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READING INTERNATIONAL, INC. (Exact Name of Registrant As Specified in Its Charter)
UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-K þ ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended December 31, 2020 or ¨ TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from _______ to ______ Commission File No. 1-8625 READING INTERNATIONAL, INC. (Exact name of registrant as specified in its charter) Nevada 95-3885184 (State or other jurisdiction of incorporation or organization) (I.R.S. Employer Identification Number) 5995 Sepulveda Boulevard, Suite 300 Culver City, CA 90230 (Address of principal executive offices) (Zip Code) Registrant’s telephone number, including Area Code: (213) 235-2240 Securities Registered pursuant to Section 12(b) of the Act: Title of each class Trading Symbol Name of each exchange on which registered Class A Nonvoting Common Stock, $0.01 par value RDI NASDAQ Class B Voting Common Stock, $0.01 par value RDIB NASDAQ Securities registered pursuant to Section 12(g) of the Act: None Indicate by check mark if the registrant is a well-known seasoned issuer, as defined in Rule 405 of the Securities Act. Yes ¨ No þ Indicate by check mark if the registrant is not required to file reports pursuant to Section 13 or 15(d) of the Securities Exchange Act of 1934. Yes ¨ No þ Indicate by check mark whether registrant (1) has filed all reports required to be filed by Section 13 or 15(d) of the Exchange Act of 1934 during the preceding 12 months (or for shorter period than the Registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days. -
A Dark New World : Anatomy of Australian Horror Films
A dark new world: Anatomy of Australian horror films Mark David Ryan Faculty of Creative Industries, Queensland University of Technology A thesis submitted in fulfillment of the degree Doctor of Philosophy (PhD), December 2008 The Films (from top left to right): Undead (2003); Cut (2000); Wolf Creek (2005); Rogue (2007); Storm Warning (2006); Black Water (2007); Demons Among Us (2006); Gabriel (2007); Feed (2005). ii KEY WORDS Australian horror films; horror films; horror genre; movie genres; globalisation of film production; internationalisation; Australian film industry; independent film; fan culture iii ABSTRACT After experimental beginnings in the 1970s, a commercial push in the 1980s, and an underground existence in the 1990s, from 2000 to 2007 contemporary Australian horror production has experienced a period of strong growth and relative commercial success unequalled throughout the past three decades of Australian film history. This study explores the rise of contemporary Australian horror production: emerging production and distribution models; the films produced; and the industrial, market and technological forces driving production. Australian horror production is a vibrant production sector comprising mainstream and underground spheres of production. Mainstream horror production is an independent, internationally oriented production sector on the margins of the Australian film industry producing titles such as Wolf Creek (2005) and Rogue (2007), while underground production is a fan-based, indie filmmaking subculture, producing credit-card films such as I know How Many Runs You Scored Last Summer (2006) and The Killbillies (2002). Overlap between these spheres of production, results in ‘high-end indie’ films such as Undead (2003) and Gabriel (2007) emerging from the underground but crossing over into the mainstream. -
Why Couldn't the Simpsons Handle the 21St Century?
The personal, the political, the In defense of the Redfern run: Tracey Cameron: meet the pineapple: literary analysis of a photo essay illuminating Gamilaroi woman fighting to Clive Palmer’s poems / p. 7 art, culture, and history / p. 11 save her own language / p. 6 Why couldn’t The Simpsons handle the 21st century? p. 14 S1W4 / FIRST PUBLISHED 1929 PUBLISHED S1W4 / FIRST H NI SOIT LETTERS Acknowledgement of Country Fan mail We acknowledge the traditional custodians of this land, the Gadigal people of the Eora Nation. The University of Sydney – where we write, publish and distribute Honi Soit – is on the sovereign land of these people. As students and journalists, we recognise our complicity in the ongoing colonisation of Indigenous land. In the Senate and replace them soon regimes in Egypt and Turkey. The recognition of our privilege, we vow to not only include, but to prioritise and centre the experiences of Indigenous people, and to be reflective when we fail to. We Someone likes us with some five unidentified strangers, Someone else Brotherhood’s sectarian jihadists were recognise our duty to be a counterpoint to the racism that plagues the mainstream media, and to adequately represent the perspectives of Indigenous students at these masked corporate busybodies, in league with the al Qaeda’s sectar- our University. We also wholeheartedly thank our Indigenous reporters for the continuing contribution of their labour to our learning. Dear Sirs and Mesdames, et alia, who are not welcome in this sacred likes us ian jihadists from the beginnings of place of learning. Perhaps the words both the Libyan and Syrian conflicts, I have taken this opportunity to write of an old Master of Arts of Magdalen Congratulations to Zoe Stojanovic-Hill in 2011. -
Woolies Moves Into DVD Rental
Woolies Moves Into DVD Rental Jun 15, 2007 By Greg Peel Supermarket and just about everything else giant Woolworths (WOW) has taken another step down the online path by becoming the first major retailer in Australia to enter the popular movie rental market. If you think this seems like a left of field move for the country's prime purveyor of milk and bread, consider that the precedent has already been set by Woolies' poster girl - Tesco in the UK. Tesco commenced a similar scheme in 2004 in collaboration with Europe's biggest online DVD rental outlet Lovefilm. It now boasts 500,000 customers and 20% of the UK rental market. In the Australian version, Woolies has teamed up with local DVD rental leader Quickflix (QFX). Quickflix' subscriber base has grown by 100% in the last 12 months and now has more than 18,000 customers. It is expected that by 2010, 20% of all movie rentals will occur online. Once Australia has a fast broadband network in place, rental will occur primarily as a download. However, we're not there yet. So in the meantime, the "online" part of the Woolies business, which it will operate out of its Big W division, means that you order your DVD of choice over the internet and it will be sent out to you by snail mail. Video-Ezy take note: there will be NO FINES. You just won't be able to order your next DVD until you've returned the first one. And there is no "pay per view' cost either - one pays a monthly subscription of $9.95. -
Annual Report 2008
® Annual Report 2008 • Revised corporate mission: To provide convenient access to 2007 media entertainment • Announced decisive steps to strengthen the core rental business, enhance the company’s retail offering, and embrace digital content delivery • Positioned BLOCKBUSTER Total Access™ into a profi table and stable business • Completed Blu-ray Disc™ kiosk installation • Launched a new and improved blockbuster.com and integrated 2008 Movielink’s 10,000+ titles into the site • Improved studio relationships, with 80% of movie studios currently committed to revenue share arrangements • Enhanced approximately 600 domestic stores • Improved in-stock availability to 60% during the fi rst week a hot new release is available on DVD • Expanded entertainment related merchandise, including licensed memorabilia • Launched “Rock the Block” Concept in Reno, Dallas and New York City • Introduced consumer electronics, games and game merchandise in approximately 4,000 domestic stores • Launched new products and services nationally, including event ticketing through alliance with Live Nation • Continued to improve product assortment among confection and snack items • Launched BLOCKBUSTER® OnDemand through alliance with 2Wire® • Announced alliance with NCR Corporation to provide DVD vending 2009 • Teamed with Sonic Solutions® to provide consumers instant access to Blockbuster’s digital movie service across extensive range of home and portable devices • Began to gradually roll-out “Choose Your Terms” nationally • Announced pilot program to include online -
View Annual Report
VILLAGE ROADSHOW LIMITED 1999 Annual Report Founder’s Report Contents Dear Shareholders Founder’s Report My purpose in creating Village Roadshow in the 1950s was to build a company with 2 Corporate Overview strong foundations for the long term. I have seen and been part of many difficult 4 Summary of Major Business Units periods of this industry in my career. It is pleasing that your management team has brought the Company through this tough period recently with stronger results in most 6 Financial Highlights areas other than Cinema Exhibition. This says much about the powerful foundations 8 Ten Year Financial Summary of today’s Village Roadshow– its strength in radio, distribution, film production and 10 Chairman’s Report theme parks. And its management depth of talent and dedication. These assets, with the immediate outlook of better film product, demonstrates to me that the foundations 12 Managing Director’s Report for growth are strong indeed. 14 Board of Directors As a shareholder, and as one who knows the Company well, I am confident that the 16 Senior Executive Team Company is well positioned to deliver increased shareholder value in the future; the 18 Exhibition foundations are in place to allow me to share my confidence with you. 22 Distribution Roc Kirby AM 23 Production 24 Radio 25 Theme Parks 26 Corporate Governance 29 Financial Statements 30 Directors’ Report 34 Profit and Loss Statement 35 Balance Sheet 36 Statement of Cash Flows 37 Notes to the Financial Statements 76 Directors’ Declaration 76 Independent Audit Report 77 Additional Information 78 Actual Group EBITDA by Division 79 Significant Differences between Australian GAAP and US GAAP 82 Share Register Information and Directory Front cover: The Matrix Village Roadshow Limited ACN 010 672 054 1 Corporate Overview Objectives Strategies Highlights Village Roadshow’s primary aim To achieve the Company’s Increased cinema circuit by 416 is the maximisation of long-term objectives, the following strategies screens and 85 sites since the last shareholder value. -
Global Brand List
Global Brand List Over the last ten years Superbrand, Topbrand and Grande status in over 10 countries: Marque status have become recognised as the benchmark for brand success. The organisation has produced over 5000 case DHL, American Express, Audi, AVIS, Sony, studies on brands identified as high achievers. These unique McDonald's, MasterCard, Philips, Pepsi, Nokia, stories and insights have been published in 100 branding bibles, Microsoft, Gillette, Kodak and Heinz. 77 of which were published in Europe, the Middle East and the Indian sub-continent. The following brands have achieved Superbrands ® 1C Aim Trimark Amstel Asuransi Barbie 3 Hutchison Telecom AIMC *Amsterdam AT Kearney Barca Velha 3 Korochki Air Asia Amsterdam Airport Atlas Barclaycard 36,6 Air Canada Amway Atlas Hi-Fi Barclays Bank 3FM Air France An Post Aton Barista 3M Air Liquide Anadin atv BARMER 7-Up Air Miles Anakku Audi Barnes & Noble 8 Marta Air Sahara Anchor Audrey Baron B A Blikle Airbus Ancol Jakarta Baycity Aurinkomatkat Basak¸ Emeklilik A&E Airland Andersen Consulting Australia Olympic Basak¸ Sigorta A-1 Driving Airtel Andersen Windows Committee BASF AA2000 AIS Andrex Australia Post Basildon Bond AAJ TAK Aiwa Angel Face Austrian Airlines Baskin Robins AARP Aji Ichiban Anlene Auto & General Baso Malang AB VASSILOPOULOS Ak Emekliik Ann Summers Auto Bild Bassat Ogilvy ABBA Akari Annum Automibile Association Bata abbey Akbank Ansell AV Jennings Batchelors ABC Al Ansari Exchange Ansett Avance Bates Abenson Inc Al Ghurair Retail City Antagin JRG AVE Battery ABN Amro -
What Killed Australian Cinema & Why Is the Bloody Corpse Still Moving?
What Killed Australian Cinema & Why is the Bloody Corpse Still Moving? A Thesis Submitted By Jacob Zvi for the Degree of Doctor of Philosophy at the Faculty of Health, Arts & Design, Swinburne University of Technology, Melbourne © Jacob Zvi 2019 Swinburne University of Technology All rights reserved. This thesis may not be reproduced in whole or in part, by photocopy or other means, without the permission of the author. II Abstract In 2004, annual Australian viewership of Australian cinema, regularly averaging below 5%, reached an all-time low of 1.3%. Considering Australia ranks among the top nations in both screens and cinema attendance per capita, and that Australians’ biggest cultural consumption is screen products and multi-media equipment, suggests that Australians love cinema, but refrain from watching their own. Why? During its golden period, 1970-1988, Australian cinema was operating under combined private and government investment, and responsible for critical and commercial successes. However, over the past thirty years, 1988-2018, due to the detrimental role of government film agencies played in binding Australian cinema to government funding, Australian films are perceived as under-developed, low budget, and depressing. Out of hundreds of films produced, and investment of billions of dollars, only a dozen managed to recoup their budget. The thesis demonstrates how ‘Australian national cinema’ discourse helped funding bodies consolidate their power. Australian filmmaking is defined by three ongoing and unresolved frictions: one external and two internal. Friction I debates Australian cinema vs. Australian audience, rejecting Australian cinema’s output, resulting in Frictions II and III, which respectively debate two industry questions: what content is produced? arthouse vs. -
Canada and Australia
CANADA AND AUSTRALIA: PROMOTING COLLABORATION IN CREATIVE INDUSTRIES Prepared by the Consulate General of Canada in Sydney 1 TABLE OF CONTENTS 3 Welcome & Introduction 4 Film & Television 11 Music 16 Literature 21 Performing Arts 25 Visual Arts 28 Digital Arts 30 Promoting Canadian Creators Globally 2 WELCOME & INTRODUCTION The creative industries represent an important part of In Australia, the demand in the creative industries Canada’s economy and exports however these times sector was booming pre-coronavirus and represented are unprecedented and present challenges never 6.2% of total Australian employment and employment. before seen for the sector. In light of current events, The creative industries were growing 40% faster than particularly the recent cancellations of cultural events, the Australian economy as a whole. Australia also the Consulate General of Sydney would like to reaffirm recognises the important role and positive impact of the government’s support for all the people affected, the arts in regional, rural and remote areas. This has directly or indirectly, by the coronavirus. We know that led to a growth in festivals, arts markets, concerts, 4 Film & Television times like these can be particularly difficult for self- performances and galleries expanding into these areas employed creative workers, community organizations, due to the positive impact on the community as well as and cultural organizations, among many others. the daily lives of Australians. 11 Music This report, written pre-coronavirus, may be a useful resource as the creative industries move from crisis to Canada and Australia share similar histories and values recovery and seek out new business opportunities. -
List of Search Engines
A blog network is a group of blogs that are connected to each other in a network. A blog network can either be a group of loosely connected blogs, or a group of blogs that are owned by the same company. The purpose of such a network is usually to promote the other blogs in the same network and therefore increase the advertising revenue generated from online advertising on the blogs.[1] List of search engines From Wikipedia, the free encyclopedia For knowing popular web search engines see, see Most popular Internet search engines. This is a list of search engines, including web search engines, selection-based search engines, metasearch engines, desktop search tools, and web portals and vertical market websites that have a search facility for online databases. Contents 1 By content/topic o 1.1 General o 1.2 P2P search engines o 1.3 Metasearch engines o 1.4 Geographically limited scope o 1.5 Semantic o 1.6 Accountancy o 1.7 Business o 1.8 Computers o 1.9 Enterprise o 1.10 Fashion o 1.11 Food/Recipes o 1.12 Genealogy o 1.13 Mobile/Handheld o 1.14 Job o 1.15 Legal o 1.16 Medical o 1.17 News o 1.18 People o 1.19 Real estate / property o 1.20 Television o 1.21 Video Games 2 By information type o 2.1 Forum o 2.2 Blog o 2.3 Multimedia o 2.4 Source code o 2.5 BitTorrent o 2.6 Email o 2.7 Maps o 2.8 Price o 2.9 Question and answer . -
Video Ezy Closes Door on Open Source and Chooses a More Certain Future with Windows
Video Ezy Closes Door on Open Source and Chooses a More Microsoft Customer Solution Case study Certain Future With Windows “From a business perspective Facing a multi-million dollar technology refresh across 560 Linux just didn’t stack up. It was retail outlets, Australasia’s largest video and DVD franchise going to cost the business extra operation, Video Ezy, was making decisions that would be felt far in too many ways, such as into the future. The company wanted to reduce overheads on IT administration, training and systems support and implement a cost-effective technology that integration.” would generate business confidence throughout its franchisee James Huckerby community. After a head-to-head comparison with various open CIO source technologies and deciding to go with Microsoft, Video Ezy Video Ezy hired Microsoft Consulting Services to design a Microsoft® Windows® environment for its corporate and franchise operations. The company chose what it describes as “a solid corporate approach” that provided “better value for money”. As a result, Video Ezy expects lower total cost of ownership, superior manageability and functionality, easy access to support skills and a sound technology road map for what will be a competitive and demanding future. CUSTOMER PROFILE BUSINESS SITUATION SOLUTION BENEFITS Founded in 1983, Video Ezy is Video Ezy needed to install a Following a head-to-head Lower total cost of ownership. Australasia’s largest video and new standard operating comparison with open source Superior manageability. DVD franchise operation. It has environment across its stores software, Video Ezy hired Superior functionality. more than 560 rental and retail to increase reliability, tighten Microsoft Consulting Services stores throughout Australia and security, reduce support costs to design a Windows Ready availability of skills. -
2017 Acp Bulletin
The Society of AUSTRALIAN CINEMA PIONEERS Please address all correspondence to SANDRA ALEXANDER National Honorary Secretary / Treasurer 27 Surfside Avenue Clovelly NSW 2031 (email – [email protected]) BULLETIN - OCTOBER 2017 NATIONAL EXECUTIVE MEETING MAY 2017 L-R - John Cronin, President SA, Bruce Leonard, retiring National Secretary- Treasurer, Robert Slaverio, National President 2016, Alan Stiles, President WA, Mike Selwyn, Sue Milliken, Murray Forrest, Alan Rydge, Mike Baard, Kerry Westwood, Secretary-Treasurer, Qld, Tom Jeffrey, Sharon Tapner, Treasurer, VIC, John Rochester, President NSW, Derek Screen, President VIC, Tim Read, National President 2017-2018, Sandra Alexander, Incoming National Secretary-Treasurer, Yurik Czyz, President Tas. embers of the National Executive Zareh Nalbandian of Animal Logic was elected Committee met at Sony Pictures National Cinema Pioneer of the Year. His Releasing, Market Street Sydney on distinguished career to date can be seen on the MMay 25 2017. Amongst the first items on the next page. Agenda was a formal resolution which was carried unanimously and with acclamation More details about the National Survey and the thanking our retiring National Secretary- resolutions passed at the NEC meeting can be Treasurer, Bruce Leonard for his 25 years of found on the Society’s new website. Please visit it devoted and highly successful service to the and consider writing an article or story for it. The Society. The very next resolution welcomed same applies to the Society’s Facebook page. It is and appointed Sandra Alexander as the new there to make communication between members National Secretary-Treasurer. quick and easy and I hope it encourages more get The NEC considered and approved nine togethers on an informal basis.