Absolute Radio Brand Guidelines 2014.Indd
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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Pocketbook for You, in Any Print Style: Including Updated and Filtered Data, However You Want It
Hello Since 1994, Media UK - www.mediauk.com - has contained a full media directory. We now contain media news from over 50 sources, RAJAR and playlist information, the industry's widest selection of radio jobs, and much more - and it's all free. From our directory, we're proud to be able to produce a new edition of the Radio Pocket Book. We've based this on the Radio Authority version that was available when we launched 17 years ago. We hope you find it useful. Enjoy this return of an old favourite: and set mediauk.com on your browser favourites list. James Cridland Managing Director Media UK First published in Great Britain in September 2011 Copyright © 1994-2011 Not At All Bad Ltd. All Rights Reserved. mediauk.com/terms This edition produced October 18, 2011 Set in Book Antiqua Printed on dead trees Published by Not At All Bad Ltd (t/a Media UK) Registered in England, No 6312072 Registered Office (not for correspondence): 96a Curtain Road, London EC2A 3AA 020 7100 1811 [email protected] @mediauk www.mediauk.com Foreword In 1975, when I was 13, I wrote to the IBA to ask for a copy of their latest publication grandly titled Transmitting stations: a Pocket Guide. The year before I had listened with excitement to the launch of our local commercial station, Liverpool's Radio City, and wanted to find out what other stations I might be able to pick up. In those days the Guide covered TV as well as radio, which could only manage to fill two pages – but then there were only 19 “ILR” stations. -
The Commune Movement During the 1960S and the 1970S in Britain, Denmark and The
The Commune Movement during the 1960s and the 1970s in Britain, Denmark and the United States Sangdon Lee Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of History September 2016 i The candidate confirms that the work submitted is his own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement ⓒ 2016 The University of Leeds and Sangdon Lee The right of Sangdon Lee to be identified as Author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988 ii Abstract The communal revival that began in the mid-1960s developed into a new mode of activism, ‘communal activism’ or the ‘commune movement’, forming its own politics, lifestyle and ideology. Communal activism spread and flourished until the mid-1970s in many parts of the world. To analyse this global phenomenon, this thesis explores the similarities and differences between the commune movements of Denmark, UK and the US. By examining the motivations for the communal revival, links with 1960s radicalism, communes’ praxis and outward-facing activities, and the crisis within the commune movement and responses to it, this thesis places communal activism within the context of wider social movements for social change. Challenging existing interpretations which have understood the communal revival as an alternative living experiment to the nuclear family, or as a smaller part of the counter-culture, this thesis argues that the commune participants created varied and new experiments for a total revolution against the prevailing social order and its dominant values and institutions, including the patriarchal family and capitalism. -
The Search for the "Manchurian Candidate" the Cia and Mind Control
THE SEARCH FOR THE "MANCHURIAN CANDIDATE" THE CIA AND MIND CONTROL John Marks Allen Lane Allen Lane Penguin Books Ltd 17 Grosvenor Gardens London SW1 OBD First published in the U.S.A. by Times Books, a division of Quadrangle/The New York Times Book Co., Inc., and simultaneously in Canada by Fitzhenry & Whiteside Ltd, 1979 First published in Great Britain by Allen Lane 1979 Copyright <£> John Marks, 1979 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner ISBN 07139 12790 jj Printed in Great Britain by f Thomson Litho Ltd, East Kilbride, Scotland J For Barbara and Daniel AUTHOR'S NOTE This book has grown out of the 16,000 pages of documents that the CIA released to me under the Freedom of Information Act. Without these documents, the best investigative reporting in the world could not have produced a book, and the secrets of CIA mind-control work would have remained buried forever, as the men who knew them had always intended. From the documentary base, I was able to expand my knowledge through interviews and readings in the behavioral sciences. Neverthe- less, the final result is not the whole story of the CIA's attack on the mind. Only a few insiders could have written that, and they choose to remain silent. I have done the best I can to make the book as accurate as possible, but I have been hampered by the refusal of most of the principal characters to be interviewed and by the CIA's destruction in 1973 of many of the key docu- ments. -
Hallett Arendt Rajar Topline Results - Wave 3 2019/Last Published Data
HALLETT ARENDT RAJAR TOPLINE RESULTS - WAVE 3 2019/LAST PUBLISHED DATA Population 15+ Change Weekly Reach 000's Change Weekly Reach % Total Hours 000's Change Average Hours Market Share STATION/GROUP Last Pub W3 2019 000's % Last Pub W3 2019 000's % Last Pub W3 2019 Last Pub W3 2019 000's % Last Pub W3 2019 Last Pub W3 2019 Bauer Radio - Total 55032 55032 0 0% 18083 18371 288 2% 33% 33% 156216 158995 2779 2% 8.6 8.7 15.3% 15.9% Absolute Radio Network 55032 55032 0 0% 4743 4921 178 4% 9% 9% 35474 35522 48 0% 7.5 7.2 3.5% 3.6% Absolute Radio 55032 55032 0 0% 2151 2447 296 14% 4% 4% 16402 17626 1224 7% 7.6 7.2 1.6% 1.8% Absolute Radio (London) 12260 12260 0 0% 729 821 92 13% 6% 7% 4279 4370 91 2% 5.9 5.3 2.1% 2.2% Absolute Radio 60s n/p 55032 n/a n/a n/p 125 n/a n/a n/p *% n/p 298 n/a n/a n/p 2.4 n/p *% Absolute Radio 70s 55032 55032 0 0% 206 208 2 1% *% *% 699 712 13 2% 3.4 3.4 0.1% 0.1% Absolute 80s 55032 55032 0 0% 1779 1824 45 3% 3% 3% 9294 9435 141 2% 5.2 5.2 0.9% 1.0% Absolute Radio 90s 55032 55032 0 0% 907 856 -51 -6% 2% 2% 4008 3661 -347 -9% 4.4 4.3 0.4% 0.4% Absolute Radio 00s n/p 55032 n/a n/a n/p 209 n/a n/a n/p *% n/p 540 n/a n/a n/p 2.6 n/p 0.1% Absolute Radio Classic Rock 55032 55032 0 0% 741 721 -20 -3% 1% 1% 3438 3703 265 8% 4.6 5.1 0.3% 0.4% Hits Radio Brand 55032 55032 0 0% 6491 6684 193 3% 12% 12% 53184 54489 1305 2% 8.2 8.2 5.2% 5.5% Greatest Hits Network 55032 55032 0 0% 1103 1209 106 10% 2% 2% 8070 8435 365 5% 7.3 7.0 0.8% 0.8% Greatest Hits Radio 55032 55032 0 0% 715 818 103 14% 1% 1% 5281 5870 589 11% 7.4 7.2 0.5% -
Overview Not Confine the Discussion in This Report to Those Specific Issues Within the Commission’S Regulatory Jurisdiction
television, cable and satellite media outlets operate. Accordingly, we do Overview not confine the discussion in this report to those specific issues within the Commission’s regulatory jurisdiction. Instead, we describe below 1 MG Siegler, Eric Schmidt: Every 2 Days We Create As Much Information a set of inter-related changes in the media landscape that provide the As We Did Up to 2003, TECH CRUNCH, Aug 4, 2010, http://techcrunch. background for future FCC decision-making, as well as assessments by com/2010/08/04/schmidt-data/. other policymakers beyond the FCC. 2 Company History, THomsoN REUTERS (Company History), http://thom- 10 Founders’ Constitution, James Madison, Report on the Virginia Resolu- sonreuters.com/about/company_history/#1890_1790 (last visited Feb. tions, http://press-pubs.uchicago.edu/founders/documents/amendI_ 8, 2011). speechs24.html (last visited Feb. 7, 2011). 3 Company History. Reuter also used carrier pigeons to bridge the gap in 11 Advertising Expenditures, NEwspapER AssoC. OF AM. (last updated Mar. the telegraph line then existing between Aachen and Brussels. Reuters 2010), http://www.naa.org/TrendsandNumbers/Advertising-Expendi- Group PLC, http://www.fundinguniverse.com/company-histories/ tures.aspx. Reuters-Group-PLC-Company-History.html (last visited Feb. 8, 2011). 12 “Newspapers: News Investment” in PEW RESEARCH CTR.’S PRoj. foR 4 Reuters Group PLC (Reuters Group), http://www.fundinguniverse.com/ EXCELLENCE IN JOURNALISM, THE StatE OF THE NEws MEDIA 2010 (PEW, company-histories/Reuters-Group-PLC-Company-History.html (last StatE OF NEws MEDIA 2010), http://stateofthemedia.org/2010/newspa- visited Feb. 8, 2011). pers-summary-essay/news-investment/. -
Listen to Music at Work
MEDIA PACK ABSOLUTE RADIO The Absolute Radio family of stations is made up of Absolute Radio, Absolute Classic Rock, Absolute Radio 60s, Absolute Radio 70s, Absolute 80s, Absolute Radio 90s and Absolute Radio 00s. From landmark documentaries and intimate live sessions to festival exclusives and specialist programming, Absolute Radio is commercial radio’s most ambitious and innovative brand. We’re famous for being the home of Dave Berry, Jason Manford, Frank Skinner and the No Repeat Guarantee. We champion the very best in rock music, from breaking new acts such as Rag‘n’Bone Man and Blossoms to favourites such as Coldplay and Foo Fighters, along with the best of legends like The Beatles, Bon Jovi and Queen. We don’t do plastic pop pap – we do real guitars, real drums and real singers. Absolute Radio. Where real music matters. ABSOLUTE RADIO NETWORK NOW REACHES 4.7M LISTENERS 34.4M LISTENING HOURS ACROSS THE NETWORK PER WEEK UK’S #1 COMMERCIAL RADIO BREAK- FAST SHOW ABSOLUTE 80S #2 DIGITAL COMMERCIAL RADIO STATION ABSOLUTE RADIO AUDIENCE Absolute Radio’s listeners are ‘Reluctant Adults’ and are not like past generations. They have mortgages, families, careers and other adult responsibilities but also want to keep doing most of the things they did in their younger, ‘carefree’ years. To them, age is just a number. This is not about being childish, more about a defence against the dull! ‘Adulting’ is being done on their terms, as they turn their back on the societal norms of the past. For our ‘Reluctant Adults’, music is a constant and it is integral to everything they do. -
Hallett Arendt Rajar Topline Results - Wave 1 2020/Last Published Data
HALLETT ARENDT RAJAR TOPLINE RESULTS - WAVE 1 2020/LAST PUBLISHED DATA Population 15+ Change Weekly Reach 000's Change Weekly Reach % Total Hours 000's Change Average Hours Market Share STATION/GROUP Last Pub W1 2020 000's % Last Pub W1 2020 000's % Last Pub W1 2020 Last Pub W1 2020 000's % Last Pub W1 2020 Last Pub W1 2020 Bauer Radio - Total 55032 55032 0 0% 18160 17986 -174 -1% 33% 33% 155537 154249 -1288 -1% 8.6 8.6 15.9% 15.7% Absolute Radio Network 55032 55032 0 0% 4908 4716 -192 -4% 9% 9% 34837 33647 -1190 -3% 7.1 7.1 3.6% 3.4% Absolute Radio 55032 55032 0 0% 2309 2416 107 5% 4% 4% 16739 18365 1626 10% 7.3 7.6 1.7% 1.9% Absolute Radio (London) 12260 12260 0 0% 715 743 28 4% 6% 6% 5344 5586 242 5% 7.5 7.5 2.7% 2.8% Absolute Radio 60s 55032 55032 0 0% 136 119 -17 -13% *% *% 359 345 -14 -4% 2.6 2.9 *% *% Absolute Radio 70s 55032 55032 0 0% 212 230 18 8% *% *% 804 867 63 8% 3.8 3.8 0.1% 0.1% Absolute 80s 55032 55032 0 0% 1420 1459 39 3% 3% 3% 7020 7088 68 1% 4.9 4.9 0.7% 0.7% Absolute Radio 90s 55032 55032 0 0% 851 837 -14 -2% 2% 2% 3518 3593 75 2% 4.1 4.3 0.4% 0.4% Absolute Radio 00s 55032 55032 0 0% 217 186 -31 -14% *% *% 584 540 -44 -8% 2.7 2.9 0.1% 0.1% Absolute Radio Classic Rock 55032 55032 0 0% 740 813 73 10% 1% 1% 4028 4209 181 4% 5.4 5.2 0.4% 0.4% Hits Radio Brand 55032 55032 0 0% 6657 6619 -38 -1% 12% 12% 52607 52863 256 0% 7.9 8.0 5.4% 5.4% Greatest Hits Network 55032 55032 0 0% 1264 1295 31 2% 2% 2% 9347 10538 1191 13% 7.4 8.1 1.0% 1.1% Greatest Hits Radio 55032 55032 0 0% 845 892 47 6% 2% 2% 6449 7146 697 11% 7.6 8.0 0.7% -
Rural Vermont
RURAL VERMONT A Program for the Future By Two Hundred Vermonters t The Vermont Commission on Country Life Burlington, 1931 F DEPT. MAIN LIBRARY AGRIC. FMCCPRUt PdlNTINQCO.,BUftLINaTOH,VT. s PREFACE volume on Rural Vermont has been prepared by Vermonters Thisfor Vermonters. Its chapters have been submitted to the Com mission by sixteen committees and two individuals, all of whom during the past three years have worked faithfully in studying our resources and our problems. Their reports taken together constitute the starting point for further thinking as the basis for future action. It is confidently believed that specific projects will result, vitally re lated to the welfare of the state. In behalf of the Vermont Commis sion on Country Life we accept these reports, and desire to express our keen appreciation of the self-sacrificing service which these men and women have rendered to our state. We desire also to join them in thanking the various cooperating agencies and the many people throughout the state who have helped by giving first-hand information and seasoned opinions. They have played an invaluable part in the preparation of this volume. We hope this will be only the beginning of their cooperation in a constructive program for Vermont. We ac cept these reports with thanks to everyone who has in any way helped in their preparation. We present them in this volume to the people of Vermont and recommend that they be read and meditated upon in the interest of a sanely progressive future for our beloved state. The Executive Committee: John E. -
Worlds Apart: How the Distance Between Science and Journalism Threatens America's Future
Worlds Apart Worlds Apart HOW THE DISTANCE BETWEEN SCIENCE AND JOURNALISM THREATENS AMERICA’S FUTURE JIM HARTZ AND RICK CHAPPELL, PH.D. iv Worlds Apart: How the Distance Between Science and Journalism Threatens America’s Future By Jim Hartz and Rick Chappell, Ph.D. ©1997 First Amendment Center 1207 18th Avenue South Nashville, TN 37212 (615) 321-9588 www.freedomforum.org Editor: Natilee Duning Designer: David Smith Publication: #98-F02 To order: 1-800-830-3733 Contents Foreword vii Scientists Needn’t Take Themselves Seriously To Do Serious Science 39 Introduction ix Concise writing 40 Talk to the customers 41 Overview xi An end to infighting 42 The incremental nature of science 43 The Unscientific Americans 1 Scientific Publishing 44 Serious omissions 2 Science and the Fourth Estate 47 The U.S. science establishment 4 Public disillusionment 48 Looking ahead at falling behind 5 Spreading tabloidization 48 Out of sight, out of money 7 v Is anybody there? 8 Unprepared but interested 50 The regional press 50 The 7 Percent Solution 10 The good science reporter 51 Common Denominators 13 Hooked on science 52 Gauging the Importance of Science 53 Unfriendly assessments 13 When tortoise meets hare 14 Media Gatekeepers 55 Language barriers 15 Margin of error 16 The current agenda 55 Objective vs. subjective 17 Not enough interest 57 Gatekeepers as obstacles 58 Changing times, concurrent threats 17 What does the public want? 19 Nothing Succeeds Like Substance 60 A new interest in interaction 20 Running Scared 61 Dams, Diversions & Bottlenecks 21 Meanwhile, -
Group MD, National Radio Steve Parkinson [email protected]
MEDIA PACK ABSOLUTE RADIO The Absolute Radio family of stations is made up of Absolute Radio, Absolute Classic Rock, Absolute Radio Country, Absolute Radio 60s, Absolute Radio 70s, Absolute Radio 80s, Absolute Radio 90s, Absolute Radio 00s, Absolute Radio 10s and Absolute Radio 20s. From landmark documentaries and intimate live sessions to festival exclusives and specialist programming, Absolute Radio is commercial radio’s most ambitious and innovative brand. We’re famous for being the home of Dave Berry, Jason Manford, Frank Skinner and the No Repeat Guarantee. We champion the very best in rock music, from breaking new acts such as Sea Girls and Sam Fender to favourites such as Coldplay and Foo Fighters, along with the best of legends like The Beatles, Bon Jovi and Queen. We don’t do plastic pop pap – we do real guitars, real drums and real singers. Absolute Radio. Where real music matters. ABSOLUTE RADIO AUDIENCE 83% 59% AGREE AGREE “music is very “I do more exciting things than important in my life” my parents did at my age” Absolute Radio’s listeners are ‘Reluctant Adults’ and are not like past generations. They have mortgages, families, careers and other adult responsibilities but also want to keep doing most of the things they did in their younger, ‘carefree’ years. To them, age is just a number. This is not about being childish, more about a defence against the dull! ‘Adulting’ is being done on their terms, as they turn their back on the 77% 72% societal norms of the past. AGREE AGREE “I like to travel “I find happiness in For our ‘Reluctant Adults’, music is a constant and it is integral to everything they to new places” having new experiences as much as buying stuff” do. -
PRS Radio Dec 2018.Xlsx
No of Days in Total Per Amount from Amount from Domain StationId Station UDC Performance Date Period Minute Rate Broadcast Public Reception RADIO BR ONE BBC RADIO 1 B0001 31/12/2099 92 £12.2471 £7.3036 £4.9435 RADIO BR TWO BBC RADIO 2 B0002 31/12/2099 92 £25.4860 £25.3998 £0.0862 RADIO BR1EXT BBC 1XTRA CENSUS B0106 31/12/2099 92 £2.8113 £2.7199 £0.0914 RADIO BRASIA BBC ASIAN NETWORK (CENSUS) B0064 31/12/2099 92 £3.6951 £3.3058 £0.3892 RADIO BRBEDS BBC THREE COUNTIES RADIO (CENSUS) B0065 31/12/2099 92 £0.2445 £0.2442 £0.0003 RADIO BRBERK BBC RADIO BERKSHIRE (CENSUS) B0103 31/12/2099 92 £0.1436 £0.1435 £0.0002 RADIO BRBRIS BBC RADIO BRISTOL (CENSUS) B0066 31/12/2099 92 £0.1532 £0.1531 £0.0002 RADIO BRCAMB BBC RADIO CAMBRIDGESHIRE (CENSUS) B0067 31/12/2099 92 £0.1494 £0.1493 £0.0002 RADIO BRCLEV BBC RADIO TEES (CENSUS) B0068 31/12/2099 92 £0.1478 £0.1477 £0.0002 RADIO BRCMRU BBC RADIO CYMRU B0011 31/12/2099 92 £0.5707 £0.5690 £0.0017 RADIO BRCORN BBC RADIO CORNWALL (CENSUS) B0069 31/12/2099 92 £0.1535 £0.1534 £0.0002 RADIO BRCOVN BBC RADIO COVENTRY AND WATWICKSHIRE(CENSUS) B0070 31/12/2099 92 £0.1023 £0.1022 £0.0001 RADIO BRCUMB BBC RADIO CUMBRIA (CENSUS) B0071 31/12/2099 92 £0.1085 £0.1084 £0.0001 RADIO BRCYMM BBC RADIO CYMRU 2 B0114 31/12/2099 92 £0.5707 £0.5690 £0.0017 RADIO BRDEVN BBC RADIO DEVON (CENSUS) B0072 31/12/2099 92 £0.2421 £0.2419 £0.0003 RADIO BRDRBY BBC RADIO DERBY (CENSUS) B0073 31/12/2099 92 £0.1535 £0.1534 £0.0002 RADIO BRESSX BBC ESSEX (CENSUS) B0074 31/12/2099 92 £0.2091 £0.2089 £0.0002 RADIO BRFIVE BBC FIVE LIVE B0005