Overview Not Confine the Discussion in This Report to Those Specific Issues Within the Commission’S Regulatory Jurisdiction
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Execs Place Bets on Tech's Future | Tech News on Zdnet
Execs place bets on tech's future | Tech News on ZDNet http://news.zdnet.com/2100-9584_22-121714.html On CNET: Would you pay $1/mo. for Facebook? BNET Business Network: BNET TechRepublic ZDNet ZDNet Search all ZDNet Go! Members login Newsletters Site Assistance RSS Feeds Home News & Blogs Videos White Papers Downloads Reviews Popular home/ ZDNet News & Blogs/ Hardware Execs place bets on tech's future Tags: Stefanie Olsen, Hardware By Stefanie Olsen Posted on ZDNet News: Mar 27, 2002 1:30:00 PM SCOTTSDALE, Ariz.--In 28 years, commercial airline passengers will routinely fly in pilotless airplanes. Sound ludicrous? Not to Microsoft Chief Technology Officer Craig Mundie, who recently bet Google Chief Executive Eric Schmidt $2,000 that the prediction would come true. The wager will be made public Tuesday evening at PCForum, where a group of Silicon Valley futurists plan to take the wraps off of their latest quirky enterprise aimed at twisting humanity's gaze from the rearview mirror to the road ahead. 1 of 5 4/18/09 5:22 PM Execs place bets on tech's future | Tech News on ZDNet http://news.zdnet.com/2100-9584_22-121714.html Called the Long Bets Foundation, the nonprofit plans to collect highbrow predictions about what the world will be like years, decades and even centuries hence. In the spirit of sportsmanship, prognosticators must put their money where their mouths are--all for the sake of charity, of course, in observance of U.S. antigambling laws. The group has already lined up a who's who of the technology world to donate their thoughts--and a small chunk of money--to posterity. -
As General Managers of Public Radio Stations That Serve Millions of Americans in Communities Large and Small, Urban and Rural And;
As General Managers of Public Radio stations that serve millions of Americans in communities large and small, urban and rural and; As Producers of local, regional and national content aired by stations throughout the nation committed to telling the evolving story of America, its proud history, and its committed citizens; We are writing to express our grave concern regarding the House legislation that would prohibit stations from using any Federal funds to pay for national programming and would eliminate CPB’s Program Fund. By prohibiting the use of Federal funds in any national programming, and in particular, by eliminating the CPB Program Fund, millions of Americans will be deprived of critical national and international news, information and cultural programming that cannot be found elsewhere. Local public radio stations will no longer reliably provide the community information and context so necessary to cities and towns challenged by change and faltering economies. Institutions and projects at risk include: - Radio Bilingüe’s national program service, public radio’s principal source of Latino programming - Koahnik Public Media’ Native Voice 1, public radio’s principal source of Native American programming - Youth Media, the California-based media network of young audio and video producers and a key source of a youth voice in the mass media - The Public Insight Network, American Public media’s expanding project to bring citizen experts into public radio journalism - Independent producers who depend upon the Program Fund for money to support production of series such as StoryCorps and This I Believe - Independent organizations dedicated to innovation, training, and excellence in journalism such as the Public Radio Exchange and the Association of Independents in Radio. -
Sinclair Broadcast Group Closes on Acquisition of Barrington Stations
Contact: David Amy, EVP & CFO, Sinclair Lucy Rutishauser, VP & Treasurer, Sinclair (410) 568-1500 SINCLAIR BROADCAST GROUP CLOSES ON ACQUISITION OF BARRINGTON STATIONS BALTIMORE (November 25, 2013) -- Sinclair Broadcast Group, Inc. (Nasdaq: SBGI) (the “Company” or “Sinclair”) announced today that it closed on its previously announced acquisition of 18 television stations owned by Barrington Broadcasting Group, LLC (“Barrington”) for $370.0 million and entered into agreements to operate or provide sales services to another six stations. The 24 stations are located in 15 markets and reach 3.4% of the U.S. TV households. The acquisition was funded through cash on hand. As previously discussed, due to FCC ownership conflict rules, Sinclair sold its station in Syracuse, NY, WSYT (FOX), and assigned its local marketing agreement (“LMA”) and purchase option on WNYS (MNT) in Syracuse, NY to Bristlecone Broadcasting. The Company also sold its station in Peoria, IL, WYZZ (FOX) to Cunningham Broadcasting Corporation (“CBC”). In addition, the license assets of three stations were purchased by CBC (WBSF in Flint, MI and WGTU/WGTQ in Traverse City/Cadillac, MI) and the license assets of two stations were purchase by Howard Stirk Holdings (WEYI in Flint, MI and WWMB in Myrtle Beach, SC) to which Sinclair will provide services pursuant to shared services and joint sales agreements. Following its acquisition by Sinclair, WSTM (NBC) in Syracuse, NY, will continue to provide services to WTVH (CBS), which is owned by Granite Broadcasting, and receive services on WHOI in Peoria, IL from Granite Broadcasting. Sinclair has, however, notified Granite Broadcasting that it does not intend to renew these agreements in these two markets when they expire in March of 2017. -
TAL Distribution Press Release
This American Life Moves to Self-Distribute Program Partners with PRX to Deliver Episodes to Public Radio Stations May 28, 2014 – Chicago. Starting July 1, 2014, Chicago Public Media and Ira Glass will start independently distributing the public radio show This American Life to over 500 public radio stations. Episodes will be delivered to radio stations by PRX, The Public Radio Exchange. Since 1997, the show has been distributed by Public Radio International. “We’re excited and proud to be partners now with PRX,” said Glass. “They’ve been a huge innovative force in public radio, inventing technologies and projects to get people on the air who’d have a much harder time without them. They’re mission- driven, they’re super-capable and apparently they’re pretty good with computers.” “We are huge fans of This American Life and are thrilled to support their move to self-distribution on our platform,” said Jake Shapiro, CEO of PRX. “We’ve had the privilege of working closely with Ira and team to develop This American Life’s successful mobile apps, and are honored to expand our partnership to the flagship broadcast.” This American Life will take over other operations that were previously handled by PRI, including selling underwriting and marketing the show to stations. The marketing and station relations work will return to Marge Ostroushko, who did the job back before This American Life began distribution with PRI. This American Life, produced by Chicago Public Media and hosted by Ira Glass, is heard weekly by 2.2 million people over the radio. -
Updated: 10/21/13 1 2008 Cable Copyright Claims OFFICIAL LIST No. Claimant's Name City State Date Rcv'd 1 Santa Fe Producti
2008 Cable Copyright Claims OFFICIAL LIST Note regarding joint claims: Notation of “(joint claim)” denotes that joint claim is filed on behalf of more than 10 joint copyright owners, and only the entity filing the claim is listed. No. Claimant’s Name City State Date Rcv’d 1 Santa Fe Productions Albuquerque NM 7-1-09 2 (JOINT) American Lives II Film Project, LLC; American Lives film Project, Inc., American Documentaries, Inc., Florenteine Films, & Kenneth L.Burns Walpole NH 7-1-09 3 William D. Rogosin dba Donn Rogosin New York NY 7-1-09 Productions 4 Intermediary Copyright Royalty Services St Paul MN 7-1-09 (Tavola Productions LLC) RMW Productions 5 Intermediary Copyright Royalty (Barbacoa, Miami FL 7-1-09 Inc.) 6 WGEM Quincy IL 7-1-09 7 Intermediary Copyright Royalty Services Little Rock AK 7-1-09 (Hortus, Ltd) 8 Intermediary Copyright Royalty Services New York NY 7-1-09 (Travola Productions LLC), Frappe, Inc. 9 Intermediary Copyright Royalty Services, Lakeside MO 7-1-09 Gary Spetz 10 Intermediary Copyright Royalty Services, Riverside CT Silver Plume Productions 7-1-09 Updated: 10/21/13 1 11 Intermediary Copyright Royalty Services Des Moines IA 7-1-09 (August Home Publishing Company) 12 Intermediary Copyright Royalty Serv (Jose Washington DC 7-1-09 Andres Productions LLC) 13 Intermediary Copyright Royalty Serv (Tavola Productions LLC New York NY 7-1-09 14 Quartet International, Inc. Pearl River NY 7-1-09 15 (JOINT) Hammerman PLLC (Gray Atlanta GA 7-1-09 Television Group Inc); WVLT-TV Inc 16 (JOINT) Intermediary Copyright Royalty Washington DC 7-1-09 Services + Devotional Claimants 17 Big Feats Entertainment L.P. -
The Decline of Broadcasters' Public Interest Obligations*
SPECTRUM POLICY PROGRAM POLICY BACKGROUNDER March 29, 2004 The Decline of Broadcasters’ Public Interest Obligations* The Communications Act of 1934 and its predecessor, the interest obligations, but they didn’t necessarily object to Radio Act of 1927, mandates that the Federal their codification because it provided them with more Communications Commission regulate broadcasting in the certainty about the standard by which they would be judged “public interest, convenience, or necessity.” This at renewal time. And, of course, they continued to use continues to be the mandate of the FCC, and the “public prime broadcast frequencies free of charge. interest” part of the phrase appears 40 times in the Telecommunications Act of 1996. What broadcasters really hated, however, was the prospect that they might lose their licenses. Licenses to use the The “public interest” mandate is notoriously vague. airwaves were hugely valuable. In one famous phrase, they Contentious debate over its meaning has been almost were described as a “license to print money.” Thus, continuous since passage of the Communications Act 70 incumbent broadcasters did everything they could to reduce years ago. the threat that at the end of their license term they might lose their license. In other words, they attacked the essence For purposes of this historical account of the public interest of the public interest standard, which was fundamentally mandate, we give it the meaning: “compensation to the procedural rather than substantive in nature. public for the use of the public airwaves.” This interpretation provides a simple framework to explain how Their lobbying was highly successful. Over time, the the public interest mandate has evolved since it was first duration of broadcast licenses was increased from 3 to 5 to embedded as the foundation of broadcast law. -
Absolute Radio Brand Guidelines 2014.Indd
The style guide Key features Page 2 Our brand identity is key to our future Names Colour Channel bar success. As our business grows and The name of the master brand is To the extent that visual content Our brand icons set must allow for easy becomes more diverse (for example Absolute Radio and should never be features colour other than black and navigation between the channels in the with the addition of new stations), and shortened to Absolute. white, the primary colour shall be Absolute Radio portfolio. as digital becomes a more and more • It’s important as we extend our purple. • Moving our audience around within important channel, it is important that brand to new audiences and new Absolute Radio channels is central we present the brand in a recognisable channels that people understand to our strategy. and consistent way. what we do. We’re proud to be a • The ‘portfolio’ versions of the logo radio brand but we’re a modern This page summarises the key elements have been introduced for use within radio brand, that understands radio of our identity system (and also strongly Absolute Radio branded is content, not channel. any changes, where elements have environments to make navigation evolved). easy and fun. Discovery Icon • They are secondary elements and Absolute Radio has one central icon, must not stand alone. the ‘Discovery Icon’. • Having an icon is important to help people navigate app stores (which they do with pattern recognition). • We need to use our icon consistently and persistently to make sure it becomes indelibly associated with our brand. -
Ebonics Hearing
S. HRG. 105±20 EBONICS HEARING BEFORE A SUBCOMMITTEE OF THE COMMITTEE ON APPROPRIATIONS UNITED STATES SENATE ONE HUNDRED FIFTH CONGRESS FIRST SESSION SPECIAL HEARING Printed for the use of the Committee on Appropriations ( U.S. GOVERNMENT PRINTING OFFICE 39±641 cc WASHINGTON : 1997 For sale by the U.S. Government Printing Office Superintendent of Documents, Congressional Sales Office, Washington, DC 20402 COMMITTEE ON APPROPRIATIONS TED STEVENS, Alaska, Chairman THAD COCHRAN, Mississippi ROBERT C. BYRD, West Virginia ARLEN SPECTER, Pennsylvania DANIEL K. INOUYE, Hawaii PETE V. DOMENICI, New Mexico ERNEST F. HOLLINGS, South Carolina CHRISTOPHER S. BOND, Missouri PATRICK J. LEAHY, Vermont SLADE GORTON, Washington DALE BUMPERS, Arkansas MITCH MCCONNELL, Kentucky FRANK R. LAUTENBERG, New Jersey CONRAD BURNS, Montana TOM HARKIN, Iowa RICHARD C. SHELBY, Alabama BARBARA A. MIKULSKI, Maryland JUDD GREGG, New Hampshire HARRY REID, Nevada ROBERT F. BENNETT, Utah HERB KOHL, Wisconsin BEN NIGHTHORSE CAMPBELL, Colorado PATTY MURRAY, Washington LARRY CRAIG, Idaho BYRON DORGAN, North Dakota LAUCH FAIRCLOTH, North Carolina BARBARA BOXER, California KAY BAILEY HUTCHISON, Texas STEVEN J. CORTESE, Staff Director LISA SUTHERLAND, Deputy Staff Director JAMES H. ENGLISH, Minority Staff Director SUBCOMMITTEE ON DEPARTMENTS OF LABOR, HEALTH AND HUMAN SERVICES, AND EDUCATION, AND RELATED AGENCIES ARLEN SPECTER, Pennsylvania, Chairman THAD COCHRAN, Mississippi TOM HARKIN, Iowa SLADE GORTON, Washington ERNEST F. HOLLINGS, South Carolina CHRISTOPHER S. BOND, Missouri DANIEL K. INOUYE, Hawaii JUDD GREGG, New Hampshire DALE BUMPERS, Arkansas LAUCH FAIRCLOTH, North Carolina HARRY REID, Nevada LARRY E. CRAIG, Idaho HERB KOHL, Wisconsin KAY BAILEY HUTCHISON, Texas PATTY MURRAY, Washington Majority Professional Staff CRAIG A. HIGGINS and BETTILOU TAYLOR Minority Professional Staff MARSHA SIMON (II) 2 CONTENTS Page Opening remarks of Senator Arlen Specter .......................................................... -
UNITED STATES SECURITIES and EXCHANGE COMMISSION Washington, D.C
UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-K ☒ ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended December 31, 2009 OR o TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from to Commission File Number 001-09553 CBS CORPORATION (Exact name of registrant as specified in its charter) DELAWARE 04-2949533 (State or other jurisdiction of (I.R.S. Employer incorporation or organization) Identification Number) 51 W. 52nd Street New York, NY 10019 (212) 975-4321 (Address, including zip code, and telephone number, including area code, of registrant's principal executive offices) Securities Registered Pursuant to Section 12(b) of the Act: Name of Each Exchange on Title of Each Class Which Registered Class A Common Stock, $0.001 par value New York Stock Exchange Class B Common Stock, $0.001 par value New York Stock Exchange 7.625% Senior Debentures due 2016 American Stock Exchange 7.25% Senior Notes due 2051 New York Stock Exchange 6.75% Senior Notes due 2056 New York Stock Exchange Securities Registered Pursuant to Section 12(g) of the Act: None (Title of Class) Indicate by check mark if the registrant is a well-known seasoned issuer (as defined in Rule 405 of the Securities Act of 1933). Yes ☒ No o Indicate by check mark if the registrant is not required to file reports pursuant to Section 13 or Section 15(d) of the Securities Exchange Act of 1934. -
Citizen Journalism: Historical Roots and Contemporary Challenges Wally Hughes Western Kentucky University, [email protected]
Western Kentucky University TopSCHOLAR® Honors College Capstone Experience/Thesis Honors College at WKU Projects Spring 5-10-2011 Citizen Journalism: Historical Roots and Contemporary Challenges Wally Hughes Western Kentucky University, [email protected] Follow this and additional works at: http://digitalcommons.wku.edu/stu_hon_theses Part of the Arts and Humanities Commons Recommended Citation Hughes, Wally, "Citizen Journalism: Historical Roots and Contemporary Challenges" (2011). Honors College Capstone Experience/ Thesis Projects. Paper 305. http://digitalcommons.wku.edu/stu_hon_theses/305 This Thesis is brought to you for free and open access by TopSCHOLAR®. It has been accepted for inclusion in Honors College Capstone Experience/ Thesis Projects by an authorized administrator of TopSCHOLAR®. For more information, please contact [email protected]. CITIZEN JOURNALISM: HISTORICAL ROOTS AND CONTEMPORARY CHALLENGES A Capstone Experience/Thesis Project Presented in Partial Fulfillment of the Requirements for the Degree Bachelor of Arts with Honors College Graduate Distinction at Western Kentucky University By Wally Hughes ***** Western Kentucky University 2010 CE/T Committee: Approved by Professor Mac Mckerral, Adviser Dr. Jeffrey Kash Mac Mckerral Dr. Angela Jones School of Journalism Copyright by Wally Hughes 2010 ABSTRACT The purpose of this thesis is to analyze what effect, if any, citizen journalism is having on journalism and ethics in today’s society. It starts by examining the role citizen journalism played in the early American colonies to show that the concept of citizen journalism is not new but has played a vital role throughout American history. Next, the focus shifts to the events and reasons that led to the re-emergence of citizen journalism during the past few decades, such as media consolidation and new technology. -
Pocketbook for You, in Any Print Style: Including Updated and Filtered Data, However You Want It
Hello Since 1994, Media UK - www.mediauk.com - has contained a full media directory. We now contain media news from over 50 sources, RAJAR and playlist information, the industry's widest selection of radio jobs, and much more - and it's all free. From our directory, we're proud to be able to produce a new edition of the Radio Pocket Book. We've based this on the Radio Authority version that was available when we launched 17 years ago. We hope you find it useful. Enjoy this return of an old favourite: and set mediauk.com on your browser favourites list. James Cridland Managing Director Media UK First published in Great Britain in September 2011 Copyright © 1994-2011 Not At All Bad Ltd. All Rights Reserved. mediauk.com/terms This edition produced October 18, 2011 Set in Book Antiqua Printed on dead trees Published by Not At All Bad Ltd (t/a Media UK) Registered in England, No 6312072 Registered Office (not for correspondence): 96a Curtain Road, London EC2A 3AA 020 7100 1811 [email protected] @mediauk www.mediauk.com Foreword In 1975, when I was 13, I wrote to the IBA to ask for a copy of their latest publication grandly titled Transmitting stations: a Pocket Guide. The year before I had listened with excitement to the launch of our local commercial station, Liverpool's Radio City, and wanted to find out what other stations I might be able to pick up. In those days the Guide covered TV as well as radio, which could only manage to fill two pages – but then there were only 19 “ILR” stations. -
Broadcast License Renewal and the Telecommunications Act of 1996 Lili Levi University of Miami School of Law, [email protected]
University of Miami Law School University of Miami School of Law Institutional Repository Articles Faculty and Deans 1996 Not With a Bang But a Whimper: Broadcast License Renewal and the Telecommunications Act of 1996 Lili Levi University of Miami School of Law, [email protected] Follow this and additional works at: https://repository.law.miami.edu/fac_articles Part of the Communications Law Commons Recommended Citation Lili Levi, Not With a Bang But a Whimper: Broadcast License Renewal and the Telecommunications Act of 1996, 29 Conn. L. Rev. 243 (1996). This Article is brought to you for free and open access by the Faculty and Deans at University of Miami School of Law Institutional Repository. It has been accepted for inclusion in Articles by an authorized administrator of University of Miami School of Law Institutional Repository. For more information, please contact [email protected]. Not With a Bang But a Whimper: Broadcast License Renewal and the Telecommunications Act of 1996 Liu LEvi In 1969, public outrage derailed a bill providing that the Federal Communications Commission ("FCC" or "Commission") could not con- sider competing applications for broadcast licenses unless it first found that renewal of the incumbent's license would not be in the public interest.' Citizen groups claimed that eliminating comparative challenges to incumbent broadcasters was "back-door racism" and reinforced the under-representation of minorities in broadcasting.2 They decried the bill as a "vicious ... attempt to limit the efforts of the black community to challenge the prevailing racist practices of the vast majority of TV stations."3 When the FCC thereupon issued a policy statement adopting a similar reform of the comparative renewal process, it was reversed by * Professor of Law, University of Miami School of Law.