2006 Progress Report
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Pr-Dvd-Holdings-As-Of-September-18
CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
A Dark New World : Anatomy of Australian Horror Films
A dark new world: Anatomy of Australian horror films Mark David Ryan Faculty of Creative Industries, Queensland University of Technology A thesis submitted in fulfillment of the degree Doctor of Philosophy (PhD), December 2008 The Films (from top left to right): Undead (2003); Cut (2000); Wolf Creek (2005); Rogue (2007); Storm Warning (2006); Black Water (2007); Demons Among Us (2006); Gabriel (2007); Feed (2005). ii KEY WORDS Australian horror films; horror films; horror genre; movie genres; globalisation of film production; internationalisation; Australian film industry; independent film; fan culture iii ABSTRACT After experimental beginnings in the 1970s, a commercial push in the 1980s, and an underground existence in the 1990s, from 2000 to 2007 contemporary Australian horror production has experienced a period of strong growth and relative commercial success unequalled throughout the past three decades of Australian film history. This study explores the rise of contemporary Australian horror production: emerging production and distribution models; the films produced; and the industrial, market and technological forces driving production. Australian horror production is a vibrant production sector comprising mainstream and underground spheres of production. Mainstream horror production is an independent, internationally oriented production sector on the margins of the Australian film industry producing titles such as Wolf Creek (2005) and Rogue (2007), while underground production is a fan-based, indie filmmaking subculture, producing credit-card films such as I know How Many Runs You Scored Last Summer (2006) and The Killbillies (2002). Overlap between these spheres of production, results in ‘high-end indie’ films such as Undead (2003) and Gabriel (2007) emerging from the underground but crossing over into the mainstream. -
Why Couldn't the Simpsons Handle the 21St Century?
The personal, the political, the In defense of the Redfern run: Tracey Cameron: meet the pineapple: literary analysis of a photo essay illuminating Gamilaroi woman fighting to Clive Palmer’s poems / p. 7 art, culture, and history / p. 11 save her own language / p. 6 Why couldn’t The Simpsons handle the 21st century? p. 14 S1W4 / FIRST PUBLISHED 1929 PUBLISHED S1W4 / FIRST H NI SOIT LETTERS Acknowledgement of Country Fan mail We acknowledge the traditional custodians of this land, the Gadigal people of the Eora Nation. The University of Sydney – where we write, publish and distribute Honi Soit – is on the sovereign land of these people. As students and journalists, we recognise our complicity in the ongoing colonisation of Indigenous land. In the Senate and replace them soon regimes in Egypt and Turkey. The recognition of our privilege, we vow to not only include, but to prioritise and centre the experiences of Indigenous people, and to be reflective when we fail to. We Someone likes us with some five unidentified strangers, Someone else Brotherhood’s sectarian jihadists were recognise our duty to be a counterpoint to the racism that plagues the mainstream media, and to adequately represent the perspectives of Indigenous students at these masked corporate busybodies, in league with the al Qaeda’s sectar- our University. We also wholeheartedly thank our Indigenous reporters for the continuing contribution of their labour to our learning. Dear Sirs and Mesdames, et alia, who are not welcome in this sacred likes us ian jihadists from the beginnings of place of learning. Perhaps the words both the Libyan and Syrian conflicts, I have taken this opportunity to write of an old Master of Arts of Magdalen Congratulations to Zoe Stojanovic-Hill in 2011. -
The Marcus Corporation Has Been Worked Day and Night to Get Us Through This Crisis, All While Resilient in the Face of Adversity
While time will tell how historians write the story of 2020, it is 2020 version of drive-in movies during “Marcus Parking Lot safe to say the political, societal, economic and health challenges Cinemas” at select locations. As our theatres continued to of the past year are among the most acute of our time. For the reopen, the division recently launched “Marcus Private Cinema,” Marcus Corporation, there is no question that 2020 was the most allowing guests to reserve an entire auditorium for up to 20 challenging year in our history, with our movie theatres, hotels people, offering a safe, fun and stress-free social gathering and restaurants either closed or operating well below capacity opportunity. These are just two of the many creative ways in for much of the year because of the COVID-19 pandemic. which we continue to drive value for our guests despite the challenges of the past year. Despite the severity of this test, we reaffirmed the foundational strategies that guide how we run the company. We focus on As of the writing of this letter, nearly 70% of our theatres are our balance sheet and our majority owned real estate model. open and welcoming moviegoers back to the big screen. As Our team’s professionalism has served us well over our 85-year the major film studios begin to release the substantial backlog history, with 2020 being no different. of high-quality films, we believe the demand for out-of-home entertainment will increase. And when it does, our team and At the end of the fiscal year, our debt ratio was equal to or theatres are well positioned to welcome back even more lower than seven of the last 10 fiscal year-ends. -
Diretto Da Craig Gillespie Cast Emma Stone Emma Thompson Joel
Diretto da Craig Gillespie Cast Emma Stone Emma Thompson Joel Fry Paul Walter Hauser Emily Beecham Kirby Howell-Baptiste Mark Strong Sceneggiatura di Dana Fox e Tony McNamara Soggetto di Aline Brosh McKenna e Kelly Marcel & Steve Zissis Prodotto da Andrew Gunn, Marc Platt, Kristin Burr, p.g.a. Produttori esecutivi Emma Stone, Michelle Wright, Jared LeBoff, Glenn Close Direttore della fotografia Nicolas Karakatsanis Scenografie di Fiona Crombie Montaggio di Tatiana S. Riegel Costumi di Jenny Beavan Hair and Makeup Design di Nadia Stacey Visual Effects Supervisor Max Wood Colonna Sonora Originale di Nicholas Britell Music Supervisor Susan Jacobs Set Decorator Alice Fellton Social Network https://www.facebook.com/WaltDisneyStudiosIT/ https://www.instagram.com/waltdisneystudiosit/ https://twitter.com/disneystudiosit https://www.youtube.com/user/WaltDisneyStudiosIT Hashtag #Crudelia 1 NOTE DI PRODUZIONE La vincitrice dell'Academy Award® Emma Stone (La La Land) è la protagonista del nuovo film Disney live action Crudelia, che racconta gli esordi ribelli di una delle antagoniste più celebri, e alla moda, del mondo del cinema: la leggendaria Cruella de Vil (Crudelia De Mon). Ambientato durante la rivoluzione punk rock nella Londra degli anni Settanta, Crudelia segue le vicende di una giovane truffatrice di nome Estella, una ragazza intelligente e creativa determinata a farsi un nome con le sue creazioni. Fa amicizia con una coppia di giovani ladri che apprezzano la sua inclinazione alla cattiveria e insieme riescono a costruirsi una vita per le strade di Londra. Un giorno, il talento di Estella per la moda cattura l'attenzione della Baronessa von Hellman, una leggenda della moda incredibilmente chic e terribilmente raffinata, interpretata dall'attrice due volte premio Oscar® Emma Thompson (Casa Howard, Ragione e Sentimento). -
Executive Board Minutes
EXECUTIVE BOARD MINUTES Tuesday, 29 September 2020 1:30 pm - 2:30 pm Eastern DRAFT Via Conference Call Board Member Participants: Other Participants: Chairman Ellis Jacob Mike Bowers Vice Chairman Rolando Rodriguez Steve Zuehlke Treasurer Joe Masher Secretary Jeff Logan Staff Participants: Adam Aron Esther Baruh Robert Bagby Jackie Brenneman, General Counsel Bo Chambliss Kathy Conroy Eddy Duquenne Patrick Corcoran Don Fox John Fithian Mooky Greidinger Mitch Neuhauser Dan Harkins Matt Pollock Chris Johnson J.D. Loeks Ron Krueger Joe Paletta John Vincent David Wright Mark Zoradi Chairman Ellis called the meeting to order to discuss the film release slate, opening/closing of theater markets, current state of federal programs and legislation, public messaging, the short and long term outlook, and the annual meetings of NATO. Ms. Brenneman provided a brief overview of the antitrust statement. Chairman Ellis and Mr. Fithian welcomed Don Fox on his election to the NATO Executive Board. Public Messaging: The Board agreed to reduce the CinemaSafe national campaign remaining $1.2 Million to $500,000 concentrating on the New York and Los Angeles markets instead. The remaining $700,000 will be used in late November as needed. Chairman Ellis noted there was no new business and the next meeting will be via Zoom on Wednesday, 7 October 2020 at 1:30 pm Eastern. It was moved and seconded to adjourn the meeting. A vote was taken and the meeting was adjourned. Page 1 EXECUTIVE BOARD MINUTES Tuesday, 22 September 2020 DRAFT 1:30 pm - 2:30 pm Eastern Via Conference Call Board Member Participants: Other Participants: Chairman Ellis Jacob Mike Bowers Vice Chairman Rolando Rodriguez Steve Zuehlke Treasurer Joe Masher Secretary Jeff Logan Staff Participants: Adam Aron Esther Baruh Robert Bagby Jackie Brenneman, General Counsel Bo Chambliss Kathy Conroy Eddy Duquenne Patrick Corcoran Mooky Greidinger John Fithian Dan Harkins Mitch Neuhauser Chris Johnson Matt Pollock J.D. -
Conspiracy Theory? the Ethical Paradox of “Big Is Bad”
757 CONSPIRACY THEORY? THE ETHICAL PARADOX OF “BIG IS BAD” ARNOLD J. JOHNSON† I. INTRODUCTION The late 1950s and early 1960s elicit fond memories amongst to- day’s baby boomers, who annoy successor generations with their em- bellished reflections on the “good ol’ days.” A dawning of America they would say, as the store fronts of a plethora of thriving middle class towns struck a seemingly perfect balance between small business and retail juggernauts the likes of F.W. Woolworth Company, J.C. Penny, Sears, Roebuck & Company, and Montgomery Ward. The local banker was the pillar of the community, the family doctor kept everyone well, and the town dentist filled teeth–quite a few of them it would seem. More importantly, there was simply no problem, legal or personal, too big for that iconic lawyer in the small Main Street office. It was a time of optimism and a “can do” attitude, as the Ameri- can business machine that would eventually be disparaged as “big” was creating jobs and building chrome-laden cars and trucks, washers and dryers, televisions and radios, and countless other contraptions that would bring convenience to everyday life. Ethics and profession- alism were a given, as reputations mattered in these communities where everyone knew everyone else. For the first and last time in this article it might be said that big was good, or at least not presumed bad. What happened? Could it simply be that business itself changed, becoming more detached from the public as it grew larger and more complex? Perhaps the world evolved, with big business falling out of favor with inevitable shifts in pop culture and politics. -
JJ Makaro 2Nd Unit Director / Stunt Coordinator / Stunt Performer
JJ Makaro 2nd Unit Director / Stunt Coordinator / Stunt Performer Office: 604-299-7050 Cel: 604-880-4478 Website: www.stuntscanada.com DGC/UBCP/ACTRA Member Height: 5’10 Weight: 175 Hair: Silver Eyes: Blue Waist: 32 Inseam: 32 Sleeve: 33 Shoe: 9 ½ Hat: 7 1/8 Neck: 16 Jacket: 40 MED LEO AWARDS NOMINEE – BEST STUNT COORDINATION IN A FEATURE FILM – “NIGHT AT THE MUSEUM: BATTLE OF THE SMITHSONIAN - 2009 TAURUS WORLD STUNT AWARD NOMINEE – BEST STUNT COORDINATOR/2ND UNIT DIRECTOR – “3000 MILES TO GRACELAND” – 2001 2ND UNIT DIRECTING SHOW PRODUCER/PM DIRECTOR The Guest (Miramax) Paddy Cullen/Fran Rosati David Zucker Out Cold (Spyglass) Lee R. Mayes/Fran Rosati Brendan & Emmett Malloy Freedom (Silver Pictures/WB TV) Simon Abbott Various Saving Silverman (Columbia/Tristar) Neil Moritz/Warren Carr Dennis Dugan A Winter’s Tale (Mandeville) Preston Fisher/Gran Rosati Michael Switzer Scary Movie (Miramax) Lee R. Mayes/Fran Rosati Keenan Ivory Wayans Max Q (Disney/Bruckheimer) David Roessel/Andrew Maclean Michael Shapiro Nightman (Crescent Entertainment) Allen Eastman, Ted Bauman/Bob Simmonds Various Suspect Behavior (Disney) Salli Newman/Rose Lam Rusty Cundieff Three (Warner Brothers TV) Brooke Kennedy, Charles S. Carrol/Ted Various Bauman, Fran Rosati Police Academy – The Series (Warner Brothers TV Paul Maslansky/James Margellos Various Sleepwalkers (Columbia/Tristar) David Nutter, Tim Iacofano/Wendy Williams Various Intensity (Mandalay Productions) Preston Fisher/Wendy Williams Yves Simoneau Bounty Hunters II (Cine-Vu) Jeff Barmash, George Erschbamer/John -
Adler, Mccarthy Engulfed in WWII 'Fog' - Variety.Com 1/4/10 12:03 PM
Adler, McCarthy engulfed in WWII 'Fog' - Variety.com 1/4/10 12:03 PM http://www.variety.com/index.asp?layout=print_story&articleid=VR1118013143&categoryid=13 To print this page, select "PRINT" from the File Menu of your browser. Posted: Mon., Dec. 28, 2009, 8:00pm PT Adler, McCarthy engulfed in WWII 'Fog' Producers option sci-fi horror comicbook 'Night and Fog' By TATIANA SIEGEL Producers Gil Adler and Shane McCarthy have optioned the sci-fi horror comicbook "Night and Fog" from publisher Studio 407. No stranger to comicbook-based material, Adler has produced such graphic-based fare as "Constantine," "Superman Returns" and the upcoming Brandon Routh starrer "Dead of Night," which is based on the popular Italian title "Dylan Dog." This material is definitely in my strike zone in more ways than one," Adler said, noting his prior role as a producer of such horror projects as the "Tales From the Crypt" series. "But what really appealed to me wasn't so much the genre trappings but rather the characters that really drive this story." Set during WWII, story revolves around an infectious mist unleashed on a military base that transforms its victims into preternatural creatures of the night. But when the survivors try to kill them, they adapt and change into something even more horrific and unstoppable. Studio 407's Alex Leung will also serve as a producer on "Night and Fog." Adler and McCarthy are also teaming to produce an adaptation of "Havana Nocturne" along with Eric Eisner. They also recently optioned Ken Bruen's crime thriller "Tower." "Night and Fog" is available in comic shops in the single-issue format and digitally on iPhone through Comixology. -
PRODUKTIONSBOLAG Sverige
Uppdaterad 2012-10-23 (Svenska produktionsbolag och organisationer) B R A N S C H K O N T A K T E N SVERIGE__________________________ Tegelviksgatan 77 116 47 Stockholm PRODUKTIONSBOLAG Sverige Tel 070-7177670 Producent: Anne Ingvar Bolag som sysslar med långfilmsproduktion för bio E-post: [email protected] och/eller TV-produktion. Det bästa sättet att skapa Mobil 070-7177670 kontakt är att ringa först och höra om de tar emot manus. I Sverige och övriga Skandinavien behövs ATMO MEDIA NETWORK inte representation i form av agent eller manager. Götgatan 9 Men å andra sidan krävs att du är lite driven för att 116 46 Stockholm få ditt manus läst. Med andra ord: sälj dig själv. Ge Tel +46 (0)8 462 26 90 inte upp. Ligg på konstant. Producent: Kristina Åberg Producent: Kristina Åberg ACNE FILM [email protected] Lilla Nygatan 23 Telefon +46 (0)8 4622690 111 28 Stockholm Mobil +46 (0)70 768 31 33 Tel: 08-555 799 00 Filmer: Metropia, Gitmo, E-post: [email protected] Webbsida: http://www.acne.se/film AUTO IMAGES [email protected] Jakob Nilsgatan 19 Producent: Richard Björlin 211 21 Malmö [email protected] Tel: 040–661 01 60 Mobil 0736-999906 [email protected] Filmer: Bitchkram (2012), Känn ingen sorg (2013) www.autoimages.se Producent: Kristina Åberg ACTION FILM [email protected] Kungsholmsgatan 9 Telefon +46 (0)8 4622690 112 27 STOCKHOLM Mobil +46 (0)70 768 31 33 Tel: 08-673 28 38 E-post: [email protected] BOB FILM SWEDEN Webb: http://www.actionfilm.se/ Hökens gata 10 Anders Jacobsson Mobil 0708-15 33 25 11646 STOCKHOLM Hendrik Wadling Mobil 0705-33 80 16 Tel: 08-556 930 90 Ove Valeskog Mobil 0707-31 47 73 Webb: www.bobfilm.se Producenter: Jan Blomgren ANAGRAM FILMPRODUKTION [email protected] Lilla Fiskaregatan 5 Anna Croneman 222 22 Lund [email protected] Tel 046-159750 Mobil 070-5928168 Producent: Martin Persson Malin Nevander, utvecklingsansvarig [email protected] Karolina Heimburg, produktionschef Mobil 070-7710291 Filmer: Flimmer, Bröderna Hårdrock, Bröllopsfotografen, I skuggan av värmen, Ping- ANNE INGVAR FILM pongkingen, Lilla spöket Laban. -
1. DEFINITIONS. 1.1. “D-BOX Motion Code ”
Execution Version LICENSE, SERVICES AND CO-MARKETING AGREEMENT This License, Services and Co-Marketing Agreement (the “Agreement”) is entered into as of the Effective Date (as defined below) by and between D-BOX TECHNOLOGIES INC., a Canadian corporation (“D-BOX”), on one hand, and SONY PICTURES RELEASING CORPORATION, a Delaware corporation, SONY PICTURES RELEASING INTERNATIONAL CORPORATION, a California corporation, and COLUMBIA PICTURES INDUSTRIES, INC., a Delaware corporation (collectively, “Sony” or “Licensee”), on the other hand. For purposes hereof, (i) in connection with the United States, references to “Sony” will mean Sony Pictures Releasing Corporation, (ii) in connection with Canada, references to “Sony” will mean Columbia Pictures Industries, Inc., and (iii) in connection with all other parts of the Territory, references to “Sony” will mean Sony Pictures Releasing International Corporation. Additionally, where applicable, certain of Sony‟s Film-related activities will be taken by Sony‟s licensees, subdistributors or distribution agents. RECITALS A. D-BOX is the owner of certain software, known as D-BOX Motion Simulator and/or D-BOX Motion Code software (as further defined below, the “D-BOX Motion Code”) that is used to enable the D-BOX Equipment that, when conformed to and coupled with a motion picture or movie clip, creates a motion simulation system that is synchronized with onscreen action and sound for an enhanced end user experience. B. In connection with the theatrical release of the Films during the Term of this Agreement and as described herein, D-BOX shall, at no cost to Sony, license to Sony the D-BOX Motion Code created for each Film, and perform certain services in connection with each Film, in each case in accordance with the terms and conditions of this Agreement. -
Waterford Movie Showtimes
1 / 5 Waterford Movie Showtimes Dark days at the drive-in: Waterford's Sunset Drive-In slowed by COVID-19 worries. Jim Martin. Erie Times-News ... The last of the vendors at the weekly flea market staged at the theater have folded up their card tables and .... We were looking for a comedy and decided to go see LITTLE at Waterford Lakes Cinema. Their website showed a 2:05 showtime and a 4:55 showtime on Sunday, .... (Photo by 20th Century Fox Film Corp. ... issues with Carter's personal life, and creating a robust, complete portrait of a fighter in strange times.. Find movie times and movie theatres in Regina. ... Waterford, Drayton Plains, Rochester, Troy, Birmingham, Union Lake, Franklin, Oakland, .... Get showtimes, buy movie tickets and more at Regal Streets of Indian Lake ... Discover it all at a Regal movie theatre near you. ... Waterford crystal bud vase.. Articles and Editorial on Culture in Ireland from The Irish Times, the Definitive ... The Movie Quiz: Who once chaired the President's Council on Physical Fitness? ... Best known for her productions at the Abbey, the Waterford playwright also .... Regal Waterford, Waterford movie times and showtimes. Movie theater information and online movie tickets.. Movie times, buy movie tickets online, watch trailers and get directions to AMC Star Great Lakes 25 in Auburn Hills, MI. Find everything you need for your local .... Coming Soon Find movie showtimes at Addison Cinema to buy tickets online. ... screen and Waterford Digital Cinema 16 Location Information 7501 Highland .... Find movie showtimes at Showtime Value Cinema to buy tickets online.