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Entertainment News Movies Misc TV Music Children's TV Religion
Entertainment 137 CBS Action Misc TV Religion Catch up TV 719 Capital FM 138 Horror Channel 720 Choice FM 101 BBC One 139 Horror Chan+ 1 402 Information TV 690 Inspiration 900 On Demand 721 Classic FM 102 BBC Two 140 BET Black TV 403 Showcase 691 Daystar TV 901 BBC iPlayer 722 Gold 103 ITV1 141 BET + 1 405 Food Network 692 Revelation TV 903 ITV Player 723 XFM London 104 Channel 4 142 True 406 Food Network +1 693 Islam Channel 907 Box Office 365 724 Absolute Radio 105 Channel 5 651 Renault TV 694 GOD Channel 726 Absolute 80s 106 BBC Three News 660 SAB TV 695 Sonlife TV Other Regions 728 WRN Radio 107 BBC Four 729 Jazz FM 730 Planet Rock 108 BBC One HD 200 BBC News Music Shopping 950-971 - Other BBC 731 TalkSPORT 109 BBC HD 201 BBC Parliament 974 Channel 4 Lond 732 Smooth Radio 110 BBC Alba 203 Al Jazeera 500 Chart Show TV 800 QVC 975 Channel 4 Lon +1 733 Heart 112 ITV1 +1 204 EuroNews 501 The Vault 801 price-drop tv 977 ITV London 750 RTE Radio 1 113 ITV2 205 France 24 502 Flava 802 bid tv 999 Freesat Info 751 RTE Radio 2fm 114 ITV2 +1 206 RT Russia Today 503 Scuzz 803 Pitch TV 752 RTE R Lyric FM 115 ITV3 207 CNN International 504 B4U 804 Pitch World Radio services 753 RTE na Gaeltacta 116 ITV3 +1 208 Bloomberg TV 509 Zing 805 Gems TV 117 ITV4 209 NHK World HD 777 Insight Radio 514 Clubland TV 806 TV Shop 700 BBC Radio 1 118 ITV4 +1 210 CNBC Europe 786 BFBS Radio 515 Vintage TV Over 807 Jewellery Maker 701 BBC Radio 1 X 119 ITV1 HD 211 CCTV News 790 TWR 50's 808 JML Direct 702 BBC Radio 2 120 S4C Digidol 516 BuzMusic 809 JML Cookshop 703 -
Annex F Birmingham COVID-19 Test and Trace Communications and Engagement Plan
Annex F Birmingham COVID-19 Test and Trace Communications and Engagement Plan 1. Background Test and Trace is an important part of the local control of COVID-19 infections and outbreaks and a key aspect of this programme is engaging with communities to promote awareness and understanding of the programme. Our local COVID-19 Communication and Engagement Plan is focussed on supporting our communities to control the transmission of COVID-19 infections though appropriate and timely communication channels and engagement with various community groups to promote awareness and understanding of COVID-19 and risk reduction measures to minimise the spread of the virus. This approach builds on the existing engagement and communication approach during the COVID-19 pandemic working across the city with communities of geography and identity using various methods of communication both directly and through partners to spread messages and increase engagement. This plan is primarily for Test and Trace communications and engagement as part of the wider communications workstream by Public Health and the Corporate Communications Teams. Any outbreak response communications will be managed through a separate plan. 1.1. Frequency of review This plan is regularly refreshed to reflect the evolving nature of COVID-19 and the need for responsiveness to the local community. This is important to ensure that our communities receive the appropriate level of communication and engagement at every stage of the pandemic to help the citizens make an informed decision and where appropriate, a dynamic plan will enable us to garner our local assets to support through advocacy from relevant stakeholders. 2. -
Jazz and Radio in the United States: Mediation, Genre, and Patronage
Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Aaron Joseph Johnson All rights reserved ABSTRACT Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson This dissertation is a study of jazz on American radio. The dissertation's meta-subjects are mediation, classification, and patronage in the presentation of music via distribution channels capable of reaching widespread audiences. The dissertation also addresses questions of race in the representation of jazz on radio. A central claim of the dissertation is that a given direction in jazz radio programming reflects the ideological, aesthetic, and political imperatives of a given broadcasting entity. I further argue that this ideological deployment of jazz can appear as conservative or progressive programming philosophies, and that these tendencies reflect discursive struggles over the identity of jazz. The first chapter, "Jazz on Noncommercial Radio," describes in some detail the current (circa 2013) taxonomy of American jazz radio. The remaining chapters are case studies of different aspects of jazz radio in the United States. Chapter 2, "Jazz is on the Left End of the Dial," presents considerable detail to the way the music is positioned on specific noncommercial stations. Chapter 3, "Duke Ellington and Radio," uses Ellington's multifaceted radio career (1925-1953) as radio bandleader, radio celebrity, and celebrity DJ to examine the medium's shifting relationship with jazz and black American creative ambition. -
Pocketbook for You, in Any Print Style: Including Updated and Filtered Data, However You Want It
Hello Since 1994, Media UK - www.mediauk.com - has contained a full media directory. We now contain media news from over 50 sources, RAJAR and playlist information, the industry's widest selection of radio jobs, and much more - and it's all free. From our directory, we're proud to be able to produce a new edition of the Radio Pocket Book. We've based this on the Radio Authority version that was available when we launched 17 years ago. We hope you find it useful. Enjoy this return of an old favourite: and set mediauk.com on your browser favourites list. James Cridland Managing Director Media UK First published in Great Britain in September 2011 Copyright © 1994-2011 Not At All Bad Ltd. All Rights Reserved. mediauk.com/terms This edition produced October 18, 2011 Set in Book Antiqua Printed on dead trees Published by Not At All Bad Ltd (t/a Media UK) Registered in England, No 6312072 Registered Office (not for correspondence): 96a Curtain Road, London EC2A 3AA 020 7100 1811 [email protected] @mediauk www.mediauk.com Foreword In 1975, when I was 13, I wrote to the IBA to ask for a copy of their latest publication grandly titled Transmitting stations: a Pocket Guide. The year before I had listened with excitement to the launch of our local commercial station, Liverpool's Radio City, and wanted to find out what other stations I might be able to pick up. In those days the Guide covered TV as well as radio, which could only manage to fill two pages – but then there were only 19 “ILR” stations. -
2017-2018 Annual Investment Report Retirement System Investment Commission Table of Contents Chair Report
South Carolina Retirement System Investment Commission 2017-2018 Annual Investment Report South Carolina Retirement System Investment Commission Annual Investment Report Fiscal Year Ended June 30, 2018 Capitol Center 1201 Main Street, Suite 1510 Columbia, SC 29201 Rebecca Gunnlaugsson, Ph.D. Chair for the period July 1, 2016 - June 30, 2018 Ronald Wilder, Ph.D. Chair for the period July 1, 2018 - Present 2017-2018 ANNUAL INVESTMENT REPORT RETIREMENT SYSTEM INVESTMENT COMMISSION TABLE OF CONTENTS CHAIR REPORT Chair Report ............................................................................................................................... 1 Consultant Letter ........................................................................................................................ 3 Overview ................................................................................................................................... 7 Commission ............................................................................................................................... 9 Policy Allocation ........................................................................................................................13 Manager Returns (Net of Fees) ..................................................................................................14 Securities Lending .....................................................................................................................18 Expenses ...................................................................................................................................19 -
Broadcast Bulletin Issue Number
Ofcom Broadcast Bulletin Issue number 204 23 April 2012 1 Ofcom Broadcast Bulletin, Issue 204 23 April 2012 Contents Introduction 4 Standards cases In Breach Arab Dream Al Mustakillah Television, 9 October 2011, 21:00 and 25 October 2011, 18:00 5 Girls of the Playboy Mansion E! Entertainment, 27 December 2011, 10:00 to 13:00 and 16:00 to 21:00 23 The Secrets in the Walls Channel 5, 20 January 2012, 15:15 26 Get Lucky Get Lucky TV (Channel 909), 15 February 2012, 21:01 to 21:30 29 The Anything Goes Show Bishop FM, 27 February 2012, 19:40 32 Funky Sensations with Mike Vitti Jazz FM, 18 February 2012, 19:15 35 Find My Past’s sponsorship of various programmes Blighty, Watch and Yesterday, 15 July 2010 to present, various dates and times 38 Bits n Bytes Channel S, 10 December 2011, 20:00 41 Resolved / Not in Breach 606 BBC Radio 5 Live, 25 February 2012, 19:22 46 Broadcast Licensing cases In Breach Breach of licence condition Rossendale Radio, community radio service for Rossendale Uplands 5 March to 16 April 2012 50 2 Ofcom Broadcast Bulletin, Issue 204 23 April 2012 Advertising Scheduling cases In Breach Breach findings table Code on the Scheduling of Television Advertising compliance reports 53 Fairness and Privacy cases Not Upheld Complaint by Mr Zafer Mahmood and Meridian Foundation Limited made on their behalf by Mr Craig Needham Dispatches: Landlords from Hell, Channel 4, 4 July 2011 54 Complaint by Mr Paul Greaves My Transsexual Summer, Channel 4, 22 November 2011 66 Other Programmes Not in Breach 74 Complaints Assessed, Not Investigated 75 Investigations List 85 3 Ofcom Broadcast Bulletin, Issue 204 23 April 2012 Introduction Under the Communications Act 2003, Ofcom has a duty to set standards for broadcast content as appear to it best calculated to secure the standards objectives1, Ofcom must include these standards in a code or codes. -
The Final BBC Young Jazz Musician 2020
The Final BBC young jazz musician 2020 The Final The Band – Nikki Yeoh’s Infinitum Nikki Yeoh (piano), Michael Mondesir (bass) and Mark Mondesir (drums) Matt Carmichael Matt Carmichael: Hopeful Morning Saxophone Matt Carmichael: On the Gloaming Shore Matt Carmichael: Sognsvann Deschanel Gordon Kenny Garrett arr. Deschanel Gordon: Haynes Here Piano Deschanel Gordon: Awaiting Thelonious Monk: Round Midnight Alex Clarke Bernice Petkere: Lullaby of the Leaves Saxophone Dave Brubeck: In Your Own Sweet Way Alex Clarke: Before You Arrived INTERVAL Kielan Sheard Kielan Sheard: Worlds Collide Bass Kielan Sheard: Wilfred's Abode Oscar Pettiford: Blues in the Closet Ralph Porrett Billy Strayhorn arr. Ralph Porrett: Lotus Blossom Guitar John Coltrane arr. Ralph Porrett: Giant Steps John Parricelli: Scrim Boudleaux Bryant: Love Hurts JUDGING INTERVAL Xhosa Cole BBC Young Jazz Musician 2018 Saxophone Thelonious Monk: Played Twice Xhosa Cole: George F on my mind Announcement and presentation of BBC Young Jazz Musician 2020 2 BBC young jazz musician 2020 Television YolanDa Brown Double MOBO award winning YolanDa Brown is the premier female saxophonist in the UK, known for delicious fusion of reggae, jazz and soul. Her debut album, “April Showers May Flowers” was no.1 on the jazz charts, her sophomore album released in 2017 “Love Politics War” also went to no.1 in the UK jazz charts. YolanDa has toured with The Temptations, Jools Holland’s Rhythm and Blues Orchestra, Billy Ocean and collaborated with artists such as Snarky Puppy’s Bill Laurance, Kelly Jones from Stereophonics and the Royal Philharmonic Orchestra. A broadcaster too – working across TV and radio, including her eponymous series for CBeebies, "YolanDa’s Band Jam", which recently won the Royal Television Society Awards as Best Children’s Programme. -
Celebrating 40 Years of Commercial Radio With
01 Cover_v3_.27/06/1317:08Page1 CELEBRATING 40 YEARS OF COMMERCIAL RADIOWITHRADIOCENTRE OFCOMMERCIAL 40 YEARS CELEBRATING 01 9 776669 776136 03 Contents_v12_. 27/06/13 16:23 Page 1 40 YEARS OF MUSIC AND MIRTH CONTENTS 05. TIMELINE: t would be almost impossible to imagine A HISTORY OF Ia history of modern COMMERCIAL RADIO music without commercial radio - and FROM PRE-1973 TO vice-versa, of course. The impact of TODAY’S VERY privately-funded stations on pop, jazz, classical, soul, dance MODERN BUSINESS and many more genres has been nothing short of revolutionary, ever since the genome of commercial radio - the pirate 14. INTERVIEW: stations - moved in on the BBC’s territory in the 1960s, spurring Auntie to launch RADIOCENTRE’S Radio 1 and Radio 2 in hasty response. ANDREW HARRISON From that moment to this, independent radio in the UK has consistently supported ON THE ARQIVAS and exposed recording artists to the masses, despite a changing landscape for AND THE FUTURE broadcasters’ own businesses. “I’m delighted that Music Week 16. MUSIC: can be involved in celebrating the WHY COMMERCIAL RadioCentre’s Roll Of Honour” RADIO MATTERS Some say that the days of true ‘local-ness’ on the UK’s airwaves - regional radio for regional people, pioneered by 18. CHART: the likes of Les Ross and Alan Robson - are being superseded by all-powerful 40 UK NO.1 SINGLES national brands. If that’s true, support for the record industry remains reassuringly OVER 40 YEARS robust in both corners of the sector. I’m delighted that Music Week can be involved in celebrating the RadioCentre’s 22. -
Codes Used in D&M
CODES USED IN D&M - MCPS A DISTRIBUTIONS D&M Code D&M Name Category Further details Source Type Code Source Type Name Z98 UK/Ireland Commercial International 2 20 South African (SAMRO) General & Broadcasting (TV only) International 3 Overseas 21 Australian (APRA) General & Broadcasting International 3 Overseas 36 USA (BMI) General & Broadcasting International 3 Overseas 38 USA (SESAC) Broadcasting International 3 Overseas 39 USA (ASCAP) General & Broadcasting International 3 Overseas 47 Japanese (JASRAC) General & Broadcasting International 3 Overseas 48 Israeli (ACUM) General & Broadcasting International 3 Overseas 048M Norway (NCB) International 3 Overseas 049M Algeria (ONDA) International 3 Overseas 58 Bulgarian (MUSICAUTOR) General & Broadcasting International 3 Overseas 62 Russian (RAO) General & Broadcasting International 3 Overseas 74 Austrian (AKM) General & Broadcasting International 3 Overseas 75 Belgian (SABAM) General & Broadcasting International 3 Overseas 79 Hungarian (ARTISJUS) General & Broadcasting International 3 Overseas 80 Danish (KODA) General & Broadcasting International 3 Overseas 81 Netherlands (BUMA) General & Broadcasting International 3 Overseas 83 Finnish (TEOSTO) General & Broadcasting International 3 Overseas 84 French (SACEM) General & Broadcasting International 3 Overseas 85 German (GEMA) General & Broadcasting International 3 Overseas 86 Hong Kong (CASH) General & Broadcasting International 3 Overseas 87 Italian (SIAE) General & Broadcasting International 3 Overseas 88 Mexican (SACM) General & Broadcasting -
Bauer Radio West Midlands & Shropshire Stations
Bauer Radio West Midlands & Shropshire stations Requests to change Format CONSULTATION: Publication Date: 07 September 2018 Closing Date for Responses: 05 October 2018 About this document Ofcom is consulting on whether to approve Format Change Requests relating to three analogue commercial radio licences in the West Midlands and Shropshire which are ultimately owned by Bauer Radio Limited. A commercial radio station’s Format describes the type of programme service which it is required to provide, and forms part of the station’s licence. The proposed changes are as follows: • West Midlands FM licence (currently Absolute Radio) – request to change from a ‘rock- orientated’ service to a ‘classic pop hits’ service, with local production and content. • Birmingham AM licence (currently Free Radio 80s) – request to change from a ‘classic pop hits’ service to a ‘classic rock’ service with no local production or content. • Wolverhampton, Shrewsbury & Telford AM licence (currently Free Radio 80s) - request to change from a ‘classic pop hits’ service to a ‘classic rock’ service with no local production or content. We are seeking views on the requests. The consultation closes at 5pm on 05 October 2018. Contents Section 1. Details and background information 1 Annex A1. Responding to this consultation 6 A2. Ofcom’s consultation principles 9 A3. Consultation coversheet 10 A4. Consultation questions 11 A5. Format change request for Absolute Radio (West Midlands) 12 A6. Existing Format of Absolute Radio (West Midlands) 17 A7. Format change request for Free Radio 80s (Birmingham) 19 A8. Format of Free Radio 80s (Birmingham) 23 A9. Format change request from Free Radio 80s (Wolverhampton & Shrops.) 24 A10. -
Performing Right Society Limited Distribution Rules
PERFORMING RIGHT SOCIETY LIMITED DISTRIBUTION RULES PRS distribution policy rules Contents INTRODUCTION...................................................................................... 12 Scope of the PRS Distribution Policy ................................................................................ 12 General distribution policy principles ............................................................................. 12 Policy review and decision-making processes ............................................................. 13 DISTRIBUTION CYCLES AND CONCEPTS ................................................. 15 Standard distribution cycles and frequency .................................................................. 15 Distribution basis ..................................................................................................................... 15 Distribution sections ............................................................................................................... 16 Non-licence revenue ............................................................................................................... 16 Administration recovery rates ............................................................................................ 16 Donation to the PRS Foundation and Members Benevolent Fund ........................ 17 Weightings .................................................................................................................................. 17 Points and point values ......................................................................................................... -
Radio Central Community Radio Licence Application
Radio Central community radio licence application 1. Station Name Guidance Notes What is the proposed station name? This is the name you expect to use to identify the station on air. Radio Central 2. Community to be served Guidance Notes Define the community or communities you are It is a legislative requirement that a service is intended proposing to serve. Drawing from various sources of primarily to serve one or more communities (whether or data (e.g. from the Office of Population, Census and not it also serves other members of the public) and we Survey) and in relation to your proposed coverage need to understand who comprises that community or area, please determine the size of the population communities. The target community will also be concerned and the make-up of the population as a specified in the licence, if this application is successful. whole, along with any relevant socio-economic The legislation defines a ‘community’ as: people who live information that would support your application. or work or undergo education or training in a particular (Please tell us the sources of the information you area or locality, or people who have one or more provide.) interests or characteristics in common. Answer in fewer than 300 words: Radio Central proposes to serve the British Pakistani, English, Urdu, Punjabi, Mirpuri, Pashto, Saraiki and Hindko speaking Communities in Birmingham. The total population of Birmingham is 1,073,045 (Census 2011). After London, Birmingham has the 2nd largest Pakistani Community in the UK. Birmingham is also home to the largest Pakistani Community in the world after Saudi Arabia living outside Pakistan.