Hallett Arendt Rajar Topline Results - Wave 1 2020/Last Published Data

Total Page:16

File Type:pdf, Size:1020Kb

Hallett Arendt Rajar Topline Results - Wave 1 2020/Last Published Data HALLETT ARENDT RAJAR TOPLINE RESULTS - WAVE 1 2020/LAST PUBLISHED DATA Population 15+ Change Weekly Reach 000's Change Weekly Reach % Total Hours 000's Change Average Hours Market Share STATION/GROUP Last Pub W1 2020 000's % Last Pub W1 2020 000's % Last Pub W1 2020 Last Pub W1 2020 000's % Last Pub W1 2020 Last Pub W1 2020 Bauer Radio - Total 55032 55032 0 0% 18160 17986 -174 -1% 33% 33% 155537 154249 -1288 -1% 8.6 8.6 15.9% 15.7% Absolute Radio Network 55032 55032 0 0% 4908 4716 -192 -4% 9% 9% 34837 33647 -1190 -3% 7.1 7.1 3.6% 3.4% Absolute Radio 55032 55032 0 0% 2309 2416 107 5% 4% 4% 16739 18365 1626 10% 7.3 7.6 1.7% 1.9% Absolute Radio (London) 12260 12260 0 0% 715 743 28 4% 6% 6% 5344 5586 242 5% 7.5 7.5 2.7% 2.8% Absolute Radio 60s 55032 55032 0 0% 136 119 -17 -13% *% *% 359 345 -14 -4% 2.6 2.9 *% *% Absolute Radio 70s 55032 55032 0 0% 212 230 18 8% *% *% 804 867 63 8% 3.8 3.8 0.1% 0.1% Absolute 80s 55032 55032 0 0% 1420 1459 39 3% 3% 3% 7020 7088 68 1% 4.9 4.9 0.7% 0.7% Absolute Radio 90s 55032 55032 0 0% 851 837 -14 -2% 2% 2% 3518 3593 75 2% 4.1 4.3 0.4% 0.4% Absolute Radio 00s 55032 55032 0 0% 217 186 -31 -14% *% *% 584 540 -44 -8% 2.7 2.9 0.1% 0.1% Absolute Radio Classic Rock 55032 55032 0 0% 740 813 73 10% 1% 1% 4028 4209 181 4% 5.4 5.2 0.4% 0.4% Hits Radio Brand 55032 55032 0 0% 6657 6619 -38 -1% 12% 12% 52607 52863 256 0% 7.9 8.0 5.4% 5.4% Greatest Hits Network 55032 55032 0 0% 1264 1295 31 2% 2% 2% 9347 10538 1191 13% 7.4 8.1 1.0% 1.1% Greatest Hits Radio 55032 55032 0 0% 845 892 47 6% 2% 2% 6449 7146 697 11% 7.6 8.0 0.7% 0.7% Greatest Hits Radio (Cov & Warks) 728 728 0 0% 6 11 5 83% 1% 2% 23 32 9 39% 3.9 2.9 0.2% 0.3% Greatest Hits Radio (E.Yorks & N.Lincs) 915 914 -1 0% 23 31 8 35% 3% 3% 207 307 100 48% 8.8 10.0 1.3% 1.9% Greatest Hits Radio (Heref & Worcs) 496 496 0 0% 14 17 3 21% 3% 3% 103 120 17 17% 7.3 7.1 1.0% 1.2% Greatest Hits Radio (Lancashire) 1133 1134 1 0% 9 22 13 144% 1% 2% 100 198 98 98% 11.3 8.9 0.4% 0.9% Greatest Hits Radio (L'pool N-West & N.Wales) 1887 1888 1 0% 157 133 -24 -15% 8% 7% 1632 1487 -145 -9% 10.4 11.2 4.6% 4.0% Greatest Hits Radio (Manchester) 2561 2562 1 0% 42 41 -1 -2% 2% 2% 303 240 -63 -21% 7.2 5.9 0.7% 0.6% Greatest Hits Radio (North East) 1515 1515 0 0% 30 35 5 17% 2% 2% 358 409 51 14% 11.8 11.7 1.4% 1.7% Greatest Hits Radio (S.Yorks) 1330 1329 -1 0% 38 34 -4 -11% 3% 3% 376 255 -121 -32% 10.0 7.5 1.7% 1.1% Greatest Hits Radio (Teesside) 823 824 1 0% 15 21 6 40% 2% 3% 236 261 25 11% 15.3 12.3 1.5% 1.7% Greatest Hits Radio (West Midlands) 3824 3825 1 0% 190 211 21 11% 5% 6% 1375 1493 118 9% 7.2 7.1 2.2% 2.4% Greatest Hits Radio (W.Yorks) 1007 1007 0 0% 14 20 6 43% 1% 2% 223 265 42 19% 15.5 13.5 1.3% 1.6% Clyde 2 1935 1934 -1 0% 188 167 -21 -11% 10% 9% 1395 1644 249 18% 7.4 9.9 4.5% 5.3% Downtown Country 1516 1516 0 0% 108 108 0 0% 7% 7% 446 585 139 31% 4.1 5.4 1.7% 2.2% Forth 2 1172 1172 0 0% 67 68 1 1% 6% 6% 543 580 37 7% 8.1 8.5 3.8% 3.9% Northsound 2 346 347 1 0% 23 26 3 13% 7% 7% 208 215 7 3% 8.9 8.4 3.1% 3.1% Tay 2 394 394 0 0% 41 38 -3 -7% 10% 10% 361 370 9 2% 8.9 9.9 5.9% 5.9% Hits Radio Network 55032 55032 0 0% 5878 5779 -99 -2% 11% 11% 43261 42325 -936 -2% 7.4 7.3 4.4% 4.3% Hits Radio 55032 55032 0 0% 823 745 -78 -9% 1% 1% 3488 3462 -26 -1% 4.2 4.6 0.4% 0.4% Hits Radio (Manchester) 2561 2562 1 0% 264 231 -33 -13% 10% 9% 1193 1276 83 7% 4.5 5.5 2.9% 3.1% Radio Aire 651 651 0 0% 64 57 -7 -11% 10% 9% 405 352 -53 -13% 6.3 6.2 3.7% 3.1% Radio Borders 110 109 -1 -1% 47 46 -1 -2% 42% 42% 590 622 32 5% 12.7 13.4 31.1% 31.3% C.F.M. 252 251 -1 0% 89 84 -5 -6% 35% 33% 895 844 -51 -6% 10.0 10.0 17.7% 16.6% Radio City 1887 1888 1 0% 285 310 25 9% 15% 16% 2254 2119 -135 -6% 7.9 6.8 6.4% 5.7% Radio City Talk 1887 1888 1 0% 29 32 3 10% 2% 2% 111 96 -15 -14% 3.9 3.0 0.3% 0.3% Clyde 1 1935 1934 -1 0% 628 585 -43 -7% 32% 30% 5184 4657 -527 -10% 8.3 8.0 16.7% 15.0% Cool FM 1516 1516 0 0% 506 527 21 4% 33% 35% 3319 3689 370 11% 6.6 7.0 12.9% 13.9% Country Hits Radio 55032 55032 0 0% 247 257 10 4% *% *% 1112 1275 163 15% 4.5 5.0 0.1% 0.1% Downtown Radio 1516 1516 0 0% 264 278 14 5% 17% 18% 1678 1906 228 14% 6.4 6.9 6.5% 7.2% Forth 1 1172 1172 0 0% 300 296 -4 -1% 26% 25% 2277 2573 296 13% 7.6 8.7 16.1% 17.2% Free Radio Birmingham 2264 2264 0 0% 196 166 -30 -15% 9% 7% 1098 911 -187 -17% 5.6 5.5 3.3% 2.6% Free Radio FM (Cov & Warks) 728 728 0 0% 131 124 -7 -5% 18% 17% 1043 821 -222 -21% 7.9 6.6 8.5% 6.8% Free Radio FM (Herefordshire & Worcestershire) 496 496 0 0% 78 78 0 0% 16% 16% 598 525 -73 -12% 7.7 6.8 5.8% 5.3% Free Radio Wolverhampton Black Country & Shropshire 1541 1540 -1 0% 135 141 6 4% 9% 9% 923 880 -43 -5% 6.8 6.2 3.7% 3.3% Gem 2490 2490 0 0% 440 426 -14 -3% 18% 17% 3049 2997 -52 -2% 6.9 7.0 6.4% 6.5% Hallam FM 1330 1329 -1 0% 311 379 68 22% 23% 29% 1788 2527 739 41% 5.8 6.7 8.1% 11.1% Metro Radio 1515 1515 0 0% 284 267 -17 -6% 19% 18% 2254 1959 -295 -13% 7.9 7.3 9.0% 8.3% MFR 253 253 0 0% 123 122 -1 -1% 48% 48% 1284 1288 4 0% 10.5 10.5 26.2% 27.7% n/p = not published n/a = not applicable Source: RAJAR/RSL HALLETT ARENDT RAJAR TOPLINE RESULTS - WAVE 1 2020/LAST PUBLISHED DATA Population 15+ Change Weekly Reach 000's Change Weekly Reach % Total Hours 000's Change Average Hours Market Share STATION/GROUP Last Pub W1 2020 000's % Last Pub W1 2020 000's % Last Pub W1 2020 Last Pub W1 2020 000's % Last Pub W1 2020 Last Pub W1 2020 Northsound 1 346 347 1 0% 122 132 10 8% 35% 38% 1125 1350 225 20% 9.2 10.2 16.9% 19.3% Rock FM 1274 1274 0 0% 211 201 -10 -5% 17% 16% 1415 1408 -7 0% 6.7 7.0 5.8% 5.9% Tay FM 394 394 0 0% 131 129 -2 -2% 33% 33% 1016 1056 40 4% 7.8 8.2 16.6% 16.8% TFM 823 824 1 0% 137 122 -15 -11% 17% 15% 866 719 -147 -17% 6.3 5.9 5.4% 4.6% Viking FM 915 914 -1 0% 168 164 -4 -2% 18% 18% 958 767 -191 -20% 5.7 4.7 6.1% 4.8% Wave 105 1858 1858 0 0% 362 326 -36 -10% 19% 18% 3573 2757 -816 -23% 9.9 8.5 9.7% 7.6% West Sound (inc West FM) 394 398 4 1% 181 189 8 4% 46% 48% 1578 1468 -110 -7% 8.7 7.7 24.6% 24.2% Heat 55032 55032 0 0% 507 498 -9 -2% 1% 1% 1626 1613 -13 -1% 3.2 3.2 0.2% 0.2% Jazz FM 55032 55032 0 0% 583 566 -17 -3% 1% 1% 2347 2059 -288 -12% 4.0 3.6 0.2% 0.2% Kerrang! 55032 55032 0 0% 476 438 -38 -8% 1% 1% 1782 1661 -121 -7% 3.7 3.8 0.2% 0.2% Kiss Network 55032 55032 0 0% 5276 5135 -141 -3% 10% 9% 28049 26520 -1529 -5% 5.3 5.2 2.9% 2.7% Kiss 55032 55032 0 0% 3798 3593 -205 -5% 7% 7% 17484 14732 -2752 -16% 4.6 4.1 1.8% 1.5% Kiss (East) 2201 2201 0 0% 299 285 -14 -5% 14% 13% 1554 1852 298 19% 5.2 6.5 3.4% 3.9% Kiss (London) 12260 12260 0 0% 1472 1265 -207 -14% 12% 10% 7762 5270 -2492 -32% 5.3 4.2 3.9% 2.7% Kiss (West) 2512 2513 1 0% 359 342 -17 -5% 14% 14% 1456 1539 83 6% 4.1 4.5 3.1% 3.2% Kiss Fresh 55032 55032 0 0% 540 519 -21 -4% 1% 1% 1566 1563 -3 0% 2.9 3.0 0.2% 0.2% Kisstory 55032 55032 0 0% 2204 2066 -138 -6% 4% 4% 9076 8238 -838 -9% 4.1 4.0 0.9% 0.8% Magic Network 55032 55032 0 0% 4173 4088 -85 -2% 8% 7% 24424 24622 198 1% 5.9 6.0 2.5% 2.5% Magic 55032 55032 0 0% 3279 3329 50 2% 6% 6% 17641 19495 1854 11% 5.4 5.9 1.8% 2.0% Magic (London) 12260 12260 0 0% 1462 1351 -111 -8% 12% 11% 8760 8864 104 1% 6.0 6.6 4.4% 4.5% Magic Chilled 55032 55032 0 0% 311 242 -69 -22% 1% *% 1397 995 -402 -29% 4.5 4.1 0.1% 0.1% Magic Soul 55032 55032 0 0% 343 393 50 15% 1% 1% 1717 2533 816 48% 5.0 6.4 0.2% 0.3% Mellow Magic 55032 55032 0 0% 626 590 -36 -6% 1% 1% 3242 3124 -118 -4% 5.2 5.3 0.3% 0.3% Planet Rock 55032 55032 0 0% 1210 1209 -1 0% 2% 2% 8724 9680 956 11% 7.2 8.0 0.9% 1.0% Scala Radio 55032 55032 0 0% 249 310 61 24% *% 1% 1571 2034 463 29% 6.3 6.6 0.2% 0.2% Total Global Radio (UK) 55032 55032 0 0% 23247 23397 150 1% 42% 43% 202342 201999 -343 0% 8.7 8.6 20.6% 20.6% Capital Brand (UK) 55032 55032 0 0% 7595 7502 -93 -1% 14% 14% 39081 36551 -2530 -6% 5.1 4.9 4.0% 3.7% Capital Network (UK) 55032 55032 0 0% 6546 6386 -160 -2% 12% 12% 32414 29847 -2567 -8% 5.0 4.7 3.3% 3.0% Capital Liverpool 1086 1087 1 0% 190 184 -6 -3% 18% 17% 1040 968 -72 -7% 5.5 5.3 5.2% 4.6% Capital London 12260 12260 0 0% 1780 1617 -163 -9% 15% 13% 7326 6986 -340 -5% 4.1 4.3 3.7% 3.5% Total Capital Mid Counties 1076 1076 0 0% 96 96 0 0% 9% 9% 425 385 -40 -9% 4.4 4.0 2.3% 2.0% Capital Mid Counties - Coventry (96.2FM Touchradio - Coventry) 336 335 -1 0% 19 26 7 37% 6% 8% 59 62 3 5% 3.1 2.4 1.2% 1.2% Capital Mid Counties - North Oxfordshire (107.6 Banbury Sound) 86 87 1 1% 11 9 -2 -18% 13% 10% 46 37 -9 -20% 4.3 4.1 2.4% 2.0% Capital Mid Counties - Rugby (Rugby FM) 82 81 -1 -1% 18 16 -2 -11% 22% 20% 115 94 -21 -18% 6.4 5.7 8.2% 6.7% Capital Mid Counties - South East Staffs (Touch FM Staffs) 261 262 1 0% 21 21 0 0% 8% 8% 91 85 -6 -7% 4.4 4.0 2.0% 1.8% Capital Mid Counties - Warwickshire (Warks, Worcs, Cotswolds) 310 311 1 0% 28 24 -4 -14% 9% 8% 114 106 -8 -7% 4.1 4.4 1.9% 1.8% Capital Midlands 4635 4636 1 0% 849 840 -9 -1% 18% 18% 4734 4217 -517 -11% 5.6 5.0 6.0% 5.4% Capital Birmingham 2288 2288 0 0% 401 386 -15 -4% 18% 17% 2077 1729 -348 -17% 5.2 4.5 6.1% 4.9% Capital East Midlands 2347 2348 1 0% 448 453 5 1% 19% 19% 2657 2488 -169 -6% 5.9 5.5 6.0% 5.8% Capital East Midlands - Derbyshire 549 549 0 0% 94 80 -14 -15% 17% 15% 555 346 -209 -38% 5.9 4.3 5.3% 3.7% Capital East Midlands - Leicestershire 807 807 0 0% 139 157 18 13% 17% 19% 663 740 77 12% 4.8 4.7 4.6% 5.2% Capital East Midlands - Nottinghamshire 1040 1040 0 0% 219 218 -1 0% 21% 21% 1453 1405 -48 -3% 6.6 6.4 7.2% 6.9% Capital North East 2252 2252 0 0% 410 381 -29 -7% 18% 17% 2429 2083 -346 -14% 5.9 5.5 6.2% 5.6% Capital North West 3588 3588 0 0% 511 513 2 0% 14% 14% 2869 2523 -346 -12% 5.6 4.9 4.8% 4.2% Capital Lancashire 593 593 0 0% 74 81 7 9% 13%
Recommended publications
  • As Filed with the Securities and Exchange Commission on July 2, 1998
    AS FILED WITH THE SECURITIES AND EXCHANGE COMMISSION ON JULY 2, 1998 REGISTRATION NO. 333-57283 - ------------------------------------------------------------------------------- - ------------------------------------------------------------------------------- SECURITIES AND EXCHANGE COMMISSION WASHINGTON, D.C. 20549 --------------- AMENDMENT NO. 1 TO FORM S-1 REGISTRATION STATEMENT UNDER THE SECURITIES ACT OF 1933 --------------- CROWN CASTLE INTERNATIONAL CORP. (EXACT NAME OF REGISTRANT AS SPECIFIED IN ITS CHARTER) DELAWARE 4899 76-0470458 (STATE OR OTHER JURISDICTION (PRIMARY STANDARD (I.R.S. EMPLOYER OF INCORPORATION OR INDUSTRIAL IDENTIFICATION NUMBER) ORGANIZATION) CLASSIFICATION NUMBER) 510 BERING DRIVE SUITE 500 HOUSTON, TEXAS 77057 (713) 570-3000 (ADDRESS, INCLUDING ZIP CODE, AND TELEPHONE NUMBER, INCLUDING AREA CODE, OF REGISTRANT'S PRINCIPAL EXECUTIVE OFFICES) --------------- MR. CHARLES C. GREEN, III EXECUTIVE VICE PRESIDENT AND CHIEF FINANCIAL OFFICER CROWN CASTLE INTERNATIONAL CORP. 510 BERING DRIVE SUITE 500 HOUSTON, TEXAS 77057 (713) 570-3000 (NAME, ADDRESS, INCLUDING ZIP CODE, AND TELEPHONE NUMBER, INCLUDING AREA CODE, OF AGENT FOR SERVICE) --------------- COPIES TO: STEPHEN L. BURNS, ESQ. KIRK A. DAVENPORT, ESQ. CRAVATH, SWAINE & MOORE LATHAM & WATKINS 825 EIGHTH AVENUE 885 THIRD AVENUE NEW YORK, NEW YORK 10019 NEW YORK, NEW YORK 10022 --------------- APPROXIMATE DATE OF COMMENCEMENT OF PROPOSED SALE TO THE PUBLIC: As soon as practicable after the effective date of this Registration Statement. If any of the securities being registered on this Form are to be offered on a delayed or continuous basis pursuant to Rule 415 under the Securities Act of 1933, check the following box. [_] If this Form is filed to register additional securities for an offering pursuant to Rule 462(b) under the Securities Act, check the following box and list the Securities Act registration statement number of the earlier effective registration statement for the same offering.
    [Show full text]
  • BBC Radio Manchester's Advent Telephony Giveaway
    BBC Radio Manchester’s Advent Telephony Giveaway - Terms and Conditions & Privacy Notice PRIVACY NOTICE Thanks for entering the BBC giveaway. Your trust is very important to us. The BBC is committed to protecting the privacy and security of your personal information. It is important that you read this notice so that you are aware of how and why we are using such information. This privacy notice describes how we collect and use personal information about you during and after your relationship with us, in accordance with data protection law. Additional information can be found in the BBC’s Privacy Policy. Where there is inconsistency between those documents and this notice, this notice shall prevail. Why we are collecting personal data? The BBC production team will collect your personal information for the purposes of administrating this giveaway. What will we collect and how we use it? The BBC will collect and process the personal information that you have provided to us. The personal data is: • Your name • Your age • Your general location • Your email address and/or postal address if you are a winner so we can fulfil the prize. Who is the Data Controller? The BBC is the “data controller” of this information. This means that the BBC decides what your personal information is used for, and the ways in which it is processed. What is the lawful basis for processing? The legal basis on which the BBC processes your personal information is the performance of its public task. The BBC’s role is to act in the public interest and to serve all audiences with content which informs, educates and entertains.
    [Show full text]
  • Local Commercial Radio Content
    Local commercial radio content Qualitative Research Report Prepared for Ofcom by Kantar Media 1 Contents Contents ................................................................................................................................................. 2 1 Executive summary .................................................................................................................... 5 1.1 Background .............................................................................................................................. 5 1.2 Summary of key findings .......................................................................................................... 5 2 Background and objectives ..................................................................................................... 10 2.1 Background ............................................................................................................................ 10 2.2 Research objectives ............................................................................................................... 10 2.3 Research approach and sample ............................................................................................ 11 2.3.1 Overview ............................................................................................................................. 11 2.3.2 Workshop groups: approach and sample ........................................................................... 11 2.3.3 Research flow summary ....................................................................................................
    [Show full text]
  • Absolute Radio Brand Guidelines 2014.Indd
    The style guide Key features Page 2 Our brand identity is key to our future Names Colour Channel bar success. As our business grows and The name of the master brand is To the extent that visual content Our brand icons set must allow for easy becomes more diverse (for example Absolute Radio and should never be features colour other than black and navigation between the channels in the with the addition of new stations), and shortened to Absolute. white, the primary colour shall be Absolute Radio portfolio. as digital becomes a more and more • It’s important as we extend our purple. • Moving our audience around within important channel, it is important that brand to new audiences and new Absolute Radio channels is central we present the brand in a recognisable channels that people understand to our strategy. and consistent way. what we do. We’re proud to be a • The ‘portfolio’ versions of the logo radio brand but we’re a modern This page summarises the key elements have been introduced for use within radio brand, that understands radio of our identity system (and also strongly Absolute Radio branded is content, not channel. any changes, where elements have environments to make navigation evolved). easy and fun. Discovery Icon • They are secondary elements and Absolute Radio has one central icon, must not stand alone. the ‘Discovery Icon’. • Having an icon is important to help people navigate app stores (which they do with pattern recognition). • We need to use our icon consistently and persistently to make sure it becomes indelibly associated with our brand.
    [Show full text]
  • Radio City 2 and City Talk Requests to Change Formats
    Radio City 2 and City Talk Requests to change Formats Consultation Publication date: 21 July 2015 Closing date for responses: 2 September 2015 Requests to change Formats – Radio City 2 and City Talk Contents Section Page 1 About this document 2 2 Details and background information 3 Annex Page 1 Responding to this consultation 6 2 Ofcom’s consultation principles 8 3 Consultation response cover sheet 9 4 Consultation questions 11 5 Format Change Requests - Radio City 2 & City Talk 22 6 Existing Formats of Radio City & City Talk 23 7 Other commercial and community radio stations in the Liverpool area 24 1 Requests to change Formats – Radio City and City Talk Section 1 1 About this document 1.1 Ofcom has received two Format change requests from Radio City (Sound of Merseyside) Ltd, which holds an AM and two FM commercial radio licences for Liverpool. 1.2 A station’s Format describes the type of programme service which it is required to provide, and forms part of the station’s licence. 1.3 Radio City (Sound of Merseyside) Ltd wishes to change the ‘Character of Service’ of its AM licence (currently Radio City 2) and one of its FM licences (currently City Talk). 1.4 Radio City 2’s published Format requires the service to broadcast “a classic soft pop music-led service”. The licensee wishes to change this to a service of “rock hits with news, local sport and information programming.” 1.5 City Talk’s published Format requires the service to broadcast “speech and soft pop- led music programming”.
    [Show full text]
  • The Zero Waste Revolution Meet Love Devon's New Patron: Fitz
    COMMUNITY NEWS & VIEWS: ISSUE 3, 2019 MEET LOVE DEVON’S NEW PATRON: FITZ UNCOVERING DEVON’S ROADSIDE SECRETS WE DISCOVER A BLOSSOMING RURAL BUSINESS DEEP IN THE DEVON COUNTRYSIDE BROUGHT TO YOU BY: THE ZERO WASTE REVOLUTION HOW CAN YOU GET INVOLVED LOCALLY? VILLAGE HALL GRANTS APPLEDORE CLT MEET THE ‘TRI-HARDS’ The Club Brothers AND MUCH MORE ... A DEVON BAND ON THE UP CONTENTS ADVERTISE: 4 14 If you would like to advertise DARTMOOR WALK: in LOVE Devon please Devon Communities Together is the WELCOME NOT THE TWO contact Grant Harrison at: operating name of the Community MOORS WAY Zara Media & Design BECOME A DCT Tel: 01392 201227 Council of Devon. VOLUNTEER Email: [email protected] Registered Charity No: 1074047 15 VAT Reg No: 942 0496 27 5 5 THE CLUB BROTHERS CONTRIBUTE: Company Limited by Guarantee No: 369409 GET INVOLVED WITH 73 & 74 Basepoint Business Centre, Yeoford Way We welcome all contributions to LOVE DEVON Exeter, EX2 8LB. 16 LOVE Devon but we regret we VILLAGE HALLS cannot guarantee a publication LOVE Devon magazine is printed by 6 GRANTS SCHEME and we reserve the right to edit Exe Valley Design & Print, Exeter. INTRODUCING NEW for reasons of space and style. Tel: 01392 426464 www.exeprint.co.uk PATRON: DAVID Email: marketing@ LOVE Devon do not necessarily 17 The contents of FITZGERALD devoncommunities.org.uk represent the views of the publisher or Devon AT THE FARM GATE Communities Together. - A HIDDEN DEVON 7 GEM President: John Lee OBE VillageGuard now offers FREE defibrillator Chair: Nigel Arnold ® BECOME A FRIEND OF - the UK’s cover up to £5000, with NO EXCESS! Home of VillageGuard Call us for details.
    [Show full text]
  • The DRM Trial
    Project Mayflower: The DRM Trial Final Report April 2009 1 Project Mayflower: The DRM Trial Trial Summary Introduction The BBC and its transmission provider, National Grid Wireless, have recently undertaken a trial of digital radio mondiale (DRM), a technology which allows digital broadcasting at frequencies lower than 30 MHz. The trial ran for a year from April 2007. The final report of the trial is made up of three separate documents: − this trial summary report, which provides some background and draws together the headline conclusions; − a final audience research report, which outlines the results of the research undertaken with an audience panel over the year1; and − a BBC R&D white paper, which provides the results and analysis of continuous unattended measuring and logging of the transmission2. Reflecting the way in which the trial was organised, each of these reports has been written by a different part of the team involved. The final audience research report has been written by the company employed to undertake the research – Leapfrog Research & Planning – with the assistance of BBC Marketing, Communications & Audiences. The technical note has been written by a member of the team who built the continuous logging network at BBC Research & Development and who was involved in developing the underlying DRM technology. 1 “Project Mayflower ‐ Digital Radio Mondiale (DRM) Trial: Final audience research summary report”, Daniel Amarasinghe (Leapfrog Planning & Research), Russell Chant (BBC MC&A); August 2008 2 BBC Research White Paper 174, “The Plymouth Digital Radio Mondiale (Drm) Trial: Long‐term Reception Results”, Andrew Murphy; February 2009 2 Background to the trial The digital radio mondiale (DRM) technology is an international standard which was designed to allow digital broadcasting at frequencies below 30 MHz, that is in the broadcasting bands which currently rely on AM transmission.
    [Show full text]
  • Six Sigma and Other Next-Generation Techniques
    Risk Management in Finance Six Sigma and Other Next-Generation Techniques ANTHONY TARANTINO DEBORAH CERNAUSKAS John Wiley & Sons, Inc. Risk Management in Finance Founded in 1807, John Wiley & Sons is the oldest independent publishing com- pany in the United States. With offices in North America, Europe, Australia, and Asia, Wiley is globally committed to developing and marketing print and electronic products and services for our customers’ professional and personal knowledge and understanding. The Wiley Finance series contains books written specifically for finance and investment professionals as well as sophisticated individual investors and their fi- nancial advisors. Book topics range from portfolio management to e-commerce, risk management, financial engineering, valuation, and financial instrument analysis, as well as much more. For a list of available titles, please visit our Web site at www.WileyFinance.com. Risk Management in Finance Six Sigma and Other Next-Generation Techniques ANTHONY TARANTINO DEBORAH CERNAUSKAS John Wiley & Sons, Inc. Copyright C 2009 by John Wiley & Sons, Inc. All rights reserved. Published by John Wiley & Sons, Inc., Hoboken, New Jersey. Published simultaneously in Canada. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning, or otherwise, except as permitted under Section 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or authorization through payment of the appropriate per-copy fee to the Copyright Clearance Center, Inc., 222 Rosewood Drive, Danvers, MA 01923, 978-750-8400, fax 978-646-8600, or on the web at www.copyright.com.
    [Show full text]
  • Absolute Radio Network Audience Reach Increases by Over Half a Million Year on Year
    Under Embargo until 0.01am Thursday 2nd February ABSOLUTE RADIO NETWORK AUDIENCE REACH INCREASES BY OVER HALF A MILLION YEAR ON YEAR The Absolute Radio Network has significantly increased by over a quarter (+27%) Yr on Yr taking the station to 2.8 million reach and steady Qtr on Qtr. (-1.0%) Absolute Radio’s reach has grown by 224,000 to over 1.6 million, an increase of 16.3% Yr on Yr and stable Qtr on Qtr (-0.3%) Absolute Radio has grown it’s reach by 6% in London to 816,000 Qtr on Qtr, up 21% Yr on Yr. The Christian O’Connell Breakfast Show has increased to 1.2 million reach, up significantly by 22.7% Yr on Yr and 6.2% Qtr on Qtr. 71% of Absolute Radio’s Network total listening is now via a Digital platform, against a industry average of 29% The Absolute Radio Network has posted a solid performance this RAJAR, significantly increasing its reach by over a quarter (27%) year on year - taking the station to 2.8 million listeners. On the quarter, the station has remained steady (-1.0%). Absolute Radio Network’s hours have risen to 18.9 million, an increase of 18.6% year on year with only a dip on the quarter of 7.2%. The Absolute Radio station now has a 1.6 million reach, an increase of 16.3% year on year, and again, stable on the quarter (-0.3%). The station has 11.2 million hours, an increase of 18.1% year on year and 8.8% on the quarter.
    [Show full text]
  • Pocketbook for You, in Any Print Style: Including Updated and Filtered Data, However You Want It
    Hello Since 1994, Media UK - www.mediauk.com - has contained a full media directory. We now contain media news from over 50 sources, RAJAR and playlist information, the industry's widest selection of radio jobs, and much more - and it's all free. From our directory, we're proud to be able to produce a new edition of the Radio Pocket Book. We've based this on the Radio Authority version that was available when we launched 17 years ago. We hope you find it useful. Enjoy this return of an old favourite: and set mediauk.com on your browser favourites list. James Cridland Managing Director Media UK First published in Great Britain in September 2011 Copyright © 1994-2011 Not At All Bad Ltd. All Rights Reserved. mediauk.com/terms This edition produced October 18, 2011 Set in Book Antiqua Printed on dead trees Published by Not At All Bad Ltd (t/a Media UK) Registered in England, No 6312072 Registered Office (not for correspondence): 96a Curtain Road, London EC2A 3AA 020 7100 1811 [email protected] @mediauk www.mediauk.com Foreword In 1975, when I was 13, I wrote to the IBA to ask for a copy of their latest publication grandly titled Transmitting stations: a Pocket Guide. The year before I had listened with excitement to the launch of our local commercial station, Liverpool's Radio City, and wanted to find out what other stations I might be able to pick up. In those days the Guide covered TV as well as radio, which could only manage to fill two pages – but then there were only 19 “ILR” stations.
    [Show full text]
  • One Direction Album Songs up All Night
    One Direction Album Songs Up All Night Glenn disbelieving causelessly while isobathic Patel decelerated unyieldingly or forejudging onwards. Flint reradiate her anecdote tropologically, yeastlike and touch-and-go. Stooping Blake sometimes invalid any Oldham decollating perchance. As fine china, up all one direction album Enter email to sign up. FOUROne Direction asking you to change your ticket and stay with them a little longer? FOURThis is fun but the meme is better. Edward Wallerstein was instrumental in steering Paley towards the ARC purchase. There is one slipcover for each group member. Dna with addition of one album. Afterpay offers simple payment plans for online shoppers, Waliyha and Safaa. As a starting point for One Direction fan memorabilia, South Yorkshire. Which Bridgerton female character are you? We use cookies and similar technologies to recognize your repeat visits and preferences, entertainment platform built for fans, this song literally makes no sense. This album is my favorite One Direction album. Harry attended the BRITS wearing a black remembrance ribbon. Keep your head back on all songs. She enjoys going to a lot of concerts and especially these from the members One Direction. It might still be available physically at the store sometime after that, a personalized home page, they finished third in the competition. Omg thank you millions of the group made two singles charts, and good song is a family members auditioned as big of flattery, up all night where he was selling out! He is very ticklish. Wipe those tears and have another beer. Try again in a minute. Call a day with victor to buy what was yesterday that you will be automatically played with you will be automatically renews yearly until last, listening and best song? Just a few months later, directly from artists around the world.
    [Show full text]
  • Local Radio Review BBC Trust 180 Great Portland Street London W1W 5QZ [email protected]
    Local Radio Review BBC Trust 180 Great Portland Street London W1W 5QZ [email protected] Monday 12th December 2011 Dear Sir / Madam I have recently been made aware of the proposed cuts to Local and Regional Radio programming. As Chairman and Owner of Wigan Rugby League Club I have invested significant time and effort, both personally and through my staff, into building strong relationships with BBC Radio Manchester, BBC Radio Merseyside and BBC Radio Lancashire. This was undertaken in my strong belief that these Radio Stations are an integral part of the communities that they serve, and that those communities love their sport and expect great content about their sport / Club on non‐commercial radio. I have taken great pride in offering exclusive, and at times unrestricted access to my Club for the local radio stations and their high quality, dedicated Rugby League programmes, something that I hope contributed to the Gold Award which was presented to Radio Manchester’s ‘Rugby League Extra’ programme at the recent Gillard BBC Local Radio Awards. I would hope that the relocation of the BBC to Media City in Salford would provide the springboard to strengthen the Corporations local and regional programming capabilities, not lessen this important medium as have been suggested. Not only does the threat of cuts have an impact on local communities throughout the North West, it also has severe repercussions for the sport of Rugby League. The quality of these programmes and passion of their Presenters, combined with the engagement they offer Rugby League fans and the opportunity to provide a consistent and important communication tool, gives the whole Sport a foundation without which it would struggle to compete against other commercial sports in its heartland areas.
    [Show full text]