Also, he was a nephew-in-mother of Wei Qing, who was General-in-chief Serving as Commander-in-chief in the Western Han Dynasty. Huo Qubing was greatly influenced by his uncle Wei Qing. He was a famous military strategist and national hero during the period of Emperor Wudi of the Western Han Dynasty. He was fond of horse-riding and archery. -
Inscriptional Records of the Western Zhou
INSCRIPTIONAL RECORDS OF THE WESTERN ZHOU Robert Eno Fall 2012 Note to Readers The translations in these pages cannot be considered scholarly. They were originally prepared in early 1988, under stringent time pressures, specifically for teaching use that term. Although I modified them sporadically between that time and 2012, my final year of teaching, their purpose as course materials, used in a week-long classroom exercise for undergraduate students in an early China history survey, did not warrant the type of robust academic apparatus that a scholarly edition would have required. Since no broad anthology of translations of bronze inscriptions was generally available, I have, since the late 1990s, made updated versions of this resource available online for use by teachers and students generally. As freely available materials, they may still be of use. However, as specialists have been aware all along, there are many imperfections in these translations, and I want to make sure that readers are aware that there is now a scholarly alternative, published last month: A Source Book of Ancient Chinese Bronze Inscriptions, edited by Constance Cook and Paul Goldin (Berkeley: Society for the Study of Early China, 2016). The “Source Book” includes translations of over one hundred inscriptions, prepared by ten contributors. I have chosen not to revise the materials here in light of this new resource, even in the case of a few items in the “Source Book” that were contributed by me, because a piecemeal revision seemed unhelpful, and I am now too distant from research on Western Zhou bronzes to undertake a more extensive one. -
The Nature and Linkages of China's Tributary System Under the Ming
Working Papers of the Global Economic History Network (GEHN) No. 21/06 The Nature and Linkages of China’s Tributary System under the Ming and Qing Dynasties Giovanni Andornino © Giovanni Andornino Department of Economic History London School of Economics March 2006 This paper was originally written and submitted as a dissertation in partial fulfilment of the MSc Global History (LSE), and was a winner of the McKenzie prize (2004-05) awarded for outstanding performance in MSc/MA/MPhil/PhD examinations. For more information about the participants and activities of GEHN, go to http://www.lse.ac.uk/collections/economicHistory/GEHN/Default.htm Department of Economic History London School of Economics Houghton Street London, WC2A 2AE Tel: +44 (0) 20 7955 7860 Fax: +44 (0) 20 7955 7730 The Nature And Linkages Of China’s Tributary System Under The Ming And Qing Dynasties Giovanni Andornino Abstract. The current landscape of Global History literature appears dominated by a rather asymmetrical dichotomy between Eurocentric analyses of the cumulative emergence of the West and global history which reduces the significance of this transition by blending it into very long-term perspectives. This ‘synecdoche syndrome’ – whereby a part and the whole are often equated and compared – belies the real nature of human history, which, up to the XIX century at least, was grounded in the presence of a plurality of coexisting world-systems. Each of these systems revolved around a multilayered cultural, economic and political relationship between centre(s) and peripheries. It is through both a synchronic and diachronic comparative study of such systems that the theory of structural systemic transformations may be refined. -
Title <Translated Article> Western Zhou History in the Collective
<Translated Article> Western Zhou History in the Collective Title Memory of the People of the Western Zhou: An Interpretation of the Inscription of the "Lai pan" Author(s) MATSUI, Yoshinori Citation 東洋史研究 (2008), 66(4): 712-664 Issue Date 2008-03 URL https://doi.org/10.14989/141873 Right Type Journal Article Textversion publisher Kyoto University 712 WESTERN ZHOU HISTORY IN THE COLLECTIVE MEMORY OF THE PEOPLE OF THE WESTERN ZHOU: AN INTERPRETATION OF THE INSCRIPTION OF THE "LAI PAN" MATSUI Y oshinori Introduction On January 19, 2003, twenty-seven bronze pieces were excavated from a hoard at Yangjiacun (Meixian county, Baoji city, Shaanxi province).l All the bronzes, which include twelve ding ~, nine Ii rn, two fanghu 11 if., one pan ~, one he :ii\'t, one yi [ffi, and one yu k, have inscriptions. Among them, the bronzes labeled "Forty-second-year Lai ding" ~ ~ (of which there are two pieces), "Forty-third-year Lai ding" (ten pieces), and "Lai pan" ~~ (one piece) have in scriptions that are particularly long for inscriptions from the Western Zhou period and run respectively to 281, 316 and 372 characters in length. The inscription of the "Lai pan," containing 372 characters, is divided into two parts, the first part is narrated from Lai's point of view but employs the third-person voice, opening with the phrase, "Lai said." The second part records an appointment (ceming :IlJt frJ) ceremony that opens, "The King said." The very exceptional first part records the service of generations of Lai's ancestors to successive Zhou Kings. The inscription mentions eleven former kings, King Wen X3:., King Wu TIk3:., King Cheng JIlG3:., King Kang *3:., King Zhao BR3:., King Mu ~~3:., King Gong *3:., King Yi i~3:., King Xiao ~(~)3:., King Yi 1J$(~)3:., King Li Jj1U (J~)3:. -
Official Colours of Chinese Regimes: a Panchronic Philological Study with Historical Accounts of China
TRAMES, 2012, 16(66/61), 3, 237–285 OFFICIAL COLOURS OF CHINESE REGIMES: A PANCHRONIC PHILOLOGICAL STUDY WITH HISTORICAL ACCOUNTS OF CHINA Jingyi Gao Institute of the Estonian Language, University of Tartu, and Tallinn University Abstract. The paper reports a panchronic philological study on the official colours of Chinese regimes. The historical accounts of the Chinese regimes are introduced. The official colours are summarised with philological references of archaic texts. Remarkably, it has been suggested that the official colours of the most ancient regimes should be the three primitive colours: (1) white-yellow, (2) black-grue yellow, and (3) red-yellow, instead of the simple colours. There were inconsistent historical records on the official colours of the most ancient regimes because the composite colour categories had been split. It has solved the historical problem with the linguistic theory of composite colour categories. Besides, it is concluded how the official colours were determined: At first, the official colour might be naturally determined according to the substance of the ruling population. There might be three groups of people in the Far East. (1) The developed hunter gatherers with livestock preferred the white-yellow colour of milk. (2) The farmers preferred the red-yellow colour of sun and fire. (3) The herders preferred the black-grue-yellow colour of water bodies. Later, after the Han-Chinese consolidation, the official colour could be politically determined according to the main property of the five elements in Sino-metaphysics. The red colour has been predominate in China for many reasons. Keywords: colour symbolism, official colours, national colours, five elements, philology, Chinese history, Chinese language, etymology, basic colour terms DOI: 10.3176/tr.2012.3.03 1. -
Bryan Kristopher Miller
Bryan Kristopher Miller Max Planck Institute for the Science of Human History, Department of Archaeology Kahlaische Strasse 10, 07745 Jena, Germany Tel: +49 (0) 3641 686-742 [email protected] ACADEMIC EMPLOYMENT Research Associate: Faculty of History, University of Oxford (Nomadic Empires Project) 2015-2019 Research Fellow: Gerda Henkel Foundation (Research Fellowship) 2014-2015 Postdoctoral Research Fellow: Alexander von Humboldt Foundation (at Bonn University) 2011-2014 Postdoctoral Research Fellow: American Center for Mongolian Studies/Henry Luce Foundation 2010-2011 Visiting Assistant Professor: Rowan University, History Department 2009-2010 Adjunct Professor: State University of New York – FIT, Art History Department Spring 2009 Teaching Assistant: University of Pennsylvania, East Asian Languages and Civilizations 2005-2006 Research Assistant: University of California, Los Angeles, Art History Department 1997-2000 Teaching Assistant: University of California, Los Angeles, Institute of Archaeology 2000 Teaching Assistant: University of California, Los Angeles, East Asian Studies Department 1998 Research Assistant: J. Paul Getty Museum, Los Angeles, Antiquities Department 1998-1999 ACADEMIC EDUCATION Ph.D., University of Pennsylvania, East Asian Languages and Civilizations 2009 Dissertation: Power Politics in the Xiongnu Empire Committee: Paul Goldin, Nicola Di Cosmo, Bryan Hanks, Victor Mair; Nancy Steinhardt M.A., University of California, Los Angeles, Cotsen Institute of Archaeology 2000 Thesis: The Han Iron Industry: Historical Archaeology of Ancient Production Systems Committee: Lothar von Falkenhausen, David Schaberg, Charles Stanish Ex., National Chengchi University, Taiwan, Russian Language Department 2002-2004 Ex., Duke Study in China Program, Capital Normal University/Nanjing University 1996 B.A., Washington University in St. Louis, Archaeology & East Asian Studies (Dean’s List) 1997 ACADEMIC AFFILIATIONS Research Affiliate: Max Planck Institute for the Science of Human History, Dept. -
Views of the Qin Instructor: Anthony Barbieri-Low Tuesdays, 9:00Am-11:50 Am Office: HSSB 4225 Location: HSSB 2252 Office Hours: Mon
History 184R: Views of the Qin Instructor: Anthony Barbieri-Low Tuesdays, 9:00am-11:50 am Office: HSSB 4225 Location: HSSB 2252 Office hours: Mon. 12:00-2:00 pm [email protected] Course Description: The Qin Dynasty (221-207 BC) was the first imperial house to rule the bulk of the territory we now think of as China. The Qin established the pattern for the imperial bureaucratic state that would rule China for the next two thousand years, and its unification of the various written scripts and metal currencies of feudal China ensured the cultural and economic unification of the land as well. But the Qin Dynasty has also been disparaged by later writers for its harsh laws, its excessive labor mobilizations, the autocratic rule of its emperors, and of course, the famous “burning of the books,” one of the most notorious literary inquisitions in history. In this course, students will look at the Qin Dynasty from a wide variety of perspectives. They will come to learn how this brief period in Chinese history has been viewed by later authors and through the lens of contemporary culture. The types of material that students will read or view in this course include primary historical documents, legal codes and casebooks, legends and literature, historical essays, archaeological materials, historical fiction, movies, comic books, and video games. Course Goals: The primary purpose of this course is to train you in the research and writing of a polished historical paper. This course will take you through the stages of a complete research paper -
The Later Han Empire (25-220CE) & Its Northwestern Frontier
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2012 Dynamics of Disintegration: The Later Han Empire (25-220CE) & Its Northwestern Frontier Wai Kit Wicky Tse University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Asian History Commons, Asian Studies Commons, and the Military History Commons Recommended Citation Tse, Wai Kit Wicky, "Dynamics of Disintegration: The Later Han Empire (25-220CE) & Its Northwestern Frontier" (2012). Publicly Accessible Penn Dissertations. 589. https://repository.upenn.edu/edissertations/589 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/589 For more information, please contact [email protected]. Dynamics of Disintegration: The Later Han Empire (25-220CE) & Its Northwestern Frontier Abstract As a frontier region of the Qin-Han (221BCE-220CE) empire, the northwest was a new territory to the Chinese realm. Until the Later Han (25-220CE) times, some portions of the northwestern region had only been part of imperial soil for one hundred years. Its coalescence into the Chinese empire was a product of long-term expansion and conquest, which arguably defined the egionr 's military nature. Furthermore, in the harsh natural environment of the region, only tough people could survive, and unsurprisingly, the region fostered vigorous warriors. Mixed culture and multi-ethnicity featured prominently in this highly militarized frontier society, which contrasted sharply with the imperial center that promoted unified cultural values and stood in the way of a greater degree of transregional integration. As this project shows, it was the northwesterners who went through a process of political peripheralization during the Later Han times played a harbinger role of the disintegration of the empire and eventually led to the breakdown of the early imperial system in Chinese history. -
Ideophones in Middle Chinese
KU LEUVEN FACULTY OF ARTS BLIJDE INKOMSTSTRAAT 21 BOX 3301 3000 LEUVEN, BELGIË ! Ideophones in Middle Chinese: A Typological Study of a Tang Dynasty Poetic Corpus Thomas'Van'Hoey' ' Presented(in(fulfilment(of(the(requirements(for(the(degree(of(( Master(of(Arts(in(Linguistics( ( Supervisor:(prof.(dr.(Jean=Christophe(Verstraete((promotor)( ( ( Academic(year(2014=2015 149(431(characters Abstract (English) Ideophones in Middle Chinese: A Typological Study of a Tang Dynasty Poetic Corpus Thomas Van Hoey This M.A. thesis investigates ideophones in Tang dynasty (618-907 AD) Middle Chinese (Sinitic, Sino- Tibetan) from a typological perspective. Ideophones are defined as a set of words that are phonologically and morphologically marked and depict some form of sensory image (Dingemanse 2011b). Middle Chinese has a large body of ideophones, whose domains range from the depiction of sound, movement, visual and other external senses to the depiction of internal senses (cf. Dingemanse 2012a). There is some work on modern variants of Sinitic languages (cf. Mok 2001; Bodomo 2006; de Sousa 2008; de Sousa 2011; Meng 2012; Wu 2014), but so far, there is no encompassing study of ideophones of a stage in the historical development of Sinitic languages. The purpose of this study is to develop a descriptive model for ideophones in Middle Chinese, which is compatible with what we know about them cross-linguistically. The main research question of this study is “what are the phonological, morphological, semantic and syntactic features of ideophones in Middle Chinese?” This question is studied in terms of three parameters, viz. the parameters of form, of meaning and of use. -
New Qing History: Dispute, Dialog, and Influence
Faculty Scholarship Collection The faculty at Allegheny College has made this scholarly article openly available through the Faculty Scholarship Collection (FSC). Article Title The Social Construction and Deconstruction of Evil Landlords in Contemporary Chinese Fiction, Art, and Collective Memory Author(s) Guo Wu (Allegheny College) Journal Title Modern Chinese Literature and Culture Citation Wu, Guo. 2013. "The Social Construction and Deconstruction of Evil Landlords in Contemporary Chinese Fiction, Art, and Collective Memory." Modern Chinese Literature and Culture 25, no. 1: 131-164. Link to additional information on http://u.osu.edu/mclc/journal/abstracts/wu-guo/ publisher’s website Version of article in FSC Published version Link to this article through FSC https://dspace.allegheny.edu/handle/10456/37714 Date article added to FSC March 18, 2015 Information about Allegheny’s Open Access Policy is available at http://sites.allegheny.edu/scholarlycommunication/ For additional articles from this collection, visit https://dspace.allegheny.edu/handle/10456/34250 The Chinese Historical Review ISSN: 1547-402X (Print) 2048-7827 (Online) Journal homepage: http://www.tandfonline.com/loi/ytcr20 New Qing History: Dispute, Dialog, and Influence Guo Wu To cite this article: Guo Wu (2016) New Qing History: Dispute, Dialog, and Influence, The Chinese Historical Review, 23:1, 47-69, DOI: 10.1080/1547402X.2016.1168180 To link to this article: http://dx.doi.org/10.1080/1547402X.2016.1168180 Published online: 09 Jun 2016. Submit your article to this journal Article views: 325 View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=ytcr20 Download by: [Allegheny College] Date: 19 December 2016, At: 07:28 The Chinese Historical Review, 23. -
Editorial Report
Editorial Report 1. This issue of the Bulletin of the Department of Chinese Literature, National Chengchi University (“the Bulletin”) received 21 submissions (15 from Taiwan, six from overseas). Two submissions were rejected and returned during the preliminary editorial committee review. Of the remaining 18 submissions (excluding the feature article submission), six submissions were selected through double-blind reviews by two extramural experts for each submission. Excluding the feature article submission, six submissions out of 20 were selected, resulting in an acceptance rate of 30 percent, and a rejection rate of 70 percent. This issue publishes eight formal academic articles, with three articles by full-time teachers of the Department of Chinese Literature, National Chengchi University, the rate for internal release is 37.5 percent. The Bulletin aims to enhance academic standards and expand research horizons, we sincerely invite submissions from all scholars of Chinese studies. 2. In this issue, we feature “Writing on Landmarks: From Yellow Crane Tower to Phoenix Terrace” by Professor Shang Wei, Du Family Professor of Chinese Culture, Columbia University. This feature article begins with a close reading of Li Bai’s “Ascending Phoenix Terrace in Jinling” to explore his varied responses to Cui Hao’s “Yellow Crane Tower.” Tracing a series of poems related to the same subject, it examines the poetic practice of writing about scenic spots or landmark sites during the Tang dynasty, with reference to the literary discourse on this practice and other pertinent topics. By tracing a series of poems related to the same subject, Professor Shang tells the story of how poets during the Tang dynasty imitate and compete through writing about scenic spots or landmark sites, paying attention to the subtly complicated relationship between literary text and critical discourse, questioning the ideal mode of extempore verse and its premise, at the same time exploring what classical poetry can and cannot do, its potential and boundary.