Bauer Radio West Midlands & Shropshire Stations
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BBC Radio WM Make a Difference Heroes Awards Terms and Conditions
BBC Radio WM Make a Difference Heroes Awards Terms and Conditions 1. In order to nominate someone, you must be a UK resident (including Channel Islands and the Isle of Man) aged 13 or over, and not be a BBC or BBC Group company employee, employee of any of its affiliates, close relative of any such employees or connected to the awards competition directly or through a close relative. You cannot nominate yourself. 2. Any person who is a resident or travels on a typically daily basis (e.g. for work and does not need to include weekends or bank holidays) in the West Midlands, except BBC or BBC Group company employees, employees of any of its affiliates, close relatives of any such employees or connected to the award directly or through a close relative. Proof of age, identity and eligibility may be requested. 3. Nominations can be made online at bbc.co.uk/wm Please provide as much information as possible to ensure the nomination can be judged for one of the categories below. Written nominations must not be any more than 150 words and audio/video nominations must not be longer than one minute. Please note that all nominations must be received no later than 6pm on Friday 15th January 2021. Any nominations received after this will not be accepted. 4. You agree to the broadcasting of your audio/video nomination and you will assign to us all rights in your contribution and for us to use it worldwide in perpetuity in all media known now or in the future. -
Domain Stationid Station UDC Performance Date
Number of days Amount Amount Performance Total Per Domain StationId Station UDC processed for from from Public Date Minute Rate distribution Broadcast Reception RADIO BR ONE BBC RADIO 1 NON PEAK BRA01 CENSUS 92 7.8347 4.2881 3.5466 RADIO BR ONE BBC RADIO 1 LOW PEAK BRB01 CENSUS 92 10.7078 7.1612 3.5466 RADIO BR ONE BBC RADIO 1 HIGH PEAK BRC01 CENSUS 92 13.5380 9.9913 3.5466 RADIO BR TWO BBC RADIO 2 NON PEAK BRA02 CENSUS 92 17.4596 11.2373 6.2223 RADIO BR TWO BBC RADIO 2 LOW PEAK BRB02 CENSUS 92 24.9887 18.7663 6.2223 RADIO BR TWO BBC RADIO 2 HIGH PEAK BRC02 CENSUS 92 32.4053 26.1830 6.2223 RADIO BR1EXT BBC RADIO 1XTRA NON PEAK BRA10 CENSUS 92 1.4814 1.4075 0.0739 RADIO BR1EXT BBC RADIO 1XTRA LOW PEAK BRB10 CENSUS 92 2.4245 2.3506 0.0739 RADIO BR1EXT BBC RADIO 1XTRA HIGH PEAK BRC10 CENSUS 92 3.3534 3.2795 0.0739 RADIO BRASIA BBC ASIAN NETWORK NON PEAK BRA65 CENSUS 92 1.4691 1.4593 0.0098 RADIO BRASIA BBC ASIAN NETWORK LOW PEAK BRB65 CENSUS 92 2.4468 2.4371 0.0098 RADIO BRASIA BBC ASIAN NETWORK HIGH PEAK BRC65 CENSUS 92 3.4100 3.4003 0.0098 RADIO BRBEDS BBC THREE COUNTIES RADIO NON PEAK BRA62 CENSUS 92 0.1516 0.1104 0.0411 RADIO BRBEDS BBC THREE COUNTIES RADIO LOW PEAK BRB62 CENSUS 92 0.2256 0.1844 0.0411 RADIO BRBEDS BBC THREE COUNTIES RADIO HIGH PEAK BRC62 CENSUS 92 0.2985 0.2573 0.0411 RADIO BRBERK BBC RADIO BERKSHIRE NON PEAK BRA64 CENSUS 92 0.0803 0.0569 0.0233 RADIO BRBERK BBC RADIO BERKSHIRE LOW PEAK BRB64 CENSUS 92 0.1184 0.0951 0.0233 RADIO BRBERK BBC RADIO BERKSHIRE HIGH PEAK BRC64 CENSUS 92 0.1560 0.1327 0.0233 RADIO BRBRIS BBC -
In Country Radio
THEBEST PROGRAM DIRECTORS IN COUNTRY RADIO hey are some of the most important names in Nashville, and across the Country radio fruited plain. They are on a first-name basis with country music’s biggest stars and Nashville’s most important executives. Why? Because radio is still the most important outlet for music to be played and heard, and the PDs on the pages that follow carry around the keys to the radio stations country music fans love most. The relation- tship between country stars, Country PDs, Country radio stations, and the country music fans is like none in any other format. If you’ve ever attended a Country Radio Seminar in Nashville, you know exactly what we mean. The stars mingle with the programmers, great relationships are formed, and a lot of artists and PDs talk or text on a regular basis. And being one of the Best Country Program Directors is much more than mingling with the stars. A successful Country PD has to execute the format flawlessly in markets where there is typically more than one station compet- ing for country fans. A successful Country PD has to have an ear for the music, and be willing to take chances on a new song or new artist. A successful Country PD has to nurture relationships with label executives in Nashville who now have more outlets than ever to get their music to the masses. And a successful Country PD must serve the local community, which is one of the hallmarks, along with strong ratings, of a consistently successful Country radio station. -
BOOK BANNED DUE to LURID REVELATIONS Submitted By: Know the Score Books Thursday, 24 May 2007
BOOK BANNED DUE TO LURID REVELATIONS Submitted by: Know the Score Books Thursday, 24 May 2007 Paul Smith's newly published autobiography, 'WASTED?' has already caused quite a stir. In its first week it has been banned by his former employers, Warwickshire County Cricket Club, due to the lurid details of his career at the club and been the subject of several top notch reviews. The book tells the story of Smith's devil-may-care sporting career which saw him live the high life whilst winning trophies for Warwickshire, then plumb the depths, before emerging a new man, having lost his job, income, family and self respect, to work with inner city youths in the UK and Los Angeles to help them avoid the mistakes he made and avoid lives involving drugs, guns and crime. It is a modern morality tale which speaks to a far wider audience than that which would normally read a sporting autobiography. BRIEF SYNOPSIS 'WASTED?' is the story of how cricketer Paul Smith’s life fell apart after he received a drugs ban in 1997, which effectively ended his career. He was made a scapegoat and still believes he was singled-out while several other, favoured players were allowed to continue their careers. Paul lost his house, his marriage, his children and, of course, his job. How does a man come back from that? In this extraordinary autobiography, Paul Smith (a native of the north east of England) tells the story of the rock star lifestyle of a top cricketer, who produced Man of the Match performances at Lord’s to help Warwickshire to an unprecedented domestic treble of trophies, which set him on the slippery slope to oblivion. -
Annex F Birmingham COVID-19 Test and Trace Communications and Engagement Plan
Annex F Birmingham COVID-19 Test and Trace Communications and Engagement Plan 1. Background Test and Trace is an important part of the local control of COVID-19 infections and outbreaks and a key aspect of this programme is engaging with communities to promote awareness and understanding of the programme. Our local COVID-19 Communication and Engagement Plan is focussed on supporting our communities to control the transmission of COVID-19 infections though appropriate and timely communication channels and engagement with various community groups to promote awareness and understanding of COVID-19 and risk reduction measures to minimise the spread of the virus. This approach builds on the existing engagement and communication approach during the COVID-19 pandemic working across the city with communities of geography and identity using various methods of communication both directly and through partners to spread messages and increase engagement. This plan is primarily for Test and Trace communications and engagement as part of the wider communications workstream by Public Health and the Corporate Communications Teams. Any outbreak response communications will be managed through a separate plan. 1.1. Frequency of review This plan is regularly refreshed to reflect the evolving nature of COVID-19 and the need for responsiveness to the local community. This is important to ensure that our communities receive the appropriate level of communication and engagement at every stage of the pandemic to help the citizens make an informed decision and where appropriate, a dynamic plan will enable us to garner our local assets to support through advocacy from relevant stakeholders. 2. -
Power Gold: Concentration Game CMA Sets Trend for Industry
February 10, 2020, Issue 691 Power Gold: Concentration Game This edition of Country Aircheck’s Power Gold is led by eight artists who combine for 46 of the Top 100 most-heard Gold hits. Luke Bryan and Florida Georgia Line lead the parade with seven songs apiece, followed by Jason Aldean and Zac Brown Band with six each. Rounding out the top PG hit-makers are Kenny Chesney, Thomas Rhett, Blake Shelton and Carrie Underwood, all with five hits in the Top 100. One artist – Dierks Bentley – places four songs in this elite group, meaning that nine acts are responsible for 50% of the current Power Gold. More thoughts on that later. Twenty-three songs from 20 artists are new Luke Bryan to the Top 100 since we ran the list last year (CAW 1/14/19). Interestingly, four songs in that group are more than five years old and are actually making a return appearance to the PG 100. They are Tim McGraw’s “Live Like You Were Dying” (2004), Bentley’s “Free And Easy (Down The Staff Hearted: WNCY/Appleton, WI’s Shotgun Shannon, Luke Road I Go)” (2007), Bryan’s “I See You” (2015) and FGL’s “Sippin’ Reid, Charli McKenzie, Hannah, Dan Stone and PJ (l-r) show On Fire” (2015). off the station’s 23rd annual Y100 Country Cares for St. Jude This Top 100 Power Gold – along with the airplay information in Kids Radiothon total. the previous paragraph – is culled from Mediabase 24/7 and music airplay information from the Country Aircheck/Mediabase reporting panel for the week of January 26-Feb. -
Pocketbook for You, in Any Print Style: Including Updated and Filtered Data, However You Want It
Hello Since 1994, Media UK - www.mediauk.com - has contained a full media directory. We now contain media news from over 50 sources, RAJAR and playlist information, the industry's widest selection of radio jobs, and much more - and it's all free. From our directory, we're proud to be able to produce a new edition of the Radio Pocket Book. We've based this on the Radio Authority version that was available when we launched 17 years ago. We hope you find it useful. Enjoy this return of an old favourite: and set mediauk.com on your browser favourites list. James Cridland Managing Director Media UK First published in Great Britain in September 2011 Copyright © 1994-2011 Not At All Bad Ltd. All Rights Reserved. mediauk.com/terms This edition produced October 18, 2011 Set in Book Antiqua Printed on dead trees Published by Not At All Bad Ltd (t/a Media UK) Registered in England, No 6312072 Registered Office (not for correspondence): 96a Curtain Road, London EC2A 3AA 020 7100 1811 [email protected] @mediauk www.mediauk.com Foreword In 1975, when I was 13, I wrote to the IBA to ask for a copy of their latest publication grandly titled Transmitting stations: a Pocket Guide. The year before I had listened with excitement to the launch of our local commercial station, Liverpool's Radio City, and wanted to find out what other stations I might be able to pick up. In those days the Guide covered TV as well as radio, which could only manage to fill two pages – but then there were only 19 “ILR” stations. -
United Kingdom Distribution Points
United Kingdom Distribution to national, regional and trade media, including national and regional newspapers, radio and television stations, through proprietary and news agency network of The Press Association (PA). In addition, the circuit features the following complimentary added-value services: . Posting to online services and portals with a complimentary ReleaseWatch report. Coverage on PR Newswire for Journalists, PR Newswire's media-only website and custom push email service reaching over 100,000 registered journalists from 140 countries and in 17 different languages. Distribution of listed company news to financial professionals around the world via Thomson Reuters, Bloomberg and proprietary networks. Releases are translated and distributed in English via PA. 3,298 Points Country Media Point Media Type United Adones Blogger Kingdom United Airlines Angel Blogger Kingdom United Alien Prequel News Blog Blogger Kingdom United Beauty & Fashion World Blogger Kingdom United BellaBacchante Blogger Kingdom United Blog Me Beautiful Blogger Kingdom United BrandFixion Blogger Kingdom United Car Design News Blogger Kingdom United Corp Websites Blogger Kingdom United Create MILK Blogger Kingdom United Diamond Lounge Blogger Kingdom United Drink Brands.com Blogger Kingdom United English News Blogger Kingdom United ExchangeWire.com Blogger Kingdom United Finacial Times Blogger Kingdom United gabrielleteare.com/blog Blogger Kingdom United girlsngadgets.com Blogger Kingdom United Gizable Blogger Kingdom United http://clashcityrocker.blogg.no Blogger -
Programme Complaints Bulletin Standards & Fairness
Programme complaints bulletin Standards & Fairness and Privacy Issue number 16 23 August 2004 Ofcom programme complaints bulletin 23 August 2004 Contents Introduction 2 Standards cases Sanctions 3 Breaches 7 Resolved 11 Not in Breach/Outside Remit 14 Fairness and Privacy cases Upheld/Upheld in Part 21 Not Upheld 22 1 Ofcom programme complaints bulletin 23 August 2004 Introduction Some of the following complaints were received by the legacy regulators prior to the commencement of Ofcom. Under the terms of the Communications Act 2003, they became the responsibility of Ofcom on 29 December 2003. The Communications Act allows for the Codes of the legacy regulators to remain in force until such time as Ofcom has developed its own Codes. Ofcom is currently consulting on its new draft Code. This can be found at http://www.ofcom.org.uk/consultations/current/broadcasting_code/ The new Code will be published at the beginning of 2005. The Codes currently in force for programming are: • Advertising and Sponsorship Code (Radio Authority) • News & Current Affairs Code and Programme Code (Radio Authority) • Code on Standards (Broadcasting Standards Commission) • Code on Fairness and Privacy (Broadcasting Standards Commission) • Programme Code (Independent Television Commission) • Code of Programme Sponsorship (Independent Television Commission) The cases have been considered against the above Codes. • Some programmes will have breached the relevant code or been found to be unfair or to have infringed privacy without good reason (Upheld). • Others will not have breached the code or been found to be unfair or to have infringed privacy without good reason (Not upheld). • However, there may be occasions where Ofcom recognises that a broadcaster has taken appropriate action in response to an issue (for instance, the broadcaster may recognise that an error has occurred and taken responsible steps to rectify it). -
Capital Birmingham Should Not Be Allowed to Make the Changes to The
Spence, Mr Consultation question: Should regional radio station Capital FM (Birmingham) be permitted to make the changes to its Character of Service as proposed with particular regard to the statutory criteria as set out in the summary? (The Broadcasting Act 1990 Section 106 (1A) (b) and (d) relating to Format changes). Capital Birmingham should not be allowed to make the changes to the Character of Service as this would essentially change the station from am urban/black music station to a hit music station format which can potentially stop playing urban music if they wanted to if in the future it becomes less mainstream. The format change represents a real danger to the radio landscape in Birmingham as it can so significantly reduce the choice of music available in the area over time. It will make the station sound too similar to it's main competitors in the area on FM. I am not happy with the decision in particular to remove the commitment to listeners of African or Afro-Caribbean origin in terms of content and music. I do not believe the music output of Capital Birmingham should be allowed to be aligned to that of Yorkshire or London without a readvertisement of the license as the change requested is far too significant. I believe that the format must retain the words 'URBAN CONTEMPORARY BLACK MUSIC' and 'REGGAE, RnB AND HIP HOP' in order to be an acceptable request. The new requested format is already provided in much better quality by BBC Radio 1. I am not happy with the way the station has been allowed to gradually change from Choice FM in the mid 90s to the present day Capital FM with such a dramatic change in music output despite only slight changes to the official OFCOM agreed station format, while Choice London and Capital FM co-exist in London providing 2 very different sounding services. -
Localness on Commercial Radio Full Name Erzsebet “Erzsie” Nagy Contact Phone Number N/A Representing (Delete As Appropriate) Self Organisation Name N/A
Consultation response form Consultation title Localness on commercial radio Full name Erzsebet “Erzsie” Nagy Contact phone number N/A Representing (delete as appropriate) Self Organisation name N/A Your response Question Your response Question 1: Do you agree that Ofcom’s duty to secure ‘localness’ on local commercial radio Before I write anything, I should state that I am stations could be satisfied if stations were able a U.S. citizen and do not reside in the United to reduce the amount of locally-made Kingdom or have British citizenship, but have programming they provide? If not, please visited occasionally and know of people in the explain the reasons and/or evidence which UK. support your view. There was nothing in the Ofcom rules that stated a U.S. citizen could not participate, so I have decided to participate anyway. All content is original research. ---- Localness should never be reduced on local commercial radio stations. There is research to back this up, proven by statistical research from 2008-2014. There is substantial research that proves listeners value local content to some extent, and not just in major circumstances like floods, terrorist attacks, fire, major emergencies. Rather than reducing local-made programming, some radio stations should be, by statutory requirement, have as much local programming and content as necessary. There is substantial evidence from American researchers – 2004, 2008, 2012, 2014 that proved listeners value locality as a major selling point. Unofficial research in 2007 has proved this. No station should be local for only 3 hours a day, whatever the day of week. -
KNIX's Barrel Boy Filled with Gratitude 15 Years After Stepping Into
2021 AUGUST 23 CountryInsider.com | Sign Up For Daily Email Here KNIX’s Barrel Boy Filled With Gratitude 15 Years After Stepping Into Costume. On Aug. 26, 2006, Barrel Boy had yet to don a barrel. He was in his early 20s and came to work at iHeartMedia KNIX Phoenix (102.5), hopelessly hungover after a night of heavy drinking at a bowling alley. Barrel and friends were celebrating the first night of Tim McGraw and Faith Hill’s “Soul 2 Soul Tour” doubleheader in Phoenix. His PD sent him home, told him to pull himself together and return to cover the second shift. Retribution, he said, was in order. Barrel Boy wasn’t in trouble, but the PD wanted to have some fun at his expense. (Continued on page 4) COUNTRY INSIDER TOP 5: WUBL’s Angie Ward: From College Radio To Country Radio Hall of Fame. Beasley Media Group Joins Cumulus, Urban One Requiring Employees To Get A COVID-19 Vaccine. Walker Hayes’ “Fancy Like” Is Now An Applebee’s Commercial - Complete With Oreo Shake. Scott Huskey: Why Now’s A Good Time To Give Smart Speakers A Second Look. Carrie Underwood Stars In Show-Opener For “Sunday Night Football.” 1 | AUGUST 23, 2021 CountryInsider.com Jeff Winfield - PD Madison Reeves KFGE Lincoln, NE Mornings-Dollar Bill & Madison Top 5 All-Time Today’’s Best Country, Top 5 Faves On WDXB Birmingham, AL Country Ballads: Froggy 98 The Charts Now: 102.5 The Bull Better Country 1. Wichita Lineman - 1. Fancy Like - Walker Hayes Glen Campbell 2. To Be Loved By You - 2.