Realtime 2010 Distribution

Total Page:16

File Type:pdf, Size:1020Kb

Realtime 2010 Distribution REALTIME 2010 DISTRIBUTION Distribution is via 1000 plus well-targeted locations (art centres, galleries, universities, theatres, cinemas, bookstores, libraries cafes and music outlets). NSW 9090; Victoria 8750; Queensland 2700; South Australia 2310; WA 1950; ACT 700; Tasmania 1100; NT 100; subscribers and free list 300. NEW SOUTH WALES SYDNEY: Annandale Kafee Klatsch; Balmain Balmain WESTERN & OUTER SYDNEY: Bankstown Bankstown Library, Cat & Fiddle Hotel; Bondi Parade Music; Bondi Community College, Bankstown Library, Urban Theatre Beach Bondi Pavilion, City Cultural Centre; Broadway Projects; Blacktown Blacktown Community College, Humanities & Social Sciences (Transforming Cultures) Blacktown Arts Centre; Casula Casula Powerhouse UTS, The Media Store, UTS; Bronte Favoloso Espresso Arts Centre; Campbelltown Dumaresq Street Cinemas, Bar; Chatswood HUM Records; Chippendale Eora Centre, Campbelltown Art Centre; Fairfield Fairfield School of Arts, Seymour Centre, Fraser Studio, Café Giulia; Cremorne Fairfield Community Resource Centre; Gymea Hazelhurst Hayden Orpheum Picture Palace; Darlinghurst Watters Regional Gallery; Homebush Bay Australian College of Gallery,Tropicana Café, National Art School Library, DISC, Physical Education; Kingswood UWS SRC Nepean Campus, Camperdown Cellars, Stables Theatre, Edgecliff British Artsup Fine Art Supplies; Liverpool Art Matrix, Liverpool Council; Enmore Enmore Theatre; Erskineville PACT Youth Migrant Resource Centre; Milperra UWS SRC Bankstown Theatre, The Rose Hotel, Glebe Gleebooks Secondhand Campus; Parramatta Riverside Theatres, Parramatta Artists Bookshop, Badde Manors Cafe, Divine Monkey, Glebe Library, Studios, Information & Cultural Exchange Centre (ICE); Well Connected Café; Haymarket Galley 4A Asia-Australian Penrith Nepean Community College; Sutherland Sutherland Arts Centre, Reading Cinemas; Kensington School of Media, Library; Wakeley Fairfield City Arts & Cultural Centre; Film & Theatre, NIDA, School of Media & Communications, Werrington South School of Communication Arts, UWS School Philosophy, Goldstein College; Kings Cross Kings Cross Library, The Cross Art + Books; Leichhardt L’Epoca REGIONAL: BLUE MOUNTAINS: Blackheath Suddich Cafe, Leichhardt Library, Fish Records, JB Hi Fi, Bar Italia, Art Supplies, The Edge Cinema Wattle Café; Katoomba Palace Norton St Cinemas, Berkelouws Bookstore, Bar Artist’s Gallery, Café Niagara, Café Zuppa, Clarendon Hotel, Veneto, Café Bellissimo, Mezzapica Café; Lilyfield Red Box, Fresh Café; Leura Megalong Books, Leura Information Legs on the Wall; Marrickville Marrickville Library; Manly Centre; Wentworth Falls Beautiful Objects Always Gallery, Library, Marsfield Macquarie University; Mosman Cafe Post Office Café Prego; Newtown Gould’s Book Arcade, Newtown High School - Performing Arts, Dendy Cinema, Corelli’s Cafe Albury Murray Arts Inc; Armidale English, Communication Gallery, New Theatre, Noddy’s on King, Fish Records, Civic & Theatre; Bangalow Screenworks; Bathurst Charles Video, Fine Print Books, Newtown Neighbourhood Centre, Sturt University; Byron Bay Cinema, Community Centre, Womens Library, Vanishing Point Gallery, Chocolate Dog Bay FM, Writers Centre, Expresso Head; Lismore Caddies Café; North Ryde Dept of Media, Macquarie University; Coffee, Mecca Café, Music Bizarre, Conservatorium, Library, Moore Park Australian Film, TV & Radio School; North Goanna Café, Southern Cross University, Art Gallery, Sydney Angel Records, Aust Catholic University, Mackillop NORPA; Newcastle Drama Dept, University of Newcastle; Campus; Observatory Hill SH Ervin Gallery; Paddington Port Macquarie Port Macquarie Hastings Regional Gallery; Chauvel Cinema, Metro Screen, Australian Centre For Wagga Wagga SVPA Charles Sturt University; Wollongong Photography, Academy Twin Cinema, Paddington Library, School of Creative Arts, Wollongong University; Wollongong COFA School of Fine Arts, Campus Art Store, Stills East South Coast Writers Centre, Wollongong City Gallery, Gallery; Potts Point Darlinghurst Theatre, Café Hernandez; University of Wollongong Faculty of Creative Arts Randwick Zellini’s Patisserie; Redfern Black & Blue Gallery, CarriageWorks/Performance Space, Performing Lines, Media, Entertainment & Arts Alliance, Actors College of Theatre and TV; Rosebery Sydney International Film School; Rozelle Sydney College of the Arts Cafe, Sydney College of the Arts Library; Rushcutters Bay Critical Path; St Peters Graphic Art Mount; Surry Hills Object Gallery, Vamp Café, The Actors Centre, Australia Council, First Draft, Belvoir Street Theatre, Le Mondo Cafe, Title CDs and DVDs, Musica Viva; Sydney City Sydney Opera House, Sydney Conservatorium of Music Café, RealTime Office, Art Gallery of NSW, Dendy Quays Cinema, Arts NSW, Computer Graphics College/SAE, JB Hi Fi, Red Eye Records, Café Capriccio; Sydney University Centre for Continuing Education, Department for Performance Studies, Power Institute for Arts & Vis Culture; The Rocks Australian Music Centre, Museum of Contemporary Art (MCA), Sydney Visitors Centre; Walsh Bay Accessible Arts, Sydney Dance Company, Sydney Theatre Company; Waterloo Sydney Film School, Taylor College, 37 Degrees Gallery, Danks Street Depot; Woollahra Goethe-Institut German Cultural Centre; Woolloomooloo Screen Australia, Artspace, Old Fitzroy Hotel VICTORIA MELBOURNE: Abbotsford Lentil as Anything, Yarra Victorian Arts Centre, RMIT AFI Research Centre, RMIT Sculpture Gallery; Albert Park Gasworks; Brighton Brighton Dept. Applied Communication, RMIT Dept. Architecture, Bay Cinema; Brunswick Brunswick Library, Counihan RMIT Kaleide Theatre, ReVault Café, RMIT School of Creative Gallery, Episode, Irene’s Warehouse, Kaleidoscope Café, Arts, RMIT Storey Hall Gallery, RMIT Union Building, Mechanics Institute; Brunswick East Plan B Café, 3RRR- University of Melbourne; North Melbourne Errol St Laundry, FM Community Radio; Bundoora Latrobe University Agora North Melbourne Town Hall, Town Hall Hotel; Northcote Theatre; Carlton Courthouse Theatre, La Mama Theatre, After Dark Bar, Alphabet City, Café 303, Curry Family House, Library, Nova Cinemas, Tresherman’s Bakehouse, Trotters Kick Gallery, Wesley Anne, Westgarth Theatre; Parkville Restaurant, Reading Bar, Melbourne University School University of Melbourne George Patton Gallery, University of Creative Arts; Carlton North Dance House; Carlton of Melbourne School of Music, University of Melbourne South Victorian Trades Hall; Clayton Monash University Union, University of Melbourne Union Cinema, University Museum of Art; Collingwood Ho Gan Gallery, Last Record of Melbourne Bookstore, University of Melbourne Ian Potter Store, Soul Food Café, 3PBS-FM Community Radio, NMIT Gallery/Café; Port Melbourne Mars Gallery; Prahran Chapel Visual Arts Department, ABC Gallery, Episode, Friends of off Chapel, Globe, Greville Books, Prahran Town Hall; South the Earth; Docklands Open Channel; Elsternwick Cinevex, Melbourne Screen Australia, Australian Film Institute (AFI), Classic Cinema, Victorian Writers Association; Fairfield Imagestream, Arts Victoria; South Yarra Como Cinemas, NMIT; Fitzroy Ausdance, Aboriginal Health Centre, Arcadia Eckersley’s Paint, St Martin’s Theatre; Southbank Australian Café Restaurant, Babka Restaurant, Bar Open, Bimbo Ballet, ABC Radio & Television, Australian Centre for Bar, Brunswick St Books, Builders Arms Hotel, Centre for Contemporary Art (ACCA), Chunky Move, Malthouse Theatre, Contemporary Photography (CCP), Coco’s Café, Dixon Opera Australia - Melbourne Opera Centre, VCA Dance, Records, Don Vincenzo’s Restaurant, Dr Java, Erwin Rado VCA Drama, VCA Film & Television, VCA Grant St Theatre, Theatre, First Floor Gallery, Fitzroy Library, Gertrude 200, VCA Music, VCA Library; St Kilda Astor Theatre, AuGoGo Hares and Hyenas, Joe’s Garage, Kent St Café, Lamsgo Café, Café 91, Cosmos Books, Experimenta, Galleon, George Bar, Lure Hair Salon, Mario’s Restaurant, My Beautiful Bar, George Cinemas, Greasy Joes, Il Fornaio Café, Linden Laundrette, Polyester Books, Polyester Records, Reefer Café, Gallery, National Theatre, Pure Pop Records, St Kilda Laundry, TITLE Bookshop, Veggie Bar,3CR-AM Community Radio; St Kilda Library, Theatre Works, Wall 897, Red Stitch Theatre; Footscray Footscray Community Arts Centre; Melbourne West Melbourne Public Office, Lucky Seven, Arthouse Meat City Australian Centre of Moving Images (ACMI), Anna Market); Windsor Orange Café Schwartz Gallery, Arc One Gallery, Basement Records, Bus Gallery, Council of Adult Education (CAE), Collectors Corner, REGIONAL: Ballarat Arts Academy, University of Ballarat; Experimenta, Forty Five Downstairs, Horse Bazaar, 1000 £ Bendigo La Trobe Visual Arts Centre; Hamilton Hamilton Bend, Kino Cinemas, Loop, Melbourne International Film Gallery; Mildura Mildura Arts Centre; Upwey Dandenong Festival (MIFF), Metropolis Books, Pellegrinis Restaurant, Ranges Community Cultural Centre, Dandenong Ranges Peril Underground, Span Galleries, Thomas’ Records, Community Cultural Development Centre QUEENSLAND BRISBANE: Bulimba Balmoral Cinemas, Bulimba Library; REGIONAL: Cairns Far North Cultural Industry Association Carindale Brisbane City Council (BCC) Library; Brisbane Inc, Kick Arts, Centre of Contemporary Arts; Gold Coast City American Bookstore, Arts QLD, BCC Library, Borders School of Arts, Griffith University, Gold Coast City Gallery; Books, Dendy Cinema, Metro Arts Bulletin Area, Pacific Film Ipswich Ipswich Art Gallery; Mackay Artspace Mackay; & TV Commission, QUT, Rockinghorse Records, The Book Toowoomba Bon Amici, Coffee Tea and
Recommended publications
  • A Dark New World : Anatomy of Australian Horror Films
    A dark new world: Anatomy of Australian horror films Mark David Ryan Faculty of Creative Industries, Queensland University of Technology A thesis submitted in fulfillment of the degree Doctor of Philosophy (PhD), December 2008 The Films (from top left to right): Undead (2003); Cut (2000); Wolf Creek (2005); Rogue (2007); Storm Warning (2006); Black Water (2007); Demons Among Us (2006); Gabriel (2007); Feed (2005). ii KEY WORDS Australian horror films; horror films; horror genre; movie genres; globalisation of film production; internationalisation; Australian film industry; independent film; fan culture iii ABSTRACT After experimental beginnings in the 1970s, a commercial push in the 1980s, and an underground existence in the 1990s, from 2000 to 2007 contemporary Australian horror production has experienced a period of strong growth and relative commercial success unequalled throughout the past three decades of Australian film history. This study explores the rise of contemporary Australian horror production: emerging production and distribution models; the films produced; and the industrial, market and technological forces driving production. Australian horror production is a vibrant production sector comprising mainstream and underground spheres of production. Mainstream horror production is an independent, internationally oriented production sector on the margins of the Australian film industry producing titles such as Wolf Creek (2005) and Rogue (2007), while underground production is a fan-based, indie filmmaking subculture, producing credit-card films such as I know How Many Runs You Scored Last Summer (2006) and The Killbillies (2002). Overlap between these spheres of production, results in ‘high-end indie’ films such as Undead (2003) and Gabriel (2007) emerging from the underground but crossing over into the mainstream.
    [Show full text]
  • Why Couldn't the Simpsons Handle the 21St Century?
    The personal, the political, the In defense of the Redfern run: Tracey Cameron: meet the pineapple: literary analysis of a photo essay illuminating Gamilaroi woman fighting to Clive Palmer’s poems / p. 7 art, culture, and history / p. 11 save her own language / p. 6 Why couldn’t The Simpsons handle the 21st century? p. 14 S1W4 / FIRST PUBLISHED 1929 PUBLISHED S1W4 / FIRST H NI SOIT LETTERS Acknowledgement of Country Fan mail We acknowledge the traditional custodians of this land, the Gadigal people of the Eora Nation. The University of Sydney – where we write, publish and distribute Honi Soit – is on the sovereign land of these people. As students and journalists, we recognise our complicity in the ongoing colonisation of Indigenous land. In the Senate and replace them soon regimes in Egypt and Turkey. The recognition of our privilege, we vow to not only include, but to prioritise and centre the experiences of Indigenous people, and to be reflective when we fail to. We Someone likes us with some five unidentified strangers, Someone else Brotherhood’s sectarian jihadists were recognise our duty to be a counterpoint to the racism that plagues the mainstream media, and to adequately represent the perspectives of Indigenous students at these masked corporate busybodies, in league with the al Qaeda’s sectar- our University. We also wholeheartedly thank our Indigenous reporters for the continuing contribution of their labour to our learning. Dear Sirs and Mesdames, et alia, who are not welcome in this sacred likes us ian jihadists from the beginnings of place of learning. Perhaps the words both the Libyan and Syrian conflicts, I have taken this opportunity to write of an old Master of Arts of Magdalen Congratulations to Zoe Stojanovic-Hill in 2011.
    [Show full text]
  • Woolies Moves Into DVD Rental
    Woolies Moves Into DVD Rental Jun 15, 2007 By Greg Peel Supermarket and just about everything else giant Woolworths (WOW) has taken another step down the online path by becoming the first major retailer in Australia to enter the popular movie rental market. If you think this seems like a left of field move for the country's prime purveyor of milk and bread, consider that the precedent has already been set by Woolies' poster girl - Tesco in the UK. Tesco commenced a similar scheme in 2004 in collaboration with Europe's biggest online DVD rental outlet Lovefilm. It now boasts 500,000 customers and 20% of the UK rental market. In the Australian version, Woolies has teamed up with local DVD rental leader Quickflix (QFX). Quickflix' subscriber base has grown by 100% in the last 12 months and now has more than 18,000 customers. It is expected that by 2010, 20% of all movie rentals will occur online. Once Australia has a fast broadband network in place, rental will occur primarily as a download. However, we're not there yet. So in the meantime, the "online" part of the Woolies business, which it will operate out of its Big W division, means that you order your DVD of choice over the internet and it will be sent out to you by snail mail. Video-Ezy take note: there will be NO FINES. You just won't be able to order your next DVD until you've returned the first one. And there is no "pay per view' cost either - one pays a monthly subscription of $9.95.
    [Show full text]
  • Annual Report 2008
    ® Annual Report 2008 • Revised corporate mission: To provide convenient access to 2007 media entertainment • Announced decisive steps to strengthen the core rental business, enhance the company’s retail offering, and embrace digital content delivery • Positioned BLOCKBUSTER Total Access™ into a profi table and stable business • Completed Blu-ray Disc™ kiosk installation • Launched a new and improved blockbuster.com and integrated 2008 Movielink’s 10,000+ titles into the site • Improved studio relationships, with 80% of movie studios currently committed to revenue share arrangements • Enhanced approximately 600 domestic stores • Improved in-stock availability to 60% during the fi rst week a hot new release is available on DVD • Expanded entertainment related merchandise, including licensed memorabilia • Launched “Rock the Block” Concept in Reno, Dallas and New York City • Introduced consumer electronics, games and game merchandise in approximately 4,000 domestic stores • Launched new products and services nationally, including event ticketing through alliance with Live Nation • Continued to improve product assortment among confection and snack items • Launched BLOCKBUSTER® OnDemand through alliance with 2Wire® • Announced alliance with NCR Corporation to provide DVD vending 2009 • Teamed with Sonic Solutions® to provide consumers instant access to Blockbuster’s digital movie service across extensive range of home and portable devices • Began to gradually roll-out “Choose Your Terms” nationally • Announced pilot program to include online
    [Show full text]
  • Global Brand List
    Global Brand List Over the last ten years Superbrand, Topbrand and Grande status in over 10 countries: Marque status have become recognised as the benchmark for brand success. The organisation has produced over 5000 case DHL, American Express, Audi, AVIS, Sony, studies on brands identified as high achievers. These unique McDonald's, MasterCard, Philips, Pepsi, Nokia, stories and insights have been published in 100 branding bibles, Microsoft, Gillette, Kodak and Heinz. 77 of which were published in Europe, the Middle East and the Indian sub-continent. The following brands have achieved Superbrands ® 1C Aim Trimark Amstel Asuransi Barbie 3 Hutchison Telecom AIMC *Amsterdam AT Kearney Barca Velha 3 Korochki Air Asia Amsterdam Airport Atlas Barclaycard 36,6 Air Canada Amway Atlas Hi-Fi Barclays Bank 3FM Air France An Post Aton Barista 3M Air Liquide Anadin atv BARMER 7-Up Air Miles Anakku Audi Barnes & Noble 8 Marta Air Sahara Anchor Audrey Baron B A Blikle Airbus Ancol Jakarta Baycity Aurinkomatkat Basak¸ Emeklilik A&E Airland Andersen Consulting Australia Olympic Basak¸ Sigorta A-1 Driving Airtel Andersen Windows Committee BASF AA2000 AIS Andrex Australia Post Basildon Bond AAJ TAK Aiwa Angel Face Austrian Airlines Baskin Robins AARP Aji Ichiban Anlene Auto & General Baso Malang AB VASSILOPOULOS Ak Emekliik Ann Summers Auto Bild Bassat Ogilvy ABBA Akari Annum Automibile Association Bata abbey Akbank Ansell AV Jennings Batchelors ABC Al Ansari Exchange Ansett Avance Bates Abenson Inc Al Ghurair Retail City Antagin JRG AVE Battery ABN Amro
    [Show full text]
  • List of Search Engines
    A blog network is a group of blogs that are connected to each other in a network. A blog network can either be a group of loosely connected blogs, or a group of blogs that are owned by the same company. The purpose of such a network is usually to promote the other blogs in the same network and therefore increase the advertising revenue generated from online advertising on the blogs.[1] List of search engines From Wikipedia, the free encyclopedia For knowing popular web search engines see, see Most popular Internet search engines. This is a list of search engines, including web search engines, selection-based search engines, metasearch engines, desktop search tools, and web portals and vertical market websites that have a search facility for online databases. Contents 1 By content/topic o 1.1 General o 1.2 P2P search engines o 1.3 Metasearch engines o 1.4 Geographically limited scope o 1.5 Semantic o 1.6 Accountancy o 1.7 Business o 1.8 Computers o 1.9 Enterprise o 1.10 Fashion o 1.11 Food/Recipes o 1.12 Genealogy o 1.13 Mobile/Handheld o 1.14 Job o 1.15 Legal o 1.16 Medical o 1.17 News o 1.18 People o 1.19 Real estate / property o 1.20 Television o 1.21 Video Games 2 By information type o 2.1 Forum o 2.2 Blog o 2.3 Multimedia o 2.4 Source code o 2.5 BitTorrent o 2.6 Email o 2.7 Maps o 2.8 Price o 2.9 Question and answer .
    [Show full text]
  • Video Ezy Closes Door on Open Source and Chooses a More Certain Future with Windows
    Video Ezy Closes Door on Open Source and Chooses a More Microsoft Customer Solution Case study Certain Future With Windows “From a business perspective Facing a multi-million dollar technology refresh across 560 Linux just didn’t stack up. It was retail outlets, Australasia’s largest video and DVD franchise going to cost the business extra operation, Video Ezy, was making decisions that would be felt far in too many ways, such as into the future. The company wanted to reduce overheads on IT administration, training and systems support and implement a cost-effective technology that integration.” would generate business confidence throughout its franchisee James Huckerby community. After a head-to-head comparison with various open CIO source technologies and deciding to go with Microsoft, Video Ezy Video Ezy hired Microsoft Consulting Services to design a Microsoft® Windows® environment for its corporate and franchise operations. The company chose what it describes as “a solid corporate approach” that provided “better value for money”. As a result, Video Ezy expects lower total cost of ownership, superior manageability and functionality, easy access to support skills and a sound technology road map for what will be a competitive and demanding future. CUSTOMER PROFILE BUSINESS SITUATION SOLUTION BENEFITS Founded in 1983, Video Ezy is Video Ezy needed to install a Following a head-to-head Lower total cost of ownership. Australasia’s largest video and new standard operating comparison with open source Superior manageability. DVD franchise operation. It has environment across its stores software, Video Ezy hired Superior functionality. more than 560 rental and retail to increase reliability, tighten Microsoft Consulting Services stores throughout Australia and security, reduce support costs to design a Windows Ready availability of skills.
    [Show full text]
  • US ACTIVE BB LLC EC PAC Des Schedule 7-18-11 (2
    Second Supplemental Executory Contract PAC Designation Schedule COUNTERPARTY NAME CONTRACT DESCRIPTION CURE AMOUNT Broadsign Canada INC/Broadsign USA LLC Hosted Software And Support Services For Canada $0.00 Broadsign Canada INC/Broadsign USA LLC Hosted Software And Support Services For Canada $0.00 Omnicom Canada, Inc (Tribal DDB) Canada Marketing Services $0.00 Omnicom Canada, Inc (Tribal DDB) Service Agreement $0.00 Advanced Access Content System Licensing AACS Content Provider Agreement $0.00 Administrator LLC Master Service Agreement Equinix $24,713.17 Contract Start Date: 11/2004 SDK Format License (Microsoft DRM Components), Microsoft Corporation License to Redistribute Player Components & WMDRM 10 $0.00 Server License Co-Marketing and Service Agreement for Blockbuster Samsung Electronics Co., Ltd. Service with Samsung Products $22,000.00 Contract Start Date: 07/09/2009 Transportation Agreement (Truck Load Carrier) Crane Worldwide Logistics LLC $10,886.46 Contract Start Date: 06/12/2009 Transportation Agreement (Truck Load Carrier) HLS, Inc. $4,936.57 Contract Start Date: 09/16/2004 Transportation Agreement (Truck Load Carrier) Interstate Distributor Co., Inc $0.00 Contract Start Date: 03/15/2004 Service Agreement National Presort Inc. $38,758.04 Contract Start Date: 01/01/2009 Incentive Program Agreement and Supporting Amendments United Parcel Service Inc. $248,134.55 Contract Start Date: 04/17/2006 Compromise and Settlement Agreement, Bill of Sale and BAY 10004, LLC $0.00 Release and Termination Agreement - Store No. 10004 Compromise and Settlement Agreement, Bill of Sale and BAY 92943, LLC $0.00 Release and Termination Agreement - Store No. 92943 Compromise and Settlement Agreement, Bill of Sale and BAY 92944, LLC $0.00 Release and Termination Agreement - Store No.
    [Show full text]
  • Project Blue Opportunity to Invest in Australia's Leading
    Strictly Private and Confidential Project Blue Opportunity to invest in Australia‘s leading on demand platform 24 MAY 2013 Strictly Private and Confidential EXECUTIVE SUMMARY Media consumption habits and technologies are experiencing fundamental structural change. Hoyts, with its existing powerful movie consumer touch-points, will leverage these developments to create a new high growth business model in the Australian home entertainment / TV channel, in partnership with Studios Significant untapped Hoyts has the The standalone Business structure on demand revenues resource, skills and business case is in Australia assets to succeed attractive • High per capita • Leading, trusted • Extensive EST, tVOD and • Hoyts is seeking traditional media entertainment brand — sVOD content offer investment in its Stream consumption No. 1 cinema brand in (through Studio and Kiosk business of up • Pay-TV only 25-30% of Australia partnerships) will be to 49% homes; EST, tVOD and • Deep customer base of attractive to consumers • Seeking investment from sVOD all undeveloped movie lovers and active • Broad device coverage up to 3 Studios based on DVD renters (Kiosk) and clear development cash equity investment • Strong loyalty program roadmap and revenue share and ‗single CRM‘ system • Low cost customer content supply acquisition and delivery arrangements model returns value to • Dual returns to Studios consumers and Studio — incremental content partners revenues and equity • 15-20% EBITDA margins upside, while creating a at scale new sustainable channel
    [Show full text]
  • THE MARKET There's No Doubt That Australians Love Their Movies and Games. with Over 152 Million Units of Dvds and Games Rente
    THE MARKET Malaysia, Fiji and the There’s no doubt that United Arab Emirates. Australians love their With almost 1000 stores movies and games. With worldwide, Video Ezy is over 152 million units of highly respected within DVDs and games rented the home entertainment and $1.1 billion worth of industry. movies and games bought each year, HISTORYHISTORYHISTORY Australians invest more Video Ezy was established money per capita in in 1983, with the first store home entertainment than in Sydney. Video Ezy is any other country in the now the largest DVD world. rental and retail chain in Video Ezy’s core Australia with 518 stores market is DVD and and 3 million active Games rental, however members. over recent years, the The first Video Ezy company has been store to be set-up focusing on growth overseas was in New opportunities in the Zealand in 1998, which lucrative retail market, quickly grew to 162 stores which has grown at a 60% in New Zealand alone, rate year on year. Video making Video Ezy the Ezy has the lion’s share market leader in that of the Australian DVD country with 40% market rental market, accounting for 40% of total market Video Ezy is adapting share. Following this, Video Ezy expanded share, compared with 30% held by its nearest quickly to new technologies, into the South East Asian market in March competitor. addressing challenges in the 1999. This market was considered by many as market, including an impossible market to conquer, given the DVD mail order, Pay impact of piracy, but when Video Ezy opened TV and legal film its first store in Bangkok, it became apparent downloads direct that consumers were enthusiastic for quality from distributors and product and a brand they could trust.
    [Show full text]
  • Australia-Volume-4-Video-Ezy.Pdf
    business methods. Video Ezy has also simplified ordering with its own dedicated warehouse, where orders ru·e filled from one location, saving on freight and allowing customer special orders to be delivered to stores. With over 12,000 titles in stock, stores reap the rewards of this immediately. RECENT DEVELOPMEN'IS Video Ezy's new Windows-based point-of-sale Ezy does iL system, 'Ezy Retail', is the most advanced and ,.,..- powetful POS software system in the world. It has been des ig ned specifically for the home BRAND VALUES entettainment market, and to Video Ezy's speci­ Video Ezy is now developing significant points As a brand, Video Ezy needs little introduction to fications and offerings. It allows information to be of difference in the mru·ketplace for franchisees with the majority of Australians. Its aim has always been centrally created and pushed down the line to the the recent 'Ezy Exclusive' releases. Award winning to understand cleru·Iy what the home entertainment stores, both as real time and locally stored data. It titles such as 'Dinotopia', winner of the 2003 award customer wants, and deliver it better than anyone THE MARKET industry to provide rental provides comprehensive reporting capabilities, for best special feature DVD, and TV serials such else. The brand's populru·ity shows how successful The home entertainment market has followed many movies to the public. In its 21st inventory management and collection abilities, as 'Will and Grace' and 'King Pin' will provide that has been. paths over the past decades, most significantly from year it ts the largest giving Video Ezy one of the most comprehensive diversity of titles.
    [Show full text]
  • Media and Communications Supply Chain Analysis
    Media and Communications Supply Chain Analysis Ovum Report to DBCDE 24 June 2013 – Final report Project Number CYTE0678 Table of contents 1 Key Findings 4 2 Project Background 5 2.1 Scope of the project 5 2.2 Structure of the report 5 2.1 Why the supply chain matters 5 3 Supply chain trends: top-level assessment 7 3.1 Key findings 7 3.2 The traditional supply chain 9 3.3 The emerging supply chain 11 3.4 Competition and innovation 15 3.4.1. Competition 15 3.4.2. Innovation 17 3.5 Consumer implications: top level assessment 18 3.5.1. Revenue models 18 3.5.2. Privacy, security and consumer protection 19 3.5.3. Universal service, local content and community standards 20 4 Supply chain trends: the role of infrastructure and devices 22 4.1 Key findings 22 4.2 The traditional infrastructure supply chain 22 4.3 The emerging infrastructure supply chain 24 4.3.1. Cloud IT infrastructure and platforms 25 4.3.2. IP connectivity and the software defined network 29 4.3.3. Devices and the managed device platform 33 4.3.4. The vendor landscape 35 4.4 Competition and innovation 36 4.4.1. Competition 36 4.4.2. Innovation 38 4.5 Consumer implications 38 4.5.1. Consumer revenue models 38 4.5.3. Service availability and consumer recourse 39 5 Supply chain trends: an industry-level assessment 41 2 5.1 Voice and Messaging Services 41 5.1.1. The traditional supply chain 41 5.1.2.
    [Show full text]