DOCSLIB.ORG

Codes Used in D&M

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Codes Used in D&M CODES USED IN D&M - MCPS A DISTRIBUTIONS D&M Code D&M Name Category Further details Source Type Code Source Type Name Z98 UK/Ireland Commercial International 2 20 South African (SAMRO) General & Broadcasting (TV only) International 3 Overseas 21 Australian (APRA) General & Broadcasting International 3 Overseas 36 USA (BMI) General & Broadcasting International 3 Overseas 38 USA (SESAC) Broadcasting International 3 Overseas 39 USA (ASCAP) General & Broadcasting International 3 Overseas 47 Japanese (JASRAC) General & Broadcasting International 3 Overseas 48 Israeli (ACUM) General & Broadcasting International 3 Overseas 048M Norway (NCB) International 3 Overseas 049M Algeria (ONDA) International 3 Overseas 58 Bulgarian (MUSICAUTOR) General & Broadcasting International 3 Overseas 62 Russian (RAO) General & Broadcasting International 3 Overseas 74 Austrian (AKM) General & Broadcasting International 3 Overseas 75 Belgian (SABAM) General & Broadcasting International 3 Overseas 79 Hungarian (ARTISJUS) General & Broadcasting International 3 Overseas 80 Danish (KODA) General & Broadcasting International 3 Overseas 81 Netherlands (BUMA) General & Broadcasting International 3 Overseas 83 Finnish (TEOSTO) General & Broadcasting International 3 Overseas 84 French (SACEM) General & Broadcasting International 3 Overseas 85 German (GEMA) General & Broadcasting International 3 Overseas 86 Hong Kong (CASH) General & Broadcasting International 3 Overseas 87 Italian (SIAE) General & Broadcasting International 3 Overseas 88 Mexican (SACM) General & Broadcasting International 3 Overseas 89 Norwegian (TONO) General & Broadcasting International 3 Overseas 90 Trinidad & Tobago (COTT) General & Broadcasting International 3 Overseas 92 South Korean (KOMCA) General & Broadcasting International 3 Overseas 93 Spanish (SGAE) General & Broadcasting International 3 Overseas 94 Swedish (STIM) General & Broadcasting International 3 Overseas 95 Swiss (SUISA) General & Broadcasting International 3 Overseas 96 Greek (AEPI) General & Broadcasting International 3 Overseas 115 Canadian (SOCAN) General & Broadcasting International 3 Overseas 121 Portuguese (SPA) General & Broadcasting International 3 Overseas 123 Polish (ZAIKS) General & Broadcasting International 3 Overseas 125 Colombian (SAYCO) General & Broadcasting International 3 Overseas 126 Paraguayan (APA) General & Broadcasting International 3 Overseas 127 Malaysian (MACP) General & Broadcasting International 3 Overseas 128 Singaporean (COMPASS) General & Broadcasting International 3 Overseas 134 Chilean (SCD) General & Broadcasting International 3 Overseas 136 Czech Republic (OSA) General & Broadcasting International 3 Overseas 138 Peruvian (APDAYC) General & Broadcasting International 3 Overseas 140 Uruguayan (AGADU) General & Broadcasting International 3 Overseas 141 Slovakian (SOZA) General & Broadcasting International 3 Overseas 147 Brazilian (UBC) General & Broadcasting International 3 Overseas 149 Argentinian (SADAIC) General & Broadcasting International 3 Overseas 152 Estonian (EAU) General & Broadcasting International 3 Overseas 159 Croatian (HDS) General & Broadcasting International 3 Overseas 161 Lithuanian (LATGA-A) General & Broadcasting International 3 Overseas 163 Venezuelan (SACVEN) General & Broadcasting International 3 Overseas 165 Philippines (FILSCAP) General & Broadcasting International 3 Overseas 168 Barbados (COSCAP) General & Broadcasting International 3 Overseas 170 Jamaican (JACAP) General & Broadcasting International 3 Overseas 176 Indian (IPRS) General & Broadcasting International 3 Overseas 192 Romanian (UCMR-ADA) General & Broadcasting International 3 Overseas 197 Cuban (ACDAM) General & Broadcasting International 3 Overseas 199 Latvian (AKKA/LAA) General & Broadcasting International 3 Overseas 202 Thailand (MCT) General & Broadcasting International 3 Overseas 204 Turkish (MESAM) General & Broadcasting International 3 Overseas 217 Taiwanese (MUST) General & Broadcasting International 3 Overseas 225 St Lucia (HMS) General & Broadcasting International 3 Overseas 232 Slovenian (SAZAS) General & Broadcasting International 3 Overseas 234 Serbia and Montenegro (SOKOJ) General & Broadcasting International 3 Overseas 251 Costa Rican (ACAM) General & Broadcasting International 3 Overseas 253 Chinese (MCSC) General & Broadcasting International 3 Overseas 256 New Zealand General & Broadcasting International 3 Overseas 276 Kazakhstan (KAZAK) General & Broadcasting International 3 Overseas 277 Mauritius (MASA) General & Broadcasting International 3 Overseas 283 Ukrainian (UACRR) G&B International 3 Overseas 286 Bolivian (SOBODAYCOM) G&B International 3 Overseas 288 Ecuador (SAYCE) G&B International 3 Overseas 305 Georgia (SAS) G&B International 3 Overseas 308 Netherlands (BUMA) Online International 3 Overseas 309 German (GEMA) Online International 3 Overseas 310 Irish (IMRO) Online International 3 Overseas 311 Japanese (JASRAC) Online International 3 Overseas 312 Belgian (SABAM) Online International 3 Overseas 313 French (SACEM) Online International 3 Overseas 314 Spanish (SGAE) Online International 3 Overseas 315 Italian (SIAE) Online International 3 Overseas 316 Austrian (AKM) Online International 3 Overseas 317 Hungary (ARTISJUS) Online International 3 Overseas 318 Danish (KODA) Online International 3 Overseas 319 Swedish (STIM) Online International 3 Overseas 321 Finnish (TEOSTO) Online International 3 Overseas 322 Norwegian (TONO) - Online International 3 Overseas 323 Polish (ZAIKS) Online International 3 Overseas 326 Czech Republic (OSA) Online International 3 Overseas 327 Hong Kong (CASH) Online International 3 Overseas 328 South Korean (KOMCA) - Online International 3 Overseas 329 Portuguese (SPA) Online International 3 Overseas 330 Colombian (SAYCO) Online International 3 Overseas 331 Chinese (MCSC) Online International 3 Overseas 332 Malaysian (MACP) Online International 3 Overseas 333 Greek (AEPI) Online International 3 Overseas 334 Serbian (SOKOJ) Online International 3 Overseas 335 Thailand (MCT) Online International 3 Overseas 337 Romanian (UCMR-ADA) Online International 3 Overseas 338 Lithuanian (LATGA-A) Online International 3 Overseas 339 Bulgarian (MUSICAUTOR) Online International 3 Overseas 340 Macedonian (ZAMP) General & Broadcasting International 3 Overseas 341 Turkish (MESAM) Online International 3 Overseas 343 Estonian (EAU) Online International 3 Overseas 344 Israeli (ACUM) Online International 3 Overseas 346 Vietnamese (VCPMC) G&B International 3 Overseas 347 Trinidad & Tobago (COTT) Online International 3 Overseas 350 Bosnia and Herzegovina (SQN) G&B International 3 Overseas 351 Panama (SPAC) G&B International 3 Overseas 353 Armenia (ARMAUTHOR) G&B International 3 Overseas 354 Dominican Republic (SGACEDOM) G&B International 3 Overseas 355 Taiwan (MUST) Online International 3 Overseas 356 Belarus (NCIP) G&B International 3 Overseas 357 Singaporean (COMPASS) Online International 3 Overseas 362 Canadian (SOCAN) Private Copying International 3 Overseas 363 Danish (KODA) Private Copying International 3 Overseas 367 Hungarian (ARTISJUS) Private Copying International 3 Overseas 389 Norwegian (TONO) Private Copying International 3 Overseas 396 Swiss (SUISA) Private Copying International 3 Overseas 401 Portuguese (SPA) Private Copying International 3 Overseas 402 Danish (NCB) Online International 3 Overseas 403 Swedish (NCB) Online International 3 Overseas 404 Estonian (NCB) Online International 3 Overseas 405 Finnish (NCB) Online International 3 Overseas 406 Icelandic (NCB) Online International 3 Overseas 407 Latvian (NCB) Online International 3 Overseas 408 Norwegian (NCB) Online International 3 Overseas 409 Lithuanian (NCB) Online International 3 Overseas 417 Macedonia (ZAMP) Online International 3 Overseas 418 Australasian (APRA) Online International 3 Overseas 419 New Zealand Online International 3 Overseas 420 Slovenian (SAZAS) Online International 3 Overseas 421 Macau (MACA) G&B International 3 Overseas 422 El Salvador (SACIM) G&B International 3 Overseas 429 Honduras (AACIMH) G&B International 3 Overseas 430 Philippines (FILSCAP) Online International 3 Overseas 431 Kenya (MCSK) General & Broadcasting International 3 Overseas 434 Namibia (NASCAM) G&B International 3 Overseas 435 Nigeria (MCSN) G&B International 3 Overseas 445 Argentinian (SADAIC) Online International 3 Overseas CMRRA Canadian (MCPS) International 3 Overseas EMIIR EMI Ireland_ MCPS International 3 Overseas GGR G.G.Records International 3 Overseas HFOX Fox Mechanical International 3 Overseas IR1 Irish Distirbution International Residual 3 Overseas M0152 MCPS Mig CMRRA International 3 Overseas M0155 MCPS Mig CASH International 3 Overseas M0179 MCPS Mig HARRY FOX International 3 Overseas M0187 MCPS Mig GEMA International 3 Overseas M0211 MCPS Mig JASRAC International 3 Overseas M0227 MCPS Mig MISC. OVERSEAS International 3 Overseas M0239 MCPS Mig NCB International 3 Overseas M0241 MCPS Mig OSA International 3 Overseas M0273 MCPS Mig SABAM International 3 Overseas M0274 MCPS Mig SACVEN International 3 Overseas M0275 MCPS Mig SADAIC International 3 Overseas M0276 MCPS Mig SACM International 3 Overseas M0279 MCPS Mig SOKOJ International 3 Overseas M0280 MCPS Mig SARRAL International 3 Overseas M0282 MCPS Mig SDRM International 3 Overseas M0283 MCPS Mig SICAM International 3 Overseas M0284 MCPS Mig SPA International 3 Overseas M0285 MCPS Mig SGAE International 3 Overseas M0286 MCPS Mig SIAE International 3 Overseas M0291 MCPS Mig SOZA International 3 Overseas M0294 MCPS Mig STEMRA International 3 Overseas
Load more

Recommended publications
  • Media Nations 2019
    Media nations: UK 2019 Published 7 August 2019 Overview This is Ofcom’s second annual Media Nations report. It reviews key trends in the television and online video sectors as well as the radio and other audio sectors. Accompanying this narrative report is an interactive report which includes an extensive range of data. There are also separate reports for Northern Ireland, Scotland and Wales. The Media Nations report is a reference publication for industry, policy makers, academics and consumers. This year’s publication is particularly important as it provides evidence to inform discussions around the future of public service broadcasting, supporting the nationwide forum which Ofcom launched in July 2019: Small Screen: Big Debate. We publish this report to support our regulatory goal to research markets and to remain at the forefront of technological understanding. It addresses the requirement to undertake and make public our consumer research (as set out in Sections 14 and 15 of the Communications Act 2003). It also meets the requirements on Ofcom under Section 358 of the Communications Act 2003 to publish an annual factual and statistical report on the TV and radio sector. This year we have structured the findings into four chapters. • The total video chapter looks at trends across all types of video including traditional broadcast TV, video-on-demand services and online video. • In the second chapter, we take a deeper look at public service broadcasting and some wider aspects of broadcast TV. • The third chapter is about online video. This is where we examine in greater depth subscription video on demand and YouTube.
    [Show full text]
  • RAJAR DATA RELEASE Quarter 1, 2020 – May 14 Th 2020
    RAJAR DATA RELEASE Quarter 1, 2020 – May 14 th 2020 COMPARATIVE CHARTS 1. National Stations 2. Scottish Stations 3. London Stations 4. Breakfast Shows – National and London stations "Please note that the information contained within this quarterly data release has yet to be announced or otherwise made public and as such could constitute relevant information for the purposes of section 118 of FSMA and non-public price sensitive information for the purposes of the Criminal Justice Act 1993. Failure to comply with this embargo could result in prosecution’’. Source RAJAR / Ipsos MORI / RSMB RAJAR DATA RELEASE Quarter 1, 2020 – May 14 th 2020 NATIONAL STATIONS STATIONS SURVEY REACH REACH REACH % CHANGE % CHANGE SHARE SHARE SHARE PERIOD '000 '000 '000 REACH Y/Y REACH Q/Q % % % Q1 19 Q4 19 Q1 20 Q1 20 vs. Q1 19 Q1 20 vs. Q4 19 Q1 19 Q4 19 Q1 20 ALL RADIO Q 48945 48136 48894 -0.1% 1.6% 100.0 100.0 100.0 ALL BBC Q 34436 33584 33535 -2.6% -0.1% 51.4 51.0 49.7 15-44 Q 13295 13048 13180 -0.9% 1.0% 35.2 35.5 34.4 45+ Q 21142 20535 20355 -3.7% -0.9% 60.2 59.4 57.9 ALL BBC NETWORK RADIO Q 31846 31081 30835 -3.2% -0.8% 44.8 45.0 43.4 BBC RADIO 1 Q 9303 8790 8915 -4.2% 1.4% 5.7 5.6 5.6 BBC RADIO 2 Q 15356 14438 14362 -6.5% -0.5% 17.4 17.0 16.3 BBC RADIO 3 Q 2040 2126 1980 -2.9% -6.9% 1.2 1.4 1.3 BBC RADIO 4 (INCLUDING 4 EXTRA) Q 11459 11416 11105 -3.1% -2.7% 13.1 13.4 12.9 BBC RADIO 4 Q 11010 10977 10754 -2.3% -2.0% 11.9 12.0 11.7 BBC RADIO 4 EXTRA Q 2238 2271 1983 -11.4% -12.7% 1.3 1.4 1.2 BBC RADIO 5 LIVE (INC.
    [Show full text]
  • Special Issue
    ISSUE 750 / 19 OCTOBER 2017 15 TOP 5 MUST-READ ARTICLES record of the week } Post Malone scored Leave A Light On Billboard Hot 100 No. 1 with “sneaky” Tom Walker YouTube scheme. Relentless Records (Fader) out now Tom Walker is enjoying a meteoric rise. His new single Leave } Spotify moves A Light On, released last Friday, is a brilliant emotional piano to formalise pitch led song which builds to a crescendo of skittering drums and process for slots in pitched-up synths. Co-written and produced by Steve Mac 1 as part of the Brit List. Streaming support is big too, with top CONTENTS its Browse section. (Ed Sheeran, Clean Bandit, P!nk, Rita Ora, Liam Payne), we placement on Spotify, Apple and others helping to generate (MusicAlly) love the deliberate sense of space and depth within the mix over 50 million plays across his repertoire so far. Active on which allows Tom’s powerful vocals to resonate with strength. the road, he is currently supporting The Script in the US and P2 Editorial: Paul Scaife, } Universal Music Support for the Glasgow-born, Manchester-raised singer has will embark on an eight date UK headline tour next month RotD at 15 years announces been building all year with TV performances at Glastonbury including a London show at The Garage on 29 November P8 Special feature: ‘accelerator Treehouse on BBC2 and on the Today Show in the US. before hotfooting across Europe with Hurts. With the quality Happy Birthday engagement network’. Recent press includes Sunday Times Culture “Breaking Act”, of this single, Tom’s on the edge of the big time and we’re Record of the Day! (PRNewswire) The Sun (Bizarre), Pigeons & Planes, Clash, Shortlist and certain to see him in the mix for Brits Critics’ Choice for 2018.
    [Show full text]
  • Jeff Smith Head of Music, BBC Radio 2 and 6 Music Media Masters – August 16, 2018 Listen to the Podcast Online, Visit
    Jeff Smith Head of Music, BBC Radio 2 and 6 Music Media Masters – August 16, 2018 Listen to the podcast online, visit www.mediamasters.fm Welcome to Media Masters, a series of one to one interviews with people at the top of the media game. Today, I’m here in the studios of BBC 6 Music and joined by Jeff Smith, the man who has chosen the tracks that we’ve been listening to on the radio for years. Now head of music for BBC Radio 2 and BBC Radio 6 Music, Jeff spent most of his career in music. Previously he was head of music for Radio 1 in the late 90s, and has since worked at Capital FM and Napster. In his current role, he is tasked with shaping music policy for two of the BBC’s most popular radio stations, as the technology of how we listen to music is transforming. Jeff, thank you for joining me. Pleasure. Jeff, Radio 2 has a phenomenal 15 million listeners. How do you ensure that the music selection appeals to such a vast audience? It’s a challenge, obviously, to keep that appeal across the board with those listeners, but it appears to be working. As you say, we’re attracting 15.4 million listeners every week, and I think it’s because I try to keep a balance of the best of the best new music, with classic tracks from a whole range of eras, way back to the 60s and 70s. So I think it’s that challenge of just making that mix work and making it work in terms of daytime, and not only just keeping a kind of core audience happy, but appealing to a new audience who would find that exciting and fun to listen to.
    [Show full text]
  • See the Sound Philips Soundbar 2013 Our Heritage
    See the sound Philips SoundBar 2013 Our heritage Our new levels of acoustic realism and authenticity date Each of our home cinema products is characterized by back to the launch of our fi rst sound product, the Philips unparalleled sound quality. All thanks to talented acoustic “Chapel” radio in 1931. Over the years, our dedication to engineering teams and special “Golden Ears” sound sonic perfection has inspired innovations that have forever specialists who are trained to detect every audio nuance and changed how the world hears and experiences sound. committed to creating an acoustic experience you will love. In addition to pioneering the fi rst ever shortwave transmitter, Today, our home cinema range runs the gamut of speaker we invented the cassette tape and CD and also introduced arrangements. The Immersive Sound has a traditional 5.1 the world’s fi rst Internet-connected micro Hi-Fi system. speaker setup for the sound purists. The 2.1 home cinema with two speakers and a subwoofer will fi ll your room with Our ingenuity continues to this day with not only the world’s a lifelike cinematic experience from fewer speakers. If space fi rst DVD/Blu-ray playback-integrated Soundbar, but also its is at a premium in your home, our sleek, unobtrusive, under- fi rst Surround on Demand system. the-TV Soundbars are your solution. Chapel Radio, 1931. This iconic radio set was nicknamed ‘The Little Chapel’. 3 Enhanced TV Sound As TVs become thinner and thinner, the sound from in-built speakers is growing steadily weaker. Keep it simple with Soundbar Choose your Soundbar Philips Soundbars give your movies, video games and music the powerful, high quality punch they deserve.
    [Show full text]
  • Sonos Connect:Amp
    SONOS® CONNECT Product Guide THIS DOCUMENT CONTAINS INFORMATION THAT IS SUBJECT TO CHANGE WITHOUT NOTICE. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including but not limited to photocopying, recording, information retrieval systems, or computer network without the written permission of Sonos, Inc. SONOS and all other Sonos product names and slogans are trademarks or registered trademarks of Sonos, Inc. SONOS Reg. U.S. Pat. & Tm. Off. Sonos products may be protected by one or more patents. Our patent-to-product information can be found here: sonos.com/legal/patents iPhone®, iPod®, iPad® and iTunes® are trademarks of Apple Inc., registered in the U.S. and other countries. Windows® is a registered trademark of Microsoft Corporation in the United States and other countries. Android™ is a trademark of Google, Inc. MPEG Layer-3 audio decoding technology licensed from Fraunhofer IIS and Thomson. Sonos uses MSNTP software, which was developed by N.M. Maclaren at the University of Cambridge. © Copyright, N.M. Maclaren, 1996, 1997, 2000; © Copyright, University of Cambridge, 1996, 1997, 2000. All other products and services mentioned may be trademarks or service marks of their respective owners. August 2014 ©2004-2014 by Sonos, Inc. All rights reserved. SONOS CONNECT:AMP The SONOS CONNECT:AMP (formerly ZonePlayer 120) includes a built-in state-of-the-art digital amplifier that can power large or small speakers, allowing you to enjoy superior audio quality in every room. • Includes a multi-port Ethernet switch to enable direct connections to routers, computers, or other Sonos products.
    [Show full text]
  • No Offence the Aims of This Factsheet Are to Demonstrate the Way the Theoretical Abbot Has a Long Relationship with Channel 4
    Media Studies www.curriculum-press.co.uk Number 184 Applying the Theoretical Framework: No Offence The aims of this Factsheet are to demonstrate the way the theoretical Abbot has a long relationship with Channel 4. Channel 4 are a framework can be applied to the television CSP, No Offence including commercial broadcaster but they also receive some government the industrial context of No Offence and the way the programme uses funding. To receive the public money, Channel 4 has to ensure media language: that (amongst other things) its programming is innovative, offers • To position the programme as part of a genre. alternative points of view and reflects the cultural diversity of the country. • To create narrative. Channel 4 buys programming from production companies and, when • To construct representations. doing so, will consider how the programme will help support its • To appeal to audiences. remit. Programmes which fit into Channel 4’s brand identity are No Offence is one of the options available for the study of television more likely to be bought by the broadcaster. products for AQA’s AS and A Level qualifications. Having a distinctive production background and being a ‘Channel • For AS Media Studies, it is a targeted CSP and should be 4 programme’ adds to the branding of No Offence itself and helps studied considering Audience and Industry ideas. audiences know what to expect from the programme. With no other • For A Level Media Studies, it is an in-depth CSP and information about the show, audiences would assume it would have should be studied considering all areas of the framework an irreverent approach to storytelling and may provide representations – Media Language, Representation, Audience and and storylines that are unconventional.
    [Show full text]
  • New Zealand DX Times Monthly Journal of the D X New Zealand Radio DX League (Est 1948) D X August 2005 Volume 57 Number 10 LEAGUE LEAGUE
    N.Z. RADIO N.Z. RADIO New Zealand DX Times Monthly Journal of the D X New Zealand Radio DX League (est 1948) D X August 2005 Volume 57 Number 10 LEAGUE http://www.radiodx.com LEAGUE DXpedition to Kingaroy, Queendsland, Australia July 15-17 2005 Contribution deadline for next issue is Wed 7th Sept 2005. P.O. Box 3011, Auckland CONTENTS FRONT COVER REGULAR COLUMNS Bandwatch Under 9 3 Participants at Kingaroy DXpedition July 15th- with Ken Baird 17th 2005 (Queensland, Australia) Bandwatch Over 9 10 with Stuart Forsyth More details page 36 Fcst SW Reception 14 Compiled by Mike Butler English in Time Order 15 with Yuri Muzyka Shortwave Mailbag 17 with Paul Ormandy Shortwave Report 20 with Ian Cattermole Dxissmo 25 with John Durham Utilities 26 with Chief Editor TV/FM 27 with Adam Claydon Broadcast news/DX 29 Compiled by Tony King US X Band List 35 Compiled by Tony King ADCOM News 41 with Bryan Clark Branch News 45 with Chief Editor Ladders 46 with Stuart Forsyth Subscription Renewal Notice Page 47 OTHER Please remember to pay if Kingaroy Dxpedition 36 your subscription is due. Queensland, Australia Compiled by Stuart Forsyth Also please remember to update your email On the Shortwaves 40 address with the Treasurer if it has changed History by Jerry Berg A Dxer from the 43 If you would prefer not to cut up your DX Land of the Times you can email [email protected] MidnightSun and I will email you a subscription form. by Terry Nielsen NEW ZEALAND DX TIMES PAGE 2 AUGUST 2005 [email protected] Compiled by Ken Baird, Christchurch Please note that all frequencies should be in Kilohertz and time in UTC (= GMT = UT), # indicates reception out of the Sth Pacific area, initials in Bold indicates report sent.
    [Show full text]
  • MIPTV 2012 Full Programme
    Programme of Conferences & Events Sunday 1 – Wednesday 4 April 2012 - Palais des Festivals, Cannes MEDIA MASTERMIND SERIES SUNDAY 1 APRIL Peter Vesterbacka, Jean-Briac Perrette, CMO and Mighty Chief Digital Officer, Eagle, Rovio, Finland Discovery Communications, USA Anthony Bay, Vice President, Amazon.com, USA MONDAY 2 APRIL Jersey Shore Keynote Showcase: Featuring cast members Deena Nicole Cortese (photo left) and Vinny Guadagnino , (photo left), Chris Linn, EVP of Programming and Head of Production, MTV and Caroline Beaton, Senior Vice President, International Programme Sales, Viacom International Media Networks Fashion Star Keynote Showcase: Elle Macpherson, Executive Producer & Host, Fashion Star, USA Ben Silverman, Founder & Chairman, Electus, USA Chris Grant, CEO, Electus, USA MONDAY 2 APRIL Josh Sapan, Jonathan Mildenhall, President and Chief Executive Officer, VP, Global Advertising Strategy And AMC Networks Inc. , Content Excellence, USA The Coca-Cola Company, Elle Macpherson, Executive Producer & Host,USA Fashion Star, USA Ben Silverman , Founder & Chairman , Electus, USA Chris Grant, CEO, Electus, USA MIPTV SPONSORS & PARTNERS Programme & speakers information as of 19 March, 2012. Please visit www.miptv.com for regular updates Programme of Conferences & Events Sunday 1 – Wednesday 4 April 2012 - Palais des Festivals, Cannes PROGRAMME IN CHRONOLOGICAL ORDER: SUNDAY 1 APRIL 10.00-10.15 DIGITAL DEALS CONNECTED DEVICES & CONNECTED AUDIENCES Location: Esterel The battle for the audience is in full swing as everyone from pay-TV
    [Show full text]
  • DOCUMENT RESUME Proceedings of the Annual Meeting of The
    DOCUMENT RESUME ED 423 566 CS 509 910 TITLE Proceedings of the Annual Meeting of the Association for Education in Journalism and Mass Communication (81st, Baltimore, Maryland, August 5-8, 1998). International--Part II INSTITUTION Association for Education in Journalism and Mass Communication. PUB DATE 1998-08-00 NOTE 611p.; For other sections of these Proceedings, see CS 509 905-922. PUB TYPE Collected Works Proceedings (021) Reports Research (143) EDRS PRICE MF03/PC25 Plus Postage. DESCRIPTORS Civil Liberties; Democracy; Economic Factors; *Foreign Countries; Government Role; Higher Education; *International Communication; *Journalism Education; Language Skills; Marxian Analysis; *Mass Media Use; Media Research; *News Reporting; Newspapers; Public Opinion; Radio; Telecommunications; Television IDENTIFIERS *Media Coverage ABSTRACT The International--Part II section of the Proceedings contains the following 20 papers: "An Economic Imperative: Privatization as Reflected in Business Reporting in the Middle East. Egypt as a Case Study" (Leonard Ray Teel, Hussein Amin, Shirley Biagi, and Carolyn Crimmins); "Broadcasting in South Africa: The Politics of Educational Radio" (Paul R. van der Veur); "Why Beijingers Read Newspapers?" (Tao Sun, Xinshu Zhao, and Guoming Yu); "News about Korea and Japan in American Network Television Evening News: A Content Analysis of Coverage in 1996" (Jowon Park); "Political Parties and Changes in Taiwanese Electronic Media in the 1990s" (Wei-Kuo Lin); "State Control on Television News in Post-War Lebanon" (Marwan
    [Show full text]
  • Inside This Issue
    News Serving DX’ers since 1933 Volume 82, No. 7●December 29, 2014● (ISSN 0737-1639) Inside this issue . 2 … AM Switch 11 … Domestic DX Digest East 16 … College Sports Networks 5 … Membership Report 14 … International DX Digest 17 … Treasurer’s Report 6 … Domestic DX Digest West 15 … Musings of the Members 18 … Geo Indices/Space Wx Board Announcement: The NRC Board of DecaloMania in Fort Wayne, Indiana, July 10‐12, Directors is pleased to announce the 2015. More details will be forthcoming as our appointment of its newest member to the BoD to host Scott Fybush works them out. fill the vacant seat left by Ken Chatterton after DX Tests: If you want to help arrange tests, his resignation earlier this year. Dave Schmidt, contact Brandon Jordan, the NRC/IRCA Test who has served as Musings of the Members Coordination, at P.O. Box 338, Rossville TN editor for over twenty years and DDXD editor 38066, (901) 592‐9847, and [email protected]. before that, is our newest BoD member. Dave Brandon has set up a web site at also has a keen interest in record collecting and http://dxtests.net/ for the latest test info. And Internet radio (maybe he’ll tell you more in a follow him on Twitter @AMDXTests for the latest Musing soon!). Welcome, Dave! – Paul test info. Swearingen, NRC BoD Chairman. PARI DXpedition: Via the NASWA Journal, DXAS: Fred Vobbe has announced that he Thomas Witherspoon is planning a unique will be stepping down as publisher of the DX DXpedition to the Pisgah Astronomical Research Audio Service after the April 2015 issue.
    [Show full text]
  • New Zealand DX Times
    NEWZEALANDRADIODXLEAGUE(Inc.) TheNewZealandRadioDXLeague(Inc.)NewZealandRadioDXLeague(Inc.)isa N.Z. RADIO N.Z. RADIO non-profitorganisationfoundedin1948with NewZealandDXTimes themainaimofpromotingthehobbyofRadio Monthly journal of the DXing.NZRDXLisafoundingmemberofthe D X New Zealand Radio DX League (est. 1948) D X SouthPacificAssociationofRadioClubs Porirua, NZ Postage Paid (SPARC). Permit No. 27 November 2000 - Volume 53 Number 1 TheNZRDXLisadministeredfromAucklandby: LEAGUE http://radiodx.com LEAGUE NZRDXLAdCom,POBox3011,Auckland D X LEAGUE Patron-JackFox N.Z. RADIO with Mark Nicholls, Wellington [email protected] [email protected] NationalSecretary-EvanMurray(Tel.09483 9543)[email protected] As new Chief Editor of the DX Times, I would like to thank Andy Gardner for his role [email protected] as outgoing Chief Editor. Andy brought the DX Times into the 21st Century using electronic [email protected] layout and publishing. Besides making the magazine easier to read with clearer more AnnualMembership: consistent print quality, it has also saved the DX League thousands of dollars as the maga- WithinNewZealand-NZ$35.00. zine is presented to the printer in a ‘ready to print’ format. This has helped contribute to the Australia/PacificIslands-A$35.00 good financial state the League is currently in. Asia/NorthAmerica-US$30.00 I will be ably assisted at times by David Ricquish, who is a former Chief Editor who RestofWorld-US$33.00 will assist with Editorial advice, and Steve and Carolyn Rawdon with electronic publishing Alloverseasmembersgetairmaildeliveryof advice. David of course will continue with his excellent Talkback column. theNZDXTimesmagazine. I apologise for a few minor teething problems last month. The Utilities page ClubStationery-Addressallorders&enquir- somehow got gobbled up in the Adobe PageMaker file.
    [Show full text]