DOCSLIB.ORG

RENTRAK Worldwide Film Distributors

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

RENTRAK Worldwide Film Distributors ABBREVIATED NAME FULL NAME 518 518 Media 757 7-57 Releasing 1211 1211 Entertainment 2020 2020 Films @ENT At Entertainment @MOV @MOVIE JAPAN +me +me 01 DIST 01 Distribution 104 FLM 104 Films 11ARTS Eleven Arts 120D 120 Degree Films 13DIST Les Films 13 Distribution 1A FLM 1A Films 1CUT 1st Cut 1M60FILM 1meter60 Film 1MRFM 1 More Film 1ST INDP First Independent 1stRUN First Run 21ST 21st Century 21ST CENT Twenty First Century Films 24BD 24 Bilder 24FRMS 24 Frames 2Corzn Dos Corazones 2GN 2nd Generation 2MN Two Moon 2ND GEN Second Generation Films 2RIVES Les Films des Deux Rives 2SR 2 Silks Releasing 35MI 35 Milim Filmcilik 360 DEGREE 360 Degrees Film 3DE 3D Entertainment 3ETAGE Productions du 3e Etage 3L 3L 3MONDE La Médiathèque des Trois Mondes 3RD WINDOW Third Window Fims 3ROS 3Rosen 41Inc 41 Inc 42FILM 42film 45RDLC 45 RDLC 4DIGITAL 4Digital Media Ltd 4STFM Four Star Film 4TH 4th & Broadway 4TH DIG 4TH Digital Asia 5&2 Five & Two Pictures 50TH 50th Street 5PM Five Points Media 5STR Five Star Trading 5STRET Five Star Entertainment 6PCK Sixpack-Film 791C 791 Cine 7ARTS Seven Arts Distribution 7FLR The 7th Floor 7PP 7th Planet Prods 7TH ART Seventh Art Production 8X 8X Entertainment A B FILM A.B. Film Distributors A. LEONE Andrea Leone Films A3DIST A3 Distribution AA AA Films AAA Acteurs Auteurs Associés (AAA) AAAM Arts Alliance America AAC Alliance Atlantis Communications AAM Arts Alliance Media Aanna Aanna Films AARDMAN Aardman Animations AB&GO AB & GO ABBEY Abbey Home Entertainment ABCET ABC Entertainment ABCF ABC-Films ABFI Absinthe Films ABH Abhi Films ABKCO ABKCO Films ABLO Ablo ABR Abramorama Entertainment ABS ABS-CBN ABSOLUT Absolut media ACADRA ACADRA Distribution ACAF Acacia Films Acajou Acajou Films ACCDIS Accatone Distribution ACCTN Accatone ACD Academy ACE Ace Films ACHAB Achab Film AchimHae Achim Hae Nori ACM Access Motion Picture Group ACME ACME ACOMP A Company ACONTRA A contracorriente ACROB Acrobate Films ACT/TDT Actions Cinémas/Théâtre du Temple ACTAEON Actaeon Film Ltd. ACTCON action concept ACTEFM Acte Films ACTF Accent Films Activers Activers Entertainment ACTM Activator Marketing ACTN Action ACUD Acud ADDICT Addict Films ADEL B Adelaide Builders ADF After Dark Films ADF/FRE ADF/Freestyle ADG A.D.G. ADHOC Adhoc ADLBS Adlabs ADPT Adopt Films ADRFILM Adret Films ADRP ADR Distribution ADV ADV Films ADVENTURE Adventure Pictures ADVF Advanced Film ADVS AudioVisual ADVT Ad Vitam AEEG Ascot Elite EG AEGP Aqua Pinema AEM Avco Embassy Aero Aerofilms AF Alliance Films AFB AFB AFC AFC AFD Associated Film Distribution AFD-Q A-Film Quality AFDT AFD Theatrical AFG Aftab Group AFM AFM AFMD A-Film Dist AFMDFR AFMD AFMED AF-Media AFPL Associated Film Producers Ltd. AFPOY Art Films Oy AFRM AFFRM AFS Australian Film Syndicate AFW Allumination FilmWorks AG/SCN Angel Films / Scanbox AGORA Agora Films AHE Arthome Enterprises AHF Arthouse Films AHFC Apple and Honey AHT ArtHouse Traffic AHU Ahuja Films AIENT A.I. Entertainment AIGUA Aigua Films AINT American International Pictures AIP Alliance International Pictures AIPS A.I.P. Studios AIRE Aire Films AIRONE Airone Cinematograf. S.R.L. AITE Aiete-Ariane Films AJLFTT Anjou Lafayette AKET AK Ent. ALAMBIQUE Alambique ALAS Alas ALBA Albatros Film ALBFM Albany Films ALBPD Albarès Productions ALC Alcina Pictures ALCFM Alice Films ALCINE Alcine Terran ALD Allied Artists ALDV Alberto Del Val Alestar Alestar Ltd. ALEX Alexandria Films ALFA Alfa ALFAF Films Alfa ALFAMA Alfama Films ALFAPICT Alfa Pictures ALFV Alfhaville ALFVIL Alfaville ALHA Aloha Releasing ALKAT Alokatu ALLIAN Les Films de l’Alliance ALLO Allfilm OÜ ALLSTARS All Stars International S.R.L. ALLY Ally Distribution ALM Almi ALMAFM Alma Films ALMATWINS Almatwins ALMD Alamode ALMDF Alameda Films ALNKR A-Line ALOU Les Films à Lou ALPHA Alpha Filmes ALPN Alpenrepublik ALR Alerion ALSC Alsace Ciné ALSTD Aloest Distribution ALTA Alta Films ALTFM Alternative Films ALTP Alternate Pictures ALTROFILM L'Altrofilm Prod. ALV Alive ALXART Alexart Films AMAFM AMA Films AMANDA Amanda AMAZN Amazonas AMB Ambar Distributors AMBER Amber Films AMCET AMC Ent. AMD Amadeus Pictures AMFD Artscope un label Memento Films Distribution AMG AMG Entertainment AMIFLM Amigos Film AMK Alpha Medienkontor AMLF AMLF AMO Amoon AMP ArtMattan Productions AMSTEL Amstelfilm AMTDA Amaranta AMUSE Amuse AMWP American World Pictures AMZ Amazonia ANAREIA Anareia ANCARA Ancara ANCHOR BAY Anchor Bay Ent UK Ltd ANCHR Anchor Bay Films AND Andora Pictures ANDE Andes Films ANG Angelika ANGL Angel Films ANGLFLL Angel Falls ANGLO INTL Anglo International ANGLUS At An Angle ANJM Anjani Movies ANNBX Annie Box ANPLX Aniplex ANT Anthem Pictures ANTENNA Antenna Entertainments ANTI Antidote Films ANU Anugraha Entertainment AONE A-One Entertainment AONEF AOneFilms Apatom Apatom Distribution APCSE Apocalypse APFV Apollo Filmverleih APIX A-Pix APLUS A Plus Cinema APMAN AP Manana APMYET Alpamayo Entertainment APO Apollo APOCALYPSE Apocalypse Flower APOLLO Apollo Digital Ent. Apolo Apolo APPLS Applause APPR Apparition APRT Art Port APS Apsara Enterprises APXENT Apex Ent. AQUELARRE Aquelarre AR Anywhere Road ARAB Arab Films ARABA Araba Films ARABFD Arabic Film Distribution ARANCIA Arancia Film S.R.L. ARBASH Arbash Distribuzione S.R.L. ARBIS Arbis ARC Arcangelo Entertainment ARCA Arcadia ARCE ARC Entertainment ARCHIBALD Archibald Film ARCHR Archer ARCTIA Arctia Film ARENA Arena ARF At Risk Films ARFR Artfree ARGKN Argument Kino ARGO Argo Pictures ARGT Argot Pictures ARGUS Argus Film ARHM Arthause Movies ARI Aria Entertainment ARIES Aries ARIMG Aries Images ARIZ Ariztical Entertainment ARKFM Arkéïon Films ARKL Arkles ARM ARM ARMADILLO Armadillo Pictures ARMD Aurum Distribution OÜ ARMFM Armor Films ARMG Armageddon ARMS Aramis Films ARN Arenaplex ARNS Arenas Entertainment ARP ARP Sélection ARR Arrival Pictures ARROW Arrow Films ARSE Arsenal ARS-IFV Arsenal-Institut Film & Video ART Artrution Productions ART EYE Artificial Eye Artcam Artcam ARTD Artédis ARTE Artecinema ARTF Art Films ARTFLM Artfilmes ARTH Arthaus ARTHS Arthaus Film ARTHSE Arthouse ARTIFM Arti Film ARTIS Artis Film Romania ARTISTI Artisti Associati S.R.L. ARTK Artkino ARTL Artistic License ARTM Art’Mell Distribution ArtRC Artists Releasing Corp ARTS Artisan Arts Saint-André Des Arts ARTSN Artisan Ent. ARTT Artistic ARV Artist View Ent. ARW Arrow Releasing Arwestud Arwestud Films ARXF Artworx Films ARY DIG Ary Digital AS@ED As2Edition ASA ASA Communications ASC Ascot ASCD ASC Distribution ASCFM Aascar Films ASFALTO Asfalto Films ASFK Asociácia slovenských filmových klubov ASH Shree Ashtavinayak Cinevision ASIAV Asia Video ASMIK Asmik Ace ASMO Asociatia Moebius ASP/MIR Aspiration/Miracle ASRL Astral Films ASRPDS Aurora/Paradise AST Astor Pictures ASTAIRE Astaire ASTFLM Astro Films ASTG Against Gravity ASTRO Astro ASVM AS Videomaker ATALANTE Les Films de l’Atalante ATALANTE F Atalante Film S.R.L. ATCAN AT9 CAN ATCHA Atocha Films ATECH ArtTech ATGRP ATgroup ATHF Athaus ATHO Athos Films ATLA Atlantis ATLA/MIN Atlantide/Minerva ATLANTICO Atlantico Films ATLC Atlantic ATLF Atalanta Filmes ATLS Atlas ATLTIC Atlantic Film ATNINE Atnine Film ATOLL Atoll ATOM ATOM ATOSSA Atossa Film ATP Atopia ATT Attitude Films AUD Aud AUDO Audio One AUDV Audiovisuals AUFM Aura Films AUM Aum Exhibitors AUR/ALL Aurum/Alliance AURA Aura Pictures AURORA Aurora AURUM Aurum AVA Avatar Films AVAEnt AVA Entertainment AVAF Avalanche Films AVALON Avalon Distribución AVALON F Avalon Films AVE Avenue AVEX Avex Asia AVF A.V. Films AVIARY Aviary Films Ltd AVIDEA Avidea AVJT AV Jet AVMP AVM Productions AVP American Vacation Production AVRC Avaricia AVV AV Visionen AVXE Avex Entertainment AWK Awakened Media AXE Axefilm AXIOM Axiom Films AYA Aya Pro AYNGARAN Ayngaran AZ/SH Aztec / Sharmill AZETACINEMA A Zeta Cinema AZFM Arizona Films AZGEM AZ Gems AZO American Zoetrope AZPT Azpeitia AZTA Azeta Film AZTC Aztec International AZTFM Azteca Films AZUR Azur Film B DOLPHIN Blue Dolphin B JGOWI Brits Jgowi B&W B&W Prods. B2P Block 2 B4U B4U Network B4UUS B4U US BABA Baba Digital BABAY Baba Yaga BABFM Babilla Films BAC Bac Films Bac FLM Bac Films BADI Baditri BADUR Badura BAEKD Baekdu-Daegan BAGD Bagheera Distribution BAL Bala Entertainment Ltd BALC Balcony Releasing BALIUS Balius BAM BAM BAN Banner Entertainment Bandai Bandai Visual BANDE La Bande Passante BANDH B&H BANDIT Bandit Films BANENT Bandai Entertainment BAR Barrister BARBICAN Barbican BARCINO Barcino BARD Bard BARIAN Barian Entertainment Ltd BARN Barnsteiner-Film BAROK Barok Film BARRCA Barraca BART Barton BARUNS Barunson BAS Bashesar Pictures BASILISK Basilisk Productions BASIS Basis BATEA Batea BAVAFLM Bavaria Film BAW Baweja Movies Pvt Ltd BAZCFM Bazuca Films BBANG Big Bang Films BBC BBC Enterprises BBC/WIN BBC/Winstone BBE BB Entertainment BBETUK Barbarian Entertainment Ltd BBQ BBQ-Distribution BCA BCA BCCNEER Buccaneer BD BD Cine BDF Blind Dog Films BDFX B.D.Fox Independent BDPRO BD Productions BDPSTF Budapest Film BEAUFLM Beaufilm BECK Becker Film Group BEE Bee Workhouse BEETURT Beeck Turtle BEHNEGAR Behnegar BELAR Bel Air Média BELGA Belga BELGE Belge BELLISSIMA Bellissima Films BENE Benelux Film Dist. BEP Blueeyes Productions BERG Bergfilm BEST Best Film BEV BEV Pictures BFBIO NF Biografer BFDT BF Distribution BFFEST British Film Festival BFI BFI BFLM b. film BFRD b. film radikal BFREE Beefree Production BGBGD Big Bang BHARAT Bharat Ent. BHCR Bharat Creations BHDVN BHD BHF Beech Hill Films BHKFT Best Hollywood KFT. BICD Bicéphale Distribution BIG Big Mouth Productions BIGB Big Beach Films BIGBMED Big Bang Media BIGP BIG Pictures BIGPICTURE Big Picture 2 Film BIGS Bigsales OU BIL Billings BIM BIM Distrib. S.R.L. BIO Bioscop BIOREX Bio Rex Distribution BIOT Bio-Tide Films BIRFM Bir Film BISR Bis Repetita BISTEL Bistel Films BIT Bita Films BIZI Bizibi BKLA Berkala Films BLAQOT Blaq Out BLDF Bildkraft BLDJ BLDJF BLINDER Blinder Films BLITZ Blitz BLJ Balaji BLK Blacktop BLK AUD Black Audio BLKWHT Black & White Studio BLLN Black Lion BLNC Blanco y Travieso BLO Blosssom BLOENT Blowtorch Entertainment BLPS Bill Plympton BLR Blue Rider Pictures BLTC Baltic Cinema BLUE FILM Blue Film S.R.L.
Recommended publications
  • Aardman in Archive Exploring Digital Archival Research Through a History of Aardman Animations

    Aardman in Archive Exploring Digital Archival Research Through a History of Aardman Animations

    Aardman in Archive Exploring Digital Archival Research through a History of Aardman Animations Rebecca Adrian Aardman in Archive | Exploring Digital Archival Research through a History of Aardman Animations Rebecca Adrian Aardman in Archive: Exploring Digital Archival Research through a History of Aardman Animations Copyright © 2018 by Rebecca Adrian All rights reserved. Cover image: BTS19_rgb - TM &2005 DreamWorks Animation SKG and TM Aardman Animations Ltd. A thesis submitted in partial fulfilment of the requirements for the degree of Master of Arts in Media and Performance Studies at Utrecht University. Author Rebecca A. E. E. Adrian Student number 4117379 Thesis supervisor Judith Keilbach Second reader Frank Kessler Date 17 August 2018 Contents Acknowledgements vi Abstract vii Introduction 1 1 // Stop-Motion Animation and Aardman 4 1.1 | Lack of Histories of Stop-Motion Animation and Aardman 4 1.2 | Marketing, Glocalisation and the Success of Aardman 7 1.3 | The Influence of the British Television Landscape 10 2 // Digital Archival Research 12 2.1 | Digital Surrogates in Archival Research 12 2.2 | Authenticity versus Accessibility 13 2.3 | Expanded Excavation and Search Limitations 14 2.4 | Prestige of Substance or Form 14 2.5 | Critical Engagement 15 3 // A History of Aardman in the British Television Landscape 18 3.1 | Aardman’s Origins and Children’s TV in the 1970s 18 3.1.1 | A Changing Attitude towards Television 19 3.2 | Animated Shorts and Channel 4 in the 1980s 20 3.2.1 | Broadcasting Act 1980 20 3.2.2 | Aardman and Channel
  • Pr-Dvd-Holdings-As-Of-September-18

    Pr-Dvd-Holdings-As-Of-September-18

    CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd.
  • Statistical Yearbook 2019

    Statistical Yearbook 2019

    STATISTICAL YEARBOOK 2019 Welcome to the 2019 BFI Statistical Yearbook. Compiled by the Research and Statistics Unit, this Yearbook presents the most comprehensive picture of film in the UK and the performance of British films abroad during 2018. This publication is one of the ways the BFI delivers on its commitment to evidence-based policy for film. We hope you enjoy this Yearbook and find it useful. 3 The BFI is the lead organisation for film in the UK. Founded in 1933, it is a registered charity governed by Royal Charter. In 2011, it was given additional responsibilities, becoming a Government arm’s-length body and distributor of Lottery funds for film, widening its strategic focus. The BFI now combines a cultural, creative and industrial role. The role brings together activities including the BFI National Archive, distribution, cultural programming, publishing and festivals with Lottery investment for film production, distribution, education, audience development, and market intelligence and research. The BFI Board of Governors is chaired by Josh Berger. We want to ensure that there are no barriers to accessing our publications. If you, or someone you know, would like a large print version of this report, please contact: Research and Statistics Unit British Film Institute 21 Stephen Street London W1T 1LN Email: [email protected] T: +44 (0)20 7173 3248 www.bfi.org.uk/statistics The British Film Institute is registered in England as a charity, number 287780. Registered address: 21 Stephen Street London W1T 1LN 4 Contents Film at the cinema
  • CLONES, BONES and TWILIGHT ZONES: PROTECTING the DIGITAL PERSONA of the QUICK, the DEAD and the IMAGINARY by Josephj

    CLONES, BONES and TWILIGHT ZONES: PROTECTING the DIGITAL PERSONA of the QUICK, the DEAD and the IMAGINARY by Josephj

    CLONES, BONES AND TWILIGHT ZONES: PROTECTING THE DIGITAL PERSONA OF THE QUICK, THE DEAD AND THE IMAGINARY By JosephJ. Beard' ABSTRACT This article explores a developing technology-the creation of digi- tal replicas of individuals, both living and dead, as well as the creation of totally imaginary humans. The article examines the various laws, includ- ing copyright, sui generis, right of publicity and trademark, that may be employed to prevent the creation, duplication and exploitation of digital replicas of individuals as well as to prevent unauthorized alteration of ex- isting images of a person. With respect to totally imaginary digital hu- mans, the article addresses the issue of whether such virtual humans should be treated like real humans or simply as highly sophisticated forms of animated cartoon characters. TABLE OF CONTENTS I. IN TR O DU C T IO N ................................................................................................ 1166 II. CLONES: DIGITAL REPLICAS OF LIVING INDIVIDUALS ........................ 1171 A. Preventing the Unauthorized Creation or Duplication of a Digital Clone ...1171 1. PhysicalAppearance ............................................................................ 1172 a) The D irect A pproach ...................................................................... 1172 i) The T echnology ....................................................................... 1172 ii) Copyright ................................................................................. 1176 iii) Sui generis Protection
  • Yun Mi Hwang Phd Thesis

    Yun Mi Hwang Phd Thesis

    SOUTH KOREAN HISTORICAL DRAMA: GENDER, NATION AND THE HERITAGE INDUSTRY Yun Mi Hwang A Thesis Submitted for the Degree of PhD at the University of St Andrews 2011 Full metadata for this item is available in St Andrews Research Repository at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/1924 This item is protected by original copyright This item is licensed under a Creative Commons Licence SOUTH KOREAN HISTORICAL DRAMA: GENDER, NATION AND THE HERITAGE INDUSTRY YUN MI HWANG Thesis Submitted to the University of St Andrews for the Degree of PhD in Film Studies 2011 DECLARATIONS I, Yun Mi Hwang, hereby certify that this thesis, which is approximately 80,000 words in length, has been written by me, that it is the record of work carried out by me and that it has not been submitted in any previous application for a higher degree. I was admitted as a research student and as a candidate for the degree of PhD in September 2006; the higher study for which this is a record was carried out in the University of St Andrews between 2006 and 2010. I, Yun Mi Hwang, received assistance in the writing of this thesis in respect of language and grammar, which was provided by R.A.M Wright. Date …17 May 2011.… signature of candidate ……………… I hereby certify that the candidate has fulfilled the conditions of the Resolution and Regulations appropriate for the degree of PhD in the University of St Andrews and that the candidate is qualified to submit this thesis in application for that degree.
  • 환상적인 비즈니스 모델, Cj Enm Buy Cj Enm(035760)

    환상적인 비즈니스 모델, Cj Enm Buy Cj Enm(035760)

    CJ ENM(035760) 2018.11.14 2018.11.14 CJ ENM(035760) BUY 환상적인 비즈니스 모델, CJ ENM Current Price: 206,700(11/14) Target Price: 276,840 최근 급락장에서 저가 매수 기회를 찾다! -최근 주가 급락은 동사 펀더멘털에 비해 과도하다 Upside Potential: 33.9% CJ E&M 과 CJ 오쇼핑 합병으로 더욱 강력해졌다 Stock Data -미디어 산업과 커머스 산업 간 시너지 효과 기대 주가(11/14) 206,900 -종합 컨텐츠 기업의 힘은 더욱더 확대될 것이다 시가총액 4 조 5431 억 -디지털 광고 성장에 주목 발행주식수 21926 천주 일평균거래대금 16,375 백만원 다시 열리는 중국 유동주식비율/외국인지분율(%) -중국 민간 미디어사업자들, 최근 들어 한국 콘텐츠 구매에 46.8/19.6 관심 주요주주 -한한령 해제에 대한 기대감 CJ 외 5 인: 42.71% 국민연금: 5.00% 아직 쓰지 않은 카드가 많다 자사주: 10.47% -넷마블과 CJ 헬로 등 보유하고 있는 투자지분 활용 가능성 POSTRADE 3 팀 팀장 윤형식 팀원 김무정 안소윤 김어진 CJ ENM(035760) 2018.11.14 1.기업소개 현재까지 CJ ENM㈜은 2018 년 7 월 1 일 CJ 오쇼핑㈜이 CJ E&M㈜을 흡수합병하고, 사명을 CJ 매출은 ENM㈜으로 변경하여 탄생한 회사이다. 당사의 사업은 크게 4 개 부문으로 구성되어 미디어, 있다. 방송채널 및 콘텐츠 제작을 영위하는 미디어사업, TV 및 온라인 몰(CJmall)을 영업이익은 통한 상품 판매의 커머스 사업, 영화의 제작, 투자, 배급 등의 영화사업, 그리고 음반 커머스 제작 및 유통, 콘서트 등의 음악사업으로 나누어져 있다. 주요 종속회사의 사업으로 씨제이헬로㈜와 스튜디오드래곤㈜가 있다. 씨제이헬로㈜는 케이블 TV, 초고속인터넷과 인터넷전화 (VoIP)와 같은 방송통신서비스를 제공하며, 스튜디오드래곤(주)을 통하여 드라마 콘텐츠 기획 및 제작, 미디어 플랫폼 배급, 유통 및 부가사업을 영위하고 있다.
  • RAPPORTO Il Mercato E L’Industria Del Cinema in Italia 2008

    RAPPORTO Il Mercato E L’Industria Del Cinema in Italia 2008

    RAPPORTO Il Mercato e l’Industria del Cinema in Italia 2008 fondazione ente dello spettacolo RAPPORTO Il Mercato e l’Industria del Cinema in Italia 2008 In collaborazione con CINECITTA’ LUCE S.p.A. Con il sostegno di Editing e grafica: PRC srl - Roma fondazione ente Realizzazione a cura di: Area Studi Ente dello Spettacolo Consulenza: Redento Mori dello spettacolo Presentazione el panorama della pubblicistica italiana sul cinema, è mancata fino ad oggi una sintesi che consentisse una visione organica del settore e tale da misurare il peso di una realtà produttiva che per qualità e quantità rappresenta una delle voci più significative Ndell’intera economia. Il Rapporto 2008 su “Il Mercato e l’Industria del Cinema in Italia” ha lo scopo primario di colmare questa lacuna e di offrire agli operatori e agli analisti un quadro più ampio possibile di un universo che attraversa la cultura e la società del nostro Paese. Il Rapporto è stato realizzato con questo spirito dalla Fondazione Ente dello Spettacolo in collaborazione con Cinecittà Luce S.p.A., ed è il frutto della ricerca condotta da un’équipe di studiosi sulla base di una pluralità di fonti e di dati statistici rigorosi. Questo rigore si è misurato in alcuni casi con la relativa indeterminatezza di informazioni provocata dall’assenza di dati attualizzati (ad esempio, per i bilanci societari) e dalla fluidità di notizie in merito a soggetti che operano nel settore secondo una logica a volte occasionale e temporanea. La Fondazione Ente dello Spettacolo opera dal 1946. Finora si è conosciuto molto del cinema italiano soprattutto in termini di È una realtà articolata e multimediale, impegnata nella diffusione, promozione consumo.
  • D2492609215cd311123628ab69

    D2492609215cd311123628ab69

    Acknowledgements Publisher AN Cheongsook, Chairperson of KOFIC 206-46, Cheongnyangni-dong, Dongdaemun-gu. Seoul, Korea (130-010) Editor in Chief Daniel D. H. PARK, Director of International Promotion Department Editors KIM YeonSoo, Hyun-chang JUNG English Translators KIM YeonSoo, Darcy PAQUET Collaborators HUH Kyoung, KANG Byeong-woon, Darcy PAQUET Contributing Writer MOON Seok Cover and Book Design Design KongKam Film image and still photographs are provided by directors, producers, production & sales companies, JIFF (Jeonju International Film Festival), GIFF (Gwangju International Film Festival) and KIFV (The Association of Korean Independent Film & Video). Korean Film Council (KOFIC), December 2005 Korean Cinema 2005 Contents Foreword 04 A Review of Korean Cinema in 2005 06 Korean Film Council 12 Feature Films 20 Fiction 22 Animation 218 Documentary 224 Feature / Middle Length 226 Short 248 Short Films 258 Fiction 260 Animation 320 Films in Production 356 Appendix 386 Statistics 388 Index of 2005 Films 402 Addresses 412 Foreword The year 2005 saw the continued solid and sound prosperity of Korean films, both in terms of the domestic and international arenas, as well as industrial and artistic aspects. As of November, the market share for Korean films in the domestic market stood at 55 percent, which indicates that the yearly market share of Korean films will be over 50 percent for the third year in a row. In the international arena as well, Korean films were invited to major international film festivals including Cannes, Berlin, Venice, Locarno, and San Sebastian and received a warm reception from critics and audiences. It is often said that the current prosperity of Korean cinema is due to the strong commitment and policies introduced by the KIM Dae-joong government in 1999 to promote Korean films.
  • Eone Annual Report 2019

    Eone Annual Report 2019

    2019 Annual Report and Accounts Unlocking the power & value of creativity We are focused on building the leading talent-driven, platform- agnostic entertainment company in the world. Through our deep creative relationships we are able to produce the highest quality content for the world’s markets. We are powered by global reach, scale and local market knowledge to generate maximum value for this content. Strategic Report SR Governance G Financial Statements FS Unlocking the Unlocking the value of originality power & value p.10 of creativity Unlocking the power of creativity p.12 Strategic report Governance 02 At a glance 66 Corporate governance 04 Chairman’s statement 68 Board of Directors 06 Chief Executive Officer’s review 70 Corporate governance report 10 Unlocking the power 78 Audit Committee report & value of creativity Unlocking the 86 Nomination Committee report value of direction 20 Market Review 90 Directors’ Remuneration report p.14 22 Business Model 118 Directors’ report: 24 Strategy additional information 26 Key performance indicators Financial statements Business review 122 Independent auditor’s report 28 Family & Brands 127 Consolidated financial statements 36 Film, Television & Music 131 Notes to the consolidated financial statements Unlocking the 46 Finance review power of storytelling 51 Principal risks and uncertainties Visit our website: entertainmentone.com p.16 58 Corporate responsibility Unlocking the value of talent p.18 entertainmentone.com 1 AT A GLANCE Performance highlights Strong growth in underlying EBITDA
  • Cablelabs Studio Code List 05/01/2006

    Cablelabs Studio Code List 05/01/2006

    CableLabs Studio Code List 05/01/2006 Studio Name Code Last Update 05/05/2006 1 120 Degree Films 120D 2 1st National FSN 3 2 Silks Releasing 2SR 4 20th Century Fox FOX 5 21st Century 21ST 6 2nd Generation 2GN 7 4th & Broadway 4TH 8 50th Street 50TH 9 7th Planet Prods 7PP 10 8X Entertainment 8X 11 A.D.G. ADG 12 A.I.P. Studios AIPS 13 Abramorama Entertainment ABR 14 Academy ACD 15 Access Motion Picture Group ACM 16 ADV Films ADV 17 AFD Theatrical AFDT 18 Alive ALV 19 Alliance Atlantis Communications AA 20 Alliance International Pictures AIP 21 Almi ALM 22 American International Pictures AINT 23 American Vacation Production AVP 24 American World Pictures AWP 25 American Zoetrope AZO 26 Amoon AMO 27 Andora Pictures AND 28 Angelika ANG 29 A-Pix APIX 30 Apollo APO 31 Apple and Honey Film Corp. AHFC 32 Arab Films ARAB 33 Arcangelo Entertainment ARC 34 Arenaplex ARN 35 Arenas Entertainment ARNS 36 Aries ARI 37 Ariztical Entertainment ARIZ 38 Arrival Pictures ARR 39 Arrow Releasing ARW 40 Arthouse Films AHF 41 Artificial Eye ARTI 42 Artisan ARTS 43 Artist View Ent. ARV 44 Artistic License ARTL 45 Artists Releasing Corp ARP 46 ArtMattan Productions AMP 47 Artrution Productions ART 48 ASA Communications ASA 49 Ascot ASC 50 Associated Film Distribution AFD 51 Astor Pictures AST 1 CableLabs Studio Code List 05/01/2006 Studio Name Code Last Update 05/05/2006 52 Astral Films ASRL 53 At An Angle ANGL 54 Atlantic ATL 55 Atopia ATP 56 Attitude Films ATT 57 Avalanche Films AVF 58 Avatar Films AVA 59 Avco Embassy AEM 60 Avenue AVE 61 B&W Prods.
  • The Finance and Production of Independent Film and Television in the UK: a Critical Introduction

    The Finance and Production of Independent Film and Television in the UK: a Critical Introduction

    The Finance and Production of Independent Film and Television in the UK: A Critical Introduction Vital Statistics General Population: 64.1m Size: 241.9 km sq GDP: £1.9tr (€2.1tr) Film1 Market share of UK independent films in 2015: 10.5% Number of feature films produced: 201 Average visits to cinema per person per year: 2.7 Production spend per year: £1.4m (€1.6) TV2 Audience share of the main publicly-funded PSB (BBC): 72% Production spend by PSBs: £2.5bn (€3.2bn) Production spend by commercial channels (excluding sport): £350m (€387m) Time spent watching television per day: 193 minutes (3hrs 13 minutes) Introduction This chapter provides an overview of independent film and television production in the UK. Despite the unprecedented levels of convergence that characterise the digital era, the UK film and television industries remain distinct for several reasons. The film industry is small and fragmented, divided across the two opposing sources of support on which it depends: large but uncontrollable levels of ‘inward-investment’ – money invested in the UK from overseas – mainly from the US, and low levels of public subsidy. By comparison, the television industry is large and diverse, its relative stability underpinned by a long-standing infrastructure of 1 Sources: BFI 2016: 10; ‘The Box Office 2015’ [market share of UK indie films] ; BFI 2016: 6; ‘Exhibition’ [cinema visits per per person]; BFI 2016: 6; ‘Exhibition’ [average visits per person]; BFI 2016: 3; ‘Screen Sector Production’ [production spend per year]. 2 Sources: Oliver & Ohlbaum 2016: 68 [PSB audience share]; Ofcom 2015a: 3 [PSB production spend]; Ofcom 2015a: 8.
  • New Paradigm in Cinema Industry CJ 4DX : What Is 4DX?

    New Paradigm in Cinema Industry CJ 4DX : What Is 4DX?

    4DX’s Challenge for Global Hallyu Creation Presenter: Byung-Hwan Choi CEO / CJ 4DPLEX Hallyu, at the Extension Stage 1980s 1990s 2000~ Cultural Hong Kong Japan Korea Trend In Asia Hong Kong Noir Movies Manga, Games, J-Pops Soap Operas, K-Pops, Games, Movies… Initial Before Hallyu stage Leaping Stage Extension Stage Revenue $Bil What is “Hallyu”? Highest Profit 1.2 Hallyu, the Korean Wave, is a Record neologism referring to the increase in the worldwide popularity of 1.0 <Dae Jang Geum> South Korean culture. First Hallyu 0.8 Culture 0.6 Export Culture Import Psy, 0.4 H.O.T Heyday of K-Pop debut in China 0.2 1980 1984 1988 1992 1996 2000 2004 2008 2012 Source: SERI Report (June 19, 2013) 1 CJ, Korea’s Leading Culture Creator CJ’s Hallyu Philosophy as Global Lifestyle company : 3 2 CJ Group, Business Portfolio Global CJ Foodville Global Bio Production Global CJ O Shopping Global CGV 184 stores in 10 countries Brazil, China, Indonesia, China, Indian, Japan, USA, China, Vietnam, Global bibigo Malaysia, USA Philippines, Thailand, Malaysia, Indonesia USA, China, UK, Japan, Turkey, Vietnam Singapore, Indonesia 3 CJ Group, Business Portfolio Sales by Year ($ Bil) 2013 9.2 2012 8.9 2011 8.2 2010 6.9 Weight of overseas sales as % of total sales 4 CJ Group, Business Portfolio Sales by Year ($ Bil) 2017 (exp) 5.0 2012 1.8 2011 1.5 2010 1.2 5 CJ Group, Business Portfolio CJ O Shopping Sales by Year ($ Bil) 2013 2.7 2012 2.5 2011 2.3 2010 1.8 CJ Korea Express CJ O SHOPPING GLOBAL BUSINESS 6 CJ Group, Business Portfolio PR Value from CJ’s Hallyu festivals - MAMA (Mnet Asia Music Awards) 2013 = 2.6 Bil - KCON 2014 = 36 Mil CJ E&M Sales by Year ($ Bil) 2013 1.6 2012 1.3 2011 1.2 CJ CGV & HelloVision Sales by Year ($ Bil) 2013 1.9 2012 1.5 2011 1.2 7 At the Center of Global Movie Industry Global Trends in Movie Industry Global Cinema Industry In Korea, cinema box office and attendance is continuously increasing since 2010.