DOCSLIB.ORG

Vanemuise Teatris / in Vanemuine Theatre

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Vanemuise Teatris / in Vanemuine Theatre Carmen 151. hooaeg esitleb Helilooja / Music by ALAN MENKEN Laulutekstid / Lyrics by GLENN SLATER Libreto / Book by CHERI STEINKELLNER & BILL STEINKELLNER Täiendav helilooming / Additional Book Material DOUGLAS CARTER BEANE Põhineb Touchstone Picturesi filmil „Sister Act”, stsenaariumi autor Joseph Howard Based on the Touchstone Pictures Motion Picture „Sister Act”, written by Joseph Howard Esitatakse kokkuleppel agentuuriga / Presented by arrangement with MUSIC THEATRE INTERNATIONAL (Europe) TOUCHSTONE PICTURESI JA JOSEPH HOWARDI KOMÖÖDIAFILMI “SISTER ACT” AINETEL esitleb ALAN MENKENI MUUSIKAL / ALAN MENKEN’S MUSICAL Vanemuise teatris / In Vanemuine Theatre NUNNAD HOOS Lavastaja / Director Samuel Harjanne (Soome / Finland) Muusikajuht ja dirigent / Musical Director and Conductor Taavi Kull SISTER ACT Dirigent/ Conductor Ele Sonn Kahes vaatuses / In two acts Kunstnik ja kostüümikunstnik / Set and Costume Designer Karmo Mende Koreograaf ja liikumisjuht / Choreographer and Movement Director Orkestratsioonid / Orchestrations by Doug Besterman Gunilla Olsson (Rootsi / Sweden) Vokaal- ja lavamuusika seaded / Vocal and Incidental Tõlkijad / Translators Aapo Ilves ja/and Mario Pulver Music Arrangements by Michael Kosarin Helirežissöör / Sound Designer Toomas Paidra Broadway produktsioon valmis Whoopi Goldbergi ja Stage Entertainmenti koostöös Valguskunstnik / Lighting Designer Märt Sell (Rakvere teater / Rakvere Theatre) produktsioonifirmadega The Shubert Organization ja Disney Theatrical Productions Koreograafi assistent ja repetiitor / Choreographer’s Assistant and Repetitor Matthew Jordan Produced on Broadway by Whoopi Goldberg and Stage Entertainment in association with The Shubert Organization and Disney Theatrical Productions Kontsertmeistrid / Concertmasters Ele Sonn ja/and Katrin Nuume Broadway lavastuse teostasid Peter Schneider ja Michael Reno ning Koormeister / Chorus Master Ele Sonn produtseeris Stage Entertainment Inspitsient / Stage Manager Ülle Tinn Originally Production Developed in Association with Lavastaja assistent ja produtsent / Director’s Assistant and Producer Heli Anni Peter Schneider & Michael Reno and Produced by Stage Entertainment Maailmaesietenduse produtseerisid / World Premiere Produced by Muusikalis on kasutatud Kristjan Suitsu loodud kujunduselemente lavastusele ”Roosi nimi” Pasadena Playhouse, Pasadena CA ja/and Alliance Theatre, Atlanta GA Kunstilised juhid / Artistic Directors Sheldon Epps, Susan V. Booth Peadirektor / Executive Director Lyla White Esietendus 28. novembril 2020 Vanemuise suures majas Tegevdirektor / Managing Director Tom Pechar Premiere on November 28th 2020 in the Grand Building of the Vanemuine Theatre Produktsiooni direktor / Producing Director Tom Ware Osades / Cast Deloris van Cartier TANJA MIHHAILOVA-SAAR Ülemõde / Mother Superior MERLE JALAKAS Õde Mary Robert / Sister Mary Robert KÄRT ANTON Õde Mary Patrick / Sister Mary Patrick KARIN TAMMARU (Teater Endla / Endla Theatre) Õde Mary Lazarus / Sister Mary Lazarus MILVI LUIK Monsenjöör O’Hara / Monsignor O’Hara SIMO BREEDE Curtis KALLE SEPP (ETA Revüüteater „Starlight Cabaret”/ EDA revue theatre “Starlight Cabaret“) Eddie RASMUS KULL TJ NORMAN SALUMÄE Joey SILVER LAAS Pablo GERMÁN GHOLAMI Õde Mary Martin / Sister Mary Martin EVE KIVISAAR Õde Mary Theresa / Sister Mary Theresa KAJA ILMJÄRV Michelle LINDA KANTER Tina ELE MILLISTFER Ernie EGON LAANESOO Nunnad, prostituudid, altaripoisid, baari- ja kirikukülastajad, kodutud ning võmm, drag queen, uudistereporter ja taksojuht / Nuns, prostitutes, altar boys, bar and church visitors, homeless people, also cop, drag queen, newscaster and cab driver ELE MILLISTFER, SIIRI KOODRES, LINDA KANTER, KATRIN KAPINUS, KAJA ILMJÄRV, RISTO ORAV, OLIVER TIMMUSK, EGON LAANESOO, ALO KURVITS, EVE KIVISAAR, LUULE VEZIKO, HELEN HANSBERG, MERLE AUNPUU, INGE ÕUNAPUU, MATTHEW JORDAN, ANDRA AUS, CARINE JESSICA KOSTLA VANEMUISE SÜMFOONIAORKESTER JA BÄND VANEMUINE SYMPHONY ORCHESTRA AND BAND M uusikali taustast B ackground of the Musical Film „Nunnad hoos“ („Sister Act“) esilinastus 1992. aastal. Linateos osutus niivõrd popu- “Sister Act” made its cinematic debut in 1992. The movie grossed 231 million dollars laarseks, et teenis üle maailma 231 miljonit dollarit tulu ning oli seega üks edukaimaid around the world, making it one of the most successful 1990s comedies. It was nomi- 90ndate komöödiaid. Film nomineeriti kahele Kuldgloobusele. Sära ja kuulsusega käisid nated for two Golden Globes. Glitter and fame were followed by litigation – plagiarism kaasas ka kohtuvaidlused – kahel korral esitati filmile plagiaadisüüdistusi, väites, et lugu charges were levelled on two occasions. But the courts ruled in favour of the film- on varastatud olemasolevatest teostest, kuid kohus tühistas süüdistused. Filmile vändati makers. A sequel followed: “Sister Act 2: Back in the Habit”, where the lead character ka teine osa „Sister Act 2: Back in the Habit“, kus esimese filmi peategelane Deloris van from the original film is elected the manager of a Catholic school’s choir to save them Cartier hakkab juhtima katoliku kooli laulukoori, et ka nemad mandumisest päästa, või- from ruin, while battling condemnation from monks and strict parents. deldes samal ajal munkade hukkamõistu ja rangete lapsevanematega. The musical based on the film, also called “Sister Act”, made its stage premiere in Samanimelisel filmil põhinev muusikal esietendus teatrilaval esmakordselt 2006. 2006 at Pasadena Playhouse in California. A few years later, West End and Broadway aastal Californias Pasadena Playhouse’is. Mõned aastad hiljem etendus muusikal had their own versions. The London production was nominated for a Laurence Olivier Londoni West Endis ja peagi ka New Yorgis Broadwayl. West Endi produktsioon award in four categories, while the Broadway version vied for Tonys and Drama Desks, nomineeriti Laurence Olivier’ auhinnale neljas kategoorias, Broadway versioon aga likewise in several categories. nii Tony kui Drama Desk auhindadele samuti mitmetes kategooriates. Before the West End premiere, the musical team organized a charity “Nun Run”, with Enne West Endi esietendust korraldas muusikali meeskond heategevusliku jooksu- about 1,000 competitors running a four-mile course through the streets of central võistluse Nunnade Ööjooks, kus osales umbes 1000 inimest, kes läbisid kuue- London while dressed as nuns. It raised 30,000 pounds for the Barnardo’s charity kilomeetrise raja Londoni südalinna tänavatel nunnarüüdes! Jooksuga koguti hea- organization and was followed by subsequent instalments of the event. tegevusorganisatsioonile Barnardo’s 30 000 naela ning ürituse edukuse tõttu “Sister Act” is still on the stages of world’s major musical theatres, captivating korrati jooksu ka järgmistel aastatel. audiences with spirited music, colourful characters and a story that shows the „Nunnad hoos“ on jätkuvalt maailma suurte muusikaliteatrite lavadel, paeludes humanity and warmth under the nuns’ sometimes strict exterior. It’s a feel-good publikut hoogsa muusika, värvikate karakterite ja mis peamine – südamliku looga, mis musical starring ostensibly modest and devout nuns who have lost their singing paljastab nunnade range pealisrüü all oleva inimlikkuse ja soojuse. See on heatuju- voice during the years spent at the convent. When Deloris van Cartier, a bon vivant muusikal, mille peategelasteks on pealtnäha vaoshoitud ja oma elu jumala teeni- aspiring to musical fame, arrives at the convent, the nuns are sceptical at first, but misele pühendanud nunnad, kes on aastatega kloostris kaotanud oma lauluhääle. soon, through song, rediscover their passion and love for their work and music. At Muusikamaailmas kuulsuse poole pürgiva elunautlejast Deloris van Cartier’ kloostrisse the convent, Deloris becomes Sister Mary. By adding a little gospel groove to the saabudes leiavad esialgu umbusklikud nunnad taas läbi laulu enda sees pakitseva hymns, the convent soon becomes bigger than Vegas. But the road isn’t without kire ja armastuse oma elutöö ning muusika vastu. Delorisest saab kloostris õde Mary bumps – the fearless nuns are confronted with worldly temptations and criminals, Clarence ning kirikulauludele veidi vunki andes tehakse tema eestvõttel pühakoda testing their faith and self-knowledge. suuremaks kui Vegas ning ehitatakse heliredelid taevani. Teekond pole aga sirg- jooneline – kartmatud nunnad seisavad silmitsi nii pahelise maailma ahvatluste ja kui ka kurjategijatega ning katsumused panevad proovile nende usu ja teadmised iseendast. Inimesed vajavad teisi inimesi. As humans, we need companionship. Me vajame oma kogukonda. We need community. Seda eelmainitud kogukonda religioon pakubki. Paljudele on see turvaline ja Religion offers community to many people. A safe, happy place to find peace õnnelik paik, kus oma teekonnal sellel planeedil leida rahu ja heaolutunnet. and comfort on your journey on earth. Communion is a part of Christianity, also Kristluse üheks osaks on ka armulaud, kus toimuv veini ja leiva jagamine meaning an act or instance of sharing. Yes – what would our lives be like if we kannab sümboolset tähendust. Tõepoolest – mis oleks elu, kui me ei saaks couldn’t share it with others? seda teistega jagada? To some, family is everything. You share your life with people you love, and Nii mõnegi jaoks meist on kõige olulisem perekond – oma elu jagamine inimes- who were born as a result of that love. Unfortunately, not everyone has a family. tega, keda armastad ja kes sündisid samuti armastusest. Samas ei ole kõigil Religion can create that
Load more

Recommended publications
  • Birth and Evolution of Korean Reality Show Formats
    Georgia State University ScholarWorks @ Georgia State University Film, Media & Theatre Dissertations School of Film, Media & Theatre Spring 5-6-2019 Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats Soo keung Jung [email protected] Follow this and additional works at: https://scholarworks.gsu.edu/fmt_dissertations Recommended Citation Jung, Soo keung, "Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats." Dissertation, Georgia State University, 2019. https://scholarworks.gsu.edu/fmt_dissertations/7 This Dissertation is brought to you for free and open access by the School of Film, Media & Theatre at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Film, Media & Theatre Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. DYNAMICS OF A PERIPHERY TV INDUSTRY: BIRTH AND EVOLUTION OF KOREAN REALITY SHOW FORMATS by SOOKEUNG JUNG Under the Direction of Ethan Tussey and Sharon Shahaf, PhD ABSTRACT Television format, a tradable program package, has allowed Korean television the new opportunity to be recognized globally. The booming transnational production of Korean reality formats have transformed the production culture, aesthetics and structure of the local television. This study, using a historical and practical approach to the evolution of the Korean reality formats, examines the dynamic relations between producer, industry and text in the
    [Show full text]
  • Reorer-Muusiko-Kin L
    ISSN 0207-6535 reorer-muusiko-kinО EESTI KULTUURIMINISTEERIUMI. EESTI HELILOOJATE LIDU, EESTI KINOLIIDU. EESTI TEATRILIIDU AJAKIRI \ * \ L XVI AASTAKÄIK PEATOIMETAJA JURI ÄÄRMA, tel 44 04 72 TOIMETUS: Tallinn, Narva mnt 5 fax 44 47 87 e-mail [email protected] Vastutav sekretär Helju Tüksammel, tel 6 44 54 68, 44 47 87 Teatriosakond Margot Visnap ja Kadi Herkül, tel 44 40 80 Muusikaosakond Saale Siitan ja Tiina Õun, tel 44 31 09 Filmiosakond Sulev Teinemaa ja Jaan Ruus, tel 43 77 56 Keeletoimetaja Kulla Sisask, tel 6 41 82 74 Korrektor Solveig Kriggulson, tel 6 41 82 74 Infotöötleja Viire Kareda, tel 44 47 87, 6 44 54 68 Esikaanel: Fotokorrespondent Kuldar Sink 30. septembril 1991. Harri Rospu, tel 43 77 56 Tõnu Tormise foto KUJUNDUS: MAI EINER, tel 6 41 82 74 "Dracula' (lavastaja P. Raudsepp), Rakvere Teater, 1997. Draculla — Peeter Jakobi. © "Teater. Muusika. Kino", 1997 Priit Crept foto <"N eorer-muusiko-kino SISUKORD VASTAB KALJU SUUR TEATER SLAWOMIR MROŽEKI KALESTUNUD SÜDAMETUNNISTUS (Intervjuu Slawomir Mrožekiga) 1 Ulo Tõnts MITU SAMMU ON REALISMIST ABSURDI JA VASTUPIDI? {Festival "LIFE '97") 3 Margot Visnap SUVETEATER Kül NORM Mati Unt APOKRIIVA THESPISELE ("Thespis. Meie teatriuuendused") 75 Ingo Normet UNT JA BRECHT {Mati Unt, "Brecht ilmub öösel") MUUSIKA 95 AASTAT SÜNNIST Maris Kirme KARL LEICHTERI KRIITIKAST 55 AASTAT SÜNNIST INTERVJUU KULDAR SINGIGA (2992. aastast) Mart Mikk LEGEND OLAVINLINNAST SAVONLINNA OOPERIFESTIVAL 1967—1997 Merike Vaitmaa PLAADIKAJA 1994—1997 I (Lepo Siimera autori-CDde arvustustest) Lea Tormis ÜHE AMMUSE ESIETENDUSE KOMMENTAARIKS ("Coppelia" lavastusest "Estonias" 1922. aastal) Elina Männi LUGU VAHMIILI JA VEART VERE NAPPUSEST (Mark Soosaare filmist "Isa, poeg ja püha Toorum") Andre Bazin FILMIKEELE ARENG I Boris Tuch RIIVAMISI HOLOCAUSTIST (Eesti-Iisraeli ühisfilmist "Paragrahv 58/4") Antoine de Baecque KOMMUNISMI SOOLIKATES (Emir Kusturica mängufilmist "Underground") Emir Kusturica MÄLESTUSED PIIRILT (Katkendid raamatust "Oli kord..
    [Show full text]
  • Tallinn Yearbook 2004 Tallinn City Government Vabaduse Väljak 7, 15199 Tallinn, Estonia Phone +372 640 4141
    Tallinn Yearbook 2004 Tallinn City Government Vabaduse väljak 7, 15199 Tallinn, Estonia Phone +372 640 4141 www.tallinn.ee Design: Art Industria Photos: Art Industria, Tallinn City Office Press Department Tallinn Yearbook 2004 LOCATION 59˚26’ LATITUDE ON THE GLOBE ESTONIA IS A MEMBER OF THE EUROPEAN UNION SINCE MAY 1, 2004. TALLINN, A FAMOUS HANSA TOWN, RECEIVED ITS TOWN RIGHTS IN 1248. Tallinn GEOGRAPHIC INDICATORS 24˚46’ LONGITUDE 24˚46’ km2 km2 km2 km2 CLIMATE LAND OWNERSHIP IN THE CITY Average air temperature in July + 16,3° C 82.6 km2 or 52.2% of Tallinn’s territory is Average temperature in February - 3,5° C registered in the land cadastre. 5 km2 of this total was registered during 2004. 47.8% of Tallinn’s POPULATION territory is state land that has not been reformed. 401 821 (April 1, 2005) According to information in the land register, 14.3 km2 (9.1%) of Tallinn’s area was owned by the city CITY DISTRICTS as municipal land as of December 31, 2004. 18.4 km2 or 11.6% of Tallinn’s territory was Haabersti 38 407 registered as being owned by the state. Kesklinn 45 802 Kristiine 29 874 Private land totalled 31.5% of the Tallinn’s 2 Lasnamäe 114 257 territory. Of this 17.9 km or 11.3% of the land in Mustamäe 65 793 the land cadastre was returned land. Of Tallinn’s 2 Nõmme 39 255 territory, 31.7 km or 20.1% of the land in the land Pirita 11 466 cadastre was land privatized under the right of Põhja-Tallinn 56 967 first refusal.
    [Show full text]
  • God in Chinatown
    RELIGION, RACE, AND ETHNICITY God in Chinatown General Editor: Peter J. Paris Religion and Survival in New York's Public Religion and Urban Transformation: Faith in the City Evolving Immigrant Community Edited by Lowell W. Livezey Down by the Riverside: Readings in African American Religion Edited by Larry G. Murphy New York Glory: Kenneth ]. Guest Religions in the City Edited by Tony Carnes and Anna Karpathakis Religion and the Creation of Race and Ethnicity: An Introduction Edited by Craig R. Prentiss God in Chinatown: Religion and Survival in New York's Evolving Immigrant Community Kenneth J. Guest 111 New York University Press NEW YORK AND LONDON NEW YORK UNIVERSITY PRESS For Thomas Luke New York and London www.nyupress.org © 2003 by New York University All rights reserved All photographs in the book, including the cover photos, have been taken by the author. Library of Congress Cataloging-in-Publication Data Guest, Kenneth J. God in Chinatown : religion and survival in New York's evolving immigrant community I Kenneth J. Guest. p. em.- (Religion, race, and ethnicity) Includes bibliographical references (p. 209) and index. ISBN 0-8147-3153-8 (cloth) - ISBN 0-8147-3154-6 (paper) 1. Immigrants-Religious life-New York (State)-New York. 2. Chinese Americans-New York (State )-New York-Religious life. 3. Chinatown (New York, N.Y.) I. Title. II. Series. BL2527.N7G84 2003 200'.89'95107471-dc21 2003000761 New York University Press books are printed on acid-free paper, and their binding materials are chosen for strength and durability. Manufactured in the United States of America 10 9 8 7 6 5 4 3 2 1 Chinatown and the Fuzhounese 37 36 Chinatown and the Fuzhounese have been quite successful, it also includes many individuals who are ex­ tremely desperate financially and emotionally.
    [Show full text]
  • As Ekspress Grupp Consolidated Interim Report for the Fourth Quarter and Twelve Months of 2012
    AS EKSPRESS GRUPP CONSOLIDATED INTERIM REPORT FOR THE FOURTH QUARTER AND TWELVE MONTHS OF 2012 AS Ekspress Grupp Consolidated Interim Report for the Fourth Quarter and Twelve Months of 2012 TABLE OF CONTENTS GENERAL INFORMATION ............................................................................................................................. 3 ManaGement Board’s confirmation of the Group’s consolidated interim report ......................................... 4 MANAGEMENT REPORT ................................................................................................................................ 5 OVERVIEW OF THE SEGMENTS ........................................................................................................... 10 GROUP STRUCTURE ................................................................................................................................... 19 SHARES AND SHAREHOLDERS OF AS EKSPRESS GRUPP ........................................................ 20 INTERIM CONSOLIDATED FINANCIAL STATEMENTS ................................................................. 23 Consolidated balance sheet (unaudited) ........................................................................................................ 23 Consolidated statement of comprehensive income (unaudited)................................................................ 24 Consolidated statement of chanGes in equitY (unaudited) .......................................................................... 25 Consolidated cash flow statement
    [Show full text]
  • Adopting a Chinese Mantle: Designing and Appropriating Chineseness 1750-1820
    This electronic thesis or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ Adopting a Chinese Mantle Designing and Appropriating Chineseness 1750-1820 Newport, Emma Helen Henke Awarding institution: King's College London The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. END USER LICENCE AGREEMENT Unless another licence is stated on the immediately following page this work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence. https://creativecommons.org/licenses/by-nc-nd/4.0/ You are free to copy, distribute and transmit the work Under the following conditions: Attribution: You must attribute the work in the manner specified by the author (but not in any way that suggests that they endorse you or your use of the work). Non Commercial: You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 24. Sep. 2021 Adopting a Chinese Mantle: Designing and Appropriating Chineseness 1750-1820 Emma Helen Henke Newport King’s College London Thesis submitted for the degree of Doctor of Philosophy in English Research 1 Abstract The thesis examines methods of imagining and appropriating China in Britain in the period 1750 to 1820.
    [Show full text]
  • Tv Pg 6 3-2.Indd
    6 The Goodland Star-News / Tuesday, March 2, 2009 All Mountain Time, for Kansas Central TIme Stations subtract an hour TV Channel Guide Tuesday Evening March 2, 2010 7:00 7:30 8:00 8:30 9:00 9:30 10:00 10:30 11:00 11:30 28 ESPN 57 Cartoon Net 21 TV Land 41 Hallmark ABC Lost Lost 20/20 Local Nightline Jimmy Kimmel Live S&T Eagle CBS NCIS NCIS: Los Angeles The Good Wife Local Late Show Letterman Late 29 ESPN 2 58 ABC Fam 22 ESPN 45 NFL NBC The Biggest Loser Parenthood Local Tonight Show w/Leno Late 2 PBS KOOD 2 PBS KOOD 23 ESPN 2 47 Food FOX American Idol Local 30 ESPN Clas 59 TV Land Cable Channels 3 KWGN WB 31 Golf 60 Hallmark 3 NBC-KUSA 24 ESPN Nws 49 E! A&E Criminal Minds CSI: Miami CSI: Miami Criminal Minds Local 5 KSCW WB 4 ABC-KLBY AMC To-Mockingbird To-Mockingbird Local 32 Speed 61 TCM 25 TBS 51 Travel ANIM 6 Weather Wild Recon Madman of the Sea Wild Recon Untamed and Uncut Madman Local 6 ABC-KLBY 33 Versus 62 AMC 26 Animal 54 MTV BET National Security Vick Tiny-Toya The Mo'Nique Show Wendy Williams Show Security Local 7 CBS-KBSL BRAVO Mill. Matchmaker Mill. Matchmaker Mill. Matchmaker Mill. Matchmaker Matchmaker 7 KSAS FOX 34 Sportsman 63 Lifetime 27 VH1 55 Discovery CMT Local Local Smarter Smarter Extreme-Home O Brother, Where Art 8 NBC-KSNK 8 NBC-KSNK 28 TNT 56 Fox Nws CNN 35 NFL 64 Oxygen Larry King Live Anderson Cooper 360 Larry King Live Anderson Local 9 Eagle COMEDY S.
    [Show full text]
  • Traceability Study in Shark Products
    Traceability study in shark products Dr Heiner Lehr (Photo: © Francisco Blaha, 2015) Report commissioned by the CITES Secretariat This publication was funded by the European Union, through the CITES capacity-building project on aquatic species Contents 1 Summary.................................................................................................................................. 7 1.1 Structure of the remaining document ............................................................................. 9 1.2 Acknowledgements ....................................................................................................... 10 2 The market chain ................................................................................................................... 11 2.1 Shark Products ............................................................................................................... 11 2.1.1 Shark fins ............................................................................................................... 12 2.1.2 Shark meat ............................................................................................................. 12 2.1.3 Shark liver oil ......................................................................................................... 13 2.1.4 Shark cartilage ....................................................................................................... 13 2.1.5 Shark skin ..............................................................................................................
    [Show full text]
  • „Ameerika Otsib Superstaari“ Subtiitrite Analüüs
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by DSpace at Tartu University Library Tartu Ülikool Filosoofiateaduskond Germaani, romaani ja slaavi filoloogia instituut SAATE „AMEERIKA OTSIB SUPERSTAARI“ SUBTIITRITE ANALÜÜS Magistritöö Raul Pirbe Juhendaja: Lektor Ilmar Anvelt Tartu 2012 2 Eessõna Käesoleva magistritöö põhieesmärgiks on välja tuua telesaate „Ameerika otsib superstaari“ kümnenda hooaja 18 episoodi eesti keelde subtitreerimisel (tõlkimisel) tekkinud peamised probleemid. Töö on jaotatud kaheks põhiliseks osaks. Esimeses osas antakse ülevaade subtitreerimisest üldisemalt, SDI Media Estonia OÜ-st, subtiitrite nõuetest ja tehnilistest piirangutest ning erinevatest tõlketeooriatest ja –meetoditest, mida probleemide lahendamisel on kasutatud. Teine osa sisaldab subtiitrite analüüsi, kus on kirjas algtekst, eestikeelne subtiiter ja põhjendused, miks on tõlgitud just nii ning milliseid meetodeid kasutatud. Näiteid on toodud kõigist 18 episoodist, mis käesoleva magistritöö autor tõlkis reaalse tõlketööna. 3 Lühendid Käesolevas magistritöös kasutatakse järgmisi lühendeid: SDI – SDI Media Estonia OÜ; ÕS – Eesti õigekeelsussõnaraamat. 4 Sisukord Eessõna ....................................................................................................................................... 2 Lühendid ..................................................................................................................................... 3 1. Sissejuhatus ........................................................................................................................
    [Show full text]
  • Vanemuine Buklett 148X210mm
    The exhibition When the Stage Lights Came On... tells ... the multi-layered story of a theatre by displaying the folio of prints Wanemuine 100, which focuses on the beginning of the Vanemuine Theatre. The folio ties together two important moments in time: the birth of Estonian language theatre and the beginning of the 1970s, when the local theatre life was influenced by its Soviet environment but also by the begin- nings of the theatrical renewal. Inspired by these layers, the folio is the impetus and central exhibit of the present exhibition. The students of the Estonian Academy of Arts who curated the exhibition travelled from the world of art to the world of theatre and brought a small piece of Estonian theatre history to the museum. In all probability, the folio, which is part of the Tartu Art Museum’s collections, has never been exhibited. This allowed us to unravel the collages from the folio like detectives and to delve into their sources to bet- ter understand the backstory of the folio. As a result of the research, this playbill that you are reading contains most of the photos that form the basis of the collages. Archival materials tell a multifaceted story that covers the period from the birth of Estonian language theatre up to the founding of professional theatre. It includes images of the people associated with theatre, the public festivals, the costumes and the theatre buildings. The foundation of the Vanemuine Theatre took place during the phase of active construction of Estonian nationality. It focused on a national narrative, on connecting individual events and celebrating anniversaries that assisted in asserting a collective sense of continuity.
    [Show full text]
  • 101 Biograafiat-2021-June.Pdf
    101 BIOGRAPHIES The 14th Riigikogu June 17, 2021 Tallinn 2021 Compiled on the basis of questionnaires completed by members of the Riigikogu / Reviewed semi-annually Compiled by Marge Allandi, Rita Hillermaa and Piret Pärgma / Translated by the Chancellery of the Riigi- kogu / Estonian edition edited by Gerli Randjärv, English edition by Piret Pärgma / Cover by Tuuli Aule / Layout by Margit Plink / Photos by Erik Peinar ISSN 2674-3205 Copyright: Chancellery of the Riigikogu, National Library of Estonia CONTENTS Members of the 14th Riigikogu 3 Members of the Riigikogu by Constituency 114 Members of the Riigikogu by Faction 117 Members of the Riigikogu by Committee 120 Members of the Riigikogu Whose Mandate Has Been Suspended or Has Terminated 124 List of Riigikogus 148 Abbreviations and Select Glossary 149 CONTENTS CONTENTS 2 Members MEMBERS OF Merry Aart Uno Kaskpeit Kristen Michal Erki Savisaar THE 14TH RIIGIKOGU Annely Akkermann Erkki Keldo Marko Mihkelson Helir-Valdor Seeder Yoko Alender Kert Kingo Madis Milling Andrus Seeme Tiiu Aro Signe Kivi Aadu Must Sven Sester Riho Breivel Toomas Kivimägi Eduard Odinets Priit Sibul Dmitri Dmitrijev Aivar Kokk Jevgeni Ossinovski Riina Sikkut Ivi Eenmaa Rene Kokk Ivari Padar Imre Sooäär Enn Eesmaa Mihhail Korb Hanno Pevkur Mihhail Stalnuhhin Peeter Ernits Andrei Korobeinik Heljo Pikhof Timo Suslov Hele Everaus Siret Kotka Õnne Pillak Margit Sutrop Kalle Grünthal Heiki Kranich Siim Pohlak Aivar Sõerd Helle-Moonika Helme Igor Kravtšenko Kristina Šmigun-Vähi Anti Poolamets Mart Helme Eerik-Niiles Kross
    [Show full text]
  • Cultural Policy Landscapes a Guide to Eighteen Central and South Eastern European Countries
    ERSTE Stiftung Cultural policy landscapes Studies A guide to eighteen Central and South Eastern European countries Cultural policy landscapes. A guide to eighteen Central and South Eastern European countries Authors: Veronika Ratzenböck, Katharina Okulski, Xenia Kopf Proof reading: David Westacott Editing: Andrea Huemer Vienna 2012, 116 pages All rights reserved. © ERSTE Foundation and österreichische kulturdokumentation. internationales archiv für kulturanalysen, Schultergasse 5/15, 1010 Vienna 0043 (0)1 535 27 05 [email protected] www.kulturdokumentation.org Despite careful checking, errors cannot be excluded and no claim is made to the exhaustive completeness of the data. Cultural policy landscapes A guide to eighteen Central and South Eastern European countries Veronika Ratzenböck Katharina Okulski Xenia Kopf CONTENTS 7 Preface 9 Introduction 11 1. Country profiles: 18 outlines of cultural policy development 12 Albania 15 Bosnia and Herzegovina 19 Bulgaria 22 Croatia 26 Czech Republic 30 Estonia 34 Hungary 38 Kosovo 42 Latvia 46 Lithuania 50 The Former Yugoslav Republic of Macedonia 53 Moldova 57 Poland 61 Romania 65 Serbia 69 Slovakia 73 Slovenia 77 Ukraine 81 2. Country profiles in comparison 82 2.1 A comparison of figures: cultural budgets and expenditure 85 2.2 Common issues and characteristics 87 2.2.1 Transformation and (de)centralisation 89 2.2.2 International relations and cross-regional alliances 93 2.2.3 The status of contemporary art 96 Sources 102 Annex 5 PREFACE ERSTE Foundation develops its projects in cooperation with non-profit organisations (NPOs) in East- ern Europe. As a result, we are very much involved in the local NPO scene and often learn about deci- sions on budgetary issues and political priorities first hand through our contacts.
    [Show full text]