Student Guide
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
LEZIONE 9 – Dal Cordusio Al Castello Sforzesco (DIA 1)
LEZIONE 9 – Dal Cordusio al Castello sforzesco (DIA 1) ( DIA 2) Il nuovo itinerario di Milano che iniziamo oggi parte da piazza Cordusio, prosegue per via Dante, per raggiungere infine il castello sforzesco con le sue gallerie d’arte. Usciti poi dal castello, inizieremo la visita del Parco Sempione, il più grande giardino pubblico all’interno delle mura spagnole, con l’acquario, l’Arena, l’arco della Pace, e il palazzo dell’Arte. Ritorneremo poi in via Dante attraverso via Boccaccio, la stazione delle Ferrovie Nord Milano, il teatro e il palazzo Dal Verme. Piazza Cordusio ( DIA 3) ) è una delle più importanti piazze milanesi, anche per funzione viabilistica e strategiche. È da sempre centro storico e nevralgico della città, di elevato rilievo storico e artistico. Crocicchio già in epoca imperiale, il Cordusio divenne importante con l’avvento dei Longobardi. Infatti, trent’anni dopo la distruzione di Milano (538-539) ad opera degli Ostrogoti, scende in Italia nel 569, il re dei Longobardi, Alboino. Da allora l’area divenne Langobardia, e in seguito Lombardia. Con la scomparsa di Alboino nel 572, la Provincia venne divisa fra i tre generali (che divennero duchi). Ad Albino toccò la “desolata Milano”. Il suo palazzo, che sorgeva nell’odierna piazza, era detto “De curte ducis” (o “Curia ducis“, ossia la corte dei duchi lombardi), da cui per corruzione “Cortedoxi“, quindi “Corduce” e infine “Corduso” o “Cordusio“. La corte ducale venne subito soppiantata dal nuovo palazzo del Broletto vecchio (Palazzo Reale) e il palazzo al Cordusio venne smembrato e probabilmente attraversato dalla contrada delle Galline. -
Milan, Italy Faculty Led Learning Abroad Program Fashion and Design Retailing: the Italian Way Led By: Dr
Milan, Italy Faculty Led Learning Abroad Program Fashion and Design Retailing: The Italian Way Led by: Dr. Chiara Colombi & Dr. Marcella Norwood What: 10-Day Study Tour: Milan, Italy (including Florence, Italy) When: Dates: May 22 – 31, 2016 (Between spring and summer terms 2016) Academic Plan: 1. Participate in preparation series during spring 2016 2. Travel & tour 3. Complete written assignments Enrollment: Enroll in HDCS 4398 or GRET 6398 (summer mini session) GPA Requirement: 2.5 (undergraduates); 3.0 (graduates) Scholarships: UH International Education Fee Scholarships 1. $750 (see http://www.uh.edu/learningabroad/scholarships/uh- scholarships/ for eligibility and application details. (graduate students already receiving GTF not eligible for scholarship) Deadline: IEF scholarship applications open January 4, close March 4. http://www.uh.edu/learningabroad/scholarships/uh-scholarships/) 2. $250 tuition rebate for HDCS 4398 (see http://www.uh.edu/learningabroad/scholarships/uh-scholarships/) (not available for GRET 6398 enrollment) To Apply: For Study Tour: To go into the registration, please click on this link (www.worldstridescapstone.org/register ) and you will be taken to the main registration web page. You will then be prompted to enter the University of Houston’s Trip ID: 129687 . Once you enter the Trip ID and requested security characters, click on the ‘Register Now’ box below and you will be taken directly to the site . Review the summary page and click ‘Register’ in the top right corner to enter your information 1 . Note: You are required to accept WorldStrides Capstone programs terms and conditions and click “check-out” before your registration is complete. -
Marzo - Aprile 2021 PROGRAMMA DELLE PROPOSTE CULTURALI Marzo - Aprile 2021 RIEPILOGO DELLE PROPOSTE CULTURALI
marzo - aprile 2021 PROGRAMMA DELLE PROPOSTE CULTURALI marzo - aprile 2021 RIEPILOGO DELLE PROPOSTE CULTURALI CONFERENZE - PRESENTAZIONI 2 marzo Artisti/collezionisti tra Cinquecento e Settecento 9 marzo Le donne nell’architettura tra XX e XXI secolo 16 marzo Dante fra arte e poesia 23 marzo La rivincita delle artiste nella pittura del ‘600 - parte II 30 marzo Il “mio”Arturo 6 aprile Arte al tempo di Dante: “Ora ha Giotto il grido!” 20 aprile La lettera di Raffaello a Leone X: nasce la moderna concezione di conservazione dei beni culturali PALAZZI, MUSEI E SITI ARTISTICO/ARCHITETTONICI 11 marzo Il Cimitero Monumentale VISITE A CHIESE 4 marzo Santa Maria Beltrade: Deco’, ma non si direbbe 15 marzo San Marco 24 marzo Chiesa e museo di San Fedele 26 aprile San Francesco al Fopponino VISITE A MOSTRE 10 marzo “Tiepolo. Venezia, Milano, l’Europa” alle Gallerie d’Italia 31 marzo Carla Accardi, una donna come tante, al Museo del ‘900 7 aprile Robot al Mudec: scienza, tecnica, arte, antropologia 14 aprile “Tiepolo. Venezia, Milano, l’Europa” alle Gallerie d’Italia 16 aprile Le Signore del Barocco a Palazzo Reale in copertina: Domenico di Michelino, affresco, 1465, cattedrale di Santa Maria del Fiore - Firenze 2 ITINERARI D’ARTE 18 marzo Dal teatro Dal Verme alla chiesa di Santa Maria alla Porta 22 marzo Una passeggiata lungo le mura spagnole 29 marzo I segreti della Via Moscova e dintorni 12 aprile Nuovi Arrivi tra Piazza Liberty/Piazza Cordusio/via Brisa: la città che cambia 13 aprile Dal Carrobbio alla Darsena, le porte “Ticinesi” e la Milano nei secoli 22 aprile Da piazza della Scala a piazza Belgioioso 27 aprile La lunga storia del Portello ed il nuovo parco Programma elaborato dal team degli Storici dell’Associazione, coordinati dal dott. -
Welcome to Milan
WELCOME TO MILAN WHAT MILAN IS ALL ABOUT MEGLIOMILANO MEGLIOMILANO The brochure WELCOME TO MILAN marks the attention paid to those who come to Milan either for business or for study. A fi rst welcome approach which helps to improve the image of the city perceived from outside and to describe the city in all its various aspects. The brochure takes the visitor to the historical, cultural and artistic heritage of the city and indicates the services and opportunities off ered in a vivid and dynamic context as is the case of Milan. MeglioMilano, which is deeply involved in the “hosting fi eld” as from its birth in 1987, off ers this brochure to the city and its visitors thanks to the attention and the contribution of important Institutions at a local level, but not only: Edison SpA, Expo CTS and Politecnico of Milan. The cooperation between the public and private sectors underlines the fact that the city is ever more aiming at off ering better and useable services in order to improve the quality of life in the city for its inhabitants and visitors. Wishing that WELCOME TO MILAN may be a good travel companion during your stay in Milan, I thank all the readers. Marco Bono Chairman This brochure has been prepared by MeglioMilano, a non-profi t- making association set up by Automobile Club Milan, Chamber of Commerce and the Union of Commerce, along with the Universities Bocconi, Cattolica, Politecnico, Statale, the scope being to improve the quality of life in the city. Milan Bicocca University, IULM University and companies of diff erent sectors have subsequently joined. -
Milan and the Lakes Travel Guide
MILAN AND THE LAKES TRAVEL GUIDE Made by dk. 04. November 2009 PERSONAL GUIDES POWERED BY traveldk.com 1 Top 10 Attractions Milan and the Lakes Travel Guide Leonardo’s Last Supper The Last Supper , Leonardo da Vinci’s 1495–7 masterpiece, is a touchstone of Renaissance painting. Since the day it was finished, art students have journeyed to Milan to view the work, which takes up a refectory wall in a Dominican convent next to the church of Santa Maria delle Grazie. The 20th-century writer Aldous Huxley called it “the saddest work of art in the world”: he was referring not to the impact of the scene – the moment when Christ tells his disciples “one of you will betray me” – but to the fresco’s state of deterioration. More on Leonardo da Vinci (1452–1519) Crucifixion on Opposite Wall Top 10 Features 9 Most people spend so much time gazing at the Last Groupings Supper that they never notice the 1495 fresco by Donato 1 Leonardo was at the time studying the effects of Montorfano on the opposite wall, still rich with colour sound and physical waves. The groups of figures reflect and vivid detail. the triangular Trinity concept (with Jesus at the centre) as well as the effect of a metaphysical shock wave, Example of Ageing emanating out from Jesus and reflecting back from the 10 Montorfano’s Crucifixion was painted in true buon walls as he reveals there is a traitor in their midst. fresco , but the now barely visible kneeling figures to the sides were added later on dry plaster – the same method “Halo” of Jesus Leonardo used. -
ITALY. Milano. December 9, 2010. Via Leoncavallo. ITALY. Milan
ITALY. Milano. ITALY. Milan. December 9, 2010. Via September 11, 2015. Leoncavallo. Porta Genova. People attending the pro-refugees barefoot ITALY. Milan, 2010. march from Porta Chinatown. Genova to the Porta Ticinese dock known as Darsena. The main march was on the same ITALY. Milan. March day in Venice, born 2, 2014. from an idea by the The UniCredit Tower Italian movie seen from Cavalcavia director Daniele Eugenio Bussa. It is Segre, during the part of "Progetto annual Venice Film Porta Nuova"-Porta Festival; more Nuova Project-a plan barefoot marches took of urban renewal and place in several development after a Italian cities on the long period of decay, same day. which involves Isola, Varesine and ITALY. Milan, 2010. Garibaldi areas. Porta Genova. Qatar Investment Authorities is now the sole property owner of Milan Porta ITALY. MILAN. Nuova business February 23, 2011. district. JO NO FUI fashion show ad, in the ITALY. Milan. April tensile structure in 13, 2014. Piazza Duomo, on the Young people in Porta opening day of Milan Genova during the Fashion Week 2011. Design Week. ITALY. Milan, 2010. San Babila. ITALY. MILAN. ITALY. MILAN. May 1, February 25, 2011. 2010. Young people in Before Massimo Corso di Porta Rebecchi Fashion Show Ticinese at May Day at Palazzo Clerici rally. during Milan Fashion Week 2011. ITALY. MILAN. February 23, 2011. Fashion designer Fausto Puglisi (on the left,looking at the computer) and fashion bloggers in Via della Spiga, during Milan Fashion Week 2011. ITALY. MILAN. March 1, 2011. Backstage at Circolo Filologico during Milan Fashion Week 2011. -
Open Streets
Milan 2020. Adaptation strategy Open Streets 1 Table of contents: Adapting the city to social distancing measures 3 An unprecedented opportunity International examples Solutions already experimented in Milan Strategies for an active mobility 10 Cycling as a key factor towards a sustainable mobility Walking at the heart of urban life Empowering public space around neighborhoods Trial cases and experimentations 19 Interventions involving signage only Interventions involving parking-protected signage Interventions involving signage and emergency devices Two-way cycling lanes Traffic control interventions Shared streets Sidewalk expansion Pedestrian-only streets Parklet Other experiments Scheduled actions and interventions 24 Planned actions Scheduled interventions Implementation examples 2 Adapting the city to social distancing measures The pandemic changed our habits, challenged our lifestyles, disrupted our daily priorities and limited freedoms that seemed unquestionable. Among the things we are missing the most in our cities during the lockdown, one in particular remains a universal essential need: moving around. Although not immediate, the gradual reopening of the city is getting closer and closer. We will soon be able to move around again and integrate physical activity into our daily routines. Thus, it is more and more urgent to find solutions to adapt the city - particularly infrastructure and public spaces - to the new social distancing measures needed to coexist with the virus. This is a seemingly obvious, but unprecedented issue. Compliance with such measures will not be easy, especially when it comes to managing people's movements in densely populated cities like Milan. But in the coming months, mobility will have to change in an effort to find a new balance that manages the movements of people and ensures their protection from the risk of infection. -
Milano-100-Lieux-A-Visiter.Pdf
Comune di Milano Touring Club Italiano Settore Politiche del Turismo Corso Italia, 10 e Marketing territoriale 20122 Milano via Dogana, 2 Direzione Centro Studi 20121 Milano Maria-Chiara Minciaroni Direttore Matteo Montebelli Massimiliano Taveggia Massimiliano Vavassori Jacopo Zurlo Servizio Sviluppo e Monitoraggio del Turismo Sergio Daneluzzi Servizio Digital e Web Marketing Patrizia Bertocchi www.turismo.milano.it Milan Progetto grafico Crediti fotografici Alessandro Gandini, Milka Gandini Arcidiocesi di Milano; Mauro Colella; Gandini&Rendina grafica e pubblicità srl Comune di Milano (Galleria d’Arte Moderna, Biblioteca Comunale Centrale “Palazzo Impaginazione e digitalizzazione Sormani”); R. Longoni; Giorgio Majno; Gandini&Rendina grafica e pubblicità srl Franco Mascolo; Museo Poldi Pezzoli; Icone e mappe Navigli Lombardi s.c.a.r.l.; Andrea Scuratti; Gandini&Rendina grafica e pubblicità srl Václav Šedý; Veneranda Biblioteca Ambrosiana; VRWAY Communication - Giuseppe Pennisi Copertina Comune di Milano LIEUX A VISITER 100 LIEUX A VISITER THEMES Bibliothèques Parcs et jardins Monuments historiques Places Edifices religieux Portes Installations sportives Points de vue panoramiques Monuments de l’Antiquité Espaces d’expositions Musées Théâtres et auditoriums Canaux Villas Palais Sites remarquables signalés par le Touring Club Italiano www.touringclub.it 100 LIEUX A VISITER THEMES Bibliothèques Edifices religieux Palazzo dell’Ambrosiana - Biblioteca e Pinacoteca Duomo di Milano Ca’ Granda Università degli Studi di Milano Chiesa di Santa Maria Annunciata in Camposanto Palazzo Moriggia Museo del Risorgimento (Palazzo della Veneranda Fabbrica) Castello Sforzesco Chiesa di Sant’Alessandro (Piazza Sant’Alessandro) Palazzo dell’Arte Chiesa di Santa Maria presso San Satiro Museo Civico di Storia Naturale Chiesa di Santa Maria dei Miracoli Conservatorio di Musica “G. -
1536242718 Palazzo Cordusio Brochure FINAL.Pdf
1 the history of business 2 STORIA HISTORY una piazza in cui 1901 PALAZZO DELLA BORSA si è scritta la storia Inaugurazione del nuovo “Palazzo della Borsa” di Milano ad opera a square where history dell’Architetto Luigi Broggi. STOCK MARKET PALACE has been made Inauguration of the new “Stock Market Palace” in Milan, a work by the architect Luigi Broggi. 1936 PALAZZO DELLE POSTE Progettato nel 1901, viene riconosciuto nel 1962 come immobile Vendita del Palazzo al “Ministero di interesse storico. Il Palazzo, concepito dall’architetto delle Comunicazioni-Amministrazione Luigi Broggi, nasce come sede della Borsa nella piazza ellittica delle Poste e Telegrafi”. di “Cordusio”, già crocevia della fervente vita milanese di fine ottocento, e viene subito apprezzato per il suo imponente stile POST OFFICE PALACE Sale of the Palace to the Ministry architettonico, teso a rappresentare l’importanza economica of Communications and Administration e commerciale della città. Nel 1936 l’edificio viene venduto of the Post Office and Telegraph dalla “Società Anonima della Borsa in Milano” al Ministero Services delle Comunicazioni-Amministrazione delle Poste e Telegrafi, trasformandosi internamente e cambiando destinazione nel 1998 per divenire sede di “Poste Italiane SPA”. Nel periodo 2015 - 2018 l’intero stabile viene restaurato nelle facciate e completamente rinnovato al suo interno. 2018 Designed in 1901 and acknowledged in 1962 as a historic landmark, PALAZZO CORDUSIO the Palace, conceived by the architect Luigi Broggi, hosted the Stock Exchange Inaugurazione del nuovo “Palazzo in the oval “Cordusio” Square, already a crossroads in the dynamic Milanese Cordusio”, nato dal restauro delle life of the late 19th century. -
Uncorrected Proof
Chapter 12 Luxury as a Driver for New Urban Identities in Milan: Geographies, Spatial Author Proof Practices, and Open Questions Mario Paris 1 Abstract In contemporary cities, the role of capital and private investors who finance AQ1 2 interventions in the field of urban regeneration has become an increasingly important 3 catalyst for the physical and social impacts of these transformations. This paper aims 4 to point out the role of urban projects developed by luxury companies or stakehold- 5 ers in consolidated urban regions. Starting by analysing the spatial distribution of 6 luxury firms in Milan and composing a tentative classification system based on a 7 variety of case studies, the author proposes a mental map of spaces shaped, occu- 8 pied, transformed and infected by the sector within the contemporary metropolis. 9 The resulting network of urban places sprawls out not only across centralized areas, 10 but also in peripheral neighbourhoods, which interact with existing contexts, spatial 11 and economic relationships as well as evident and hidden flows. From this basis, the 12 contribution reflects on a set of luxury-driven practices and their impacts on urban 13 identities. The reflection includes the role played by media technologies in these 14 transformations and in the study of their development. The conclusions then discuss 15 the role of luxury; whether it transforms the physical form of our city (its shape and 16 patterns) or rather influences processes of transformation. 17 Keywords Luxury · Identity · Global · Local · Urban 18 12.1 Introduction 19 As Amirtahmasebi et al. point out in their recent publication (2016; xxvii), ‘every AQ2 20 city has pockets of underused and underutilized land or distressed and decaying 21 urban areas. -
Hostelworld Guide for Milan the Essentials Climate
Hostelworld Guide for Milan The Essentials Climate Getting There As it is one of Italy's most northerly cities, Milan experiences cooler temperatures than most of its counterparts. Winters frequently experience By plane: Milan is served by three airports - Linate, temperatures of 0°C and sometimes even lower. Malpensa and Orio al Serio. Some budget airlines Temperatures begin to climb in mid-April and by use Orio al Serio and Malpensa, while Linate is summer Milan experiences countless trademark hot nearest to central Milan. All are connected to the days Italy is so synonymous with. September is city centre via bus. extremely mild before things start to cool down again in October. By train: Milan's Stazione Centrale has rail links with all of Europe's major cities. It is a very imressive building and not far from the historical centre. By bus: Buses arriving from and going to major European cities do so from the bus station at Piazza Sigmund Freud. Getting Around On foot: Milan's historical centre is easily explored on foot, but to get from Stazione Centrale to Il Duomo you may want to utilise the metro. By metro: Milan's metro network consists of three Useful Information Slick, sleek and uber-cool, Milan is one of the most stylish cities in the world. Lavish designer stores lines - M1 (red), M2 (green) and M3 (yellow). It is abound endless streets while just as lavish bags loaded with the latest 'must-have' items hang from easy to use and efficient. Single journeys cost €1 Language: Italian endless shoppers' arms. -
Tour 3 Rund Um Das Castello Sforzesco
52 Vom Dom zum Castello Sforzesco Eine Burg für Kunstliebhaber Tour 3 Rund um das Die Tour führt vom Domplatz über Castello die Via Dante, eine der schönsten Straßen der Stadt, zum Castello Sforzesco Sforzesco mit zahlreichen interes- santen Museen. Eingebettet in Ein Spaziergang vom Dom zum Castel- Tour den Schlosspark sind u. a. das De- lo Sforzesco gehört zu den Highlights Rund signmuseum Triennale, Aquarium, eines Mailand-Besuches. Auf der nob- um d Arena und ein Aussichtsturm – len Fußgängerzone Via Dante mit schi- Caste man könnte Tage hier verbringen. cken Läden und mehreren großen Stra- Sforz ßencafés flanieren Sie schnurgerade o auf die gigantische zinnenbekrönte Festung zu, die sich mitten in der Stadt erhebt. Obwohl es hier vor Touristen aus aller Welt und teils aufdringlichen Straßenhändlern (einfach stur weiter- gehen!) wimmelt, sollten Sie sich unbe- dingt Zeit für einen Rundgang durch das Castello Sforzesco nehmen, das an- geblich als Vorbild für den Bau des Moskauer Kremls diente. Einen Besuch wert sind die zahlreichen teils unge- wöhnlichen Museen, die sich hinter den wuchtigen Mauern verbergen. Zu den Schätzen zählen Michelangelos letzte, unvollendet gebliebene Skulp- tur, Pietà Rondanini (1564), der seit 2015 ein eigenes Museum gewidmet ist, die von Leonardo da Vinci erschaf- fenen Deckenfresken in der Sala delle Asse, dem wohl schönsten Saal im Schloss, und das gotische Grabmonu- ment von Bonino da Campione für Ber- nabò Visconti (um 1363) im Museo d’Arte Antica. Piazzaza d deeiMerci Mercantnti, Mailands mit- telalterliches Herz, S. 59 Durch die Burg hindurch betritt man Spaz den Parco Sempione, mit 40 ha der ga Piccccolo TeatTeatro,ro, erstes Stadttheater größte Park der Stadt.