Digital Switchover of Television and Radio in the United Kingdom
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The Marie Curie Hospice, Cardiff and the Vale
Welcome to the Marie Curie Hospice, Cardiff and the Vale We’ve put together this folder with information about our hospice that you might find useful – such as the services we offer, how we can help and what you can expect from us. We want you to have a really comfortable stay with us, and get the most out of what we can offer. So just let us know if there’s anything that you need or something we can do for you, your family and your friends. You can always speak to your nurse if you have any questions or concerns about your care, or have any thoughts or suggestions about our hospice. We’re here to provide you, and those close to you, with our very best care and support. Paula Elson, Hospice Manager Marie Curie Hospice, Cardiff and the Vale Bridgeman Road, Penarth, Vale of Glamorgan CF64 3YR Reception: 02920 426 000 Ground floor ward: 02920 426 017 First floor ward: 02920 426 027 Email: [email protected] mariecurie.org.uk/cardiff Contents Your room 2 Food and drink 5 Medication 6 Information for your visitors 7 Preventing infections and how you can help 9 How to reduce your risk of falling 11 Our services and how we can help 12 Sources of information and other support for you 15 General information 16 How we keep your information safe and confidential 17 Let us know what you think 18 A little about Marie Curie 19 How you can support our work 21 List of TV channels and radio stations 22 Hospice information for in-patient care Page 1 Your room Your bed As your bed is adjustable, our nursing staff will explain to you how the bed’s control buttons work. -
RAJAR DATA RELEASE Quarter 1, 2020 – May 14 Th 2020
RAJAR DATA RELEASE Quarter 1, 2020 – May 14 th 2020 COMPARATIVE CHARTS 1. National Stations 2. Scottish Stations 3. London Stations 4. Breakfast Shows – National and London stations "Please note that the information contained within this quarterly data release has yet to be announced or otherwise made public and as such could constitute relevant information for the purposes of section 118 of FSMA and non-public price sensitive information for the purposes of the Criminal Justice Act 1993. Failure to comply with this embargo could result in prosecution’’. Source RAJAR / Ipsos MORI / RSMB RAJAR DATA RELEASE Quarter 1, 2020 – May 14 th 2020 NATIONAL STATIONS STATIONS SURVEY REACH REACH REACH % CHANGE % CHANGE SHARE SHARE SHARE PERIOD '000 '000 '000 REACH Y/Y REACH Q/Q % % % Q1 19 Q4 19 Q1 20 Q1 20 vs. Q1 19 Q1 20 vs. Q4 19 Q1 19 Q4 19 Q1 20 ALL RADIO Q 48945 48136 48894 -0.1% 1.6% 100.0 100.0 100.0 ALL BBC Q 34436 33584 33535 -2.6% -0.1% 51.4 51.0 49.7 15-44 Q 13295 13048 13180 -0.9% 1.0% 35.2 35.5 34.4 45+ Q 21142 20535 20355 -3.7% -0.9% 60.2 59.4 57.9 ALL BBC NETWORK RADIO Q 31846 31081 30835 -3.2% -0.8% 44.8 45.0 43.4 BBC RADIO 1 Q 9303 8790 8915 -4.2% 1.4% 5.7 5.6 5.6 BBC RADIO 2 Q 15356 14438 14362 -6.5% -0.5% 17.4 17.0 16.3 BBC RADIO 3 Q 2040 2126 1980 -2.9% -6.9% 1.2 1.4 1.3 BBC RADIO 4 (INCLUDING 4 EXTRA) Q 11459 11416 11105 -3.1% -2.7% 13.1 13.4 12.9 BBC RADIO 4 Q 11010 10977 10754 -2.3% -2.0% 11.9 12.0 11.7 BBC RADIO 4 EXTRA Q 2238 2271 1983 -11.4% -12.7% 1.3 1.4 1.2 BBC RADIO 5 LIVE (INC. -
Our Manchester Voluntary and Community Sector
Our Manchester Voluntary and Community Sector Grants Programme 2018/2019 Annual Report Community Hub Contents Foreword Manchester’s Voluntary and Community Sector This annual report celebrates the successes (VCS) organisations are a vital part of the fabric of the VCS organisations funded by the Council. Foreword 3 of the city. Their work is key to reaching those It’s wonderful to see what has already been untouched by Manchester’s success, to create achieved in the first year of the programme. Introduction 4 resilient and vibrant communities, and to make sure that they are able to access the best of It’s also a great opportunity to look forward Our year in numbers – what Manchester has to offer. The VCS plays and outline our ambitions for the next two 2018/2019 6 an important role in improving people’s skills years of the programme. This includes working and job prospects, encouraging residents to to strengthen our partnership with Manchester Supporting individuals 8 get involved in their neighbourhoods, building Health & Care Commissioning to extend the local partnerships, and celebrating the city’s reach of our investment and support to a Community impact 10 diverse communities. The work of voluntary broader range of organisations and residents. organisations is also typical of the Our Supporting volunteering We also recognise that these successes only Manchester way of working: listening to represent a portion of what VCS organisations in the city 12 people and recognising the best in them, deliver across the city. Despite the many and working together to improve the lives Better relationships 14 challenges and changes we face, our ambition of individuals and communities. -
Special Issue
ISSUE 750 / 19 OCTOBER 2017 15 TOP 5 MUST-READ ARTICLES record of the week } Post Malone scored Leave A Light On Billboard Hot 100 No. 1 with “sneaky” Tom Walker YouTube scheme. Relentless Records (Fader) out now Tom Walker is enjoying a meteoric rise. His new single Leave } Spotify moves A Light On, released last Friday, is a brilliant emotional piano to formalise pitch led song which builds to a crescendo of skittering drums and process for slots in pitched-up synths. Co-written and produced by Steve Mac 1 as part of the Brit List. Streaming support is big too, with top CONTENTS its Browse section. (Ed Sheeran, Clean Bandit, P!nk, Rita Ora, Liam Payne), we placement on Spotify, Apple and others helping to generate (MusicAlly) love the deliberate sense of space and depth within the mix over 50 million plays across his repertoire so far. Active on which allows Tom’s powerful vocals to resonate with strength. the road, he is currently supporting The Script in the US and P2 Editorial: Paul Scaife, } Universal Music Support for the Glasgow-born, Manchester-raised singer has will embark on an eight date UK headline tour next month RotD at 15 years announces been building all year with TV performances at Glastonbury including a London show at The Garage on 29 November P8 Special feature: ‘accelerator Treehouse on BBC2 and on the Today Show in the US. before hotfooting across Europe with Hurts. With the quality Happy Birthday engagement network’. Recent press includes Sunday Times Culture “Breaking Act”, of this single, Tom’s on the edge of the big time and we’re Record of the Day! (PRNewswire) The Sun (Bizarre), Pigeons & Planes, Clash, Shortlist and certain to see him in the mix for Brits Critics’ Choice for 2018. -
Jeff Smith Head of Music, BBC Radio 2 and 6 Music Media Masters – August 16, 2018 Listen to the Podcast Online, Visit
Jeff Smith Head of Music, BBC Radio 2 and 6 Music Media Masters – August 16, 2018 Listen to the podcast online, visit www.mediamasters.fm Welcome to Media Masters, a series of one to one interviews with people at the top of the media game. Today, I’m here in the studios of BBC 6 Music and joined by Jeff Smith, the man who has chosen the tracks that we’ve been listening to on the radio for years. Now head of music for BBC Radio 2 and BBC Radio 6 Music, Jeff spent most of his career in music. Previously he was head of music for Radio 1 in the late 90s, and has since worked at Capital FM and Napster. In his current role, he is tasked with shaping music policy for two of the BBC’s most popular radio stations, as the technology of how we listen to music is transforming. Jeff, thank you for joining me. Pleasure. Jeff, Radio 2 has a phenomenal 15 million listeners. How do you ensure that the music selection appeals to such a vast audience? It’s a challenge, obviously, to keep that appeal across the board with those listeners, but it appears to be working. As you say, we’re attracting 15.4 million listeners every week, and I think it’s because I try to keep a balance of the best of the best new music, with classic tracks from a whole range of eras, way back to the 60s and 70s. So I think it’s that challenge of just making that mix work and making it work in terms of daytime, and not only just keeping a kind of core audience happy, but appealing to a new audience who would find that exciting and fun to listen to. -
Vinyl Theory
Vinyl Theory Jeffrey R. Di Leo Copyright © 2020 by Jefrey R. Di Leo Lever Press (leverpress.org) is a publisher of pathbreaking scholarship. Supported by a consortium of liberal arts institutions focused on, and renowned for, excellence in both research and teaching, our press is grounded on three essential commitments: to publish rich media digital books simultaneously available in print, to be a peer-reviewed, open access press that charges no fees to either authors or their institutions, and to be a press aligned with the ethos and mission of liberal arts colleges. This work is licensed under the Creative Commons Attribution- NonCommercial 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA. The complete manuscript of this work was subjected to a partly closed (“single blind”) review process. For more information, please see our Peer Review Commitments and Guidelines at https://www.leverpress.org/peerreview DOI: https://doi.org/10.3998/mpub.11676127 Print ISBN: 978-1-64315-015-4 Open access ISBN: 978-1-64315-016-1 Library of Congress Control Number: 2019954611 Published in the United States of America by Lever Press, in partnership with Amherst College Press and Michigan Publishing Without music, life would be an error. —Friedrich Nietzsche The preservation of music in records reminds one of canned food. —Theodor W. Adorno Contents Member Institution Acknowledgments vii Preface 1 1. Late Capitalism on Vinyl 11 2. The Curve of the Needle 37 3. -
Yorkshire Coast Radio (Scarborough and Bridlington)
Section 355 Review of Output Yorkshire Coast Radio (Scarborough and Bridlington) Publication Date: 30 June 2020 Section 355 Review: Yorkshire Coast Radio (Scarborough and Bridlington ) Introduction When a local commercial radio licence undergoes a change of control (this includes licence transfer), Ofcom is required, under section 355 of the Communications Act 2003 (‘the Act’), to undertake a review of the effects or likely effects of the change of control in relation to: • the quality and range of programmes included in the service; • the character of the service, and; • the extent to which Ofcom’s duty under section 314 of the Act is performed in relation to the service. Ofcom’s duty under section 314 of the Act relates to securing the inclusion of an appropriate amount of local material, and a suitable proportion of locally-made programmes in the service. Under section 356 of the Act, where it appears to Ofcom from its review that the change of control would be prejudicial to any of the three matters listed above, then it must vary the licence, by including such conditions as it considers appropriate, with a view to ensuring that the relevant change of control is not so prejudicial. In doing so, any new or varied conditions must be such that the licence holder would have satisfied them throughout the three months immediately before the change of control. Ofcom is required to publish a report of its review, setting out its conclusions and any steps it proposes to take under section 356. Where Ofcom proposes to vary the licence, it is required to give the licence holder a reasonable opportunity to make representations about the variation. -
Pocketbook for You, in Any Print Style: Including Updated and Filtered Data, However You Want It
Hello Since 1994, Media UK - www.mediauk.com - has contained a full media directory. We now contain media news from over 50 sources, RAJAR and playlist information, the industry's widest selection of radio jobs, and much more - and it's all free. From our directory, we're proud to be able to produce a new edition of the Radio Pocket Book. We've based this on the Radio Authority version that was available when we launched 17 years ago. We hope you find it useful. Enjoy this return of an old favourite: and set mediauk.com on your browser favourites list. James Cridland Managing Director Media UK First published in Great Britain in September 2011 Copyright © 1994-2011 Not At All Bad Ltd. All Rights Reserved. mediauk.com/terms This edition produced October 18, 2011 Set in Book Antiqua Printed on dead trees Published by Not At All Bad Ltd (t/a Media UK) Registered in England, No 6312072 Registered Office (not for correspondence): 96a Curtain Road, London EC2A 3AA 020 7100 1811 [email protected] @mediauk www.mediauk.com Foreword In 1975, when I was 13, I wrote to the IBA to ask for a copy of their latest publication grandly titled Transmitting stations: a Pocket Guide. The year before I had listened with excitement to the launch of our local commercial station, Liverpool's Radio City, and wanted to find out what other stations I might be able to pick up. In those days the Guide covered TV as well as radio, which could only manage to fill two pages – but then there were only 19 “ILR” stations. -
BBC Radio Scotland’S Delivery of the BBC’S Public Purposes
BBC Nations Radio Review BBC Nations Radio Review Quantitative audience research assessing BBC Radio Scotland’s delivery of the BBC’s Public Purposes Prepared for September 20 2011 Prepared by Kantar Media: Trevor Vagg, Sara Reid and Julia Harrison. Ref: 45110564. © Kantar Media. Contact: 020 7656 5500 All rights reserved www.kantarmedia.com www.kantarmedia.com reserved P a g e | 2 Contents 1. Introduction .................................................................................................................................... 2 1.1 Objectives.................................................................................................................................... 3 1.2 Methodology ............................................................................................................................... 3 1.3 Explanation of Public Purposes and performance gaps.............................................................. 4 2. Executive summary ......................................................................................................................... 6 3. Overall performance measures for BBC Radio Scotland............................................................... 10 3.1 Overall impression of BBC Radio Scotland ................................................................................ 10 3.2 Likelihood to miss BBC Radio Scotland ..................................................................................... 12 3.3 Perceived value for money of BBC Radio Scotland .................................................................. -
13Th May 2019 for Release 12:00 (CEST) RADIOPLAYER to LAUNCH in DENMARK Radioplayer Worldwide Has Signed a Licensing Agreement
13th May 2019 For release 12:00 (CEST) RADIOPLAYER TO LAUNCH IN DENMARK Radioplayer Worldwide has signed a licensing agreement with Danish broadcasters, to form Radioplayer Denmark. The new collaboration will use Radioplayer technology, designed and developed in partnership with broadcasters worldwide over the past eight years; enabling Danes to access radio stations across the country, with high quality sound, all in one place. Denmark will become the tenth country to join the international Radioplayer platform, and there will be around 60 stations at launch, drawn from across the public service, private, and non-profit sectors. Marianne Bugge Zederkof, Director of Danske Medier, said: “Danish broadcasters are proud to be joining the Radioplayer family. We’re looking forward to adding our weight to the crucial work that Radioplayer is doing, to secure radio’s place in the car dashboards and connected devices of the future.” Radioplayer will launch in Denmark later this summer across multiple platforms, including an industry-wide web player, and world-leading apps for iOS and Android. The agreement will also see Danish broadcasters benefit from Radioplayer’s partnership with the Audi/VW group, DTS/Xperi, and other car manufacturers, ensuring that radio maintains its prominence in car dashboards with a smooth listener experience. The Radioplayer model was first developed as a unique collaboration between the BBC and commercial radio in the UK, creating an innovative listening platform for the digital age. Unlike other radio aggregation models, each Radioplayer system is specific to the country in which it is launched, and operated by the stations it serves. -
Broadcast Live From
’ BROADCAST Premier LIVEth FROMs ST PAUL'S CATHEDRAL ON WEDNESDAY 2 22ND JULY 2015 AnniversaryAT 7.00PM Celebration0 Premier’s 20th Anniversary Celebration I am delighted that you are able to join us this evening for our special 20th Anniversary Celebration. It seems such a long time since that sunny day on the 10th June 1995 in Battersea Park, when PremierSpecial Christian Radio wentM on theessage air for the first time. The journey since then has been exciting, full of both challenges and opportunities. But through it all we have been so conscious of the faithfulness of God that has led us to this day. I believe Premier stands on the brink of another amazing 20 years. The advances in technology and the ability to reach people literally wherever they are, speaks right into the heart of some of the challenges we face in the 21st century as we see the changing shape of church and the new ways people are engaging with the Christian faith. Premier indeed has an important part to play in enabling people to put faith at the heart of their daily lives and bring Christ to their communities. As we gather to give thanks to God for all He has done; I could not let today pass by without expressing our thanks to all those who have served Premier so well over the last twenty years – Directors, Trustees, members of staff, prayer intercessors and volunteers. Without such dedicated people Premier would have never been able to fulfil the vision we believe that God has given to us. -
Download Radioplayer Launches on Bose Speakers.Pdf , Opens in a New Window
Press release for immediate use RADIOPLAYER LAUNCHES ON BOSE SPEAKERS Above: Speakers from the BOSE SoundTouch and Soundbar range Radioplayer, the international radio platform backed by public service and commercial radio groups, has partnered with BOSE to bring high-quality radio streams to their home speakers. The integration will make all stations available to listeners with BOSE SoundTouch and Soundbar speakers, across the 10 countries currently part of the Radioplayer platform. Using the BOSE controller app, listeners can browse stations alphabetically, see recommendations, search for something to listen to, listen to catch-up programmes and podcasts, and set Radioplayer stations as presets, so that their favourite stations can be played at the touch of a button on the speaker. As Radioplayer is the radio industry’s official distribution platform, BOSE listeners will benefit from hearing higher- quality audio streams and uninterrupted content, including live sports coverage that’s unavailable on other integrations. Michael Hill, Radioplayer Managing Director said: ”This new partnership between Radioplayer and BOSE will open up a world of excellent, high-quality audio for listeners - whether they like music, sport, podcasts, or any other kind of radio. We love working with people who understand about great sound quality.” Mike Angelo, Director of Product Management at BOSE said. “We’re excited to add Radioplayer as a partner on our SoundTouch products! This partnership unlocks high quality content for our customers globally, with a particular focus on regions such as the UK, Belgium, and Germany, and we’re confident they’ll enjoy this new addition.” ENDS Notes to editors For more press information about Radioplayer please contact: [email protected].