Jury Selects Germany-Wide Grand Tour of Modernism Sites
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Champion Brands to My Wife, Mercy the ‘Made in Germany’ Champion Brands Nation Branding, Innovation and World Export Leadership
The ‘Made in Germany’ Champion Brands To my wife, Mercy The ‘Made in Germany’ Champion Brands Nation Branding, Innovation and World Export Leadership UGESH A. JOSEPH First published 2013 by Gower Publishing Published 2016 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN 711 Third Avenue, New York, NY 10017, USA Routledge is an imprint of the Taylor & Francis Group, an informa business Copyright © Ugesh A. Joseph 2013 Ugesh A. Joseph has asserted his right under the Copyright, Designs and Patents Act, 1988, to be identified as the author of this work. Gower Applied Business Research Our programme provides leaders, practitioners, scholars and researchers with thought provoking, cutting edge books that combine conceptual insights, interdisciplinary rigour and practical relevance in key areas of business and management. All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. Notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library. The Library of Congress has cataloged the printed edition as follows: Joseph, Ugesh A. The ‘Made in Germany’ champion brands: nation branding, innovation and world export leadership / by Ugesh A. Joseph. pages cm Includes bibliographical references and index. ISBN 978-1-4094-6646-8 (hardback: alk. -
Bauhaus 1 Bauhaus
Bauhaus 1 Bauhaus Staatliches Bauhaus, commonly known simply as Bauhaus, was a school in Germany that combined crafts and the fine arts, and was famous for the approach to design that it publicized and taught. It operated from 1919 to 1933. At that time the German term Bauhaus, literally "house of construction" stood for "School of Building". The Bauhaus school was founded by Walter Gropius in Weimar. In spite of its name, and the fact that its founder was an architect, the Bauhaus did not have an architecture department during the first years of its existence. Nonetheless it was founded with the idea of creating a The Bauhaus Dessau 'total' work of art in which all arts, including architecture would eventually be brought together. The Bauhaus style became one of the most influential currents in Modernist architecture and modern design.[1] The Bauhaus had a profound influence upon subsequent developments in art, architecture, graphic design, interior design, industrial design, and typography. The school existed in three German cities (Weimar from 1919 to 1925, Dessau from 1925 to 1932 and Berlin from 1932 to 1933), under three different architect-directors: Walter Gropius from 1919 to 1928, 1921/2, Walter Gropius's Expressionist Hannes Meyer from 1928 to 1930 and Ludwig Mies van der Rohe Monument to the March Dead from 1930 until 1933, when the school was closed by its own leadership under pressure from the Nazi regime. The changes of venue and leadership resulted in a constant shifting of focus, technique, instructors, and politics. For instance: the pottery shop was discontinued when the school moved from Weimar to Dessau, even though it had been an important revenue source; when Mies van der Rohe took over the school in 1930, he transformed it into a private school, and would not allow any supporters of Hannes Meyer to attend it. -
Socialist Realism and Socialist Modernism IC I ICOMOS COMOS O M OS
Sozialistischer Realismus und Sozialistische Moderne Welterbevorschläge aus Mittel- und Osteuropa Socialist Realism and Socialist Modernism World Heritage Proposals from Central and Eastern Europe Sozialistischer Realismus und Sozialistische Moderne SocialistSocialist Modernism Realism and III V L S EE T MI O ALK N O I T A N N E CH S UT E D S ICOMOS · HEFTE DES DEUTSCHEN NATIONALKOMITEES LVIII ICOMOS · JOURNALS OF THE GERMAN NATIONAL COMMITTEE LVIII ICOMOS · HEFTE DE ICOMOS ICOMOS · CAHIERS DU COMITÉ NATIONAL ALLEMAND LVIII Sozialistischer Realismus und Sozialistische Moderne Socialist Realism and Socialist Modernism I NTERNATIONAL COUNCIL on MONUMENTS and SITES CONSEIL INTERNATIONAL DES MONUMENTS ET DES SITES CONSEJO INTERNACIONAL DE MONUMENTOS Y SITIOS мЕждународный совЕт по вопросам памятников и достопримЕчатЕльных мЕст Sozialistischer Realismus und Sozialistische Moderne. Welterbevorschläge aus Mittel- und Osteuropa Dokumentation des europäischen Expertentreffens von ICOMOS über Möglichkeiten einer internationalen seriellen Nominierung von Denkmalen und Stätten des 20. Jahrhunderts in postsozialistischen Ländern für die Welterbeliste der UNESCO – Warschau, 14.–15. April 2013 – Socialist Realism and Socialist Modernism. World Heritage Proposals from Central and Eastern Europe Documentation of the European expert meeting of ICOMOS on the feasibility of an international serial nomination of 20th century monuments and sites in post-socialist countries for the UNESCO World Heritage List – Warsaw, 14th–15th of April 2013 – ICOMOS · H E F T E des D E U T S CHEN N AT I ONAL KO MI T E E S LVIII ICOMOS · JOURNALS OF THE GERMAN NATIONAL COMMITTEE LVIII ICOMOS · CAHIERS du COMITÉ NATIONAL ALLEMAND LVIII ICOMOS Hefte des Deutschen Nationalkomitees Herausgegeben vom Nationalkomitee der Bundesrepublik Deutschland Präsident: Prof. -
Hannes Meyer's Scientific Worldview and Architectural Education at The
Hannes Meyer’s Scientific Worldview and Architectural Education at the Bauhaus (1927-1930) Hideo Tomita The Second Asian Conference of Design History and Theory —Design Education beyond Boundaries— ACDHT 2017 TOKYO 1-2 September 2017 Tsuda University Hannes Meyer’s Scientific Worldview and Architectural Education at the Bauhaus (1927-1930) Hideo Tomita Kyushu Sangyo University [email protected] 29 Abstract Although the Bauhaus’s second director, Hannes Meyer (1889-1954), as well as some of the graduates whom he taught, have been much discussed in previous literature, little is known about the architectural education that Meyer shaped during his tenure. He incorporated key concepts from biology, psychology, and sociology, and invited specialists from a wide variety of fields. The Bauhaus under Meyer was committed to what is considered a “scientific world- view,” and this study focuses on how Meyer incorporated this into his theory of architectural education. This study reveals the following points. First, Meyer and his students used sociology to design analytic architectural diagrams and spatial standardizations. Second, they used psy- chology to design spaces that enabled people to recognize a symbolized community, to grasp a social organization, and to help them relax their mind. Third, Meyer and his students used hu- man biology to decide which direction buildings should face and how large or small that rooms and windows should be. Finally, Meyer’s unified scientific worldview shared a similar theoreti- cal structure to the “unity of science” movement, established by the founding members of the Vienna Circle, at a conceptual level. Keywords: Bauhaus, Architectural Education, Sociology, Psychology, Biology, Unity of Science Hannes Meyer’s Scientific Worldview and Architectural Education at the Bauhaus (1927–1930) 30 The ACDHT Journal, No.2, 2017 Introduction In 1920s Germany, modernist architects began to incorporate biology, sociology, and psychol- ogy into their architectural theory based on the concept of “function” (Gropius, 1929; May, 1929). -
Experience Technology Live INTERVITIS INTERFRUCTA HORTITECHNICA Innovations for Wine, Juice and Special Crops
MessageTRADE FAIRS | CONGRESSES | EVENTS 03 | 2016 Experience technology live INTERVITIS INTERFRUCTA HORTITECHNICA Innovations for wine, juice and special crops IT & Business Motek SEMF Showcases for For process competence – Mega techno party Industry and Office 4.0 against show event at Messe Stuttgart In the phrase „service partner“ there are two words that we are particularly fond of: „service“ and „partner“ CONTENTS NEWS – TRENDS 04 Major headway on construction Work on the Paul Horn Hall and on the West Entrance is proceeding at full steam 05 Editorial Digitisation as mega trend COVER STORY 08 Experience technology live INTERVITIS INTERFRUCTA HORTITECHNICA – Innovations for wine, juice and special crops LOCATION STUTTGART 14 Five stars for Stuttgart and its region Digitisation hotspot 18 17 Innovative region Stuttgart High Performance Computing Center Stuttgart (HLRS) TRADE FAIRS – MARKETS 18 VISION: The success story continues 20 IT & Business: Digitalised 4.0 processes live 24 Motek: For process competence – against show event 28 südback: Cross-selling – Making the cash tills ring twice Whether you want to hold a unique corporate event or you wish to have perfect lighting for your trade fair stand: we deploy our extensive know-how and high-quality MEDIA – PEOPLE equipment to develop tailor-made services perfectly shaped to your requirements. 44 Portrait: Stefanie Kromer, Communication What is more, we have been a partner of Messe Stuttgart for many years now and have an office 20 Coordinator at Messe Stuttgart right here on site. Our services cover the whole range of event needs in the fields of rigging and media technology – provided by a highly qualified team of professionals. -
Downloaded for Personal Non-Commercial Research Or Study, Without Prior Permission Or Charge
Hobbs, Mark (2010) Visual representations of working-class Berlin, 1924–1930. PhD thesis. http://theses.gla.ac.uk/2182/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] Visual representations of working-class Berlin, 1924–1930 Mark Hobbs BA (Hons), MA Submitted in fulfillment of the requirements for the Degree of PhD Department of History of Art Faculty of Arts University of Glasgow February 2010 Abstract This thesis examines the urban topography of Berlin’s working-class districts, as seen in the art, architecture and other images produced in the city between 1924 and 1930. During the 1920s, Berlin flourished as centre of modern culture. Yet this flourishing did not exist exclusively amongst the intellectual elites that occupied the city centre and affluent western suburbs. It also extended into the proletarian districts to the north and east of the city. Within these areas existed a complex urban landscape that was rich with cultural tradition and artistic expression. This thesis seeks to redress the bias towards the centre of Berlin and its recognised cultural currents, by exploring the art and architecture found in the city’s working-class districts. -
European Revivals from Dreams of a Nation to Places of Transnational Exchange
European Revivals From Dreams of a Nation to Places of Transnational Exchange EUROPEAN REVIVALS From Dreams of a Nation to Places of Transnational Exchange FNG Research 1/2020 Akseli Gallen-Kallela, Illustration for the novel, Seven Brothers, by Aleksis Kivi, 1907, watercolour and pencil, 23.5cm x 31.5cm. Ahlström Collection, Finnish National Gallery / Ateneum Art Museum Photo: Finnish National Gallery / Hannu Aaltonen European Revivals From Dreams of a Nation to Places of Transnational Exchange European Revivals From Dreams of a Nation to Places of Transnational Exchange European Revivals. From Dreams of a Nation to Places of Transnational Exchange FNG Research 1/2020 Publisher Finnish National Gallery, Helsinki Editors-in-Chief Anna-Maria von Bonsdorff and Riitta Ojanperä Editor Hanna-Leena Paloposki Language Revision Gill Crabbe Graphic Design Lagarto / Jaana Jäntti and Arto Tenkanen Printing Nord Print Oy, Helsinki, 2020 Copyright Authors and the Finnish National Gallery Web magazine and web publication https://research.fng.fi/ ISBN 978-952-7371-08-4 (paperback) ISBN 978-952-7371-09-1 (pdf) ISSN 2343-0850 (FNG Research) Table of Contents Foreword .................................................................................................. vii ANNA-MARIA VON BONSDORFF AND RIITTA OJANPERÄ VISIONS OF IDENTITY, DREAMS OF A NATION Ossian, Kalevala and Visual Art: a Scottish Perspective ........................... 3 MURDO MACDONALD Nationality and Community in Norwegian Art Criticism around 1900 .................................................. 23 TORE KIRKHOLT Celticism, Internationalism and Scottish Identity: Three Key Images in Focus ...................................................................... 49 FRANCES FOWLE Listening to the Voices: Joan of Arc as a Spirit-Medium in the Celtic Revival .............................. 65 MICHELLE FOOT ARTISTS’ PLACES, LOCATION AND MEANING Inventing Folk Art: Artists’ Colonies in Eastern Europe and their Legacy ............................. -
Event Highlights Œ 100 Years of Bauhaus
Event highlights - 100 years of Bauhaus 2019 all year round Peter Behrens Art and Technology Oberhausen https://veranstaltungen.bauhaus100.de/de/widget/calendar/171 all year round Studio 100 The Ulm School of Design https://www.bauhausstudio100.de/orte/ all year round International touring exhibition on the still unexplored connections to modernism outside of Europe Centre for Art and Media, Karlsruhe all year round Magdeburg pilot rocket Magdeburg https://veranstaltungen.bauhaus100.de/de/widget/calendar/207 all year round International touring exhibition on the still unexplored connections to modernism outside of Europe Centre for Art and Media, Karlsruhe all year round Studio 100 The Ulm School of Design https://www.bauhausstudio100.de/orte/ all year round ADGB Trade Union School in Bernau Bernau http://www.bauhaus-denkmal-bernau.de/ January 23 September 2018 - 20 January 2019 Bauhaus dialogues: chairs from the Löffler collection Steinfurt-Borghorst www.hnbm.de 14 October 2018 - 6 January 2019 Gustav Klimt the magician from Vienna Halle (Saale) https://veranstaltungen.bauhaus100.de/de/widget/calendar/287 9 November 2018 - 10 March 2019 Bauhaus and America Münster https://veranstaltungen.bauhaus100.de/de/widget/calendar/220 10 November 2018 - 10 February 2019 Paul Citroen. People before art Bad Frankenhausen https://veranstaltungen.bauhaus100.de/de/widget/calendar/128 18 November 2018 - 24 February 2019 Wir machen nach Halle (We 'll make it to Halle). Marguerite Friedlaender and Gerhard Marcks Halle (Saale) https://veranstaltungen.bauhaus100.de/de/widget/calendar/265 -
Forms, Ideals, and Methods. Bauhaus Transfers to Mandatory Palestine
Ronny Schüler Forms, Ideals, and Methods. Bauhaus Transfers to Mandatory Palestine Introduction A “Bauhaus style” would be a setback to academic stagnation, into a state of inertia hostile to life, the combatting of which the Bauhaus was once founded. May the Bauhaus be saved from this death. Walter Gropius, 1930 The construction activities of the Jewish community in the British Mandate of Palestine represents a prominent paradigm for the spread of European avant-garde architecture. In the 1930s, there is likely no comparable example for the interaction of a similar variety of influences in such a confined space. The reception of architectural modernism – referred to as “Neues Bauen” in Germany – occurred in the context of a broad cultural transfer process, which had already begun in the wake of the waves of immigration (“Aliyot”) from Eu- rope at the end of the nineteenth century and had a formative effect within the emancipating Jewish community in Palestine (“Yishuv”). Among the growing number of immigrants who turned their backs on Europe with the rise of fas- cism and National Socialism were renowned intellectuals, artists, and archi- tects. They brought the knowledge and experience they had acquired in their 1 On the transfer process of modernity European homelands. In the opposite direction too, young people left to gain using the example of the British Mandate of Palestine, see. Heinze-Greenberg 2011; 1 professional knowledge, which was beneficial in their homeland. Dogramaci 2019; Stabenow/Schüler 2019. Despite the fact that, in the case of Palestine, the broad transfer processes were fueled by a number of sources and therefore represent the plurality of European architectural modernism, the Bauhaus is assigned outstanding 2 importance. -
Redalyc.HANNES MEYER Y LA ESCUELA FEDERAL ADGB: LA
proyecto, progreso, arquitectura ISSN: 2171-6897 [email protected] Universidad de Sevilla España Larripa Artieda, Víctor HANNES MEYER Y LA ESCUELA FEDERAL ADGB: LA SERIE COMO ESTRATEGIA FORMAL proyecto, progreso, arquitectura, núm. 17, julio-diciembre, 2017, pp. 42-55 Universidad de Sevilla Sevilla, España Disponible en: http://www.redalyc.org/articulo.oa?id=517655470004 Cómo citar el artículo Número completo Sistema de Información Científica Más información del artículo Red de Revistas Científicas de América Latina, el Caribe, España y Portugal Página de la revista en redalyc.org Proyecto académico sin fines de lucro, desarrollado bajo la iniciativa de acceso abierto 17ARQIECRA ESCOLAR EDCACI PROECO PROGRESO ARQIECRA NN HANNES MEYER AND THE ADGB TRADE UNION SCHOOL: SERIES AS A FORMAL STRATEGY or arra rea n enero de 1926 la célebre revista Das Werk pu- dibujar claramente las ideas que Meyer defendía en re- blicó un texto, breve pero intenso, titulado: Die lación a la arquitectura 4. De algún modo, todas las expe- E Neue Welt o El nuevo mundo 1. Su autor, el ar- riencias que el arquitecto había vivido en la década de los quitecto suizo Hannes Meyer, clamaba en este manifiesto años veinte, y que terminaron por configurar su ideario, un cambio inminente en el modo de concebir el arte y la se encuentran latentes en tales textos: su participación arquitectura, a la luz de todas las transformaciones que en el movimiento cooperativista suizo, su alineación con implicaba la cultura moderna. “ Cada época demanda el ideario radical de izquierda, su producción artística N annes eer ue uno e los arueos ás oroeos on las eas el ala raal el raonalso ue l su nueva forma –escribe Meyer– Es tarea nuestra dar al agrupada bajo el nombre Co–op , su participación en so oros ranes arueos oo ar a ans er arel ee u lberseer o rns a esarrollaron nuevo mundo una nueva configuración con los medios la asociación de arquitectos ABC, su fascinación por el urane la aa e los aos ene u oluna e esnular la arueura el –ar burus e oo sbolso roo del presente ”2. -
Perspectives of Transboundary Cooperation in World Heritage Sharing Experiences in and Around Germany
Conference Report Perspectives of Transboundary Cooperation in World Heritage Sharing Experiences in and around Germany Perspektiven der grenzüber schreitenden Zusammenarbeit im Welterbe – Ein Erfahrungsaustausch in und mit Deutschland Conference Report “Perspectives of Transboundary Cooperation in World Heritage – Sharing Experiences Bericht zur Konferenz zur Bericht in and around Germany” 12 – 13 December 2016 Bericht zur Konferenz „Perspektiven der grenzüberschreitenden Zusammenarbeit im Welterbe – Ein Erfahrungsaustausch in und mit Deutschland“ 12. – 13. Dezember 2016 In cooperation with: In Kooperation mit: Perspektiven der grenzüberschreitenden Zusammenarbeit grenzüberschreitenden der Perspektiven 4 1 Contents Inhalt 4 27 47 57 Welcoming Speeches Prospects and Grußworte Recommendations Ausblick und Empfehlungen 9 Introduction Thematische Einleitung Transboundary and Transboundary and 63 Transnational World Heritage International Cooperation Appendix 13 Sites in Germany Activities Anhang Workshop Results Grenzüberschreitende und Grenzüberschreitende Ergebnisse der Workshops transnationale Welterbe- und internationale 64 stätten in Deutschland Kooperationsprojekte Report of Prof. Dr. Fedir Hamor and Vasyl Pokynchereda, Carpathian Biosphere Reserve 14 (Ukraine) Funding across Borders 28 (English only) Grenzüberschreitend finanzieren Muskauer Park / Park Mużakowski 48 Muskauer Park / Park Muzakowski “ViTour Landscapes”: Network of European 66 17 World Heritage Wine-Growing Landscapes Impressions of the Conference Legal Protection across -
Opens in a Cascade of Trapezoidal Shapes, Like Shards of Glass
World Monuments Fund/Knoll Modernism Prize 2008 award to Brenne Gesellschaft von Architekten mbH For the restoration of the ADGB Trade Union School (1928–1930) Bernau, Germany designed by Hannes Meyer and Hans Wittwer 1 2 This restoration highlights and emphasizes a particular approach to historic preservation that is perhaps the most sensible and intellectually satisfying today. Brenne Gesellschaft von Architekten is probably Germany’s most engaged and thoughtful restorer of classic Modern architecture. —Dietrich NeumaNN, JUROR Pre-restoration During the period in which the ADGB building was under East German control, it was impossible to find appropriate glass for repairs, so the light-filled glass corridor was obscured by a wooden parapet. Brenne Gesellschaft von Architekten restored the original materials and reintroduced the original bright red color of the steel framing. 3 Many of the building’s steel casement windows are highly articulated. The glass in the external staircase opens in a cascade of trapezoidal shapes, like shards of glass. 4 Despite Modernism’s influential place in our architectural heritage, many significant Modern buildings are endangered because of neglect, perceived obsolescence, inappropriate renovation, or even the imminent danger of demolition. In response to these threats, in 2006, the World Monuments Fund launched its Modernism at Risk Initiative with generous support from founding sponsor Knoll, Inc. The World Monuments Fund/Knoll Modernism Prize was established as part of this initiative to demonstrate that Modern buildings can remain sustainable structures with vital futures. The Prize, which will be awarded biennially, recognizes innovative architectural and design solutions that preserve or enhance Modern landmarks and advances recognition of the special challenges of conserving Modern architecture.